[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-vitra-home-stories-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":388},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":383,"matched_pages":384,"match_count":385,"two_pages":386,"show_text":387},23091,"Home Stories 2025","vitra-home-stories-2025","\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F9e\u002Fc3c501ac1a0d388427e9048b235be1-28e888ef96.pdf","Vitra",1477,"vitra","28.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381],{"image":7,"text":15,"number":16},"vitra.com\nv\nHome \nStories\nDE · 2025\n2025_01_Cover-DE_FR-VINT-EN_ES_IT.indd   Alle Seiten\n2025_01_Cover-DE_FR-VINT-EN_ES_IT.indd   Alle Seiten\n06.02.25   12:56\n06.02.25   12:56\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.2.png","Vitra Home \nCollection\n→ \n9 \nLounge chairs\n→ 39 \nSofas\n→ 73 \nChairs and tables\n→ 123 \nChairs and tables for the home office\n→ 149 \nAccessories\nFront cover: Anagram Sofa (→ 40) \nBack cover: Mynt (→ 124) and Courier (→ 146)\ndocument4069321432662171198.indd   1\ndocument4069321432662171198.indd   1\n06.02.2025   14:20:17\n06.02.2025   14:20:17\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.3.png","document4069321432662171198.indd   2\ndocument4069321432662171198.indd   2\n06.02.2025   14:20:22\n06.02.2025   14:20:22\nLaunched in 2004, the Vitra Home Collection has developed and  \nmatured over the last twenty years and continues to do so to this day.  \nThis same period has also seen the transition from the second to the  \nthird generation of our family company. In their day, my uncle and  \nmy father initiated the cultural mission embodied by the Vitra Design \nMuseum, its collection and archives, as well as by the architecture  \nof the Vitra Campus. The current generation of our family business \nremains committed to this cultural mission while at the same time \nembarking on a new path: Vitra’s environmental mission.\nCreating products that can be passed down to the next generation  \nhas always been the guiding principle for all our development activities. \nOur range is being expanded with two products that exemplify this \ncommitment – the first is a sofa by new designers Panter&Tourron,  \nwhich redefines the way we furnish our living rooms. Anagram adapts \neffortlessly to your changing life circumstances. The second is Mynt:  \na chair by Erwan Bouroullec who has collaborated with Vitra since the \nearliest days of the Home Collection. Mynt offers innovative sitting \ncomfort and a versatile aesthetic that is perfectly suited to dining table \nsettings as well as to the home office. These new additions to the Vitra \nHome Collection reflect our broader environmental mission: recycled \nmaterials are increasingly finding their way into all our products, existing \nand new. The ability to repair items extends their lifespan even further, \nwhile reducing the carbon footprint has become a key objective during  \nthe product development process.\nAlthough there is still a long way to go, the Vitra team is highly  \nmotivated by these ambitious environmental goals. And we hope \nyou are too.\nNora Fehlbaum (CEO, Vitra)\nAnagram – the flexible sofa that  \nadapts to everyday life\nCourier – the desk that integrates  \nseamlessly into any interior \nEames Plastic Chair RE in recycled  \npost-consumer plastic \ndocument4069321432662171198.indd   3\ndocument4069321432662171198.indd   3\n06.02.2025   14:20:47\n06.02.2025   14:20:47\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.4.png","4\nThe sourcing, processing and use of materials in products constitute about 80% of Vitra’s \noverall carbon footprint. That is why materials are continuously analysed, and production \nmethods monitored and evaluated by independent external institutions: the used materials \nshould be as sustainable and low impact as possible. One such example is the material  \nused for the seat shells of the legendary Plastic Chairs by Charles and Ray Eames, which  \nhas now been converted to post-consumer recycled polypropylene.\nFor more details, visit  \nvitra.com\u002Fsustainability\ndocument4069321432662171198.indd   4\ndocument4069321432662171198.indd   4\n06.02.2025   14:20:55\n06.02.2025   14:20:55\nThe Vitra Campus in Weil am Rhein is home to Vitra’s principal production sites. Here classics  \nlike the Eames Aluminium Chair have been manufactured in virtually the same manner for \ndecades. Visitors to the Vitra Campus can observe the individual steps during a guided tour of  \nthe production facilities. Vitra imposes the highest quality standards on their material and \ncomponent suppliers, who are subjected to regular compliance audits. In 2022, 96% of Vitra’s \nsuppliers were located in Europe, with 45% in Germany. \ndocument4069321432662171198.indd   5\ndocument4069321432662171198.indd   5\n06.02.2025   14:21:00\n06.02.2025   14:21:00\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.5.png","Inaugurated on the Vitra Campus in 2020, the garden by Dutch designer Piet Oudolf features \nperennial, self-regenerating plants, shrubs, grasses, bushes and wildflowers. Six colonies of bees \ncan be found nearby and are kept according to a combined nesting method by Vitra employees, \nwho are trained apiculturists. To promote further biodiversity on the site, additional areas of the  \nVitra Campus are also being transformed into green spaces and employee gardens.\ndocument4069321432662171198.indd   6\ndocument4069321432662171198.indd   6\n06.02.2025   14:21:04\n06.02.2025   14:21:04\nBirgitte von Halling-Koch with one of her grandchildren in the Eames Lounge Chair at her  \nsummer home in Sweden. The chair was purchased by her father Percy von Halling-Koch in 1958.\nFor more details, visit  \nvitra.com\u002Fcampus\ndocument4069321432662171198.indd   7\ndocument4069321432662171198.indd   7\n06.02.2025   14:21:07\n06.02.2025   14:21:07\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.6.png","For more details, visit  \nvitra.com\u002Flounge-chairs\ndocument16950291801495119672.indd   8\ndocument16950291801495119672.indd   8\n06.02.2025   11:14:02\n06.02.2025   11:14:02\n9\nThe portfolio of Vitra lounge chairs and armchairs ranges from classic to \ncontemporary designs, from compact versions to expansive models, from \nunupholstered armchairs to soft lounge chairs for comfortable relaxation,  \nsome with integrated mechanisms. What they all share is a timeless aesthetic, \ncarefully crafted from durable materials. Lifelong companions, cherished  \neven by future generations.\nLounge Chairs\n→ 23  Eames Shell Chairs \nRAR & LAR\n→ 10 Lounge Chair\n→ 24 Grand Relax\n→ 26 Repos & Grand Repos\n→ 28 HAL Lounge Chair\n→ 20 Aluminium Chair EA 124\n→ 34 Cone & Heart Cone Chair\n→ 30 Cité\n→ 32 Fauteuil de Salon\n→ 21 Soft Pad Chair EA 222\n→ 22 Plywood Group LCW\n→ 36 Slow Chair\ndocument16950291801495119672.indd   9\ndocument16950291801495119672.indd   9\n06.02.2025   11:14:06\n06.02.2025   11:14:06\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.7.png","1\nLounge Chair, Charles & Ray Eames, 1956\n( 1 ) Lounge Chair & Ottoman - santos palisander  · Leather Premium F, 66 nero · Charles & Ray Eames, 1956\ndocument1341686224357214209.indd   10\ndocument1341686224357214209.indd   10\n06.02.2025   11:13:57\n06.02.2025   11:13:57\n2\nStaged at the Eames House, Pacific Palisades, California © Eames Foundation, 2023\ndocument1341686224357214209.indd   11\ndocument1341686224357214209.indd   11\n06.02.2025   11:14:05\n06.02.2025   11:14:05\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.8.png","document1341686224357214209.indd   12\ndocument1341686224357214209.indd   12\n06.02.2025   11:14:11\n06.02.2025   11:14:11\n13\nThe Lounge Chair was designed by Charles and Ray Eames in the 1950s  \nwith the aim of combining an elegant appearance with ultimate comfort.  \nIt has been produced by Vitra using virtually the same methods ever since, \nand is now recognised as a great classic of twentieth-century furniture  \ndesign. Offered in two sizes and various combinations of leather or fabric \nupholstery covers, wooden shells and bases, the Lounge Chair is ideally \ncomplemented by the matching Ottoman.\nLounge Chair, Charles & Ray Eames, 1956\nCharles and Ray Eames are counted among  \nthe most important figures of twentieth century \ndesign. Their work spans the fields of furniture \ndesign, filmmaking, photography and exhibition \ndesign. Vitra is the sole authorised manufacturer \nof Eames products for Europe and the Middle \nEast. When you own an Eames product made by \nVitra, you know it is an original. © 2023 Eames \nOffice, LLC\nThe Lounge Chair is now available in the soft \ncover fabric Nubia. The version shown here  \nand all other configurations can be found at: \nwww.vitra.com\ndocument1341686224357214209.indd   13\ndocument1341686224357214209.indd   13\n06.02.2025   11:14:17\n06.02.2025   11:14:17\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.9.png","14\nFor nearly 70 years Vitra has been the sole authorised manufacturer of  \nthe Eames Lounge Chair for markets in Europe and the Middle East. The \ncooperation between Vitra and the designer couple Charles and Ray Eames \nbegan in 1957 and continues today in partnership with the Eames Office, \nwhich represents the Eames family. Production of the Lounge Chair requires \nthe same 47 individual steps today as it did 70 years ago, many of which  \nmust be performed by hand. The meticulous execution of each step ensures \nthe enduring quality that makes the Lounge Chair last for generations.\nEach veneer shell is unique. The veneer used for the Lounge Chair stems  \nfrom FSC-certified sources managed according to environmentally and \nsocially responsible criteria for planting and foresting. The age-old tradition \nof leather tanning has undergone further development in the interests of \nsustainability: the new Leather Premium F processed with a tanning agent \nextracted from olive tree leaves is devoid to the largest possible extent  \nof environmentally harmful substances and processes.\nThe final manual production steps can be \nviewed in the Lounge Chair Atelier on the  \nVitra Campus in Weil am Rhein.\nMade from high-quality materials, the  \nLounge Chair can be passed down from  \none generation to the next. \nLounge Chair, Charles & Ray Eames, 1956\ndocument1341686224357214209.indd   14\ndocument1341686224357214209.indd   14\n06.02.2025   11:14:32\n06.02.2025   11:14:32\n2\n( 1 ) Lounge Chair & Ottoman - black-pigmented walnut  · Nubia, 07 ivory\u002Fpeach · Charles & Ray Eames, 1956 ( 2 ) Occasional Table LTR  · \n30 basic dark powder-coated (smooth) · gold leaf · Charles & Ray Eames, 1950 ( 3 ) Eames Fiberglass Side Chair DSW  · 07 Eames Ochre Light · \n65 honey-toned ash · Charles & Ray Eames, 1950\n1\n3\ndocument1341686224357214209.indd   15\ndocument1341686224357214209.indd   15\n06.02.2025   11:14:41\n06.02.2025   11:14:41\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.10.png","16\nEames \n& Vitra\nWhile on a trip to New York in 1953, Swiss entrepreneur  \nWilli Fehlbaum – the founder of Vitra – came across a chair  \nby the American husband-and-wife team Charles and Ray  \nEames. Fascinated by this innovative design, he soon established \ncontact with Charles and Ray Eames and was later authorised  \nto manufacture Eames products in Europe. He first visited  \nthe designer couple in Los Angeles in 1957 and one year later,  \nCharles and Ray travelled to Vitra in Basel. Regular meetings \nfollowed over the years between the Eameses and Willi and  \nErika Fehlbaum – assisted by their eldest son Rolf, who  \ntranslated for his parents.\n→\n Highlights from the Eames\nCollection by Vitra in front\nof Fire Station on the Vitra\nCampus, 2023.\ndocument16203793308803084835.indd   16\ndocument16203793308803084835.indd   16\n06.02.2025   11:13:54\n06.02.2025   11:13:54\n17\ndocument16203793308803084835.indd   17\ndocument16203793308803084835.indd   17\n06.02.2025   11:14:09\n06.02.2025   11:14:09\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.11.png","↑  Erika and Willi Fehlbaum \nvisiting the Eames Office, \nstanding in front of the  \n‘History Wall’ from the \nMathematica exhibition \nproduced in 1961.\n←  Nora Fehlbaum and Eames \nDemetrios represent the  \nthird generation of the close \nrelationship between Vitra  \nand the Eames Office, 2023.\n© 2023 Eames Office, LLC\ndocument16203793308803084835.indd   18\ndocument16203793308803084835.indd   18\n06.02.2025   11:14:15\n06.02.2025   11:14:15\nEames \n&\nVitra\nThe close relationship between  \nthe two families continued when \nRolf Fehlbaum took over the  \nmanage ment of Vitra in 1977. Now \nChair man Emeritus of Vitra, it is \nwith admiration that he declares: \n‘Charles and Ray Eames are our \nheroes: they are the figures who, \nmore than anyone else, have given \nthis company its defining form  \nand ideas. These were people of \nincredible talent, very hard workers \nand visionaries. They not only \nmade furniture but were architects, \nfilmmakers, photographers and \neducators, thinking not only about \nsociety, but also the greater world \naround them.’\nFollowing the death of Ray Eames \nin 1988, exactly a decade after \nCharles, the Vitra Design Museum \nacquired part of the couple’s three-\ndimensional estate. The collection \nalso encompasses some of the \nsurviving \nexperimental \nmodels \nand furniture prototypes and is  \nan important source of reference \nfor Vitra in the further development \nof Eames designs.\nThe close ties between the Eames \nOffice and Vitra still endure today  \nin the third generation of the two \nfamilies. After initially working \nwith \nCharles’s \ndaughter \nLucia \nEames, Vitra now consults with \nEames Demetrios – one of the \ncouple’s five grandchildren – on \nthe production of Eames designs. \nOn the Vitra side, the third \ngeneration of the Fehlbaum family \nis represented by Nora Fehlbaum, \nwho has headed the company  \nsince 2014.\n↑  Rolf Fehlbaum in the archive of \nthe Vitra Design Museum at the \nVitra Campus in Weil am Rhein.\n→\n The book Eames & Vitra describes\nthe special relationship between\nVitra and the Eameses and\ndocuments designs produced by\nVitra from the 1950s up to the\npresent, shedding light on topics\nsuch as authenticity and archival\nholdings.\nFor more details, visit  \nvitra.com\u002Feames-and-vitra\ndocument16203793308803084835.indd   19\ndocument16203793308803084835.indd   19\n06.02.2025   11:14:29\n06.02.2025   11:14:29\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.12.png","20\nCharles and Ray Eames in the Eames Office  \n while developing the Aluminium Group.\n© 2023 Eames Office, LLC\nAluminium Chair EA 124, Charles & Ray Eames, 1958\nThanks to the combination of a high backrest with head cushion and a tilt \nmechanism that can be adjusted to the user’s weight, the Aluminium Chair EA  \n124 – the quintessential lounge chair in the Aluminium Group – provides excellent \ncomfort. It can be paired with the Ottoman EA 125, forming the perfect spot to \nput your feet up and enjoy a long, cosy evening with a good book.\nThe Soft Pad Chair EA 222 is similar to the Aluminium Chair EA 124 in both  \nshape and structure. Yet with sewn-on cushions covered in a choice of leather  \nor fabric, it not only offers soft comfort but also has a slightly more voluptuous \nsilhouette. The EA 222 is swivel-mounted and equipped with an adjustable \nreclining mechanism. It can purchased together with the Ottoman EA 223 or  \nas a solo piece. Vitra has produced the Soft Pad and Aluminium Chairs in the \nsame superior quality for decades, and is therefore able to grant a 30-year \nwarranty on all of these chairs.