[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-vitra-home-stories-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":309},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":304,"matched_pages":305,"match_count":306,"two_pages":307,"show_text":308},23086,"Home Stories 2024","vitra-home-stories-2024","\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fee\u002F7002c2b6c755bbecb8de42cc760107-28e88630a0.pdf","Vitra",1477,"vitra","17.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301],{"image":7,"text":15,"number":16},"v\nHome \nStories\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.2.png","→ \n9 \nLounge Chairs\n→ 29 \nSofas\n→ 59 \nChairs and tables\n→ 95 \nChairs and tables for the home office\n→ 111 \nAccessories\nVitra Home \nCollection\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.3.png","Launched in 2004, the Vitra Home Collection has developed and matured \nover the last twenty years. Updated editions of our classics and new  \nproducts like Grand Repos have found their way into many homes during  \nthis time. We gave the collection a home with the VitraHaus, which  \nopened its doors on the Vitra Campus in 2010. Creating the interiors for the \nVitraHaus enhanced our understanding of the joy of accessorising and  \nled to a growing collection of smaller objects. None of it would have been \npossible without the support of our distribution partners worldwide and  \nyou – our clients – who bring the Vitra Collage to life. \nThese last twenty years saw the transition from the second to the third \ngeneration of our family company. My uncle and my father had earlier \ninitiated the cultural mission embodied by the Vitra Design Museum, its \ncollection and archives, as well as by the architecture of the Vitra Campus. \nThe current generation of our family business remains committed to  \nthis cultural mission while at the same time embarking on a new path:  \nVitra’s environmental mission. Creating products that can be passed down  \nto the next generation has always been the guiding principle for all our \ndevelopment activities. Now further environmental rules and requirements \nhave been added. Recycled materials are finding their way into existing  \nand new products, and the ability to repair an item extends its life. The \ncarbon footprint is calculated product by product and actively reduced. \nAlthough there is still a long way to go, the Vitra Team is highly motivated  \nby these ambitious environmental goals. And we hope you are too.\nNora Fehlbaum (CEO, Vitra)\n20 Years of Home Collection\nGrand Repos by Antonio Citterio was  \nlaunched in 2011\nThe Accessories Collection introduced  \nin 2015 is continually expanding\nTip Ton RE – since 2020 in recycled  \npost-consumer plastic\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.4.png","4\nThe sourcing, processing and use of materials in products constitute about 80% of Vitra’s \noverall carbon footprint. That is why materials are continuously analysed, and production \nmethods monitored and evaluated by independent external institutions: the used materials \nshould be as sustainable and low impact as possible. Vitra manufactures an increasing \nselection of products, such as Tip Ton RE, the HAL RE family and many accessories in a \npost-consumer recycling material.\nFor more details, visit  \nvitra.com\u002Fsustainability\nThe Vitra Campus in Weil am Rhein is home to Vitra’s principal production sites. Here classics have \nbeen manufactured in virtually the same manner for decades. Visitors to the Vitra Campus can \nobserve the individual steps during a guided tour of the production facilities. Vitra imposes the \nhighest quality standards on their material and component suppliers, who are subjected to regular \ncompliance audits. In 2022, 96% of Vitra’s suppliers were located in Europe, with 45% in Germany. \n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.5.png","Prouvé furniture by Vitra in the Maison Prouvé in Nancy in 2022. These classic designs in the  \noriginal colours have withstood the test of time and remain as fresh and relevant today as ever.\nFor more details, visit  \nvitra.com\u002Fcampus\nInaugurated on the Vitra Campus in 2020, the garden by Dutch designer Piet Oudolf features \nperennial, self-regenerating plants, shrubs, grasses, bushes and wildflowers. Six colonies of bees \ncan be found nearby and are kept according to a combined nesting method by Vitra employees, \nwho are trained apiculturists. To promote further biodiversity on the site, additional areas of the  \nVitra Campus are also being transformed into green spaces and employee gardens.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.6.png","9\nThe portfolio of Vitra lounge chairs and armchairs ranges from classic to \ncontemporary designs, from compact versions to expansive models, from \nunupholstered armchairs to soft lounge chairs for comfortable relaxation,  \nsome with integrated mechanisms. What they all share is a timeless aesthetic, \ncarefully crafted from durable materials. Lifelong companions, cherished  \neven by future generations.\nLounge Chairs\n→ 10 Grand Relax\n→ 14 Repos & Grand Repos\n→ 16 HAL Lounge Chair\n→ 26 Citizen\n→ 27 Slow Chair\n→ 24 Cone & Heart Cone Chair\n→ 20 Cité\n→ 22 Fauteuil de Salon\nFor more details, visit  \nvitra.com\u002Flounge-chairs\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.7.png","2\n1\n3\n4\nGrand Relax, Antonio Citterio, 2019\n( 1 )  Grand Relax & Ottoman  ·  Leather Premium ,  97  cognac \u002F  Leather Forte (deco) ,  01  cognac (dark) ·  Antonio Citterio ,  2019 ( 2 )  Suita Daybed · \n Dumet ,  03  beige\u002Fgrey ·  Antonio Citterio ,  2010 ( 3 )  Plate Table 410 × 410 mm ·  Marble ·  Jasper Morrison ,  2004 ( 4 )  Eames House Bird ·  walnut \n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.8.png","12\nGrand Relax is a luxurious reclining lounge chair combining outstanding \ncomfort with compact dimensions and a classic understated aesthetic. Upon \nsitting down, the user sinks into the soft cushions, and the chair reclines \nthanks to an adjustable synchronised mechanism concealed within the seat. \nThe backrest can be locked in any position. Grand Relax is available with \nleather or fabric covers. \n2\n1\n3\nGrand Relax, Antonio Citterio, 2019\nThe architect and designer Antonio Citterio, \nwho lives and works in Milan, has collaborated \nwith Vitra since 1988. Together they have \nproduced a series of office chairs and various \noffice systems, as well as products for the \nVitra Home Collection. The Citterio Collection \nis constantly being expanded.\n( 1 \u002F 2 )  Grand Relax & Ottoman  ·  03  polished aluminium · ( 1 ) Nubia ,  03  cream\u002Fsand , Leather Forte (deco) ,  07  sand \u002F \n( 2 ) Leather Premium F ,  71  sand ·  Antonio Citterio ,  2019 ( 3 )  Wooden Side Tables ·  17  light oak ·  Ronan & Erwan Bouroullec ,  2015 \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.9.png","15\nThe swivel-based lounge chairs Repos and Grand Repos convey a feeling \nof exceptional comfort with their generous padding, inviting armrests and \nhigh backs. Thanks to the synchronised mechanism concealed beneath the \nupholstery, sitters can move from an upright posture to a reclined angle for \nresting and lock the backrest in any position. The resistance of the backrest \ncan be manually adjusted to the user’s weight. Repos and Grand Repos are \navailable in two different seat heights, as well as in a choice of fabric or \nleather covers in a wide range of colours.\n1\nRepos & Grand Repos, Antonio Citterio, 2011\n( 1 )  Grand Repos & Panchina   ·  30  basic dark powder-coated (smooth)  · Nubia ,  09  ivory\u002Fforest ·  Antonio Citterio ,  2011 \n( 2 )  Tabouret Métallique ·  12  deep black powder-coated (smooth)  ·  Jean Prouvé ,  1936 \n2\nThe resistance of the backrest can be manually \nadjusted to the user’s weight.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.10.png","1\n2\nHAL Lounge Chair, Jasper Morrison, 2021\n3\n4\n( 1 )  HAL Lounge Chair & Ottoman ,  with loose seat cushion   ·  04   dark stained solid oak, with protective varnish  · \nDumet ,  24  mango melange ·  Jasper Morrison ,  2021 ( 2 )  Cork Family ,  Model A ·  Jasper Morrison ,  2004 \n( 3 )  Cork Bowl, large ·  Jasper Morrison ,  2020 ( 4 )  Terracotta Pot, medium ·  natural clay ·  Thélonious Goupil ,  2023 \nHAL Lounge Chair, Jasper Morrison, 2021\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.11.png","18\nHAL Lounge Chair, Jasper Morrison, 2021\nCreations by Jasper Morrison are not characterised by a strikingly new or \nfashionable design, but  instead represent the update and refinery of a familiar \ntypology – as demonstrated with the HAL Lounge Chair, which is Morrison’s \nreinterpretation of the upholstered four-legged armchair with a high backrest. \nDespite its compact dimensions, the lounge chair is exceptionally comfortable.  \nIt comes with soft loose seat and neck cushions or, if preferred, with an \nintegrated seat cushion. Thanks to its understated aesthetic, the HAL Lounge \nChair is extremely versatile, suited to use at home or in public spaces, and can \nstand alone, in pairs or in groups. The HAL Lounge Chair can be paired with the \nHAL Ottoman, which will allow users to enjoy its full comfort with their feet up.\nThe HAL Lounge Chair shown here and all other \nconfigurations can be found at: www.vitra.com\nJasper Morrison lives and works in London  \nand Tokyo. His designs are expressions of the \n‘super normal’ design philosophy: rather than \nseeking unusual or extravagant results, he \noften breathes new life into proven solutions by \nmeans of reinterpretation, further development \nand refinement. He has worked together with \nVitra on a regular basis since 1989. \n( 1 ) HAL Lounge Chair & Ottoman , with loose seat cushion  · Dumet, 02 beige melange · 10 natural oak, with protective varnish · Jasper Morrison, 2021\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.12.png","21\n2\n1\nJean Prouvé in the living room of his house \nin Nancy, France. \nA Cité from the collection of the Vitra Design \nMuseum, Weil am Rhein, Germany.\nCité, Jean Prouvé, 1930\nThe Vitra Design Museum’s 2006 exhibition ‘Jean Prouvé: The Poetics of \nthe Technical Object’ was revelatory. Among the pieces on show was Cité, \nan armchair that demonstrates the essence of the designer’s philosophy: \n‘Furniture is like houses, you have to construct it.’ The French engineer and \ndesigner Jean Prouvé developed the chair in 1930 for a competition to \nfurnish the student residence halls at Cité Universitaire in Nancy.\nThe design is extremely comfortable, yet completely free of extraneous \nelements. Now considered an early Prouvé masterpiece, it is the perfect \nexpression of the designer who called himself a ‘factory man.’ \n( 1 )  Cité ·  13  Prouvé Gris Vermeer powder-coated (smooth)  · Leather Premium F ,  59  jade ·  Jean Prouvé ,  1930 \n( 2 )  Guéridon Bas ·  75  solid American walnut, oiled  ·  Jean Prouvé ,  1944 \nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.13.png","22\nFauteuil de Salon, Jean Prouvé, 1939\n2\n1\n Fauteuil de Salon joins simple planes into a unified architectural object \nwith a comfortable seat surface and backrest. Rediscovered in the archives \nof the French engineer Jean Prouvé, the armchair has been updated in a \ncontemporary colour palette. With solid wood armrests and the designer’s \ncharacteristic structural aesthetic, Fauteuil de Salon can be ideally combined \nwith other pieces in the Prouvé Collection. \nJean Prouve’s designs clearly reflect \nthe structural principles that guided his \ncreative process.\nOriginal drawing of the Fauteuil de Salon \nfrom the Archives départementales de \nMeurthe-et-Moselle, Nancy, France.