[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-the-soft-side-of-cappellini-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":626},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":621,"matched_pages":622,"match_count":623,"two_pages":624,"show_text":625},25193,"The Soft Side of Cappellini 2022","the-soft-side-of-cappellini-2022","\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ffd\u002F909a0e642aac2f1aebe715b3830d41-28feb0a126.pdf","Cappellini",325,"cappellini","24.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428,432,436,440,443,447,451,455,459,463,467,471,475,479,483,487,491,495,499,503,507,511,515,519,523,527,531,535,539,543,547,551,555,559,563,567,571,575,579,583,586,590,594,598,602,606,610,614,618],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.2.png","THE SOFT SIDE OF CAPPELLINI\ncappellini.com\nCappellini ha da sempre dimostrato un approccio multiculturale al progetto lavorando \ncon designer di tutto il mondo diversi per provenienza, cultura e formazione.\nNel corso degli anni, molti designer internazionali hanno dato il proprio contributo \nnell’interpretazione del catalogo Cappellini, progettando imbottiti in modo del tutto \npersonale, ma sempre nel pieno rispetto del DNA del brand.\nPoltrone e poltroncine, divani e sistemi di sedute componibili adatti sia alla casa che \nagli spazi ad alto traffico definiscono una collezione ricca di prodotti realizzati in Italia \nmixando tecnologie all’avanguardia e cura artigianale dei dettagli, prodotti in molti casi \ndiventati dei veri e propri punti di riferimento nell’evoluzione del design contemporaneo.\nDal rigore di Jasper Morrison all’eclettismo di Patricia Urquiola, dal grafismo dei fratelli \nBouroullec all’eleganza di Christophe Pillet, dalla sintesi di Piero Lissoni alla libertà \nprogettuale di Marcel Wanders, dalla poetica di Shiro Kuramata all’organicità di Marc \nNewson, dal design architettonico di BIG al decorativismo di Alessandro Mendini, tutti \nquesti linguaggi del design si intersecano creando una collezione di imbottiti attuali e \npronti a entrare nelle diverse architetture di tutto il mondo.\nIL MONDO DELLE SEDUTE PENSATO \nDAI GRANDI INTERPRETI MONDIALI DEL PROGETTO.\nTHE WORLD OF UPHOLSTERED SEATS AS CONCEIVED \nBY THE GREAT INTERNATIONAL INTERPRETERS OF DESIGN.\nCappellini has always been adopting a multicultural approach to design, working with \nnumerous designers from all over the world different in origin, culture and education.\nOver the years, many international designers have made a valuable contribution to \nthe interpretation of the Cappellini catalog, designing upholstered products in a very \npersonal way, yet in full compliance with the DNA of the brand.\nArmchairs and small armchairs, sofas and modular seating systems suitable for both \nthe home and high traffic spaces define the Cappellini collection, made of products \nmanufactured in Italy, mixing avantgarde techniques with artisan attention to details, \nproducts which have become real icons in the evolution of contemporary design.\nFrom Jasper Morrison’s rigor to Patricia Urquiola’s eclecticism, from the Bouroullec \nbrothers’ graphic sign to Christophe Pillet’s elegance, from Piero Lissoni’s synthesis \nto Marcel Wanders’ design freedom, from Shiro Kuramata’s poetics to Marc Newson’s \norganic design, from the architectural design of BIG to the decorativism of Alessandro \nMendini, all these languages intertwine to create an innovative upholstered collection, \nready to enter many different architectures worldwide.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.3.png","ELAN 23 | J. MORRISON | VANCOUVER 126 (CAT. B)\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.4.png","3\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.5.png","INDICE \u002F INDEX\n4\nJ. MORRISON\nOblong System\nOrla\nSan Siro\nElan 23\nElan \nGambetta\nThree Sofa De Luxe\nLow Pad \nLotus (Attesa) \nDaybed\nThinking Man’s Chair\nR. & E. BOUROULLEC\nBasket\nSpring\nP. LISSONI\nSerie 3088\nC. PILLET\nHigh Time\nSunset\nS. KURAMATA\nSofa with Arms\nC. COLOMBO\nHot Palm Springs\nCap Martin Sunset\nCap Ferrat\nW. AISSLINGER\nHobo Contract\nM. WANDERS\nKnotted Chair \nWander’s Tulip Armchair\nDalia\n7\n15\n19\n21\n23\n25\n26\n27\n29\n30\n32\n \n35\n40\n42\n45\n48\n50\n53\n57\n63\n67\n72\n73\n74\nR. DORDONI\nCuba 25\nCuba 25 sofa-bed\nP. URQUIOLA\nLud’ina\nLud’o Lounge\nS. HERKNER\nLitos\nJ. COLOMBO\nTube Chair\nA. MENDINI\nProust\nProust Geometrica\nP. NAVONE\nPanda Sofa\nM. NEWSON\nFelt Chair\nEmbryo Chair\nWooden Chair \nOrgone\nDOSHI LEVIEN\nCapo \nM. STOPA\nDrum\nBIG (Bjarke Ingels Group)\nBig Sofa\n77\n80\n \n82\n85\n \n88\n96\n99\n100\n \n103\n106\n108\n109\n110\n112\n115\n119\nP. NORGUET\nRive Droite\nNENDO\nPeg\nDROR\nPeacock\nJ. LINDSTÉN\nEmbroidery Chair\nEmbroidery Simple\nJ.M. MASSAUD\nInOut\nF. NOVEMBRE\nAnd\nAG FRONZONI\nFronzoni ‘64\nBROGLIATO TRAVERSO\nNewood Relax\nNewood Relax Light\nJANSKÝ&DUNDĚRA\nHiroi\ntechincal\ndrawings\n122\n \n124\n \n126\n129\n130\n132\n134\n136\n139\n 140\n143\n145\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.6.png","Jasper \nMorrison\nLondinese di nascita, Jasper Morrison si \nlaurea al Royal College of Art di Londra \ne apre il suo primo studio nel 1986 per \niniziare, subito dopo, una lunga e fertile \ncollaborazione con Cappellini.\nQuesto \nfortunato \nincontro \ntra \ndue \nnomi che hanno segnato il design del \nNovecento ha portato ad accogliere nella \ncollezione più di 30 progetti connotati da \nuna netta cifra distintiva.\nBorn in London, Jasper Morrison \ngraduated from the Royal College of \nArt, in London, and opened his first \nstudio in 1986, when he also began \na long and fruitful collaboration with \nCappellini. This fortunate encounter \nled to the introduction of more than 30 \nhighly successful products as part of \nthe Cappellini collection, all defined by \nMorrison’s distinctive design, as well as \nby his rigorous attention to details.\nOblong System\nOrla\nSan Siro\nElan\nElan 23\nDaybed\nGambetta\nThree Sofa De Luxe\nLow Pad\nLotus (Attesa)\nThinking Man’s Chair\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.7.png","Designed for residential and contract spaces, the \nOblong System sofas is a series of free-standing and \ncomposable seats which offer the possibility to create \npersonalized two-sided sofa formations.\nOBLONG SYSTEM | J. MORRISON | PHILL 908 (CAT. A)\nDestinazione residenziale e contract per i divani \nOblong System, la serie di sedute libere e assemblabili \nstudiate per dare la possibilità di creare composizioni \nbifacciali del tutto personalizzate.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.8.png","OBLONG SYSTEM\ndesign by J. Morrison\n7\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.9.png","OBLONG SYSTEM | J. MORRISON | TRENTINO STRETTO 723 (CAT. B)\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.10.png","9\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.11.png","OBLONG SYSTEM | J. MORRISON | TRENTINO STRETTO 710 (CAT. B)\n10\nLe sedute della serie Oblong System presentano \nun’imbottitura in poliuretano espanso a quote \ndifferenziate e fibra, con rivestimento sfoderabile in \ntessuto o pelle.\nThe seats of the Oblong System family are padded \nwith multi-density polyurethane foam and fiber, with \nremovable cover in a selection of fabrics and leathers \nfrom the collection.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.12.png","11\nOBLONG SYSTEM | J. MORRISON | OCEANIC 511 (CAT. C)\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.13.png","OBLONG SYSTEM | J. MORRISON | REED ER08 (CAT. E)\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.14.png","13\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.15.png","Cifre classiche e contemporanee definiscono la \nfamiglia di divani e poltrone Orla, diventata un vero e \nproprio masterpiece del design contemporaneo.\nClassic and contemporary stylistic elements define \nthe Orla sofas and armchairs, a real masterpiece of \ncontemporary design.\nORLA | J. MORRISON | TRENTINO STRETTO 711 (CAT. B)\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.16.png","ORLA\ndesign by J. Morrison\n15\n POLTRONE \u002F ARMCHAIRS: TRENTINO STRETTO 719 - 731 - 711 (CAT. B) - PELLE \u002F LEATHER 915 (CAT. G) | DIVANO \u002F SOFA: HERO 800 (CAT. E) \n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.17.png","ORLA | J. MORRISON | HERO 800 (CAT. E)\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.18.png","17\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.19.png","18\nORLA | J. MORRISON | TRENTINO STRETTO 718 (CAT. B)\nConnotata da linee morbide e sinuose, gusci di sottile \nspessore e cuscini ampi e confortevoli, la serie Orla \ncaratterizza con gusto ambienti domestici e contesti \ncontract.\nCharacterized by soft, sinuous lines, slender shells \nand generous, comfortable cushions, the Orla series \nis a tasteful addition to both domestic and contract \nsettings.\nORLA SOFA, JASPER MORRISON | PHILL ??\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.20.png","Omaggio al noto quartiere di Milano, San Siro è una \npoltroncina dal segno preciso e dalle proporzioni \nperfette che, grazie al suo design pulito ed essenziale, \npuò essere facilmente inserita in qualsiasi contesto.\nAn homage to the famous Milanese district, San Siro \narmchair is characterized by perfect proportions and a \nvery clean design, which makes it perfect for any kind \nof context.\nSAN SIRO\ndesign by J. Morrison\n19\nSAN SIRO | J. MORRISON | PANNO 457 - 444 (CAT. D)\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.21.png","Sistema di sedute composto da poltrona, divani a due \ne tre posti, elementi terminali con bracciolo e chaise \nlongue, con rivestimento sfoderabile nei tessuti e pelli \ndi collezione. Base con zoccolo a terra, in conglomerato \ndi legno a media densità in laminato nero.\nModular seating system consisting of an armchair, 2 \nand 3 seater sofas, elements with armrest and chaise \nlongue. The removable cover is available in a selection \nof fabrics and leathers of the collection. Base with \npedestal made of MDF, black laminated.\nELAN 23\ndesign by J. Morrison\nELAN 23 | J. MORRISON | VANCOUVER 125 (CAT. B)\n20\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.22.png","ELAN 23 | J. MORRISON | HALLINGDHAL 2 575H (CAT. D)\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.23.png","ELAN | J. MORRISON | TRENTINO STRETTO 710 (CAT. B)\nInarrestabile successo commerciale, il sistema di \nsedute Elan è contraddistinto da un design minimalista, \nche lo rende un prodotto iconico e senza tempo.\nAn unstoppable commercial success, the Elan sofa \nsystem is characterized by a minimalist design, which \nmakes it an iconic and timeless product.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.24.png","ELAN\ndesign by J. Morrison\n23\nELAN | J. MORRISON | MADRID 717 ( CAT. C)\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.25.png","24\nL’imbottitura è in poliuretano espanso, per garantire \nalte prestazioni a livello di comfort e durevolezza, e il \nrivestimento è sfoderabile in tessuto o pelle. La base \nsottile, ma al tempo stesso resistente, dona al divano \nun’estrema leggerezza visiva.\nThe modules are padded with polyurethane foam, to \nensure an optimal level of comfort and durability, and \ncovered with removable upholstery in fabric or leather. \nThe thin yet robust base gives the sofa an extreme \nvisual lightness.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.26.png","Ricca collezione di sedute libere e componibili \ncaratterizzate da schienali morbidamente arrotondati \nsu forme squadrate. La struttura presenta un’imbottitura \nin poliuretano espanso con rivestimento fisso in pelle \no tessuto. I piedini in alluminio pressofuso assicurano \ngrande stabilità.\nAn ample collection of free-standing and modular \nseats characterized by a subtly rounded backrest atop \nangular forms. The structure features a polyurethane \nfoam padding with fixed upholstery in fabric or leather. \nThe die-cast aluminum legs ensure ideal stability.\nGAMBETTA\ndesign by J. Morrison\n25\nGAMBETTA | J. MORRISON | PELLE \u002F LEATHER 908 (CAT. G) \n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.27.png","26\nProgetto dall’identità molto forte e dal design esclusivo, \nla serie Three Sofa De Luxe è composta da divani e \nchaise longue caratterizzate da forme plastiche e linee \nsinuose.\nA design with a very strong and exclusive identity, \nthe Three Sofa De Luxe series is composed of sofas \nand chaise longues characterized by sculptural and \nsinuous lines.\nTHREE SOFA DE LUXE\ndesign by J. Morrison\nTHREE SOFA DE LUXE | J. MORRISON | PANNO 466 (CAT. D)\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.28.png","Minimo ingombro, massimo comfort: è questa la \nricerca sottostante questa poltroncina, disponibile in \ndue altezze, con imbottitura a cuscinetti di poliuretano \nespanso a quote differenziate perfettamente sagomati.