\n1\n2\ndocument9998213628948246928.indd   20\ndocument9998213628948246928.indd   20\n06.02.2025   11:14:07\n06.02.2025   11:14:07\n( 1 ) Aluminium Chair EA 124 – Lounge  · Leather\u002Fback panel Plano, 71\u002F80 sand\u002Fcoffee · Charles & Ray Eames, 1958 ( 2 ) Plate Table  410 × 410 mm · \nTable top marble · 04 white powder-coated (textured) · Jasper Morrison, 2004 ( 3 ) Soft Pad Chair EA 222 – Lounge \u002F  \nSoft Pad Chair EA 223 – Lounge , Stool · Leather Premium F (contrast seam)\u002Fback panel Plano, 97\u002F67 cognac\u002Fcognac · Charles & Ray Eames, 1969 \n( 4 ) Eames Wool Blanket  · taupe · Charles & Ray Eames, 1947 ( 5 ) Eames House Bird  · black alder\n3\n5\n4\nSoft Pad Chair EA 222 & Stool EA 223, Charles & Ray Eames, 1969\ndocument9998213628948246928.indd   21\ndocument9998213628948246928.indd   21\n06.02.2025   11:14:22\n06.02.2025   11:14:22\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.13.png","1\nPlywood Group LCW, Charles & Ray Eames, 1945\u002F46\n( 1 ) Plywood Group LCW Calf’s Skin  · brown\u002Fwhite · 64 Ash natural · Charles & Ray Eames, 1945\u002F1946 ( 2 ) Eames Fiberglass Armchair RAR , \nwith seat upholstery  · 01 Eames Parchment · Checker, 01 black\u002Fwhite · Charles & Ray Eames, 1950 ( 3 ) Eames Plastic Armchair RE LAR  · \n43 rusty orange RE · 30 basic dark powder-coated (smooth) · Charles & Ray Eames, 1950\nThis page and opposite: staged at the Eames House, Pacific Palisades, California © Eames Foundation, 2023\ndocument9998213628948246928.indd   22\ndocument9998213628948246928.indd   22\n06.02.2025   11:14:43\n06.02.2025   11:14:43\n23\nThe small Lounge Chair Wood (LCW) is an iconic design by Charles and  \nRay Eames that dates from the period of their early experiments with three-\ndimensionally moulded plywood. The chair is made of ash wood with a \nnatural, black or red-stained finish, or with leather or calfskin upholstery.\nCharles and Ray Eames developed their legendary shell chairs for a \ncompetition organised by the Museum of Modern Art and launched them  \nin 1950 as the first mass-produced chairs in plastic. In addition to the  \nEames Plastic Chairs made of polypropylene, there is also a family of Eames \nFiberglass Chairs manufactured from glass-fibre reinforced polyester resin.\nThe RAR rocking chair has always been an especially striking model in the \nchair family, and the LAR – relaunched in 2019 – whose base is nicknamed \n‘Cat's Cradle’, was one of Charles and Ray’s particular favourites.\nBoth the RAR and LAR are additionally available with a fibreglass shell. In \nthe version with a polypropylene shell, the LAR is also suited for outdoor use.\nEames Shell Chairs RAR & LAR, Charles & Ray Eames, 1950\n3\n2\ndocument9998213628948246928.indd   23\ndocument9998213628948246928.indd   23\n06.02.2025   11:15:01\n06.02.2025   11:15:01\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.14.png","24\nGrand Relax is a luxurious reclining lounge chair combining outstanding \ncomfort with compact dimensions and a classic understated aesthetic. Upon \nsitting down, the user sinks into the soft cushions, and the chair reclines  \nthanks to an adjustable synchronised mechanism concealed within the seat. \nThe backrest can be locked in any position. Grand Relax is available with \nleather or fabric covers. \n1\nGrand Relax, Antonio Citterio, 2019\nThe architect and designer Antonio Citterio, \nwho lives and works in Milan, has collaborated \nwith Vitra since 1988. Together they have \nproduced a series of office chairs and various \noffice systems, as well as products for the  \nVitra Home Collection. The Citterio Collection \nis constantly being expanded.\ndocument9998213628948246928.indd   24\ndocument9998213628948246928.indd   24\n06.02.2025   11:15:15\n06.02.2025   11:15:15\n2\n3\n( 1 \u002F 2 ) Grand Relax & Ottoman  · 03 polished aluminium · ( 1 ) Nubia, 03 cream\u002Fsand, Leather Forte (deco), 07 sand \u002F  \n( 2 ) Leather Premium F, 71 sand · Antonio Citterio, 2019 ( 3 ) Wooden Side Tables  · 17 light oak · Ronan & Erwan Bouroullec, 2015\ndocument9998213628948246928.indd   25\ndocument9998213628948246928.indd   25\n06.02.2025   11:15:25\n06.02.2025   11:15:25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.15.png","1\n( 1 ) Grand Repos & Panchina  · 30 basic dark powder-coated (smooth) · Nubia, 09 ivory\u002Fforest · Antonio Citterio, 2011 \n( 2 ) Tabouret Métallique  · 12 deep black powder-coated (smooth) · Jean Prouvé, 1936\n2\ndocument9998213628948246928.indd   26\ndocument9998213628948246928.indd   26\n06.02.2025   11:15:35\n06.02.2025   11:15:35\n27\nThe swivel-based lounge chairs Repos and Grand Repos convey a feeling  \nof exceptional comfort with their generous padding, inviting armrests and  \nhigh backs. Thanks to the synchronised mechanism concealed beneath the \nupholstery, sitters can move from an upright posture to a reclined angle for \nresting and lock the backrest in any position. The resistance of the backrest  \ncan be manually adjusted to the user’s weight. Repos and Grand Repos are \navailable in two different seat heights, as well as in a choice of fabric or  \nleather covers in a wide range of colours.\nRepos & Grand Repos, Antonio Citterio, 2011\nThe resistance of the backrest can be manually \nadjusted to the user’s weight.\ndocument9998213628948246928.indd   27\ndocument9998213628948246928.indd   27\n06.02.2025   11:15:42\n06.02.2025   11:15:42\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.16.png","1\nHAL Lounge Chair, Jasper Morrison, 2021\n( 1 ) HAL Lounge Chair & Ottoman , with loose seat cushion  · 04 dark stained solid oak, with protective varnish ·  \nDumet, 24 mango melange · Jasper Morrison, 2021 ( 2 ) Cork Family , Model A  · Jasper Morrison, 2004  \n( 3 ) Cork Bowl, large  · Jasper Morrison, 2020\nHAL Lounge Chair, Jasper Morrison, 2021\ndocument9998213628948246928.indd   28\ndocument9998213628948246928.indd   28\n06.02.2025   11:15:52\n06.02.2025   11:15:52\n3\n2\ndocument9998213628948246928.indd   29\ndocument9998213628948246928.indd   29\n06.02.2025   11:16:02\n06.02.2025   11:16:02\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.17.png","2\n1\n( 1 ) Cité · 13 Prouvé Gris Vermeer powder-coated (smooth) · Leather Premium F, 59 jade · Jean Prouvé, 1930 \n( 2 ) Guéridon Bas  · 75 solid American walnut, oiled · Jean Prouvé, 1944\nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\ndocument9998213628948246928.indd   30\ndocument9998213628948246928.indd   30\n06.02.2025   11:16:17\n06.02.2025   11:16:17\n31\nJean Prouvé in the living room of his house  \nin Nancy, France. \nA Cité from the collection of the Vitra Design \nMuseum, Weil am Rhein, Germany.\nCité, Jean Prouvé, 1930\nThe Vitra Design Museum’s 2006 exhibition ‘Jean Prouvé: The Poetics of  \nthe Technical Object’ was revelatory. Among the pieces on show was Cité, \nan armchair that demonstrates the essence of the designer’s philosophy: \n‘Furniture is like houses, you have to construct it.’ The French engineer and \ndesigner Jean Prouvé developed the chair in 1930 for a competition to  \nfurnish the student residence halls at Cité Universitaire in Nancy.\nThe design is extremely comfortable, yet completely free of extraneous \nelements. Now considered an early Prouvé masterpiece, it is the perfect \nexpression of the designer who called himself a ‘factory man.’ \ndocument9998213628948246928.indd   31\ndocument9998213628948246928.indd   31\n06.02.2025   11:16:24\n06.02.2025   11:16:24\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.18.png","32\nFauteuil de Salon, Jean Prouvé, 1939\nFauteuil de Salon joins simple planes into a unified architectural object  \nwith a comfortable seat surface and backrest. Rediscovered in the archives  \nof the French engineer Jean Prouvé, the armchair has been updated in a \ncontemporary colour palette. With solid wood armrests and the designer’s \ncharacteristic structural aesthetic, Fauteuil de Salon can be ideally combined \nwith other pieces in the Prouvé Collection.\nJean Prouve’s designs clearly reflect  \nthe structural principles that guided his \ncreative process.\nOriginal drawing of the Fauteuil de Salon  \nfrom the Archives départementales de \nMeurthe-et-Moselle, Nancy, France.\ndocument9998213628948246928.indd   32\ndocument9998213628948246928.indd   32\n06.02.2025   11:16:36\n06.02.2025   11:16:36\n2\n1\n( 1 ) Fauteuil de Salon  · 75 solid American walnut, oiled · 14 Prouvé Bleu Dynastie powder-coated (smooth) · Nubia,  \n05 cream\u002Fdark brown · Jean Prouvé, 1939 ( 2 ) Tabouret Bois  · 75 solid American walnut, oiled · Jean Prouvé, 1941  \n( 3 ) Rayonnage Mural  · 04 dark stained solid oak, with protective varnish · 06 Japanese red powder-coated (smooth) · Jean Prouvé, 1936\nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n3\ndocument9998213628948246928.indd   33\ndocument9998213628948246928.indd   33\n06.02.2025   11:16:49\n06.02.2025   11:16:49\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.19.png","( 1 ) Heart Cone Chair · Tonus, 52 dark yellow · Verner Panton, 1958 ( 2 ) Wooden Doll , No. 10  · Alexander Girard, 1952\n1\n2\ndocument9998213628948246928.indd   34\ndocument9998213628948246928.indd   34\n06.02.2025   11:17:05\n06.02.2025   11:17:05\n35\nThe Heart Cone Chair takes its name from the expressive, heart-shaped \nsilhouette of its seat shell. Designed by Verner Panton in the late 1950s,  \nthe chair combines a comfortably upholstered seat with an understated, \nelegant base made of satin stainless steel.\nCone & Heart Cone Chair, Verner Panton, 1958\nMarianne and Verner Panton sitting back to back  \nin Cone Chairs. The photo was taken in 1965 in \nStarnberg, Germany. © Verner Panton Design\ndocument9998213628948246928.indd   35\ndocument9998213628948246928.indd   35\n06.02.2025   11:17:10\n06.02.2025   11:17:10\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.20.png","1\nSlow Chair, Ronan & Erwan Bouroullec, 2006\n( 1 ) Slow Chair & Ottoman  · Tricot - blue\u002Fgreen · Ronan & Erwan Bouroullec, 2006\ndocument15735797320747633501.indd   36\ndocument15735797320747633501.indd   36\n06.02.2025   14:20:25\n06.02.2025   14:20:25\n(1) Slow Chair & Ottoman  · Tricot - blue\u002Fgreen · Ronan & Erwan Bouroullec, 2006\ndocument15735797320747633501.indd   37\ndocument15735797320747633501.indd   37\n06.02.2025   14:20:29\n06.02.2025   14:20:29\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.21.png","For more details, visit  \nvitra.com\u002Fsofa\ndocument14187729987989397647.indd   38\ndocument14187729987989397647.indd   38\n06.02.2025   11:14:39\n06.02.2025   11:14:39\n39\n→ 40 Anagram Sofa\n→ 44 Suita\n→ 50 Mariposa Sofa\n→ 48 Grand Sofà\n→ 58 Soft Modular Sofa\n→ 62 Polder\n→ 66 Abalon Sofa\n→ 68 Freeform Sofa\nSofas\nSofas take the centre stage in almost any living space. Yet however varied  \ntheir appearance, the actual function of a sofa never wavers: it should provide \nexceptional comfort. Vitra offers a wide range of different sofas, from statement \npieces to modular systems, available with various soft fabrics in a broad  \nselection of colours.\nAn overview of coffee tables can be found on page 70.\ndocument14187729987989397647.indd   39\ndocument14187729987989397647.indd   39\n06.02.2025   11:14:42\n06.02.2025   11:14:42\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.22.png","Anagram Sofa, Panter&Tourron, 2024\n5\n1\n6\n( 1 ) Anagram Sofa · platform 900 × 1800 mm  · Dumet, 24 mango melange · 30 basic dark powder-coated (textured) · Anagram attachable table Ø 350  ·  \n68 black ash · Panter&Tourron, 2024 ( 2 ) Anagram Sofa · platform 900 × 2200 mm  · Dumet, 24 mango melange · 30 basic dark powder-coated (textured) · \nAnagram attachable table 300 × 900 mm  · 68 black ash · Panter&Tourron, 2024 ( 3 ) Vitra Cushions – various sizes and fabrics  ( 4 ) Metal Side Tables Outdoor  · \n12 deep black powder-coated (textured) · Ronan & Erwan Bouroullec, 2004 ( 5 ) Mariposa Ottoman  · Volo, 16 black · Edward Barber & Jay Osgerby, 2014\n( 6 ) .03  · 01 basic dark · 55 black powder-coated (textured) · Maarten Van Severen, 1998\ndocument14187729987989397647.indd   40\ndocument14187729987989397647.indd   40\n06.02.2025   11:14:52\n06.02.2025   11:14:52\n4\n3\n2\ndocument14187729987989397647.indd   41\ndocument14187729987989397647.indd   41\n06.02.2025   11:15:02\n06.02.2025   11:15:02\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.23.png","Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben\n1\n2\n3\n( 1 ) Anagram Sofa  · Hola, 02 terracotta · 60 dark bordeaux powder-coated (textured) · Panter&Tourron, 2024 \n( 2 ) Anagram attachable table Ø 350  · 70 natural solid oak, oiled finish · Panter&Tourron, 2024 ( 3 ) Vitra Cushions – various sizes and fabrics  \n( 4 ) Anagram Sofa  · Nubia, 02 cream\u002Fpearl · 37 chalk powder-coated (textured) · Anagram attachable table 300 × 900 mm  ·  \n77 cotton white ash, oiled · Panter&Tourron, 2024 ( 5 ) Vitra Cushions  · Nubia, 01 ivory\u002Fpearl\ndocument14187729987989397647.indd   42\ndocument14187729987989397647.indd   42\n06.02.2025   11:15:09\n06.02.2025   11:15:09\n43\nAttach a small table for your laptop today? Remove the panels at the weekend  \nto accommodate overnight guests? And simply extend it with additional elements \nin two years’ time when you move into a larger flat? The Anagram Sofa is able  \nto respond to life changes both big and small. Thanks to an ingenious click \nmechanism, the panels and add-on tables can be freely positioned anywhere on \nthe platform while the modular structure allows endless modifications of the entire \nconfiguration. Anagram’s softly comfortable and inviting cushions are filled \nexclusively with recycled PET fibres and the fabric covers are easy to remove for \ncleaning or replacement.\n5\nAnagram Sofa, Panter&Tourron, 2024\n4\n‘Anagram lives up to its name: you can continually \nrearrange the individual components to create different \nstories and situations.’ Panter&Tourron\ndocument14187729987989397647.indd   43\ndocument14187729987989397647.indd   43\n06.02.2025   11:15:18\n06.02.2025   11:15:18\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.24.png","Suita, Antonio Citterio, 2010\u002F19\n( 1 ) Suita 3-Seater, pointed cushions  · Corsaro, 05 stone melange · Antonio Citterio, 2010\u002F2019 ( 2 ) Suita Chaise Longue, pointed cushions  ·  \nCorsaro, 05 stone melange · Antonio Citterio, 2010\u002F2019 ( 3 ) Eames Coffee Table  1140 × 760 mm · Marble , 68 black ash · Charles & Ray Eames, 1953 \n( 4 ) Grand Relax  · Leather Premium F, 97 cognac · Antonio Citterio, 2019 ( 5 ) Stools , Model B · walnut · Charles & Ray Eames, 1960\n4\n5\n1\ndocument13289322492983957923.indd   44\ndocument13289322492983957923.indd   44\n06.02.2025   11:14:43\n06.02.2025   11:14:43\n3\n2\ndocument13289322492983957923.indd   45\ndocument13289322492983957923.indd   45\n06.02.2025   11:14:49\n06.02.2025   11:14:49\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.25.png","Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben\n1\n2\n( 1 ) Suita 2-Seater open, pointed cushions with Chaise Longue small  · Linho, 09 atlantic · Antonio Citterio, 2010\u002F2019 ( 2 ) Plate Table  · \n70 natural solid oak, oiled · Jasper Morrison, 2004 ( 3 ) Suita 3-Seater, tufted  · Dumet, 03 beige\u002Fgrey · Antonio Citterio, 2010\u002F2019\ndocument13289322492983957923.indd   46\ndocument13289322492983957923.indd   46\n06.02.2025   11:14:58\n06.02.2025   11:14:58\n47\nSuita, Antonio Citterio, 2010\u002F19\nAntonio Citterio is known for his systematic approach to design, construction  \nand materials. Nowhere is the impact greater or more tangible than with sofas, \nmaking Citterio the undisputed master in this field with a preeminent influence  \non contemporary living. The large Suita sofa family developed together with  \nVitra is an expression of this expertise.\nSuita comprises various pieces of furniture that can be used as solo pieces or \ncombined to form small and large sofa constellations. The slender body seems  \nto float above the classic-looking base, which lends light-footed elegance to  \neach configuration.\nWith a choice of individual elements, various upholstery and cushion finishes, \noptional head sections and shelves that can be attached at the rear, as well as  \na diverse range of fabrics, leather and colours, Suita offers a wide selection of \nindividual design options. So when are you going to start planning your Suita  \nsofa landscape?\n3\ndocument13289322492983957923.indd   47\ndocument13289322492983957923.indd   47\n06.02.2025   11:15:03\n06.02.2025   11:15:03\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.26.png","48\nGrand Sofà, Antonio Citterio, 2017\nGrand Sofà is Antonio Citterio’s interpretation of luxurious comfort and \ncontemporary design, uniting the designer’s Italian flair for elegance with  \nVitra’s trademark quality and precision. Despite the sofa’s expansive  \nproportions, the generously dimensioned platform for sitting and reclining  \nhas a light, graceful silhouette.