\n( 1 )  Fauteuil de Salon ·  75  solid American walnut, oiled  ·  14   Prouvé Bleu Dynastie powder-coated (smooth)  · Nubia , \n 05  cream\u002Fdark brown ·  Jean Prouvé ,  1939 ( 2 )  Tabouret Bois ·  75  solid American walnut, oiled  ·  Jean Prouvé ,  1941 \n( 3 )  Rayonnage Mural ·  04  dark stained solid oak, with protective varnish  ·  06   Japanese red powder-coated (smooth)  ·  Jean Prouvé ,  1936 \nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n3\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.14.png","25\nThe Heart Cone Chair takes its name from the expressive, heart-shaped \nsilhouette of its seat shell. Designed by Verner Panton in the late 1950s, \nthe chair combines a comfortably upholstered seat with an understated, \nelegant base made of satin stainless steel.\nCone & Heart Cone Chair, Verner Panton, 1958\nMarianne and Verner Panton sitting back to back \nin Cone Chairs. The photo was taken in 1965 in Starnberg, \nGermany. © Verner Panton Design\n( 1 )  Heart Cone Chair · Tonus ,  52  dark yellow ·  Verner Panton ,  1958 ( 2 )  Wooden Doll ,  No. 10 ·  Alexander Girard ,  1952 \n1\n2\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.15.png","26\nThe Citizen armchair combines an unconventional design with a new \nway of sitting: the seat is suspended on three cables, enabling a pleasant \nswinging movement and a unique dynamic experience for the sitter. \nCitizen is characterised by its tubular steel frame, which defines the structure \nand shape of the chair. While the seat and backrest are upholstered, the \nmetal structural elements remain visible. This gives Citizen an unpretentious \nlook with a sporty flair. Citizen is available with a high or low backrest, \nand the upholstery covers can be selected from a range of materials.\nDrawing by Konstantin Grcic.\nCitizen, Konstantin Grcic, 2020\n1\nSlow Chair, Ronan & Erwan Bouroullec, 2006\n( 1 )  Citizen Lowback  · Credo ,  22  emerald\u002Fivy  ·  Konstantin Grcic ,  2020  ( 2 )  Slow Chair & Ottoman   ·  Tricot - blue\u002Fgreen  ·  Ronan & Erwan Bouroullec ,  2006 \n2\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.16.png","29\n→ 30 Suita\n→ 34 Grand Sofà\n→ 48 Polder\n→ 44 Soft Modular Sofa\n→ 54 Freeform Sofa\n→ 36 Mariposa Sofa\nSofas\nSofas take the centre stage in almost any living space. Yet however varied  \ntheir appearance, the actual function of a sofa never wavers: it should provide \nexceptional comfort. Vitra offers a wide range of different sofas, from statement \npieces to modular systems, available with various soft fabrics in a broad  \nselection of colours.\nAn overview of coffee tables can be found on page 56.\n→ 52 Abalon Sofa\nFor more details, visit  \nvitra.com\u002Fsofa\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.17.png","Suita, Antonio Citterio, 2010\u002F19\n4\n3\n2\n1\n( 1 )  Suita 3-Seater, pointed cushions   · Corsaro ,  05  stone melange ·  Antonio Citterio ,  2010\u002F2019 ( 2 )  Suita Chaise Longue, pointed cushions   · \nCorsaro ,  05  stone melange ·  Antonio Citterio ,  2010\u002F2019 ( 3 )  Plate Table ·  Marble ·  Jasper Morrison ,  2004 ( 4 )  Grand Relax · Leather Premium F , \n 97  cognac ·  Antonio Citterio ,  2019 ( 5 )  Stools ,  Model B ·  walnut ·  Charles & Ray Eames ,  1960 \n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.18.png","Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben\n33\nSuita, Antonio Citterio, 2010\u002F19\nAntonio Citterio is known for his systematic approach to design, construction \nand materials. Nowhere is the impact greater or more tangible than with sofas, \nmaking Citterio the undisputed master in this field with a preeminent influence \non contemporary living. The large Suita sofa family developed together with \nVitra is an expression of this expertise.\nSuita comprises various pieces of furniture that can be used as solo pieces or \ncombined to form small and large sofa constellations. The slender body seems \nto float above the classic-looking base, which lends light-footed elegance to \neach configuration.\nWith a choice of individual elements, various upholstery and cushion finishes, \noptional head sections and shelves that can be attached at the rear, as well as \na diverse range of fabrics, leather and colours, Suita offers a wide selection of \nindividual design options. So when are you going to start planning your Suita \nsofa landscape?\n1\n2\n3\n( 1 )  Suita 2-Seater open, pointed cushions with Chaise Longue small  · Olimpo ,  11  atlantic ·  Antonio Citterio ,  2010\u002F2019 \n( 2 )  Plate Table ·  70  natural solid oak, oiled  ·  Jasper Morrison ,  2004 ( 3 )  Suita 3-Seater open, pointed cushions with Chaise Longue  · \nMello ,  01  cream ·  Antonio Citterio ,  2010\u002F2019 \n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.19.png","Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben \nFarben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben Farben\n34\nGrand Sofà, Antonio Citterio, 2017\nGrand Sofà is Antonio Citterio’s interpretation of luxurious comfort and \ncontemporary design, uniting the designer’s Italian flair for elegance with \nVitra’s trademark quality and precision. Despite the sofa’s expansive \nproportions, the generously dimensioned platform for sitting and reclining \nhas a light, graceful silhouette.\nThe seating elements emphasise the horizontal planes of Grand Sofà, which \nis available with a full-length backrest or shortened version. This makes it \npossible to configure a sofa landscape with an almost topographical character \nand an expression of lightness and variability.\nSofa Tray is a narrow rectangular tray and stable surface, specially \ndeveloped for use on upholstered surfaces.\n1\n( 1 )  Grand Sofà 3½-Seater ,  full backrest ,  divided seat cushions, tufted  · Corsaro ,  05  stone melange ·  Antonio Citterio ,  2017 \n( 2 )  Plate Table · Marble  ·  Jasper Morrison ,  2004 \n2\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.20.png","Mariposa Sofa, Edward Barber & Jay Osgerby, 2014\n2\n4\n3\n5\n6\n1\n( 1 )  Mariposa 2-Seater · Savana ,  04  papyrus melange ·  Edward Barber & Jay Osgerby ,  2014  ( 2 \u002F 3 )  Mariposa Ottoman large \u002F medium · \nIroko 2 ,  06  dark blue \u002F  15  cognac ·  Edward Barber & Jay Osgerby ,  2014  ( 4 \u002F 5 )  Cork Family ,  Model D \u002F  Model E ·  Jasper Morrison ,  2004 \n( 6 )  Akari 1AY ·  Isamu Noguchi ,  1951 \n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.21.png","39\n( 1 )  Mariposa 3-Seater · Iroko 2 ,  01  lemon ·  Edward Barber & Jay Osgerby ,  2014  ( 2 )  Mariposa Corner \u002F  Mariposa Ottoman large · \nCredo ,  21  royal blue\u002Felephant ·  Edward Barber & Jay Osgerby ,  2014\u002F2020  ( 3 )  Akari UF3-Q ·  Isamu Noguchi ,  1951 \nMariposa Sofa, Edward Barber & Jay Osgerby, 2014\nThe variously sized sofas of the Mariposa family are cosy and inviting, yet \nwith a modern touch. They owe their extraordinary comfort to the pleasantly \nsoft upholstery and an ingenious adjustment mechanism, which makes it \npossible to individually adapt the side and backrest elements for various \nsitting or reclining positions. The Mariposa sofas do not openly display their \nfunctional features: the slim side and back elements can be continuously \nand silently adjusted, from an upright position to an outward angle of \napproximately 30° and back again. The resistance is calibrated in such a \nway that these elements stay in place when the sitter leans back in a normal \nfashion, but will adjust to the desired angle when intentional pressure is \napplied. This flexibility allows individual users to determine the position that \nis most comfortable for them. \n1\n2\n3\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.22.png","40\nComfort in a \nwide palette \nof colours\nSofas – more than any other item of furniture – reflect the \nlifestyle of their owners, while their size, shape, materials and \ncolours define the character of any interior setting. Yet the actual \npurpose of a sofa never varies: it should provide exceptional \ncomfort – and for as long as possible. That is why Vitra sofas \nare manufactured from durable high-quality materials, \nmainly sourced in Europe. The style, typology and functional \ncharacteristics of the individual variants are so diverse, \nhowever, that customers often immediately and intuitively \nrecognise which model is the right choice for their needs. \n←  The new Cento fabric is made \nof 100% high-quality virgin wool \nand is therefore fully recyclable. \nIt is available in a selection of \nnature-inspired hues. \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.23.png","42\nare carefully coordinated and \ncurated to off er countless possible \ncombinations. Vitra fabrics vary \nin their properties, applications \nand composition, but they are all \nproduced in Europe – in Germany, \nItaly, Scandinavia and the UK to \nbe precise. Vitra leathers differ \nin their thickness and surface \ncharacteristics, but are all ob tained \nfrom cowhides that are a by-pro d-\nuct of cattle breeding for food \nproduction. Tanners must comply \nwith strict environmental reg u-\nlations when manufacturing \nleather and have developed state-\nof-the-art technologies to ensure \neco-friendly processes. This makes \nleather is a sustainable material – \none that ages well and acquires an \nattractive patina through use.\nVitra works with independent \n‘authors’ – primarily with designers, \nbut also with architects and graphic \nartists. What distinguishes the \nwork of these creatives from that of \nother designers is the fact that their \npersonal imprint and outlook is \nreflected in every one of their \nproducts. The collaborative phase \nresults in prototypes, and requires \nnumerous rounds of sketching, \nconstructing, testing, modifying \nand improving until the high \nexpectations demanded of a Vitra \nsofa are fulfi lled.\nFor Vitra, manufacturing long-\nlasting products also involves \nselecting high-quality materials \nand conducting tests that simu-\nlate  15 years of use. Robust con-\nstructions, the use of high-grade \nfoams precisely matched to the \ndesired seating comfort and fi rst-\nclass cover materials ensure qua-\nlitative longevity and durability. \nTo this end, Vitra maintains close \nrelationships with suppliers, 97% \nof whom are based in Europe (48% \nin Germany) and 3% in other \ncountries.\nFor a product to have a long life-\nspan, it is also crucial that its design \nremains up to date. This is why \nVitra avoids short-lived trends, fo-\ncusing instead on understated yet \ndistinctive forms and features.\nThere is no better way to ensure \nthat products remain continually \nrelevant, when other things that \nperhaps seemed more exciting at \nthe time have long since faded.\nTo produce sofas that meet high \nexpectations of comfort, Vitra has \nconstituted a team of upholstery \nexperts over the years. With passion \nfor their craft and enthusiasm for \ninnovation, they transform the \ndesigners’ ideas into outstandingly \ncomfortable solutions.\nVitra sofas – both new and existing \nmodels – are extensively tested in \nthe company’s own test center: to \nguarantee an exceptional level of \nquality, Vitra testing goes above \nand beyond official regulations. \nFinal production takes place at \nVitra’s manufacturing sites in \nEurope and after the customer’s \npurchase, we devote as much care \nand attention to our after-sales \nservice as we do to our products.