\nMinimum dimensions, maximum comfort: this was the \nunderlying study behind this small armchair, available \nin two heights, with perfectly shaped cushioned \npadding in multi-density polyurethane foam.\nLOW PAD\ndesign by J. Morrison\n27\nLOW PAD | J. MORRISON | ECOPELLE 13P134 (CAT. B)\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.29.png","LOTUS (ATTESA) | J. MORRISON | PELLE EXTRA 983 (CAT. G2)\nFrutto di un attento studio ergonomico, la poltrona \nLotus (Attesa) è in grado di offrire il massimo \ncomfort nonostante lo spessore estremamente esile \ndella struttura. Il rivestimento è realizzato in tessuto \nco-stampato con cuscinetti di poliuretano espanso, \nche danno alla seduta un particolare effetto \ntridimensionale.\nLotus (Attesa) is the outcome of a long and careful \nstudy on ergonomics, which led to the production of \na chair capable of providing great comfort despite \nits thin thickness. The upholstery is made of fabric \nco-molded with polyurethane foam pads, giving the \nseat a peculiar three-dimensional effect.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.30.png","LOTUS (ATTESA)\ndesign by J. Morrison\n29\nLOTUS (ATTESA) | J. MORRISON | HALLINGDAL2 566H - 569H (CAT. D) - PELLE \u002F LEATHER 908 (CAT. G)\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.31.png","30\nProgetto dall’identità molto forte e dal design esclusivo, \nla serie Three Sofa De Luxe è composta da divani e \nchaise longue caratterizzate da forme plastiche e linee \nsinuose.\nA design with a very strong and exclusive identity, \nthe Three Sofa De Luxe series is composed of sofas \nand chaise longues characterized by sculptural and \nsinuous lines.\nDAYBED\ndesign by J. Morrison\nDAYBED | J. MORRISON | BALTIMORA ECO PLUS 136 (CAT. D)\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.32.png","DAYBED | J. MORRISON | MADRID 703 (CAT. C)\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.33.png","Per questa poltrona, che rappresenta il primo progetto \ndi Jasper Morrison per Cappellini, il designer inglese \nha studiato un design in cui tutti gli elementi sono \nfunzionali al conseguimento di una seduta confortevole \nper momenti distensivi di relax e riflessione.\nFor this armchair, which is the first product made \nin collaboration with Cappellini, Jasper Morrison \nenvisioned a design in which all the elements are \nfunctional contributions that ensure the comfort of the \nseat for prolonged periods of relaxation and pondering.\nTHINKING MAN’S CHAIR\ndesign by J. Morrison\n32\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.34.png","Ronan & \nErwan\nBouroullec\nNati in Francia, i fratelli Bouroullec iniziano \nad occuparsi di design e in pochi anni \nrealizzano due monografie: il “Catalogue \nde Raison” e la successiva pubblicazione \ndi Phaidon in cui raccolgono le immagini \ndel loro lavoro. Sono considerati astri \ndel mondo del design: giovani e rigorosi, \nriflessivi e appassionati; i loro progetti \nsono vere “micro architetture” versatili, \nutilizzabili per caratterizzare e rendere \nunici gli spazi in cui si collocano.\nBorn in France, the Bouroullec brothers \nbegan dealing with design. In few years \nthey were already able to publish two \nmonographs: the “Catalogue de Raison” \nand the following Phaidon Issue, both \ncollecting images of their projects. Ronan \nand Erwan are seen among the stars of \nthe design world: bold and reflective, \npoetic and passionate; their creations \nrepresent versatile “micro architectures”, \nable to characterize and make the places \nin which they are inserted unique.\nBasket\nSpring\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.35.png","Nata dall’idea di creare un divano “destrutturato”, la \ncollezione di sedute Basket gioca sul contrasto tra la \nmorbida abbondanza dell’imbottito, che assicura il \nmassimo grado di comfort, e la sottile struttura metallica \na vista, che conferisce grande compattezza e stabilità.\nBASKET | R. & E. BOUROULLEC | MADRID 711 (CAT. C)\nBorn of the idea of creating an “unstructured” sofa, \nthe Basket seating collection is characterized by the \ncontrast between the soft abundance of the padding, \nwhich ensures maximum comfort, and the thin visible \nmetal structure, which gives the product great stability.\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.36.png","BASKET\ndesign by R. & E. Bouroullec\n35\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.37.png","BASKET | R. & E. BOUROULLEC | PANNO 444 (CAT. D)\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.38.png","37\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.39.png","BASKET | R. & E. BOUROULLEC | STEELCUT TRIO 205 (CAT. C)\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.40.png","39\n39\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.41.png","SPRING\ndesign by R. & E. Bouroullec\nQuesta poltroncina dalle linee molto morbide e sinuose \npoggia su un’esile struttura in acciaio, dando così \nl’impressione di fluttuare nell’aria. La scocca presenta \nun’imbottitura in poliuretano espanso e rivestimento \nfisso in tessuto o pelle, con possibilità di abbinare \ntessuti e colori diversi per il fronte e il retro.\nThis armchair, characterized by very soft and sinuous \nshapes, lies on a slender steel base, thus giving the \nimpression that it floats in the air. The shell features a \nfoam padding and fixed upholstery in fabric or leather, \nwith the possibility of pairing different fabrics and \ncolors for the front and back.\nSPRING | R. & E. BOUROULLEC | PANNO 466 (CAT. D)\n40\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.42.png","Piero\nLissoni\nPiero Lissoni è sicuramente uno dei nomi \npiù influenti e riconosciuti del settore a \nlivello mondiale. La sua lunga carriera lo \nvede impegnato in una grande varietà \ndi progetti, dalla grafica all’immagine \ncoordinata, dal design all’art direction fino \nal restauro d’interni. I suoi progetti, tutti \ndi grande successo, sono caratterizzati \nda grande rigore, eleganza e semplicità, \ncon un’attenzione particolare all’armonia \ne alle proporzioni.\nPiero Lissoni is undoubtedly one of the \nmost influential and internationally re-\ncognizable names in the field. His long \ncareer has been marked by a great va-\nriety of projects, spanning from graphic \narts, coordinated image, design and \nart direction, to the restauration of in-\nteriors. His projects are characterized \nby rigor, elegance and simplicity, with \nparticular attention to harmony and \nproportion.\nSerie 3088\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.43.png","42\nSERIE 3088 | P. LISSONI | VANCOUVER 118 (CAT. A)\nPoltrona \nrelax \nestremamente \nconfortevole \ngrazie \nall’imbottitura in poliuretano espanso a quote differenziate \ne piuma. Il rivestimento è sfoderabile in tessuto o pelle. La \nstruttura poggia su piedini a sezione quadrata disponibili \nin metallo o legno di faggio.\nRelax armchair which offers optimal comfort thanks \nto the multi-density polyurethane foam and feather \npadding. The cover is removable in fabric or leather. \nThe structure lies on square feet, available in metal or \nbeech wood.\nSERIE 3088\ndesign by P. Lissoni\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.44.png","Christophe \nPillet\nChristophe \nPillet \nsi \noccupa \ndi \nprogettazione, di design d’arredamento e \ndi architettura d’interni. È da considerarsi \nun designer attento alla scelta dei materiali \ncosì come alla scelta delle finiture, \nattraverso la quali esprime da sempre \nil concetto di un’eleganza sobria. Con \nquesta sua tipica raffinatezza, Christophe \nPillet realizza diversi prodotti di grande \nsuccesso, che si distinguono per rigore, \nprecisione e raffinatezza.\nChristophe Pillet distinguishes himself \nthrough his designs, furniture design \nand \ninterior \narchitecture. \nHe \nis \nconsidered a designer who devotes \nhimself to the choice of materials and \nfinishes, through which he has always \nexpressed \nsolemn \nelegance. \nThis \ntypical refinement can be found in \nChristoph Pillet’s creations, standing \nout for their rigor, precision and \nrefinement.\nHigh Time\nSunset\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.45.png","Classico, ma contemporaneo; essenziale, ma sofisticato: \nil sistema di sedute modulari High Time è caratterizzato \nda linee chiare ed eleganti, che lo rendono perfetto per \nogni tipo di ambiente. La sottile base in tubolare dona \nalle sedute un’estrema leggerezza visiva.\nClassic, yet contemporary; essential, yet sophisticated: \nthe High Time modular seating system is characterized \nby clear and elegant shapes, which make it perfect for \nany kind of setting. The slender metal base gives the \nseats an extreme visual lightness.\nHIGH TIME | C. PILLET | PELLE \u002F LEATHER 908 (CAT. G)\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.46.png","HIGH TIME\ndesign by C. Pillet\n45\nHIGH TIME | C. PILLET | HALLINGDAL2 555 (CAT. D)\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.47.png","HIGH TIME | C. PILLET | TRENTINO STRETTO 723 (CAT. B)\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.48.png","47\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.49.png","SUNSET\ndesign by C. Pillet\nPoltroncina girevole su base a stelo. La seduta e \nlo schienale sono realizzati in multistrato di faggio \ncurvato, con imbottitura in poliuretano espanso a \nquote differenziate e rivestimento fisso in pelle o \ntessuto.\nSwiveling armchair with column base. The seat and \nbackrest are made of curved beech plywood, with \nmulti-density polyurethane foam padding and fixed \nupholstery in fabric or leather.\nSUNSET | C. PILLET | HALLINGDAL2 565H (CAT. D)\n48\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.50.png","Shiro \nKuramata\nIcona del design, Shiro Kuramata è il \ndesigner giapponese che meglio ha \ninterpretato lo spirito del proprio tempo \ncon \nprodotti \nsignificativi, \ncontando \nall’attivo numerosi progetti che sono \nentrati nell’olimpo del design del prodotto. \nTutti i progetti di Kuramata sono ancora \ndi estrema attualità, e sono presenti nelle \ncollezioni permanenti di importanti musei \ninternazionali.\nA design icon, Shiro Kuramata was \nthe Japanese designer who best \nepitomized the spirit of the era in \nwhich he lived, through his highly \nsignificant products and creations, \nworking on numerous projects that \nentered the product and Design hall \nof fame. Kuramata’s products are still \nremarkably modern, and many can be \nfound in the permanent collections of \ninternational museums.\nSofa with Arms\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.51.png","SOFA WITH ARMS \ndesign by S. Kuramata\nOmaggio ai maestri del Modernismo di inizio Novecento, \nla poltroncina Sofa with Arms presenta una struttura in \ntubolare di metallo con imbottitura in poliuretano espanso \ne rivestimento fisso in tessuto o pelle. \nLe sue linee dinamiche e i materiali utilizzati caratterizzano \nil suo stile contemporaneo, e la sua semplicità e la sua \ninnata eleganza evocano indiscutibilmente il distintivo \ngusto giapponese.\nAn homage to the masters of early 20th century Modernism, \nthe Sofa with Arms armchair has a structure made of \ntubular metal, with polyurethane foam padding and fixed \nupholstery in fabric or leather. The dynamic lines and the \nchosen materials define its contemporary style, while the \nsimplicity of its innate elegance is undeniably evocative of \nthe distinctive Japanese style.\nSOFA WITH ARMS | S. KURAMATA | TRENTINO STRETTO LIMITED EDITION: MAGENTA\n50\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.52.png","Carlo \nColombo\nNato a Carimate (CO), Carlo Colombo è \nuno dei designer italiani con cui Cappellini \nha instaurato una tra le più solide e \npiacevoli collaborazioni. Grazie alla sua \nversatilità, Carlo Colombo viene coinvolto \nin numerosi progetti, tutti caratterizzati \nda una grande eleganza e dall’estrema \nleggerezza visiva. Ha preso parte alla \nristrutturazione di edifici pubblici e privati, \noccupandosi parallelamente dell’attività \ndi consulenza per aziende di spicco del \ncampo dell’arredamento. \nBorn in Carimate (CO), Italy, Carlo \nColombo is one of the designers with \nwhom Cappellini has established one \nof the strongest and most pleasurable \nprofessional \ncollaborations. \nThanks \nto \nhis \nversatility, \nCarlo \nColombo \nhas worked on numerous projects, \nall characterized by great elegance \nand extreme visual lightness. He has \noverseen the refurbishing of public and \nprivate, while providing consulting for \nthe leading companies in the furniture \nsector.