[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-slide-second-life-contract-2026":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":205},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":200,"matched_pages":201,"match_count":202,"two_pages":203,"show_text":204},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197],{"image":7,"text":15,"number":16},"1\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.2.png","2\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.3.png","2\nSLIDE\nSECOND LIFE. FIRST NATURE.\nINDEX\n24, 27, 29\n25, 29\n40, 41, 44, 45\n82, 85\n40, 44, 45\n25, 28, 29\n65, 69\n32, 36, 37\n80, 83, 85\n33, 34, 37\n17, 20, 21, 33, 35, 37\n9, 12, 13, 49, 50, 53\n24, 29\n25, 28, 29\n57, 60, 61\n41, 42, 44, 45\n57, 58, 61\n8, 11, 13\n72, 77\n45, 66, 68, 69, 70, 71\n17, 19, 21\n17, 19, 21\n25, 26, 29\n17, 20, 21\n57, 60, 61\n61\nAMÉLIE\nBAMBOO\nCHUBBY\nGEAR\nDINO\nENJOY\nIL VASO H55\nJET\nFLUO\nAMBROGIO\nBLOS LOW TABLE\nCORDIALINA\nGLOBO HANGING\nAMÉLIE SIT UP\nBIG KROKO \nCHUBBY LOW \nGIÒ TONDO\nAMORE\nBLOS POT\nCUBO\nBLOSSY\nCUCUN\nAMÉLIE UP\nBLOS\nCONO\nGLOBO\nA\nB\nC\nG\nD\nE\nI\nJ\nF\n3\nSLIDE\nSECOND LIFE. FIRST NATURE.\n57, 59, 60, 61\n32, 33, 37\n64, 68, 69\n73, 74, 77\n80, 81, 85\n48, 51, 52, 53\n48, 51, 52, 53\n64, 65, 69\n9, 11, 13\n9, 11, 13\n41, 45\n72, 74, 77\n32, 36, 37\n49, 50, 53\n8, 13\n8, 12, 13\n49, 50, 53\n41, 43, 45\n56, 59, 61\n32, 34, 37\n73, 75, 77\n80, 83, 85\n16, 17, 21, 56, 58, 61 \n65, 69\n81, 84, 85\n73, 75\n56, 60, 61\n64, 68, 69\n8, 12, 13\n65, 67, 69\n32, 35, 37\n29, 72, 76, 77\n24, 27\n9, 10, 13\n9, 10, 12, 13\n53\n41, 43, 45, 65, 67, 69\n73, 75, 77\nTHREEBÙ\nKAMI SAN\nRIBS UP\nOTTOCENTO LAMP\nRAP\nPIVOT XL\nQUEEN OF LOVE \nLOW LITA\nWAVE POT\nWAVE\nX POT H120\nMARA\nKONCORD\nOTTOCENTO - SIZE M\nREBORN LAMP\nREBORN TABLE D.80\nPRINCESS OF LOVE\nLOW LITA TABLE\nTHREEBÙ POT\nKAMI YON\nOTTOCENTO MINI - SIZE L \nRAP CHAIR\nPONENTE\nLOW LITA LOVE\nWOW\nMARA POUF\nKROKO\nOTTOCENTO UP\nREBORN SOFA\nTOY\nKING OF LOVE \nOTTOCENTO MINI - SIZE M\nOTTOCENTO - SIZE L\nREBORN ARMCHAIR\nREBORN TABLE D.40\nPOT OF LOVE\nLOW LITA LOUNGE\nMARA SOFA\nT\nK\nR\nO\nR\nP\nQ\nL\nW\nX\nM\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.4.png","4\nSLIDE\nSECOND LIFE. FIRST NATURE.\nA NEW\nPARADIGM \nSecond Life segna un passaggio fondamentale nella traiettoria evolutiva \ndi SLIDE, introducendo una revisione strutturale del sistema produttivo \ne dell’impianto progettuale. La plastica riciclata viene assunta come riferimento, \nridefinendo in profondità processi e logiche di sviluppo dell’intero catalogo. \nIl percorso prende avvio dalle collezioni outdoor per estendersi in modo \nsistematico a tutte le famiglie di prodotto, configurando una nuova generazione \ndi arredi in cui la materia è oggetto di una rilettura consapevole. I prodotti \nsi misurano con paesaggi naturali estremi, contesti in cui la materia si manifesta \nnella sua condizione originaria e stabilisce relazioni dirette con forma, \nscala e durata. \nIn questi scenari, SLIDE afferma la propria capacità di instaurare un rapporto \ncalibrato con l’ambiente, costruendo dispositivi per l’abitare che uniscono \nresistenza, chiarezza e coerenza progettuale. A supporto di questo sistema \ninterviene una nuova palette cromatica, sviluppata in stretta relazione \ncon la materia riciclata. \nLe undici tonalità ampliano il campo espressivo del brand e consentono \nconfigurazioni trasversali tra le diverse famiglie di prodotto, rafforzando \ncontinuità e riconoscibilità. Con Second Life, SLIDE consolida il proprio ruolo \nnel panorama internazionale, proponendosi come interlocutore per architetti, \ndesigner e progettisti attraverso un sistema integrato in cui materia, \nprocesso e progetto convergono in una visione unitaria.\n5\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSecond Life marks a pivotal step in SLIDE’s evolutionary trajectory, introducing  \na structural revision of its production system and design framework.  \nRecycled plastic is adopted as a reference, fundamentally redefining processes  \nand development logics across the entire catalogue. \nThe process begins with the outdoor collections and extends systematically  \nto all product families, shaping a new generation of furnishings in which material  \nis subject to a conscious reinterpretation. The products engage with extreme \nnatural landscapes, contexts in which material manifests in its original condition  \nand establishes direct relationships with form, scale and durability. \nWithin these scenarios, SLIDE affirms its ability to establish a measured relationship \nwith the environment, developing solutions for living that combine resistance, \nclarity and design coherence. Supporting this system is a new colour palette, \ndeveloped in close relation to recycled material. \nThe eleven shades expand the brand’s expressive range and enable cross-category \nconfigurations, reinforcing continuity and recognisability. With Second Life,  \nSLIDE consolidates its position on the international stage, positioning itself as a key \npartner for architects, designers and specifiers through an integrated system  \nin which material, process and design converge into a unified vision.\nSecond Life ridefinisce la plastica\ncome materia progettuale \nconsapevole.”\nSecond Life redefines plastic as \na consciously designed material.”\n“\n“\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.5.png","LOREM IPSUMG \nDOLOR SIT AMET\n6\n7\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n6\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 55.2408° N\nLON 6.5116° W\nCOLLECTION \nREBORN\nALT 12 m\nTAVG 10°C\nRH 82%\nT 06:00 A.M.\n7\nSLIDE\nSECOND LIFE. FIRST NATURE.\nGIANT’S\nROUTE\nIRELAND\nLOC\nThe story takes us to the Giant’s Causeway in Northern Ireland, a coastal basalt \nformation where the cooling of lava has generated thousands of prismatic columns, \norganising the ground into a continuous structure of planes and level changes. \nHere, Reborn, developed in collaboration with ecoBirdy, finds a coherent setting \nwithin this natural system. Lamp, sofa, coffee tables and armchair form a unified \ncomposition, complemented by the Amore bench by Giò Colonna Romano, \na graphic sign that cuts through the space, and by Wave, conceived as both seating \nand planter, with a fluid morphology that recalls the movement of the ocean.\nIl racconto ci conduce nel Selciato del Gigante, Irlanda del Nord. Una formazione\nbasaltica costiera in cui il raffreddamento della lava ha generato migliaia di \ncolonne prismatiche, organizzando il suolo in una struttura continua di piani \ne dislivelli. Qui si inserisce Reborn, collezione sviluppata con ecoBirdy, che \ntrova in questo sistema naturale una cornice coerente. Lampada, divano, \ntavolini e poltroncina costruiscono una composizione unitaria, affiancata dalla \npanca Amore di Giò Colonna Romano, segno grafico che attraversa lo spazio, \ne da Wave, seduta e vaso dalla morfologia fluida che richiama il movimento \ndell’oceano.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.6.png","8\n9\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nLAT 55.2408° N\nLON 6.5116° W\n8\n9\nREBORN COLLECTION\nDesign EcoBirdy\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.7.png","10\n11\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nAMORE\nIris Violet\nREBORN ARMCHAIR\nAlmond Beige\nREBORN LAMP\nLight reborn\nREBORN SOFA\nAlmond Beige\nREBORN TABLE D.40\nDeep Blue\nPagina precedente \u002F\nPrevious page\nREBORN TABLE D.80\nIris Violet\nWAVE\nDeep Blue\nWAVE POT\nDeep Blue\nCORDIALINA\nLight White\nQuesta pagina \u002F \nThis page\nAMORE \nIris Violet\nREBORN ARMCHAIR\nAlmond Beige\nREBORN TABLE D.40\nDeep Blue\nWAVE POT\nDeep Blue\nCORDIALINA\nLight white\nPagina successiva \u002F\nNext page\nREBORN SOFA\nAlmond Beige\nREBORN TABLE D.40\nDeep Blue\nREBORN TABLE D.80\nIris Violet\nCORDIALINA\nLight white\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.8.png","SLIDE\nSECOND LIFE. FIRST NATURE.\n13\n12\nSLIDE\nSECOND LIFE. FIRST NATURE.\nWAVE\nWAVE POT\nDesign Giò Colonna Romano\nDesign Giò Colonna Romano\nDesign ecoBirdy\nREBORN TABLE D.80\nDesign Giò Colonna Romano\nDesign ecobirdy\nDesign Roberto Paoli\nREBORN LAMP\nCORDIALINA\nDesign ecoBirdy\nREBORN SOFA\nREBORN ARMCHAIR\n41\n43\n192\n60\n60\n160\n160\n45\n45\n5,5\n5,5\nDesign ecoBirdy\n43\n38\n145\n42\n40\n45\nReborn Collection\n16 kg\n0,6 kg\n7 kg\nAMORE\n18 kg\nREBORN TABLE D.40\n12 kg\n30 kg\nReborn Collection\nReborn Collection\nReborn Collection\n25 kg\nReborn Collection\nDesign ecoBirdy\n75\n30\n70\n80\n38\n75\n70\n75\n165\n70\n38\n25 kg\n25 kg\n14\n13\n25\n25\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.9.png","15\nSLIDE\nSECOND LIFE. FIRST NATURE.\n14\nSLIDE\nSECOND LIFE. FIRST NATURE.\n14\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 36.6828° N\nLON -117.5628° W\nCOLLECTION \nBLOS\nALT 1130 m\nTAVG 24 °C\nRH 30 %\nT 18 °C – 06:00 A.M.