\nThe upholstered covers in fabric or \nleather are part of the Vitra Colour \n& Material Library, which Vitra \ndeveloped in collaboration with \ndesigner Hella Jongerius. The \ndifferent materials and colours \nMaterials & colours:\n vitra.com\u002F\ncolour-material-library\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.24.png","1\n2\n3\nSoft Modular Sofa, Jasper Morrison, 2016\n( 1 \u002F 2 )  Soft Modular Sofa Three seater  \u002F  Ottoman · Credo ,  19  lime\u002Fcurry ·  Jasper Morrison ,  2016 \n( 3 )  Guéridon Bas ·  70   natural solid oak, oiled  ·  Jean Prouvé ,  1944 \n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.25.png","46\nJasper Morrison’s design of the Soft Modular Sofa successfully couples \nhome-like informality with precise detailing and expressive clarity – firmly \nin line with his philosophy of ‘super normal’ design. As a result, the Soft \nModular Sofa functions like an architectural element that can be subtly \nintegrated in any interior. Thanks to its modular design with side, corner \nand central elements as well as a chaise longue, the size and form of \nthe sofa are adaptable to a diverse range of requirements. And optional \nelements like the ottoman and additional cushions as well as a wide \nselection of leather and fabric covers in an array of colours allow further \npersonalisation of any individual configuration. \nSoft Modular Sofa, Jasper Morrison, 2016\n1\n2\n3\n( 1 )  Soft Modular Sofa Two seater with Ottoman   · Aura ,  02  marble ·  Jasper Morrison ,  2016 ( 2 )  Soft Modular Sofa Two-Seater  · \nDumet ,  01  ivory melange ·  Jasper Morrison ,  2016 ( 3 )  Akari 1AG ·  Isamu Noguchi ,  1951 \n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.26.png","1\n2\nPolder, Hella Jongerius, 2005\u002F15\n( 1 )  Polder Sofa · Fabric mix \"The Pebble Greys\"  ·  Hella Jongerius ,  2015 \n( 2 \u002F 3 )  Cork Family ,  Model B \u002F  Model C ·  Jasper Morrison ,  2004 \n3\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.27.png","51\nPolder, Hella Jongerius, 2005\u002F15\nThe distinctive character of Hella Jongerius’s \ncomfortable Polder Sofa derives from the \ncombination of diverse fabrics and colours, an \nasymmetrical shape and charming details.\nThe Dutch designer Hella Jongerius lives and \nworks in Berlin. She founded the Jongeriuslab \nstudio in 1993 and began collaborating with \nVitra in 2004. Since then, she has not only \ncontributed a substantial number of designs \nto the continually expanding Vitra Home \nCollection, but has also applied her expertise \nin the realm of colours and materials to the \nVitra Colour & Material Library.\nDutch designer Hella Jongerius named her sofa ‘Polder’ with its different \ncolour compositions after the low-lying flatlands in Holland, which have \nbeen reclaimed from the sea.\nThe smaller Polder Compact is available in addition to the Polder Sofa. \nBoth can be configured with the higher armrest on the left or right side, \nmaking them adaptable to different interior layouts. The platform is \navailable separately and can also be used as an ottoman.\n2\n1\n( 1 )  Polder Sofa · Fabric mix \"The Sea Greens\"  ·  Hella Jongerius ,  2005\u002F2015 \n( 2 )  Plate Table s ·  Marble ·  04  white powder-coated (textured) ·  Jasper Morrison ,  2004 \n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.28.png","52\nTaking its name from the shell of a sea snail, Abalon forms its own architecture \nfor seating circles: with its organically curved shape, the sofa evokes a circle \nto which people feel drawn. Generously accommodating three people, the \nupholstered seat shell features different knitted fabric covers on the front and \nback. These are available in a diverse selection of hues and, together with the \nchoice of two colours for the base frame, result in a wide range of configuration \noptions. The fabric covers of the sofa can be removed in full for cleaning or \nreplacement. \nAbalon Sofa, Ronan & Erwan Bourroullec, 2022\n1\n4\n5\n( 1 )  Abalon Sofa · Drop ,  10  black\u002Fdark grey (191) · Planum ,  03  black (1191) ·  Ronan & Erwan Bouroullec ,  2022  ( 2 )  Abalon Table · \n 04  dark oak, with protective varnish  ·  12  deep black powder-coated (smooth)  ·  Ronan & Erwan Bouroullec ,  2022  ( 3 )  Nuage, small ·\n  steel blue anodised ·  Ronan & Erwan Bouroullec ,  2016  ( 4 \u002F 5 )  Abalon Sofa \u002F  Abalon Platform · Drop ,  02  dark green\u002Fochre (951) · \nPlanum ,  01  silver grey (111) ·  Ronan & Erwan Bouroullec ,  2022  ( 6 )  Nuage (céramique), small ·  white ·  Ronan & Erwan Bouroullec ,  2018 \nThe brothers Ronan and Erwan Bouroullec \nlive and work in Paris. Their oeuvre ranges \nfrom small everyday objects to architectural \nprojects. They have worked with Vitra since \n2000 and have contributed numerous designs \nto both the office and home collections.\n2\n3\n6\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.29.png","55\nFreeform Sofa, Isamu Noguchi, 1946\nFreeform Sofa and Ottoman, 1946\nThe Japanese-American designer and sculptor Isamu Noguchi approached \nthe task of furniture design with the organic aesthetic of his sculptural work \nin mind. This is also evident in his Freeform Sofa, which appears like a large, \nflatly rounded river stone that has been smoothed by centuries of running \nwater. The fluid, graceful shape of this slender sofa distinguishes it clearly \nfrom other designs of the time. It has a sculptural presence in any room – \niconic yet reserved.\n1\n( 1 )  Freeform Sofa · Credo ,  01  cream ·  Isamu Noguchi ,  1946 \n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.30.png","56\nCoffee tables\nCoffee tables enhance any setting. Thanks to Vitra’s collection of low tables, \nthe perfect companion can be found for any sofa or lounge chair.\nAdditional coffee tables can be found on pages 13, 28, 31, 32, 35, 44, 50, 52.\n3\n1\n2\nPhotographed at Demountable House 6×6, Fondation ACB, Saint-Paul-de-Vence, France; constructed by Jean Prouvé in 1944.\n( 1 )  Flower Table, large ·  81  anthracite powder-coated (textured) ·  Alexander Girard ,  1977 ( 2 )  Plate Table ·  70  natural solid oak, oiled  · \n Jasper Morrison ,  2004 ( 3 )  Guéridon Bas ·  75   solid American walnut, oiled  ·  Jean Prouvé ,  1944 \nFor more details, visit \nvitra.com\u002Fcoffee-tables\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.31.png","59\nVitra’s portfolio of chairs includes twentieth-century furniture classics that  \nhave been produced by Vitra for decades, as well as contemporary designs. \nAvailable in a broad selection of materials – from soft upholstery fabrics  \nand wood from sustainably managed forest areas to recycled post-consumer \nplastic – Vitra offers a suitable chair for every use and setting.\nAn overview of all dining tables can be found on page 92.\nChairs and tables\n→ 62 Mikado\n→ 74 Chaise Tout Bois\n→ 82 EVO-C\n→ 91 APC\n→ 76 HAL\n→ 84 Softshell Chair\n→ 87 Landi Chair\n→ 88 Tip Ton & Tip Ton RE\n→ 66 Standard & Standard SP\n→ 83 Moca\n→ 78  Panton Chair & \nPanton Chair Classic\n→ 90 .03\n→ 86 Belleville Chair\nFor more details, visit  \nvitra.com\u002Fchairs\n→ 64 Organic Chair \n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.32.png","Vitra believes in the principle of collage: a mix of old and new, classic and \nmodern, functional and decorative, industrial and handcrafted that defines \nthe personal spirit and character of any home setting. Contradictions are \npermitted and even welcomed due to their authenticity – because a collage \nis a curated reflection of our lives in all their richness and complexity.\nCollage – a reflection \nof our own life\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.33.png","62\nMikado, Edward Barber & Jay Osgerby, 2024\nFlexible movement for enhanced comfort, \nsketch by Edward Barber & Jay Osgerby, 2023.\nEdward Barber and Jay Osgerby \nstudied architecture as fellow students \nat the Royal College of Art in London. \nSince that time, their collaborative work \nhas probed the interface between \nindustrial design, furniture design and \narchitecture. \nMikado is a chair with a serene yet commanding aura that aims to impress \nnot by its form but through its comfort. It achieves this thanks to upholstery on \nall sides and an ingeniously simple mechanism concealed beneath the seat \nthat facilitates subtle movement of the backrest.\nMikado was designed with sustainability in mind from the outset: the covers \nare not glued and can be removed for cleaning or replacement. The legs may \nbe replaced individually or exchanged for a different material option – wood \nor recycled aluminium. The inner seat panel is made of recycled aluminium \nwhile the core of the backrest shell is produced from recycled post-consumer \npolypropylene, which can be easily separated from the foam padding during \nrecycling. The concept of a simple exchange of components gives Mikado \nlong-term versatility, thereby ensuring longevity.\nMikado is available as an armchair with suggested armrests or as a side \nchair. The two backrests, different legs, a choice of fabric or leather covers \nand numerous colours enable a wide variety of possible combinations.\n1\n( 1 )  Mikado Armchair · Volo ,  69  marron ·  04  dark stained solid oak, with protective varnish  ·  Edward Barber & Jay Osgerby ,  2024 \n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.34.png","65\nThe Organic Chair – a small and comfortable reading chair – was developed \nin several versions for the 1940 ‘Organic Design in Home Furnishings’ \ncompetition organized by the Museum of Modern Art in New York. With its \nsculptural shapes, the design was ahead of the times. But due to the absence \nof suitable manufacturing techniques, the armchair never went into \nproduction. Not until 1950 did it become possible to manufacture and market \norganically shaped seat shells in large quantities, as exemplified by Charles \nand Ray Eames’s famous Plastic Armchair or Saarinen’s Tulip Chair. \nThe Organic Chair is also available in a version with an extended backrest \nand longer, wider armrests – the Organic Highback armchair. The Organic \nConference version can be used as table seating.\n‘Organic Design’ competition in the \nexhibition space, MoMA, New York, 1941.\n1\n2\n3\nOrganic Chair, Charles Eames & Eero Saarinen, 1940\n( 1 )  Organic Chair  · Credo ,  18  pale rose\u002Fcognac  ·  10   natural oak, with protective varnish  ·  Charles Eames & Eero Saarinen ,  1940 \n( 2 )  Cork Family,  Model C  ·  Jasper Morrison ,  2004 ( 3 )  Organic Chair · Credo ,  13  salt’n pepper ·  68  black ash ·  Charles Eames & Eero Saarinen ,  1940 \n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.35.png","4\n1\nStandard & Standard SP, Jean Prouvé, 1934\u002F50\n3\n2\n( 1 – 3 )  Standard : ( 1 )  41  Prouvé Bleu Marcoule powder-coated (smooth)  ( 2 )  13  Prouvé Gris Vermeer powder-coated (smooth) \n( 3 )  18  Prouvé Blé Vert powder-coated (smooth)  ·  10   natural oak, with protective varnish  ·  Jean Prouvé ,  1934\u002F1950 \n( 4 )  EM Table ·  13   Prouvé Gris Vermeer powder-coated (smooth)  ·  70  natural solid oak, oiled  ·  Jean Prouvé ,  1950 ( 5 )  Potence · \n 88  Prouvé Blanc Colombe (Ecru) powder-coated (smooth)  ·  Jean Prouvé ,  1950 \n5\nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.36.png","68\nStandard & Standard SP, Jean Prouvé, 1934\u002F50\n1\nJean Prouvé created the Standard chair in 1934. This design exemplifies a \nfundamental aspect of Prouvé’s numerous furniture pieces and architectural \nworks: his unwavering focus on structural requirements. \nThe load on the back legs of a chair is greater than on the front legs – this is \nhardly a surprising discovery, but no other seating design demonstrates this \nprinciple as clearly as the Standard chair.