\nHot Palm Springs\nCap Martin Sunset\nCap Ferrat\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.53.png","Ispirato agli sfarzosi e lussureggianti scenari \ncaliforniani, Hot Palm Springs è un elemento \nd’arredo in cui la purezza del design si fonde con \nl’accuratezza dei dettagli. \nHOT PALM SPRINGS | C. COLOMBO | BIRKETT 916 (CAT. C)\nGROS-GRAIN PELLE \u002F LEATHER 905 (CAT. G)\nInspired by the stunning and luxuriant settings in \nCalifornia, Hot Palm Springs is both comfortable and \nelegant, a decor element in which purity of design is \nmelded with precise details. \n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.54.png","HOT PALM SPRINGS\ndesign by C. Colombo\n53\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.55.png","HOT PALM SPRINGS | C. COLOMBO | TRENTINO STRETTO 719 (CAT. B)\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.56.png","55\nIl rivestimento è sfoderabile ed è disponibile nella \nraffinata versione con cordoncino in gros-grain, tessuto \no pelle: un dettaglio che delinea le forme delle sedute, \nenfatizzandone il profilo interno.\nThe cover is removable, and it is available in a refined \nversion trimmed with gros-grain, fabric or leather: \na detail that delineates the shape of the seats and \nemphasizes the inner edge.\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.57.png","Sistema di sedute estremamente versatile, configurabile \nin molteplici layout grazie ai diversi moduli che possono \ncontribuire alla sua composizione.\nCAP MARTIN SUNSET | C. COLOMBO | MADRID 735 (CAT. D) \nExtremely versatile seating system that can be \narranged into numerous layouts, thanks to the different \nmodules available.\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.58.png","CAP MARTIN SUNSET\ndesign by C. Colombo\n57\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.59.png","CAP MARTIN SUNSET | C. COLOMBO | MADRID 732 (CAT. D)\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.60.png","59\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.61.png","Caratterizzato da linee pulite e asciutte, ispirate alle \natmosfere vintage degli anni ’50, Cap Martin Sunset \nsi adatta facilmente a qualsiasi contesto grazie a un \ntocco di rilassata informalità, riconfermata dalla sottile \nstruttura in tubulare di metallo studiata per conferire \nalle sedute un look estremamente leggero.\nCharacterized by clean essential lines, inspired by the \nvintage atmospheres of the 1950’s, the Cap Martin \nSunset easily adapts to any context thanks to a hint \nof relaxed informality, which is also reflected in the \nslender tubular metal structure, studied to make the \nseats appear extremely light.\nCAP MARTIN SUNSET | C. COLOMBO | BRECON 202 (CAT. C) | GROS-GRAIN NERO \u002F BLACK\n60\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.62.png","CAP MARTIN SUNSET | C. COLOMBO | PELLE 201 (CAT. G)\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.63.png","Rigore \ne \npurezza, \nuniti \nal \nmassimo \ncomfort, \ncaratterizzano questa collezione di imbottiti in cui \nl’apparente semplicità racchiude una complessa \ntecnica produttiva, che permette di sospendere divani \ndi grandi dimensioni su esili strutture metalliche.\nCAP FERRAT | C. COLOMBO | BRECON 204 (CAT. C)\nRigor and refined simplicity, together with maximum \ncomfort, mark out this collection of sofas: behind an \nillusory simplicity there is a complex manufacturing \ntechnique, which allows to suspend very large sofas \non a thin metal structure.\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.64.png","CAP FERRAT\ndesign by C. Colombo\n63\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.65.png","Le diverse finiture della struttura metallica e la varietà \ndi rivestimenti disponibili permettono di personalizzare \nampiamente una collezione tanto versatile nell’aspetto \nquanto nella destinazione: il suo design leggero e \nminimale, indiscutibilmente solido e resistente, rende \ninfatti il divano Cap Ferrat una scelta ideale sia in ambiti \ndomestici, sia in contesti contract ad alto traffico.\nThe multiple finishes of the metallic base and the ample \nupholstery allow for a highly customized collection that \nis equally versatile in appearance and destination. The \nlight and minimal design – though undisputedly solid \nand resistant – makes Cap Ferrat sofa the ideal choice \nfor domestic as well as high-traffic contract settings.\nCAP FERRAT | C. COLOMBO | TRENTINO STRETTO 733 (CAT. B)\n64\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.66.png","Werner\nAisslinger\nNato in Germania nel 1964, Werner \nAisslinger ha lavorato come freelance \npresso grossi studi già affermati, \nda Jasper Morrison, Ron Arad e de \nLucchi, fino ad aprire un proprio ufficio \na Berlino nel 1993. Selezionato più \nvolte per il Compasso d’Oro e per altri \nimportanti premi in tutta Europa, ha \ndisegnato alcuni pezzi che ora fanno \nparte delle collezioni permanenti del \nMoMA, del Vitra Design Museum e del \nMetropolitan di New York.\nBorn in Germany in 1964, Werner \nAisslinger worked as a freelancer in \nwell known design offices, Jasper \nMorrison’s, \nRon \nArad’s \nand \nde \nLucchi’s, up to set his own one in Berlin \nin 1993. Selected many times for the \n“Compasso d’Oro” and other Europen \nimportant awards, he designed items \nnowadays parts in the permanent \ncollections of MoMA, Vitra Design \nMuseum and New York Metropolitan.\nHobo Contract\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.67.png","Famiglia di sedute modulari caratterizzate da linee \nestremamente morbide e arrotondate. Tutti gli elementi \ndella collezione possono essere combinati tra loro per \nottenere configurazioni sempre diverse, ideali per \nspazi contract, ma anche domestici.\nHOBO CONTRACT | STUDIO AISSLINGER | MADRID 703 (CAT. D)\nFamily of composable seats characterized by very soft \nand rounded lines. All the elements of the collection \ncan be combined to obtain different configurations, \nsuitable for both contract and domestic spaces.\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.68.png","HOBO CONTRACT\ndesign by studio Aisslinger\n67\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.69.png","HOBO CONTRACT | STUDIO AISSLINGER | TRAME A030 (CAT, A)\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.70.png","69\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.71.png","HOBO CONTRACT | STUDIO AISSLINGER | TRAME A180 (CAT. A)\nIl rivestimento fisso segue perfettamente le linee \nsinuose e tondeggianti delle sedute. Su richiesta, è \ndisponibile anche la versione in colori differenti dello \nstesso tessuto.\nThe fixed upholstery perfectly follows the sinuous and \nrounded lines of the seats. Upon request, a multi-color \nversion is available using the same fabric.\n70\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.72.png","Marcel\nWanders\nNato \nin \nOlanda, \nMarcel \nWanders \nha maturato diverse esperienze nel \ncampo del design con le più importanti \naziende del settore. La sua creatività \nè irruente, ironica ed entusiasta: crea \nprodotti delicati e leggeri, in cui vengono \nesaltati aspetti romantici e olistici. La \nsua inesauribile vena creativa, unita a \nun portfolio corposo ed eterogeneo, lo \nportano a ricevere numerosi premi e ad \nessere esposto nei più importanti musei \ndel mondo.\nBorn in Holland, Marcel Wanders \nhas broadened several experiences \nin the design field by working for the \nsector’s most important companies. \nHis creativity is explosive, ironic and \nenthusiastic: \nhe \ncreates \ndelicate, \nfine products, in which he exalts \nthe romantic and holistic aspects. \nWanders’ infinite creative flow and \nhis vast and heterogeneous portfolio \nhave earned him numerous awards. \nHis works are exhibited in the most \nimportant museums in the world.\nKnotted Chair\nWanders’ Tulip Armchair\nDalia\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.73.png","Geniale interpretazione adulta delle minuscole sedie \nche arredano le case di bambola, Knotted Chair \nprende spunto dalla tecnica di ricamo del macramè: \nrealizzata in fibra di carbonio rivestita in fibra di \naramide e successivamente irrigidita con resina \nepossidica, questa iconica poltroncina è un vero e \nproprio oggetto d’arte, del tutto unico nella storia del \ndesign internazionale.\nA brilliant adult interpretation of the tiny chairs used \nto decorate a doll’s house, Knotted Chair was inspired \nby the macramé technique, which has been revisited \nin a surprising structure made of carbon covered with \naramid fiber cord and then coated with epoxy resin. \nThis iconic armchair is a real work of art, utterly unique \nin the history of international design.\nKNOTTED CHAIR\ndesign by M. Wanders\n72\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.74.png","73\nWANDERS’ TULIP ARMCHAIR\ndesign by M. Wanders\nProdotto iconico dalla forte presenza scultorea, Tulip è \nun omaggio alla terra d’origine del designer olandese: \nlo schienale alto e curvato, che riproduce la fisionomia \ndel fiore da cui la poltrona stessa prende il nome, \ncrea un isolamento visivo e acustico, che garantisce \nassoluta privacy anche in spazi ad alto traffico.\n \nIconic product with a very sculptural presence, Tulip is \nan homage to the Dutch designer’s homeland: the high \nand curved backrest, reproducing the shape of the \nflower after which the chair is named, creates a visual \nand acoustic isolation, guaranteeing absolute privacy \neven in congested spaces.\nWANDERS’ TULIP ARMCHAIR | M. WANDERS | PANNO 459 (CAT. D)\n73\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.75.png","DALIA\ndesign by M. Wanders\nIconico oggetto di design, contemporanea nell’appeal \ne nelle dimensioni contenute, questa poltroncina offre \nil massimo del comfort, accogliendo chi ne fruisce in \nuna corolla floreale dalle curve sensuali e avvolgenti.\nAn iconic element of design, with a contemporary \nappeal and moderate dimensions, this armchair \noffers optimal comfort, welcoming the user in a floral \nembrace with very sensual and enveloping curves.\nDALIA | M. WANDERS | PELLE EXTRA 982 (CAT. G)\n74\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.76.png","Rodolfo\nDordoni\nLaureatosi in architettura a Milano, \nRodolfo Dordoni sviluppa un approccio \nal design industriale multidisciplinare \ne omnicomprensivo. L’attenzione del \ndesigner, per Dordoni, deve concentrarsi \nnon solo sul progetto, ma anche sulle \nstrategie che coinvolgono l’immagine \ndel prodotto e le sue possibilità di \nmarketing. Lavora come progettista \ne consulente per Aziende di alto \nprofilo nel campo del design, oltre che \noccuparsi di progettazione d’interni per \nnegozi, showrooms e manifestazioni.\nAfter earning his degree in architecture \nin Milan, Rodolfo Dordoni developed a \nmultidisciplinary and holistic approach \nto industrial design. According to \nDordoni, a designer’s attention must \nbe focused on the design itself, but \nalso on the strategies for the product’s \nimage and marketing possibilities. \nHe has worked as a designer and \nconsultant for the top-level industrial \ndesign \ncompanies, \nas \nwell \nas \nresponsible for the interior design of \nshops, showrooms and events.\nCuba 25\nCuba 25 Sofa-Bed\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.77.png","Inno alla flessibilità, la famiglia Cuba 25 definisce una \ncollezione di elementi lineari, interamente sfoderabili, \nestremamente versatili e dal design essenziale, che li \nrende perfetti per arredare ogni tipo di ambiente.\nCUBA 25 | R. DORDONI | PHILL 903 (CAT. A)\nA tribute to flexibility, Cuba 25 is a collection of linear \nelements with removable covers, extremely versatile \nand characterized by an essential design, which makes \nthem perfect for furnishing any kind of setting.\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.78.png","CUBA 25\ndesign by R. Dordoni\n77\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.79.png","CUBA 25 | R. DORDONI | VANCOUVER C407 (CAT. C) | POUF: TRENTINO STRETTO 710 (CAT. B)\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.80.png","79\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.81.png","CUBA 25 SOFA-BED | R. DORDONI | PELLE EXTRA 982 (CAT. G2)\nIl divano Cuba 25 Sofa-Bed è un modello a due posti \nche offre la possibilità di un letto estraibile, disponibile \nin due differenti dimensioni (francese o matrimoniale). \nIl rivestimento è sfoderabile ed è proposto in una \nselezione di tessuti e pelli di collezione.\nCUBA 25 SOFA-BED\ndesign by R. Dordoni\n80\nThe Cuba25 Sofa-Bed is a two-seater that contains \na pull-out bed, available in two different sizes (twin or \ndouble). The removable cover is available in a selection \nof fabrics and leathers from the collection.