[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-rivatelier-giordino-alla-francese":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":195},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":190,"matched_pages":191,"match_count":192,"two_pages":193,"show_text":194},5829,"Giordino alla Francese","rivatelier-giordino-alla-francese","\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ffe\u002Fb158cc89c96179f6e674c27824bd81.pdf","Rivatelier",1417,"rivatelier","4.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,96,100,104,108,112,116,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187],{"image":7,"text":15,"number":16},"®\nper\nCollezione\nomaggio a\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.2.png","André Le Nôtre\nAndré Le Nôtre\nАндре Ленотр\nAndré Le Nôtre\nIl più grande giardiniere del tempo a partire dal 1660\nThe biggest gardener of all time since 1660\nСамый великий садовник начиная с 1660 года\nLe plus grand jardinier du temps depuis 1660\n02\n03\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.3.png","04\nBaule\npag. 19\nSpecchio\npag. 21\nBaule\npag. 21\nSedia con gambe in metallo\npag. 24-25, 31\nSedia con gambe in legno\npag. 28-29, 35\nParavento\npag. 45-46\nTavolo Ovale\npag. 24-25\nTavolo Ovale\npag. 28-29\nCollezione\nomaggio a\nBiblioteca\npag. 49-50\nDivano 3 posti\npag. 54-55, 56-57\nTavolo Salotto\npag. 54-55, 61\nDivano 1 posto\nTavolino Salotto\npag. 64-65\nPoltrona girevole\ncon gambe in metallo\npag. 67\nPoltrona\ncon gambe in legno\npag. 71, 78\nTavolino Salotto\npag. 54-55, 64-65, 75, 79\nColonna\nPoltrona\ncon gambe in legno\nTavolino Salotto\npag. 78-79\nMobile Bar\npag. 83-84\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.4.png","André Le Nôtre\nHard for André Le Nôtre, born in 1613, to escape his fate. His father Jean \nand his grandfather Pierre, had dedicated their life to gardening. The se-\ncond had the favour of Queen Catherine de ‘ Medici, who granted the title \nof master gardener, then Henry IV, the one of “fi rst of the King “, dwelling in \nthe big Jardin des Tuileries. He spent his childhood living so accustomed \nby nature, on the outskirts of the big city (300,000 inhabitants), full of noise \nand odours. Geometry, architecture, drawing, painting, sculpture, optical: \nthis is the training his father ordered for his son. He was then placed at the \natelier of Simon Vouet, fi rst painter of Louis XIII. Vouet set up his atelier in \nthe Grand Gallery, the one that Queen Catherine had built to connect the \nLouvre to the Castle of Tuileries. After his training, he had to make a choice: \npainter or gardener? The Tuileries were there, under his eyes: he knows \nthat one day will be the master, his choice was soon made. His training \nof architect played a vital role in its symmetric vision of harmony and espe-\ncially of perspective. Le Nôtre was married in 1640. He had three sons, \nbut all died young. He directed his affection towards his nephew Claude \nDesgots, gardener like him, and to him was given the castle garden of \nChamps-sur-Marne. In 1656, his friend Charles Le Brun was trying him: a \nformidable project was putting into motion, that of Superintendent of fi nan-\nces Fouquet, Mazarin’s favorite; There are 500 acres to work alongside \nVaux and three small hameaux removed from the map in order to ensure \nthat the project can see the light. Five years of avid job for two friends and \nup to 18,000 workers to win this challenge. For Le Nôtre glory has begun. \nThe gardener becomes head of an army of workers. Then, in 1661, Fou-\nquet was arrested, and his team was hired for the area of Versailles. For \n35 years, Le Nôtre is next to the most powerful man on Earth. With the \nappreciation of Louis XIV, he participated in the realizations of the French \ngardens of other Real property or great lords, scattered in the Ile de France: \nChantilly, Sceaux, Saint-Cloud, Fontainebleau. \nIn 1693 and Le Nôtre withdraws from the profession of architect gardener\nHe died in 1700 and was buried in Paris in the Church of Saint-Roch.\n07\n06\nAndré Le Nôtre\nDiffi cile per André Le Nôtre, nato nel 1613, scappare al suo destino. Suo \npadre Jean e suo nonno Pierre, avevano consacrato la loro vita al giardi-\nnaggio. Il secondoaveva i favori della Regina Caterina de’ Medici, che gli \naccordò il titolo di maestro giardiniere, poi Enrico IV, quello di “primo del Re”, \ndimorando nel grande giardino delle Tuileries”.\nDa bambino visse dunque abituato nella natura, alle porte della grande città \n(300.000 abitanti), piena di rumori e di odori.\nGeometria, architettura, disegno, pittura, scultura, ottica: questa è la for-\nmazione che il padre ordinò per il fi glio. Venne allora piazzato presso l’atelier \ndell’illustre Simon Vouet, primo pittore di Luigi XIII, Vouet installò il suo atelier \nnella Grande Galleria, quella che la Regina Caterina aveva fatto edifi care per \ncollegare il Louvre al suo castello delle Tuileries. \nTerminata la sua formazione, dovette fare una scelta: pittore o giardiniere? \nLe Tuileries erano là, sotto i suoi occhi: sa che un giorno sarà il maestro, \nla sua scelta quindi fu presto fatta. La sua formazione d’architetto giocò \ncomunque un ruolo essenziale nella sua visione simmetrica dell’armonia e \nsoprattutto della prospettiva.\nLe Nôtre si sposa nel 1640. Ebbe tre fi gli, ma morirono tutti giovani. Diresse \ncosì il suo affetto verso il nipote Claude Desgots, giardiniere come lui, ed a \nlui è stato attribuito il giardino del Castello di Champs-sur-Marne.