\nThe 1934 model was introduced as Chair No. 4, since it had been preceded by \nthree prototypes; later developments continued under the name ‘Standard’. \nThe chair was manufactured in Jean Prouvé’s own factory. Vitra regards \nProuvé as one of the twentieth century’s leading designers and expanded the \npalette of Prouvé furniture in 2022 to include several of the Frenchman’s \noriginal colours.\nTechnical drawing of the ‘Guéridon rond’ and the \n‘Chaise métallique’, a version of the Standard chair, \napprox. 1950.\n( 1 \u002F 2 )  Standard SP : ( 1 )  13  Prouvé Gris Vermeer powder-coated (smooth)  ( 2 )  88  Prouvé Blanc Colombe (Ecru) powder-coated (smooth)  · \n 35  basalt ·  Jean Prouvé ,  1934\u002F1950 ( 3 )  Guéridon ·  70  natural solid oak, oiled  ·  Jean Prouvé ,  1949 ( 4 )  Lampe de Bureau · \n 06  Japanese red powder-coated (smooth)  ·  Jean Prouvé ,  1930 \n2\n3\n4\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.37.png","71\nJean Prouvé\nEngineer, \narchitect and \ndesigner\nWith his constructive approach to design, Jean Prouvé \nsignificantly influenced furniture creations in the interwar and \npost-war modern periods, and was a pioneer in the field of series \nproduction and industrial construction with his prefabricated \nand modular elements. The Vitra Design Museum holds the most \nextensive collection of furniture by Jean Prouvé in the world \nand Vitra has been manufacturing Prouvé designs in close \ncollaboration with his family since 2002.\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.38.png","73\nA trained metal artisan, Jean \nProuvé (1901–1984) was also a \ncraftsman, architect and lecturer. \nHis work encompasses a wide range \nof objects, from a letter opener \nto door and window fittings, \nfrom lighting and furniture to \nfaçade elements and prefabricated \nhouses, from modular building \nsystems to large exhibition struc-\ntures – essentially, almost anything \nthat is suited to industrial pro-\nduction methods. Prouvé tried out \nhis ideas in his own workshop \n‘Les Ateliers Jean Prouvé’: he \ncreated drawings on a 1:1 scale, \nwhich he sent to the factory or \nhanded over to his employees in \nperson to make a prototype. \nHis creations follow the principle \nof simplicity, consisting of indi-\nvidual elements that are assembled \nand screwed together. This cumu-\nlative construction process is also \nvisible in the finished product – \nas well as in Prouvé’s architectural \nwork. As he did not have any \nformal architectural training, he \ncollaborated \nwith \nthe \nmodern \narchitects of his time to execute \nhis construction ideas. He is known \nfor his use of standardised, pre-\nfabricated elements to create cost-\neffective housing in the post-war \nera. He left his mark on architectural \nhistory again in 1971, when he \nplayed a major role in selecting the \ndesign of Renzo Piano and Richard \nRogers for the Centre Pompidou as \nchairman of the competition jury.\nJean Prouvé’s furniture reflects his \nunwavering focus on structural \nrequirements, giving his designs \na technical poetic expression. In \n2022 Vitra expanded the colour \npalette to include several of the \nFrench engineer’s original colours.\n↑\n The Jean Prouvé Collection\nof the Vitra Design Museum in\nWeil am Rhein\n↗  The Petrol Station created by \nJean Prouvé together with his \nbrother Henri, 1953 \u002F 2003, \nVitra Campus, Weil am Rhein\n→  Colour chart from Ateliers \nJean Prouvé, 1951 \nThe museum’s collection of \nhistorical furniture and objects \nplays a major role in Vitra’s \nongoing development of the \nProuvé product portfolio.\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.39.png","74\n Chaise Tout Bois in the canteen of the headquarters of \nthe Centre d’Etudes Nucléaires du Commissariat à l’Energie \nAtomique, Saclay, France, 1950s.\nChaise Tout Bois, Jean Prouvé, 1941\nChaise Tout Bois is the only chair by the French ‘constructeur’ and designer \nJean Prouvé that is made entirely out of wood. The design is very similar to \nProuvé’s famous Standard chair, but wood was substituted for the metal \nbase due to the scarcity of metal during the Second World War.\nChaise Tout Bois by Vitra corresponds to one of Jean Prouvé’s design variants \nfrom 1941, whose construction does not require a single screw. The height \nand seat geometry are the same as those of the Standard chair and thus \nmeet current norms and requirements. The warm look and feel of wood \ncontrasts appealingly with the practical structural design, which is typical \nof Prouvé’s functional approach. Chaise Tout Bois is available in light oak \nor dark-stained oak.\n( 1 )  Chaise Tout Bois ·  10  natural oak, with protective varnish  ·  Jean Prouvé ,  1941 ( 2 )  EM Table ·  70  natural solid oak, oiled  · \n 13  Prouvé Gris Vermeer powder-coated (smooth)  ·  Jean Prouvé ,  1950 ( 3 )  Terracotta Pot, small ,  natural clay ·  Thélonious Goupil ,  2023 \n3\n2\n1\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.40.png","77\nHAL is Jasper Morrison’s interpretation of a shell chair in the tradition of \nthe Plastic Chair by Charles and Ray Eames, whose variety of different bases \nenables versatile use. HAL RE is a further development of this design with \na seat shell made of recycled plastic.\nThe recycling material for HAL RE stems from Germany’s ‘Yellow Bag’ \n(Gelber Sack) collection of household waste, which primarily consists of used \npackaging. Utilising this recycled material instead of conventional plastic \ngenerates fewer climate-damaging emissions and also significantly reduces \nenergy consumption. The HAL RE seat shell can also be 100% recycled at \nthe end of the product’s life.\nThe many different chair bases can be combined either with a seat shell in \nplastic (HAL and HAL RE) or plywood (HAL Ply), or with a lightly padded \nshell covered in fabric (HAL Soft). In the versions with a polypropylene shell \nand powder-coated base, HAL is also suitable for use in outdoor settings.\nHAL, Jasper Morrison, 2010\u002F14\n3\n2\n( 1 )  HAL Soft Wood · Plano ,  97  red\u002Fcoconut ·  Jasper Morrison ,  2021 ( 2 )  HAL RE Wood ·  85  cotton white RE ·  Jasper Morrison ,  2010\u002F2014 \n( 3 )  HAL RE Wood ·  29  brick RE ·  Jasper Morrison ,  2010\u002F2014 ( 4 )  HAL Ply Wood ·  10  natural oak, with protective varnish  ·  Jasper Morrison ,  2012 \n( 5 )  Guéridon ·  70  natural solid oak, oiled  ·  Jean Prouvé ,  1949 ( 6 )  Soft Seats type B   ·  Plano ,  03  parchment\u002Fcream white · 2022 ( 7 )  Nuage abstrait · \n Ronan & Erwan Bouroullec ,  2016  ( 8 )  HAL RE Tube ,  outdoor compatible ·  85  cotton white RE ·  49  ivory powder-coated (textured) · \n Jasper Morrison ,  2010\u002F2014 ( 9 )  Soft Seats Outdoor type B  ·  Simmons 55 grey\u002Fwhite · 2022 ( 10 )  Belleville Table (rectangular) ·  30  black (textured) · \n Ronan & Erwan Bouroullec ,  2015 \n7\n1\n5\n4\n8\n9\n6\n10\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.41.png","3\n2\nPanton Chair & Panton Chair Classic, Verner Panton, 1959\u002F99\n( 1 )  Panton Chair ·  04  white ·  Verner Panton ,  1959\u002F1999 ( 2 )  Belleville Table (rectangular) ·  12  deep black powder-coated (smooth)  · \n 01  white (textured) ·  Ronan & Erwan Bouroullec ,  2015  ( 3 )  Herringbone Vase plain ·  sand ·  Raw-Edges ,  2019 \n1\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.42.png","81\n1\n3\n2\n( 1 )  Panton Chair ·  37  glacier blue ·  Verner Panton ,  1959\u002F1999 ( 2 )  Metal Side Tables Outdoor  ·  95  galvanised ·  Ronan & Erwan Bouroullec ,  2004 \n( 3 )  Panton Chair Classic ·  11  white ·  Verner Panton ,  1959 ( 4 )  Potence ·  12  deep black powder-coated (smooth)  ·  Jean Prouvé ,  1950 \nThe curved silhouette of the Panton Chair has become a familiar sight, \nbut when Verner Panton first proposed the chair to manufacturers in the \n1950s, they all considered it impossible to make. All but Vitra that is, who \nbelieved in the design and took up the challenge with Panton of bringing \nit to production. In 1967 the Panton Chair was launched.\nAs the first all-plastic cantilever chair it was an instant hit and over the \nfollowing years, it was continuously upgraded as the quality of plastics \nimproved. It remained extremely popular until fabrication had to be \ndiscontinued in 1979 when existing chairs threatened to break. Happily, \nVitra was able to resume production in 1990 using a shatterproof \npolyurethane and went on to elaborate a version in polypropropylene \nwith Verner Panton, which was launched in 1999. From start to finish, \nthe development of the Panton Chair therefore took forty years.\nPanton Chair & Panton Chair Classic, Verner Panton, 1959\u002F99\nThe Panton Chair is available in three different models: \nthe Panton Chair Classic in rigid polyurethane foam with \na glossy surface, the Panton Chair in polypropylene with \na matt finish and the children’s version, Panton Junior.\n4\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.43.png","82\nMoca, Jasper Morrison, 2020\n( 1  \u002F 2 )  EVO-C ·  Plastic , ( 1 )   03  poppy red \u002F ( 2 )   49  ivory ·  Jasper Morrison ,  2020 ( 3 )  Moca ·  30  basic dark powder-coated (textured)  · \n 04  dark oak, with protective varnish  ·  Jasper Morrison ,  2020 ( 4 )  Plate Dining Table ·  04  dark stained solid oak, with protective varnish  · \n Jasper Morrison ,  2018 ( 5 )  Turbine Clock ·  brass\u002Faluminium ·  George Nelson ,  1949-1960 ( 6 )  Herringbone Vase, ribbed ·  Raw-Edges ,  2019 \n3\n5\n6\n4\nEVO-C is a successful, uncompromising iteration of the principle and \ncharacteristics of the classic cantilever chair in the material of plastic. \nThe load-bearing structure is formed by hollow tube-like components that \nflow seamlessly into the planar surfaces of the seat and back. Morrison’s \naim was to eliminate all superfluous details: the shape of EVO-C, which \nis made entirely from 100% recyclable polypropylene, is determined by \nthe indispensable factors for achieving stability and comfort. It combines \nthe springy properties of tubular steel with the comfort of an ergonomic \nseat shell. EVO-C is available in a selection of different colours.\nEVO-C, Jasper Morrison, 2020\n1\n2\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.44.png","4\n3\n2\n1\nSoftshell Chair, Ronan & Erwan Bouroullec, 2008\n( 1 )  Softshell Chair, four-legged base  · Dumet ,  28  sage\u002Fsteel blue  ·  Ronan & Erwan Bouroullec ,  2008  \n( 2 )  EM Table  · \n 12  deep black powder-coated (smooth)  ·  70  natural solid oak, oiled  ·  Jean Prouvé ,  1950  ( 3 )  Cité  ·  41   Prouvé Bleu Marcoule powder-coated (smooth)  · \nTress ,  10  pebble melange  ·  Jean Prouvé ,  1930  ( 4 )  Vases Découpage, Boucle  ·  Ronan & Erwan Bouroullec ,  2020 \n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.45.png","87\nBelleville Chair, Ronan & Erwan Bouroullec, 2015\n1\n2\n Landi Chair ,  Hans Coray ,  1938 \n Developed for the 1939 Swiss National Exhibition (Schweizer Landesausstellung), \nthe Landi Chair occupies an important place in the history of twentieth-century \ndesign: this classic by Hans Coray established the new typology of a three-\ndimensionally moulded seat shell on a separate base. Two U-shaped profiles \nwelded to the crossbars of the self-supporting chassis simultaneously serve as \nlegs and low armrests. This base supports a seat shell, which makes ideal use \nof the material’s possibilities: the 91 punched holes not only ensure the modest \nweight and flexibility of the comfortable shell, but also give the graceful Landi \nits trademark appearance. The lightweight, stackable Landi Chair is robust \nand weather-resistant. \nThroughout his lifetime, Hans Coray (1906–1991) \npositioned himself at the intersection of art, design \nand architecture, attaching great importance to \nfunctionality and simplicity. From the 1950s onward, \nhe was primarily active as a painter and sculptor.