[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-tacchini-tjournal-10-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":125},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":120,"matched_pages":121,"match_count":122,"two_pages":123,"show_text":124},25912,"TJournal 10 2019","tacchini-tjournal-10-2019","\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F85\u002Fa753dda29adc30b71f56924df6f140-29090017d9.pdf","Tacchini",602,"tacchini","4.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117],{"image":7,"text":15,"number":16},"Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n04.2019\n10th Year, Spring 2019\nn°10\nT’JOURNAL\nFeaturing\nCOSTELA and REVERSÍVEL by Martin Eisler, SELLA by Carlo De Carli, LAGOA by \nZanini De Zanine, JOAQUIM by Giorgio Bonaguro and PASTILLES by Studiopepe \nfor Tacchini — NARCISO by Umberto Riva and MANTIQUEIRA by Domingos \nTótora for Tacchini Edizioni.\nPhotographed by ANDREA FERRARI \nIssue 10: Genius, Design, Culture\nSalone Internazionale del Mobile di Milano, Milan International Furniture Fair — Spring 2019\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.2.png","Colophon\nConcept and styling\nMaria Gabriella Zecca\nPhotography\nAndrea Ferrari\nGraphic design\nThink Work Observe\nPost production\nErica Fadini \nRendering\nRNDR Studio\nStudio Gianluca Busetti\nIllustrations\nMaurizio Faleschini\nCopy editing\nGaia De Santis\nTranslations\nStudio Intra\nColor separation\nand printing\nGrafiche Filacorda\nTacchini T’JOURNAL\nA magazine about DESIGN\n10th Year, Spring 2019\nPublished by \nTacchini Italia Forniture\n19, via Domodossola\n20822 Baruccana di Seveso\n(Monza Brianza) Italy\nT: +39 0362 504182\nF: +39 0362 552402\nE–mail: info@tacchini.it\nwww.tacchini.it\nCatalogue\nTacchini\nREVERSÍVEL \np.04\nCOSTELA \np.10\nSELLA  \np.16\nLAGOA \np.22\nJOAQUIM \np.26\nPASTILLES \np.30\nNew Finishes\nSPLIT \np.34\nGIO \np.38\nTacchini Edizioni\nNARCISO \np.42\nMANTIQUEIRA \np.44\nOverview \np.50\nDesigner\nMartin Eisler\nMartin Eisler\nCarlo De Carli\nZanini De Zanine\nGiorgio Bonaguro\nStudiopepe\nClaesson Koivisto Rune\nGianfranco Frattini\nUmberto Riva\nDomingos Tótora\nCategory\nArmchair\nArmchair, Ottoman\nSofa, Armchair\nArmchair\nLow Table\nArmchair, Ottoman, Low Table\nHigh Table\nLow Table\nRug\nVase\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n03\nContents\nn°10\nT’JOURNAL\nFeaturing\nCOSTELA and REVERSÍVEL by Martin Eisler, SELLA by Carlo De Carli, LAGOA by \nZanini De Zanine, JOAQUIM by Giorgio Bonaguro and PASTILLES by Studiopepe for \nTacchini — NARCISO by Umberto Riva and MANTIQUEIRA by Domingos Tótora for \nTacchini Edizioni.\nIssue 10: Genius, Design, Culture\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.3.png","REVERSÍVEL \n(cat. Armchair) \nDesigned by Martin Eisler\nDesign Classic\nOverview p.50\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n05\nReversível\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n04\nREVERSÍVEL (cat. Armchair) designed by Martin Eisler, 1955\n(Ita) Firmata dalla geniale creatività dell’architetto e designer Martin Eisler, \nReversível, pezzo storico del design carioca, ha fatto innamorare \nTacchini per la sua incredibile innovazione. Nella semplicità di una linea \ne di un movimento, questa poltrona si trasforma con un’eleganza \nestremamente disinvolta. Dinamica, flessibile, la riedizione di Reversível \npropone un doppio comfort grazie alla seduta posizionabile in due \nmodi, per utilizzare la poltrona da seduti con schiena eretta, o in modo più \nrilassato in una posizione semi-sdraiata, trasversale allo schienale. \n(Eng) Fruit of the creative genius of the architect and designer Martin Eisler, \nReversível is an historic piece of Carioca design, and Tacchini fell \nin love with its incredibly innovative style. With the simplicity of its lines and \nmovement, this armchair transforms with casual elegance. The dynamic, \nflexible reissue of Reversível offers dual comfort with two possible seat \npositions, to sit in the chair with the back upright, or really relax in a semi-\nreclining position, parallel with the backrest.