\n15\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSAILING \nSTONES\nCALIFORNIA\nLOC\nWe move to Racetrack Playa in California, a dry lakebed within Death Valley, known \nfor the phenomenon of the so-called sailing stones. Here, rocks move slowly across \nthe clay surface, leaving traces created by specific environmental conditions, \nincluding wind, humidity and thin sheets of ice that facilitate their movement. \nWithin this context, Blos is introduced, a collection defined by full volumes that \nestablish a solid presence in space, alongside the Ponente sun lounger, which rests \nnaturally on the ground, and Cucun, whose ribbed surface diffuses a soft light that \nintegrates into the landscape.\nCi spostiamo nella Racetrack Playa, in California, un bacino asciutto all’interno \ndella Death Valley, noto per il fenomeno delle sailing stones. Qui le rocce \nsi muovono lentamente sulla superficie argillosa, lasciando tracce generate \nda specifiche condizioni ambientali tra vento, umidità e sottili lastre di \nghiaccio che ne facilitano lo scorrimento. Si inseriscono qui Blos, collezione \ncaratterizzata da volumi pieni che definiscono una presenza solida nello spazio, \nil lettino Ponente, che si appoggia al terreno con naturalezza, e Cucun, che \ncon la sua superficie costolata, diffonde una luce morbida che si integra nel \npaesaggio.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.10.png","16\n17\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.11.png","18\n19\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nBLOS\nSavannah Land\nBLOS LOW TABLE\nSahara Sand, Savannah Land\nBLOSSY\nSavannah Land\nPONENTE\nSahara Sand, cushion White\nCUCUN\nLight White\nPagina precedente \u002F \nPrevious page\nQuesta pagina \u002F\nThis page\nBLOSSY\nSavannah Land\nPONENTE\nSahara Sand, cushion White\nCUCUN\nLight white\nPagina successiva \u002F\nNext page\nBLOS\nSavannah Land\nBLOS LOW TABLE\nSahara Sand\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.12.png","20\nSLIDE\nSECOND LIFE. FIRST NATURE.\n21\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign Lorenza Bozzoli\nDesign Martinelli Venezia Studio\nPONENTE\nCUCUN\nDesign Karim Rashid\nBLOS LOW TABLE\nDesign Karim Rashid\nBLOSSY\nBLOS\nDesign Karim Rashid\nBlos Collection\n4,5 kg\n25 kg\n20 kg\n18 kg\n38 kg\nBlos Collection\nBlos Collection\n170\n100\n170\n85\n34\n170\n75\n170\n75\n170\n159\n170\n85\n34\n170\n32\n55\n42\n200\n80\n34\n170\n68\n190\n77\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.13.png","LOREM IPSUMG \nDOLOR SIT AMET\n22\n23\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nLAT -0.6740° S\nLON -76.4010° W\nALT 250 m\nTAVG 26 °C\nRH 88 %\nT 24 °C – 06:00 A.M.\nCOLLECTION\nAMÉLIE\nGLOBO\nOTTOCENTO\n22\nSECOND LIFE. FIRST NATURE.\nSLIDE\nLOC AMAZON\nFOREST\nECUADOR\nSLIDE\nSECOND LIFE. FIRST NATURE.\n23\nWe land in the Ecuadorian Amazon rainforest. Here, vegetal density, the constant \npresence of water and the filtration of light generate a spatial condition defined \nby reflections and depth. The Amélie collection introduces a light geometry, while \nthe Ottocento table establishes a more compact, material presence, capable of \nabsorbing the chromatic and luminous vibrations of the environment. Globo is \npositioned as an isotropic element, a light source that accompanies the spatial \nvariations. The Enjoy bench traverses the composition as a continuous sign, legible \nfrom both sides.\nAtterriamo nella foresta amazzonica dell’Ecuador. Qui densità vegetale, \npresenza costante d’acqua e filtrazione della luce costruiscono una condizione \nspaziale fatta di riflessi e profondità.  La collezione Amélie introduce una \ngeometria leggera, mentre il tavolo Ottocento stabilisce una presenza più \ncompatta e materica, capace di assorbire le vibrazioni cromatiche e luminose \ndell’ambiente. Globo si colloca come elemento isotropo, una sorgente luminosa \nche accompagna le variazioni dello spazio. La panca Enjoy attraversa la \ncomposizione come segno continuo, leggibile da entrambi i lati.