\nNel 1656, il suo amico Charles Le Brun lo venne a cercare: un formidabile \nprogetto si stava mettendo in moto, quello del Sovrintendente delle fi nanze \nFouquet, il prediletto di Mazzarino; ci sono da lavorare 500 ettari a fi anco di \nVaux e tre piccoli hameaux depennati dalla mappa proprio per far sì che il \ngrande progetto possa vedere la luce. \nCinque anni di lavoro accanito per i due amici e fi no a 18.000 operai per \nvenire a capo dell’impresa. Per Le Nôtre la gloria è iniziata. \nIl Giardiniere diventa capo di un’armata di operai. Poi, nel 1661, Fouquet \nvenne arrestato, e la sua equipe fu ingaggiata per l’area di Versailles.\nPer 35 anni, Le Nôtre sarà a fi anco dell’uomo più potente della terra. Con \nl’apprezzamento di Luigi XIV, egli partecipò alle realizzazioni dei giardini alla \nfrancese delle altre proprietà Reali o di Grandi Signori, sparsi nella terra \ndell’IIle de France: Chantilly, Sceaux, Saint-Cloud, Fontainebleau.\nNel 1693 e Le Nôtre si ritira dalla professione di architetto giardiniere\nMuore nel 1700 e fu sepolto a Parigi nella Chiesa di Saint-Roch.\nAndré Le Nôtre\n06\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.5.png","08\nAndré Le Nôtre\nАндре Ленотр\nDiffi cile pour André Le Nôtre, né en 1613, à échapper à son destin. \nSon père et son grand-père Jean-Pierre, avaient consacré leur vie \nau jardinage. Le second avait la faveur de la reine Catherine de \nMédicis, qui lui a accordé le titre de maître jardinier, plus tard Henri \nIV, que du “premier du roi”, vivant dans le grand jardin des Tuileries .\nComme un enfant, il a vécu ensuite habitué dans la nature, à la \npériphérie de la grande ville (300 000 habitants), rempli de sons \net des odeurs. \nGéométrie, l’architecture, le dessin, la peinture, la sculpture, l’opti-\nque, c’est la formation que son père a ordonné à son fi ls. Il a ensu-\nite été placé dans l’atelier de l’illustre Simon Vouet, premier peintre \nde Louis XIII. Vouet installait son atelier dans la Grande Galerie, celui \nque la reine Catherine avait construit pour relier le Louvre avec son \nchâteau des Tuileries.\nAprès sa formation, il a dû faire un choix: peintre ou un jardinier? \nLes Tuileries étaient là, devant ses yeux: il sait qu’un jour sera le \nmaître, alors son choix a été vite fait. Sa formation d’architecte, ce-\npendant, a joué un rôle clé dans sa vision symétrique de l’harmonie \net surtout de la perspective. \nLe Nôtre a épousé en 1640. Il a eu trois enfants, mais tous est \nmorts jeunes. Il a dirigé son affection envers son neveu Claude \nDesgots, jardinier comme lui, et lui a dédié le jardin du château de \nChamps-sur-Marne.\nEn 1656, son ami Charles Le Brun vient le chercher: un formidable \nprojet a été mis en mouvement, que le surintendant des fi nances \nFouquet, le favori de Mazarin: il y a 500 acres de travailler aux côtés \nde Vaux et a retiré trois petits hameaux de la carte précisément à \nfaire en sorte que le grand projet va voir le jour. \nCinq ans de travaux forcés pour deux amis et 18.000 travailleurs à \nvenir à la tête de l’entreprise. La gloire de Le Nôtre a commencé.\nLe jardinier a pris la tête d’une armée de travailleurs. Puis, en 1661, \nFouquet a été arrêté, et son équipe a été embauché pour la région \nde Versailles. \nDepuis 35 ans, Le Nôtre travaillera aux côtés de l’homme le plus \npuissant de la terre. Avec l’appréciation de Louis XIV, il a participé \nà la réalisation des jardins à la française des propriétés royales ou \nautres, des Grands Seigneurs, dispersés sur le territoire de l’IIe de \nFrance Chantilly, Sceaux, Saint-Cloud, Fontainebleau. \nLe Nôtre en 1693 et retiré de la profession d’architecte jardinier \nIl est mort en 1700 à Paris et a été enterré dans l’église de Saint-\nRoch.\nТрудно было Андре Ленотру, родившемуся в 1613 году, \nизбежать своей судьбы. Его отец Жан и его дедушка Пьер \nпосвятили всю свою жизнь садоводству. Второй из них имел \nблагосклонность королевы Екатерины Де Медичи, которая \nпредоставила ему титул главного садовника, который потом \nбыл подтвержден и Генрихом IV “Первым среди королей”. Он \nпроживал в доме, расположенном в большом саде Тюильри.\nВ детстве он привык жить окруженный природой, у ворот \nбольшого города (300 000 жителей), наполненного шумом и \nзапахами. \nГеометрия, архитектура, рисование, живопись, скульптура, \nоптика: это образование, которое отец предоставил сыну. \nОн  начал с работы в ателье знаменитого Симона Вуэ, \nпервого художника Людовика XIII; Вуэ располагал своё ателье \nв большой галереи, которая была построена по приказу \nкоролевы Екатерины для соединения Лувра со своим \nдворцом Тюильри.\nЗакончив своё образование, он должен был сделать выбор: \nхудожник или садовник? Сад Тюильри был там, перед его \nглазами: и он знал что однажды он станет главным, поэтому \nскоро выбор был сделан. Между тем его образование \nархитектора сыграло ключевую роль в его видении \nсимметричной гармонии и перспективы.\nЛенотр женился в 1640 году, у него были три сына, но все \nони умерли в юном возрасте. Поэтому он обратил свою \nлюбовь на племянника Клод Дего, который был садовником \nкак и он, и которому было доверено создание парка дворца \nШан-сюр-Марн.\nВ 1656 году к нему обратился его друг Шарль Ле Брун: \nпришло время воплощения в жизнь грандиозного плана \nдиректора финансов Фуке, любимца Мазарини: 500 гектаров \nоколо Во и три маленькие деревни были стерты с карты для \nтого, чтобы этот проект мог увидеть свет.\nПять лет упорного труда для двух друзей и для 18 000 \nрабочих, чтобы довести этот проект до завершения. Так \nначалась слава для Ленотра: садовник стал управляющим \nармии рабочих. Потом, в 1661 году Фуке был арестован и \nбригада Ленотра была  нанята для работы в Версале. \nНа протяжении 35 лет Ленотр был рядом с самым \nвлиятельным человеком в мире. Благодаря уважению \nЛюдовика XIV, он принял участие  в создании французских \nсадов других королевских владений и других влиятельных \nлюдей, разбросанных по территориям Иль-де-Франс: \nШантийи, де Со, Сен-Клу, Фонтенбло.