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.4.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n07\nReversível\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n06\nREVERSÍVEL \n(cat. Armchair) \nDesigned by Martin Eisler\nDesign Classic\nOverview p.50\n(Ita) La semplicità e la naturalezza del movimento ne fanno sembrare  \novvia la funzionalità, che costituisce in realtà una intuizione assolutamente \nall’avanguardia oggi come ieri. Una seduta informale, dalle linee \ncaratteristiche, con struttura in metallo e rivestimenti tessili che ne \ncompletano l’originalità. Reversível testimonia la morbidezza e la  \nsensualità del design brasiliano anni ’50, combinazione di tradizione  \ne creatività, tra artigianato popolare e visionaria innovazione. \n(Eng) The simple, natural movement makes it seem an obvious solution,  \nbut it actually represents as ground-breaking an intuition now \nas then. This original, informal seat with its distinctive lines is completed \nwith a metal structure and fabric coverings. Reversível bears witness \nto the soft, sensuality of Brazilian 1950s design, a combination of tradition \nand creativity, folk craft and visionary innovation.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.5.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n09\nReversível Millennium\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n08\nREVERSÍVEL MILLENNIUM\n(cat. Armchair) \nLimited Edition\nDesigned by Martin Eisler \nDesign Classic\nOverview p.50\n(Ita) Per celebrare la rinascita dell’iconica poltrona Reversível nella inedita \nriedizione di Tacchini Classici, Tacchini Italia Forniture presenta la ricercata \nversione Reversível MILLENNIUM LIMITED EDITION, con base in  \nmetallo nel raffinato colore blu. Una esclusiva Limited Edition di solo 100 \npezzi. Un omaggio dedicato alla grande fantasia e all’elegante creatività di \nMartin Eisler.\n(Eng) To celebrate the rebirth of the iconic Reversível armchair in the brand \nnew Classici edition, Tacchini Italia Forniture presents the sophisticated \nversion of Reversível MILLENNIUM LIMITED EDITION with metal base in \nstylish blue. An exclusive Limited Edition of just 100 pieces and a homage  \nto the great imagination and elegant creativity of Martin Eisler.\nREVERSÍVEL MILLENNIUM Limited Edition\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.6.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n11\nCostela\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n10\nCOSTELA (cat. Armchair, Ottoman) designed by Martin Eisler, 1952\nCOSTELA \n(cat. Armchair, Ottoman) \nDesigned by Martin Eisler\nDesign Classic\nOverview p.50\n(Ita) Icona del design brasiliano degli anni ’50 e vincitrice del Compasso  \nd’Oro milanese, Tacchini ha il piacere di rieditare COSTELA di \nMartin Eisler. Una poltrona elegante e informale allo stesso tempo. \nDall’estetica sensuale, dalla matericità naturale e dal design intelligente, \nche consente una raffinata personalizzazione. Costela rappresenta \nla sintesi della natura di un progetto creativo. \n(Eng) Tacchini is delighted to reissue COSTELA by Martin Eisler, icon \nof Brazilian 1950s design, and winner of the Milanese Compasso d’Oro award. \nAn elegant yet informal armchair. With its sensual aesthetic, natural \nmaterials and intelligent design, it offers sophisticated personalization. \nCostela is a paradigm of creative design. \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.7.png","(Ita) L’idea portante, dalla quale parte tutto, la bellissima struttura in legno  \na fasce arrotondate in un ideale abbraccio che accoglie sia nella seduta  \nche nello schienale, e il completamento funzionale ed estetico del dettaglio,  \ni grandi cuscini da appoggiare orizzontalmente e verticalmente, a garanzia  \ndi un comfort completo e dallo stile estremamente naturale nella loro \nposizione quasi casuale. La parte portante è facilmente smontabile e rici-\nclabile, caratteristica in linea con la fondamentale tendenza e necessità \ncontemporanee di produrre arredi che considerino i principi di sostenibilità  \ne durata nel tempo. La possibilità di poter giocare con i rivestimenti  \ntessili rende poi Costela non solo un pezzo dalla storia inconfondibile, ma \nanche un arredo di rinnovata e irresistibile tendenza.