\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.82.png","Patricia\nUrquiola\nSpagnola di origine, Patricia Urquiola \nvive e lavora a Milano. Il suo curriculum \ncontiene un elenco sterminato di \ntraguardi: collaborazioni con grandi \nmaestri, \nrealizzazioni \ncon \ngrandi \nmarchi e progetti celebrati con premi \nprestigiosi. Ogni lavoro esprime il \nsuo approccio alla disciplina: un mix \ndi sorpresa e formalismo, di estro \nfemminile e di rigore, di versatilità e \nfunzionalità. I suoi prodotti sono esposti \nnei più importanti musei di arte e design \ndi tutto il mondo.\nOf Spanish origin, Patricia Urquiola \nlives \nand \nworks \nin \nMilan. \nHer \ncurriculum vitae contains an endless \nlist of milestones: collaborations with \ngreat names and brands, as well as \nobjects and projects that have been \nrecognized with prestigious awards. \nEach job expresses her approach to \nthe discipline: a mix of surprise and \nformalism, with a feminine edge and \nprofessional rigorousness, versatility \nand functionality. Her products are \nexhibited \nin \nthe \nmost \nimportant \nmuseums of art and design all around \nthe world.\nLud’ina \nLud’o Lounge\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.83.png","82\nPoltroncina con scocca in materiale plastico riciclabile \ne rivestimento sfoderabile proposta con diverse \nsoluzioni di basi in frassino tinto rovere, tinto wengé \no tinto nero oppure in metallo, con piedini o ruote, \nin alluminio lucido oppure verniciato opaco bianco o \nnero.\nArmchair with shell in recyclable plastic material and \nremovable cover. Available with different base solutions: \noak-stained, wenge-stained or black-stained ash or in \nmetal, with feet or wheels, in polished aluminum or \nmatt white or black varnished.\nLUD’INA\ndesign by P. Urquiola\nLUD’INA | P. URQUIOLA | HALLINGDAL2 575H (CAT. D)\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.84.png","LUD’INA | P. URQUIOLA | PELLE\u002FLEATHER 326 (CAT. G)\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.85.png","Nata come omaggio al celebre Ludovico Magistretti, \nquesta poltrona dal design innovativo viene proposta \ncon diverse soluzioni di base, con scocca portante in \nmateriale plastico riciclato e riciclabile e rivestimento \nsfoderabile in una selezione di tessuti e pelli di collezione.\nLUD’O LOUNGE | P. URQUIOLA | OCEANIC 510 (CAT. C)\nBorn as a tribute to Ludovico Magistretti, this cozy \nand innovative armchair is offered with different base \nsolutions, with shell in recycled and recyclable linear \npolyethylene and removable cover in a selection of \nfabrics and leathers of the collection.\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.86.png","LUD’O LOUNGE\ndesign by P. Urquiola\n85\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.87.png","LUD’O LOUNGE | P. URQUIOLA | OCEANIC 511 (CAT. C)\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.88.png","Sebastian\nHerkner\nNato a Bad Mergentheim, il designer \ntedesco Sebastian Herkner ha studiato \ndesign di prodotto. Durante gli anni della \nformazione svolge un tirocinio con Stella \nMcCartney, che lo aiuta ad affinare la \npercezione di materiali, colori, strutture \ne tessuti. Le esperienze professionali \nlo portano a rapportarsi con diversi \ncontesti culturali, dove ha la possibilità \ndi sperimentare nuove tecnologie e di \nrapportarsi con le tradizioni artigianali.\nBorn in Bad Mergentheim, German \ndesigner Sebastian Herkner studied \nproduct design. During his formative \nyears, he did an internship with Stella \nMcCartney, which helped him to refine \nhis perception of materials, colors, \nstructures and fabrics. His professional \nexperiences led him to come into \ncontact with diverse cultural contexts \nin which he was able to experiment with \nnew technologies as well as traditional \ncraftsmanship.\nLitos\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.89.png","LITOS\ndesign by S. Herkner\nLITOS | S. HERKNER | ZERO 201 (CAT. E)\nAdatto ad arredare spazi ampi o intimi, ambienti \ndomestici o aree lounge nell’ambito dell’ospitalità, il \nsistema di imbottiti Litos offre elementi indipendenti e \nmodulari caratterizzati da irregolari volumi tondeggianti, \nispirati all’andamento della scogliera salentina.\nSuitable for furnishing large or intimate spaces, \ndomestic rooms or lounge areas in the hospitality field, \nthe Litos sofa system offers both separate and modular \nunits characterized by uneven rounded shapes, \ninspired by the rocky Salento coastline.\n88\n",89,{"image":370,"text":15,"number":371},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.90.png",90,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.91.png","LITOS | S. HERKNER | PHILL 808 (CAT. A)\n",91,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.92.png","91\n",92,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.93.png","LITOS | S. HERKNER | TRAME A070 (CAT. A)\n",93,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.94.png","93\n",94,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.95.png","LITOS | S. HERKNER | PELLE \u002F LEATHER 201 (CAT. G)\n",95,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.96.png","Joe \nColombo\nJoe Colombo si forma presso il Politecnico \ndi Milano e l’Accademia d’Arte di Brera. \nNel 1963 apre il proprio studio e si dedica \nall’arredamento e al design industriale di \nprodotti realizzati in serie. Precursore nello \nstudio ergonomico per il design, sviluppa \nprodotti unici, di aspetto scultoreo e allo \nstesso tempo dinamici, molti dei quali \nentrano a far parte delle collezioni dei più \nimportanti musei del mondo.\nJoe Colombo studied at the Polytechnic \nof Milan and the Brera Art Academy. In \n1963 he opened his own studio, where \nhe dedicated himself to furnishings \nand industrial design of products made \nin series. A precursor of the study of \nergonomic design, he developed unique \nproducts with a dynamic sculptural \nappearance, many of which are part \nof the collections of the world’s most \nimportant museums.\nTube Chair\n",96,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.97.png","TUBE CHAIR\ndesign by J. Colombo\nModulare, flessibile e anticonvenzionale, la poltrona \nTube Chair si fonda su un design completamente \ndestrutturato: la seduta è composta da quattro cilindri \ncavi, tutti di dimensioni diverse, assemblabili fra loro \ntramite ganci in metallo e inseribili l’uno nell’altro per \nridurre l’ingombro spaziale.\nModular, flexible and unconventional, the Tube Chair \nis based upon a completely de-structured design: in \nfact, it is composed of four hollow cylinders in different \ndimensions that can be assembled by metal clamps \nand inserted one inside the other to save space during \nstorage and transport.\n96\nTUBE CHAIR | J. COLOMBO | BIELASTICO COLOR 16 (CAT. C)\n",97,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.98.png","Alessadro\nMendini\nArchitetto \ne \ndesigner \nmilanese, \nAlessandro Mendini ha disegnato \npezzi iconici che hanno arricchito \nil panorama del design mondiale, \noccupandosi di design neo-moderno e \ncontemporaneo. \nLa coralità dei suoi progetti ha come \ntrait d’union un eccentrico gusto per \nl’accostamento di elementi contrastanti \ne la rielaborazione di spunti e idee \napparentemente antitetiche.\nThe Milanese architect and designer \nAlessandro Mendini has designed \niconic pieces that have enriched \nthe international design panorama, \nfocusing \non \nneo-modern \nand \ncontemporary design. \nThe common thread behind the \nmultitude of Mendini’s projects is his \neccentric flair for pairing contrasting \nelements and re-elaborating themes \nand ideas that appear antithetical.\nProust\nProust Geometrica\n",98,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.99.png","Diventata uno dei pezzi di design più noti e apprezzati \nal mondo, la poltrona Proust presenta una struttura \nin massello di faggio intagliato e dipinto a mano, con \nrivestimento fisso in tessuto multicolor che riprende il \ndecoro della struttura.\nPROUST | A. MENDINI | TESSUTO \u002F FABRIC (PR_2)\nOne of the most famous and acclaimed design pieces in \nthe world, the Proust armchair features a hand-carved \nand hand-painted massive beech frame, with a fixed \nupholstery made of multicolor fabric that echoes the \nframe decor.\n",99,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.100.png","99\nPROUST\ndesign by A. Mendini\n",100,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.101.png","L’iconica poltrona studiata da Mendini nel 1978 viene \nrivisitata in chiave technicolor con un tessuto acceso \ndisegnato dal designer stesso. Rifinita a mano, come \nda tradizione, Proust Geometrica è un prodotto \nesemplare, frutto della perfetta fusione tra funzionalità, \nattenzione formale e ricerca estetica.\nThe iconic armchair created by Mendini in 1978 has \nbeen reinterpreted in a technicolor version with a bright \nfabric designed by Mendini himself. Hand-crafted as \nalways, Proust Geometrica is a piece that exemplifies \nthe ideal fusion between functionality, formal attention \nto details and aesthetic research.\nPROUST GEOMETRICA\ndesign by A. Mendini\n100\nPROUST GEOMETRICA | A. MENDINI | TESSUTO \u002F FABRIC (PR3)\n",101,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.102.png","Paola\nNavone\nPaola Navone è architetto, designer, \nart director e interior designer. La sua \npersonalità eclettica permea i suoi \nprogetti e la sua visione: sognatrice \ne viaggiatrice, si lascia ispirare con \nentusiasmo partecipe dai colori e \ndalle atmosfere del Sud del mondo, \nsuggestioni \nche \nsa \nrielaborare \ncondendole con i gusti e le forme della \ncultura occidentale. \nPaola Navone is an architect, designer, \nart director and interior designer. Her \neclectic personality permeates her \nprojects and vision: a well-travelled \ndreamer, she is joyfully inspired by \nthe colors and atmospheres of the \nSouthern Hemisphere, and reinterprets \nthese nuances by blending them with \nWestern tastes and forms.\nPanda Sofa\n",102,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.103.png","Panda Sofa è un sistema di imbottiti, proposti in \nlarghezze variabili e in due profondità, che permette \ndi creare grandi composizioni di sedute dal look \ncontemporaneo e accattivante.\nPANDA SOFA | P. NAVONE | MADRID 711 (CAT. C) \nPOUF IN PROSERPINE 207 (CAT. E)\nPanda Sofa is a series of upholstered elements, \navailable in various sizes and two widths, that allows \nfor the creation of large compositions characterized by \na very contemporary and captivating look.\n",103,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.104.png","103\nPANDA SOFA\ndesign by P. Navone\n",104,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.105.png","Il rivestimento di questi divani permette di liberare \nla propria creatività giocando con gli accostamenti \ncromatici grazie ai profili a contrasto, disponibili in pelle \no gros-grain a seconda del rivestimento selezionato.\nThe upholstery of these sofas fosters individual \ncreativity thanks to the chromatic combination of edge \nbands, available in leather or gros-grain according to \nthe selected cover.\n104\nPANDA SOFA | P. NAVONE | PHILL 903 (CAT. A) \n",105,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.106.png","Marc\nNewson\nNato a Sydney, in Australia, Marc \nNewson (CBE) è stato descritto come \nuno dei designer più acclamati e \ninfluenti della sua generazione. Il suo \nlavoro ha toccato un ampio ventaglio \ndi discipline, e tra i suoi clienti si \nannoverano alcuni dei più prestigiosi \nmarchi internazionali di diversi settori, \ndall’industria alla tecnologica, dai \ntrasporti alla moda ai beni di lusso.\nBorn in Sydney, Australia, Marc \nNewson (CBE) has been described as \none of the most influential designers of \nhis generation. He has worked across \na wide range of disciplines, and his \nclients include some of the best-known \nand most prestigious brands, spanning \ndiverse sectors from manufacturing \nand \ntechnology \nto \ntransportation, \nfashion and luxury goods.\nEmbryo Chair\nFelt Chair\nWooden Chair\nOrgone\n",106,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.107.png","Felt Chair è un prodotto che sfrutta al meglio le \npotenzialità espressive del materiale utilizzato: una \nscocca monoblocco in vetroresina, verniciata lucida \nin un’ampia palette di colori, piegata e curvata fino \nad assumere la forma pop e avveniristica che tanto la \ncontraddistingue.\nFelt Chair is a product that makes the most of the \nmaterial and its expressive potentiality: a single-piece \nof fiberglass, varnished with a glossy finish in a vast \narray of colors, is plied and bent to assume an iconic \npop and visionary shape.\n106\nFELT CHAIR\ndesign by M. Newson\n",107,{"image":441,"text":15,"number":442},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.108.png",108,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.109.png","108\nIcona indiscussa del design contemporaneo, Embryo \nChair è un prodotto stravagante e futuristico, \ncaratterizzato da un segno organico e ondulato che \nrispecchia perfettamente l’estetica biomorfica del \ndesigner australiano.