\n( 1 )  Belleville Chair ·  35  basalt ·  12  deep black ·  Ronan & Erwan Bouroullec ,  2015  ( 2 )  Belleville Table (Bistro) · \n 30  black (textured) ·  Ronan & Erwan Bouroullec ,  2015  ( 3 )  Nuage ·  ivy anodised ·  Ronan & Erwan Bouroullec ,  2016 \n( 4 )  Landi Chair ·  10  matte anodised aluminium ·  Hans Coray ,  1938 \n4\n3\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.46.png","88\nTip Ton & Tip Ton RE, Edward Barber & Jay Osgerby, 2011\u002F20\nIn 2020 Vitra developed a version of Tip Ton by Edward Barber and Jay \nOsgerby that is manufactured from recycled plastic: Tip Ton RE. The high-\nquality recycling material stems from post-consumer household waste, \nparticularly used packaging. The dark grey hue of the chair is the natural \nshade of the processed recycling material, which therefore exhibits very \nslight irregularities in colour. Tip Ton RE is itself 100% recyclable and can \nbe stacked up to four chairs high.\n1\n( 1 )  Tip Ton RE · Recycled polypropylene ,  22  dark grey RE ·  Edward Barber & Jay Osgerby ,  2011\u002F2020  ( 2 )  Cork Family ,  Model C · \n Edward Barber & Jay Osgerby ,  2011\u002F2020  ( 3 )  Tip Ton ·  37  glacier blue ·  Edward Barber & Jay Osgerby ,  2011 \n3\n2\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.47.png","91\n1\n2\n.03, Maarten Van Severen, 1998\nThe APC is reminiscent of the classic wooden chairs that have been common \nin Europe for many decades, yet further enhances the typology in plastic: \nthe frame is moulded in a single piece and the backrest, which is more finely \nmodelled than with conventional wooden chairs, connects to the frame in \na manner that allows flexible movement. The frame and seat with backrest \nare paired in different nuances of the same colour, giving the classic shape \na more contemporary appearance. The APC is a robust chair suited for \nboth indoor and outdoor use.\nAPC, Jasper Morrison, 2016\n3\n( 1 \u002F2 )  .03 · ( 1 )   78  mango \u002F ( 2 )   77  dark green ·  Maarten Van Severen ,  1998 ( 3 )  APC · Polypropylene ,  07  buttercup - two-tone \u002F \n 04  ivy two-tone \u002F  01  white - two-tone \u002F  02   ice grey - two-tone  ·  Jasper Morrison ,  2016 \n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.48.png","92\nTables\nThe dining table is the social hub of most homes: where household \nmembers gather to eat, entertain guests, work, play and talk.  \nWith a range of different designs and dimensions, Vitra tables suit \nthe requirements of any given space in the home.\nBelleville Table (Bistro),  \nRonan & Erwan Bouroullec, 2015\nHeight: 740 mm\nRound table: Ø 796 mm\nSquare table: 750 mm\nsee p. 86, 91\nTrapèze,  \nJean Prouvé, 1950\u002F54\nHeight: 720 mm\nTable top: 2230 × 725 mm\nsee p. 82, 89\nEM Table,  \nJean Prouvé, 1950\nHeight: 740 mm\nTable top: 1800–2200 × 900 mm\nsee p. 66–67, 75, 84–85, 93\nGuéridon,\nJean Prouvé, 1949\nHeight: 740 mm\nTable top: Ø 900\u002F1050 mm\nsee p. 69, 76\nBelleville Table (rectangular)  \nRonan & Erwan Bouroullec, 2015\nHeight: 740 mm\nTable top: 1600 × 750 mm\nsee p. 77, 78–79\nPlate Dining Table,  \nJasper Morrison, 2018\nHeight: 735 \u002F 745 mm\nTable top: 1800\u002F2000 × 900 mm\nor 2200 \u002F2400 × 1000 mm\nsee p. 60 –61, 81, 83\nFor more details, visit  \nvitra.com\u002Fdining-tables\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.49.png","95\nChairs and tables for \nthe home office\nThe ergonomic chairs  \nVitra has over 45 years of experience  \nin the development of ergonomic task  \nchairs that can be intuitively adjusted  \nto different user needs.\nThe classic chairs\nThanks to their timeless design and \nstructural honesty, classic office chairs \nsuch as those by Jean Prouvé are  \nstill vital and relevant decades after  \ntheir creation.\nThe multifunctional chairs\nCompact in design, they embody just  \nthe right mix of ergonomics, functionality \nand understated aesthetics, making \nthem ideal for working at the dining \ntable or in an office nook. \n→ 96 ACX\n→ 100 ID Chair Concept\n→ 102  Fauteuil Direction \nPivotant\n→ 104 Allstar\n→ 106 Physix\n→ 105 Rookie\nVitra has been developing task chairs for the workplace and home office for  \nmore than 45 years. These chairs meet ergonomic requirements while offering \na varying range of functions. Thanks to their understated aesthetics, they are \nperfectly suited to any style of interior.\nAn overview of all Vitra desks can be found on page 108.\nFor more details, visit  \nvitra.com\u002Foffice-chairs\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.50.png","96\nAll good \nthings come \nin tens\nACX is the tenth and most sustainable office swivel chair that \nItalian designer Antonio Citterio has developed in collaboration \nwith Vitra. It is packed with extensive know-how and draws \non years of experience. The maestro himself explains what is \nso very special about the new chair in an interview. \n( 1 )  ACX Soft ·  Grid Knit ,  05  pine green \u002F  Quilted Knit ,  05  pine green ·  12  deep black ·  Antonio Citterio ,  2023 \n1\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.51.png","99\n98\nACX is your tenth task chair \nfor Vitra. Can you tell us some-\nthing about this impressive \ncollaboration?\nAnd after 30 years of collabo-\nration, I can say that ACX is the \nresult of continuous development, \nshared knowledge and a close, \nlasting partnership.\nWas sustainability on your \nmind while designing ACX?\nMore than that. The design process \nwas wholly guided by the principle \nof sustainability, with the aim \nof using, for example, only recy-\ncled materials where possible. \nThe structural elements in ACX \nare made of approximately 60% \npost-industrial recycled materials.\nSo did the product’s life cycle \nalso influence its development?\nYes, nowadays you design with the \nproduct’s end of life in mind, \ntrying to figure out how it can be \neasily dismantled and recycled to \nreduce waste. Depending on the \nchosen model, ACX is up to 100% \nrecyclable.\nAnd what was the goal of \nthe design process in terms \nof aesthetics?\nThe idea was to have a compact, \ninviting chair, with a reduced \nbackrest and a warm array of up-\nholstery colours, suited for work-\nspaces in the home and office.\nACX is equipped with a \nnew automatic mechanism. \nDoes this impact the manner \nin which it can be used in \nthe office?\nYes, the chair components must \nno longer be individually adjusted \nas the mechanism automatically \nadapts to the user’s weight – but \nthe adjustment options are still \nprovided, of course. It is therefore \npossible to sit down at any work-\nstation in an open-plan office and \nenjoy instant comfort, only need-\ning to modify the seat height, if \nnecessary.\n‘Nowadays you design with the \nproduct’s end of life in mind, \ntrying to figure out how it can be \neasily dismantled and recycled \nto reduce waste.’\n– Antonio Citterio\nYou are not just a designer, \nbut also an architect. \nWhich trends do you see in \nthe office spaces you design \ntoday?\nI have noticed that the office envi-\nronment is becoming more and \nmore collaborative, more relaxed, \nless hierarchical, with the emer-\ngence of more informal, flexible, \nmulti-purpose meeting spaces – \nalso including ‘disruptive’ ele-\nments inspired by residential am-\nbiences, such as plants, decorative \nitems and furniture with a focus on \ncomfort and well-being.\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.52.png","The ID Chair concept offers countless options for customisation. Different \nvariations of the FlowMotion mechanism, a selection of backrests, armrests, \nseats and bases, along with a broad array of colours and fabrics, enable \nevery user to find the perfect ID Chair. Despite the many possible variations, \nit always remains essentially the same chair in look and construction – with \nbenefits in terms of aesthetics, maintenance and service.\nA study by the Institute for Biomechanics at ETH Zurich demonstrated the \ncomprehensive benefits of the ID Chair’s dynamic sitting features and their \nrole in actively preventing health problems.\nThe ID Chair Concept consists of the models ID Cloud, ID Air, ID Mesh, \nID Soft, ID Soft L, ID Trim and ID Trim L, each with a different backrest.\nID Chair Concept, Antonio Citterio, 2010\u002F21\nFor more details, visit \nvitra.com\u002Fid-chair-concept\n( 1 )  ID Cloud, FlowMotion with forward tilt, with seat depth adjustment  · Plano ,  18  light grey\u002Fsierra grey ·  Duo Knit ,  01  cream white\u002Fsierra grey · \n Antonio Citterio ,  2021 ( 2 )  ID Soft, FlowMotion with forward tilt, with seat depth adjustment  ·  66  Plano - nero ·  Antonio Citterio ,  2010\u002F2021 \n( 3 )  Cork Family ,  Model E ·  Jasper Morrison ,  2004 ( 4 )  Cork Bowl, large ·  Jasper Morrison ,  2020 \n1\n2\n4\n3\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.53.png","102\nFauteuil Direction Pivotant, Jean Prouvé, 1951\n( 1 )  Fauteuil Direction Pivotant ·  41  Prouvé Bleu Marcoule powder-coated (smooth)  · Tress ,  06  ice grey melange ·  70   natural solid oak, oiled  · \n Jean Prouvé ,  1951 ( 2 )  Compas Direction ·  41  Prouvé Bleu Marcoule powder-coated (smooth)  ·  70  natural solid oak, oiled  ·  Jean Prouvé ,  1953 \n( 3 )  Lampe de Bureau ·  12  deep black powder-coated (smooth)  ·  Jean Prouvé ,  1930 \nPhotographed in the Villa Dollander, Le Lavandou, France; built in 1949 by Jean Prouvé (construction) and his brother Henri (architecture).\n2\n1\n3\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.54.png","104\nThe Allstar chair defies conventional categorisations: is it a chair for office \nworkplaces or the home office? What period is it from? Does it offer any \nfunctional features? What is it made of? In developing Allstar, Konstantin \nGrcic kept such formulations open in order to create a relaxed, home-like \nambience for workers in office settings. Allstar’s appealing design is \nemblematic and familiar, inspiring a sense of dependability and trust. Its \ncasual ease and comfort has a calming influence and de-accelerates the \nfast-paced dynamic of today’s offices. \n3\nKonstantin Grcic was trained as a cabinetmaker \nat Parnham College in Dorset before studying \nindustrial design at the Royal College of Art in \nLondon. In 1991 he set up his own practice, \nKonstantin Grcic Design.\n( 1 )  Allstar ·  12  deep black · Tress ,  12  steel blue melange ·  Konstantin Grcic ,  2014 ( 2 )  Locker Box, small ,  dark grey RE · \n Konstantin Grcic ,  2022 ( 3 )  Rookie ·  12  deep black ·  97  red\u002Fcoconut ·  Konstantin Grcic ,  2018 \n1\n2\nAllstar, Konstantin Grcic, 2014\nRookie, Konstantin Grcic, 2018\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.55.png","( 1 )  Physix ·  12   deep black powder-coated (textured)  · TrioKnit ,  08  pebble grey ·  Alberto Meda ,  2012 \n( 2 )  Occasional Low Table ·  04   dark stained solid oak, with protective varnish  ·  Jasper Morrison ,  2016 \n1\n2\nPhysix, Alberto Meda, 2012\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.56.png","108\nDesks \nVitra’s classic desks with compact dimensions are ideally suited to virtually \nany home office setting, where their iconic design will add an appealing aesthetic \ntouch. They are manufactured in Europe from durable high-quality materials.\nTyde 2 – sit-stand-table,\nRonan & Erwan Bouroullec, 2021\nHeight: 650–1250 mm\nTable top: 1400 × 700 mm, 1600 \u002F 1800 × 800 mm\nsee p. 94\nCompas Direction,\nJean Prouvé, 1953\nHeight: 730 mm\nTable top: 1250 × 600 \u002F 700 mm\nsee p. 102–103, 105\nFor more details, visit \nvitra.com\u002Fdesks\nFind the \nright chair for your \nhome office\nvitra.com\u002Ffinder\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.57.png","For more details, visit  \nvitra.com\u002Faccessories\n111\nInteriors reflect our personality: each object tells its own story and serves  \nas an expression of our individual identity. The Vitra Accessories Collection \nhas something for every taste.