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.14.png","24\n25\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.15.png","26\n27\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nAMÉLIE\nMoka Brown\nAMÉLIE SIT UP\nPine Green\nAMÉLIE UP\nSavannah Land\nBAMBOO\nSahara Sand\nENJOY\nPine Green\nPagina precedente \u002F \nPrevious page\nOTTOCENTO - SIZE L\nSavannah Land, top Ardesia\nGLOBO HANGING\nLight White\nQuesta pagina \u002F \nThis page\nAMÉLIE\nMoka Brown\nAMÉLIE SIT UP\nPine Green\nAMÉLIE UP\nSavannah Land\nOTTOCENTO - SIZE L\nSavannah Land, top Ardesia\nPagina successiva \u002F\nNext page\nENJOY\nPine Green\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.16.png","28\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign Paola Navone - OTTO Studio\nGLOBO HANGING\nGLOBO HANGING\nDesign SLIDE Studio\nDesign SLIDE Studio\nDesign Adriana Lohmann - Giò Colonna Romano\nOTTOCENTO - Size L\nDesign Italo Pertichini\nAMÉLIE SIT UP\nAMÉLIE\nDesign Italo Pertichini\nAmélie Collection\nENJOY\n15 kg\n45 kg\n7 kg\n6 kg\nAmélie Collection\n1,2 kg\n2 kg\nOttocento Collection\nDesign Italo Pertichini\nAMÉLIE UP\n10 kg\nAmélie Collection\n67\n87\n47\n59\n95\n29\n25,4\n49\n70\n45\nDesign Tous les Trois\nBAMBOO\n14 kg \u002F 5L - 8L - 3L - 8L - 5L\n80\n22\n71\n30\n22\n27\n22\n27\n104\nR9\nR1\nR7\nR1\nR9\n21\n18\n21\n24\n24\n30\n61,5\n110\n61,5\n36\n42\n45\n124\nGlobo Collection\nGlobo Collection\n29\nSLIDE\nSECOND LIFE. FIRST NATURE.\n72\n75\n140\n40\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.17.png","LOREM IPSUMG \nDOLOR SIT AMET\n30\n31\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n30\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 37.9164° N\nLON 29.1173° E\nALT 255 m\nTAVG 17 °C\nRH 60 %\nT 15 °C – 06:00 A.M.\nCOLLECTION\nKAMI\nBLOS\nLOVE\n31\nSLIDE\nSECOND LIFE. FIRST NATURE.\nPAMUKKALE\nTURKEY\nLOC\nWe are in Pamukkale, Turkey, a formation of limestone terraces created by the\ndeposition of thermal waters, which over time have formed a sequence of overlapping\nbasins. In this landscape, Ambrogio appears as a recognizable presence, alongside \nthe Kami collection, a seating system defined by folds and surfaces that echo the \nnatural geometry of the pools. The composition is completed by King of Love, a \nstrongly distinctive vertical element that stands out in the space, and by the Koncord\nseat, whose slender, continuous verticality introduces rhythm in relation to the \nsequence of natural levels.\nCi troviamo a Pamukkale, in Turchia, una formazione di terrazze calcaree \ngenerate dal deposito delle acque termali, che nel tempo hanno costruito una \nsequenza di bacini sovrapposti. In questo paesaggio, Ambrogio si inserisce \ncome presenza riconoscibile, affiancato dalla collezione Kami, un sistema di \nsedute costruito per pieghe e superfici che dialogano con la geometria naturale \ndelle vasche. La composizione si completa con King of Love, elemento verticale \nfortemente caratteristico che emerge nello spazio, e con la seduta Koncord, la \ncui verticalità sottile e continua introduce ritmo in relazione alla scansione dei \nlivelli naturali.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.18.png","32\n33\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.19.png","34\n35\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nAMBROGIO\nMist White\nBLOS LOW TABLE\nElephant Grey\nJET\nDeep Blue\nKAMI SAN\nDeep Blue\nKAMI YON\nDeep Blue\nPagina precedente \u002F \nPrevious page\nKONCORD \nElephant Grey\nKING OF LOVE\nMist White\nQuesta pagina \u002F\nThis page\nAMBROGIO\nMist White\nBLOS LOW TABLE\nElephant Grey\nKAMI SAN\nDeep Blue\nKAMI YON\nDeep Blue\nKING OF LOVE\nMist White\nPagina successiva \u002F\nNext page\nJET\nDeep Blue\nKONCORD \nElephant Grey\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.20.png","36\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign Favaretto & Partners\nDesign Karim Rashid\nAMBROGIO\nDesign Karim Rashid\nKONCORD\nDesign Karim Rashid\nJET\nKING OF LOVE\nDesign Moro & Pigatti\nDesign of Love Collection\n5 kg\nBLOS LOW TABLE\n4,5 kg\n5 kg\n47 kg\n7 kg\nDesign Marc Sadler\nKAMI SAN\n20 kg\nKAMI YON\nDesign Marc Sadler\nKami Collection\n33 kg\nBlos Collection\nKami Collection\n170\n235\n170\n195\n43\n60\n43\n90\n62\n110\n76\n40\n22\n43\n19\n24\n70\n  \n170\n42,5\n170\n38,5\n29\n170\n60,5\n170\n55\n170\n32\n170\n42\n170\n95\n170\n70\n170\n80\n170\n75\n170\n60\n170\n53\n170\n35\n170\n40\n170\n160\n170\n174\n170\n70\n170\n75\n170\n60\n170\n53\n170\n35\n170\n40\n37\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.21.png","38\nSECOND LIFE. FIRST NATURE.\nSLIDE\nLAT 23.8632° S\nLON 69.1418° W\nALT 2400 m\nTAVG 13 °C\nRH 20 %\nT 5 °C – 06:00 A.M.\nCOLLECTION\nCHUBBY \nLOW LITA\nX POT\nLOC ATACAMA\nDESERT\nCILE\nSLIDE\nSECOND LIFE. FIRST NATURE.