\nUndisputed icon of contemporary design, Embryo \nChair is a peculiar and futuristic product, characterized \nby organic and undulating lines which perfectly reflect \nthe Australian designer’s biomorphic aesthetic.\nEMBRYO CHAIR\ndesign by M. Newson\nEMBRYO CHAIR | M. NEWSON | BIELASTICO COLOR X54 (CAT. C)\n",109,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.110.png","Prova di grande sperimentazione e azzardo, questa \npoltrona è nata dall’intenzione di spingere al limite la \nmanipolazione del legno. La sua struttura è realizzata con \nlistelli in massello di faggio piegati dal calore del vapore \na formare una doppia curva, dando così al prodotto \nuna forma fluida e continua, quasi organica, come tutti i \nprodotti di Newson.\nSuccessful proof of great experimentation and daring, this \narmchair was born of the desire to push the manipulation \nof wood to its limits. The structure is made of solid beech \nwood slats, bent with hot steam to form a double curve, \nthus giving the chair a fluid and continuous shape, almost \norganic, like all Newson’s products.\nWOODEN CHAIR\ndesign by M. Newson\n109\n",110,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.111.png","Chaise longue dalle linee fluide, che ricordano la \nsilhouette di una tavola da surf, realizzata in vetroresina \nlucida adatta anche all’uso in contesto outdoor.\nChaise longue with fluid lines, resembling the silhouette \nof a surfboard, made of polish fiberglass also suitable \nfor use in outdoor settings\nORGONE\ndesign by M. Newson\n110\n",111,{"image":456,"text":457,"number":458},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.112.png","Doshi\nLevien\nLo \nstudio \ndi \nfama \ninternazionale \nDoshi Levien ha come manifesto la \ncelebrazione dell’ibrido come risultato \ndella \ncontaminazione \ntra \nculture, \ntematiche e tecnologie differenti. Il \nraffinato approccio di Nipa Doshi, \nradicato \nnella \npredisposizione \nalla \ncultura visiva, entra in sinergia con la \nprecisione tecnica di Jonathan Levien: \nne deriva un equilibrato crossover di \nconcetti e regole atto ad esplorare tutti \ngli aspetti formali e pratici di un’idea.\nThe internationally acclaimed Doshi \nLevien \nstudio’s \nmanifesto \nis \nthe \ncelebration of the hybrid as the \nsuccessful result of the contamination \nbetween different cultures, themes and \ntechnologies. The refined approach \nof Nipa Doshi, rooted in her innate \npredisposition \nfor \nvisual \nculture, \nforms an ideal synergy with Jonathan \nLevien’s technical precision: the result \nis a balanced crossover of concepts and \naxioms aimed at exploring all the formal \nand practical aspects behind an idea.\nCapo\n",112,{"image":460,"text":461,"number":462},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.113.png","Esile, ma al tempo stesso avvolgente, la forma di \nquesta poltrona prende ispirazione dall’immagine di \nun gentiluomo ben vestito con un cappello di feltro in \ntesta. La scocca, in co-iniezione di resina e poliuretano \nschiumato, è leggermente distaccata dalla struttura \na vista in tubolare di metallo, creando così un effetto \ndi sospensione ed estrema leggerezza visiva. Il \nrivestimento è fisso in tessuto o pelle, anche abbinabili \nper il fronte e il retro.\nThin yet enveloping, the shape of this armchair comes \nfrom the image of dapper gentleman in a well-cut \nsuit and a felted hat. The shell, made of co-injected \nresin and polyurethane foam, is slightly separate \nfrom the visible metal structure, thus creating a nice \neffect of suspension and extreme visual lightness. The \nfixed upholstery is available in fabric or leather, also \ncombinable for the front and the back.\nCAPO\ndesign by Doshi Levien\n112\nPELLE \u002F LEATHER 333 (CAT.G) | STEELCUT TRIO 645 (CAT. D)\n",113,{"image":464,"text":465,"number":466},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.114.png","Mac\nStopa\nL’inarrestabile estro di Mac Stopa riesce a \nconiugare armonicamente architettura, \ndesign industriale, arredamento, arte, \nmoda e la sua passione per la grafica \nin un’unica disciplina estetica. Design \nparametrico, geometria organica, forme \nscultoree e arte digitale danno origine \na elementi modulari che rinnovano \nprofondamente i concetti del design e \ncambiano il concetto di funzionalità.\nWith his unabated flair, Mac Stopa \nmanages \nto \nharmoniously \nunite \narchitecture, industrial design, interior \ndecorating, art, fashion and his passion \nfor graphics into a single aesthetic \ndiscipline. Parametric design, organic \ngeometry, sculptural forms and digital \nart give rise to modular elements that \nprofoundly renew the design concept \nand alter the concept of functionality.\nDrum\n",114,{"image":468,"text":469,"number":470},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.115.png","Omaggio alle batterie elettroniche esagonali degli anni \n’80, questa collezione di sedute comprende poltrone \ne pouf in diverse dimensioni. Possono essere utilizzati \nsingolarmente oppure combinati fra loro a creare \ncomposizioni all’interno di grandi open space.\nDRUM | M. STOPA | TRENTINO STRETTO 717 (CAT. B)\nA tribute to the hexagonal drum pads from the 1980’s, \nthis seating collection includes armchairs and poufs in \ndifferent dimensions, which can be used individually \nor combined to create compositions within large open \nspaces.\n",115,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.116.png","115\nDRUM\ndesign by M. Stopa\n",116,{"image":476,"text":477,"number":478},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.117.png","DRUM | M. STOPA | PELLE \u002F LEATHER 210 (CAT.G)\n",117,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.118.png","BIG\nBjarke\nIngels\nGroup\nBIG-Bjarke Ingels Group è un gruppo \ndi \narchitetti, \ndesigner, \nurbanisti, \npaesaggisti, interior e product designer, \nricercatori e inventori con sede a \nCopenaghen, New York, Shenzhen, \nLondra e Barcellona. L’architettura di \nBIG nasce da un’attenta analisi di come \nla vita contemporanea si stia evolvendo \ne stia cambiando costantemente. Dai \ngrandi edifici ai prodotti su piccola scala, \ndall’illuminazione alla progettazione di \nmobili, tutto prende forma dallo stesso \nriferimento architettonico.\nBIG-Bjarke \nIngels \nGroup \nis \na \nCopenhagen, New York, Shenzhen, \nLondon and Barcelona based group \nof architects, designers, urbanists, \nlandscape professionals, interior and \nproduct designers, researchers, and \ninventors. BIG’s architecture emerges \nout of a careful analysis of how \ncontemporary life constantly evolves \nand changes. From large buildings to \nsmaller scale products that elevate \nspaces through lighting and furniture \ndesign, everything is informed under \nthe same architectural reference.\nBig Sofa\n",118,{"image":484,"text":485,"number":486},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.119.png","Big Sofa è il debutto in grande stile di BIG-Bjarke Ingels \nGroup nel mondo dell’imbottito. Collezione di panche \nda tre o quattro posti, con rivestimento fisso in alcuni \ntessuti e pelli di collezione. Base di multistrato rivestito \nin acciaio cromato lucido o laccato nero opaco.\nBIG SOFA | BIG-BJARKE INGELS GROUP | VANCOUVER 126 (CAT. B)\nA debut in style in the world of upholstered furniture \nfor BIG-Bjarke Ingels Group. The collection is made up \nof 3 or 4 seater benches, with fixed cover available in \na selected range of fabrics and leathers. Plywood base \ncovered in polish chromed or matt black lacquered \nsteel.\n",119,{"image":488,"text":489,"number":490},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.120.png","119\nBIG SOFA\ndesign by BIG Bjarke Ingels Group\n",120,{"image":492,"text":493,"number":494},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.121.png","BIG SOFA | BIG-BJARKE INGELS GROUP | PANNO 443 (CAT. D)\n",121,{"image":496,"text":497,"number":498},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.122.png","Patrick \nNorguet\nPatrick Norguet è sempre stato coinvolto \nin progetti collaborativi con il mondo \ndella moda. È un prolifico esponente \ndi quella generazione che incarna il \ncosiddetto “french touch”, portando \nalla ribalta su scala internazionale \nlo spirito di questa nuova corrente \nestetica. Con i suoi lavori interpreta al \nmeglio quell’unione fra moda e design \nche Cappellini ha sempre teorizzato, \ncreando prodotti della massima visibilità \nper entrambi i settori.\nSince the start of his career, Patrick \nNorguet \nhas \nbeen \ninvolved \nin \ncollaborations with the fashion world. \nA prolific proponent of the generation \nthat incarnates the so-called “French \ntouch”, he contributions have helped \nbring the spirit of this new aesthetic \nwave into the international spotlight. \nHis works represent the ideal union \nbetween \nfashion \nand \ndesign, \na \ncorrelation that Cappellini, too, has also \nconsistently espoused in the creation \nof highly prominent products for both \nsectors.\nRive Droite\n",122,{"image":500,"text":501,"number":502},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.123.png","Prodotto dal look dinamico e accattivante, la poltrona \nRive Droite nasce dal desiderio di Patrick Norguet di \nportare tutto il glamour della moda haute couture nel \nregno dell’arredo di design: il rivestimento, infatti, è \ndisponibile anche nelle varianti disegnate da Emilio \nPucci, prestigiosa maison fiorentina celebre per la \nricchezza cromatica dei suoi tessuti.\nA product with a very vibrant and captivating look, the \nRive Droite armchair is the result of Patrick Norguet’s \ndesire to bring the glamour of haute couture fashion \nto design furniture: the upholstery is also available in \na selection of fabrics designed by Emilio Pucci, the \nprestigious Florentine maison, famous worldwide for \nits bold and colorful cloths.\nRIVE DROITE\ndesign by P. Norguet\n122\nRIVE DROITE | P. NORGUET | VELLUTO \u002F VELVET BY EMILIO PUCCI (M01)\n",123,{"image":504,"text":505,"number":506},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.124.png","Nendo\nIl termine giapponese “Nendo” significa \n“creta” e il lavoro dello studio, che \nspazia \ndall’architettura \nd’interni, \nal \nmondo della grafica, vuole restituire \nquesta immagine di flessibilità e duttilità \npropria della materia. La peculiarità \ndello studio Nendo è proprio quella di \nabbandonare le rigidità e dimostrarsi \nplasmabile, modellabile nella forma \nvoluta, per affrontare al meglio e \nin maniera organica le sfide della \nprogettazione contemporanea.\nThe Japanese word “Nendo” means \n“clay” and the work of the studio, \nspanning from interior design to the \nworld of graphics, is meant to express \nthe image of the flexibility and ductility \nof matter. The particularity of studio \nNendo is precisely that of abandoning \nrigidity to take on a malleable and \nshapeable form, in order to find the best \norganic approach to the challenges of \ncontemporary design.\nPeg Armchair\n",124,{"image":508,"text":509,"number":510},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.125.png","Ispirata alle city car italiane, accoglienti e confortevoli \nnonostante le dimensioni compatte, la poltroncina Peg \nè connotata da una seduta bassa e tondeggiante su \ngambe in massello di frassino, che forano i lati dello \nschienale conferendo al prodotto un design unico e \ninimitabile.\nInspired by the Italian city cars, soft and comfortable \ndespite their compact size, Peg Armchair has a low, \nrounded seat resting atop solid ash wood legs which \nperforate both sides of the backrest giving the product \na unique and unrivaled design.\nPEG ARMCHAIR\ndesign by Nendo\n124\nPEG ARMCHAIR | NENDO | PELLE 915 (CAT. G)\n",125,{"image":512,"text":513,"number":514},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.126.png","Dror\nIn equilibrio fra arte e design, tra \nestetica e funzionalità, Dror Bershetrit si \noccupa di product design, architettura \ne art direction. Nella sua produzione \nè possibile tracciare le radici del suo \nstile, ottenuto mixando le conoscenze \ntecniche e il gusto per l’arte. Alla base \ndel suo lavoro vi è la progettazione di \noggetti che ricercano le origini della \nforma e del movimento attraverso i \nmateriali e l’utilizzo strategico della \ntecnologia.\nIn equilibrium between art and design, \naesthetics \nand \nfunctionality, \nDror \nBershetrit dedicates himself to product \ndesign, architecture and art direction. \nIn his works, one can trace the roots \nof his style, which emerged from the \nfusion of the technical knowledge and \nhis love of art. His work is based upon \nthe design of objects that seek the \norigins of form and movement through \nthe use of materials and the strategic \nemployment of technology.