\nВ 1693 году Ле Нотр оставил профессию архитектора-\nсадовника.\nОн умер в 1700 году и был похоронен в Париже в церкви \n“Сен-Рош”.       \n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.6.png","",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.7.png","13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.8.png","®\nper\n14\n15\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.9.png","Collezione\nomaggio a\nCollezione\nomaggio a\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.10.png","Baule\n203 x 63 x 90H\nChantilly\nDisegnato alla fi ne del XVII secolo da André Le Nôtre per \nil Grand Condé, il giardino della Tenuta Chantilly è l’unico \ncreato dal giardiniere di Versailles il cui asse non passi \nper il castello, ma per una statua, quella del Conestabile \nAnne de Montmorency. Le Nôtre ha tracciato una gran-\nde prospettiva che va dalla cancellata d’onore fi no alla \nstatua del Conestabile e che si prolunga oltre i giardini \nalla francese e il Grande Canale fi no alla foresta. (Il Gran-\nde Canale di Chantilly (2,5 km) supera di molto quello \ndi Versailles. Si tratta infatti della Nonette, un modesto \naffl uente dell’Oise canalizzato da Le Nôtre). Il parterre a \nnord del castello comprende vasti specchi d’acqua che \nrifl ettono il cielo e sottolineati da getti d’acqua; di tutti i \ngiardini di Le Nôtre, Chantilly è senza dubbio quello che \ncomprende la più grande distesa d’acqua.\n18\n19\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.11.png","Baule\n203 x 63 x 90H\nSpecchio\n141 x 4 x 116H\nChantilly\nDesigned in the late 17th century by André Le Nôtre for \nthe Grand Condé, Chantilly estate garden is the only \none created by the gardener of Versailles whose axis \npasses through the Castle, but for a statue, that one \nof Constable Anne de Montmorency. Le Nôtre drew a \ngreat perspective from cleared of honor until the statue \nof Constable and that extends beyond the French gar-\nden and the Grand Canal up to the forest. (The Grand \nCanal de Chantilly (2.5 km far) exceeds that of Versail-\nles. This is in fact the Nonette, a small tributary of the \nOise, channeled by Le Nôtre). The parterre in the North \nof the castle includes vast stretches of water that refl ect \nthe sky and underlined by jets of water; of all the gar-\ndens of Le Nôtre, Chantilly is undoubtedly that which \ncomprises the largest expanse of water.\n20\n21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.12.png","22\n23\nШантийи\nПарк поместья Шантийи был спроектирован Андре \nЛенотром в конце XVII века для Великого Конде и \nявляется единственным из созданных садовником \nВерсаля, где ось не проходит через замок, а \nчерез памятник коннетабля Анн де Монморанси. \nЛенотром был намечен большой проспект от \nглавных ворот до памятника коннетабля, который \nпродолжается за французскими садами и большим \nканалом до леса. (Большой канал Шантийи (2,5 \nкм) еще длиннее, чем канал Версаля. Этот канал \nназывается “Нонетт” и является небольшим \nпритоком реки Уаз, для которого Ленотр проложил \nканал.) Цветник на севере дворца включает в себя \nширокие водные поверхности, отражающие небо \nи украшенные струями воды; несомненно среди \nвсех парков Ленотра, Шантийи включает в себя \nсамые большие водные пространства. \n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.13.png","24\n25\nTavolo Ovale\n240 x 150 x 78H\nSedia con gambe in metallo\n61 x 58 x 85H\nCollezione\nomaggio a\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.14.png","26\n27\nChantilly\nConçu à la fi n du XVIIe siècle par André Le Nôtre pour \nle Grand Condé, jardin du Domaine Chantilly est celui \ncréé par le jardinier de Versailles, l’axe ne passe pas par \nle château, mais pour une statue, celle du connéta-\nble Anne de Montmorency. Le Nôtre a dessiné une \ngrande perspective qui va par la porte d’honneur de la \nstatue de l’agent et qui s’étend au-delà des jardins à la \nfrançaise et le Grand Canal de la forêt. (Le Grand Canal \nde Chantilly (2,5 km) dépasse de loin celle de Versail-\nles. C’est en fait la Nonette, un petit affl uent de l’Oise \ncanalisé par Le Nôtre). Le parterre nord du château \ncomprend de vastes étendues d’eau refl étant le ciel et \nsoulignés par des jets d’eau; de toutes les jardins de \nLe Nôtre, Chantilly est sans doute qui comprend la plus \ngrande étendue d’eau.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.15.png","Sedia con gambe in metallo\n61 x 58 x 85H\n28\n29\nPark of Sceaux\nDesigned by Le Nôtre, accessible for everybody, \nwith its fountains and water gardens are situa-\nted on a hill that runs between the Valley and \nanother hill. Added a system of canals and large \npool, complete with water plants. Water is an im-\nportant element in the realization of the Park of \nSceaux. More than 5 miles of pipes and aque-\nducts to supply 13 basins, a canal, waterfalls \nand fountains.\nParco di Sceaux \nDisegnati da Le Nôtre, e accessibili a tutti, con le \nsue fontane ed i suoi giochi d’ acqua  i giardini si \ncollocano su una collina che corre tra una valle e \nl’altra collina. È stato aggiunto un sistema di ca-\nnali e grande piscina, completo di piante acqua-\ntiche. L’ acqua è un elemento importante nella \nrealizzazione del Parco di Sceaux. Più di 5 km di \ncondutture ed acquedotti permettono di rifornire \n13 bacini, un canale, le cascate e le fontane.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.16.png","30\n31\nПарк де Со\nСпроектированный Ленотром и доступный \nдля всех  со своими фонтанами и играми \nводы, парк расположен на холме между \nдолиной и другим холмом. Для этого парка \nбыла сделана целая система каналов и \nбольшой бассейн с водными растениями. \nВода является важным элементом для \nсоздания парка де Со. Больше чем 5 км \nтрубопровода дает возможность пополнять \n13 бассейнов, один канал, различные \nводопады и фонтаны.