\n39\nThe Atacama Desert unfolds as a stratified mineral system, where the landscape \nis defined by chromatic variations, geological incisions and extreme conditions \nof aridity. Light moves across the surfaces, revealing their pink-toned hues. The \nChubby collection engages with the density of the natural matter, asserting \nitself as compact and continuous volumes. Dino diffuses a soft, uniform light \nthat accompanies the reading of the space. In the background, Low Lita Lounge \nintroduces a balance between lightness and stability: the profile of the seat is set \nagainst a pronounced structural base, anchoring itself naturally to the ground.\nIl deserto di Atacama si estende come un sistema minerale stratificato, in cui \nil paesaggio si definisce attraverso variazioni cromatiche, incisioni geologiche \ne condizioni estreme di aridità. La luce attraversa le superfici e ne rivela le \ntonalità rosate. Le sedute Chubby si confrontano con la densità della materia \nnaturale, affermandosi come volumi compatti e continui. Dino diffonde una luce \nmorbida e uniforme che accompagna la lettura dello spazio. Sullo sfondo, Low \nLita Lounge introduce un equilibrio tra leggerezza e stabilità: il profilo della \nseduta si misura con una base strutturale marcata, radicandosi al suolo con \nnaturalezza.\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.22.png","40\n41\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.23.png","42\n43\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nCHUBBY\nHibiscus Red\nCHUBBY LOW\nMoka Brown\nLOW LITA LOUNGE\nHibiscus Red\nLOW LITA TABLE\nSahara Sand\nXPOT H120\nSahara Sand\nPagina precedente \u002F\nPrevious page\nDINO\nLight White\nQuesta pagina \u002F\nThis page\nCHUBBY\nHibiscus Red\nCHUBBY LOW\nMoka Brown\nLOW LITA LOUNGE\nHibiscus Red\nLOW LITA TABLE\nSahara Sand\nPagina successiva \u002F\nNext page\nCHUBBY\nHibiscus Red\nCHUBBY LOW\nMoka Brown\nDINO\nLight White\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.24.png","44\nSLIDE\nSECOND LIFE. FIRST NATURE.\n45\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign SLIDE Studio\nLOW LITA TABLE\nDesign Paola Navone - OTTO Studio\nDesign SLIDE Studio\nX POT H120\nDINO\nDesign Paola Navone - OTTO Studio\nLOW LITA LOUNGE\nDesign Marcel Wanders\nCHUBBY LOW\nCHUBBY\nDesign Marcel Wanders\nChubby Collection\n25 kg\nLow Lita Collection\n25 kg\n15 kg \u002F 25 kg\n25 kg\n8 kg\nChubby Collection\nLow Lita Collection\n10 kg\nX Pot Collection\n86\n117\n120\n160\n56\n130\n120\n62\n27\n30\n85\n75\n175\n36\n60\n79\n63\n90\n35\n40\n44\n5\n68\n52\n56\n120\n48\n85\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.25.png","47\nSLIDE\nSECOND LIFE. FIRST NATURE.\n46\nSLIDE\nSECOND LIFE. FIRST NATURE.\n46\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 54.9381° N\nLON 8.8663° E\nALT 3 m\nTAVG 8 °C\nRH 85 %\nT 7 °C – 06:00 A.M.\nCOLLECTION\nOTTOCENTO\nLOVE\n47\nSLIDE\nSECOND LIFE. FIRST NATURE.\nBLACK SUN\nDENMARK\nLOC\nIn the Danish plains, the phenomenon of Sort Sol unfolds as a dynamic system in \nwhich large flocks gather into dense configurations, generating forms in continuous \ntransformation. The collective movement, governed by principles of proximity and \nadaptation, produces a sequence of shapes that dissolve and recombine within \nthe aerial space. Queen of Love emerges here as an iconic presence, where an \narticulated decorative language is distilled into a contemporary synthesis. Pivot \nintroduces a vertical luminous element, while the Ottocento table establishes a \nmore compact and material presence.\nNelle pianure danesi, il fenomeno del Sort Sol si manifesta come un sistema \ndinamico in cui grandi stormi si aggregano in configurazioni dense, generando \nfigure in continua trasformazione. Il movimento collettivo, governato da logiche \ndi prossimità e adattamento, costruisce una sequenza di forme che si dissolvono \ne si ricompongono nello spazio aereo. Queen of Love si afferma qui come \npresenza iconica, in cui un linguaggio decorativo articolato viene ricondotto \na una sintesi contemporanea. Pivot introduce un elemento luminoso verticale, \nmentre il tavolo Ottocento stabilisce una presenza più compatta e materica. \n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.26.png","48\n49\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.27.png","50\n51\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nOTTOCENTO - SIZE M\nHibiscus Red, top Calacatta\nPOT OF LOVE\nHibiscus Red\nPRINCESS OF LOVE\nMist White\nQUEEN OF LOVE\nIris Violet\nCORDIALINA\nLight White\nPagina precedente \u002F \nPrevious page\nPIVOT XL\nLight White\nQuesta pagina \u002F\nThis page\nOTTOCENTO - SIZE M\nHibiscus Red, top Calacatta\nPRINCESS OF LOVE\nMist White\nQUEEN OF LOVE\nIris Violet\nCORDIALINA\nLight White\nPIVOT XL\nLight White\nPagina successiva \u002F\nNext page\nQUEEN OF LOVE\nIris Violet\nPIVOT XL\nLight White\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.28.png","52\nSLIDE\nSECOND LIFE. FIRST NATURE.