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The venue’s design represents \na contemporary concept, where inside and \noutside merge, material quality is high and light \nis a protagonist. The restaurant, located in the \nhistoric Brera neighbourhood, stands out for its \nscenographic staircase in travertine.\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.6.png","6\n7\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.7.png","8\n9\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.8.png","10\n11\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.9.png","12\n13\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.10.png","14\n15\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.11.png","16\n17\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.12.png","18\n19\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.13.png","20\n21\n“The idea was to open \neverything up, by creating \na link between the inside \nand the outside by means \nof the windows.”\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.14.png","22\n23\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.15.png","24\n25\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.16.png","26\n27\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.17.png","28\n29\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.18.png","30\n31\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.19.png","32\n33\n“Continuity is key. The outdoor \narea has a very clean look, all in \nstone. In the interior spaces, the \nfoor is in travertine, but there \nare also contrasting elements \nwith an ebony gloss, that give \ndepth and warmth.”\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.20.png","34\n35\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.21.png","36\n37\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.22.png","38\n39\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.23.png","40\n41\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.24.png","42\n43\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.25.png","44\n45\nSTEFANO BELINGARDI CLUSONI\nStefano Belingardi Clusoni is a Milanese architect. In the year \n2020, he was nominated as one of Italy’s best architects under 40 \nby Platform magazine. Graduating with the best Master’s project \naccording to the jury of the Mario Botta Academy of Architecture \nin Mendrisio, Switzerland, he has worked in Barcelona, Berlin and \nShanghai, gaining valuable experience in some of the most pres-\ntigious international studios, including EMBT Miralles Tagliabue, \nDaniel Libeskind and Cino Zucchi. In 2016 he founded the \nBE.ST Belingardi Stefano Architect studio in Milan. Vesta is his \nfirst restaurant. \nMario Botta, EMBT Architects, Daniel Libeskind, Cino Zucchi: \nwhat did you learn from each of these architects? \nUniversity and Mario Botta gave me a logical and rational frame-\nwork. The EMBT Architects Studio in Spain taught me the artistic \nside, that is to say how to combine architecture and art. Libeskind \nshowed me how to think outside the box. And Cino Zucchi the \nhuman side.\nYou have had a number of different international experiences. \nDo you still feel like a Milanese architect? \nYes, absolutely.\nHow do your projects start, what is the point of departure? \nThere’s always an initial vision. When I go for the first time to inspect \na site, I try to visualise the final product; then I try to re-elaborate \nwhat I have imagined and it often works. I start with an image, \na feeling and then seek to understand why I imagined it in that way. \nHow was the Vesta project born? \nThe starting point was the idea of the steps, a podium that links \nthe restaurant to the city and takes diners to a higher level, giving \nthe impression of floating or hovering over the city. The venue is \nclosely linked to Brera, and how the people experience the area, \nmeeting up for a drink on the steps or sitting like in a piazza. \nThe steps are a stage, a scenography, designed for the enjoyment \nof both people out for a walk and diners in the outdoor area, \nlooking over the city. Then there is the question of light. The \nprevious place was the opposite, very gloomy. Here the idea was \nto open everything up, by creating a link between the inside and the \noutside by means of the windows. Finally, there are the different \nlevels: this interlocking of parts of the city is very interesting.\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.26.png","46\n47\nHow do you link Vesta to the neighbourhood of Brera, in which \nit is situated? \nIn Brera there are a lot of restaurants with tables outside, it’s very \ntouristy. The architecture of Vesta, being very modern, stands in \ncontrast to all this, but the adjacent building is rationalist, hence \nit’s still coherent with the context. There’s continuity as regards \nthe materials, too, because many of the structures on the same \nroad are built in quarried travertine. So, the texture blends well \nwith the brickwork of the church. \nMoving on to the interior, was it the client who defined the \nspace?  \nActually, the spaces were already fairly well-defined, because there \nwas a restaurant here before. We kept the functional areas – kitch-\nens, toilets, the dining hall – where they were previously, but we \ntotally redesigned everything. The dining area was narrow and the \nceilings low; we enlarged and opened up everything focusing the \narchitecture in the direction of the external windows. The base-\nment has become a smoking area: the arches, a structural element \ngiving the room its character, hide the extractor fans removing \nthe cigarette smoke.     \nHow have the different areas changed? \nThe basement is envisaged as a sort of club or, to put it better, \na bistrot that, at a certain hour, turns into a club, while the main \nroom is a classic and very luminous restaurant. Then there’s the pri-\nvate area and, naturally, the outdoor area. This allows us to create \ndifferent situations and meet the different needs of the clientele. \nAnd what about the materials? Do they change depending \non the environment? \nYes, even though continuity is key. The outdoor area has a very clean \nlook, all in stone. In the interior spaces, the floor is in travertine, but \nthere are also contrasting elements with an ebony gloss, that give \ndepth and warmth. The private room is completely different, it’s \nas if we created a room in a house with a light-coloured carpet, \nfurnishings in American walnut and the table in red travertine. The \nbathrooms are sensational: we chose particular French bathroom \nfixtures, bronze tiling on the walls and a Luna lamp by Zumthor. \nIn your projects you go for the emotional effect and work \non an architecture that creates an impact. How does this \nidea marry with the functional needs of a space dedicated \nto cooking or hospitality? \nThe client wanted to create something that wasn’t just interior de-\nsign, but a real architectural concept capable of being replicated. \nWe worked together to realise a restaurant that was architectural \nand functional at one and the same time. For example, the con-\nstruction of the stairs required the removal of some tables. Despite \nthis, the space created became inviting and, thanks to the use \nof benches along the wall, we managed to make room for more \ncustomers than before.\nDid you also design the furnishings? \nI designed the bar, the furnishing of the outdoor area, the divan in \nthe private room, the benches, the service station, the bookshelves \nand the bottle racks, while the tables and chairs are from Poliform, \nwho also realised all the custom items I designed myself.\nWhy did you choose Poliform? \nWe needed furnishings built to last, but that were also easy to use \nand Poliform has worked a lot on this – in hotels and, in general, \nmuch used public spaces – so they provided a guarantee for us.\nWhat was it like to work with Poliform? \nWe speak the same language, it was a perfect collaboration. We \nwere able to share any detail whatsoever with their technical de-\npartment. We received the working drawings quickly and were \nable to see the samples. This project included every type of materi-\nal: marble, metals, glass and so on. It was a complex and complete \nwork, also at the level of the installations. What’s more, Poliform \nhave excellent suppliers, they coordinate each item and every-\nthing works perfectly. We completed the job in just a few months.\nIn an interview at the Family Business Festival, you said that a \nsustainable image often does not coincide with real sustain-\nability. What did you mean, and is Vesta sustainable? \nThe Vesta project has a strong focus on natural light: in the day \nyou can do without artificial illumination, but also at night there is a \nconsiderable amount of light from outside that enters through the \nskylights. We worked a lot on light as a design element. And then \nthere’s the question of duration: we imagined that people could \nstill be frequenting the venue in twenty years’ time, so we selected \nnatural materials like travertine and bronze, that increase in allure \nand character as they age.\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F08\u002F461a8d898c6de899e838916edb8168-285d69179f.27.png","Poliform Spa\nContract Division\nvia Trento 2 - ang. via Magni\nCasella postale n. 1\n22044 Inverigo (CO) Italy\nt +39 031 695601\nf +39 031 695354\ninfo.contract@poliform.it\npoliform.it\nAll the Poliform collections are \nmanufactured 100% in Italy \nusing top-class components \nand materials. \nCreative Direction\nApartamento Studios\nGraphic Design\nApartamento Studios\nText\nLisa Cadamuro\nInteriors Photography\nOmar Sartor\n1st edition January 2023\ncod. 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