\nPeacock\n",126,{"image":516,"text":517,"number":518},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.127.png","PEACOCK | DROR | FELTRO \u002F FELT 1710\nQuesta esuberante poltroncina in feltro plissettato \ncattura lo sguardo con le sue curve sinuose, ispirate alle \npiume della coda di un pavone. Peacock è un prodotto \ndallo spirito eclettico, in grado di personalizzare \nambienti living giovani e informali o di arricchire con \nimpronta moderna spazi più classici.\nThis exuberant armchair made of rippled folds of felt \nfabric is eye-catching with sinuous curves, inspired by \nthe feathers of a peacock tail. Peacock is an eclectic \nproduct, able to personalize young and informal living \nspaces or to embellish more classic environments in a \nvery modern way.\nPEACOCK\ndesign by Dror\n126\n",127,{"image":520,"text":521,"number":522},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.128.png","Johan\nLindstén\nJohan Lindstén interpreta il design \ncome l’opportunità di influenzare lo stato \nd’animo delle persone, migliorando la \nqualità della vita attraverso la creazione \ndi \noggetti \ndall’aspetto \ngradevole, \ngiocoso e sorprendente. I suoi prodotti \nsono caratterizzati da semplicità e note \nemozionali che generano forme non \nsolo piacevoli alla vista, ma soprattutto \ncapaci \ndi \nsuscitare \nemozioni \ne \nsentimenti.\nJohan Lindstén interprets design as an \nopportunity to improve a person’s state \nof mind, bettering the quality of life with \nthe creation of visually pleasing, playful \nand surprising objects. His products \nare characterized by simplicity and \nemotional nuances, giving life to forms \nthat are not just pleasing to the eye, but \nabove all, the expression of sentiment \nand emotion.\nEmbroidery Chair\nEmbroidery Simple\n",128,{"image":524,"text":525,"number":526},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.129.png","Con le sue forme ergonomiche e avvolgenti, questa poltrona \nriscalda gli ambienti con accenti fiabeschi. I decori degli \nschienali, che raffigurano le quattro stagioni, sono realizzati \ncon macchinari elettronici in grado di riprodurre fedelmente \nil procedimento manuale del punto croce.\nA comfortable and ergonomic armchair, that is \nan enchanting accent to enliven a room. The four \ndecorations of the backrests, portraying the four \nseasons, are stitched with electronic machinery that \neffectively reproduces the manual cross-stitching \ntechnique.\nEMBROIDERY CHAIR | J. LINDSTÉN | PRIMAVERA \u002F SPRING EMB2\n",129,{"image":528,"text":529,"number":530},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.130.png","EMBROIDERY CHAIR\ndesign by J. Lindstén\n129\nEMBROIDERY CHAIR | J. LINDSTÉN | INVERNO \u002F WINTER EMB1 - ESTATE \u002F SUMMER EMB3 - AUTUNNO \u002F AUTUMN EMB4\n129\n",130,{"image":532,"text":533,"number":534},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.131.png","EMBROIDERY SIMPLE\ndesign by J. Lindstén\n130\nSemplice, raffinata ed estremamente versatile, questa \npoltroncina è caratterizzata da uno schienale a \nsemicerchio confortevole e avvolgente, che riprende \nle forme sinuose del prodotto originale. In questo caso, \nla base è in metallo e il rivestimento è fisso nei tessuti \ne pelli di collezione.\nSimple, refined and extremely versatile, this armchair \nis characterized by a soft, semicircular wrap-around \nbackrest, resembling the sinuous shapes of the original \nproduct. In this case, the base is made of metal and the \nupholstery is fixed in fabric or leather.\nEMBROIDERY SIMPLE | J. LINDSTÉN | PELLE \u002F LEATHER 914 (CAT. G) - TRAME A210 (CAT. A)\n",131,{"image":536,"text":537,"number":538},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.132.png","Jean-Marie\nMassaud\nIl \npercorso \nlavorativo \ndi \nJean-\nMarie Massaud gode di un respiro \ninternazionale e orizzonti aperti. Sin \ndagli esordi si è dedicato al design \nindustriale e alla progettazione di \npezzi di arredamento, intessendo una \nserie di relazioni con importanti realtà \naziendali. Il focus della sua ricerca trova \npiena \nrappresentazione \nnell’ideale \ndell’essenzialità, dove il minimalismo \nestetico serve come mezzo per esaltare \nl’individuo che lo abita.\nJean-Marie Massaud’s professional \nexperience reflects an international flair \nand openness towards new horizons. \nSince the very beginning, he has \ndedicated himself to industrial design \nand the design of furnishing elements, \nestablishing numerous relationships \nwith important companies. The focus \nof his research is fully realized in the \nideal of essentiality, in which aesthetic \nminimalism becomes a means for \nexalting the individual inhabiting it.\nInOut\n",132,{"image":540,"text":541,"number":542},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.133.png","INOUT\ndesign by J.M. Massaud\n132\nLe panche InOut, disponibili nella versione in vetroresina \nlucida oppure con imbottitura in poliuretano schiumato \ne rivestimento fisso in pelle o tessuto, animano gli \nambienti con le loro linee pulite e sinuose, dal gusto \nquasi futuristico.\nThe InOut benches, available in fiberglass with a \npolished finish or with polyurethane foam padding and \nfixed upholstery in fabric or leather, animate a multitude \nof settings thanks to their sinuous, clean lines, with a \nhint of the futuristic.\n",133,{"image":544,"text":545,"number":546},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.134.png","Fabio\nNovembre\nFabio Novembre si occupa di progetti \nper esercizi pubblici come ristoranti, \ndiscoteche e negozi, lavorando sia \nin Italia che all’estero. Raggiunge la \nnotorietà mettendo a segno una serie \ndi oggetti d’arredamento e mobili dal \ndesign unico e provocatorio. Con le sue \nopere, dimostra la capacità di saper \nreinterpretare il concetto di spazio \nper realizzare ambienti quasi fatati, \ne di saper dar vita a forme nuove e \navvolgenti.\nFabio Novembre dedicates himself \nto projects for public works such as \nrestaurants, dance clubs and shops, \nboth in Italy and abroad. He has \ngained notoriety through the success \nof a series of furnishing elements and \nfurniture which are characterized by \ntheir unique and provocative design. \nIn his work, he demonstrates his \nability to reinterpret the concept of \nspace to create settings that are nearly \nenchanting, giving life to embracing \nnew forms.\nAnd\n",134,{"image":548,"text":549,"number":550},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.135.png","134\nAND\ndesign by F. Novembre\nGli elementi del divano And sono componibili all’infinito \nin uno spettacolare gioco di luci, ombre e prospettive \nche invitano alla comunicazione e alla convivialità.\nThe And sofa seats can be endlessly combined in a \nspectacular play of lights, shadows and perspectives \nencouraging communication and conviviality.\nAND | F. NOVEMBRE | PANNO 469 (CAT. D)\n",135,{"image":552,"text":553,"number":554},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.136.png","AG\nFronzoni\nFirma eclettica nel panorama del design \ne della grafica, AG Fronzoni fonda la \nsua ricerca estetica sull’elaborazione e \nsulla progettazione del contenuto. La \nsua lunga e intensa carriera si snoda \ntra architettura, design, comunicazione \nvisiva e didattica. La filosofia di Fronzoni \nè riassunta dalle sue semplici ed efficaci \nparole: “Mirare all’essenziale, eliminare \nogni effetto superfluo”.\nAn eclectic name in the design and \ngraphics panorama, AG Fronzoni based \nhis aesthetic studies on the elaboration \nand design of content. His long career \nled him to incorporate architecture, \ndesign, visual communication and \neducation. Fronzoni’s philosophy can \nbest be summarized by his simple and \neffective words: “Aim for the essential, \neliminate the superfluous”.\nFronzoni ‘64\n",136,{"image":556,"text":557,"number":558},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.137.png","FRONZONI ‘64\ndesign by AG Fronzoni\n136\nSinonimo di essenzialità, questa poltrona è connotata \nda un grande rigore geometrico e da una grafica \nsobria, fatta di linee nette e squadrate di chiaro stampo \nminimalista, che la rendono perfetta per arredare ogni \ntipo di ambiente.\nSynonymous with purity, this armchair is defined by a \ngreat geometric rigor and a sober graphic, made of \nstraight lines, square angles and a decidedly minimalist \nedge, which makes it perfect to furnish any kind of \nenvironment.\nFRONZONI ‘64 | AG FRONZONI | COTONE BIANCO \u002F WHITE COTTON\n",137,{"image":560,"text":561,"number":562},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.138.png","Brogliato\nTraverso\nLaureati all’Università di Architettura di \nVenezia, Alberto Brogliato e Federico \nTraverso fondano lo studio di design \nBrogliatoTraverso \nla \ncui \nfilosofia \nprogettuale è racchiusa nel claim “NO \nTIME, NO SPACE”. Questa visione \ne la costante passione per la ricerca \ne l’innovazione, sono valsi allo studio \nBrogliatoTraverso \nnumerosi \npremi \ninternazionali, fra cui il Red Dot Design \nAward, il German Design Award, l’iF \nDesign Award ed il Good Design Award.\nBoth hold a degree in architecture from the \nUniversity of Venice, Alberto Brogliato and \nFederico Traverso founded the BrogliatoTraverso \ndesign studio. The philosophy that defines \nthe studio can be summarized by the claim: \n“NO TIME, NO SPACE”. This vision and their \nongoing passion for research and innovation has \nearned the BrogliatoTraverso studio numerous \ninternational awards, such as the Red Dot Design \nAward, the German Design Award, The iF Design \nAward and the Good Design Award.\nNewood Relax\nNewood Relax Light\n",138,{"image":564,"text":565,"number":566},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.139.png","Poltroncina dal design semplice e raffinato, con \nstruttura in massello di frassino sbiancato, tinto wengé, \ntinto nero o tinto all’anilina blu Shanghai o rosso \nciliegia. Seduta imbottita con rivestimento fisso in una \nselezione di tessuti e pelli di collezione.\nCUSCINO DI SEDUTA \u002F SEAT CUSHION:\nDUNMORE PLAID 625 (CAT. E) \nSmall armchair with a very simple and refined design. \nStructure in bleached, wengé-stained, black-stained, \nblue Shanghai or cherry red aniline-stained massive \nash. Padded seat with fixed upholstery in a selection of \nfabrics and leathers of the collection.\n",139,{"image":568,"text":569,"number":570},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.140.png","139\nNEWOOD RELAX\ndesign by BrogliatoTraverso\n",140,{"image":572,"text":573,"number":574},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.141.png","140\nNEWOOD RELAX LIGHT\ndesign by BrogliatoTraverso\nVariante più leggera della poltroncina Newood Relax, \ncon struttura in massello di frassino sbiancato, tinto \nwengé, tinto nero o tinto all’anilina blu Shanghai o \nrosso ciliegia. Seduta imbottita con rivestimento fisso \nin una selezione di tessuti e pelli di collezione.\nLighter version of Newood Relax armchair, with \nstructure in bleached, wengé-stained, black-stained, \nblue Shanghai or cherry red aniline-stained massive \nash. Padded seat with fixed upholstery in a selection of \nfabrics and leathers of the collection.\nCUSCINO DI SEDUTA IN PELLE 201 (CAT. G2) \u002F SEAT CUSHION IN LEATHER 201 (CAT. G2)\n",141,{"image":576,"text":577,"number":578},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.142.png","Janský &\nDunděra\nNati negli anni ’90, Matěj Janský e Cyril \nDunděra frequentano la scuola d’Arte e \nMestieri di Praga, iniziando la loro prima \ncollaborazione all’età di soli 16 anni. Il \nduo ha poi proseguito la formazione \nal CTU di Praga, all’Accademia di Arti, \nArchitettura e Design e, per finire, al \nKonstfack di Stoccolma. Lo studio \ncollabora con una grande varietà di \naziende \ninternazionali \nspecializzate \nnella \nlavorazione \nartigianale \ndei \nmateriali più disparati, dalla manifattura \ndel vetro al mondo del fashion.\nBoth born in the 90s, Matěj Janský \nand Cyril Dunděra first met there as \nFurniture Studio classmates at Arts \nand Crafts Secondary school at the \nage of 16 – their collaboration started \nimmediately since then. The duo \nstudied Architecture at the CTU Prague \nand Furniture & Interior Design at the \nAcademy of Arts, Architecture and \nDesign in Prague, and at the Konstfack \nin Stockholm.The Studio collaborates \nwith \na \nwide \nvariety \nof \nbrands \nemphasized in excellent craftmanship \nfrom glassmaking to fashion.