5
History
Strato was established in 1987 by Gianna Farina and Marco
Gorini as an interior design company. The love for cooking and
food brought Marco and Gianna to create their own custom made
kitchen. In recent years Strato has always been on the cutting-
edge of the kitchen world, thanks to constant product and process
innovation, continuous research into solutions within the sphere
of technology and handmade finishing. Marco Gorini and Strato
employees share an ongoing quest for taking care of details,
quality, technological excellence, exclusive and innovative design.
Strato has an exclusive network of carefully selected dealers
who market Strato collections in Europe, Asia and America. The
constant dedication to innovative products and commitment to
client satisfaction has taken Strato to the very top of the world
of tailor-made kitchen furniture. Strato has been conceived for a
clientele who desires quality and performance with a “classical
contemporary” style capable of maintaining its features and value
over the years. In 1990, Strato introduced its first NPU kitchen
collection with a 20cm thick Corian worktop. This collection rapidly
won international fame thanks to quality, precious materials and
its unique design. Over the years, Strato built a strong brand value
easily recognizable by the market through the careful and coherent
placement of its product portfolio. Strato products are conceived
for a particularly demanding clientele in terms of functional and
aesthetic features.
Craftsmanship
The Strato factory combines the most advanced production
machines and highly specialized workers trained by Marco Gorini.
Our long experience, the passion, the care for detail and the unique
working techniques developed by Marco Gorini allow us to create
sophisticated and unique objects in any shape and size and to
combine different materials, such as stone, marble, Stratocolor,
wood, titanium, matt or polished stainless steel, bronze, copper,
black stainless steel, and many other metals. Strato acquired
a technique in the use of tools and materials which may be as
complete and in every sense as remarkable as a musician’s mastery
of the resources of his instrument.
