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The minimalist design, which
divests the objects of any
ornament hiding their essential
identity, is the very expression
of a modernity that is no longer
iconoclastic, but rather chooses
to be timeless and keeps its
aesthetic value over the years.
Visual order, proportion,
geometry and a rigorous neutral
use of the colour and material.
More than the result itself,
the simplicity is what better
identifi es these lighting fi xtures.
A fundamental principle that
defi nes the discourse behind the
reason for being of these pieces.
less is more