\nPOT OF LOVE\nDesign Moro & Pigatti\nDesign of Love Collection\nDesign Moro & Pigatti\nQUEEN OF LOVE\nDesign Moro & Pigatti\nDesign of Love Collection\nDesign of Love Collection\nPRINCESS OF LOVE\nDesign Carlo Costantini\nPIVOT XL\nOTTOCENTO - Size M\nDesign Paola Navone - OTTO Studio\nOttocento Collection\n7 kg\n20 kg\n18 kg\n15 kg\n2,5 kg\n80\n71\n46\n210\n145\n65\n53\n49\n70\n92\n54\n54\n45\n34\n34,5\n27\n31\n103,5\n60\n112,5\n98\n58\n38\nDesign Roberto Paoli\nCORDIALINA\n0,6 kg\n14\n13\n53\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.29.png","55\nSLIDE\nSECOND LIFE. FIRST NATURE.\n54\nSLIDE\nSECOND LIFE. FIRST NATURE.\n54\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT -23.5000° S\nLON 15.0000° E\nALT 900 m\nTAVG 21 °C\nRH 35 %\nT 15 °C – 06:00 A.M.\n55\nSLIDE\nSECOND LIFE. FIRST NATURE.\nFAIRY \nCIRCLES\nNAMIBIA\nLOC\nIn the Namibian desert, the so-called Fairy Circles spread across vast surfaces \nas circular areas devoid of vegetation, forming a discontinuous pattern in which \nrepetition and distance generate a form of implicit order. Within this context, Kroko \ninterprets the animal form through \tsynthetized volumes, alongside Threebù, \nwith which it creates a compact nucleus. The lighting elements are arranged in \ncontinuity: Globo, a sphere that diffuses light uniformly, and Cono, which modulates \nlight along a controlled axis. Big Giò ultimately establishes a scale element, a solid \nvolume that anchors itself to the ground and defines the spatial composition.\nNel deserto della Namibia, i Cerchi delle fate si distribuiscono su vaste superfici \ncome segni circolari privi di vegetazione, costruendo una trama discontinua \nin cui ripetizione e distanza generano una forma di ordine implicito. In questo \ncontesto, Kroko interpreta la forma animale attraverso volumi sintetizzati, \naffiancato da Threebù, con cui costruisce un nucleo compatto. Gli elementi \nluminosi si dispongono per continuità: Globo, una sfera che diffonde luce in \nmodo uniforme, e Cono, che modula la luce lungo un asse controllato. Big Giò \nstabilisce infine un elemento di scala, un volume pieno che si radica nel suolo e \nmisura la composizione.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.30.png","56\n57\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.31.png","58\n59\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nBIG KROKO\nSavannah Land\nGIÒ TONDO\nHibiscus Red\nKROKO\nSavannah Land\nPONENTE\nNamibian Desert, Grey cushion\nTHREEBÙ\nHibiscus Red\nPagina precedente \u002F\nPrevious page\nTHREEBÙ POT \nHibiscus Red\nCONO\nLight White\nGLOBO\nLight White\nQuesta pagina \u002F\nThis page\nGIÒ TONDO\nHibiscus Red\nPONENTE\nNamibian Desert, Grey cushion\nTHREEBÙ\nHibiscus Red\nTHREEBÙ POT \nHibiscus Red\nPagina successiva \u002F\nNext page\nBIG KROKO\nSavannah Land\nKROKO\nSavannah Land\nTHREEBÙ\nHibiscus Red\nCONO\nLight White\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.32.png","60\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign Marcantonio\nTHREEBÙ\nDesign Marcantonio\nDesign Marcantonio\nTHREEBÙ POT\nDesign Marcantonio\nKROKO\nDesign Giò Colonna Romano\nGIÒ TONDO\nDesign SLIDE Studio\nCONO\nPONENTE\nDesign Martinelli Venezia Studio\n25 kg \u002F Giò Tondo 200L - Giò Tondo Light 40 L\nAfrika Collection\n4 kg\nBIG KROKO\n22 kg\n11 kg\n25 kg\n6 kg \u002F 9 kg\n4 kg\nAfrika Collection\nAfrika Collection\nAfrika Collection\n170\n113\n42\n53\n170\n150\n170\n12\n170\n12\n170\n92\n170\n68\n170\n110\n170\n68\n17\n45\n170\n45\n45\n45\n170\n45\n170\n45\n170\n24\n170\n23\n170\n200\n170\n75\n170\n34\n170\n68\n170\n60\n170\n43\n170\n74\n110\n170\n167\n170\n63\n170\n43\n170\n75\nGLOBO\nDesign SLIDE Studio\n1,2 kg\n30\nGlobo Collection\n61\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.33.png","LOREM IPSUMG \nDOLOR SIT AMET\n62\n63\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n62\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 21.4858° N\nLON 39.1925° E\nALT 0 m\nTAVG 28 °C\nRH 60 %\nT 27 °C – 06:00 A.M.