\nThe seating elements emphasise the horizontal planes of Grand Sofà, which  \nis available with a full-length backrest or shortened version. This makes it  \npossible to configure a sofa landscape with an almost topographical character \nand an expression of lightness and variability.\nSofa Tray is a narrow rectangular tray and stable surface, specially \ndeveloped for use on upholstered surfaces.\ndocument10813320819727694383.indd   48\ndocument10813320819727694383.indd   48\n06.02.2025   11:14:47\n06.02.2025   11:14:47\nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben\n2\n1\n3\n( 1 ) Grand Sofà 3½-Seater , full backrest , divided seat cushions, tufted  · Corsaro, 05 stone melange · Antonio Citterio, 2017  \n( 2 ) Eames Coffee Table , 1140 x 760 mm · Marble  · 68 black ash · Charles & Ray Eames, 1953 ( 3 ) Plywood Group LCW Leather ,  \n66 nero · 68 black ash · Charles & Ray Eames, 1945\u002F1946\ndocument10813320819727694383.indd   49\ndocument10813320819727694383.indd   49\n06.02.2025   11:14:54\n06.02.2025   11:14:54\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.27.png","Mariposa Sofa, Edward Barber & Jay Osgerby, 2014\n( 1 ) Mariposa 2-Seater  · Savana, 04 papyrus melange · Edward Barber & Jay Osgerby, 2014 ( 2 \u002F 3 ) Mariposa Ottoman  large \u002F medium ·  \nIroko 2, 06 dark blue \u002F 15 cognac · Edward Barber & Jay Osgerby, 2014 ( 4 \u002F 5 ) Cork Family , Model D \u002F Model E · Jasper Morrison, 2004 \n( 6 ) Akari 1AY  · Isamu Noguchi, 1951\n6\n2\n4\ndocument10813320819727694383.indd   50\ndocument10813320819727694383.indd   50\n06.02.2025   11:15:06\n06.02.2025   11:15:06\n3\n5\n1\ndocument10813320819727694383.indd   51\ndocument10813320819727694383.indd   51\n06.02.2025   11:15:15\n06.02.2025   11:15:15\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.28.png","( 1 ) Mariposa 3-Seater  · Iroko 2, 01 lemon · Edward Barber & Jay Osgerby, 2014 ( 2 ) Mariposa Corner  \u002F Mariposa Ottoman large  ·  \nCredo, 21 royal blue\u002Felephant · Edward Barber & Jay Osgerby, 2014\u002F2020 ( 3 ) Akari UF3-Q  · Isamu Noguchi, 1951\n1\ndocument10813320819727694383.indd   52\ndocument10813320819727694383.indd   52\n06.02.2025   11:15:25\n06.02.2025   11:15:25\n53\nMariposa Sofa, Edward Barber & Jay Osgerby, 2014\nThe variously sized sofas of the Mariposa family are cosy and inviting, yet \nwith a modern touch. They owe their extraordinary comfort to the pleasantly \nsoft upholstery and an ingenious adjustment mechanism, which makes it \npossible to individually adapt the side and backrest elements for various \nsitting or reclining positions. The Mariposa sofas do not openly display their \nfunctional features: the slim side and back elements can be continuously  \nand silently adjusted, from an upright position to an outward angle of \napproximately 30° and back again. The resistance is calibrated in such a  \nway that these elements stay in place when the sitter leans back in a normal \nfashion, but will adjust to the desired angle when intentional pressure is \napplied. This flexibility allows individual users to determine the position that  \nis most comfortable for them. \n2\n3\ndocument10813320819727694383.indd   53\ndocument10813320819727694383.indd   53\n06.02.2025   11:15:35\n06.02.2025   11:15:35\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.29.png","54\nComfort in a \nwide palette \nof colours\nSofas – more than any other item of furniture – reflect the  \nlifestyle of their owners, while their size, shape, materials and \ncolours define the character of any interior setting. Yet the actual \npurpose of a sofa never varies: it should provide exceptional \ncomfort – and for as long as possible. That is why Vitra sofas  \nare manufactured from durable high-quality materials,  \nmainly sourced in Europe. The style, typology and functional \ncharacteristics of the individual variants are so diverse,  \nhowever, that customers often immediately and intuitively \nrecognise which model is the right choice for their needs. \ndocument16310101374505299263.indd   54\ndocument16310101374505299263.indd   54\n06.02.2025   14:20:24\n06.02.2025   14:20:24\n←  The new Cento fabric is made \nof 100% high-quality virgin wool \nand is therefore fully recyclable. \nIt is available in a selection of \nnature-inspired hues. \ndocument16310101374505299263.indd   55\ndocument16310101374505299263.indd   55\n06.02.2025   14:20:30\n06.02.2025   14:20:30\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.30.png","56\ndocument16310101374505299263.indd   56\ndocument16310101374505299263.indd   56\n06.02.2025   14:20:39\n06.02.2025   14:20:39\none that ages well and acquires an \nattractive patina through use.\nTo make it easier to select the right \ncover material, fabric and leathers \nsamples may be ordered free of \ncharge. These can be delivered to \nthe following countries: Germany, \nAustria, Belgium, Czech Republic, \nDenmark, Finland, France, Ireland, \nItaly, Liechtenstein, Luxembourg, \nThe Netherlands, Poland, Portugal, \nSpain, Sweden and Switzerland.\nVitra works with independent \n‘authors’ – primarily with designers, \nbut also with architects and graphic \nartists. What distinguishes the \nwork of these creatives from that of \nother designers is the fact that their \npersonal imprint and outlook is \nreflected in every one of their \nproducts. The collaborative phase \nresults in prototypes, and requires \nnumerous rounds of sketching, \nconstructing, testing, modifying \nand improving until the high \nexpectations demanded of a Vitra \nsofa are fulfilled.\nFor Vitra, manufacturing long-\nlasting products also involves \nselecting high-quality materials \nand conducting tests that simu-\nlate  15 years of use. Robust con-\nstructions, the use of high-grade \nfoams precisely matched to the \ndesired seating comfort and first-\nclass cover materials ensure qua-\nlitative longevity and durability.  \nTo this end, Vitra maintains close \nrelationships with suppliers, 97%  \nof whom are based in Europe (48% \nin Germany) and 3% in other \ncountries.\nFor a product to have a long life-\nspan, it is also crucial that its design \nremains up to date. This is why \nVitra avoids short-lived trends, fo-\ncusing instead on understated yet \ndistinctive forms and features. \nThere is no better way to ensure \nthat products remain continually \nrelevant, when other things that \nperhaps seemed more exciting at \nthe time have long since faded.\nTo produce sofas that meet high \nexpectations of comfort, Vitra has \nconstituted a team of upholstery \nexperts over the years. With passion \nfor their craft and enthusiasm for \ninnovation, they transform the \ndesigners’ ideas into outstandingly \ncomfortable solutions.\nVitra sofas – both new and existing \nmodels – are extensively tested in \nthe company’s own test center: to \nguarantee an exceptional level of \nquality, Vitra testing goes above \nand beyond official regulations. \nFinal production takes place at \nVitra’s manufacturing sites in \nEurope and after the customer’s \npurchase, we devote as much care \nand attention to our after-sales \nservice as we do to our products.\nThe upholstered covers in fabric or \nleather are part of the Vitra Colour \n& Material Library, which Vitra \ndeveloped in collaboration with \ndesigner Hella Jongerius. The \ndifferent materials and colours  \nare carefully coordinated and \ncurated to offer countless possible \ncombinations. Vitra fabrics vary  \nin their properties, applications \nand composition, but they are all \nproduced in Europe – in Germany, \nItaly, Scandinavia and the UK to  \nbe precise. Vitra leathers differ  \nin their thickness and surface \ncharacteristics, but are all ob tained \nfrom cowhides that are a by-pro d-\nuct of cattle breeding for food \nproduction. Tanners must comply \nwith strict environmental reg u-\nlations when manufacturing \nleather and have developed state-\nof-the-art technologies to ensure \neco-friendly processes. This makes \nleather is a sustainable material – \nMaterials & colours:\n vitra.com\u002F \ncolour-material-library\ndocument16310101374505299263.indd   57\ndocument16310101374505299263.indd   57\n06.02.2025   14:20:43\n06.02.2025   14:20:43\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.31.png","Soft Modular Sofa, Jasper Morrison, 2016\n( 1 \u002F 2 ) Soft Modular Sofa Three seater  \u002F Ottoman  · Credo, 19 lime\u002Fcurry · Jasper Morrison, 2016 \n( 3 ) Guéridon Bas  · 70 natural solid oak, oiled · Jean Prouvé, 1944\n3\ndocument13720515304825837166.indd   58\ndocument13720515304825837166.indd   58\n06.02.2025   11:15:21\n06.02.2025   11:15:21\n1\n2\ndocument13720515304825837166.indd   59\ndocument13720515304825837166.indd   59\n06.02.2025   11:15:27\n06.02.2025   11:15:27\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.32.png","60\nJasper Morrison’s design of the Soft Modular Sofa successfully couples \nhome-like informality with precise detailing and expressive clarity – firmly \nin line with his philosophy of ‘super normal’ design. As a result, the Soft \nModular Sofa functions like an architectural element that can be subtly \nintegrated in any interior. Thanks to its modular design with side, corner  \nand central elements as well as a chaise longue, the size and form of  \nthe sofa are adaptable to a diverse range of requirements. And optional \nelements like the ottoman and additional cushions as well as a wide  \nselection of leather and fabric covers in an array of colours allow further \npersonalisation of any individual configuration. \nSoft Modular Sofa, Jasper Morrison, 2016\n1\ndocument13720515304825837166.indd   60\ndocument13720515304825837166.indd   60\n06.02.2025   11:15:39\n06.02.2025   11:15:39\n( 1 ) Soft Modular Sofa Two seater with Ottoman  · Linho, 02 sand · Jasper Morrison, 2016 ( 2 ) Soft Modular Sofa Two-Seater  ·  \nDumet, 01 ivory melange · Jasper Morrison, 2016 ( 1 ) Vitra Cushions – a range of fabrics and sizes  ( 4 ) Akari 1AG  · Isamu Noguchi, 1951\n2\n4\n3\ndocument13720515304825837166.indd   61\ndocument13720515304825837166.indd   61\n06.02.2025   11:15:50\n06.02.2025   11:15:50\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.33.png","Polder, Hella Jongerius, 2005\u002F15\n( 1 ) Polder Sofa · Fabric mix 'The Pebble Greys' · Hella Jongerius, 2015 \n( 2 \u002F 3 ) Cork Family , Model B \u002F Model C · Jasper Morrison, 2004\n1\n2\ndocument13720515304825837166.indd   62\ndocument13720515304825837166.indd   62\n06.02.2025   11:15:55\n06.02.2025   11:15:55\n3\ndocument13720515304825837166.indd   63\ndocument13720515304825837166.indd   63\n06.02.2025   11:16:01\n06.02.2025   11:16:01\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.34.png","2\n1\n( 1 ) Polder Sofa  · Fabric mix 'The Sea Greens' · Hella Jongerius, 2005\u002F2015  \n( 2 ) Plate Table s · Marble  · 04 white powder-coated (textured) · Jasper Morrison, 2004\ndocument13720515304825837166.indd   64\ndocument13720515304825837166.indd   64\n06.02.2025   11:16:09\n06.02.2025   11:16:09\n65\nPolder, Hella Jongerius, 2005\u002F15\nThe distinctive character of Hella Jongerius’s \ncomfortable Polder Sofa derives from the \ncombination of diverse fabrics and colours, an \nasymmetrical shape and charming details.\nThe Dutch designer Hella Jongerius lives and \nworks in Berlin. She founded the Jongeriuslab \nstudio in 1993 and began collaborating with \nVitra in 2004. Since then, she has not only \ncontributed a substantial number of designs  \nto the continually expanding Vitra Home \nCollection, but has also applied her expertise \nin the realm of colours and materials to the \nVitra Colour & Material Library.\nDutch designer Hella Jongerius named her sofa ‘Polder’ with its different \ncolour compositions after the low-lying flatlands in Holland, which have  \nbeen reclaimed from the sea.\nThe smaller Polder Compact is available in addition to the Polder Sofa.  \nBoth can be configured with the higher armrest on the left or right side, \nmaking them adaptable to different interior layouts. The platform is  \navailable separately and can also be used as an ottoman.\ndocument13720515304825837166.indd   65\ndocument13720515304825837166.indd   65\n06.02.2025   11:16:18\n06.02.2025   11:16:18\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.35.png","66\nTaking its name from the shell of a sea snail, Abalon forms its own architecture  \nfor seating circles: with its organically curved shape, the sofa evokes a circle  \nto which people feel drawn. Generously accommodating three people, the \nupholstered seat shell features different knitted fabric covers on the front and \nback. These are available in a diverse selection of hues and, together with the \nchoice of two colours for the base frame, result in a wide range of configuration \noptions. The fabric covers of the sofa can be removed in full for cleaning or \nreplacement. \nAbalon Sofa, Ronan & Erwan Bourroullec, 2022\n1\nThe brothers Ronan and Erwan Bouroullec  \nlive and work in Paris. Their oeuvre ranges \nfrom small everyday objects to architectural \nprojects. They have worked with Vitra since \n2000 and have contributed numerous designs \nto both the office and home collections.\n2\n3\ndocument13720515304825837166.indd   66\ndocument13720515304825837166.indd   66\n06.02.2025   11:16:35\n06.02.2025   11:16:35\n4\n5\n( 1 ) Abalon Sofa  · Drop, 10 black\u002Fdark grey (191) · Planum, 03 black (1191) · Ronan & Erwan Bouroullec, 2022 ( 2 ) Abalon Table  · \n04 dark oak, with protective varnish · 12 deep black powder-coated (smooth) · Ronan & Erwan Bouroullec, 2022 ( 3 ) Nuage, small  · \nsteel blue anodised · Ronan & Erwan Bouroullec, 2016 ( 4 \u002F 5 ) Abalon Sofa  \u002F Abalon Platform  · Drop, 02 dark green\u002Fochre (951) ·  \nPlanum, 01 silver grey (111) · Ronan & Erwan Bouroullec, 2022 ( 6 ) Nuage (céramique), small  · white  · Ronan & Erwan Bouroullec, 2018\n6\n2025_04_1_LIVE-5-VINT-EN.indd   67\n2025_04_1_LIVE-5-VINT-EN.indd   67\n10.02.25   08:14\n10.02.25   08:14\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.36.png","1\n( 1 )  Freeform Sofa  · Credo, 23 pale rose\u002Fdark orange, 54 maple · Isamu Noguchi, 1946 ( 2 ) Cork Family,  Model A  · Jasper Morrison, 2004\n2\ndocument3527726639413474802.indd   68\ndocument3527726639413474802.indd   68\n06.02.2025   11:15:29\n06.02.2025   11:15:29\n69\nFreeform Sofa, Isamu Noguchi, 1946\nFreeform Sofa and Ottoman, 1946\nThe Japanese-American designer and sculptor Isamu Noguchi approached \nthe task of furniture design with the organic aesthetic of his sculptural work  \nin mind. This is also evident in his Freeform Sofa, which appears like a large, \nflatly rounded river stone that has been smoothed by centuries of running \nwater. The fluid, graceful shape of this slender sofa distinguishes it clearly \nfrom other designs of the time. It has a sculptural presence in any room – \niconic yet reserved.\ndocument3527726639413474802.indd   69\ndocument3527726639413474802.indd   69\n06.02.2025   11:15:32\n06.02.2025   11:15:32\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.37.png","70\nCoffee tables\nCoffee tables enhance any setting. Thanks to Vitra’s collection of low tables, \nthe perfect companion can be found for any sofa or lounge chair.\nAdditional coffee tables can be found on pages 20, 25, 30, 41, 45, 46, 47, 49, 58, 64, 66, 71, 130.\n1\n2\nFor more details, visit  \nvitra.com\u002Fcoffee-tables\ndocument3527726639413474802.indd   70\ndocument3527726639413474802.indd   70\n06.02.2025   11:15:48\n06.02.2025   11:15:48\n3\nPhotographed at Demountable House 6×6, Fondation ACB, Saint-Paul-de-Vence, France; constructed by Jean Prouvé in 1944.\n( 1 ) Flower Table, large  · 81 anthracite powder-coated (textured) · Alexander Girard, 1977 ( 2 ) Coffee Table  · 68 black ash · \nIsamu Noguchi, 1944 ( 3 ) Guéridon Bas  · 75 solid American walnut, oiled · Jean Prouvé, 1944\ndocument3527726639413474802.indd   71\ndocument3527726639413474802.indd   71\n06.02.2025   11:15:58\n06.02.2025   11:15:58\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.38.png","For more details, visit  \nvitra.com\u002Fchairs\ndocument11905500544884822469.indd   72\ndocument11905500544884822469.indd   72\n06.02.2025   11:15:45\n06.02.2025   11:15:45\n73\nVitra’s portfolio of chairs includes twentieth-century furniture classics that  \nhave been produced by Vitra for decades, as well as contemporary designs. \nAvailable in a broad selection of materials – from soft upholstery fabrics  \nand wood from sustainably managed forest areas to recycled post-consumer \nplastic – Vitra offers a suitable chair for every use and setting.