\n(Eng) The fundamental idea on which the chair is built is the beautiful wooden \nstructure with its wooden ribs embracing both the seat and the back,  \nand the functional and aesthetic completion of the detail, the large cushions, \nset horizontally and vertically, ensuring absolute comfort with an  \nextremely natural style in their almost random position. The structure is easy \nto dismantle and recycle, a characteristic perfect for the current need and \ntendency to produce furniture that gives due consideration to the principles  \nof sustainability and durability. The possibility to play with the fabric coverings \nmakes Costela not only an unmistakable piece of history, but also an item  \nof renewed and irresistible modernity.\nCOSTELA \n(cat. Armchair, Ottoman) \nDesigned by Martin Eisler\nDesign Classic\nOverview p.50\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n13\nCostela\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n12\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.8.png","COSTELA \n(cat. Armchair, Ottoman) \nDesigned by Martin Eisler\nDesign Classic\nOverview p.50\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n15\nCostela\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n14\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.9.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n17\nSella\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n16\nSELLA (cat. Sofa) designed by Carlo De Carli\nSELLA \n(cat. Sofa, Armchair) \nDesigned by Carlo De Carli\nDesign Classic\nOverview p.50\n(Ita) Importante novità delle collezioni 2019, una riedizione prestigiosa, \nche Tacchini annuncia con entusiasmo. Il divano SELLA di Carlo De Carli. \nTestimone del concetto di “spazio primario” della filosofia di De Carli, \novvero dello “spazio di relazione”, principi che trovano conferma nella visione \ndella funzione d’arredo e della progettualità di interni secondo Tacchini, \nSella è ispirato all’omonima poltrona disegnata nel 1966 dal celebre architetto \nitaliano.\n(Eng) Another important addition to the 2019 collections is this prestigious \nreissue, which Tacchini is excited to announce: SELLA sofa by Carlo De Carli. \nSella illustrates the concept of “primary space” from De Carli’s philosophy \n– that of a “relational space” –, a principle true to Tacchini’s vision of the \nfunction of furniture and interior design. Sella is inspired by the armchair of \nthe same name designed in 1966 by the famous Italian architect. \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.10.png","SELLA \n(cat. Sofa, Armchair) \nDesigned by Carlo De Carli\nDesign Classic\nOverview p.50\n(Ita) Il divano si presenta come un arredo di grande eleganza, realizzato\ncon materiali di assoluto pregio: legno di noce a vista, dettagli \nin elegante metallo cromato finitura nera lucido e cinghie di supporto \ndello schienale in raffinato cuoio. Le cuscinature sono in piuma \ne i rivestimenti possono essere in pelle, tessuto o velluto. La sua linea \nmorbida e generosa è estremamente raffinata ed è progettata per \nregalare un comfort straordinario, dedicato a un tempo lento, che riconcilia \ncon se stessi e con gli altri, nella dimensione di uno spazio di relazione \npiù intimo e privato. \n(Eng) The highly elegant sofa is made using the very finest of materials: \nexposed walnut, elegant metal chromed details finish shiny black \nand belts for the support of the backrest in refined natural leather. \nThe cushions are filled with feathers, and the coverings could be in leather, \nfabric or velvet. Its soft, generous line offers the utmost refinement,\nand is designed to guarantee extraordinary comfort, conducive to a slow \ntempo that will reconcile us with ourselves and others, in a more \nintimate and private spatial dimension.