\nCOLLECTION\nLOW LITA\nCUBO\nOTTOCENTO\nLOW RIBS\nIL VASO\n63\nSLIDE\nSECOND LIFE. FIRST NATURE.\nRED SEA\nJEDDAH COAST\nLOC\nIn the Red Sea, the St. Regis Red Sea Resort unfolds as a composition of rarefied \nvolumes that establish a continuous threshold between architecture and landscape. \nSurfaces, shaped by light and marine reflections, dissolve boundaries and define \na space in which perception remains in constant flow. Within this context, Low \nLita anchors itself to the ground, engaging with the horizontality of the landscape \nwithout disrupting its continuity. Cubo operates as an essential luminous figure, \na pure geometry that accompanies the variations of natural light. More vertical in \npresence, Ottocento Up introduces a measured rhythm, complemented by Ribs Up.\nNel Mar Rosso, il St. Regis Red Sea Resort si articola come un insieme di volumi \nrarefatti che costruiscono una soglia continua tra architettura e paesaggio. \nLe superfici, attraversate dalla luce e dai riflessi marini, dissolvono i contorni \ne restituiscono uno spazio in cui la percezione è mobile. In questo contesto, \nLow Lita si ancora al suolo e dialoga con l’orizzontalità del paesaggio senza \ninterromperne la continuità. Cubo interviene come figura luminosa essenziale, \nuna geometria pura che accompagna la variazione della luce naturale. Più \nverticale, Ottocento Up introduce un ritmo misurato, completato da Ribs Up. \n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.34.png","64\n65\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.35.png","66\n67\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nIL VASO H55\nSahara Sand\nLOW LITA\nNamibian Desert\nLOW LITA LOUNGE\nSahara Sand\nLOW LITA LOVE\nNamibian Desert\nOTTOCENTO UP\nSahara Sand\nPagina precedente \u002F\nPrevious page\nRIBS UP\nDeep Blue\nTOY\nDeep Blue\nCUBO 45\nLight White\nQuesta pagina \u002F\nThis page\nLOW LITA\nNamibian Desert\nLOW LITA LOUNGE\nSahara Sand\nTOY\nDeep Blue\nCUBO 45\nLight White\nPagina successiva \u002F\nNext page\nOTTOCENTO UP\nSahara Sand\nRIBS UP\nDeep Blue\nCUBO 45\nLight White\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.36.png","68\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign Giò Colonna Romano\nOTTOCENTO UP\nDesign Paola Navone - OTTO Studio\nDesign SLIDE Studio\nCUBO 45\nDesign Paola Navone - OTTO Studio\nIL VASO H55\nDesign Paola Navone - OTTO Studio\nLOW LITA LOUNGE\nDesign Paola Navone - OTTO Studio\nLOW LITA LOVE\nLOW LITA\nDesign Paola Navone - OTTO Studio\nLow Lita Collection\n25 kg\nOttocento Collection\n0,7 kg\nRIBS UP\n13 kg\n8 kg \u002F 15L\n13 kg\n22 kg\nLow Lita Collection\nLow Lita Collection\n10 kg\nCubo Collection\nIl Vaso Collection\nDesign Prospero Rasulo\nTOY\n5 kg\n170\n78\n170\n80\n170\n70\n17\n16\n36\n18\n170\n118\n170\n80\n36\n17\n17\n170\n70\n170\n175\n170\n36\n170\n60\n170\n63\n170\n79\n170\n44\n170\n111\n170\n80\n170\n45\n170\n45\n170\n58\n170\n57\n170\n117\n170\n42\n35\n50\n30\n170\n5\nRibs Collection\n26\n66\n55\n36\n20\n55\n16\n33\n69\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.37.png","71\nSLIDE\nSECOND LIFE. FIRST NATURE.\n70\nSLIDE\nSECOND LIFE. FIRST NATURE.\n70\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 20.9101° N\nLON 107.1839° E\nALT 0 m\nTAVG 24 °C\nRH 84 %\nT 22 °C – 06:00 A.M.\nCOLLECTION\nMARA\nBLOS\nOTTOCENTO\n71\nSLIDE\nSECOND LIFE. FIRST NATURE.\nHA LONG \nBAY\nVIETNAM\nLOC\nIn Ha Long Bay, Vietnam, thousands of limestone formations rise from the water as \na fragmented vertical system. Vegetation stratifies across the rocky surfaces, while \nthe water establishes a visual continuity that dissolves the boundaries between \nelements. Within this context, Mara introduces a material texture that reinterprets \nthe theme of weaving in a contemporary way, integrating naturally into the \nlandscape. Ottocento Mini introduces a compact presence articulated in discrete \nplanes, while Ottocento Lamp is defined as a vertical element, where light, filtered \nthrough the surface, diffuses in gradations.