[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-sovet-italia-arkos":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":77},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":72,"matched_pages":73,"match_count":74,"two_pages":75,"show_text":76},12503,"Arkos","sovet-italia-arkos","\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fb5\u002F1d6af72d52e80d00f00d99f22d177a-2701dd3a75.pdf","Sovet Italia",2101,"sovet-italia","4.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69],{"image":7,"text":15,"number":16},"Arkos\ncollection booklet\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.2.png","2 \n3 \n“\nFrom a careful aluminium die-casting\narises the perfect synthesis between\nform and technology: Arkos.\nA collection of tables interpreting\nthe different living styles in\ncontemporary interiors.\nDa un’accurata pressofusione di\nalluminio nasce la sintesi perfetta\ntra forme e tecnologia: Arkos.\nUna collezione di tavoli capace di\ninterpretare i diversi stili dell’abitare\ngli interni contemporanei.\n”\nDesign Gianluigi Landoni\ncollection\nbooklet\nArkos\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.3.png","4 \n5 \n180x90x75h\n200x90x75h\n240x120x75h\n250x100x75h\nModels & Dimensions\nshaped square\n3 legs\n4 legs\nØ 100\nØ 120\nØ 130\nØ 140\nØ 150\n75\n75\nØ 87\nØ 98\nL\nP\n75\n146\u002F156\u002F166\u002F166\n66\nL\nP\n75\nØ 98\nL\nP\n75\n146\u002F156\u002F156\n66\nshaped rectangulare\nrectangulare\nround\n100x100x75h\n120x120x75h\n130x130x75h\n140x140x75h\n150x150x75h\n180x93x75h\n200x93x75h\n220x93x75h\nØ100x75h\nØ120x75h\nØ130x75h\nØ140x75h\nØ150x75h\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.4.png","6 \n7 \n\u002F The Arkos series arises from the desire to relive the taste of the \nItalian domestic interiors of the 50s. The aerodynamic lines and \ncurvilinear tensions of the shape are inspired by the designs of \nIco Parisi and respect the emblem of the Italian furniture style of \nthese years. Reinterpreted with a contemporary taste and made with \ncutting-edge techniques such as the aluminium die-casting for the \nbase, Arkos stands out for the strong structural bareness of the X or \nY legs with its thin and slender shape.\n\u002F La serie Arkos nasce dalla volontà di rivivere il sapore degli interni \ndomestici italiani degli anni 50. Le linee aerodinamiche e tensioni \ncurvilinee della forma si ispirano ai progetti di Ico Parisi e rispettano \nl’emblema dello stile del mobile italiano di questi anni. Reinterpretato \ncon un gusto contemporaneo e realizzato con tecniche d’avanguardia \ncome la pressofusione di alluminio per la base, Arkos si distingue per \nla spiccata nudità strutturale delle gambe a X o Y con la sua esile e \nlongilinea forma.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.5.png","8 \n9 \ncollection\nfinishes\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.6.png","10 \n11 \ntop\nNet glass\nNEB1\nWhite Net glass\nNet glass bianco\nNEC1\nMocha Net glass\nNet glass caffé\nNEC2\nClay Net glass\nNet glass creta\nNEC3\nCement Net glass\nNet glass col. cemento\nNER4\nRust Net glass\nNet glass col. ruggine\nNEV2\nMoss green Net glass\nNet glass col. muschio\nNEN1\nBlack Net glass\nNet glass nero\nNEM6\nTobacco\nNet glass\nNet glass col.