\nParc de Sceaux \nConçus par Le Nôtre, et accessible à  tous, \navec ses fontaines et ses jeux d’eau, les jardins  \nsont situés sur une colline qui s’étend entre la \nvallée et l’autre colline. On a ajouté un réseau de \ncanaux et une grande piscine, plein de plantes \naquatiques. L’eau est un élément important dans \nla création du Parc de Sceaux. Plus de 5 km \nde canalisations et d’aqueducs pour  permettent \nd’alimenter bassins, canaux, cascades et fon-\ntaines.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.17.png","Tavolo Ovale\n350 x 160 x 78H\nSedia con gambe in legno\n60 x 60 x 88H\n33\nCollezione\nomaggio a\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.18.png","Sedia con gambe in legno\n60 x 60 x 88H\n34\n35\nVersailles\nI Giardini di Versailles sono considerati il capolavoro di \nAndré Le Notre, che si occupò della loro realizzazione \nfra il 1661 ed il 1668: essi costituiscono un magnifi co \nesempio di giardino “alla francese”, e furono il modello \nper molte Regge Europee. Le Notre creò un comples-\nso grandioso e vastissimo in cui ogni elemento sog-\ngiace ad una rigorosa disciplina spaziale, che perse-\ngue effetti prospettici e scenografi ci. Criteri di ordine e \ndi simmetria regolano la disposizione di ALLEES (viali) \nPARTERRES (aiuole), terrazze, bacini d’acqua, fontane, \norganizzati in un sistema che si spinge alla globale ra-\nzionalizzazione del paesaggio, in tutti i piani prospettici. \nPer realizzare tutto ciò era necessario avere un terreno \nche presentasse una certa regolarità, ed è per questo \nche Le Notre fu costretto a modifi care l’ambiente na-\nturale con pesanti interventi. Ciò non tolse tuttavia che \negli sfruttò anche qualche pendio naturale per creare \nuna successione di terrazze a vari piani che venivano \ncollegate o attraverso scalinate, oppure attraverso delle \nlunghe rampe. Le Notre pensò e realizzò l’impostazio-\nne assiale nel senso della lunghezza con viali minori \ntrasversali. Si è di fronte al trionfo dell’Arte sulla Natura \nnell’elaborazione precisa di forme geometriche, a cui \ndevono piegarsi alberi e siepi; i fi ori, nelle loro colorazio-\nni, in funzione della stagione, sono posizionati che un \npreciso intento coloristico. L’acqua, elemento natura-\nle, assume una importanza primaria, posta nei bacini \ndecorativi a specchio, che creano un prolungamento \ndelle architetture e del paesaggio e nei mirabolanti gio-\nchi d’acqua.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.19.png","36\n37\nVersailles\nThe gardens of Versailles are considered the master-\npiece of André Le Nôtre, who realized them betwe-\nen 1661 and 1668: they are magnifi cent example of \n“French garden”, and were a model for many Europe-\nan Palaces. Le Nôtre created a great complex where \neach element is subject to a strict discipline, which pur-\nsues perspective effects and scenery. Order policy and \nsymmetry  regulate the provision of ALLEES (avenues) \nand PARTERRES (fl owerbeds), terraces, water pool, \nfountains, organized in a system that goes to the ratio-\nnalization of global landscape, in all  perspective planes. \nTo get all of this it was necessary to have a ground with \nsome regularity, which is why Le Notre was forced to \nmodify the natural environment with heavy interventions. \nNevertheless  he used some natural slope to create a \nsuccession of terraces at various fl oors that were con-\nnected or through stairways, or by long ramps. Le Nôtre \nthought and realized the axial setting lengthwise with mi-\nnor cross paths. It is facing the triumph of Art over Na-\nture in the precise processing of geometrical shapes, \nwhich must bend trees and hedges; the fl owers, in their \ncolours, depending on the season, placed with a pre-\ncise aim for colours. Water, natural element, assumes a \nprimary importance placed on decorative mirror pools, \ncreating an extension of architectures and landscapes \nand amazing fountains.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.20.png","38\nCollezione\nomaggio a\n",20,{"image":94,"text":35,"number":95},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.21.png",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.22.png","43\n®\nper\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.23.png","Paravento\n180 x 8 x 212H\n44\n45\nПлан “Версаль”\nСады Версаля считаются шедевром Андре \nЛенотра, который занимался их разработкой \nс 1661 года до 1668: они представляют собой \nвеликолепный пример французского сада и стали \nобразцами для многих европейских дворцов. \nЛенотр создал грандиозный и разносторонний \nкомплекс, где каждый элемент зависит от суровой \nпространственной дисциплины, для достижения \nразличных эффектов перспективы и сценографии. \nПринципы упорядочности и симметрии регулируют \nрасположение \nаллей, \nцветников, \nтеррас, \nбассейнов воды, фонтанов, организованных в \nсистеме общей рационализации ландшафта на \nвсех уровнях перспективы. \nДля реализации этих планов было необходимо \nплоское пространство, в связи с чем  Ленотр \nбыл вынужден изменить природный ланшафт \nс \nсильными \nнеровностями. \nНесмотря \nна \nэто, \nон \nвоспользовался \nтакже \nнекоторыми \nнатуральными склонами, для создания террас с \nразными уровнями, соединенных посредством \nмонументальных лестниц или длинных маршей. \nЛенотр придумал и реализовал осевую постановку \nв направлении длины с малыми пересекающими \nаллеями. Это был триумф Искусства над Природой \nпосредством разработки точных геометрических \nфигур из деревьев и кустарников; цветы, цветущие \nпо сезону, с разной цветовой гаммой были \nрасположены с точной колористической целью. \nОсобенно важную роль играет вода, натуральный \nэлемент, заключенная в декоративные бассейны, \nчтобы  подчеркнуть архитектуру и пейзаж в \nизумительных играх воды.