\nNella baia vietnamita di Ha Long, migliaia di formazioni calcaree emergono \ndalle acque come un sistema verticale frammentato. La vegetazione si stratifica \nsulle superfici rocciose, mentre l’acqua costruisce una continuità visiva che \ndissolve i confini tra gli elementi. In questo contesto, Mara introduce una trama \nmaterica che rilegge il tema dell’intreccio in chiave contemporanea, inserendosi \ncon naturalezza nel paesaggio. Ottocento Mini introduce una presenza \ncompatta in piani puntuali, mentre Ottocento Lamp si definisce come elemento \nverticale, in cui la luce, filtrata dalla superficie, si diffonde per gradazioni. \n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.38.png","72\n73\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.39.png","74\n75\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. FIRST NATURE.\nBLOS POT\nHibiscus Red\nMARA\nAlmond Beige, textile Dune Sand\nMARA POUF\nHibiscus Red, textile Dune Sand\nMARA SOFA\nAlmond Beige, textile Dune Sand\nOTTOCENTO MINI - SIZE L\nHibiscus Red\nPagina precedente \u002F\nPrevious page\nOTTOCENTO MINI - SIZE M\nMist White\nOTTOCENTO LAMP\nMist White\nQuesta pagina \u002F\nThis page\nMARA\nAlmond Beige\nMARA SOFA\nAlmond Beige, textile Dune Sand\nOTTOCENTO MINI - SIZE M\nMist White\nOTTOCENTO LAMP\nMist White\nPagina successiva \u002F\nNext page\nMARA SOFA\nAlmond Beige, textile Dune Sand\nOTTOCENTO MINI - SIZE L\nHibiscus Red\nOTTOCENTO MINI - SIZE M\nMist White\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.40.png","76\nSLIDE\nSECOND LIFE. FIRST NATURE.\nDesign Paola Navone - OTTO Studio\nBLOS POT\nDesign Karim Rashid\nDesign Paola Navone - OTTO Studio\nOTTOCENTO LAMP\nOTTOCENTO MINI - Size M\nDesign Lorenza Bozzoli\nMARA SOFA\nDesign Lorenza Bozzoli\nMARA\nMARA POUF\nDesign Lorenza Bozzoli\nMara Collection\n57 kg\nBlos Collection\n17 kg\n3,6 kg\n4 kg\n36 kg\nMara Collection\nMara Collection\n4,5 kg\nOttocento Collection\nOttocento Collection\nDesign Paola Navone - OTTO Studio\nOTTOCENTO MINI - Size L\n4,1  kg\nOttocento Collection\n45\n40\n75\n65\n52\n82\n106\n75\n65\n180\n52\n82\n55\n170\n32\n170\n42\n170\n170\n44\n170\n60\n45\n35\n33\n35\n45\n39\n77\nSLIDE\nSECOND LIFE. FIRST NATURE.\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.41.png","79\nSLIDE\nSECOND LIFE. FIRST NATURE.\n78\nSLIDE\nSECOND LIFE. FIRST NATURE.\n78\nSLIDE\nSECOND LIFE. FIRST NATURE.\nLAT 54.9381° N\nLON 8.8663° E\nALT 8 °C\nTAVG 24 °C\nRH 85 %\nT 7 °C – 06:00 A.M.\nCOLLECTION\nRAP\nGEAR\n79\nSLIDE\nSECOND LIFE. FIRST NATURE.\nNORTHERN \nLIGHTS\nFINLAND\nLOC\nIn Finland, the Northern Lights manifest as an atmospheric phenomenon in which \nmagnetic fields and solar particles generate luminous trajectories in continuous \ntransformation. Light structures the space, tracing fluid sequences across the sky \nand redefining its depth. Rap establishes an enveloping presence, defined by a \ncontinuous line that supports the body and introduces a relational dimension within \nthe space. WOW operates as a graphic sign, a legible and bidirectional element \nthat transforms language into form. Fluo takes shape as a column of light, setting a \ncalibrated rhythm in tune with atmospheric variations.\nIn Finlandia, l’aurora boreale si manifesta come un fenomeno atmosferico in cui \ncampi magnetici e particelle solari generano traiettorie luminose in continua \ntrasformazione. La luce struttura lo spazio, disegnando sequenze fluide che \nattraversano il cielo e ne ridefiniscono la profondità. Rap costruisce una \npresenza avvolgente, definita da una linea continua che accompagna il corpo \ne introduce una dimensione relazionale nello spazio. WOW interviene come \nsegno grafico, elemento leggibile e bidirezionale che trasforma la parola in \nforma. Fluo è una colonna di luce che stabilisce un ritmo calibrato, in sintonia \ncon le variazioni atmosferiche. \n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.42.png","80\n81\nSLIDE\nSLIDE\nSECOND LIFE. FIRST NATURE.\nSECOND LIFE. 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SLIDE srl si riserva il diritto di apportare modifiche o \nmiglioramenti senza alcun preavviso. Per ulteriori informazioni, visitate il \nnostro sito web o contattate il nostro ufficio commerciale.\n© APRIL 2026 SLIDE Srl\nImages and technical specifications included in this catalogue are \nindicative. SLIDE srl reserves the right to make any changes or \nimprovements without any prior notice. For further information, visit our \nwebsite or contact our sales department.\nSLIDE srl\nFactory, Showroom & Outlet \nvia Lazio 14, 16, 18 \n20090 Buccinasco (Milano)\nItaly \n@SLIDEdesignmilano \n@slidedesign \nSLIDE srl\ninfo@slidedesign.it\nwww.slidedesign.it \n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.47.png","LOREM IPSUMG \nDOLOR SIT AMET\n90\nSLIDE\nSECOND LIFE. 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