\ntabacco\nNES1\nChampagne\nNet glass\nNet glass\nchampagne\nGlass\nVetro\nTETE\nExtralight glass\nVetro extrachiaro\nTFTF\nSmoked glass\nVetro fumé\nTBTB\nBronzed glass\nVetro bronzo\nTEB1\nExtralight glass lacquered\nmilky white\nVetro extrachiaro laccato \nbianco latte\nTEC1\nExtralight glass\nlacquered mocha\nVetro extrachiaro\nlaccato caffè\nTEC2\nExtralight glass\nlacquered clay\nVetro extrachiaro    \nlaccato creta\nTEC3\nExtralight glass\nlacquered cement\nVetro extrachiaro\nlaccato col. cemento\nTER4\nExtralight glass\nlacquered rust\nVetro extrachiaro\nlaccato col. ruggine\nTEV2\nExtralight glass \nlacquered moss green\nVetro extrachiaro\nlaccato col. muschio\nTEN1\nExtralight glass\nlacquered black\nVetro extrachiaro\nlaccato nero\nTEM6\nVetro extrachiaro\nlaccato col. tabacco\nExtralight glass\nlacquered tobacco\nTES1\nVetro extrachiaro\nlaccato champagne\nExtralight glass lacquered \nchampagne\nCAT. B\nCAT. D\nFrosted glass\nVetro acidato\nAEAE\nVetro acidato\nFrosted glass\nAEB1\nExtralight glass\nlacquered mocha\nVetro extrachiaro\nlaccato caffè\nAEC2\nFrosted clay glass\nVetro acidato creta\nAEC3\nFrosted\ncement glass\nVetro acidato\ncol. cemento\nAES1\nFrosted champagne\nglass\nVetro acidato\nchampagne\nCAT. E\nLiquid glass\nLFLF\nSmoked Liquid glass\nLBLB\nBronzed Liquid glass\nMateria\nMESP\nPearly\nmateria glass\nVetro materia\nperlato\nMBSP\nBronzed\nmateria glass\nVetro materia\nbronzo\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.7.png","12 \n13 \nCeramic\nCeramica\nCategoria CE1\nCT\nCeramic titanio\nCeramica titanio\nCJ\nIvory black ceramic\nCeramica Ivory Black\nCD\nDark ceramic\nCeramica dark\nCG\nGrey ceramic\nCeramica grey\nCZ\nCeppo di Grè ceramic\nCeramica Ceppo di Grè\nCC\nPre-polished Calacatta\nceramic\nCeramica Calacatta \nPrelucidata\nCX\nPre-polished Stone \nGrey ceramic\nCeramica Stone Grey \nPrelucidata\nKC\nCorten ceramic\nCeramica Corten\nWood\nLegni\nNC\nCanaletto walnut\nNoce Canaletto\nRN\nNatural oak wood\nRovere naturale\nRG\nGrey lacquered oak\nRovere tinto grigio\nWG\nWengé-stained oak\nRovere tinto wengè\nCeramic\nCeramica\nCategoria CE1\nCA\nArabescato light\nceramic\nCeramica Arabescato \nlight\nCL\nPolished Calacatta\nceramic\nCeramica Calacatta\nlucida\nCY\nStone grey ceramic\nCeramica Stone grey\nCU\nGaudi Stone ceramic\nCeramica Gaudi Stone\nCV\nOmbra di Caravaggio\nceramic\nCeramica Ombra di\nCaravaggio\nCH\nGrey onyx ceramic\nCeramica Onice grigio\nCI\nGold Onyx ceramic\nCeramica Onice oro\nCO\nPortoro ceramic\nCeramica Portoro\nCQ\nPolished Marquinia\nceramic\nCeramica Marquinia\nlucida\nCF\nEramosa ceramic\nCeramica Eramosa\nCW\nAntique ceramic\nCeramica Antique\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.8.png","14 \n15 \nColours and maintenance\nGlass\nThe lacquering used for our furniture is extremely durable as long as you \navoid scratching it or bumping particularly hard\u002Fsharp objects against it. \nThe glass is lacquered only on the back side both for mono or two-tones \nlacquered and frosted lacquered glasses. The shade of the samples is \nonly indicative and has not to be taken as restrictive. It can in fact slightly \ndiffer in conformity to the tolerances recognized for the materials used. \nAll the materials we use can be easily cleaned with water only or with a \nmild detergent. Do not use abrasive materials, acids or harsh chemicals. \nThe glass is interpreted through its transparency, therefore the conformity \nto the sample might differ according to the surface and the thickness \nused. For example, the extralight glass is completely neutral when seen in \nthe small samples, but it takes a light blue\u002Fgreenish shade when used on \nbigger or thicker tops. For this reason, we beg you to indicate\ncarefully those articles which have to be placed side by side or which are \npart of the same commission.\nThe two-tones finish consists of a double lacquering on the internal \npart of the glass sheet. The first lacquering, which is visible through the \ntransparency of the glass, is available in the finishes of cat. B-D. The \nsecond lacquering, which is visible internally, is the same of the mat pastel \nused to get the finishes of cat. B. Please notice that the final effect is \ndifferent from the one created by the same lacquering through the glass, \nin particular when it comes to soft colours.