\nAccessories\n→ 118  Organisers & small storage \n→ 116  Coat racks & wall shelves \n→ 114  Trays & vessels\n→ 120  Side tables & stools\n→ 122  Vases \n→ 130  Textiles \n→ 124  Decorative objects \n→ 126  Lighting \n→ 128  Clocks \n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.58.png","112\nVases\n1\n3\nFor more details, \nvisit vitra.com\u002F\nvases-planters\n2\n4\n( 1 )  Nuage, small ·  steel blue ·  Ronan & Erwan Bouroullec ,  2016  ( 2 )  Wooden Doll No. 12  ·  Alexander Girard ,  1952 \n( 3 )  Vases Découpage, Boucle ·  Ronan & Erwan Bouroullec ,  2020  ( 4 )  Herringbone Vase, ribbed ·  yellow ·  Raw-Edges ,  2019 \n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.59.png","5\n6\n7\nTrays & vessels \nFor more details,\nvisit vitra.com\u002F\ntrays-vessels\n2\n( 1  \u002F 2 )  Ceramic Container No. 1   \u002F  Ceramic Container No. 2   ·  cream  ·  Alexander Girard ,  1952  ( 3 )  Girard Bird  ·  Natural maple  ·  Alexander Girard ,  1945 \n( 4 )  Wooden Doll No. 16  ·  Alexander Girard ,  1952  ( 5 )  Herringbone Bowl  ·  sand  ·  Raw-Edges ,  2019  ( 6 )  Classic Trays - Dot Pattern light   · \n Charles & Ray Eames ,  1947  ( 7 )  Herringbone Tray  ·  yellow  ·  Raw-Edges ,  2019 \n1\n3\n4\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.60.png","116\nCoat racks & wall shelves\nFor more details,\nvisit vitra.com\u002F\nwall-shelves-coat-racks\n( 1 )  Corniches ·  japanese red ·  Ronan & Erwan Bouroullec ,  2012  ( 2 )  Wooden Doll Cat ·  Alexander Girard ,  1952 \n( 3 )  Coat Dots  · red \u002F white ·  Hella Jongerius ,  2013 \n1\n2\n3\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.61.png","Organisers & small storage\n2\n1\nFor more details, \nvisit vitra.com\u002F\norganisers-small-storage\n4\n3\n( 1 )  Uten.Silo II ·  white ·  Dorothee Becker ,  1969 ( 2 )  Wooden Dolls Mother Fish & Child   ·  Alexander Girard ,  1952 ( 3 )  Coat Dots ·  set of 3, white  · \n Hella Jongerius ,  2013 ( 4 )  Locker Box, small ·  brick RE ·  Konstantin Grcic ,  2022 ( 5 )  Toolbox RE ·  sea blue RE ·  Arik Levy ,  2010 \n5\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.62.png","Code zu \nPlantguide\n120\nSide tables & stools\n1\n2\n3\n( 1 )  Cork Family ,  Model A , B, C ·  Jasper Morrison ,  2004 ( 2 )  Wooden Side Tables ·  17  Eiche hell ·  Ronan & Erwan Bouroullec ,  2015 \n( 3 )  Plate Table ·  Marble ·  04  white powder-coated (textured) ·  Jasper Morrison ,  2004 \n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.63.png","( 1 )  Tabouret Métallique ·  Japanese red ·  Jean Prouvé ,  1936 ( 2 )  Chap &  Chap Tray ·  brick RE ·  Konstantin Grcic ,  2021 \n( 3  )  Wiggle Stool ·  natural ·  Frank Gehry ,  1972 \n1\nSide Tables & stools\n3\nFor more details, \nvisit vitra.com\u002F\nside-tables-stools\n2         \n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.64.png","124\nDecorative objects\n1\n2\nFor more details, \nvisit vitra.com\u002F\ndecorative-objects\n( 1 )  Plywood Mobile ,  Model A &  Model B ·  Charles & Ray Eames ,  1941  ( 2 )  Wooden Doll ,  No. 12 \u002F  No. 16 \u002F  Cat \u002F  No. 11 \u002F  No. 15 · \n Alexander Girard ,  1952 ( 3 )  Colour Frame Mirror, large  ·  neutral ·  Julie Richoz ,  2024 ( 4 )  Mikado Armchair · Dumet ,  27  pale blue\u002Femerald · \n 91  mint powder-coated (smooth) ·  Edward Barber & Jay Osgerby ,  2024 \n3\n4\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.65.png","Lighting by Jean Prouvé\nThe distinctly technical design of the luminaires by Jean Prouvé – described \nas the ‘poetics of the technical object’ – reflect the Frenchman’s renowned \nconstructive approach.\n2\n3\nFor more details,\nvisit vitra.com\u002F\nprouvé-lighting\n( 1 )  Potence  Prouvé Blanc Colombe (Ecru)  &  Abat-Jour Conique ·  88  Prouvé Blanc Colombe (Ecru) powder-coated (smooth)  · \n Jean Prouvé ,  1947 ( 2 )  Lampe de Bureau ·  06  Japanese red powder-coated (smooth)  ·  Jean Prouvé ,  1930 ( 3 )  Petite Potence · \n 12  deep black powder-coated (smooth)  ·  Jean Prouvé ,  1947 \n1\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.66.png","128\n( 1 \u002F 2 )  Wall Clocks : ( 1 )  Ball Clock ·  black\u002Fbrass ( 2 )  Sunburst Clock ·  black\u002Fbrass ·  George Nelson ,  1949-1960 ( 3 – 5 )  Desk Clocks : \n( 3 )  Chronopak ·  Walnut veneer ( 4 )  Cone Base Clock ·  powder-coated sheet metal ( 5 )  Cone Clock ·  Polyurethane ·  George Nelson ,  1947\u002F1953  \n( 6 )  Silhouette Bull ·  Alexander Girard ,  1965 ( 7 )  Nuage (céramique) , small \u002F medium ·  Ronan & Erwan Bouroullec ,  2018 \n3\n4\n5\n2\n6\n7\nWith his Wall Clocks, Desk Clocks and the wall-mounted Zoo Timers for \nchildren, the legendary American mid-century designer George Nelson \nhas created refreshing alternatives to conventional clocks in a wide \nvariety of designs and materials.\nClocks by George Nelson\n1\nFor more details, visit \nvitra.com\u002Fclocks\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.67.png","Textiles\n2\nFor more details, \nvisit vitra.com\u002F\ntextiles\n4\n3\n( 1 )  Colour Block Blankets ·  pink-beige ·  Hella Jongerius ,  2016 ( 2 )  Herringbone Pillows ·  Raw-Edges ,  2019 \n( 3 )  Resting Cat ·  beige ·  Front ,  2018 ( 4 )  Cork Family,  Model D  ·  Jasper Morrison ,  2004 \n1\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.68.png","Find the \nperfect gift\nvitra.com\u002Fgift-finder\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.69.png","135\n134\nAuthors\nHans Coray \nThroughout his lifetime, Hans Coray (1906–1991) positioned himself \nat the intersection of art, design and architecture, attaching great \nimportance to function ality and simplicity. From the 1950s onward, \nhe was primarily active as a painter and sculptor. \nRonan & Erwan Bouroullec\nThe brothers Ronan and Erwan Bouroullec live and work \nin Paris. Their oeuvre ranges from small everyday objects to \narchitectural projects. They have worked with Vitra since 2000 \nand have contributed numerous designs to both the office \nand home collections. \nCharles & Ray Eames\nCharles and Ray Eames are counted among the most \nimportant figures of twentieth-century design. Their \nwork spans the fields of furniture design, filmmaking, \nphotography and exhibition design. Vitra is the sole \nauthorised manufacturer of Eames products for Europe \nand the Middle East. When you own an Eames product \nmade by Vitra, you know it is an original.\nAntonio Citterio\nThe architect and designer Antonio Citterio, who lives and \nworks in Milan, has collaborated with Vitra since 1988. Together \nthey have produced a series of office chairs and various office \nsystems, as well as products for the Vitra Home Collection. \nThe Citterio Collection is continually being expanded.\nHella Jongerius\nThe Dutch designer Hella Jongerius lives and works in \nBerlin. She founded the Jongeriuslab studio in 1993 and \nbegan collaborating with Vitra in 2004. Since then, she \nhas not only contributed a substantial number of designs \nto the continually expanding Vitra Home Collection, but \nhas also applied her expertise in the realm of colours and \nmaterials to the Vitra Colour & Material Library.\nAlexander Girard\nThe architect and designer Alexander Girard was \none of the leading figures in American design during \nthe post-war era. His passion for colours, patterns \nand textures found expression in the field of textile \ndesign, which was a focal part of his oeuvre.\nKonstantin Grcic\nKonstantin Grcic was trained as a cabinetmaker at Parnham College \nin Dorset before studying industrial design at the Royal College of Art \nin London. In 1991 he set up his own practice, Konstantin Grcic Design. \nThe Vitra Design Museum devoted a monographic exhibition to Grcic \nand his work in 2014.\nJasper Morrison\nJasper Morrison lives and works in London and Tokyo. His designs are \nexpressions of the ‘super normal’ design philosophy: rather than seeking \nunusual or extravagant results, he often breathes new life into proven \nsolutions by means of reinterpretation, further development and refinement. \nHe has worked together with Vitra on a regular basis since 1989. \n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.70.png","137\n136\nJulie Richoz\nThe Swiss-French designer Julie Richoz studied industrial design \nat Lausanne University of Art and Design (ECAL) and went on \nto work with Pierre Charpin. In 2012 she founded her own design \nstudio in Paris and has been teaching industrial design at ECAL \nsince 2017. She has been collaborating with Vitra since 2023.\nVerner Panton\nVerner Panton was an influential figure in the development of design \nduring the 1960s and ’70s. After moving to Switzerland in the early 1960s, \nthe Danish designer became known for his inventive, novel ideas for \nfurnishings, lighting and textiles. The masterful use of colour was a \nhallmark of his work.\nMaarten Van Severen\nThe designer Maarten Van Severen started creating furniture in the \nmid-1980s, initially producing the pieces himself in his Ghent workshop. \nHis designs are characterised by their simple form and superb comfort. \nFrom 1996 until 2005, Maarten Van Severen developed a range of \nnew designs for Vitra.\nShay Alkalay and Yael Mer\nUpon earning their degrees from the Royal College of Art in 2007, \nIsraeli designers Shay Alkalay and Yael Mer founded the design studio \nRaw Edges in London. The creative duo adopts a characteristically \nplayful approach to their products and installations.\nJean Prouvé\nJean Prouvé, who regarded himself as an engineer \nthroughout his lifetime, was both the designer and \nmanufacturer of his product ideas. His unique oeuvre, \nranging from a letter opener to door and window fittings, \nfrom lighting and furniture to prefabricated houses and \nmodular building systems, encompasses almost anything \nthat is suited to industrial production and construction.\nIsamu Noguchi\nThe oeuvre of Japanese-American artist and designer \nIsamu Noguchi is unusually multi-faceted, ranging from \nthe fine arts to industrial design. Since 2002, Vitra has \nproduced re-editions of his designs in cooperation with \nthe Isamu Noguchi Foundation in New York.\nGeorge Nelson\nGeorge Nelson is regarded as one of the most important figures in American \ndesign. Active as an architect, a product and exhibition designer and a \nwriter, he was a leading voice in the discourse on design and architecture over \nseveral decades. Vitra is the sole authorised manufacturer of specified Nelson \nproducts for markets in Europe and the Middle East.\nEdward Barber & Jay Osgerby\nEdward Barber and Jay Osgerby studied architecture as \nfellow students at the Royal College of Art in London. Since \nthat time, their collaborative work has probed the interface \nbetween industrial design, furniture design and architecture. \n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.71.png","21\n31\n28\n19\n2\n4\n25\n8\n14\n138\nThe collection of the Vitra Design Museum \nranks among the most important holdings of \nfurniture design worldwide. It contains some \n7000 pieces of furniture dating from 1800 \nto the present day, over 1000 lighting objects \nas well as numerous archives and the estates \nof several prominent designers. Since 2016, \napproximately 400 key objects from the \ncollection are on permanent display in the \nVitra Schaudepot, which was designed by \nBasel-based architects Herzog & de Meuron.