\nAn overview of all dining tables can be found on page 120.\nChairs and tables\n→ 78 Eames Shell Chairs\n→ 90 Mikado\n→ 103 Chaise Tout Bois\n→ 110 EVO-C\n→ 119 APC\n→ 104 HAL\n→ 112 Softshell Chair\n→ 115 Landi Chair\n→ 116 Tip Ton RE\n→ 94 Standard & Standard SP\n→ 111 Moca\n→ 106  Panton Chair &  \nPanton Chair Classic\n→ 118 .03\n→ 114 Belleville Chair\n→ 88 Plywood Group DCM\n→ 89 Organic Chair \n2025_05_DINE-1-VINT-EN.indd   73\n2025_05_DINE-1-VINT-EN.indd   73\n07.02.25   17:39\n07.02.25   17:39\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.39.png","Vitra believes in the principle of collage: a mix of old and new, classic and \nmodern, functional and decorative, industrial and handcrafted that defines \nthe personal spirit and character of any home setting. Contradictions are \npermitted and even welcomed due to their authenticity – because a collage \nis a curated reflection of our lives in all their richness and complexity.\nCollage – a reflection \nof our own life\ndocument11905500544884822469.indd   74\ndocument11905500544884822469.indd   74\n06.02.2025   11:15:56\n06.02.2025   11:15:56\ndocument11905500544884822469.indd   75\ndocument11905500544884822469.indd   75\n06.02.2025   11:16:00\n06.02.2025   11:16:00\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.40.png","1\n2\n3\n( 1 ) Eames Plastic Armchair RE DAL  · 92 citron RE · Charles & Ray Eames, 1950 ( 2 ) Plate Dining Table  · 50 marble Carrara · Jasper Morrison, 2018\ndocument11905500544884822469.indd   76\ndocument11905500544884822469.indd   76\n06.02.2025   11:16:15\n06.02.2025   11:16:15\n77\nCharles and Ray Eames spent many years exploring the idea of a one-piece, \nthree-dimensionally shaped seat shell. With the Shell Chairs from 1950, the first \nmass-produced plastic chairs in the history of furniture, the designer couple not \nonly achieved this goal but also launched a new and now widely established \ntypology of chairs whose shells can be combined with different bases depending \non the intended use. The Eames Shell Chairs quickly grew into a diverse family, \nconsisting of armchair, side chair and wire chair variants, each of which could be \ncombined with a variety of bases and upholstery versions – some even suited to \noutdoor use. Vitra has been producing the Eames Shell Chairs for Europe and  \nthe Middle East in close cooperation with the Eames Office since the 1950s. Vitra  \nhas now extended the palette of the Eames portfolio to include four fresh colour \ncombinations for the Eames Plastic Chair DSR, which look good not only in the \ndining room but also in the garden.\nEames Shell Chairs, Charles & Ray Eames, 1950\nCharles and Ray Eames sitting in a grouping of \nprototype chairs for the Museum of Modern Art’s \n‘International Competition for Low-Cost Furniture \nDesign’, New York, 1948. © 2023 Eames Office, LLC\ndocument11905500544884822469.indd   77\ndocument11905500544884822469.indd   77\n06.02.2025   11:16:19\n06.02.2025   11:16:19\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.41.png","( 1 \u002F 2 ) Eames Fiberglass Side Chair DSX  · ( 1 )  03 Eames Red Orange \u002F ( 2 )  02 Eames Navy Blue · 30 basic dark powder-coated (smooth) · \nCharles & Ray Eames, 1950 ( 3 \u002F 4 \u002F 5 ) Eames Plastic Side Chair RE DSX · ( 3 )  48 forest RE \u002F ( 4 )  85 cotton white RE  \u002F ( 5 )  83 sea blue RE · \n30 basic dark powder-coated (smooth) · Charles & Ray Eames, 1950 ( 6 ) Wire Chair DKR , with seat and back pads  · Leather\u002Fback panel Plano, \n97\u002F67 cognac\u002Fcognac · 30 basic dark powder-coated (smooth) · Charles & Ray Eames, 1951 ( 7) Eames Fiberglass Armchair DAX  · \n05 Eames Sea Foam Green · 30 basic dark powder-coated (smooth) · Charles & Ray Eames, 1950\n1\n3\n5\ndocument4470844725250583231.indd   78\ndocument4470844725250583231.indd   78\n06.02.2025   11:16:01\n06.02.2025   11:16:01\nStaged at the Eames House, Pacific Palisades, California © Eames Foundation, 2023\n6\n4\n7\n2\ndocument4470844725250583231.indd   79\ndocument4470844725250583231.indd   79\n06.02.2025   11:16:11\n06.02.2025   11:16:11\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.42.png","80\nAs the very first industrially produced plastic chair, the Eames Plastic Chair \nwas originally developed by the Eameses for the ‘Low-Cost Furniture Design’ \ncompetition organised by the Museum of Modern Art. Besides the Eames \nPlastic Chair RE in recycled plastic, the design is also available as the Eames \nFiberglass Chair made of glass-fibre reinforced polyester resin.\nThe organically shaped shell of the Eames Plastic Chairs RE can be paired \nwith different bases for use in a broad range of settings: from the dining  \nroom or home office to the garden. Combined with a choice of colours and  \na variety of upholstery versions, it is possible to create the ideal chair for \nindividual needs.\nEames Shell Chairs, Charles & Ray Eames, 1950\nUtilising this recycled material instead  \nof conventional plastic generates 54% less \nclimate-damaging emissions, with a  \nsignificant reduction in energy consumption.\ndocument4470844725250583231.indd   80\ndocument4470844725250583231.indd   80\n06.02.2025   11:16:24\n06.02.2025   11:16:24\n1\n3\n2\n( 1 ) Eames Plastic Side Chair RE DSW  · 85 cotton white RE  · 65 honey-toned ash · Charles & Ray Eames, 1950 ( 2 ) Plate Dining Table  · \n70 natural solid oak, oiled · 30 basic dark powder-coated (textured) · Jasper Morrison, 2018 ( 3 ) Vases Découpage, Boucle  · \nRonan & Erwan Bouroullec, 2020 ( 4 ) Ball Clock  · black\u002Fbrass  · George Nelson, 1949-1960\n4\ndocument4470844725250583231.indd   81\ndocument4470844725250583231.indd   81\n06.02.2025   11:16:37\n06.02.2025   11:16:37\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.43.png","( 1 – 4 ) Eames Plastic Side Chair RE DSR  · ( 1 )  83\u002F93 sea blue RE\u002Fsky blue,  ( 2 )  48\u002F24 forest RE\u002Fdark green, ( 3 )  34\u002F92 mustard RE\u002Fcitron,   \n( 4 )  11\u002F30 pebble RE\u002FEames Sea Foam Green · Charles & Ray Eames, 1950 ( 5 \u002F 6 ) Wire Chair DKR  · ( 5 )  93 sky blue powder-coated (smooth) \u002F  \n( 6 )  31 Eames Sea Foam Green powder-coated (smooth) · Charles & Ray Eames, 1951\n1\n6\ndocument4470844725250583231.indd   82\ndocument4470844725250583231.indd   82\n06.02.2025   11:16:47\n06.02.2025   11:16:47\nStaged at the Eames House, Pacific Palisades, California © Eames Foundation, 2023\n3\n4\n5\n2\ndocument4470844725250583231.indd   83\ndocument4470844725250583231.indd   83\n06.02.2025   11:16:55\n06.02.2025   11:16:55\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.44.png","1\n3\n2\n( 1 ) Eames Contract Tables , outdoor compatible  · 12 deep black powder-coated (textured) · Solid core HPL , 01 white (textured) · \nCharles & Ray Eames, 1968 ( 2 ) Eames Plastic Side Chair RE DSR  · 34\u002F92 mustard RE\u002Fcitron · Charles & Ray Eames, 1950 ( 3 ) Wire Chair DKR  · \n92 citron powder-coated (smooth) · Charles & Ray Eames, 1951 ( 4 \u002F 5 ) Wire Chair LKR  · 30 basic dark powder-coated (smooth) \u002F \n93 sky blue powder-coated (smooth) · Charles & Ray Eames, 1951\nStaged at the Eames House, Pacific Palisades, California © Eames Foundation, 2023\n4\ndocument4470844725250583231.indd   84\ndocument4470844725250583231.indd   84\n06.02.2025   11:17:10\n06.02.2025   11:17:10\n85\nDesigned by Charles and Ray Eames out of welded steel wire, the Wire Chair \nis a variation on the theme of the organically shaped one-piece seat shell, \npairing transparent lightness with technological sophistication. The wire shell \ncan be joined with a variety of different bases and is offered without \nupholstery, with a seat cushion or with a two-piece seat and back cushion \nknown as the ‘Bikini’ pad due to its shape.\nWire Chair models with a powder-coated finish are also suited for outdoor \nuse. The new compact Wire Chair models LKR (Lounge Height K-Shell  \nR-Wire Base) and DKR (Dining Height K-Shell R-Wire Base) are additionally\navailable in a fresh palette of colours.\nEames Shell Chairs, Charles & Ray Eames, 1950\n5\ndocument4470844725250583231.indd   85\ndocument4470844725250583231.indd   85\n06.02.2025   11:17:20\n06.02.2025   11:17:20\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.45.png","86\nVitra Shell Chair System\nWith over 170,000 configurations, 23 shell colours and 36 upholstery options, \nthere is a perfect Eames Shell Chair for everyone and every home.\nBeam \nSeating\nStool\nHigh\nStool\nMedium\nRocking\nRod Base\nDining Height \nX-Base\nDining Height \nLa Fonda Base\nCast Base  \non Castors\nDining Height \nRod Base\nLounge Height \nRod Base\nDining Height \nWood Base\nDining Height \nStacking Base\nPlastic  \nSide Chair RE\nPlastic \nArmchair RE\nWire \nChair\nFiberglass\nSide Chair\nFiberglass\nArmchair\ndocument4470844725250583231.indd   86\ndocument4470844725250583231.indd   86\n06.02.2025   11:17:21\n06.02.2025   11:17:21\n* Suitable for outdoor use in a powder-coated version.\nPlastic Side Chair RE*\nStool  Medium\nDSR* \u002F Dining Height\nPlastic Side Chair RE\nRod Base\nLSR* \u002F Lounge Height\nPlastic Side Chair RE\nRod Base\nDKW \u002F Dining Height \nWire Chair\nWood Base\nDAW \u002F Dining Height \nPlastic Armchair RE\nWood Base\nLAR* \u002F Lounge Height \nPlastic Armchair RE\nRod Base\nLSR \u002F Lounge Height \nFiberglass Side Chair \nRod Base\nLAR \u002F Lounge Height \nFiberglass Armchair\nRod Base\nEPAC* \u002F Eames Plastic \nArmchair RE\nbeam seating \nDSW \u002F Dining Height \nPlastic Side Chair RE\nWood Base\nLKR* \u002F Lounge Height\nWire Chair\nRod Base\nDAX* \u002F Dining Height \nPlastic Armchair RE\nX-Base\nDSX \u002F Dining Height \nFiberglass Side Chair \nX-Base\nDSR \u002F Dining Height \nFiberglass Side Chair \nRod Base\nRAR \u002F Rocking  \nFiberglass Armchair\nRod Base\nDSX* \u002F Dining Height \nPlastic Side Chair RE\nX-Base\nPlastic Side Chair  RE* \nStool High\nWire Chair*\nStool  \nMedium\nDAL \u002F Dining Height \nPlastic Armchair RE\nLa Fonda Base\nDSW \u002F Dining Height \nFiberglass Side Chair\nWood Base\nDAX \u002F Dining Height\nFiberglass Armchair \nX-Base\nDSS \u002F Dining Height \nPlastic Side Chair RE\nStacking Base\nDKX* \u002F Dining Height \nWire Chair \nX-Base\nWire Chair *  \nStool  \nHigh\nRAR \u002F Rocking  \nPlastic Armchair RE\nRod Base\nFiberglass Side Chair\nStool   \nHigh\nDAR \u002F Dining Height \nFiberglass Armchair\nRod Base\nEPSC* \u002F Eames Plastic \nSide Chair RE\nbeam seating\nPSCC* \u002F Pivot Side \nChair \nCast Base On Castors\nDKR* \u002F Dining Height \nWire Chair\nRod Base\nDAR* \u002F Dining Height\nPlastic Armchair RE\nRod Base\nPACC  \nPivot Armchair\nCast Base on Castors\nFiberglass Side Chair \nStool  \nMedium\nDAW \u002F Dining Height\nFiberglass Armchair\nWood Base\nFor more details,  \nvisit vitra.com\u002F \neames-shell-chairs\ndocument4470844725250583231.indd   87\ndocument4470844725250583231.indd   87\n06.02.2025   11:17:23\n06.02.2025   11:17:23\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.46.png","88\nThe graceful DCM chairs (Dining Chair Metal) in the Plywood Group  \nresulted from Charles and Ray Eames’ early experiments with moulding \nplywood into complex shapes. The elegantly curved seat and back  \nshells are made of ash wood with a natural or black-stained finish; the  \nslender tubular steel base is chrome-plated.\nPlywood Group DCM, Charles & Ray Eames, 1945\u002F1946\nDon Albinson and Charles Eames displaying DCMs  \noutside the Eames Office 901 \u002F © 2023 Eames Office, LLC  \nFrom the archive of the Vitra Design Museum:  \na historic Eames Aluminium Chair.\ndocument4470844725250583231.indd   88\ndocument4470844725250583231.indd   88\n06.02.2025   11:17:28\n06.02.2025   11:17:28\nOrganic Chair, Charles Eames & Eero Saarinen, 1940\n( 1 ) Organic Chair  · Credo, 18 pale rose\u002Fcognac · Charles Eames & Eero Saarinen, 1940 ( 2 ) Cork Family,  Model C  · Jasper Morrison, 2004\n1\n2\ndocument4470844725250583231.indd   89\ndocument4470844725250583231.indd   89\n06.02.2025   11:17:37\n06.02.2025   11:17:37\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.47.png","Mikado, Edward Barber & Jay Osgerby, 2024\n3\n2\n1\n( 1 ) Mikado Side Chair  · Iroko 2, 15 cognac · Solid Wood , 04 dark stained solid oak, with protective varnish · Edward Barber & Jay Osgerby, 2024\n( 2 ) Table S.A.M. Bois · Solid Wood , 75 solid American walnut, oiled · Jean Prouvé, 1941 ( 3 ) Akari UF4-L8  · Isamu Noguchi, 1951\ndocument2869214430515122566.indd   90\ndocument2869214430515122566.indd   90\n06.02.2025   11:16:21\n06.02.2025   11:16:21\ndocument2869214430515122566.indd   91\ndocument2869214430515122566.indd   91\n06.02.2025   11:16:31\n06.02.2025   11:16:31\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.48.png","1\n2\n4\n3\n( 1 ) Mikado Side Chair · Nubia, 01 ivory\u002Fpearl · Solid Wood  · 10 natural oak, with protective varnish · Edward Barber & Jay Osgerby, 2024 \n( 2 ) Mikado Armchair · Nubia,  01 ivory\u002Fpearl · Solid Wood  · 10 natural oak, with protective varnish · Edward Barber & Jay Osgerby, 2024 \n( 3 ) Plate Dining Table  · Marble , 50 marble Carrara · 04 white powder-coated (textured) · Jasper Morrison, 2018\n( 4 ) Butterfly Stool  · Veneer , 54 maple · Sori Yanagi, 1956\ndocument2869214430515122566.indd   92\ndocument2869214430515122566.indd   92\n06.02.2025   11:16:34\n06.02.2025   11:16:34\n93\nMikado is a chair with a serene yet commanding aura that aims to impress  \nnot by its form but through its comfort. It achieves this thanks to upholstery on \nall sides and an ingeniously simple mechanism concealed beneath the seat \nthat facilitates subtle movement of the backrest.\nMikado was designed with sustainability in mind from the outset: the covers \nare not glued and can be removed for cleaning or replacement. The legs may \nbe replaced individually or exchanged for a different material option – wood \nor recycled aluminium. The inner seat panel is made of recycled aluminium \nwhile the core of the backrest shell is produced from recycled post-consumer \npolypropylene, which can be easily separated from the foam padding during \nrecycling. The concept of a simple exchange of components gives Mikado \nlong-term versatility, thereby ensuring longevity.\nMikado is available as an armchair with suggested armrests or as a side \nchair. The two backrests, different legs, a choice of fabric or leather covers \nand numerous colours enable a wide variety of possible combinations.\nMikado, Edward Barber & Jay Osgerby, 2024\nFlexible movement for enhanced comfort, \nsketch by Edward Barber & Jay Osgerby, 2023.\nEdward Barber and Jay Osgerby  \nstudied architecture as fellow students  \nat the Royal College of Art in London. \nSince that time, their collaborative work \nhas probed the interface between \nindustrial design, furniture design and \narchitecture. \ndocument2869214430515122566.indd   93\ndocument2869214430515122566.indd   93\n06.02.2025   11:16:40\n06.02.2025   11:16:40\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.49.png","Standard & Standard SP, Jean Prouvé, 1934\u002F50\n( 1 – 3 ) Standard : ( 1 ) 41 Prouvé Bleu Marcoule powder-coated (smooth) ( 2 ) 13 Prouvé Gris Vermeer powder-coated (smooth) \n( 3 ) 18 Prouvé Blé Vert powder-coated (smooth) · 10 natural oak, with protective varnish · Jean Prouvé, 1934\u002F1950  \n( 4 ) EM Table · 13 Prouvé Gris Vermeer powder-coated (smooth) · 70 natural solid oak, oiled · Jean Prouvé, 1950 ( 5 ) Potence · \n88 Prouvé Blanc Colombe (Ecru) powder-coated (smooth) · Jean Prouvé, 1950\n4\n1\n2\n5\ndocument11704045087258048944.indd   94\ndocument11704045087258048944.indd   94\n06.02.2025   11:16:33\n06.02.2025   11:16:33\nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n3\ndocument11704045087258048944.indd   95\ndocument11704045087258048944.indd   95\n06.02.2025   11:16:42\n06.02.2025   11:16:42\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.50.png","96\nStandard & Standard SP, Jean Prouvé, 1934\u002F50\nJean Prouvé created the Standard chair in 1934. This design exemplifies a \nfundamental aspect of Prouvé’s numerous furniture pieces and architectural \nworks: his unwavering focus on structural requirements.  \nThe load on the back legs of a chair is greater than on the front legs – this is \nhardly a surprising discovery, but no other seating design demonstrates this \nprinciple as clearly as the Standard chair.\nThe 1934 model was introduced as Chair No. 4, since it had been preceded by \nthree prototypes; later developments continued under the name ‘Standard’. \nThe chair was manufactured in Jean Prouvé’s own factory. Vitra regards \nProuvé as one of the twentieth century’s leading designers and expanded the \npalette of Prouvé furniture in 2022 to include several of the Frenchman’s \noriginal colours.\nTechnical drawing of the ‘Guéridon rond’ and the  \n‘Chaise métallique’, a version of the Standard chair, \napprox. 1950.\ndocument11704045087258048944.indd   96\ndocument11704045087258048944.indd   96\n06.02.2025   11:16:52\n06.02.2025   11:16:52\n1\n( 1 \u002F 2 ) Standard SP : ( 1 ) 13 Prouvé Gris Vermeer powder-coated (smooth) ( 2 ) 88 Prouvé Blanc Colombe (Ecru) powder-coated (smooth) ·  \n35 basalt · Jean Prouvé, 1934\u002F1950 ( 3 ) Guéridon  · 70 natural solid oak, oiled · Jean Prouvé, 1949 ( 4 ) Lampe de Bureau  · \n06 Japanese red powder-coated (smooth) · Jean Prouvé, 1930\n2\n3\n4\ndocument11704045087258048944.indd   97\ndocument11704045087258048944.indd   97\n06.02.2025   11:16:59\n06.02.2025   11:16:59\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.51.png","document11704045087258048944.indd   98\ndocument11704045087258048944.indd   98\n06.02.2025   11:16:59\n06.02.2025   11:16:59\n99\nJean Prouvé\nEngineer, \narchitect and \ndesigner\nWith his constructive approach to design, Jean Prouvé  \nsignificantly influenced furniture creations in the interwar and \npost-war modern periods, and was a pioneer in the field of series \nproduction and industrial construction with his prefabricated  \nand modular elements. The Vitra Design Museum holds the most \nextensive collection of furniture by Jean Prouvé in the world  \nand Vitra has been manufacturing Prouvé designs in close \ncollaboration with his family since 2002.\ndocument11704045087258048944.indd   99\ndocument11704045087258048944.indd   99\n06.02.2025   11:16:59\n06.02.2025   11:16:59\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.52.png","↑   The Jean Prouvé Collection \nof the Vitra Design Museum in \nWeil am Rhein\n↗  The Petrol Station created by \nJean Prouvé together with his \nbrother Henri, 1953 \u002F 2003,  \nVitra Campus, Weil am Rhein\n→\n Colour chart from Ateliers\nJean Prouvé, 1951\nThe museum’s collection of \nhistorical furniture and objects \nplays a major role in Vitra’s \nongoing development of the \nProuvé product portfolio.\ndocument11704045087258048944.indd   100\ndocument11704045087258048944.indd   100\n06.02.2025   11:17:03\n06.02.2025   11:17:03\n101\nA trained metal artisan, Jean \nProuvé (1901–1984) was also a \ncraftsman, architect and lecturer.  \nHis work encompasses a wide range \nof objects, from a letter opener  \nto door and window fittings,  \nfrom lighting and furniture to \nfaçade elements and prefabricated  \nhouses, from modular building \nsystems to large exhibition struc-\ntures – essentially, almost anything \nthat is suited to industrial pro-\nduction methods. Prouvé tried out \nhis ideas in his own workshop  \n‘Les Ateliers Jean Prouvé’: he \ncreated drawings on a 1:1 scale, \nwhich he sent to the factory or \nhanded over to his employees in \nperson to make a prototype. \nHis creations follow the principle \nof simplicity, consisting of indi-\nvidual elements that are assembled \nand screwed together. This cumu-\nlative construction process is also \nvisible in the finished product –  \nas well as in Prouvé’s architectural \nwork. As he did not have any  \nformal architectural training, he \ncollaborated \nwith \nthe \nmodern \narchitects of his time to execute  \nhis construction ideas. He is known \nfor his use of standardised, pre-\nfabricated elements to create cost-\neffective housing in the post-war \nera. He left his mark on architectural \nhistory again in 1971, when he \nplayed a major role in selecting the \ndesign of Renzo Piano and Richard \nRogers for the Centre Pompidou as \nchairman of the competition jury.\nJean Prouvé’s furniture reflects his \nunwavering focus on structural \nrequirements, giving his designs  \na technical poetic expression. In \n2022 Vitra expanded the colour \npalette to include several of the \nFrench engineer’s original colours.\ndocument11704045087258048944.indd   101\ndocument11704045087258048944.indd   101\n06.02.2025   11:17:10\n06.02.2025   11:17:10\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.53.png","102\n Chaise Tout Bois in the canteen of the headquarters of  \nthe Centre d’Etudes Nucléaires du Commissariat à l’Energie \nAtomique, Saclay, France, 1950s.\nChaise Tout Bois, Jean Prouvé, 1941\nChaise Tout Bois is the only chair by the French ‘constructeur’ and designer \nJean Prouvé that is made entirely out of wood. The design is very similar to \nProuvé’s famous Standard chair, but wood was substituted for the metal  \nbase due to the scarcity of metal during the Second World War.\nChaise Tout Bois by Vitra corresponds to one of Jean Prouvé’s design variants \nfrom 1941, whose construction does not require a single screw. The height  \nand seat geometry are the same as those of the Standard chair and thus \nmeet current norms and requirements. The warm look and feel of wood \ncontrasts appealingly with the practical structural design, which is typical  \nof Prouvé’s functional approach. Chaise Tout Bois is available in light oak  \nor dark-stained oak.\ndocument11704045087258048944.indd   102\ndocument11704045087258048944.indd   102\n06.02.2025   11:17:14\n06.02.2025   11:17:14\n( 1 ) Chaise Tout Bois  · 10 natural oak, with protective varnish · Jean Prouvé, 1941  \n( 2 ) EM Table · 70 natural solid oak, oiled · 13 Prouvé Gris Vermeer powder-coated (smooth) · Jean Prouvé, 1950\n2\n1\ndocument11704045087258048944.indd   103\ndocument11704045087258048944.indd   103\n06.02.2025   11:17:27\n06.02.2025   11:17:27\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.54.png","3\n2\n( 1 ) HAL Soft Wood  · Plano, 97 red\u002Fcoconut · Jasper Morrison, 2021 ( 2 ) HAL RE Wood  · 85 cotton white RE  · Jasper Morrison, 2010\u002F2014  \n( 3 ) HAL RE Wood  · 29 brick RE · Jasper Morrison, 2010\u002F2014 ( 4 ) HAL Ply Wood  · 10 natural oak, with protective varnish · Jasper Morrison, 2012  \n( 5 ) Guéridon  · 70 natural solid oak, oiled · Jean Prouvé, 1949 ( 6 ) Soft Seats type B  · Plano , 03 parchment\u002Fcream white · 2022 ( 7 ) Nuage abstrait  · \nRonan & Erwan Bouroullec, 2016 ( 8 ) HAL RE Tube , outdoor compatible  · 85 cotton white RE  · 49 ivory powder-coated (textured) · \nJasper Morrison, 2010\u002F2014 ( 9 ) Soft Seats Outdoor type B  · Simmons 55 grey\u002Fwhite  · 2022 ( 10 ) Belleville Table (rectangular)  · 30 black (textured) · \nRonan & Erwan Bouroullec, 2015\n7\n1\n5\n4\n6\ndocument11704045087258048944.indd   104\ndocument11704045087258048944.indd   104\n06.02.2025   11:17:33\n06.02.2025   11:17:33\n105\nHAL is Jasper Morrison’s interpretation of a shell chair in the tradition of  \nthe Plastic Chair by Charles and Ray Eames, whose variety of different bases \nenables versatile use. HAL RE is a further development of this design with  \na seat shell made of recycled plastic.\nThe recycling material for HAL RE stems from Germany’s ‘Yellow Bag’ \n(Gelber Sack) collection of household waste, which primarily consists of used \npackaging. Utilising this recycled material instead of conventional plastic \ngenerates fewer climate-damaging emissions and also significantly reduces \nenergy consumption. The HAL RE seat shell can also be 100% recycled at  \nthe end of the product’s life.\nThe many different chair bases can be combined either with a seat shell in \nplastic (HAL and HAL RE) or plywood (HAL Ply), or with a lightly padded \nshell covered in fabric (HAL Soft). In the versions with a polypropylene shell \nand powder-coated base, HAL is also suitable for use in outdoor settings.\nHAL, Jasper Morrison, 2010\u002F14\n8\n9\n10\ndocument11704045087258048944.indd   105\ndocument11704045087258048944.indd   105\n06.02.2025   11:17:41\n06.02.2025   11:17:41\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.55.png","Panton Chair & Panton Chair Classic, Verner Panton, 1959\u002F99\n( 1 ) Panton Chair  · 04 white · Verner Panton, 1959\u002F1999 ( 2 ) Belleville Table (rectangular)  · 12 deep black powder-coated (smooth) ·  \n01 white (textured) · Ronan & Erwan Bouroullec, 2015 ( 3 ) Herringbone Vase plain  · sand  · Raw-Edges, 2019\n3\n2\ndocument11704045087258048944.indd   106\ndocument11704045087258048944.indd   106\n06.02.2025   11:17:46\n06.02.2025   11:17:46\n1\ndocument11704045087258048944.indd   107\ndocument11704045087258048944.indd   107\n06.02.2025   11:17:51\n06.02.2025   11:17:51\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.56.png","1\n2\n( 1 ) Panton Chair · 37 glacier blue · Verner Panton, 1959\u002F1999 ( 2 ) Metal Side Tables Outdoor  · 95 galvanised · Ronan & Erwan Bouroullec, 2004 \n( 3 ) Panton Chair Classic · 11 white · Verner Panton, 1959 ( 4 ) Potence · 12 deep black powder-coated (smooth) · Jean Prouvé, 1950\ndocument11704045087258048944.indd   108\ndocument11704045087258048944.indd   108\n06.02.2025   11:17:57\n06.02.2025   11:17:57\n109\n3\nThe curved silhouette of the Panton Chair has become a familiar sight,  \nbut when Verner Panton first proposed the chair to manufacturers in the  \n1950s, they all considered it impossible to make. All but Vitra that is, who \nbelieved in the design and took up the challenge with Panton of bringing  \nit to production. In 1967 the Panton Chair was launched.\nAs the first all-plastic cantilever chair it was an instant hit and over the \nfollowing years, it was continuously upgraded as the quality of plastics \nimproved. It remained extremely popular until fabrication had to be \ndiscontinued in 1979 when existing chairs threatened to break. Happily,  \nVitra was able to resume production in 1990 using a shatterproof \npolyurethane and went on to elaborate a version in polypropropylene  \nwith Verner Panton, which was launched in 1999. From start to finish,  \nthe development of the Panton Chair therefore took forty years.\nPanton Chair & Panton Chair Classic, Verner Panton, 1959\u002F99\nThe Panton Chair is available in three different models: \nthe Panton Chair Classic in rigid polyurethane foam with \na glossy surface, the Panton Chair in polypropylene with \na matt finish and the children’s version, Panton Junior.\n4\ndocument11704045087258048944.indd   109\ndocument11704045087258048944.indd   109\n06.02.2025   11:18:06\n06.02.2025   11:18:06\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.57.png","110\nEVO-C is a successful, uncompromising iteration of the principle and \ncharacteristics of the classic cantilever chair in the material of plastic.  \nThe load-bearing structure is formed by hollow tube-like components that \nflow seamlessly into the planar surfaces of the seat and back. Morrison’s  \naim was to eliminate all superfluous details: the shape of EVO-C, which  \nis made entirely from 100% recyclable polypropylene, is determined by  \nthe indispensable factors for achieving stability and comfort. It combines  \nthe springy properties of tubular steel with the comfort of an ergonomic  \nseat shell. EVO-C is available in a selection of different colours.\nEVO-C, Jasper Morrison, 2020\n1\n2\ndocument12366465588189855751.indd   110\ndocument12366465588189855751.indd   110\n06.02.2025   11:17:04\n06.02.2025   11:17:04\nMoca, Jasper Morrison, 2020\n( 1  \u002F 2 ) EVO-C · Plastic , ( 1 )  03 poppy red \u002F ( 2 )  49 ivory · Jasper Morrison, 2020 ( 3 ) Moca  · 30 basic dark powder-coated (textured) · \n04 dark oak, with protective varnish · Jasper Morrison, 2020 ( 4 ) Plate Dining Table  · 04 dark stained solid oak, with protective varnish · \nJasper Morrison, 2018 ( 5 ) Turbine Clock  · brass\u002Faluminium  · George Nelson, 1949-1960 ( 6 ) Herringbone Vase, ribbed  · Raw-Edges, 2019\n3\n5\n6\n4\ndocument12366465588189855751.indd   111\ndocument12366465588189855751.indd   111\n06.02.2025   11:17:13\n06.02.2025   11:17:13\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.58.png","4\nSoftshell Chair, Ronan & Erwan Bouroullec, 2008\n( 1 ) Softshell Chair, four-legged base  · Dumet, 28 sage\u002Fsteel blue · Ronan & Erwan Bouroullec, 2008  \n( 2 ) EM Table · 12 deep black powder-coated (smooth) · 70 natural solid oak, oiled finish · Jean Prouvé, 1950 \n( 3 ) Cité · 41 Prouvé Bleu Marcoule powder-coated (smooth) · Tress, 10 pebble melange · Jean Prouvé, 1930 \n( 4 ) Vases Découpage, Boucle · Ronan & Erwan Bouroullec, 2020\ndocument12366465588189855751.indd   112\ndocument12366465588189855751.indd   112\n06.02.2025   11:17:24\n06.02.2025   11:17:24\n3\n2\n1\ndocument12366465588189855751.indd   113\ndocument12366465588189855751.indd   113\n06.02.2025   11:17:33\n06.02.2025   11:17:33\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.59.png","Belleville Chair, Ronan & Erwan Bouroullec, 2015\n1\n2\n( 1 ) Belleville Chair · 35 basalt · 12 deep black · Ronan & Erwan Bouroullec, 2015 ( 2 ) Belleville Table (Bistro)  ·  \n30 black (textured) · Ronan & Erwan Bouroullec, 2015 ( 3 ) Nuage · ivy anodised · Ronan & Erwan Bouroullec, 2016 \n( 4 ) Landi Chair · 10 matte anodised aluminium · Hans Coray, 1938\n3\ndocument12366465588189855751.indd   114\ndocument12366465588189855751.indd   114\n06.02.2025   11:17:39\n06.02.2025   11:17:39\n115\nLandi Chair, Hans Coray, 1938\nDeveloped for the 1939 Swiss National Exhibition (Schweizer Landesausstellung), \nthe Landi Chair occupies an important place in the history of twentieth-century \ndesign: this classic by Hans Coray established the new typology of a three-\ndimensionally moulded seat shell on a separate base. Two U-shaped profiles \nwelded to the crossbars of the self-supporting chassis simultaneously serve as  \nlegs and low armrests. This base supports a seat shell, which makes ideal use  \nof the material’s possibilities: the 91 punched holes not only ensure the modest \nweight and flexibility of the comfortable shell, but also give the graceful Landi  \nits trademark appearance. The lightweight, stackable Landi Chair is robust  \nand weather-resistant. \nThroughout his lifetime, Hans Coray (1906–1991) \npositioned himself at the intersection of art, design \nand architecture, attaching great importance to \nfunctionality and simplicity. From the 1950s onward, \nhe was primarily active as a painter and sculptor.\n4\ndocument12366465588189855751.indd   115\ndocument12366465588189855751.indd   115\n06.02.2025   11:17:47\n06.02.2025   11:17:47\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.60.png","116\nTip Ton RE, Edward Barber & Jay Osgerby, 2011\u002F20\nTip Ton RE is an all-plastic chair with a forward-tilt action, which is manufactured \nfrom post-consumer recycling material. From a normal position, Tip Ton RE can be \ntipped forwards a few degrees, which straightens the pelvis and spine and thus \nimproves circulation to the abdominal and back muscles. \nThe high-quality recycled material for Tip Ton RE stems from Germany’s ‘Yellow \nBag’ (Gelber Sack) collection of household waste. The chair is manufactured  \nfrom a single mould without any mechanical components. To achieve the required \nstability and quality, the recycling material is mixed with a proportion of glass \nfibres. Extremely durable and 100% recyclable, Tip Ton RE can be stacked up to \nfour chairs high and comes in a choice of different colours.