\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.24.png","46\n47\nVersailles\nLes Jardins de Versailles sont considérés comme le \nchef-d’œuvre d’André Le Nôtre, qui s’est chargé de leur \nmise en œuvre entre 1661 et 1668: ils sont un magnifi -\nque exemple de jardin “à la française”, et est devenu le \nmodèle pour de nombreux palais européens. Le Nôtre \na créé un complexe vaste et grandiose dans lequel cha-\nque élément est soumis à une réglementation stricte de \nl’espace, qui poursuit des effets de perspective et de \npaysages. Critères d’ordre et de symétrie qui régit la \ndisposition des ALLEES (avenues), PARTERRES (lits de \nfl eurs), terrasses, bassins, fontaines, organisés dans \nun système qui pousse à la rationalisation d’ensemble \ndu paysage, dans tous les plans de la perspective.\nPour ce faire, il était nécessaire d’avoir un terrain qui \nprésentait une certaine régularité, et c’est pour cette \nraison que Le Nôtre a été contraint de modifi er l’environ-\nnement naturel de levage lourd. Ce n’est pas suppri-\nmé, mais qu’il a même utilisé une pente naturelle pour \ncréer une succession de terrasses à différents niveaux \nqui ont été liés à ou par les escaliers ou par les lon-\ngues rampes. Le Nôtre a pensé et a réalisé le réglage \ndans le sens axial des longs boulevards avec une plus \npetite croix. Il est en face du triomphe de l’Art sur la \nNature du développement des formes géométriques \nprécises, qui doivent se plier les arbres et les arbustes, \nles fl eurs, leurs couleurs, selon la saison, qui sont po-\nsitionnés avec une intention coloriste spécifi que. L’eau, \nun élément naturel, revêt une importance primaire, situé \ndans le bassin miroir décoratif, création d’une extension \nde l’architecture et l’aménagement paysager et les ca-\nractéristiques étonnantes de l’eau.\nParavento\n180 x 8 x 212H\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.25.png","Biblioteca\n156 x 54 x 245H\n48\n49\nSt. Germain en Laye\nCircondato da foreste e bagnata dalla Senna, questa \nlocalità offre ai vísitaton la calma dei boschi e l’attrazione \ndi un centro ricco di arte e storia. Nel parco, disegnato \nda Le Nótre, oltre a una brillante passeggiata si può \ngodere anche un incredibile panorama sulla Senna.\nLa prima costruzione fortifi cato risale al 1122, epoca in \ncui Luigi VI cercò di assicurare il potere reale sui suoi \nvassalli, facendo di St¬Germain un luogo di soggiorno \ne caccia. Enrico II fece innalzare un nuovo castello, lo \nChateau Neuf, che Enrico IV fece ingrandiree allargan-\ndo il parco fi no alla Senna con un terrazzamento nello \nstile dei giardini italiani del Rinascimento.\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.26.png","50\n51\nSt. Germain en Laye\nSurrounded by forests and wet from the river Seine, this \nresort offers to visitors calm, woods and the attraction \nof a city rich in art and history. In the Park, designed by \nThe Nôtre, further to a brilliant walk you can enjoy an \namazing panoramic view of the Seine. The fi rst fortifi ed \nbuilding dating back to 1122, when Louis VI sought to \nensure Royal authority over his vassals, making   St. \nGermain a place to stay and hunt. Henry II did raise a \nnew Castle, château Neuf, that Henry IV did enlarge \nincreasing the Park to the Seine with a terracing in the \nstyle of the Italian gardens of Renaissance.\n",26,{"image":117,"text":35,"number":118},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.27.png",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.28.png","54\n55\nDivano 3 posti\n255 x 90 x 90H\nDivano 2 posti\n180 x 90 x 90H\nDivano 1 posto\n107 x 87 x 87H\nTavolo salotto\n122 x 122 x 41H\nTavolino salotto\n60 x 60 x 70H\nCollezione\nomaggio a\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.29.png","Divano 3 posti\n255 x 90 x 90H\nDivano 2 posti\n180 x 90 x 90H\n57\nCollezione\nomaggio a\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.30.png","58\n59\nСен-Жермен-ан-Ле\nОкруженное лесами и омываемое Сеной, это \nместо предлагает посетителям тишину лесов и \nпритягательность центра, богатого искусством и \nисторией. В парке, спроектированном Ленотром, \nкроме \nпрекрасной \nпрогулки, \nможно \nтакже \nполюбоваться чудесной панорамой реки Сены.\nПервое укрепленное здание относится к 1122 году, \nкогда Людовик VI пытался укрепить королевскую \nвласть над вассалами, сделав Сен-Жермен \nместом своего пребывания и охоты. Генрих II возвёл \nновый замок, Шато Нэф, а Генрих IV увеличил \nего, расширяя сад до Сены с террасами в стиле \nитальянских садов эпохи Ренессанса.\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.31.png","Tavolo Salotto\n122 x 122 x 41H\n60\n61\nSt. Germain en Laye\nEntouré de forêts et humide de la Seine, ce complexe \npropose à ses visiteurs le calme de la forêt et l’attraction \nd’une ville riche en art et d’histoire. Le parc, dessiné \npar Le Nôtre, ainsi que d’une promenade brillante, vous \npouvez également profi ter d’une vue imprenable sur la \nSeine. \nLe premier bâtiment fortifi é datant de 1122, une période \npendant laquelle Louis VI a cherché à assurer un réel \npouvoir sur ses vassaux, faisant St Germain un endroit \npour rester et chasser. Henri II a fait élever un nouveau \nchâteau, le Château Neuf, Henri IV fait plus grande le \nparc en l’étendant de la Seine avec une terrasse dans \nle style des jardins à l’italienne de la Renaissance.\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.32.png","62\n63\nFontainebleau\nThe beautiful building is surrounding by beautiful \ngardens which extend in a park of 80 hectares, \nthe center of a forest that was hunting grounds \nfor the nobles of the area. Large French beds \ndesigned by Le Nôtre, with carp ponds, pavi-\nlions, fountains and a rich variety of fl owers and \nplants will leave you delighted. Curious to know, \nlong history of gardening was born here.