Javier Mariscal
Sabinas, Noma, Blanca, Mora.
Javier Mariscal is, First and foremost, an image
creator who develops his work using all kinds
of supports and disciplines. Furniture design,
painting, sculpture, illustrations, interior design,
graphic design, landscaping, gardening and so on
are all the object of his professional, vital activity.
He has collaborated with companies such as
Memphis, Akaba, Bidasoa, BD Ediciones de Diseño,
Moroso, Nani Mar quina, Vorwerk, Equipaje, Alessi,
Sangetsu, Magis, Cosmic, Amat3, Santa&Cole,
Lali que and Phaidon. Mariscal e xpresses himself
using a personal language that is complex in its
intention and simple in its statements, innocent
yet provocative, that he uses to innovate, risk and
communicate. He enjoys provoking the eyes that
look at his works and creating complicity with
them.
Harry Paul
Bye-bye.
Known
for
projecting
mysterious
objects,
exemplars of vibrant design of the 21st century,
his resulting design approach concentrates on
experimentation with materials, technologies and
lines.
Harry Paul works across a wide range of disciplines,
from furniture (in- and outdoor), lightning and
table top, to textiles, watches and golf shoes, to
architectural & interior/stand commissions and
unique sculpture pieces for clients world wide.
Born in Breda, the Netherlands, class 1966,
industrial designer with a degree from the
Design
Academy
Eindhoven
(former
AIVE),
where he, before graduating, 1992, under Lidewij
Edelkoort and Axel Enthoven, won the 1st price
in the European design competition for leisure
of GE Plastics with a proposal for a custom made
protective sports equipment.
Agatha Ruiz de la Prada
Agatha.
Agatha Ruiz de la Prada first stepped into the
fashion world in 1981. The collection proved to
be such a success that she soon opened her first
studio-shop in the Spanish capital and started
to participate in fashion shows in Madrid and
Barcelona. Although Agatha gained a certain
level of recognition early on in her career, her true
fashion breakthrough came when she allied forces
with one of Spain ’ s most important de – partment
stores, El Corte Inglés. Thanks to this partnership,
the designer ’ s collections were soon distributed
throughout the entire national territory. Having
con quered Spain, Agatha little by little started to
cross borders and gain international recognition by
means of her fashion shows and exhibitions and
then expanded the family of products: clothes,
furniture, perfumes…
Designers
Aarnio studied at the Institute of Industrial Arts
in Helsinki, and started his own office in 1962.
The following year, he introduced his Ball Chair,
a hollow sphere on a stand, open on one side to
allow a person to sit within. The similar Bubble
Chair was clear and suspended from above. Other
innovative designs included his floating Pastil Chair
(similar to a solid inner tube),[2] and Tomato Chair
(more stable with a seat between three spheres).
His Screw Table, as the name suggests, had the
appearance of a flat head screw driven into the
ground. He was awarded the American Industrial
Design award in 1968.
Aarnio's designs were an important aspect of
1960s popular culture, and could often be seen
as part of sets in period science-fiction films.[3]
Because his designs used very simple geometric
forms, they were ideal for such productions. Eero
Aarnio continues to create new designs, including
toys and furniture for children. Eero Aarnio opened
his official webshop and first Design Eero Aarnio
Showroom, in Helsinki. There you can find Aarnio`s
latest design, prototypes and latest news.
Eero Aarnio
Peacock, Roulette, Rosinante.
Teresa Sapey
Adan, Chrismy, Chemistubes.
Studio Teresa Sapey is an architecture and design
studio based in Madrid since it was founded in
1990. The team’s guiding force streams from
curiosity and energy. In fact, the range of fields
approached by this practice is extremely broad: It
varies from spaces to displays via furniture, graphics
and editorial works. Projects not only stem from
feelings, but they are also capable of transmitting
these
same
emotions
to
their
clients
and
customers. “By working with spaces my aim is to be
touching and therefore render emotions palpable:
Three-dimensional,
even
four-dimensional.
No
matter the feelings is, as far as it is a feeling, I would
go for it! I believe that architecture should interpret,
build and transmit these inspiringly and usefully”
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