\nMirrors\nGold and rose mirrors could have small imperfections due to the particular \ntechnical characteristics of the material. We recommend not to use them \nin damp areas. Clean only with a dry cloth. \nCeramic\nThe shown samples are part of the bigger slabs Sovet works with. The \ncomplete slab is visible in the corresponding folder. Clean using water \nand a small amount of neutral detergent. Avoid using detergents with wax \nand waxing products to avoid the formation of greasy layers. \nWood\nWood colours are indicative samples. Clean using a damp soft cloth. \nMetals\nMetals colours are indicative samples. Clean using a damp soft cloth.\nFabrics\u002FLeathers\u002FFake leathers\u002Fvelvets\nFabrics colours are indicative samples. For care and maintenance please \nrefer to the instructions present in the corresponding folders and to the \ntechnical sheets provided by the manufacturers. \nIn case of further doubt please get in touch with the factory. \nMateriali e manutenzione\nVetro\nLe laccature utilizzate non presentano problemi di durata: basta evitare \ngraffi e urti contro oggetti particolarmente duri e spigolosi. Il vetro è \ncolorato solo sulla faccia posteriore sia nei vetri laccati coprenti mono \ne bicolore che nei vetri acidati laccati. La tonalità dei campioni proposti \nè indicativa e non va pertanto intesa in senso restrittivo; può infatti \ndifferire leggermente in conformità ai margini di tolleranza riconosciuti \nper i materiali impiegati. I materiali impiegati possono essere puliti \ntranquillamente solo con acqua oppure con un detergente neutro. \nEvitare l’uso di abrasivi, acidi o reagenti chimici. Il vetro è interpretato \nattraverso la sua trasparenza, pertanto la conformità al campione può \ndifferire a seconda della superficie e degli spessori impiegati. Un esempio \nlampante è dato dal vetro extrachiaro che nei campioncini si presenta \ncompletamente neutro ma che nei piani di dimensioni maggiori e con \nspessori più consistenti assume sfumature azzurro\u002Fverdi. Per tale ragione \nvi preghiamo anche di segnalare con particolare attenzione articoli che \ndebbano essere affiancati o facenti parte di una stessa commissione.\nLa finitura bicolore consiste nella doppia laccatura nella parte interna \ndella lastra di vetro. La prima laccatura, visibile attraverso la trasparenza \ndel vetro, è disponibile nelle categorie B-D. La seconda laccatura, visibile \ninternamente, equivale al colore pastello opaco utilizzato per ottenere le \nfiniture di cat. B. Vi facciamo presente che in questo caso l’effetto finale \ndifferisce da quello creato dalla medesima laccatura attraverso il vetro, \nin particolare nei colori tenui.\nSpecchi\nGli specchi oro e rosa potrebbero presentare delle piccole imperfezioni \ndovute alle caratteristiche tecniche del materiale. Non possono essere \nutilizzati in luoghi umidi. Pulire solo con panni asciutti. \nCeramica\nI campioni riportati sono una parte delle lastre che vengono lavorate. \nLa lastra completa si può vedere nella corrispettiva cartella. Pulire \nutilizzando acqua e una piccola quantità di detergente neutro. Evitare \nl’utilizzo di detergenti contenenti cere e prodotti ceranti per evitare la \nformazione di strati untuosi.\nLegno\nI colori dei legni sono campioni indicativi. Pulire utilizzando un panno \nmorbido inumidito.\n \nMetalli\nI colori dei metalli sono campioni indicativi. Pulire utilizzando un panno \nmorbido inumidito. \nTessuti\u002FPelli\u002FEcopelli\u002FVelluti\n I colori dei tessuti sono campioni indicativi. Per la cura e la manutenzione \nfare riferimento alle indicazioni riportate nelle rispettive cartelle e alle \nschede tecniche fornite dai produttori.\nSe permangono dubbi contattare l’azienda.