\nFontainebleau \nLo splendido edifi cio è circondando da mera-\nvigliosi giardini fi oriti che poi si estendono in un \nparco di 80 ettari, fulcro di una foresta che rap-\npresentava terreno di caccia per i nobili della \nzona. Grandi aiuole alla francese disegnate da \nLe Nôtre, stagni con le carpe, padiglioni, fontane \ne una ricchissima varietà di fi ori e piante vi lasce-\nranno estasiati. Curioso sapere che proprio qui \nnacque la lunga storia del giardinaggio.\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.33.png","Divano 1 posto\n107 x 87 x 87H\nTavolino salotto\n60 x 60 x 70H\n64\n65\nCollezione\nomaggio a\n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.34.png","Poltrona girevole con gambe in metallo\n85 x 80 x 90H\n66\n67\nФонтенбло\nВеликолепное \nздание \nокружают \nчудесные \nцветущие сады, доходящие до парка в 80 гектаров, \nвключающий также и лес, который являлся \nохотничьями \nугодьями \nфранцузской \nкороны. \nБольшие французские клумбы, спроектированные \nЛенотром, пруды с карпами, павильоны, фонтаны \nи большое разнообразие цветов и растений \nприводят в неописуемый восторг. Интересно, \nчто именно здесь зародилась длинная история \nсадоводства.\nFontainebleau\nLe magnifi que bâtiment est entouré de magnifi ques jar-\ndins de fl eurs qui s’étendent ensuite dans un parc de \n80 hectares, le centre d’une forêt qui représente un \nterrain de chasse pour les nobles de la région. Grands \nparterres à la française de fl eurs conçus par Le Nôtre, \nles étangs avec des carpes, des pavillons, des fontai-\nnes et une riche variété de plantes et de fl eurs vous \nlaisseront extasié. Curieux de savoir que la longue hi-\nstoire de jardinage est née ici.\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.35.png","68\n69\nVaux-le-Vicomte\nIl possedimento di Vaux consisteva inizialmente in due \nappezzamenti diffi cili da trattare, in quanto consisteva-\nno in  due vallate che pendevano obliquamente: que-\nsti ostacoli però furono debellati per la realizzazione del \ngiardino, grazie alle fonti di denaro quasi inesauribili del \nsovrintendente Nicolas Fouquet, che non esitò a stan-\nziare per realizzare il progetto di André Le Nôtre: il corso \ndi un fi ume fu deviato di 45° e convogliato in un canale \nche passa sotto i giardini in un tunnel di 1,5 Km; i pendii \nnaturali invece verranno rimaneggiati in una serie di piani \norizzontali, fondamentali per il gioco non solo della pro-\nspettiva, ma anche dell’illusione. La foresta fu domata, \nin modo da trarre un’area di circa 70 ettari da destinare \nal giardino: questo spazio che parte dalla statua d’Er-\ncole, dalla parte opposta e più lontana alla facciata Sud \ndel castello, si estende per 1500 metri di lunghezza e \nuna larghezza di 250\u002F300 metri è sempre, da qualun-\nque punto di vista ci si mette, dominato dal palazzo: il \nPalazzo troneggia su tutto il giardino, espressione del \ndominio del proprietario sulla natura.\nGuillaume Gillet disse di questi giardini: “essi sono dise-\ngnati per respirare a pieni polmoni lo spazio razionalizza-\nto dove circola nell’assoluto la razza stessa della Fran-\ncia”. Durante un secologli eredi di Le Notre crearono \ngiardini in tutta Europa applicando gli insegnamenti che \nsi erano realizzati a Vaux-le-Vicomte.\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.36.png","Poltrona con gambe in legno\n83 x 78 x 93H\n70\n71\nVaux-le-Vicomte\nThe possession of Vaux, initially in two plots, was dif-\nfi cult to treat, as it consisted of two valleys that hung \naskew: these obstacles were subdued for the garden, \nthanks to the almost inexhaustible sources of money \nthe Superintendent Nicolas Fouquet did not hesitate to \nearmark for the project by André Le Nôtre;  course of \na river was diverted by 45° and conveyed into a chan-\nnel that passes under the gardens in a tunnel 1.5 Km; \nnatural slopes were revisited in a number of horizontal \nplanes, not only key for perspective, but illusion too. The \nforest was tamed, to take an area of about 70 acres \nfor the Garden: this space from statue of Hercules, on \nthe opposite side and farther to the South of the Castle \nfacade, extends for 1500 meters in length and a width \nof 250\u002F300 meters was always, from any point of view  \ndominated by palace. the Palace stands on the gar-\nden, an expression of the owner’s domain on nature.\nGuillaume Gillet said these gardens: “they are designed \nto breathe in deeply streamlined space where circula-\nting in the same breed of France”. Over a century, the \nheirs of The Notre Europe gardens created by applying \nthe teachings that were made at Vaux-le-Vicomte.\n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.37.png","72\n73\nВо-ле-Виконт\nПоместье Во в начале состояло из двух земельных \nучастков, которые были труднодоступными для \nобработки, так как состояли из двух долин, \nрасположенных наклонно: но эти проблемы были \nустранены для  осуществления плана Ленотра, \nблагодаря почти неиссякаемым источникам денег \nсуперинтендента Фуке: течение реки повернули и \nнаправили в канал, который течёт под садами в \nтуннеле; природные склоны были преображены \nв горизонтальные плоскости для игры, не только \nперспективы, но и иллюзии. Лес был укрощен \nи так было получено 70 гектаров для создания \nпарка: это пространство, которое начинается  от \nпамятника Геркулесу в противоположной части к \nюжному фасаду замка, и тянется на 1500 метров по \nдлине и 250-300 метров по ширине. Замок всегда \nвозвышается не зависимо от точки визуализации: \nзамок виден из любой точки парка, символизируя \nвласть владельца над природой.