\nHiroi\n",142,{"image":580,"text":581,"number":582},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.143.png","HIROI | JANSKÝ & DUNDĚRA | CUOIO \u002F HIDE CP4\nLeggera, equilibrata e dotata di un ottimo comfort, \nHiroi si contraddistingue per il suo design elegante e \nsenza tempo, che la rende perfetta per ogni contesto. \nL’utilizzo di due materiali semplici, ma raffinati, quali \nil legno per la struttura e il cuoio per il rivestimento, \nconferisce a questo prodotto un’assoluta purezza visiva \nche cela, in realtà, un’eccezionale perizia produttiva.\nLight, well-balanced and extremely comfortable, \nHiroi is characterized by a very elegant and timeless \ndesign, which makes it perfect for any context. The \nuse of two simple yet refined materials such as wood, \nfor the structure, and leather, for the upholstery, gives \nthis product an absolute visual pureness, actually \nconcealing an excellent production expertise.\nHIROI\ndesign by M. Janský & C. Dunděra \n142\n",143,{"image":584,"text":15,"number":585},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.144.png",144,{"image":587,"text":588,"number":589},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.145.png","144\nHIROI | JANSKÝ&DUNDĚRA | CUOIO \u002F HIDE CP2\n",145,{"image":591,"text":592,"number":593},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.146.png","ABACO DISEGNI TECNICI\nTECHNICAL DRAWINGS INDEX\n145\n",146,{"image":595,"text":596,"number":597},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.147.png","DIVANI E \nPOLTRONE\nSOFAS AND \nARMCHAIRS\nDN_1\ncm. 88x110x45\u002F245h.\ninch 34”¾x43”¼x17”\u002F96”h.\nAND\nDN_2\ncm. 113x60x45h.\ninch 44”½x23”¾x17”¾h.\n110\n43 1\u002F4”\n88\n34 3\u002F4”\n45\n17 3\u002F4”\n245\n96 1\u002F2”\n60\n23 3\u002F4”\n113\n44 1\u002F2”\n45\n17 3\u002F4”\nBASKET\nBKT1\ncm. 110x90x44\u002F82h.\ninch 43”¼x35”½x17”¼\u002F32” ¼h.\n90\n35 1\u002F2”\n110\n43 1\u002F4”\n44\n17 1\u002F4”\n82\n32 1\u002F4”\n90\n35 1\u002F2”\n190\n74 3\u002F4”\n44\n17 1\u002F4”\n82\n32 1\u002F4”\nBKT2\ncm. 190x90x44\u002F82h.\ninch 74”¾x35”½x17”¼\u002F32”¼h.\nBKT3\ncm. 230x90x44\u002F82h.\ninch 91”x35”½x17”¼\u002F32”¼h.\nBKT2H\ncm. 190x90x44\u002F120h.\ninch 74”¾x35”½x17”¾\u002F47”¼h.\nBKT4H\ncm. 160x90x44\u002F120h.\ninch 63”x35”½x17”¾\u002F47”¼h.\nBIG SOFA\nPBS1 - PBS1C\ncm. 240x100x44\u002F71h.\ninch 94”½x39”¼x16”¼\u002F28”h.\n240\n100\n44\n71\n94 1\u002F2\"\n39 1\u002F4\"\n16 1\u002F4\"\n28\"\nPBS2 - PBS2C\ncm. 300x100x44\u002F71h.\ninch 118”¼x39”¼x16”¼\u002F28”h.\nRB_1 - RB_1C\ncm. 103x87,5x43,5\u002F72,5h.\ninch 70”¾x39”¼x15”\u002F27”½h.\nCAP FERRAT\n40 1\u002F4”\n87,5\n34 3\u002F4”\n72,5\n28 1\u002F2”\n103\n300\n100\n44\n71\n118 1\u002F4\"\n39 1\u002F4\"\n16 1\u002F4\"\n28\"\n170\n67”\n87,5\n34 3\u002F4”\n72,5\n28 1\u002F2”\nRB_2 - RB_2C\ncm. 210x87,5x43,5\u002F72,5h.\ninch 70”¾x39”¼x15”\u002F27”½h.\nRB_2S - RB_2SC\ncm. 170x87,5x43,5\u002F72,5h.\ninch 106”¼x39”¼x15”\u002F27”½h.\n210\n82 3\u002F4”\n87,5\n34 3\u002F4”\n72,5\n28 1\u002F2”\nRB_3 - RB_3C\ncm. 300x87,5x43,5\u002F72,5h.\ninch 106”¼x39”¼x15”\u002F27”½h.\n300\n118 1\u002F4”\n87,5\n34 3\u002F4”\n72,5\n28 1\u002F2”\nRB_3S - RB_3SC\ncm. 240x87,5x43,5\u002F72,5h.\ninch 70”¾x39”¼x15”\u002F27”½h.\n240\n94 1\u002F2”\n72,5\n28 1\u002F2”\n87,5\n34 3\u002F4”\nRB_4 - RB_4C\ncm. 180x87,5x43,5\u002F72,5h\ninch 35”½x59”x15”\u002F27”½h.\n180\n70 3\u002F4”\n72,5\n28 1\u002F2”\n87,5\n34 3\u002F4”\nRB_5 - RB_5C\ncm. 270x87,5x43,5\u002F72,5h\ninch 38”½x38”½x15”\u002F27”½h.\nRB_4S - RB_4SC\ncm. 140x87,5x43,5\u002F72,5h\ninch 70”¾x39”¼x15”\u002F27”½h.\n140\n55 1\u002F4”\n87,5\n34 3\u002F4”\n72,5\n28 1\u002F2”\n270\n106 1\u002F4”\n72,5\n28 1\u002F2”\n87,5\n34 3\u002F4”\nRB_5S - RB_5SC\ncm. 210x87,5x43,5\u002F72,5h\ninch 38”½x38”½x15”\u002F27”½h.\n210\n82 3\u002F4”\n72,5\n28 1\u002F2”\n87,5\n34 3\u002F4”\nRB_6 - RB_6C\ncm. 73x63x43,5h.\ninch 38”½x38”½x15”\u002F27”½h.\n73\n35 1\u002F2”\n63\n35 1\u002F2”\n43,5\n17 1\u002F2”\nMS_2 - MS_2P\ncm. 180x100x38\u002F70h.\ninch 70”¾x39”¼x15”\u002F27”½h.\n180\n70 3\u002F4”\n100\n39 1\u002F4”\n70\n27 1\u002F2”\n38\n15”\nCAP MARTIN SUNSET\nMS_4L - MS_4LP -\nMS_4R - MS_4RP\ncm. 90x100x38\u002F70h.\ninch 35”½x39”¼x15”\u002F27”½h.\n90\n35 1\u002F2”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\n90\n35 1\u002F2”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\nMS_5L - MS_5LP -\nMS_5R - MS_5RP\ncm. 180x100x38\u002F70h.\ninch 70”¾x39”¼x15”\u002F27”½h.\n180\n70 3\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\n180\n70 3\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\nMS_3 - MS_3P\ncm. 270x100x38\u002F70h.\ninch 106”¼x39”¼x15”\u002F27”½h.\n270\n106 1\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\nMS_6OL - MS_6OLP -\nMS_6OR - MS_6ORP\ncm. 180x100x38\u002F70h.\ninch 70”¾x39”¼x15”\u002F27”½h.\nMS_6L - MS_6LP -\nMS_6R - MS_6RP\ncm. 90x150x38\u002F70h.\ninch 35”½x59”x15”\u002F27”½h.\n90\n35 1\u002F2”\n70\n27 1\u002F2”\n150\n59”\n38\n15”\n90\n35 1\u002F2”\n70\n27 1\u002F2”\n150\n59”\n38\n15”\n180\n70 3\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\n180\n70 3\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15 ”\nMS_14 - MS_14P\ncm. 270x100x38\u002F70h.\ninch 106”¼x39”¼x15”\u002F27”½h.\nMS_7 - MS_7P\ncm. 98x98x38\u002F70h.\ninch 38”½x38”½x15”\u002F27”½h.\nMS_8 - MS_8P\ncm. 180x100x38\u002F70h.\ninch 70”¾x39”¼x15”\u002F27”½h.\n98\n38 1\u002F2”\n70\n27 1\u002F2”\n98\n38 1\u002F2”\n38\n15”\n180\n70 3\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15 ”\n270\n106 1\u002F4”\n70\n27 1\u002F2”\n100\n39 1\u002F4”\n38\n15”\nCP_1\ncm. 119x72x40\u002F89h.\ninch 46”¾x28”½x15”¾\u002F35h.\nMS_10 - MS_10P\ncm. 270x90x38\u002F70h.\ninch 106”¼x35”½x15”\u002F27”½h.\nMS_9 - MS_9P\ncm. 180x90x38\u002F70h.\ninch 70”¾x35”½x15”\u002F27”½h.\nMS_1 - MS_1P\ncm. 90x90x38\u002F70h.\ninch 35”½x35”½x15”\u002F27”½h.\nCAPO\n90\n35 1\u002F2”\n90\n35 1\u002F2”\n38\n15 ”\n72\n28 1\u002F4”\n119\n46 3\u002F4”\n41\n16 1\u002F4”\n93\n36 1\u002F2”\n",147,{"image":599,"text":600,"number":601},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.148.png","ELAN\nCP_2\ncm. 46x65x40\u002F44h.\ninch 18”½x25”½x15”\u002F17¼h.\nCUS1\ncm. 170x85x40\u002F62h\ninch 67”x33”½x15”¾\u002F24”½h.\nCUS2\ncm. 200x85x40\u002F62h.\ninch 78”¾x33”½x15”¾\u002F24”½h.\nCUBA 25\n65\n25 1\u002F2”\n46\n18”\n44\n17 1\u002F4”\n85\n33 1\u002F2”\n170\n67”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\nCUS4\ncm. 230x85x40\u002F62h.\ninch 90”½x33”½x15”¾\u002F24”½h.\nCUS5\ncm. 250x85x40\u002F62h.\ninch 98”½x33”½x15”¾\u002F24”½h.\nCAPO\nCUS41\ncm. 230x100x40\u002F62h.\ninch 90”½x39”¼x15”¾\u002F24”½h.\nCUS22 - CUS23\ncm. 125x85x40\u002F62h.\ninch 49”¼x33”½x15”¾\u002F24” ½h.\nCUS51\ncm. 250x100x40\u002F62h.\ninch 98”½x39”¼x15”¾\u002F24”½h.\nCUS24 - CUS25\ncm. 125x100x40\u002F62h.\ninch 49”¼x39”¼x15”¾\u002F24”½h.\n85\n33 1\u002F2”\n125\n49 1\u002F4”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\n85\n33 1\u002F2”\n125\n49 1\u002F4”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\n100\n39 1\u002F4”\n230\n90 1\u002F2”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\nCUS30\ncm. 85x85x40\u002F62h.\ninch 33”½x33”½x15”¾\u002F24”½h.\nCUS32\ncm. 100x85x40\u002F62h.\ninch 39”x33”½x15”¾\u002F24”½h.\nCU_253\ncm. 100x100x40\u002F62h.\ninch 39”x39”x15”¾\u002F24”½h.\nCU_256\ncm. 100x100x40\u002F62h.\ninch 39”¼x39”¼x15”¾\u002F24”½h.\nCU_254 - CU_255\ncm. 175x85\u002F100x40\u002F62h.\ninch 69”x33”½\u002F39”x15”¾\u002F24”½h.\n85\n33 1\u002F2”\n100\n39 1\u002F4”\n175\n69”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\n85\n33 1\u002F2”\n100\n39 1\u002F4”\n175\n69”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\n85\n33 1\u002F2”\n85\n33 1\u002F2”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\n85\n33 1\u002F2”\n100\n39 1\u002F4”\n40\n15 3\u002F4”\n62\n24 1\u002F2”\nCUBA 25 SOFA-BED\nCUS37\ncm. 100x85x40h.\ninch 39”¼x33”½x15”¾h.\nCUS10\ncm. 200x85\u002F227x40\u002F62h.\ninch 78”¾x33”½\u002F89”¼x15”¾\u002F24”½h\nCUS38\ncm. 100x100x40h.\ninch 39”¼x39”¼x15”¾h.\n85\n33 1\u002F2”\n100\n39 1\u002F4”\n40\n15 3\u002F4”\nDALIA\nCUS13\ncm. 230x85\u002F227x40\u002F62h.\ninch 90”½x33”½\u002F89”¼x15”¾\u002F24”½h.\nDL_1 - DL_1R\ncm. Ø86x47\u002F80h.\ninch Ø34”x18”½\u002F31”½h.\n83\n32 3\u002F4”\n86\n33 3\u002F4”\n74\n29 1\u002F4”\nDAYBED\nDB_1\ncm. 217x71,5x48\u002F87,5h.\ninch 85”½x28”¼x19”\u002F34”½h.\n71,5\n28¼”\n217\n85½”\n48\n19”\n87,5\n34½”\n71,5\n28¼”\n217\n85½”\n48\n19”\n87,5\n34½”\nØ20\n7¾”\n68\n26¾”\nDB_2\ncm. 217x71,5x48\u002F87,5h.\ninch 85”½x28”¼x19”\u002F34”½h.\nDB_51\ncm. 217x71,5x48\u002F87,5h.\ninch 7”¾x20”h.\nDB_68\ncm. Ø20x68h.\ninch 7”¾x26”¾h.\nDRUM\nDRU1\ncm. 106,5x87x40\u002F147,5h.\ninch 42”x34”¼x15”¾\u002F58”h.\nDRU6\ncm. 93,3x71,3x38,7\u002F117,5h.\ninch 36”¾x28”x15”¼\u002F46”¼h.\n106,5\n42”\n40\n15 3\u002F4”\n147,5”\n58”\n87\n34 1\u002F4”\n93,3\n36 3\u002F4”\n117,5\n46 1\u002F4”\n38,7\n15 1\u002F4”\n71,3\n28”\n12\n40\n26¾”\n4¾”\n35\n13¾”\nDB_40\ncm. 40x12x35h.\ninch 26”¾x4”¾x13”¾h.\nDRU2\ncm. 88,5x55x36h.\ninch 34”¾x21”¾x14”¼h.\nDRU5\ncm. 54x45,5x45h.\ninch 21”¼x18”x17”¾h.\n88,5\n34 3\u002F4”\n55\n21 3\u002F4”\n36\n14 1\u002F4”\n54\n21 1\u002F4”\n45,5\n18”\n45\n17 3\u002F4”\nEN_11\ncm.120x82x44\u002F69h.\ninch 47”¼x32”¼x16”¼\u002F26”h.\nEN_12\ncm. 90x82x44\u002F69h.\ninch 35”½x32”¼x16”¼\u002F26”h.\n120\n82\n69\n44\n47 1\u002F4\"\n32 1\u002F4\"\n26\"\n16 1\u002F4\"\nEN_3\ncm.228x82x44\u002F69h.\ninch 89”¾x32”¼x16”¼\u002F26”h\n228\n82\n44\n69\n89 3\u002F4\"\n32 1\u002F4\"\n16 1\u002F4\"\n26\"\nEN_5\ncm. 266x82x44\u002F69h.\ninch 104”¾x32”¼x16”¼\u002F26h.\nEN_1\ncm.166x82x44\u002F69h.\ninch 64”¼x32”¼x16”¼\u002F26”h.\nEN_2\ncm. 204x82x44\u002F69h.\ninch 80”¼x32”¼x16”¼\u002F26”h.\n166\n82\n44\n69\n64 1\u002F4\"\n32 1\u002F4\"\n16 1\u002F4\"\n26\"\nEN_4\ncm. 230x82x44\u002F69h.\ninch 90”½x32”¼x16”¼\u002F26h.\nEN_15\ncm. 60x55x38h.\ninch 23”½x21”¾x15”h.\n60\n55\n38\n23 1\u002F2\"\n21 3\u002F4\"\n15\"\nELAN 23\nEVE12\ncm. 90x82x44\u002F69h.\ninch 35”½x32”¼x16”¼\u002F26”h.\n90\n82\n44\n69\n35 1\u002F2\"\n32 1\u002F4\"\n16 1\u002F4\"\n26\"\nEVE2\ncm. 204x82x44\u002F69h.\ninch 80”¼x32”¼x16”¼\u002F26”h.\n204\n82\n44\n69\n80 1\u002F4\"\n32 1\u002F4\"\n16 1\u002F4\"\n26\"\nEVE4\ncm. 230x82x44\u002F69h.\ninch 90”½x32”¼x16”¼\u002F26”h\n230\n82\n44\n69\n90 1\u002F2\"\n32 1\u002F4\"\n16 1\u002F4\"\n26\"\nEVE5\ncm. 266x82x44\u002F69h.\ninch 104”¾x32”¼x16”¼\u002F26h.\nEVE7\ncm. 285x82x44\u002F69h.\ninch 72”¾x32”¼x16”¼\u002F26”h.\nEVE6\ncm. 285x82x44\u002F69h.\ninch 72”¾x32”¼x16”¼\u002F26”h.\n185\n82\n69\n44\n72 3\u002F4\"\n32 1\u002F4\"\n26\"\n16 1\u002F4\"\nEMBROIDERY CHAIR\nEMB1 - EMB2 - EMB3 - EMB4\ncm. 82x63,5x37,5\u002F80h.\ninch 32”¼x25”x14”¾\u002F31”½h.\n82\n32 1\u002F4”\n63,5\n25\n80\n31 2\u002F4”\n37,5\n14 3\u002F4”\nEVE8L\ncm. 102x140x44\u002F69h.\ninch 40”¼x55”¼x16”¼\u002F26”h.\nEVE8R\ncm. 102x140x44\u002F69h.\ninch 40”¼x55”¼x16”¼\u002F26”h.\n102\n140\n69\n44\n40 1\u002F4\"\n55 1\u002F4\"\n26\"\n16 1\u002F4\"\n",148,{"image":603,"text":604,"number":605},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.149.png","FELT CHAIR\nEMBROIDERY SIMPLE\nEMBRYO CHAIR\nEMB5R\ncm. 84x65,5x39\u002F80h.\ninch 33”x25”½x15”¼\u002F31”½h.\nEC_1\ncm. 80x85x45\u002F80h.\ninch 31”½x33”½x17”¾\u002F31”½h.\nFC_1L \ncm. 67x106x32,5\u002F82h.\ninch 26”¼x41”¾x12”¾\u002F32”¼h.\n84\n33”\n65,5\n25 1\u002F2”\n39\n15 1\u002F4”\n80\n31 1\u002F2”\n85\n33 1\u002F2”\n80\n31 1\u002F2”\n45\n17 3\u002F4”\n80\n31 1\u002F2”\n106\n41 3\u002F4”\n67\n26 1\u002F4”\n32,5\n12 3\u002F4”\n82\n32 1\u002F4”\nFRONZONI ‘64\nGAMBETTA\nFR_41\ncm. 100x100x42\u002F62,5h.\ninch 39”¼x39”¼x16”½\u002F24”½h.\nGM_2\ncm. 75x80x42\u002F73h.\ninch 29”½x31”½x16”½\u002F28”¾h.\n100\n39 1\u002F4”\n100\n39 1\u002F4”\n42\n16 1\u002F2”\n62\n24 1\u002F2”\n80\n31 1\u002F2”\n75\n29 1\u002F2”\n42\n16 1\u002F2”\n73\n28 3\u002F4”\nGM_4\ncm. 140x80x42\u002F73h\ninch 55”x31”½x16”½\u002F28”¾h.\nGM_8\ncm. 160x80x42\u002F73h\ninch 63”x31”½x16”½\u002F28”¾h.\n80\n31 1\u002F2”\n140\n55”\n42\n16 1\u002F2”\n73\n28 3\u002F4”\n80\n31 1\u002F2”\n160\n63”\n42\n16 1\u002F2”\n73\n28 3\u002F4”\nGM_5\ncm. 210x80x42\u002F73h\ninch 82”¾x31”½x16”½\u002F28”¾h.\nGM_9\ncm. 140x80x42h\ninch 55”x31”½x16”½h.\n80\n31 1\u002F2”\n140\n55”\n42\n16 1\u002F2”\n210\n82 3\u002F4”\n80\n31 1\u002F2”\n42\n16 1\u002F2”\n73\n28 3\u002F4”\nHIGH TIME\nHGT_1L\ncm. 92x88x69h.\ninch 36”¼x34”¾x27”¼h.\nHGT_3\ncm. 250x88x69h.\ninch 98”½x34”¾x27”¼h.\nHGT_1\ncm. 70x70x74h.\ninch 27”½x27”½x29”¼h.\nHGT_2\ncm. 190x88x69h.\ninch 74”¾x34”¾x27”¼h.\n70\n27 1\u002F2”\n74\n29 1\u002F4”\n44\n17 1\u002F4”\n70\n27 1\u002F2”\n190\n74 3\u002F4”\n69\n27 1\u002F4”\n39\n15 1\u002F4”\n88\n34 3\u002F4”\nHGT8P\ncm. 70x55x44h.\ninch 27”½x21”¾x17”¼h.\nHGT8\ncm. 95x88x39h.\ninch 37”½x34”¾x15”¼h.\nHGT8S\ncm. 70x55x39h.\ninch 27”½x21”¾x15”¼h.\nHGT6\ncm. 92x135x69h.\ninch 36”¼x53”¼x27”¼h.\n92\n36 1\u002F4”\n69\n27 1\u002F4”\n39\n15 1\u002F4”\n135\n53 1\u002F4”\n70\n27 1\u002F2”\n39\n15 1\u002F4”\n55\n21 3\u002F4”\n190\n74 3\u002F4”\n39\n15 1\u002F4”\n88\n34 3\u002F4”\nHGT8L\ncm. 190x88x39h.\ninch 74”¾x34”¾x15”¼h.\nHOB40\ncm. 190x85x42\u002F73h.\ninch 74”¾x33”½x16”½\u002F28”¾h.\nHOBO CONTRACT\n190\n74 3\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\nHR_1\ncm. 75,5x62,5x41\u002F74h.