\nITA\nENG\nColours and maintenance\nGlass\nThe lacquering used for our furniture is extremely durable as long as you \navoid scratching it or bumping particularly hard\u002Fsharp objects against it. \nThe glass is lacquered only on the back side both for mono or two-tones \nlacquered and frosted lacquered glasses. The shade of the samples is \nonly indicative and has not to be taken as restrictive. It can in fact slightly \ndiffer in conformity to the tolerances recognized for the materials used. \nAll the materials we use can be easily cleaned with water only or with a \nmild detergent. Do not use abrasive materials, acids or harsh chemicals. \nThe glass is interpreted through its transparency, therefore the conformity \nto the sample might differ according to the surface and the thickness \nused. For example, the extralight glass is completely neutral when seen in \nthe small samples, but it takes a light blue\u002Fgreenish shade when used on \nbigger or thicker tops. For this reason, we beg you to indicate\ncarefully those articles which have to be placed side by side or which are \npart of the same commission.\nThe two-tones finish consists of a double lacquering on the internal \npart of the glass sheet. The first lacquering, which is visible through the \ntransparency of the glass, is available in the finishes of cat. B-D. The \nsecond lacquering, which is visible internally, is the same of the mat pastel \nused to get the finishes of cat. B. Please notice that the final effect is \ndifferent from the one created by the same lacquering through the glass, \nin particular when it comes to soft colours.\nMirrors\nGold and rose mirrors could have small imperfections due to the particular \ntechnical characteristics of the material. We recommend not to use them \nin damp areas. Clean only with a dry cloth. \nCeramic\nThe shown samples are part of the bigger slabs Sovet works with. The \ncomplete slab is visible in the corresponding folder. Clean using water \nand a small amount of neutral detergent. Avoid using detergents with wax \nand waxing products to avoid the formation of greasy layers. \nWood\nWood colours are indicative samples. Clean using a damp soft cloth. \nMetals\nMetals colours are indicative samples. Clean using a damp soft cloth.\nFabrics\u002FLeathers\u002FFake leathers\u002Fvelvets\nFabrics colours are indicative samples. For care and maintenance please \nrefer to the instructions present in the corresponding folders and to the \ntechnical sheets provided by the manufacturers. \nIn case of further doubt please get in touch with the factory. \nMateriali e manutenzione\nVetro\nLe laccature utilizzate non presentano problemi di durata: basta evitare \ngraffi e urti contro oggetti particolarmente duri e spigolosi. Il vetro è \ncolorato solo sulla faccia posteriore sia nei vetri laccati coprenti mono \ne bicolore che nei vetri acidati laccati. La tonalità dei campioni proposti \nè indicativa e non va pertanto intesa in senso restrittivo; può infatti \ndifferire leggermente in conformità ai margini di tolleranza riconosciuti \nper i materiali impiegati. I materiali impiegati possono essere puliti \ntranquillamente solo con acqua oppure con un detergente neutro. \nEvitare l’uso di abrasivi, acidi o reagenti chimici. Il vetro è interpretato \nattraverso la sua trasparenza, pertanto la conformità al campione può \ndifferire a seconda della superficie e degli spessori impiegati. Un esempio \nlampante è dato dal vetro extrachiaro che nei campioncini si presenta \ncompletamente neutro ma che nei piani di dimensioni maggiori e con \nspessori più consistenti assume sfumature azzurro\u002Fverdi. Per tale ragione \nvi preghiamo anche di segnalare con particolare attenzione articoli che \ndebbano essere affiancati o facenti parte di una stessa commissione.