\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n19\nSella\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n18\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.11.png","SELLA \n(cat. Sofa, Armchair) \nDesigned by Carlo De Carli\nDesign Classic\nOverview p.50\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n21\nSella\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n20\n“Personalmente non debbo cambiare il passo ai miei pensieri se disegno \nuna seggiola o una casa: soltanto i termini del problema.” \nC. De Carli in Tavoli e sedie e mobili viventi, in “Domus”, n. 278, 1953\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.12.png","LAGOA \n(cat. Armchair) \nDesigned by Zanini De Zanine\nOverview p.50\nLAGOA (cat. Armchair) designed by Zanini De Zanine\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n23\nLagoa\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n22\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.13.png","LAGOA \n(cat. Armchair) \nDesigned by Zanini De Zanine\nOverview p.50\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n25\nLagoa\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n24\n(Ita) Zanini de Zanine, celebre designer brasiliano, figlio dell’architetto \ne designer José Zanine Caldas, disegna un modello assolutamente inedito, \nprogettato in esclusiva per Tacchini, LAGOA. Una poltrona dal volume \nmorbido e tondeggiante che accoglie una seduta sospesa dal forte contrasto \nnello spessore. Gli estremi del sedile si inseriscono nei fianchi della \nstruttura infilandosi a scomparsa in un abbraccio naturale senza soluzione \ndi continuità. Un pezzo dalla creatività brillante, inedita, che trae \nispirazione dalla morbidezza della tradizione carioca, con uno spirito \nvisionario completamente nuovo.\n(Eng) Zanini de Zanine, the famous Brazilian designer, son of architect and \ndesigner José Zanine Caldas, creates an absolutely original model, \nconceived exclusively for Tacchini: LAGOA. Its soft, rounded forms surround \na suspended seat that gives a marked contrast in terms of thickness. \nThe ends of the seat slot into the sides of the structure, disappearing into \na seamless natural embrace. A piece that shows brilliant, original \ncreativity, drawing inspiration from the softness of the Carioca tradition, \nwith an all-new visionary spirit.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.14.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n27\nJoaquim\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n26\nJOAQUIM (cat. Low Table) designed by Giorgio Bonaguro\n(Ita) La morbidezza del design brasiliano dei mobili progettati tra gli anni ’40  \ne ’60 per le architetture moderniste di Niemeyer, Costa, Vilanova Artigas  \ne Bo Bardi ispira la nuova collezione di tavoli JOAQUIM di Bonaguro per \nTacchini. Dal punto di vista estetico, le forme geometriche e lineari sono  \nun omaggio alle linee semplici ed eleganti di Joaquim Tenreiro, considerato \nuno dei padri del design moderno tropicale, mentre dal punto di vista tecnico \nla collezione Joaquim è stata progettata pensando al recupero di scarti di \nlavorazione, in assoluta sintonia con i principi di upcycling ed ecosostenibilità, \nimportanti cardini della creatività brasiliana. I tavoli sono caratterizzati da  \nuna struttura in metallo con piani e basi in marmo Patagonia o Elegant Brown.\n(Eng) The softness of Brazilian furniture design between the 40s and 60s in \nthe modernist architecture of Niemeyer, Costa, Vilanova Artigas and Bo \nBardi provides the inspiration for the new collection of JOAQUIM tables by \nBonaguro for Tacchini. In aesthetic terms, the linear, geometric shapes \nare a homage to the simple, elegant lines of Joaquim Tenreiro, considered \none of the fathers of modern tropical design. In technical terms, the Joaquim \ncollection was designed to salvage off-cuts, fully embracing the principles \nof upcycling and environmental sustainability, which are major linchpins \nof Brazilian creativity. The tables feature a metal frame with tops and bases in \nPatagonia or Elegant Brown.\nJOAQUIM \n(cat. Low Table) \nDesigned by Giorgio Bonaguro\nOverview p.50\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.15.