\ninch 29”¾x24”½x16”¼\u002F29”¼h.\nHIROI\n75,5\n29¾”\n62,5\n24½”\n74\n29¼”\n41\n16¼”\nHOB41 - HOB42\ncm. 175x85x42\u002F73h.\ninch 69”x33”½x16”½\u002F28”¾h.\nHOB43 - HOB44\ncm. 175x85x42\u002F73h.\ninch 69”x33”½x16”½\u002F28”¾h.\n175\n69”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n175\n69”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n175\n69”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n175\n69”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\nHOB45 - HOB46\ncm. 160x85x42\u002F73h.\ninch 63”x33”½x16”½\u002F28”¾h.\n160\n63”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n160\n63”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\nHOB50\ncm. 270x85x42\u002F73h.\ninch 106”¼x33”½x16”½\u002F28”¾h.\nHOB51 - HOB52\ncm. 270x85x42\u002F73h.\ninch 106”¼x33”½x16”½\u002F28”¾h.\n270\n106 1\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n255\n100 2\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n255\n100 2\u002F4”\n73\n28 3\u002F4”\n45\n16 2\u002F4”\n85\n33 2\u002F4”\nHOB53 - HOB54\ncm. 240x85x42\u002F73h.\ninch 94”½x33”½x16”½\u002F28”¾h.\nHOBP4\ncm. 160x70x42h.\ninch 63”x27”½x16”½h.\nHOBP3\ncm. 80x70x42h.\ninch 31”½x27”½x16”½h.\n240\n94 2\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n240\n94 2\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n80\n31 2\u002F4”\n42\n16 2\u002F4”\n70\n27 2\u002F4”\nPSE2\ncm. 250x104x42\u002F83h.\ninch 98”½x41”x16”½\u002F32”¾h.\nPSE2S\ncm. 217x104x42\u002F83h.\ninch 85”½x41”x16”½\u002F32”¾h.\nHOT PALM SPRINGS\n217\n85 1\u002F2”\n83\n32 3\u002F4”\n42\n16 1\u002F2”\n104\n41”\n240\n94 2\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\n240\n94 2\u002F4”\n73\n28 3\u002F4”\n42\n16 2\u002F4”\n85\n33 2\u002F4”\nPSE3\ncm. 303x104x43\u002F83h.\ninch 119”¼x41”x17”\u002F32”¾h.\nPSE6L - PSE6R\ncm. 127x170x42\u002F83h.\ninch 50”x67”x16”½\u002F32”¾h.\n303\n119 1\u002F4”\n83\n32 3\u002F4”\n43\n17”\n104\n41”\n127\n50”\n83\n32 3\u002F4”\n42\n16 1\u002F2”\n170\n67”\n127\n50”\n83\n32 3\u002F4”\n42\n16 1\u002F2”\n170\n67”\n303\n119 1\u002F4”\n83\n32 3\u002F4”\n43\n17”\n104\n41”\nPSE4L - PSE4R\ncm. 237x104x42\u002F83h.\ninch 93”¼x41”x16”½\u002F32”¾h.\nPSE5\ncm. 103x103x42\u002F83h.\ninch 40”½x40”½x16”½\u002F32”¾h.\nIO_1S\ncm. 299x62x44\u002F55h.\ninch 117”¾x24”½x17”¼\u002F21”¼h.\nINOUT\n237\n93 1\u002F4”\n83\n32 3\u002F4”\n42\n16 1\u002F2”\n104\n41”\n237\n93 1\u002F4”\n83\n32 3\u002F4”\n42\n16 1\u002F2”\n104\n41”\n103\n40 1\u002F2”\n83\n32 3\u002F4”\n42\n16 1\u002F2”\n103\n40 1\u002F2”\nIO_1TS\ncm. 301x62x44\u002F51h.\ninch 118”½x24”½x17”¼\u002F20”h.\n62\n24 1\u002F2”\n299\n117 3\u002F4”\n44\n17 1\u002F4”\n55\n21 1\u002F4”\nKNOTTED CHAIR\nIO_2S\ncm. 209x42x36h.\ninch 82”¼x16”½x14”¼h.\nIO_2TS\ncm. 211x42x35h.\ninch 83”x16”½x13”¾h.\nKC_1\ncm. 53x64x31\u002F69h.\ninch 21”x25”¼x12”½\u002F27”¼h.\n42\n16 1\u002F2”\n209\n82 1\u002F4”\n36\n14 1\u002F4”\n64\n25 1\u002F4”\n53\n21”\n31\n12 1\u002F2”\n69\n27 1\u002F4”\n",149,{"image":607,"text":608,"number":609},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.150.png","LT_1 - LT_5\ncm. 99x123x40\u002F67h.\ninch 40”x48”½x15”¾\u002F26”½h.\n123\n48½”\n99\n39”\n40\n15¾”\n67\n23¼”\n123\n48½”\n99\n39”\n40\n15¾”\n67\n23¼”\nLITOS\nLT_1B - LT_5B\ncm. 129x123x40\u002F67h.\ninch 50”¾x48”½x15”¾\u002F26”½h.\nLT_2 - LT_6\ncm. 154x106x40\u002F67h.\ninch 60”½x41”¾x15”¾\u002F26”½h.\n123\n48½”\n129\n50¾”\n40\n15¾”\n67\n23¼”\n123\n48½”\n129\n50¾”\n40\n15¾”\n67\n23¼”\n106\n41¾”\n154\n60½”\n40\n15¾”\n67\n23¼”\n106\n41¾”\n154\n60½”\n40\n15¾”\n67\n23¼”\nLT_2B - LT_6B\ncm. 184x106x40\u002F67h.\ninch 72”½x41”¾x15”¾\u002F26”½h.\nLT_3 - LT_7\ncm. 128x148x40\u002F67h.\ninch 50”½x58”¼x15”¾\u002F26”½h.\n106\n41¾”\n40\n15¾”\n67\n23¼”\n184\n72½”\n106\n41¾”\n40\n15¾”\n67\n23¼”\n184\n72½”\n148\n58½”\n128\n50½”\n40\n15¾”\n67\n23¼”\n148\n58½”\n128\n50½”\n40\n15¾”\n67\n23¼”\n148\n58½”\n158\n62¼”\n40\n15¾”\n67\n23¼”\n148\n58½”\n158\n62¼”\n40\n15¾”\n67\n23¼”\n183\n72”\n126\n49½”\n40\n15¾”\n67\n23¼”\n183\n72”\n126\n49½”\n40\n15¾”\n67\n23¼”\nLT_3B - LT_7B\ncm. 158x148x40\u002F67h.\ninch 60”¼x58”¼x15”¾\u002F26”½h.\nLT_4 - LT_8\ncm. 183x125,5x40\u002F67h.\ninch 72”x49”½x15”¾\u002F26”½h.\nLT_4B - LT_4B\ncm. 213x125,5x40\u002F67h.\ninch 83”¾x49”½x15”¾\u002F26”½h.\n213\n83¾”\n126\n49½”\n40\n15¾”\n67\n23¼”\n213\n83¾”\n126\n49½”\n40\n15¾”\n67\n23¼”\nLT_9\ncm. 126x126x40\u002F67h.\ninch 49”½x49”½x15”¾\u002F26”½h.\nLT_10\ncm. 154x106x40\u002F67h.\ninch 60”½x41”¾x15”¾\u002F26”½h.\n126\n49½”\n126\n49½”\n40\n15¾”\n67\n23¼”\n106\n41¾”\n154\n60½”\n40\n15¾”\n67\n23¼”\nLT_10BL - LT_10BR\ncm. 184x106x40\u002F67h.\ninch 72”½x41”¾x15”¾\u002F26”½h.\n106\n41¾”\n40\n15¾”\n67\n23¼”\n184\n72½”\n106\n41¾”\n184\n72½”\n40\n15¾”\n67\n23¼”\nLT_11 - LT_12\ncm. 99x148x40\u002F67h.\ninch 39”x58”½x15”¾\u002F26”½h.\n148\n58½”\n99\n39”\n40\n15¾”\n67\n23¼”\n148\n58½”\n99\n39”\n40\n15¾”\n67\n23¼”\nLT_13\ncm. 99x106x40\u002F67h.\ninch 39”x41”¾x15”¾\u002F26”½h.\n106\n41¾”\n99\n39”\n40\n15¾”\n67\n23¼”\nLT_45\ncm. 45x45x6h.\ninch 17”¾x17”¾x2”¼h.\n17½”\n45\n17½”\n45\n2¼”\n6\nLT_14 - LT_15\ncm. 99x106x40\u002F67h.\ninch 39”x41”¾x15”¾\u002F26”½h.\n106\n41¾”\n99\n39”\n40\n15¾”\n67\n23¼”\n106\n41¾”\n99\n39”\n40\n15¾”\n67\n23¼”\n21½”\n55\n21½”\n55\n2¼”\n6\n27½”\n70\n27½”\n70\n21½”\n55\n2¼”\n6\n4”\n10,5\nLT_70\ncm. 70x70x6h.\ninch 27”½x27”½x2”¼h.\nLT_55\ncm. 55x55x6h.\ninch 21”½x21”½x2”¼h.\n27½”\n70\n27½”\n70\n21½”\n55\n2¼”\n6\n4”\n10,5\nLOTUS (ATTESA)\nLS_1\ncm. 69x76x40\u002F110h.\ninch 27”¼x30x15”¾\u002F43”¼h.\n76\n30”\n69\n27 1\u002F4”\n40\n15 3\u002F4”\n110\n43 1\u002F4”\nLS_1CB\ncm. 69x76x40\u002F110h.\ninch 27”¼x30x15”¾\u002F43”¼h.\n76\n30”\n69\n27 1\u002F4”\n40\n15 3\u002F4”\n110\n43 1\u002F4”\nLW_1\ncm. 58x72x35,5\u002F74h.\ninch 22”¾x28”¼x14”\u002F29”¼h.\nLOW PAD\nLW_3\ncm. 58x72x40,5\u002F79h.\ninch 22”¾x28”¼x16”\u002F31”h.\n58\n72\n14\"\n74\n22 3\u002F4\"\n28 1\u002F4\"\n35,5\n29 1\u002F4\"\nLUD’O LOUNGE\nLU_1\ncm. 43x43x42h\ninch 17”x17”x16”½h\nLU_2\ncm. 75x87x42\u002F97h\ninch 29”½x 16”½\u002F38”¼h\nLU_4\ncm. 75x87x42\u002F97h\ninch 29”½x 16”½\u002F38”¼h\nØ43\n17”\nØ43\n17”\n42\n16 1\u002F2”\n75\n29 1\u002F2”\n42\n16 1\u002F2”\n87\n34 1\u002F4”\n97\n38 1\u002F4”\n75\n29 1\u002F2”\n42\n16 1\u002F2”\n87\n34 1\u002F4”\n97\n38 1\u002F4”\nNEWOOD RELAX\nNEWOOD RELAX LIGHT\nNW_3R\ncm. 65,5x69x40\u002F66h.\ninch 25”¾x27”¼x15”¾\u002F26”h.\nNWX3R\ncm. 65,5x69x40\u002F66h.\ninch 25”¾x27”¼x15”¾\u002F26”h.\n65,5\n25 3\u002F4”\n66\n26”\n69\n27 1\u002F4”\n40\n15 3\u002F4”\n65,5\n25 3\u002F4”\n69\n27 1\u002F4”\n66\n26”\n40\n15 3\u002F4”\nOBLONG SYSTEM\n80\n31 1\u002F2”\n120\n47 1\u002F4”\n36,5\n14 1\u002F4”\n63,5\n25”\nOS_3\ncm. 75x90x37\u002F67,5h.\ninch 29”½x35”½x14”½\u002F26”¼h.\nOS_1\ncm. 125x90x37\u002F67,5h.\ninch 47”¼x35”½x14”½\u002F26”¼h.\n75\n29 1\u002F2”\n90\n29 1\u002F2”\n37\n14 1\u002F2”\n67,5\n26 1\u002F4”\nLUD’INA\nLUC3\ncm. 63x62x46\u002F84h.\ninch 24”¾x24”½x18”\u002F33”h.\n63\n24 3\u002F4”\n84\n33”\n46\n18”\n62\n24 1\u002F2”\nLUC5\ncm. 63x62x45\u002F83min-55\u002F93max h.\ninch 24”¾x24”½x17”¾\u002F32”¾min- \n21”½\u002F36”½max h.\nLUC5R\ncm. 63x62x45\u002F83min-55\u002F93max h.\ninch 24”¾x24”½x17”¾\u002F32”¾min- \n21”½\u002F36”½max h.\n63\n24 3\u002F4”\n83 \u002F 93\n32¾” \u002F 36½” \n45 \u002F 55\n17¾” \u002F 21½”\n62\n24 1\u002F2”\n63\n24”¾\n83 \u002F 93\n32”¾ \u002F 36”½ \n45 \u002F 55\n17”¾ \u002F 21”½\n62\n24”½\n",150,{"image":611,"text":612,"number":613},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.151.png","OS_12\ncm. 100x105x37\u002F67,5h.\ninch 39”¼x41”¼x14”½\u002F26”¼h.\n105\n41 1\u002F4”\n100\n39 1\u002F4”\n105\n41 1\u002F4”\n100\n39 1\u002F4”\n37\n14 1\u002F2”\n67,5\n26 1\u002F4”\n37\n14 1\u002F2”\n67,5\n26 1\u002F4”\nOS_16\ncm. 75x90x37h.\ninch 29”½x35”½x14”½h.\n80\n31 1\u002F2”\n75\n29 1\u002F2”\n37\n14 1\u002F2”\nOS_26 - OS_27\ncm. 120x105x37\u002F67,5h.\ninch 47”¼x41”¼x14”½\u002F26”¼h.\nOBLONG SYSTEM\nOS_44\ncm. 115x90x37h.\ninch 45”¼x35”½x14”½h.\nOS_30\ncm. 95x90x37h.\ninch 37”¼x35”½x14”½h.\nORGONE\nMN_4\ncm. 181x38\u002F74x32\u002F50h.\ninch 71”¼x15”\u002F29”¼x12”½\u002F19”¾h.\n181\n50\n32\n71 1\u002F4\"\n19 1\u002F4\"\n12 1\u002F2\"\n74\n38\n29 1\u002F4\"\n15\"\nORL1 - ORL1G\ncm. 86x83x41\u002F58h.\ninch 33”¾x32”¾x16”¼\u002F22”¾h.\nORL2S\ncm. 133x68,5x70h.\ninch 52”¼x27”x27”½h.\n86\n33 3\u002F4”\n83\n32 3\u002F4”\n41\u002F58\n16 1\u002F4”-22 3\u002F4”\n133\n52 1\u002F4”\n68,5\n27”\n70\n27 1\u002F2”\nORLA\nORL4 - ORL4G\ncm. 66,5x68x43\u002F70h.\ninch 26”¼x26”¾x17”\u002F27”½h.\n66,5\n68\n70\n26 1\u002F4\"\n26 3\u002F4\"\n27 2\u002F4\"\n43\n17\"\nORL3\ncm. 238x89x41\u002F58h.\ninch 93”¾x35”¼x16”¼\u002F22”¾h.\n238\n93 3\u002F4”\n89\n35 1\u002F4”\n41\u002F59\n16 1\u002F4”-23 1\u002F4”\nORL2\ncm. 194x88x41\u002F58h.\ninch 76”½x34”¾x16”¼\u002F22”¾h.\n194\n76 1\u002F2”\n88\n34 3\u002F4”\n41\u002F58\n16 1\u002F4”-22 3\u002F4”\nORL7\ncm. 104x684x440h.\ninch 41”x33”x15”¾h.\n104\n41”\n84\n33”\n40\n15 3\u002F4”\nORL5 - ORL6\ncm. 261x139,5x38,5\u002F62h.\ninch 102”¾x55”x15”¼\u002F24”½h.\n261\n102 3\u002F4”\n38,5\n15 1\u002F4”\n62\n24 2\u002F4”\n139,5\n55”\n261\n102 3\u002F4”\n38,5\n15 1\u002F4”\n62\n24 2\u002F4”\n139,5\n55”\nPANDA SOFA\nPALR25\ncm. 250x95x35,5\u002F59h.\ninch 98”½x37”½x14”\u002F23”¼h.\nPALX25\ncm. 250x125x35,5\u002F59h.\ninch 98”½x49”¼x14”\u002F23”¼h.\n250\n95\n35,5\n59\n98 2\u002F4\"\n37 2\u002F4\"\n14\"\n23 1\u002F4\"\n100\n95\n35,5\n59\n39 1\u002F4\"\n37 2\u002F4\"\n14\"\n23 1\u002F4\"\nPALR10\ncm. 100x95x35,5\u002F59h.\ninch 39”¾x37”½x14”\u002F23”¼h.\nPALR95D - PALR95C - \nPALR95B - PALR95A -\ncm. 95x95x35,5\u002F59h.\ninch 37”½x37”½x14”\u002F23”¼h.\n95\n35,5\n59\n37 1\u002F2\"\n95\n37 1\u002F2\"\n14\"\n23 1\u002F4\"\n95\n35,5\n59\n37 1\u002F2\"\n95\n37 1\u002F2\"\n14\"\n23 1\u002F4\"\nPALR95\ncm. 95x95x35,5h.\ninch 37”½x37”½x14”h.\n95\n95\n35,5\n37 2\u002F4\"\n37 2\u002F4\"\n14\"\nPALR12D - PALR12C - \nPALR12B - PALR12A\ncm. 125x95x35,5\u002F59h.\ninch 49”¼x37”½x14”\u002F23”¼h.\nPALX12D - PALX12C - \nPALX12B - PALX12A\ncm. 125x125x35,5\u002F59h.\ninch 49”¼x49”¼x14”\u002F23”¼h.\n125\n125\n35,5\n59\n49 1\u002F4\"\n49 1\u002F4\"\n14\"\n23 1\u002F4\"\n125\n125\n35,5\n59\n49 1\u002F4\"\n49 1\u002F4\"\n14\"\n23 1\u002F4\"\nPALX12\ncm. 125x125x35,5h.\ninch 49”¼x49”¼x14”h.\nPALX10\ncm. 100x125x35,5\u002F59h.\ninch 39”¾x49”¼x14”\u002F23”¼h.\n100\n125\n35,5\n59\n39 1\u002F4\"\n49 1\u002F4\"\n14\"\n23 1\u002F4\"\n125\n125\n35,5\n49 1\u002F4\"\n49 1\u002F4\"\n14\"\nPEACOCK\nPCK1\ncm. 110X90X43\u002F90h.\ninch 43”¼x 35”½x17\u002F35”½h.\n110\n90\n43\n110\n43 1\u002F4\"\n35 1\u002F2\"\n17\"\n35 1\u002F2\"\nPEG ARMCHAIR\nPEG2R\ncm. 59x59,5x66,5h.\ninch 23”¼x23”½x26”¼h.\n59\n59,5\n66,5\n23 1\u002F4\"\n23 1\u002F2\"\n26 1\u002F4\"\nPR_1 - PR_2 - PR_3\ncm. 105x93x42\u002F109h.\ninch 41”¼x36”½x16”½\u002F43h.\nPROUST \u002F \nPROUST GEOMETRICA\n105\n93\n42\n109\n41 1\u002F4\"\n36 1\u002F2\"\n16 1\u002F2\"\n43\"\nM3088\ncm. 66x81x41\u002F68h.\ninch 26”x32”x16”¼\u002F26”¾h.\nSERIE 3088\n66\n81\n37\n66\n26\"\n32\"\n14 1\u002F2\"\n26\"\nRD_3 - RD_4 - RD_5\ncm. 93,5x73,5x38,5\u002F71h.\ninch 36”¾x28”¾x15”¼\u002F28h.\nRIVE DROITE\n36 3\u002F4\"\n28 3\u002F4\"\n71\n93,5\n73,5\n28\"\n15 1\u002F4\"\n38,5\nPC_17 \ncm. 62x90x38\u002F65h.\ninch 24”½x35”½x15”\u002F25”½h.\nSOFA WITH ARMS \n62\n92\n38\n65,5\n24 1\u002F2\"\n35 1\u002F2\"\n15\"\n25 3\u002F4\"\nSG_1T\ncm. 78x76x33\u002F67h.\ninch 30”¾x30”x13”\u002F26”¼h.\nSPRING\n78\n76\n33\n67\n30 3\u002F4\"\n30\"\n13\"\n26 1\u002F4\"\nOS_17\ncm. 95x90x37\u002F67,5h.\ninch 37”¼x35”½x14”½\u002F26”¼h.\nOS_31\ncm. 115x90x37\u002F67,5h.\ninch 45”¼x35”½x14”½\u002F26”¼h.\nOS_4 - OS_5 - OS_6 - OS_7\ncm. 100x90x37\u002F67,5h.\ninch 39”¼x35”½x14”½\u002F26”¼h.\n100\n39 1\u002F4”\n90\n35 1\u002F2”\n100\n39 1\u002F4”\n90\n35 1\u002F2”\n37\n14 1\u002F2”\n67,5\n26 1\u002F4”\n37\n14 1\u002F2”\n67,5\n26 1\u002F4”\nOS_18 - OS_19 - OS_20 - OS_21\ncm. 120x90x37\u002F67,5h.\ninch 37”¼x35”½x14”½\u002F26”¼h.\nOS_32 - OS_33 - OS_34 - OS_35\ncm. 140x90x37\u002F67,5h.\ninch 55”x35”½x14”½\u002F26”¼h.\n",151,{"image":615,"text":616,"number":617},"\u002Fmedia\u002Fimages\u002F8c\u002F5cfc34f54fdb416955f6bed202bcf5-28fec5af6c.152.png","SU_1I\ncm. 82x64x46\u002F75h.\ninch 32”¼x25”¼x18”\u002F29”½h.\nSUNSET\n64\n82\n41\n75\n25 1\u002F4\"\n32 1\u002F4\"\n16 1\u002F4\"\n29 1\u002F2\"\nTM_1 - TM_2 - TM_1E\ncm.63,5x96x35\u002F70h.\ninch 25”x37”¾x13”¾\u002F27”½h.\nTSA3\ncm. 135x70x28\u002F41\u002F72h.\ninch 53”¼x27”½x11”\u002F16”¼\u002F28”¼h.\nTHINKING MAN’S CHAIR\nTHREE SOFA DELUXE\n63,5\n96\n35\n70\n25\"\n37 3\u002F4\"\n13 3\u002F4\"\n27 1\u002F2\"\n135\n70\n28\n41\n72\n53 1\u002F4\"\n27 1\u002F2\"\n11\"\n16 1\u002F4\"\n28 1\u002F4\"\nTSA4 - TSA5\ncm. 135x70x30\u002F47\u002F72h.\ninch 53”¼x27”½x11”¾\u002F18”½\u002F28”¼h.\n135\n70\n30\n47\n72\n53 1\u002F4\"\n27 1\u002F2\"\n11 3\u002F4\"\n18 1\u002F2\"\n28 1\u002F4\"\nTSA6\ncm. 200x70x30\u002F47\u002F72h.\ninch 78”¾x27”½x11”¾\u002F18”½\u002F28”¼h.\nTSA7\ncm. 200x70x30\u002F47\u002F72h.\ninch 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