\nLa finitura bicolore consiste nella doppia laccatura nella parte interna \ndella lastra di vetro. La prima laccatura, visibile attraverso la trasparenza \ndel vetro, è disponibile nelle categorie B-D. La seconda laccatura, visibile \ninternamente, equivale al colore pastello opaco utilizzato per ottenere le \nfiniture di cat. B. Vi facciamo presente che in questo caso l’effetto finale \ndifferisce da quello creato dalla medesima laccatura attraverso il vetro, \nin particolare nei colori tenui.\nSpecchi\nGli specchi oro e rosa potrebbero presentare delle piccole imperfezioni \ndovute alle caratteristiche tecniche del materiale. Non possono essere \nutilizzati in luoghi umidi. Pulire solo con panni asciutti. \nCeramica\nI campioni riportati sono una parte delle lastre che vengono lavorate. \nLa lastra completa si può vedere nella corrispettiva cartella. Pulire \nutilizzando acqua e una piccola quantità di detergente neutro. Evitare \nl’utilizzo di detergenti contenenti cere e prodotti ceranti per evitare la \nformazione di strati untuosi.\nLegno\nI colori dei legni sono campioni indicativi. Pulire utilizzando un panno \nmorbido inumidito.\n \nMetalli\nI colori dei metalli sono campioni indicativi. Pulire utilizzando un panno \nmorbido inumidito. \nTessuti\u002FPelli\u002FEcopelli\u002FVelluti\n I colori dei tessuti sono campioni indicativi. Per la cura e la manutenzione \nfare riferimento alle indicazioni riportate nelle rispettive cartelle e alle \nschede tecniche fornite dai produttori.\nSe permangono dubbi contattare l’azienda.\nITA\nENG\nbase\nAluminium\nAlluminio\nGN\nEmbossed black \nNero goffrato\nGC\nEmbossed Mocha\nCaffè goffrato\nBR\nBurnished metal\nMetallo brunito\nGT\nEmbossed clay\nCaffè goffrato\nGB\nEmbossed white\nCaffè goffrato\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.9.png","16 \n17 \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.10.png","18 \n19 \n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.11.png","20 \n21 \n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.12.png","22 \n23 \ndesigner\nGianluigi Landoni\nGianluigi Landoni si è laureato in architettura al Politecnico di Milano. Nel 1985 ha fondato il gruppo \ndi tendenza di design “Amalgama”. Ha lavorato per lo studio Rodolfo Bonetto dal 1988 al 1990, e dal \n1997 è partner dello studio Progetica Design, dove svolge un progetto di ricerca e sviluppo del design \nindustriale e di prodotto. Ha anche fondato lo studio multidisciplinare ALTROdesign con Rosaria Sofia Galli. \nDal 2001 svolge l’attività professionale in proprio come consulente ad aziende “design oriented” in vari \nsettori produttivi, e si occupa parallelamente di allestimenti e realizzazioni per aziende di arredamento nel \nsettore alberghiero e commerciale. Ha inoltre partecipato a numerose mostre e concorsi, ricevendo premi \ne riconoscimenti, non ultima la segnalazione all’edizione 1991 del Compasso d’oro e successivo Premio \nCompasso d’oro nell’edizione del 1998. È membro dell’Osservatorio permanente del design, dell’ADI \nDesign Index e del Consiglio direttivo ADI Lombardia.\nGianluigi Landoni, graduated in architecture at Politecnico di Milano, in 1985 he partecipated to \nthe founding of the design trend group Amalgama.  From 1988 to 1990 project manager at Rodolfo \nBonetto’s studio. From 1991 partner of studio Progetica Design where he carries out research and \ndevelopment of industrial design, deepening the themes of product design. He has carried out his own \nprofessional activity as a consultant to “design oriented” companies in various productive sectors, and \nhe founded with Rosaria Sofia Galli ALTROdesign multidisciplinary studio. At the same time he works \non set-ups and realizations for furnishing companies in the hotel and commercial sector. He has also \nparticipated in exhibitions and competitions, receiving prizes and awards, not least the report to the \n1991 edition of the Compasso d’Oro and subsequent Premio Compasso d’Oro in the 1998 edition. \nFirst prize Competition ADI\u002FExpo 2015.