\nГийом Жилле сказал об этих садах: “они \nсозданы для того, чтобы вдыхать полной грудью \nрациональное пространство, где прогуливается \nнация самой Франции”. В течении века наследники \nЛенотра создавали сады во всей Европе, используя \nпримеры, полученные в Во-ле-Виконт.\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.38.png","Tavolino Salotto\n60 x 60 x 70H\n74\n75\nVaux-le-Vicomte\nLa possession de Vaux était initialement composé de \ndeux parcelles diffi ciles à traiter, car elle est composée \nde deux vallées qui pendaient oblique: ces obstacles, \ncependant ils ont été défaits par la création du jardin, \ngrâce aux sources presque inépuisables d’argent du \nsurintendant Nicolas Fouquet, qui n’a pas hésité à al-\nlouer pour la réalisation du projet d’André le Nôtre: le \ncours d’une rivière a été détournée par 45° et transpor-\nté dans un canal qui passe sous les jardins dans un \ntunnel de 1,5 km; pentes naturelles plutôt sont retra-\nvaillés dans une série de plans horizontales, la clé du \njeu n’est pas le seul point de vue, mais aussi l’illusion. \nLa forêt a été réprimée, afi n de prendre une superfi cie \nd’environ 70 hectares à attribuer au jardin. Cet espace \nqui commence à partir de la statue d’Hercule, sur la \ncôté opposé et plus loin sur la façade sud du château, \ns’étend sur 1500 mètres de longueur et une largeur \nde 250\u002F300 mètres est toujours, de quelque point de \nvue qu’il faut, dominée par le palais sur l’ensemble du \njardin: une expression du domaine du propriétaire sur \nla nature. Guillaume Gillet dit de ces jardins, “ils sont \nconçus pour respirer profondément l’espace rationalisé  \noù circule dans l’absolut la race même de la France”. \nDepuis un siècle, les héritiers de Le Nôtre ont créé les \njardins de toute l’Europe appliquant les enseignements \nqui ont été faites à Vaux-le-Vicomte.\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.39.png","76\n77\nGiardino delle Tuileries\nNel 1664, Colbert, il sovrintendente degli edifi ci del \nre, incaricò l’architetto paesaggista André Le Nôtre, di \nridisegnare l’intero giardino. Egli iniziò trasformando le \nTuileries in un formale giardino alla francese, uno stile \nche aveva sviluppato a Vaux-le-Vicomte e perfezionato \na Versailles, sulla base di simmetria, ordine e lunghe \nprospettive. I giardini di Le Nôtre erano progettati per \nessere visti dall’alto, da un edifi cio o da una terrazza. \nEliminò la strada che separava il palazzo dal giardino, \ne la sostituì con una terrazza che guardava, dall’alto in \nbasso, il parterre delimitato da basse siepi di bosso e \naiuole con disegni di fi ori. Al centro delle aiuole pose \ntre vasche con fontane. Di fronte, al centro delle pri-\nma fontana disegnò la grande allée, lunga 350 metri. \nCostruì altri due viottoli, fi ancheggiati da alberi di casta-\ngno, su entrambi i lati. Questi tre viali principali erano \nattraversati da piccoli vicoli, per creare compartimenti \ncontenenti diversi alberi, arbusti e fi ori.\nSul lato sud del parco, vicino alla Senna, costruì una \nlunga terrazza alberata, chiamata la Terrasse du Bord-\nde-l’eau, con una vista sul fi ume. Una seconda terraz-\nza venne costruita sul lato nord, con vista sul giardino, \nchiamata Terrasse des Feuillants. Sul lato ovest del \ngiardino, accanto all’odierna Place de la Concorde, \ncostruì due rampe a forma di ferro di cavallo e due ter-\nrazze con vista su un bacino ottagonale del diametro \ndi sessanta metri, con una fontana al centro. Queste \nterrazze incorniciavano l’ingresso occidentale del giar-\ndino, e costituivano un altro punto di vista per vedere \nil giardino dall’alto.\nLe Notre voleva che la prospettiva dal palazzo, alla \nfi ne occidentale del giardino, continuasse anche al di \nfuori del giardino stesso. Nel 1667 fece il progetto per \nun viale, con due fi le di alberi su entrambi i lati, che \ncontinuavano ad ovest verso l’attuale Rond-Point des \nChamps Elysées.\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.40.png","Collezione\nomaggio a\nColonna\n40 x 40 x 100H\n78\n79\nTavolino Salotto\n60 x 60 x 70H\nPoltrona con gambe in legno\n83 x 78 x 93H\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.41.png","80\n81\nGarden of Tuileries\nIn 1664, Colbert, the Superintendent of the King’s bu-\nildings, commissioned the landscape architect André \nLe Nôtre, to redesign the entire garden. He began \ntransforming the Tuileries in a formal French garden, \na style which had developed in Vaux-le-Vicomte and \nperfected at Versailles, on the basis of symmetry, or-\nder and long perspectives. Le Nôtre’s gardens were \ndesigned to be seen from above, from a building or \na terrace. He eliminated the road that separated the \nbuilding from the garden, and replaced him with a \nterrace that looked, from top to bottom, the parterre \nbordered by low box hedges and fl ower beds with \nfl ower designs. At the center of the fl ower beds pla-\nced three tanks with fountains. In front, in the middle \nof the fountain designed the fi rst grande allée, 350 \nmetres long. He built two more lanes, lined with che-\nstnut trees, on both sides. These three main avenues \nwere crossed by small alleys, to create compartments \ncontaining different trees, shrubs and fl owers.\nOn the South side of the Park, close to the Seine, \nhe built a long tree-lined terrace, called la Terrasse du \nBord-de-l’eau, with a river view. A second terrace was \nbuilt on the North side, overlooking the garden, Ter-\nrasse des Feuillants. On the West side of the garden, \nnear the present-day Place de la Concorde, built two \nramps in the shape of a horseshoe and two terraces \nwith views on an octagonal basin with a diameter of \n60 meters, with a fountain in the middle. These terra-\nces surounded the western entrance of the garden, \nwho were another point of view to see the garden \nfrom above.