BROKIS . 83
82 . BROKIS
For the location in Stresa, because its
architecture contrasted incredibly with
the first one and had the potential to
arouse completely different sensations.
Furthermore, it’s the type of house you
might imagine on the canals of Miami
Beach or in Beverly Hills or in Japan.
It has an absolutely transcendent
architecture.
This was an all-white location, which
to me represented light, so the lights
I chose were also white, though some,
such as Prisma, had a golden finish.
I wanted to show the lights in their
most minimal guise without the added
value of colour, accentuating rather
the transparency and the tones that
best matched the design of each light.