\nThe 30-metre-high Vitra Slide Tower \nby Carsten Höller is located along the \nÁlvaro-Siza-Promenade, which connects \nthe north and south parts of the Vitra \nCampus. Accessible to the public in fine \nweather, the free-standing work of art \noffers an exceptional view of the Vitra \nCampus and a thrilling experience on \nthe 38-metre-long corkscrew slide.\nKazuo Shinohara (1925-2006) was one \nof the leading Japanese architects of the \nlatter half of the twentieth century, along \nwith Kenzo Tange. A masterpiece from \nShinohara’s so-called First Style is the \nUmbrella House, which was built in Tokyo \nin 1961 and reconstructed on the Vitra \nCampus in 2022.\nThe Tane Garden House was designed by \nParis-based Japanese architect Tsuyoshi Tane \nand built by local craftsmen using sustainable \nand, wherever possible, locally sourced \nmaterials. \nSince its opening in 1989, the Vitra Design \nMuseum has become one of the world’s \nleading design museums. It is dedicated to \nthe research and presentation of design, past \nand present, and examines the relationship \nto architecture, art and everyday culture. \nThe main building designed by Frank Gehry \nhosts several major exhibitions per year, \nwhile the neighbouring Vitra Design Museum \nGallery showcases current perspectives on \ndesign and architecture.\nDesigned by Zaha Hadid, the Fire Station \non the Vitra Campus was the Iraqi-British \narchitect’s first major built work. The \njaggedly expressive volumes contrast with \nthe orthogonal order of the adjacent factory \nbuildings, like an explosion frozen in time. \nThe sculptural structure was originally used \nto house the company’s fire brigade. Today \nit hosts Vitra installations and exhibitions \nby the Vitra Design Museum.\nA garden by the renowned Dutch designer \nPiet Oudolf was inaugurated on the Vitra \nCampus in May 2020. The artfully composed \nwilderness is in full bloom from summer to \nearly autumn.\nOriginally intended as a showroom for the \nVitra Home Collection, the VitraHaus has \nbecome a beacon for the Vitra brand over \nthe past ten years. Visible from a distance, \nit marks the northern entrance to the Vitra \nCampus and sends an unmistakeable signal: \nVitra not only produces furniture in Weil \nam Rhein, but also focuses its attention on \narchitecture, art and interior design.\n1,2 \nFactory Building, Nicholas Grimshaw, 1981\n3 \n Balancing Tools, Claes Oldenburg & \nCoosje van Bruggen, 1984\n4 \n Vitra Design Museum, Frank Gehry, 1989\n5 \nGate, Frank Gehry, 1989\n6 \nFactory Building, Frank Gehry, 1989\n7 \nConference Pavilion, Tadao Ando, 1993\n8 \nFire Station, Zaha Hadid, 1993\n9 \nFactory Building, Álvaro Siza, 1994\n10 \n Dome, after Richard Buckminster Fuller, 1975\u002F2000\n11 \nPetrol Station, Jean Prouvé, 1953\u002F2003\n12 \n Vitra Design Museum Gallery, Frank Gehry, 2003\n13 \nBus Stop, Jasper Morrison, 2006\n14 \nVitraHaus, Flagshipstore for Home Collection & \nInterior Studio, Herzog & de Meuron, 2010\n15 \nAirstream Kiosk, 1968\u002F2011\n16 \n Factory and Logistics Building, SANAA, 2012\n17 \nDiogene, Renzo Piano, 2013\n18 \nÁlvaro-Siza-Promenade, 2014\n19 \nVitra Slide Tower, Carsten Höller, 2014 \n20 \nBell, from: 24 Stops, Tobias Rehberger, 2015\n21 \n Vitra Schaudepot, Herzog & de Meuron, 2016\n22 \nBlockhaus, Thomas Schütte, 2018\n23 \n Ruisseau, Ronan & Erwan Bouroullec, 2018\n24 \nRing, Ronan & Erwan Bouroullec, 2018\n25 \nOudolf Garten, Piet Oudolf, 2020\n26 \n Vitra Designweg, Ronan & Erwan Bouroullec, 2021\n27 \n Torre Numero Due, Nathalie Du Pasquier, 2021\n28 \n Umbrella House, Kazou Shinohara, 1961\u002F2022\n29 \n Barragán Gallery, 2022\n30 \n Place Jean Prouvé, 2022\n31 \n Garden House, Tsuyoshi Tane, 2023\n32 \nCircle Store Vitra, 2023\nThe Vitra Campus App \nis available in the App Store \nand Google Play Store.\nVitra Campus\nThe Vitra Campus in Weil am Rhein near Basel is a unique ensemble \nof contemporary architecture. Buildings by Tadao Ando, Frank Gehry, \nZaha Hadid, Herzog & de Meuron, Álvaro Siza and other leading \narchitects are united with exhibitions, installations, shops and Vitra \nfurniture production in a single location. #VitraCampus\n1\n6\n2\n16\n9\n32\n21\n27\n8\n11\n17\n12\n19\n18\n22\n14\n15\n5\n25\n26\n31\n28\n29\n30\n24\n23\n20\n4\n7\n3\n13\n10\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.72.png","Distribution rights \nAll of the designs shown in this publication as well  \nas the images themselves are legally protected. Vitra  \nand the Vitra Design Museum have been authorised \nby the authors or their legal successors to exclusively  \nmanufacture, develop and distribute the products  \ncorresponding to these designs worldwide.  \nThe following restrictions apply:\nCharles & Ray Eames → Organic Chair, La Chaise, \nEames Elephant, Plywood Mobile, Classic Trays,  \nPaper Napkins, Eames Quotes Posters, Eames Wool \nBlankets und Miniatures Collection: Vitra holds the \nworldwide rights. All other products: Vitra holds the \nrights in Europe and the Middle East. The rights in  \nthe rest of the world are held by Herman Miller.\nAlexander Girard → Environmental Wall Hangings \nand Flower Table: Vitra holds the rights in Europe and \nthe Middle East. The rights in the rest of the world  \nare held by Herman Miller.\nGeorge Nelson → Clocks and Miniatures Collection: \nVitra holds the worldwide rights. All other products: \nVitra holds the rights in Europe and the Middle East. \nThe rights in the rest of the world are held by  \nHerman Miller.\nIsamu Noguchi → Akari Light Sculptures: Vitra holds \nthe distribution rights in Australia, Austria, Belgium, the \nCzech Republic, Denmark, Finland, France, Germany, \nGreece, Iceland, Ireland, Italy, Liechtenstein, Luxem-\nbourg, Malta, the Netherlands, Norway, Portugal, \nSweden, Switzerland, Turkey and the United Kingdom.\nCoffee Table and Dining Table: Vitra holds the world-\nwide rights with the exception of North America. \nThe rights in North America are held by Herman Miller \n(Coffee Table) and Knoll (Dining Table).\nSori Yanagi → Butterfly Stool: Vitra holds the rights  \nin Europe, Africa and North and South America. \nThe rights in the rest of the world are held by  \nTendo Mokko.\nOther products → Classic Pillows: Vitra holds the  \ndistribution rights in Europe and the Middle East. The \nrights in the rest of the world are held by Maharam.\n \n The design of the Eames Aluminium Chair  \nis a registered trademark.\n  The design of the Eames Lounge Chair is  \na registered trademark. \n \n The design of the Panton Chair is  \na registered trademark. \nConcept, design, art direction\nStudio AKFB, Munich, Germany\nPhotography Florian Böhm, Studio AKFB  \n(unless otherwise listed in picture credits)\nTechnical realisation ENGN, Hamburg, Germany \nLithography GZD Media GmbH, Eberdingen, Germany \nPrinting DRUCKEREI VOGL GmbH & Co. KG, Zorneding, \nGermany\n2024, \nart. no. 09193704\nVitra is represented worldwide. Your local Vitra partner can be found at www.vitra.com\u002Ffind-vitra \nVitra International AG, Klünenfeldstrasse 22, 4127 Birsfelden, 0041 (0)61 377 00 00, info@vitra.com, www.vitra.com\nPicture credits\n→ Front cover Robert Rieger \u002F back cover Florian \nBöhm → 2 Marek Iwicki → 3 Florian Böhm, Lorenz \nCugini → 6 Dejan Jovanovic → 18 Marek Iwicki  \n→ 21 Roland Engerisser, © Vitra Design Museum \u002F  \n© Centre Pompidou, MNAM-CCI, Bibliothèque \nKandinsky, Fonds Cardot-Joly → 22 © Catherine \nProuvé \u002F Archives départementales de Meurthe- \net-Moselle → 25 © Verner Panton Design → 26  \n© Konstantin Grcic → 34, 39, 48, 50 Lorenz Cugini  \n→ 51 Eduardo Perez → 52 Tom Ziora → 54 Magnus \nPettersson → 55 Andreas Sütterlin → 56 Lorenz \nCugini → 62 © Barber Osgerby Studio → 62 \nLorenz Cugini → 63 Dejan Jovanovic → 65  \n© MoMA → 68 © Fonds Jean Prouvé at the  \nArchives départementales de Meurthe- et-Moselle  \n→ 70 © Centre Pompidou, Centre de Documen-\ntation et Recherche du MNAM-CCI, Bibliothèque \nKandinsky, Fonds Jean Prouvé → 72 Dejan  \nJovanovic → 73 Julien Lanoo → 73 © Agence  \nPhotographique de la Réunion des musées natio-\nnaux, RMN-Grand Palais and Pro Litteris → 74  \n© Fonds Perret. CNAM, SIAF, CAPA, Archives  \nd’architecture du XXe siècle, Auguste Perret, UFSE, \nSAIF, 2020 → 76, 77, 78, 80, 86, 87 Lorenz Cugini  \n→ 87 Roland Beck → 88 Lorenz Cugini → 98 Dejan \nJovanovic → 101 Lorenz Cugini → 104 Marek \nIwicki → 113, 115 Lorenz Cugini → 125 Robert \nRieger → 130, 131 Lorenz Cugini → 134 Roland \nBeck \u002F © Eames Office, LLC \u002F © Michael Sinclair \u002F \n© Vitra Design Museum Archiv → 135 © Studio \nBouroullec \u002F© Isamu Noguchi Foundation → 136 \nMarek Iwicki \u002F Eduardo Perez \u002F © Centre Pompi-\ndou, MNAM-CCI Bibliothèque Kandinsky, Dist. \nRMN-Grand Palais, Fonds Prouvé → 137 Bart Van \nLeuven \u002F © Mark Cocksedge \u002F © Verner Panton \nDesign \u002F © Eames Office, LLC → 138 GTF  \n→ 139 Julien Lanoo \u002F Richard Bryant \u002F  \nLorenz Cugini \u002F Marek Iwicki\nInterviews  \n→ 99 led by Barbara Gies\nStudio pictures  \n→ 15, 18, 22, 51 Studio Eggimann \nArtek products shown  \n→ 10 Pendant Light A331 ‘Beehive’ → 60 Pendant Light \nA333 ‘Turnip’ → 93 Pendant Light A330S ‘Golden Bell’ \nblack → 110 Pauper Coin Collector, Easter Dog Vase\nArtek is distributed by Vitra.  \nFor more information, visit www.artek.fi\nSet Design  \n→ 7, 20, 122 Conny Wyssen → 8, 12, 19, 100, 112 Linda \nEhrl → 10, 23, 30, 57, 58, 66, 69, 102, 104, 105, 126, 127, \n129 Sebastian Soukup → 13, 14, 16, 24, 36, 47, 75, 83, \n84, 97, 103, 106, 112, 114, 119, 123, 128 Anka Rehbock \n→ 27, 28, 35, 38, 44, 46, 65, 91, 93, 119, 124 Filippa  \nEgnell → 32, 60, 64, 90, 120, 121, 132 Erwin Prib\n→ 33, 89, 94, 120 Paolo Bonfini → 39, 48, 50, 56, 76,  \n77, 78, 80, 85, 86, 88, 101, 113, 115, 125, 130  Rahel  \nMorgen → 52, 53 Erwan Bouroullec → 56, 81, 118  \nAnnahita Kamali → 63 Nora Helena Erdle → 82 Till \nWeber → 112, 116, 117, 124 Annahita Kamali, Leonie  \nvon Arx → 131 Conny Hüsser\nVitra International AG strives to respect the rights  \nof third parties. If we have inadvertently used  \nmaterial without acknowledgement, we will correct  \nthe omission immediately upon notification.\nALEXANDER GIRARD, EAMES, NELSON, GEORGE \nNELSON, NOGUCHI, ISAMU NOGUCHI, PANTON \nand VERNER PANTON are registered trademarks. \nVarious product names enjoy trademark protection.