\nLe Nôtre wanted the perspective from the Palace, at \nthe end of the garden, continue even outside of the \ngarden itself. In 1667 he made the design for an ave-\nnue, with two rows of trees on both sides, which con-\ntinued West to the Rond-Point des Champs-Elysées.\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.42.png","82\n83\nПарк Тюильри\nВ 1664, Кольбер, сюринтендант государственных \nстроений, поручил ландшафтному архитектору \nАндре Ленотру перепланировать целый парк. \nСначала он изменил Тюильри на формальный \nфранцузский сад; этот стиль он уже развил в \nВо-ле-Виконт и улучшил его при проектировании \nВерсальских \nсадов \nна \nоснове \nсимметрии, \nупорядоченности и длинных перспектив. Парки \nЛенотра спланированы таким образом, чтобы быть \nобозреваемыми с высоты здания или террасы. \nОн устранил дорогу, которая отделяла дворец \nот садов, и заменил её террасой,  с которой \nможно видеть бесконечную аллею с низкими \nкустарниками и цветущими клумбами. В центре \nклумб он расположил три бассейна с фонтанами. \nНапротив, в центре первого фонтана начинается \nбольшая аллея длиной 350 метров. По бокам \nон постоил две аллеи с каштанами на обоим \nсторонам. Эти три основные аллеи пересекаются \nс небольшими дорожками для создания различных \nзон с деревьями, кустарниками и цветами.\nНа южной стороне парка, вблизи от Сены, он \nпостроил \nдлинную, \nобсаженную \nдеревьями \nтеррасу, которая называется “Терраса дю Бор-\nде-ло” и имеет прекрасный вид на реку. Вторая \nтерраса построена на северной стороне, с видом \nна сад и называется “Терраса де Фойянт”. На \nзападной стороне парка, около сегодняшней \nПлощади Согласия, он построил два марша в \nвиде подковы и две террасы, с которых можно \nвидеть \nвосьмиугольный \nбассейн \nдиаметром \nшестьдесят метров, с центральным фонтаном. \nЭти террасы обрамляют западный вход сада и \nявляются ещё одной точкой для обозрения сада \nс высоты.\nЛенотр желал, чтобы перспектива от дворца \nпродолжалась также и за пределами сада. Поэтому \nв 1667 он спланировал аллею с двумя рядами \nдеревьев на обоим сторонам, с продолжением \nна запад, в сторону Круглой площади (Рон Пуэн) \nЕлисейских полей.\nMobile Bar\n160 x 55 x 210H\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.43.png","84\n85\nJardin des Tuileries \nEn 1664, Colbert, surintendant des bâtiments du roi a \ncommandé l’architecte paysagiste André Le Nôtre, de \nrepenser l’ensemble du jardin. Il a commencé à tran-\nsformer les Tuileries dans un jardin à la française, un \nstyle qui s’est développé à Vaux-le-Vicomte et perfec-\ntionné à Versailles, sur la base de la symétrie, l’ordre \net de longues perspectives. Les jardins de Le Nôtre \nont été conçus pour être vu de dessus, d’un bâtiment \nou d’une terrasse. Il a éliminé la route qui sépare le \nbâtiment du jardin et l’a remplacé par une terrasse re-\ngardant, de haut en bas, les parterres bordés par des \nhaies bas de la boîte et parterres de fl eurs avec des \nmotifs fl oraux. Au centre des parterres de fl eurs pose \ntrois piscines avec des fontaines. En face, au milieu \nde la première fontaine, il a conçu la grande allée, à \n350 mètres de longueur. Il a construit deux autres vo-\nies, bordées de châtaigniers, des deux côtés.\nCes trois axes principaux ont été traversés par des \nruelles étroites, à créer des compartiments contenant \ndifférents arbres, arbustes et fl eurs .\nSur la côté sud du parc, près de la Seine, il a con-\nstruit une terrasse bordée d’arbres de long, appelé la \nTerrasse du Bord-de-l’eau, avec une vue sur le fl eu-\nve. Une deuxième terrasse a été construit sur la côté \nnord, donnant sur le jardin, appelée la terrasse des \nFeuillants. Sur la côté ouest du jardin, à côté de la Pla-\nce de la Concorde d’aujourd’hui, construit deux ram-\npes sous la forme d’un fer à cheval et deux terrasses \navec vue sur le bassin octogonal avec un diamètre \nde soixante mètres, avec une fontaine au centre. Ces \nterrasses encadrées à l’entrée ouest du jardin, et ont \nun point de vue différent de voir le jardin d’en haut .\nLe Nôtre voulait la perspective du palais, à l’extrémité \nouest du jardin, a poursuivi même au dehors du jardin. \nEn 1667, il fait un projet pour une avenue, avec deux \nrangées d’arbres des deux côtés, qui ont continué à \nl’ouest de l’actuel Rond- Point des Champs Elysées.\nMobile Bar\n160 x 55 x 210H\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.44.png","86\n87\nColori\nFiniture\ncitroné rigato\ncitroné frisé\npalissandro sonokeling\npaduka indonesia\npalissandro onduras\npolvere di zinco\nstriped citroné\nfrisé citroné\nsonokeling palissander\npaduka indonesia\nhonduras palissander\nzinc dust\ncitroné rayé\ncitroné frisé\npalissandre sonokeling\npadukas Indonésie\npalissandre Honduras\npoudre métallique \ncitroné полосатый\ncitroné frisé\nПалисандр sonokeling \nиндонезийский падук\nгондурасский палисандр\nметаллическая пыль\nEssenze\ngirasole\nortensia\nalloro\ngeranio\ncorteccia\npeltro\nzinco\nroccia\n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F81\u002F9b8dafb360fe00ddc7281472fa3514.45.png","®\nper\n",45,[],0,false,true,{"success":194,"data":196,"meta":414,"count":415,"next":416,"previous":417,"results":455,"brand_chips":516},[197,210,220,230,240,249,259,269,279,291,304,317,327,340,353,363,373,382,392,404],{"id":198,"title":199,"slug":200,"image":201,"source":202,"brand_name":203,"brand":204,"brand_slug":205,"file_size":206,"pages":207,"pages_count":208,"matched_pages":209,"match_count":192,"two_pages":193,"show_text":194},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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