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n29\nJoaquim\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n28\nJOAQUIM \n(cat. Low Table) \nDesigned by Giorgio Bonaguro\nOverview p.50\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.16.png","PASTILLES \n(cat. Armchair, Ottoman, Low Table) \nDesigned by Studiopepe\nOverview p.50\nPASTILLES (cat. Armchair, Ottoman, Low Table) designed by Studiopepe\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n31\nPastilles\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n30\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.17.png","(Ita) PASTILLES, di Studiopepe, è una collezione di poltroncine, pouf \ne tavolini, dalle forme morbide e avvolgenti che rimandano a ricordi d’infanzia. \nUna rivisitazione contemporanea della classica poltrona a pozzetto, \ncon una sinuosa conchiglia che contiene la seduta e che dona comfort \nal design. Completati da due tavoli di diverse dimensioni e un pouf, \nquesti elementi creano una famiglia di forme coerenti che può essere utilizzata \ncome sistema o come singolo oggetto.\n(Eng) PASTILLES by Studiopepe is a collection of small armchairs, ottomans \nand coffee tables, with soft and enveloping shapes that bring back \nchildhood memories, the sweets. A contemporary reinterpretation of the \nclassic cockpit armchair, with a sinuous shell that contains the seat \nand that gives excellent comfort to the design. Completed by two \ntables of different sizes and an ottoman, these elements create a matched \nfamily of shapes that can be used as a system or as single objects.\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n33\nPastilles\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n32\nPASTILLES \n(cat. Armchair, Ottoman, Low Table) \nDesigned by Studiopepe\nOverview p.50\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.18.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n35\nSplit\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n34\nTacchini presents the new finishes 2019\nSPLIT (cat. High Table), designed by Claesson Koivisto Rune, 2007\nSPLIT \n(cat. High Table) \nDesigned by Claesson Koivisto Rune\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.19.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n37\nSplit\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n36\n(Ita) Colori naturali ed effetti materici tattili per la nuova collezione di tavoli \nSPLIT firmati dal noto trio di designer svedesi Claesson Koivisto Rune.  \nLa purezza del design scandinavo si rinnova e declina il fortunato modello \ndisegnato per Tacchini Italia Forniture nel 2007 in una inedita finitura  \nche riproduce l’effetto materico della pietra pomice, con una lavorazione  \ndel piano che non interviene in superficie, ma con delicata profondità,  \ncon un effetto piacevolmente tattile e incredibilmente naturale. I due nuovi \ncolori, lava e sabbia, scelgono un’essenzialità estremamente naturale, perfetta \nper la matericità del top antigraffio, disponibile sempre nelle forme  \nrotonda, ovale, quadrata o rettangolare. \n(Eng) Natural colours and tactile textural effects for the new collection of SPLIT \ntables by the well-known Swedish designer trio of Claesson Koivisto Rune.  \nThe clean lines of Scandinavian design are reworked to form the successful  \nmodel designed for Tacchini Italia Forniture in 2007 in an exclusive finish  \nwhich reproduces the textural effect of pumice stone, with manufacture of \nthe top that goes beyond the surface with subtle depth and with a pleasingly \ntactile and incredibly natural effect. The two new colours, lava and sand, \nrepresent a move towards extremely natural understatement, perfect for the \ntextural top, still available in the round, oval, square or rectangular shapes.\nSPLIT \n(cat. High Table) \nDesigned by Claesson Koivisto Rune\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.20.