A PH pendant for sure
A prototype of the PH Septima was exhibited at the Danish Museum
of Decorative Art (now Designmuseum Danmark) in Copenhagen,
in late September 1928. The press and public immediately adored
it. There was no doubt that this was a PH lamp, even if its design
was slightly finer and more delicate. Of course, the PH Septima
also provided perfect, non-glaring light, which was directed
downward as well as gently diffused through the alternating
clear and frosted glass sections of its papery shades, all
made of strong borosilicate glass shaped with Venetian glass
techniques. The seven-shade glass lamp came to be regarded
as Henningsen’s most advanced pendant at the time.
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