\nv ® All copyrights and intellectual property \nrights, including trademarks, patents and copyrights, \nremain the property of Vitra and are explicitly  \nreserved. No part of this brochure may be repro-\nduced without prior written permission from Vitra. \n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Ff8\u002F3be0f8750996c33ee9d00f6f8ae4f6-28e8879021.73.png","",73,[],0,false,true,{"success":308,"data":310,"meta":525,"count":526,"next":527,"previous":528,"results":562,"brand_chips":623},[311,324,336,349,359,372,384,394,404,413,423,435,445,455,464,474,487,496,506,516],{"id":312,"title":313,"slug":314,"image":315,"source":316,"brand_name":317,"brand":318,"brand_slug":319,"file_size":320,"pages":321,"pages_count":322,"matched_pages":323,"match_count":306,"two_pages":307,"show_text":308},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],100,[],{"id":325,"title":326,"slug":327,"image":328,"source":329,"brand_name":330,"brand":331,"brand_slug":332,"file_size":333,"pages":334,"pages_count":200,"matched_pages":335,"match_count":306,"two_pages":307,"show_text":308},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":337,"title":338,"slug":339,"image":340,"source":341,"brand_name":342,"brand":343,"brand_slug":344,"file_size":345,"pages":346,"pages_count":347,"matched_pages":348,"match_count":306,"two_pages":307,"show_text":308},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":350,"title":351,"slug":352,"image":353,"source":354,"brand_name":342,"brand":343,"brand_slug":344,"file_size":355,"pages":356,"pages_count":357,"matched_pages":358,"match_count":306,"two_pages":307,"show_text":308},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],109,[],{"id":360,"title":361,"slug":362,"image":363,"source":364,"brand_name":365,"brand":366,"brand_slug":367,"file_size":368,"pages":369,"pages_count":370,"matched_pages":371,"match_count":306,"two_pages":307,"show_text":308},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":373,"title":374,"slug":375,"image":376,"source":377,"brand_name":378,"brand":379,"brand_slug":380,"file_size":381,"pages":382,"pages_count":264,"matched_pages":383,"match_count":306,"two_pages":307,"show_text":308},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],[],{"id":385,"title":386,"slug":387,"image":388,"source":389,"brand_name":378,"brand":379,"brand_slug":380,"file_size":390,"pages":391,"pages_count":392,"matched_pages":393,"match_count":306,"two_pages":307,"show_text":308},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":395,"title":396,"slug":397,"image":398,"source":399,"brand_name":378,"brand":379,"brand_slug":380,"file_size":400,"pages":401,"pages_count":402,"matched_pages":403,"match_count":306,"two_pages":307,"show_text":308},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":405,"title":406,"slug":407,"image":408,"source":409,"brand_name":378,"brand":379,"brand_slug":380,"file_size":410,"pages":411,"pages_count":184,"matched_pages":412,"match_count":306,"two_pages":307,"show_text":308},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":414,"title":415,"slug":416,"image":417,"source":418,"brand_name":378,"brand":379,"brand_slug":380,"file_size":419,"pages":420,"pages_count":421,"matched_pages":422,"match_count":306,"two_pages":307,"show_text":308},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],146,[],{"id":424,"title":425,"slug":426,"image":427,"source":428,"brand_name":429,"brand":430,"brand_slug":431,"file_size":432,"pages":433,"pages_count":80,"matched_pages":434,"match_count":306,"two_pages":307,"show_text":308},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":436,"title":437,"slug":438,"image":439,"source":440,"brand_name":378,"brand":379,"brand_slug":380,"file_size":441,"pages":442,"pages_count":443,"matched_pages":444,"match_count":306,"two_pages":307,"show_text":308},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],101,[],{"id":446,"title":447,"slug":448,"image":449,"source":450,"brand_name":378,"brand":379,"brand_slug":380,"file_size":451,"pages":452,"pages_count":453,"matched_pages":454,"match_count":306,"two_pages":307,"show_text":308},26583,"Pigment France 2026","giobagnara-pigment-france-2026","\u002Fmedia\u002Fimages\u002F00\u002F394bcaf5adfa23d7243aa512a0dd67-292d16393c.1.png","\u002Fprivate\u002Ffiles\u002Fc4\u002F485c540ca42207213690262e6468a2-292d14d9b5.pdf","127.5 MB",[],151,[],{"id":456,"title":457,"slug":458,"image":459,"source":460,"brand_name":378,"brand":379,"brand_slug":380,"file_size":461,"pages":462,"pages_count":402,"matched_pages":463,"match_count":306,"two_pages":307,"show_text":308},26584,"Rudi 2026","giobagnara-rudi-2026","\u002Fmedia\u002Fimages\u002F7e\u002F4dd524b56e79aeda431f14f4fe1069-292d15c3f9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002Fc19ea3b6cbea78f50140a3e5f872d8-292d14d9c0.pdf","134.0 MB",[],[],{"id":465,"title":466,"slug":467,"image":468,"source":469,"brand_name":378,"brand":379,"brand_slug":380,"file_size":470,"pages":471,"pages_count":472,"matched_pages":473,"match_count":306,"two_pages":307,"show_text":308},26585,"Riviere 2026","giobagnara-riviere-2026","\u002Fmedia\u002Fimages\u002Fed\u002F017702644dc149d47ca54e182c820b-292d154e96.1.png","\u002Fprivate\u002Ffiles\u002F8c\u002F4afc407dc4db9e13219e5295f76976-292d14d9cb.pdf","127.3 MB",[],202,[],{"id":475,"title":476,"slug":477,"image":478,"source":479,"brand_name":480,"brand":481,"brand_slug":482,"file_size":483,"pages":484,"pages_count":485,"matched_pages":486,"match_count":306,"two_pages":307,"show_text":308},26586,"Outdoor 2026","atmosphera-outdoor-2026","\u002Fmedia\u002Fimages\u002Fd6\u002Fab855609f1a95186f6ccd83055cc20-292d18f82f.1.png","\u002Fprivate\u002Ffiles\u002F90\u002Fb7983122cc2d6cabbb384898663939-292d179899.pdf","Atmosphera",977,"atmosphera","39.2 MB",[],235,[],{"id":488,"title":489,"slug":490,"image":491,"source":492,"brand_name":378,"brand":379,"brand_slug":380,"file_size":493,"pages":494,"pages_count":244,"matched_pages":495,"match_count":306,"two_pages":307,"show_text":308},26587,"Giobagnara x PoltronaFrau 2026","giobagnara-x-poltronafrau-2026","\u002Fmedia\u002Fimages\u002Fd0\u002F6899938ad0400f5dbea066e0d861fc-292d1882ea.1.png","\u002Fprivate\u002Ffiles\u002F4c\u002Faac20af747b8da46542a7f50bb0c42-292d17989d.pdf","46.7 MB",[],[],{"id":497,"title":498,"slug":499,"image":500,"source":501,"brand_name":378,"brand":379,"brand_slug":380,"file_size":502,"pages":503,"pages_count":504,"matched_pages":505,"match_count":306,"two_pages":307,"show_text":308},26588,"Design Editions 2026","giobagnara-design-editions-2026","\u002Fmedia\u002Fimages\u002F94\u002F9e001b70b82b057a99547b62a5cd72-292d180db9.1.png","\u002Fprivate\u002Ffiles\u002F85\u002F8b7fba451e37f0288f2fd06246bf47-292d1798a2.pdf","331.6 MB",[],446,[],{"id":507,"title":508,"slug":509,"image":510,"source":511,"brand_name":378,"brand":379,"brand_slug":380,"file_size":512,"pages":513,"pages_count":514,"matched_pages":515,"match_count":306,"two_pages":307,"show_text":308},26589,"Encyclopedia 2026","giobagnara-encyclopedia-2026","\u002Fmedia\u002Fimages\u002Ff5\u002F8ff500491988ed2c8c49351db1fff5-292d1bb78a.1.png","\u002Fprivate\u002Ffiles\u002F6f\u002F7bb3601e56ae4fefdd94a2f11b57e2-292d1a57a1.pdf","358.6 MB",[],1981,[],{"id":517,"title":313,"slug":518,"image":519,"source":520,"brand_name":378,"brand":379,"brand_slug":380,"file_size":521,"pages":522,"pages_count":523,"matched_pages":524,"match_count":306,"two_pages":307,"show_text":308},26590,"giobagnara-news-2026","\u002Fmedia\u002Fimages\u002Fc9\u002F77e2d4731c2643875d7adc77b62a46-292d1b4203.1.png","\u002Fprivate\u002Ffiles\u002Fa6\u002F3fbc6e2e56d402392537b12f6edab9-292d1a57c5.pdf","85.8 MB",[],125,[],{"count":526,"next":527,"previous":528,"brand_chips":529},14117,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[530,534,538,541,544,547,550,553,556,559],{"title":531,"slug":532,"count":533},"SICIS","sicis",92,{"title":535,"slug":536,"count":537},"La Fabbrica AVA","la-fabbrica-ava",77,{"title":539,"slug":540,"count":537},"Terratinta","terratinta",{"title":542,"slug":543,"count":537},"Magis","magis",{"title":545,"slug":546,"count":268},"True Design","true-design",{"title":548,"slug":549,"count":256},"Covet House","covet-house",{"title":551,"slug":552,"count":244},"Ares Line","ares-line",{"title":554,"slug":555,"count":244},"Poltrona Frau","poltrona-frau",{"title":557,"slug":558,"count":236},"Karpenter","karpenter",{"title":560,"slug":561,"count":236},"Visionnaire","visionnaire",[563,566,569,572,575,578,581,584,587,590,593,596,599,602,605,608,611,614,617,620],{"id":312,"title":313,"slug":314,"image":315,"source":316,"brand_name":317,"brand":318,"brand_slug":319,"file_size":320,"pages":564,"pages_count":322,"matched_pages":565,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":325,"title":326,"slug":327,"image":328,"source":329,"brand_name":330,"brand":331,"brand_slug":332,"file_size":333,"pages":567,"pages_count":200,"matched_pages":568,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":337,"title":338,"slug":339,"image":340,"source":341,"brand_name":342,"brand":343,"brand_slug":344,"file_size":345,"pages":570,"pages_count":347,"matched_pages":571,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":350,"title":351,"slug":352,"image":353,"source":354,"brand_name":342,"brand":343,"brand_slug":344,"file_size":355,"pages":573,"pages_count":357,"matched_pages":574,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":360,"title":361,"slug":362,"image":363,"source":364,"brand_name":365,"brand":366,"brand_slug":367,"file_size":368,"pages":576,"pages_count":370,"matched_pages":577,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":373,"title":374,"slug":375,"image":376,"source":377,"brand_name":378,"brand":379,"brand_slug":380,"file_size":381,"pages":579,"pages_count":264,"matched_pages":580,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":385,"title":386,"slug":387,"image":388,"source":389,"brand_name":378,"brand":379,"brand_slug":380,"file_size":390,"pages":582,"pages_count":392,"matched_pages":583,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":395,"title":396,"slug":397,"image":398,"source":399,"brand_name":378,"brand":379,"brand_slug":380,"file_size":400,"pages":585,"pages_count":402,"matched_pages":586,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":405,"title":406,"slug":407,"image":408,"source":409,"brand_name":378,"brand":379,"brand_slug":380,"file_size":410,"pages":588,"pages_count":184,"matched_pages":589,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":414,"title":415,"slug":416,"image":417,"source":418,"brand_name":378,"brand":379,"brand_slug":380,"file_size":419,"pages":591,"pages_count":421,"matched_pages":592,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":424,"title":425,"slug":426,"image":427,"source":428,"brand_name":429,"brand":430,"brand_slug":431,"file_size":432,"pages":594,"pages_count":80,"matched_pages":595,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":436,"title":437,"slug":438,"image":439,"source":440,"brand_name":378,"brand":379,"brand_slug":380,"file_size":441,"pages":597,"pages_count":443,"matched_pages":598,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":446,"title":447,"slug":448,"image":449,"source":450,"brand_name":378,"brand":379,"brand_slug":380,"file_size":451,"pages":600,"pages_count":453,"matched_pages":601,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":456,"title":457,"slug":458,"image":459,"source":460,"brand_name":378,"brand":379,"brand_slug":380,"file_size":461,"pages":603,"pages_count":402,"matched_pages":604,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":465,"title":466,"slug":467,"image":468,"source":469,"brand_name":378,"brand":379,"brand_slug":380,"file_size":470,"pages":606,"pages_count":472,"matched_pages":607,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":475,"title":476,"slug":477,"image":478,"source":479,"brand_name":480,"brand":481,"brand_slug":482,"file_size":483,"pages":609,"pages_count":485,"matched_pages":610,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":488,"title":489,"slug":490,"image":491,"source":492,"brand_name":378,"brand":379,"brand_slug":380,"file_size":493,"pages":612,"pages_count":244,"matched_pages":613,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":497,"title":498,"slug":499,"image":500,"source":501,"brand_name":378,"brand":379,"brand_slug":380,"file_size":502,"pages":615,"pages_count":504,"matched_pages":616,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":507,"title":508,"slug":509,"image":510,"source":511,"brand_name":378,"brand":379,"brand_slug":380,"file_size":512,"pages":618,"pages_count":514,"matched_pages":619,"match_count":306,"two_pages":307,"show_text":308},[],[],{"id":517,"title":313,"slug":518,"image":519,"source":520,"brand_name":378,"brand":379,"brand_slug":380,"file_size":521,"pages":621,"pages_count":523,"matched_pages":622,"match_count":306,"two_pages":307,"show_text":308},[],[],[624,625,626,627,628,629,630,631,632,633],{"title":531,"slug":532,"count":533},{"title":535,"slug":536,"count":537},{"title":539,"slug":540,"count":537},{"title":542,"slug":543,"count":537},{"title":545,"slug":546,"count":268},{"title":548,"slug":549,"count":256},{"title":551,"slug":552,"count":244},{"title":554,"slug":555,"count":244},{"title":557,"slug":558,"count":236},{"title":560,"slug":561,"count":236}]