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> > Santa Cole

Santa Cole

60

Santa Cole: Indoor 2019, 151 392

S&C / Floor lamps / Lámparas de pie
149
Trípode G5
Equipo Santa & Cole
1997
S&C / Floor lamps / Lámparas de pie
149
Trípode is a family conceived to lend neutral spaces
a warmer touch through the use of colour. This series
features two sizes of table lamps, and a popular floor
version, in addition to a pendant lamp version in vari-
ous sizes. Designed in 1994, the GT5 pendant lamp
was the first of a large family that was created as an
alternative to the use of cardboard, methacrylate, or
solid textile shades. The use of handmade cotton rib-
bon reincorporates traditional craftsmanship. With
the light on, the shade provides a warm light, rich in
nuances. With the light off, this lamp is a sculptural
statement piece that enhances the room.
Santa & Cole continues to champion the use of rib-
boned shades to dress up every kind of light sources,
through various textile materials. Santa & Cole col-
laborated with the studio Raw Color in Eindhoven
(Holland) to create new ribbons colours, each woven
from three distinct yarns: terracotta, mustard yellow
and forest green. The three basic colours in the rib-
bon collection, natural white, amber red and black,
available since 1994, complete the range of six colours
available. A true symbol of contemporary design:
simple, colourful and functional.
Trípode es una familia pensada para humanizar espa-
cios neutros mediante el uso del color. Se compone
de dos tamaños de sobremesa y una muy conocida
versión de pie, además de sus múltiples tamaños en
su versión de suspensión. La lámpara de suspensión
GT5, de 1994, fue la primera de una numerosa familia
que nació como alternativa al uso de cartulinas, me-
tacrilatos o pantallas textiles continuas, recuperando
artesanías olvidadas mediante sus cintas de algodón
hechas artesanalmente. Encendidas, estás pantallas
de cinta proporcionan una característica luz cálida
rica en matices. Y apagadas constituyen una escultura
volumétrica que dignifica los espacios.
Santa & Cole sigue defendiendo el uso de pantallas
encintadas manualmente para vestir todo tipo de
fuentes luminosas. De la colaboración con el estudio
Raw Color de Eindhoven (Holanda), salieron nuevos
colores con tres hilos de distintos acabados: un teja,
un mostaza y un verde que se suman a los colores
básicos de la colección de cintas de algodón, en vigor
desde 1994, blanco crudo, rojo ámbar y negro. Un
tótem del diseño contemporáneo: sobria, colorista
y funcional.

Cattelan Italia

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Santa Cole

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