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n39\nGio\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n38\nGIO (cat. Low Table), designed by Gianfranco Frattini, (1957) 2016\nGIO \n(cat. Low Table) \nDesigned by Gianfranco Frattini\nDesign Classic\n(Ita) Pezzo storico del design anni ’50, Gianfranco Frattini disegna il tavolino \nGIO nel 1957 e nello stesso anno viene segnalato per il prestigioso Compasso \nd’Oro. Tacchini Italia Forniture lo riedita nel 2016 e quest’anno ne rinnova \nla collezione con un nuovo, raffinato, piano in finitura a effetto corno, che ne \nimpreziosisce l’elegante rigore estetico, nel pieno rispetto dell’ambiente. \nLa trama riprodotta rende il top lucido incredibilmente materico, sobriamente \naccoppiato al retro top in finitura laccato lucido, come la base. Il piano bi-\nfacciale, caratteristico di questo oggetto d’arredo minimale e ricco di dettagli \nprogettuali originali, acquista così una nuova declinazione di gusto, \nrimanendo fedele all’inconfondibile stile del modernismo italiano creato \ndal celebre architetto milanese.\n(Eng) A historic design piece from the 50s, Gianfranco Frattini designed the \nGIO coffee table in 1957. In the same year it was nominated for the prestigious \nCompasso d’Oro award. Tacchini Italia Forniture brought out a new version \nin 2016 and has restyled the collection this year with a new and refined \ntop in a horn effect finish which embellishes its elegant aesthetic under-\nstatement with total environmental awareness. The pattern reproduced makes \nthe gloss top incredibly textural, discreetly coordinated with the back in \ngloss lacquer finish, like the base. This two-sided top, a feature of this mi-\nnimalist furniture item, rich in original design details, thus gains a new \ndimension in taste, staying true to the unmistakable style of Italian modernism \ncreated by the renowned Milan architect. \n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.21.png","ED.\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n41\nTacchini Edizioni\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n40\nT’EDIZIONI\nFeaturing\nNARCISO by Umberto Riva and MANTIQUEIRA by Domingos Tótora.\nPhotographed by ANDREA FERRARI\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.22.png","(Ita) Tacchini Edizioni arricchisce la collezione di tappeti d’autore con \nuna nuova creazione firmata da Umberto Riva, NARCISO. Ispirato all’omonimo \ndipinto del 1994 del celebre architetto e designer, da sempre privatamente \nappassionato all’arte pittorica, il tappeto Narciso intreccia geometrie e colori \nin un soggetto astratto di sottile eleganza, dai delicati toni pastello, che \nsembra rappresentare una riflessione sulla bellezza e il suo valore, riflesso di \nverità e illusione. Manufatto interamente annodato a mano, prodotto in Nepal, \nrealizzato secondo l’antico e complesso processo orientale di annodatura \ndella lana, Narciso è realizzato in lana 100% himalayana, un materiale natural-\nmente robusto e resistente per l’alta concentrazione di lanolina presente \nin ogni fibra, garanzia di estrema durevolezza del tappeto nel tempo. Un’opera \nd’arte contemporanea, sintesi perfetta di arte pittorica, design e artigianalità. \n(Eng) Tacchini Edizioni expands its collection of designer rugs with a new \ncreation from Umberto Riva: NARCISO. It draws inspiration from the \npicture of the same name, painted in 1994 by the famous architect and \ndesigner, who has always had a secret passion for pictorial art. Narciso rug \ninterweaves geometries and colours in an abstract image of subtle \nelegance, in delicate pastel tones that seem to portray a contemplation of \nbeauty and its value, a reflection of truth and illusion. Narciso is entirely \nhand-knotted in Nepal, according to a complex, ancient oriental wool-knotting \nprocess. It is made of 100% Himalayan wool, a naturally robust and rugged \nmaterial due to the high concentration of lanolin found in every fibre, thus \nguaranteeing the long-term durability of the rug. A work of contemporary art, \nperfectly combining pictorial art, design and craftsmanship.\nNARCISO\n(cat. Rug) \nDesigned by Umberto Riva\nOverview p.50\nNARCISO (cat. Rug) designed by Umberto Riva\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n43\nNarciso\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n42\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.23.