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.13.png","24 \n25 \nsustainability\nis made up \nof facts.\nSovet ha sempre mantentenuto alta l’attenzione all’ecocompatibilità sin dalla \nsua nascita nel 1987, attraverso la selezione delle materie prime e lo studio \ndi processi produttivi che abbiano il minimo impatto sull’ambiente con lo \nscopo di creare prodotti durevoli nel tempo.\nSovet has always maintained a high attention to eco-compatibility since \nits birth in its birth in 1987, through the selection of raw materials and \nthe study of production processes that have the least impact on the \nenvironment with the aim of creating long-lasting products.\npackiging\nphotovoltaic systems\nSovet usa imballi di cartone costruiti ad hoc con \nlimitata presenza di derivati del petroli.\nSovet uses cardboard packaging with limited \npresence of oil-derivate.\nFor its production processes Sovet uses energy \ncoming directly from renewable sources. Thanks \nto its photovoltaic systems it is able to meet its\nown energy demand.\nPer la sua produzione Sovet utilizza infatti energia\nderivante direttamente da fonti rinnovabili. \nAttraverso impianti fotovoltaici riesce a soddisfare \nil proprio fabbisogno energetico. \nreduce plastic is an habits \nPer ridurre il consumo di plastica e bottiglie monouso \nall’interno dei suoi uffici e della produzione, Sovet ha creato \ndelle borracce in metallo.\nTo reduce the consumption of plastic and disposable \nbottles within its offices and production, Sovet created \nmetal water bottles.\n2989 tree saved per year\n502695,549 kg emmision saved per year\n165 barrel of oil saved per year\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.14.png","26 \n27 \nmade\nin italy\nL’impiego creativo dei processi industriali, l’utilizzo di materie \nprime di assoluta qualità e le scrupolose lavorazioni eseguite \nda maestranze artigiane, permettono a Sovet di ottenere \ncollezioni di alta qualità e 100% Made in Italy. Grazie a sistemi \ndi automazione industriale all’avanguardia Sovet è in grado di \nsoddisfare anche esigenze per grandi forniture destinate a spazi \ncontract, sempre garantendo i più elevati standard qualitativi. \nSovet intraprende un percorso di ricerca dei materiali per creare \nun’offerta di complementi che si integrino tra di loro, arredando\nvarie tipologie di ambienti con la massima possibilità di \npersonalizzazione.\nThe creative use of industrial processes, the use of raw\nmaterials of absolute quality and the scrupulous work\nof master craftsmen, allow Sovet to create high quality\nand 100% Made in Italy collections. Thanks to state-ofthe-\nart industrial automation systems, Sovet is able to meet also \nlarge supply needs for contract spaces, always granting the \nhighest quality standards. The company takes a continuous \nsearch path for materials, to create an offer of accessories \ncomplementing one another, furnishing different kinds of \nenvironments with the maximum customization possibility.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fef\u002F62e04e883997cb379b9fe7f7a248bf-2701de252b.15.png","sovet.com\n",15,[],0,false,true,{"success":76,"data":78,"meta":299,"count":300,"next":301,"previous":302,"results":340,"brand_chips":401},[79,92,102,112,122,132,142,152,162,174,187,200,210,223,236,246,256,266,276,289],{"id":80,"title":81,"slug":82,"image":83,"source":84,"brand_name":85,"brand":86,"brand_slug":87,"file_size":88,"pages":89,"pages_count":90,"matched_pages":91,"match_count":74,"two_pages":75,"show_text":76},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds 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