\n1\n2\ndocument18167068189127837255.indd   116\ndocument18167068189127837255.indd   116\n06.02.2025   14:20:29\n06.02.2025   14:20:29\n3\n4\n( 1 ) Tip Ton RE · Recycled polypropylene, 22 dark grey RE · Edward Barber & Jay Osgerby, 2011\u002F2020 ( 2 ) Cork Family,  Model C  · Jasper Morrison, 2004\n( 3 ) Tip Ton RE · Recycled polypropylene, 64 coral RE · Edward Barber & Jay Osgerby, 2011\u002F2020 ( 4 ) Tip Ton RE  · Recycled polypropylene, \n38 light lavender RE · Edward Barber & Jay Osgerby, 2011\u002F2020\ndocument18167068189127837255.indd   117\ndocument18167068189127837255.indd   117\n06.02.2025   14:20:40\n06.02.2025   14:20:40\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.61.png","1\n.03, Maarten Van Severen, 1998\n( 1 ) .03  · 01 basic dark  · 55 black powder-coated (textured) · Maarten Van Severen, 1998 ( 2 ) APC · Polypropylene, 07 buttercup - two-tone \u002F \n04 ivy two-tone \u002F 01 white - two-tone \u002F 02 ice grey - two-tone · Jasper Morrison, 2016\ndocument18167068189127837255.indd   118\ndocument18167068189127837255.indd   118\n06.02.2025   14:20:48\n06.02.2025   14:20:48\n119\nThe APC is reminiscent of the classic wooden chairs that have been common  \nin Europe for many decades, yet further enhances the typology in plastic:  \nthe frame is moulded in a single piece and the backrest, which is more finely \nmodelled than with conventional wooden chairs, connects to the frame in  \na manner that allows flexible movement. The frame and seat with backrest  \nare paired in different nuances of the same colour, giving the classic shape  \na more contemporary appearance. The APC is a robust chair suited for  \nboth indoor and outdoor use.\nAPC, Jasper Morrison, 2016\n2\ndocument18167068189127837255.indd   119\ndocument18167068189127837255.indd   119\n06.02.2025   14:20:58\n06.02.2025   14:20:58\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.62.png","120\nTables\nThe dining table is the social hub of most homes: where household \nmembers gather to eat, entertain guests, work, play and talk. With \na range of different designs and dimensions, Vitra tables suit the \nrequirements of any given space in the home.\nBelleville Table (Bistro),  \nRonan & Erwan Bouroullec, 2015\nHeight: 740 mm\nRound table: Ø 796 mm\nSquare table: 750 mm\nSee p. 114, 119\nTrapèze,  \nJean Prouvé, 1950\u002F54\nHeight: 720 mm\nTable top: 2230 × 725 mm\nSee p. 100, 128–129\nEM Table,  \nJean Prouvé, 1950\nHeight: 740 mm\nTable top: 1800-2200 × 900 mm\nSee p. 94–95, 103, 112–113, 121\nGuéridon,\nJean Prouvé, 1949\nHeight: 740 mm\nTable top: Ø 900\u002F1050 mm\nSee p. 97, 104\nBelleville Table (rectangular)  \nRonan & Erwan Bouroullec, 2015\nHeight: 740 mm\nTable top: 1600 × 750 mm\nSee p.105, 106–107\nContract Table,  \nCharles & Ray Eames, 1968\nHeight: 740 mm\nRound table: Ø 700\u002F800 mm\nSquare table: 750 mm\nSee p. 84\nEames Segmented Tables Dining,\nCharles & Ray Eames, 1964\nHeight: 740 mm\nRound table: Ø 1300 mm\nSquare table: 2200\u002F2400 × 1100 mm\nSee p. 78–79\nPlate Dining Table,  \nJasper Morrison, 2018\nHeight: 735 \u002F 745 mm\nTable top: 1800\u002F2000 × 900 mm\nor 2200\u002F2400 × 1000 mm\nSee p. 76, 81, 92, 109, 111\nFor more details, visit  \nvitra.com\u002Fdining-tables\ndocument18167068189127837255.indd   120\ndocument18167068189127837255.indd   120\n06.02.2025   14:21:02\n06.02.2025   14:21:02\ndocument18167068189127837255.indd   121\ndocument18167068189127837255.indd   121\n06.02.2025   14:21:09\n06.02.2025   14:21:09\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.63.png","For more details, visit  \nvitra.com\u002Foffice-chairs\ndocument3303377941228312389.indd   122\ndocument3303377941228312389.indd   122\n06.02.2025   11:17:35\n06.02.2025   11:17:35\n123\n→ 134 ACX\n→ 124 Mynt\n→ 138 ID Chair Concept\n→ 142  Aluminium \n Chairs\n→ 143  Soft Pad \nChairs\n→ 140  Fauteuil \nDirection  \nPivotant\n→ 132 Allstar\n→ 144  Eames Plastic \nChairs PSCC & \nPACC\n→ 130 Physix\n→ 133 Rookie\n→ 128 Mikado\nChairs and tables for \nthe home office\nThe ergonomic chairs  \nVitra has over 45 years of experience  \nin the development of ergonomic task  \nchairs that can be intuitively adjusted  \nto different user needs.\nThe classic chairs\nThanks to their timeless design and \nstructural honesty, classic office chairs \nsuch as those by Charles and Ray Eames \nor Jean Prouvé are still vital and relevant \ndecades after their creation.\nThe multifunctional chairs\nCompact in design, they embody just  \nthe right mix of ergonomics, functionality \nand understated aesthetics, making them \nideal for working at the dining table or  \nin an office nook. \nVitra has been developing task chairs for the workplace and home office for  \nmore than 45 years. These chairs meet ergonomic requirements while offering \na varying range of functions. Thanks to their understated aesthetics, they are \nperfectly suited to any style of interior.\nAn overview of all Vitra desks can be found on page 146.\ndocument3303377941228312389.indd   123\ndocument3303377941228312389.indd   123\n06.02.2025   11:17:39\n06.02.2025   11:17:39\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.64.png","Mynt, Erwan Bouroullec, 2025\n1\n( 1 ) Mynt · Veneer, 10 natural oak, with protective varnish · 52 soft light powder-coated (textured)  · Erwan Bouroullec, 2025 ( 2 ) Mynt  · \nRecycled polypropylene, 05 grey RE · 52 soft light powder-coated (textured)  · Erwan Bouroullec, 2025 ( 3 ) Nuage, medium and large  ·  \nAnodised aluminium ,  light silver anodised · Ronan & Erwan Bouroullec, 2016\ndocument3303377941228312389.indd   124\ndocument3303377941228312389.indd   124\n06.02.2025   11:17:41\n06.02.2025   11:17:41\n2\n3\ndocument3303377941228312389.indd   125\ndocument3303377941228312389.indd   125\n06.02.2025   11:17:44\n06.02.2025   11:17:44\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.65.png","Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben\n1\n2\n3\n( 1 ) Mynt · Cosy 2, 20 electric blue · 12 deep black powder-coated (textured) · Erwan Bouroullec, 2025 ( 2 ) Compas Direction  ·  \nSolid Wood , 04 dark stained solid oak, with protective varnish · 41 Prouvé Bleu Marcoule powder-coated (smooth) · Jean Prouvé, 1953  \n( 3 ) Akari UF4-L8  · Isamu Noguchi, 1951\ndocument3303377941228312389.indd   126\ndocument3303377941228312389.indd   126\n06.02.2025   11:17:50\n06.02.2025   11:17:50\n127\nMynt, Erwan Bouroullec, 2025\nMynt brings a new way of sitting to offices, public spaces and home interiors.  \nThe core element is its patented mechanism, which is activated by body weight \nand tilts forwards or backwards depending on shifts in the sitter's position – with \nthe seat moving independently of the backrest and automatically adapting to  \nthe user's weight. Only the height has to be adjusted. \nSeat and backrest are available in wood veneer or recycled polyamide  \nmade from 100% post-industrial sources and can be replaced or exchanged  \nfor a different materialor colour option. With the four-star base, users can  \nswitch between glides and castors. Thanks to zip fasteners, the optional seat  \nand back cushions can be removed for cleaning or replacement.\n‘Apart from the fact that Mynt had to perform, it had to be inviting – inviting for any kind \nof person, any kind of task, at any time.’ Erwan Bouroullec\ndocument3303377941228312389.indd   127\ndocument3303377941228312389.indd   127\n06.02.2025   11:18:00\n06.02.2025   11:18:00\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.66.png","3\n1\nMikado, Edward Barber & Jay Osgerby, 2024\n( 1 ) Mikado Side Chair  · Cento, 05 orange · 30 basic dark powder-coated (smooth) · Edward Barber & Jay Osgerby, 2024\n( 2 ) Mikado Armchair, five-star base  · Cento, 05 orange · 30 basic dark powder-coated (smooth) · Edward Barber & Jay Osgerby, 2024\n( 3 ) Trapèze  · HPL , 30 black (smooth) · 30 basic dark powder-coated (smooth) · Jean Prouvé, 1950\u002F1954 ( 5 ) Akari UF3-Q  · Isamu Noguchi, 1951\ndocument3303377941228312389.indd   128\ndocument3303377941228312389.indd   128\n06.02.2025   11:18:10\n06.02.2025   11:18:10\n2\n4\ndocument3303377941228312389.indd   129\ndocument3303377941228312389.indd   129\n06.02.2025   11:18:19\n06.02.2025   11:18:19\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.67.png","( 1 ) Physix · 12 deep black powder-coated (textured) · TrioKnit, 08 pebble grey · Alberto Meda, 2012 \n( 2 ) Occasional Low Table  · 04 dark stained solid oak, with protective varnish · Jasper Morrison, 2016\nPhysix, Alberto Meda, 2012\n2\ndocument16937649676777544678.indd   130\ndocument16937649676777544678.indd   130\n06.02.2025   11:18:05\n06.02.2025   11:18:05\n1\ndocument16937649676777544678.indd   131\ndocument16937649676777544678.indd   131\n06.02.2025   11:18:13\n06.02.2025   11:18:13\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.68.png","132\nThe Allstar chair defies conventional categorisations: is it a chair for office \nworkplaces or the home office? What period is it from? Does it offer any \nfunctional features? What is it made of? In developing Allstar, Konstantin \nGrcic kept such formulations open in order to create a relaxed, home-like \nambience for workers in office settings. Allstar’s appealing design is \nemblematic and familiar, inspiring a sense of dependability and trust. Its \ncasual ease and comfort has a calming influence and de-accelerates the \nfast-paced dynamic of today’s offices. \nKonstantin Grcic was trained as a cabinetmaker \nat Parnham College in Dorset before studying \nindustrial design at the Royal College of Art in \nLondon. In 1991 he set up his own practice, \nKonstantin Grcic Design.\n1\n2\nAllstar, Konstantin Grcic, 2014\ndocument16937649676777544678.indd   132\ndocument16937649676777544678.indd   132\n06.02.2025   11:18:26\n06.02.2025   11:18:26\n3\n( 1 ) Allstar  · Tress, 12 steel blue melange · 12 deep black · Konstantin Grcic, 2014 ( 2 ) Locker Box, small , dark grey RE  · \nKonstantin Grcic, 2022 ( 3 ) Rookie  · Plano, 97 red\u002Fcoconut · 12 deep black · Konstantin Grcic, 2018\nRookie, Konstantin Grcic, 2018\ndocument16937649676777544678.indd   133\ndocument16937649676777544678.indd   133\n06.02.2025   11:18:31\n06.02.2025   11:18:31\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.69.png","134\nAll good \nthings come \nin tens\nACX is the tenth and most sustainable office swivel chair that \nItalian designer Antonio Citterio has developed in collaboration \nwith Vitra. It is packed with extensive know-how and draws  \non years of experience. The maestro himself explains what is  \nso very special about the new chair in an interview. \ndocument16937649676777544678.indd   134\ndocument16937649676777544678.indd   134\n06.02.2025   11:18:36\n06.02.2025   11:18:36\n( 1 ) ACX Soft  · Grid Knit , 05 pine green \u002F Quilted Knit , 05 pine green  · 12 deep black · Antonio Citterio, 2023\n1\ndocument16937649676777544678.indd   135\ndocument16937649676777544678.indd   135\n06.02.2025   11:18:50\n06.02.2025   11:18:50\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.70.png","136\n‘Nowadays you design with the  \nproduct’s end of life in mind,  \ntrying to figure out how it can be \neasily dismantled and recycled  \nto reduce waste.’ \n– Antonio Citterio\ndocument16937649676777544678.indd   136\ndocument16937649676777544678.indd   136\n06.02.2025   11:18:53\n06.02.2025   11:18:53\n137\nACX is your tenth task chair  \nfor Vitra. Can you tell us some-\nthing about this impressive \ncollaboration?\nAnd after 30 years of collabo-\nration, I can say that ACX is the  \nresult of continuous development, \nshared knowledge and a close,  \nlasting partnership.\nWas sustainability on your  \nmind while designing ACX?\nMore than that. The design process \nwas wholly guided by the principle \nof sustainability, with the aim \nof using, for example, only recy-\ncled materials where possible.  \nThe structural elements in ACX  \nare made of approximately 60% \npost-industrial recycled materials.\nSo did the product’s life cycle  \nalso influence its development?\nYes, nowadays you design with the \nproduct’s end of life in mind,  \ntrying to figure out how it can be \neasily dismantled and recycled to \nreduce waste. Depending on the \nchosen model, ACX is up to 100% \nrecyclable.\nAnd what was the goal of  \nthe design process in terms \nof aesthetics?\nThe idea was to have a compact,  \ninviting chair, with a reduced  \nbackrest and a warm array of up-\nholstery colours, suited for work-\nspaces in the home and office.\nACX is equipped with a  \nnew automatic mechanism.  \nDoes this impact the manner \nin which it can be used in  \nthe office?\nYes, the chair components must  \nno longer be individually adjusted  \nas the mechanism automatically \nadapts to the user’s weight – but \nthe adjustment options are still \nprovided, of course. It is therefore \npossible to sit down at any work-\nstation in an open-plan office and \nenjoy instant comfort, only need-\ning to modify the seat height, if \nnecessary.\nYou are not just a designer,  \nbut also an architect.  \nWhich trends do you see in  \nthe office spaces you design \ntoday?\nI have noticed that the office envi-\nronment is becoming more and \nmore collaborative, more relaxed, \nless hierarchical, with the emer-\ngence of more informal, flexible, \nmulti-purpose meeting spaces – \nalso including ‘disruptive’ ele-\nments inspired by residential am-\nbiences, such as plants, decorative \nitems and furniture with a focus on \ncomfort and well-being.\ndocument16937649676777544678.indd   137\ndocument16937649676777544678.indd   137\n06.02.2025   11:19:02\n06.02.2025   11:19:02\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.71.png","( 1 ) ID Cloud, FlowMotion with forward tilt, with seat depth adjustment  · Plano, 18 light grey\u002Fsierra grey · Duo Knit , 01 cream white\u002Fsierra grey · \nAntonio Citterio, 2021 ( 2 ) ID Soft, FlowMotion with forward tilt, with seat depth adjustment  · 66 Plano - nero · Antonio Citterio, 2010\u002F2021  \n( 3 ) Cork Family , Model E · Jasper Morrison, 2004 ( 4 ) Cork Bowl, large  · Jasper Morrison, 2020\n1\ndocument16937649676777544678.indd   138\ndocument16937649676777544678.indd   138\n06.02.2025   11:19:05\n06.02.2025   11:19:05\nThe ID Chair concept offers countless options for customisation. Different \nvariations of the FlowMotion mechanism, a selection of backrests, armrests, \nseats and bases, along with a broad array of colours and fabrics, enable \nevery user to find the perfect ID Chair. Despite the many possible variations, \nit always remains essentially the same chair in look and construction – with \nbenefits in terms of aesthetics, maintenance and service.\nA study by the Institute for Biomechanics at ETH Zurich demonstrated the \ncomprehensive benefits of the ID Chair’s dynamic sitting features and their \nrole in actively preventing health problems.\nThe ID Chair Concept consists of the models ID Cloud, ID Air, ID Mesh,  \nID Soft, ID Soft L, ID Trim and ID Trim L, each with a different backrest.\nID Chair Concept, Antonio Citterio, 2010\u002F21\nFor more details, visit  \nvitra.com\u002Fid-chair-concept\n2\n4\n3\ndocument16937649676777544678.indd   139\ndocument16937649676777544678.indd   139\n06.02.2025   11:19:14\n06.02.2025   11:19:14\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.72.png","140\nFauteuil Direction Pivotant, Jean Prouvé, 1951\n( 1 ) Fauteuil Direction Pivotant  · 41 Prouvé Bleu Marcoule powder-coated (smooth) · Tress, 06 ice grey melange · 70 natural solid oak, oiled · \nJean Prouvé, 1951 ( 2 ) Compas Direction  · 41 Prouvé Bleu Marcoule powder-coated (smooth) · 70 natural solid oak, oiled · Jean Prouvé, 1953 \n( 3 ) Lampe de Bureau  · 12 deep black powder-coated (smooth) · Jean Prouvé, 1930\n1\ndocument16937649676777544678.indd   140\ndocument16937649676777544678.indd   140\n06.02.2025   11:19:22\n06.02.2025   11:19:22\nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n3\n2\ndocument16937649676777544678.indd   141\ndocument16937649676777544678.indd   141\n06.02.2025   11:19:29\n06.02.2025   11:19:29\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.73.png","142\nThe swivel-based models EA 117, EA 118 and EA 119 – the task chairs in the \nAluminium Group by Charles and Ray Eames – add an iconic presence to \nprestigious office environments. They are equipped with a tilt mechanism that  \ncan be adjusted to the weight of the user, providing for optimum comfort.  \nWith a broad selection of upholstery colours, it is easy to find the perfect chair  \nfor every office environment. The models EA 117 and EA 118 are distinguishable \nfrom EA 119 by their lower backrests. EA 118 also has a somewhat narrower  \nseat, and the sitting position of this model is more specifically suited for table-\noriented activities. Vitra has produced Aluminium Group chairs in the same \nsuperior quality for decades. This experience allows us to offer a 30-year \nwarranty on all of the chair models in the Aluminium Group.\nAluminium Chairs, Charles & Ray Eames, 1958\u002F69\n2\n1\ndocument16937649676777544678.indd   142\ndocument16937649676777544678.indd   142\n06.02.2025   11:19:37\n06.02.2025   11:19:37\n4\n3\n( 1 ) Aluminium Chair EA 104 · 01 chrome · Track, 08 pink\u002Fmustard · Charles & Ray Eames, 1958 ( 2 ) Home Desk · George Nelson, 1958 \n( 3 ) Soft Pad Chair EA 217  · 12 deep black powder-coated (textured) · Track, 21 teal blue\u002Fnero · Charles & Ray Eames, 1969  \n( 4 ) Eames Desk Unit EDU · Charles & Ray Eames, 1949\nStaged at the Eames House, Pacific Palisades, California © Eames Foundation, 2023\nSoft Pad Chairs, Charles & Ray Eames, 1969\ndocument16937649676777544678.indd   143\ndocument16937649676777544678.indd   143\n06.02.2025   11:19:48\n06.02.2025   11:19:48\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.74.png","Eames Plastic Chair RE PACC, Charles & Ray Eames, 1950\n1\n2\n( 1 ) Eames Plastic Armchair RE PACC , castor-based swivel chair, height-adjustable  · 03 polished aluminium · 83 sea blue RE · Charles & Ray Eames, 1950 \n( 2 ) Eames Desk Unit EDU · 81 natural birch · Charles & Ray Eames, 1949 ( 3 ) Eames Plastic Side Chair RE DSR , with full upholstery  · 92 citron RE · \nHopsak, 16 yellow\u002Fivory · Charles & Ray Eames, 1950 ( 4 ) L’Oiseau · natural maple  · Ronan & Erwan Bouroullec, 2011\ndocument16937649676777544678.indd   144\ndocument16937649676777544678.indd   144\n06.02.2025   11:19:56\n06.02.2025   11:19:56\n145\nEames Plastic Chair RE PSCC , Charles & Ray Eames, 1950\nThe large selection of bases for the Plastic Chairs RE by Charles and  \nRay Eames enables applications in a wide variety of different locations:  \nfor instance, the Pivot Armchair Cast Base on Castors (PACC) is ideally  \nsuited for home offices thanks to its height-adjustable, swivel-mount base. \nThe colour and upholstery options make it possible to individually configure \nthe chairs to accommodate a broad range of furnishing schemes.\n3\n4\ndocument16937649676777544678.indd   145\ndocument16937649676777544678.indd   145\n06.02.2025   11:19:59\n06.02.2025   11:19:59\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.75.png","146\nCompas Direction,\nJean Prouvé, 1953\nHeight: 730 mm\nTable top: 1250 × 600\u002F700 mm\nSee p. 126, 133, 140–141\nEames Desk Unit EDU,\nCharles & Ray Eames, 1949\nHeight: 740 mm\nTable top: 1525 × 710 mm\nSee p. 143, 144\nHome Desk,\nGeorge Nelson, 1958\nHeight: 740 mm\nTable top: 990 × 723 mm\nSee p. 142\nFor more details, visit  \nvitra.com\u002Fdesks\nTyde 2 Home Desk, rectangular and barrel shaped,\nRonan & Erwan Bouroullec, 2024\nHeight: 650 \u002F 1250 mm\nTable top: 1200 × 700 mm \u002F 1300 × 750 mm\nSee p. 122\nCourier,\nRonan Bouroullec, 2025\nHeight: 895 mm\nTable top: 1200 × 725 mm\nSee back cover\nDesks \nVitra’s classic desks with compact dimensions are ideally suited to virtually \nany home office setting, where their iconic design will add an appealing \naesthetic touch. They are manufactured in Europe from durable high-quality \nmaterials.\ndocument16158514930575286840.indd   146\ndocument16158514930575286840.indd   146\n06.02.2025   11:17:56\n06.02.2025   11:17:56\nFind the  \nright chair for your \nhome office\nvitra.com\u002Ffinder\ndocument16158514930575286840.indd   147\ndocument16158514930575286840.indd   147\n06.02.2025   11:17:59\n06.02.2025   11:17:59\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.76.png","For more details, visit  \nvitra.com\u002Faccessories\ndocument14019766120993257997.indd   148\ndocument14019766120993257997.indd   148\n06.02.2025   11:18:08\n06.02.2025   11:18:08\n149\nInteriors reflect our personality: each object tells its own story and serves  \nas an expression of our individual identity. The Vitra Accessories Collection \nhas something for every taste.\nAccessories\n→ 156  Organisers & small storage \n→ 154  Coat racks & \nwall shelves \n→ 152  Trays & vessels\n→ 158  Side tables & stools\n→ 150  Vases \n→ 170  Textiles \n→ 162  Decorative objects \n→ 164  Lighting \n→ 168  Clocks \ndocument14019766120993257997.indd   149\ndocument14019766120993257997.indd   149\n06.02.2025   11:18:13\n06.02.2025   11:18:13\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.77.png","150\nVases\n1\n3\nFor more details,  \nvisit vitra.com\u002F \nvases-planters\n2\ndocument14019766120993257997.indd   150\ndocument14019766120993257997.indd   150\n06.02.2025   11:18:27\n06.02.2025   11:18:27\n4\n( 1 ) Nuage, small  · steel blue  · Ronan & Erwan Bouroullec, 2016 ( 2 ) Wooden Doll No. 12  · Alexander Girard, 1952  \n( 3 ) Vases Découpage, Boucle  · Ronan & Erwan Bouroullec, 2020 ( 4 ) Herringbone Vase, ribbed  · yellow  · Raw-Edges, 2019\ndocument14019766120993257997.indd   151\ndocument14019766120993257997.indd   151\n06.02.2025   11:18:33\n06.02.2025   11:18:33\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.78.png","2\n( 1  \u002F 2 ) Ceramic Container No. 1  \u002F Ceramic Container No. 2  · cream  · Alexander Girard, 1952 ( 3 ) Girard Bird  · Natural maple  · Alexander Girard, 1945 \n( 4 ) Wooden Doll No. 16  · Alexander Girard, 1952 ( 5 ) Herringbone Bowl  · sand · Raw-Edges, 2019 ( 6 ) Classic Trays - Dot Pattern light  · \nCharles & Ray Eames, 1947 ( 7 ) Herringbone Tray  · yellow · Raw-Edges, 2019\n1\n3\n4\ndocument14019766120993257997.indd   152\ndocument14019766120993257997.indd   152\n06.02.2025   11:18:47\n06.02.2025   11:18:47\n5\n6\n7\nTrays & vessels \nFor more details, \nvisit vitra.com\u002F \ntrays-vessels\ndocument14019766120993257997.indd   153\ndocument14019766120993257997.indd   153\n06.02.2025   11:19:00\n06.02.2025   11:19:00\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.79.png","154\nCoat racks & wall shelves\nFor more details, \nvisit vitra.com\u002F \nwall-shelves-coat-racks\n1\n2\ndocument14019766120993257997.indd   154\ndocument14019766120993257997.indd   154\n06.02.2025   11:19:05\n06.02.2025   11:19:05\n4\n5\n( 1 ) Corniches · Japanese red · Ronan & Erwan Bouroullec, 2012 ( 2 ) Wooden Doll Cat · Alexander Girard, 1952  \n( 3 ) Hang it all · White, multi-coloured  · Charles & Ray Eames, 1953 ( 4 ) Wooden Doll , No. 20  \u002F No. 11  \u002F No. 5 · Alexander Girard, 1952 \n( 5 ) Tripod Clock  · brass, acrylic glass  · George Nelson, 1947\u002F1953\n3\ndocument14019766120993257997.indd   155\ndocument14019766120993257997.indd   155\n06.02.2025   11:19:14\n06.02.2025   11:19:14\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.80.png","2\n1\n3\n( 1 ) Uten.Silo RE II  · white RE · Dorothee Becker, 1969 ( 2 ) Wooden Dolls Mother Fish & Child  · Alexander Girard, 1952 ( 3 ) Coat Dots  · set of 3, white  · \nHella Jongerius, 2013 ( 4 ) Locker Box, small · brick RE  · Konstantin Grcic, 2022 ( 5 ) Toolbox RE · sea blue RE  · Arik Levy, 2010\ndocument14019766120993257997.indd   156\ndocument14019766120993257997.indd   156\n06.02.2025   11:19:22\n06.02.2025   11:19:22\nOrganisers & small storage\nFor more details,  \nvisit vitra.com\u002F \norganisers-small-storage\n4\n5\ndocument14019766120993257997.indd   157\ndocument14019766120993257997.indd   157\n06.02.2025   11:19:32\n06.02.2025   11:19:32\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.81.png","158\nSide tables & stools\n1\n2\ndocument14019766120993257997.indd   158\ndocument14019766120993257997.indd   158\n06.02.2025   11:19:43\n06.02.2025   11:19:43\nCode zu \nPlantguide\n3\n( 1 ) Nelson Bench  · 68 black ash · George Nelson, 1946 ( 2 ) Wooden Side Tables  · 17 light oak · Ronan & Erwan Bouroullec, 2015 \n( 3 ) Occasional Table LTR  · Light-coloured marble,  30 basic dark powder-coated (smooth) · Charles & Ray Eames, 1950\ndocument14019766120993257997.indd   159\ndocument14019766120993257997.indd   159\n06.02.2025   11:19:49\n06.02.2025   11:19:49\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.82.png","( 1 ) Stools , Model A · solid walnut  · Charles & Ray Eames, 1960 ( 2 ) Stools , Model B · solid walnut  · Charles & Ray Eames, 1960 \n( 3 ) Chap & Chap Tray  · brick RE  · Konstantin Grcic, 2021 ( 4  ) Wiggle Stool  · natural  · Frank Gehry, 1972\n1\n2\ndocument14019766120993257997.indd   160\ndocument14019766120993257997.indd   160\n06.02.2025   11:19:52\n06.02.2025   11:19:52\nSide Tables & stools\nFor more details,  \nvisit vitra.com\u002F \nside-tables-stools\n4\n3         \ndocument14019766120993257997.indd   161\ndocument14019766120993257997.indd   161\n06.02.2025   11:20:07\n06.02.2025   11:20:07\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.83.png","162\nDecorative objects\n1\n2\nFor more details,  \nvisit vitra.com\u002F \ndecorative-objects\ndocument9542406045596171398.indd   162\ndocument9542406045596171398.indd   162\n06.02.2025   11:18:18\n06.02.2025   11:18:18\n3\n4\n( 1 ) Plywood Mobile, Model A  · Charles & Ray Eames, 1941 ( 2 ) Wooden Dolls No. 1, No. 4, No. 13 and No. 22 ·  \nAlexander Girard, 1952 ( 3 ) Colour Frame Mirror, small  ·  Solid ash, lacquered, blue\u002Forange · Julie Richoz, 2024 \n( 4 ) L’Oiseau · Ceramic,  charcoal, matt finish · Ronan & Erwan Bouroullec, 2011\ndocument9542406045596171398.indd   163\ndocument9542406045596171398.indd   163\n06.02.2025   11:18:24\n06.02.2025   11:18:24\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.84.png","Akari Light Sculptures : ( 1 )  E ( 2 ) 23A  ( 3 ) UF3-Q  ( 4 ) 14A  ( 5 ) 10A  ( 6 ) 1N   · Isamu Noguchi, 1951\n1\n2\n3\ndocument9542406045596171398.indd   164\ndocument9542406045596171398.indd   164\n06.02.2025   11:18:31\n06.02.2025   11:18:31\n‘The harshness of electricity is thus transformed through the magic of paper \nback to the light of our origin – the sun – so that its warmth may continue  \nto fill our rooms at night’ – remarked Japanese-American artist and designer \nIsamu Noguchi when describing his Akari Light Sculptures.\nLighting by Isamu Noguchi\n4\n5\n6\nFor more details,  \nvisit vitra.com\u002F \nakari-sculptures\ndocument9542406045596171398.indd   165\ndocument9542406045596171398.indd   165\n06.02.2025   11:18:44\n06.02.2025   11:18:44\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.85.png","166\nLighting by Jean Prouvé\nThe distinctly technical design of the luminaires by Jean Prouvé – described \nas the ‘poetics of the technical object’ – reflect the Frenchman’s renowned \nconstructive approach.\n1\n2\nFor more details, \nvisit vitra.com\u002F \nprouvé-lighting\ndocument9542406045596171398.indd   166\ndocument9542406045596171398.indd   166\n06.02.2025   11:18:58\n06.02.2025   11:18:58\n( 1 ) Lampe de Bureau  · 06 Japanese red powder-coated (smooth) · Jean Prouvé, 1930 ( 2 ) Petite Potence  ·  \n12 deep black powder-coated (smooth) · Jean Prouvé, 1947 ( 3 ) Potence Prouvé Blanc Colombe (Ecru)  & Abat-Jour Conique  · \n88 Prouvé Blanc Colombe (Ecru) powder-coated (smooth) · Jean Prouvé, 1947\n3\ndocument9542406045596171398.indd   167\ndocument9542406045596171398.indd   167\n06.02.2025   11:19:03\n06.02.2025   11:19:03\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.86.png","( 1 – 3 ) Desk Clocks : ( 1 ) Chronopak · solid cherry wood  ( 2 ) Cone Base Clock  · powder-coated sheet metal  ( 3 ) Cone Clock · Polyurethane  · \nGeorge Nelson, 1947\u002F1953 ( 4 \u002F 5 ) Wall Clocks : ( 4 ) Sunburst Clock  · black\u002Fbrass  ( 5 ) Ball Clock · multicoloured  · George Nelson, 1949-1960 \n( 6 ) Silhouette Bull  · Alexander Girard, 1965 ( 7 ) Nuage (céramique) , small \u002F medium · Ronan & Erwan Bouroullec, 2018\n1\n2\n3\n4\n6\n7\ndocument9542406045596171398.indd   168\ndocument9542406045596171398.indd   168\n06.02.2025   11:19:10\n06.02.2025   11:19:10\nWith his Wall Clocks, Desk Clocks and the wall-mounted Zoo Timers for  \nchildren, the legendary American mid-century designer George Nelson \nhas created refreshing alternatives to conventional clocks in a wide  \nvariety of designs and materials.\nClocks by George Nelson\n5\nFor more details, visit  \nvitra.com\u002Fclocks\ndocument9542406045596171398.indd   169\ndocument9542406045596171398.indd   169\n06.02.2025   11:19:22\n06.02.2025   11:19:22\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.87.png","170\nTextiles\nFor more details,  \nvisit vitra.com\u002F \ntextiles\n1\ndocument9542406045596171398.indd   170\ndocument9542406045596171398.indd   170\n06.02.2025   11:19:30\n06.02.2025   11:19:30\n2\n( 1 ) Vitra Cushions – various sizes and fabrics  ( 2 ) Eames Wool Blanket  ·  mustard · Charles & Ray Eames, 1947\ndocument9542406045596171398.indd   171\ndocument9542406045596171398.indd   171\n06.02.2025   11:19:34\n06.02.2025   11:19:34\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.88.png","document9542406045596171398.indd   172\ndocument9542406045596171398.indd   172\n06.02.2025   11:19:45\n06.02.2025   11:19:45\nFind the  \nperfect gift\nvitra.com\u002Fgift-finder\ndocument9542406045596171398.indd   173\ndocument9542406045596171398.indd   173\n06.02.2025   11:19:51\n06.02.2025   11:19:51\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.89.png","174\nAuthors\nHans Coray\nThroughout his lifetime, Hans Coray (1906–1991) positioned himself  \nat the intersection of art, design and architecture, attaching great \nimportance to function ality and simplicity. From the 1950s onward,  \nhe was primarily active as a painter and sculptor.\nAntonio Citterio\nThe architect and designer Antonio Citterio, who lives and  \nworks in Milan, has collaborated with Vitra since 1988. Together \nthey have produced a series of office chairs and various office \nsystems, as well as products for the Vitra Home Collection.  \nThe Citterio Collection is continually being expanded.\nRonan Bouroullec\nThe artist and designer Ronan Bouroullec founded his own  \nParis-based studio in 1995. The year 1999 marked the start of  \na longstanding partnership with Vitra, which led to the creation  \nof many important products and concepts for home and office.\nErwan Bouroullec\nThe designer Erwan Bouroullec studied at the École Nationale \nSupérieure d’Arts de Paris-Cergy (ENSAPC). In 1998 he joined \nhis brother Ronan’s studio and the two formed acomplementary \nduo. Since 2023 the brothers have been concentratingon their \nown independent projects.\ndocument16992770815877378880.indd   174\ndocument16992770815877378880.indd   174\n06.02.2025   14:20:26\n06.02.2025   14:20:26\n175\nCharles & Ray Eames\nCharles and Ray Eames are counted among the most important  \nfigures of twentieth-century design. Their work spans the fields of \nfurniture design, filmmaking, photography and exhibition design.  \nVitra is the sole authorised manufacturer of Eames products for  \nEurope and the Middle East. When you own an Eames product  \nmade by Vitra, you know it is an original.\nHella Jongerius\nThe Dutch designer Hella Jongerius lives and works in Berlin. She  \nfounded the Jongeriuslab studio in 1993 and began collaborating with \nVitra in 2004. Since then, she has not only contributed a substantial \nnumber of designs to the continually expanding Vitra Home Collection,  \nbut has also applied her expertise in the realm of colours and materials  \nto the Vitra Colour & Material Library.\nAlexander Girard\nThe architect and designer Alexander Girard was  \none of the leading figures in American design during  \nthe post-war era. His passion for colours, patterns  \nand textures found expression in the field of textile \ndesign, which was a focal part of his oeuvre.\nKonstantin Grcic\nKonstantin Grcic was trained as a cabinetmaker at \nParnham College in Dorset before studying industrial \ndesign at the Royal College of Art in London. In 1991  \nhe set up his own practice, Konstantin Grcic Design.  \nThe Vitra Design Museum devoted a monographic \nexhibition to Grcic and his work in 2014.\ndocument16992770815877378880.indd   175\ndocument16992770815877378880.indd   175\n06.02.2025   14:20:31\n06.02.2025   14:20:31\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.90.png","176\nIsamu Noguchi\nThe oeuvre of Japanese-American artist and designer \nIsamu Noguchi is unusually multi-faceted, ranging from \nthe fine arts to industrial design. Since 2002, Vitra has \nproduced re-editions of his designs in cooperation with \nthe Isamu Noguchi Foundation in New York.