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n45\nMantiqueira\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n44\n(Ita) Oggetti tra arte e design, creazioni ispirate che fuggono dalle definizioni.  \nI nuovi MANTIQUEIRA di Domingos Tótora per Tacchini Edizioni sono \nun’inedita sintesi artistica del richiamo all’etica della natura e della \nartigianalità. Il designer brasiliano infonde a questi oggetti, realizzati con \ncartone riciclato, tutta l’intensità autentica della materia, che si \ntrasforma per essere plasmata a nuova vita.   \n(Eng) These inspired creations lie midway between art and design, defying \ndefinition. The new MANTIQUEIRA by Domingos Tótora for Tacchini Edizioni \nare an original artistic encapsulation of the way nature and craftsmanship \nelicit a shift towards ethics. The Brazilian designer creates these objects using \nrecycled cardboard, instilling them with all the authentic intensity of this \nmaterial, which is transformed and shaped into a new life. \nMANTIQUEIRA (cat. Vase) designed by Domingos Tótora\nMANTIQUEIRA\n(cat. Vase) \nDesigned by Domingos Tótora\nOverview p.50\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.24.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n47\nMantiqueira\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n46\n(Ita) I vasi di Tótora nascono da un laborioso processo, sostenibile  \ne certificato, nel quale il cartone riciclato, spezzettato in piccoli elementi \ne ridotto a una materia semiliquida, viene lavorato e modellato a mano, \nper dare forma a pezzi scultorei, essiccati al sole e successivamente rifiniti. \nIl procedimento artistico ha una natura quasi evocativa, restituendo \nal cartone, derivato del legno, un nuovo aspetto dalla qualità molto simile \na quella del legno stesso dal quale proviene. Bellezza e rispetto sembrano \nessere le parole chiave di una nuova e concreta visione sostenibile del \ncomplemento d’arredo.  \n(Eng) Tótora’s vases are the fruit of a certified, sustainable, labour-intensive \nprocess, in which recycled cardboard is reduced to a pulp, then worked \nand moulded by hand, giving shape to sculptural pieces that are then dried \nin the sun, and subsequently finished. The artistic procedure is quite \nevocative, taking cardboard, a derivative of wood, and transforming its \nappearance into something extremely similar to the very wood from \nwhich it comes. Beauty and respect seem to be the key words for this new \nand concrete sustainable vision of decor accessories.\nMANTIQUEIRA\n(cat. Vase) \nDesigned by Domingos Tótora\nOverview p.50\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.25.png","Tacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n49\nMantiqueira\nTacchini T’JOURNAL n°10\nPublished by Tacchini Italia Forniture\nA magazine about DESIGN\n48\nMANTIQUEIRA\n(cat. Vase) \nDesigned by Domingos Tótora\nOverview p.50\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fdb\u002F927bb0e89d6125951a9f4fa54b28d6-2909008cfe.26.png","Tacchini T’JOURNAL\nA magazine about DESIGN\n10th Year, Spring 2019\nPublished by \nTacchini Italia Forniture\nOverview\nTacchini Edizioni Overview\np.04 \nREVERSÍVEL (cat. Armchair) \ndesigned by Martin Eisler\nW 104 × D 73 × H 68\nH seat 34\np.26 \nJOAQUIM (cat. Low Table) \ndesigned by Giorgio Bonaguro\nØ 100 × H 30 \nØ 50 × H 48\np.10 \nCOSTELA (cat. Armchair, Ottoman)\ndesigned by Martin Eisler\nArmchair: W 74 × D 80 × H 83\nOttoman: W 74 × D 56 × H 39\nH seat 40\np.30 \nPASTILLES (cat. Armchair, Ottoman, \nLow Table) designed by Studiopepe\nArmchair:  W 57 × D 55 × H 73 \nOttoman: W 57 × D 55 × H 47\nH seat 47\np.16 \nSELLA (cat. Sofa, Armchair)\ndesigned by Carlo De Carli\nSofa: W 222 × D 97 × H 83\nH seat 42 \u002F H armrest 52\nArmchair: W 102 × D 97 × H 83\nH seat 42 \u002F H armrest 52\nLow Table: Ø 100 × H 33\nØ 50 × H 43\np.22 \nLAGOA (cat. Armchair) \ndesigned by Zanini De Zanine\nW 90 × D 74 × H 78\nH seat 33\np.42 \nNARCISO (cat. Rug) \ndesigned by Umberto Riva\nW 300 × D 230\np.44 \nMANTIQUEIRA (cat. 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