\nGeorge Nelson\nGeorge Nelson is regarded as one of the most important figures in \nAmerican design. Active as an architect, a product and exhibition \ndesigner and a writer, he was a leading voice in the discourse on design \nand architecture over several decades. Vitra is the sole authorised \nmanufacturer of specified Nelson products for markets in Europe and  \nthe Middle East.\nEdward Barber & Jay Osgerby\nEdward Barber and Jay Osgerby studied architecture as  \nfellow students at the Royal College of Art in London. Since  \nthat time, their collaborative work has probed the interface \nbetween industrial design, furniture design and architecture. \nJasper Morrison\nJasper Morrison lives and works in London and Tokyo. His designs  \nare expressions of the ‘super normal’ design philosophy: rather than \nseeking unusual or extravagant results, he often breathes new life  \ninto proven solutions by means of reinterpretation, further development \nand refinement. He has worked together with Vitra on a regular basis \nsince 1989. \ndocument16992770815877378880.indd   176\ndocument16992770815877378880.indd   176\n06.02.2025   14:20:36\n06.02.2025   14:20:36\n177\nJulie Richoz\nThe Swiss-French designer Julie Richoz studied industrial design at \nLausanne University of Art and Design (ECAL) and went on to work  \nwith Pierre Charpin. In 2012 she founded her own design studio in  \nParis and has been teaching industrial design at ECAL since 2017.  \nShe has been collaborating with Vitra since 2023.\nVerner Panton\nVerner Panton was an influential figure in the development of \ndesign during the 1960s and ’70s. After moving to Switzerland  \nin the early 1960s, the Danish designer became known for his \ninventive, novel ideas for furnishings, lighting and textiles. The \nmasterful use of colour was a hallmark of his work.\nJean Prouvé\nJean Prouvé, who regarded himself as an engineer \nthroughout his lifetime, was both the designer and \nmanufacturer of his product ideas. His unique oeuvre, \nranging from a letter opener to door and window fittings, \nfrom lighting and furniture to prefabricated houses and \nmodular building systems, encompasses almost anything \nthat is suited to industrial production and construction.\nPanter&Tourron\nStefano Panterotto and Alexis Tourron met while studying at the ‘École \ncantonale d’art de Lausanne’ (ECAL) – a university of art and design. \nThey founded their own studio together in Lausanne in 2016, developing \nproducts and visual experiences at the intersection of design, technology \nand society. They have been collaborating with Vitra since 2023.\ndocument16992770815877378880.indd   177\ndocument16992770815877378880.indd   177\n06.02.2025   14:20:40\n06.02.2025   14:20:40\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.91.png","178\n1,2 \nFactory Building, Nicholas Grimshaw, 1981\n3 \n Balancing Tools, Claes Oldenburg &  \nCoosje van Bruggen, 1984\n4 \n Vitra Design Museum, Frank Gehry, 1989\n5 \nGate, Frank Gehry, 1989\n6 \nFactory Building, Frank Gehry, 1989\n7 \nConference Pavilion, Tadao Ando, 1993\n8 \nFire Station, Zaha Hadid, 1993\n9 \nFactory Building, Álvaro Siza, 1994\n10 \n Dome, after Richard Buckminster Fuller, 1975\u002F2000\n11 \nPetrol Station, Jean Prouvé, 1953\u002F2003\n12 \n Vitra Design Museum Gallery, Frank Gehry, 2003\n13 \nBus Stop, Jasper Morrison, 2006\n14 \nVitraHaus, Flagshipstore for Home Collection &  \nInterior Studio, Herzog & de Meuron, 2010\n15 \nAirstream Kiosk, 1968\u002F2011\n16 \n Factory and Logistics Building, SANAA, 2012\n17 \nDiogene, Renzo Piano, 2013\n18 \nÁlvaro-Siza-Promenade, 2014\n19 \nVitra Slide Tower, Carsten Höller, 2014 \n20 \nBell, from: 24 Stops, Tobias Rehberger, 2015\n21 \n Vitra Schaudepot, Herzog & de Meuron, 2016\n22 \nBlockhaus, Thomas Schütte, 2018\n23 \n Ruisseau, Ronan & Erwan Bouroullec, 2018\n24 \nRing, Ronan & Erwan Bouroullec, 2018\n25 \nOudolf Garten, Piet Oudolf, 2020\n26 \n Vitra Designweg, Ronan & Erwan Bouroullec, 2021\n27 \n Torre Numero Due, Nathalie Du Pasquier, 2021\n28 \n Umbrella House, Kazou Shinohara, 1961\u002F2022\n29 \n Barragán Gallery, 2022\n30 \n Place Jean Prouvé, 2022\n31 \n Garden House, Tsuyoshi Tane, 2023\n32 \nCircle Store Vitra, 2023\n33 \nKhudi Bari, 2024\nVitra Campus\nThe Vitra Campus in Weil am Rhein near Basel is a unique ensemble  \nof contemporary architecture. Buildings by Tadao Ando, Frank Gehry, \nZaha Hadid, Herzog & de Meuron, Álvaro Siza and other leading  \narchitects are united with exhibitions, installations, shops and Vitra  \nfurniture production in a single location. #VitraCampus\n1\n6\n2\n16\n9\n32\n21\n27\n8\n11\n33\n12\n19\n18\n22\n14\n15\n5\n25\n26\n31\n28\n29\n30\n24\n23\n20\n4\n7\n3\n13\n10\n17\ndocument9065260442330487198.indd   178\ndocument9065260442330487198.indd   178\n06.02.2025   11:18:25\n06.02.2025   11:18:25\n21\n31\n33\n19\n2\n4\n25\n8\n14\nThe collection of the Vitra Design Museum \nranks among the most important holdings of \nfurniture design worldwide. It contains some \n7000 pieces of furniture dating from 1800  \nto the present day, over 1000 lighting objects  \nas well as numerous archives and the estates \nof several prominent designers. Since 2016, \napproximately 400 key objects from the \ncollection are on permanent display in the  \nVitra Schaudepot, which was designed by \nBasel-based architects Herzog & de Meuron.\nThe 30-metre-high Vitra Slide Tower  \nby Carsten Höller is located along the  \nÁlvaro-Siza-Promenade, which connects  \nthe north and south parts of the Vitra  \nCampus. Accessible to the public in fine \nweather, the free-standing work of art  \noffers an exceptional view of the Vitra  \nCampus and a thrilling experience on  \nthe 38-metre-long corkscrew slide.\nThe Tane Garden House was designed by \nParis-based Japanese architect Tsuyoshi Tane \nand built by local craftsmen using sustainable \nand, wherever possible, locally sourced \nmaterials. \nSince its opening in 1989, the Vitra Design \nMuseum has become one of the world’s \nleading design museums. It is dedicated to  \nthe research and presentation of design, past \nand present, and examines the relationship  \nto architecture, art and everyday culture.  \nThe main building designed by Frank Gehry \nhosts several major exhibitions per year,  \nwhile the neighbouring Vitra Design Museum \nGallery showcases current perspectives on \ndesign and architecture.\nDesigned by Zaha Hadid, the Fire Station  \non the Vitra Campus was the Iraqi-British \narchitect’s first major built work. The  \njaggedly expressive volumes contrast with  \nthe orthogonal order of the adjacent factory \nbuildings, like an explosion frozen in time.  \nThe sculptural structure was originally used  \nto house the company’s fire brigade. Today  \nit hosts Vitra installations and exhibitions  \nby the Vitra Design Museum.\nA garden by the renowned Dutch designer  \nPiet Oudolf was inaugurated on the Vitra \nCampus in May 2020. The artfully composed \nwilderness is in full bloom from summer to  \nearly autumn.\nOriginally intended as a showroom for the \nVitra Home Collection, the VitraHaus has \nbecome a beacon for the Vitra brand over \nthe past ten years. Visible from a distance,  \nit marks the northern entrance to the Vitra \nCampus and sends an unmistakeable signal: \nVitra not only produces furniture in Weil  \nam Rhein, but also focuses its attention on \narchitecture, art and interior design.\nThe Vitra Campus App  \nis available in the App Store  \nand Google Play Store.\nFlooding in Bangladesh has become increasingly \nunpredictable due to climatechange, regularly \ndisplacing hundreds ofthousands of people and \nforcing them to seek a new home. It was in light of \nthis context that Marina Tabassum and her team \nat MTA Architects developed the Khudi Bari \n(‘small house’) concept.\ndocument9065260442330487198.indd   179\ndocument9065260442330487198.indd   179\n06.02.2025   11:18:46\n06.02.2025   11:18:46\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.92.png","Distribution rights \nAll of the designs shown in this publication as well as the \nimages themselves are legally protected. Vitra and the \nVitra Design Museum have been authorised by the authors \nor their legal successors to exclusively manufacture,  \ndevelop and distribute the products corresponding to \nthese designs worldwide.  \nThe following restrictions apply:\nCharles & Ray Eames → Organic Chair, La Chaise,  \nEames Elephant, Plywood Mobile, Classic Trays, Paper \nNapkins, Eames Quotes Posters, Eames Wool Blankets  \nand Miniatures Collection: Vitra holds the worldwide \nrights. All other products: Vitra holds the rights in Europe \nand the Middle East. The rights in the rest of the world  \nare held by Herman Miller.\nAlexander Girard → Environmental Wall Hangings and \nFlower Table: Vitra holds the rights in Europe and the \nMiddle East. The rights in the rest of the world are held  \nby Herman Miller.\nGeorge Nelson → Clocks and Miniatures Collection:  \nVitra holds the worldwide rights. All other products:  \nVitra holds the rights in Europe and the Middle East. \nThe rights in the rest of the world are held by  \nHerman Miller.\nIsamu Noguchi → Akari Light Sculptures: Vitra holds  \nthe distribution rights in Australia, Austria, Belgium, the \nCzech Republic, Denmark, Finland, France, Germany, \nGreece, Iceland, Ireland, Italy, Liechtenstein, Luxembourg, \nMalta, the Netherlands, Norway, Portugal, Sweden,  \nSwitzerland, Turkey and the United Kingdom.\nCoffee Table and Dining Table: Vitra holds the worldwide \nrights with the exception of North America. The rights in \nNorth America are held by Herman Miller (Coffee Table) \nand Knoll (Dining Table).\nSori Yanagi → Butterfly Stool: Vitra holds the rights in  \nEurope, Africa and North and South America. The rights  \nin the rest of the world are held by Tendo Mokko.\nOther products → Classic Pillows: Vitra holds the  \ndistribution rights in Europe and the Middle East. The \nrights in the rest of the world are held by Maharam.\n The design of the Eames Aluminium Chair  \nis a registered trademark.\n The design of the Eames Lounge Chair is  \na registered trademark. \n The design of the Panton Chair is  \na registered trademark. \nALEXANDER GIRARD, EAMES, NELSON, GEORGE  \nNELSON, NOGUCHI, ISAMU NOGUCHI, PANTON  \nand VERNER PANTON are registered trademarks. \nVarious product names enjoy trademark protection.\nConcept, design, art direction  \nStudio AKFB, Munich (DE)  \nPhotography Florian Böhm, Studio AKFB  \n(unless otherwise listed in picture credits)  \nTechnical realisation ENGN, Hamburg (DE)  \nLithography GZD Media GmbH, Eberdingen (DE) \nPrinting DRUCKEREI VOGL GmbH & Co. KG,  \nZorneding (DE)\n2025, \nArt. Nr. 09194105\nVitra is represented worldwide. Your local Vitra partner can be found at www.vitra.com\u002Ffind-vitra \nVitra International AG, Klünenfeldstrasse 22, 4127 Birsfelden, 0041 (0)61 377 00 00, info@vitra.com, www.vitra.com\nPicture credits \n→ Front cover Florian Böhm \u002F back cover Robert \nRieger → 2 Marek Iwicki → 3 Florian Böhm \u002F Robert \nRieger → 4 Lorenz Cugini → 6 Dejan Jovanovic \n→ 7 Marek Iwicki → 10 © Vitra \u002F Eames House © Eames\nFoundation, 2023 → 13 © Eames Office, LLC → 14 \nLorenz Cugini → 18 © Eames Office, LLC → 18 Tom \nZiora → 20 © Eames Office, LLC → 22, 23 © Vitra \u002F \nEames House © Eames Foundation, 2023 → 23 Florian \nBöhm \u002F Lorenz Cugini → 31 © Roland Engerisser \u002F  \nCentre Pompidou, MNAM-CCI, Biblio thèque  \nKandinsky, Fonds Cardot-Joly → 31 Vitra Design  \nMuseum Archiv → 32 © Archives départe men tales  \nde Meurthe-et-Moselle → 35 © Verner Panton Design  \n→ 42 Benjamin Lund → 43 Dejan Jovanovic \u002F Benjamin \nLund → 48, 53 Lorenz Cugini → 62, 64 Lorenz Cugini \n→ 65 Eduardo Perez → 66 Tom Ziora → 69 Andreas \nSütterlin → 70 Lorenz Cugini \u002F Florian Böhm → 74 \nLorenz Cugini → 77 © Eames Office, LLC → 78, 81, \n83 © Vitra \u002F Eames House © Eames Foundation, 2023 \n→ 84 Lorenz Cugini → 88 © Eames Office, LLC → 88\n© Vitra Collections AG, Foto: Hans Hansen → 92  \nRobert Rieger → 93 Lorenz Cugini → 93 © Barber \nOsgerby Studio → 93 Lorenz Cugini → 96 © Fonds \nJean Prouvé at the Archives départementales de \nMeurthe-et-Moselle → 98 © Centre Pompidou, Centre \nde Documentation et Recherche du MNAM-CCI,  \nBibliothèque Kandinsky, Fonds Jean Prouvé → 100 \nDejan Jovanovic → 101 Julien Lanoo → 101 © Agence \nPhoto graphique de la Réunion des musées nationaux, \nRMN-Grand Palais and ProLitteris → 102 © Fonds  \nPerret. CNAM, SIAF, CAPA, Archives d’architecture du \nXXe siècle, Auguste Perret, UFSE, SAIF, 2020 → 104, \n105, 106, 108, 114, 115 Lorenz Cugini → 115 Roland Beck \n→ 116 Lorenz Cugini → 117, 122 Robert Rieger → 124 \nAsier Rua → 126, 128 Robert Rieger → 132 Marek  \nIwicki → 136 Dejan Jovanovic → 139 Lorenz Cugini \n→ 142 Jonathan Maloubier → 143 © Vitra \u002F Eames \nHouse © Eames Foundation, 2023 → 144, 145 Lorenz \nCugini → 151, 153 Lorenz Cugini → 157 Jonathan  \nMaloubier → 160 Isabel Truniger → 163 Dejan  \nJovanovic → 171 Lorenz Cugini → 174 © Marion  \nBerrin \u002FRoland Beck → 175 © Eames Office, LLC \u002F \nEduardo Perez → 176 Marek Iwicki \u002F © Isamu Noguchi  \nFoundation \u002F © Michael Sinclair \u002F © Vitra Design  \nMuseum Archiv → 177 Dejan Jovanovic \u002F © Verner  \nPanton Design \u002F © Centre Pompidou, MNAM-CCI  \nBibliothèque Kandinsky, Dist. RMN-Grand Palais,  \nFonds Prouvé \u002F Marek Iwicki → 178 GTF → 179 Julien  \nLanoo \u002F Richard Bryant \u002F Lorenz Cugini \u002F Marek Iwicki \nInterviews \n→ 134 led by Barbara Gies\nStudio pictures \n→ 12, 137 Florian Böhm → 13, 27, 32, 55, 56, 64 \nStudio Eggimann → 14 Daniel Strütt\nArtek products shown \n→ Front cover Trienna Table → 8 Wall Light A330S \n‘Golden Bell’ → 41 Stool 60 → 81 Secrets of Finland:  \nMidsummer Dream Vase, Easter Witch Vase, Easter \nDog Vase → 148 Pauper Coin Collector, Easter Dog \nVase → 163 Tupla Wall Hook, Stool E60  \nArtek is distributed by Vitra. For more information,  \nvisit www.artek.fi\nSet Design \n→ Front cover, 3, 15, 21, 25, 26, 28, 34, 38, 40, 50, 61, \n68, 76, 81, 90, 103, 111, 112, 130, 132, 135, 150, 152, 157, 161, \n162, 165, 170 Anka Rehbock → 3, 10, 22, 23, 78, 82, 84, \n143, 159 Cristóbal Valecillos → 8, 70, 72, 109, 156, 169 \nAnnahita Kamali → 20, 118, 165 Paolo Bonfini → 24, \n138, 148, 158 Linda Ehrl → 30, 142, 163 Conny Wyssen  \n→ 33, 44, 47, 71, 94, 97, 133, 140, 166, 167, 168 Sebas-\ntian Soukup → 36, 49, 52, 58, 60, 119, 121, 162, 164  \nFilippa Egnell → 46, 89, 158, 172 Erwin Prib → 66, 67 \nErwan Bouroullec → 150, 154, 155 Annahita Kamali, \nLeonie von Arx → 110 Till Weber → 124 Pauly García  \n→ 157 Irina Grewe → Back cover, 3, 23, 53, 62, 64, 70, \n74, 92, 104, 105, 106, 108, 114, 115, 116, 117, 122, 126, 128, \n139, 144, 145, 151, 153, 171 Rahel Morgen\nVitra International AG strives to respect the rights\nof third parties. If we have inadvertently used\nmaterial without acknowledgement, we will correct\nthe omission immediately upon notification.\nv ® All copyrights and intellectual property rights, \nincluding trademarks, patents and copyrights, remain the \nproperty of Vitra and are explicitly reserved. No part of \nthis brochure may be reproduced without prior written \npermission from Vitra. \ndocument2405222050971183310.indd   180\ndocument2405222050971183310.indd   180\n06.02.2025   11:18:40\n06.02.2025   11:18:40\n",92,{"image":382,"text":15,"number":383},"\u002Fmedia\u002Fimages\u002F8a\u002Ff8c40500fdf8678eeaf4e998f51c0c-28e888ef9b.93.png",93,[],0,false,true,{"success":387,"data":389,"meta":604,"count":605,"next":606,"previous":607,"results":639,"brand_chips":700},[390,403,415,428,438,451,463,473,483,492,502,514,524,534,543,553,566,575,585,595],{"id":391,"title":392,"slug":393,"image":394,"source":395,"brand_name":396,"brand":397,"brand_slug":398,"file_size":399,"pages":400,"pages_count":401,"matched_pages":402,"match_count":385,"two_pages":386,"show_text":387},26599,"News 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