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I\nSin dai primi schizzi, pensavo \na una serie di elementi \ncon una propria identità, \nsedute molto semplificate \ncome grossi pouf, \nschienali indipendenti, talvolta \na cavallo fra di loro,\nbraccioli\u002Fsostegno a concludere\nformalmente il tutto, come un\n\"paesaggio variabile\".\nLLCA1S-2a2800-83\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.4.png","TAV. II\nLLSB3S-2a2802-83\nLLCA1D-2a2800-83\nLLSB3S-2a2802-83\nLLCA2D-2a2801-83\nLLCA1D-2a2800-83\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.5.png","TAV. III\nFrom the very first sketches \nI had in mind a series \nof elements with individual\nidentity, very simplified \nseats like huge ottomans,\nindependent backrests that could\neven fit across two seats,\narmrests\u002Fsupport frames that\nround off on a formal note, like \na “changeable landscape”.\nLLCE1S-2a2802-83\nLS001-2a3333-83\n",5,{"image":34,"text":19,"number":35},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.6.png",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.7.png","TAV. IV\nLLCE1S-2a2802-83\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.8.png","TAV. V\nLL077-2a2870-83\n",8,{"image":45,"text":19,"number":46},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.9.png",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.10.png","TAV. VI\nLLCD1D-2a3510-83\n",10,{"image":52,"text":19,"number":53},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.11.png",11,{"image":55,"text":56,"number":57},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.12.png","TAV. VII\nLLDE3D-2a0774-60\n",12,{"image":59,"text":60,"number":61},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.13.png","TAV. VIII\nLLDE3D-2a0774-60\nLLCA2D-2a0774-60\nLLDC2S-2a0774-60\n",13,{"image":63,"text":19,"number":64},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.14.png",14,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.15.png","Schwebte mir bereits bei \nden ersten Entwürfen eine Serie\nvon Elementen mit eigener\nIdentität vor, sehr vereinfachte\nSitzgelegenheiten wie große \nPuffs, selbständige Rückenlehnen\n- manchmal überlagert - und\nArmlehnen\u002FStützen für den\nformalen Abschluß einer\nKomposition: eine echte “variable\nWohnlandschaft”.\nLLCD9-2a2801-83\nTAV. IX\n",15,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.16.png","TAV. VI\nLLCD9-2a2801-83\n",16,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.17.png","TAV. XI\nDès les premières esquisses, \nje pensais à une série d’éléments\nayant leur propre identité, \ndes assises très simplifiées comme\nles gros poufs, les dossiers\nindépendants, parfois à cheval \nles uns avec les autres, \ndes accoudoirs et des structures\nde soutien pour conclure\nformellement le tout, comme \nun “paysage variable”.\nLL003-2a3716\n",17,{"image":78,"text":19,"number":79},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.18.png",18,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.19.png","TAV. X\nLL018-2a3334-83\nLL003-2a2801-83\n",19,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.20.png","TAV. XIII\nLS001-2a3333-83\nLS001-2a0863-85\nLS001-2a3333-83\nLowseat è un incontro tra una poltroncina\ne un possibile sistema modulare.\nAnche qui è l’interesse per la sezione che\nmi ha guidata; spariscono i braccioli, le\nproporzioni si alleggeriscono, lo\nschienale si abbassa e si lascia costruire\nanche dal vuoto.\nLowseat combines an armchair and a\npossible modular system.\nEven in this case, I’ve been guided by\nsection: the armrests disappear while the\nproportions are relieved, the back is\nlowered and can be obtained from the void.\nDer neue Lowseat führt in der Lowland\nLandschaft zu einer Begegnung zwischen\neinem kleinen Sessel und einem\nmöglichen Modul-System.\nAuch hier ließ ich mich von meinem\nInteresse für die Sektion leiten: die\nArmlehnen verschwinden, die\nProportionen werden aufgeleichtert, die\nRückenlehne wird tiefer angesetzt und\nlässt sich auch aus dem Nichts aufbauen.\nLowseat représente un point de rencontre\nentre le petit fauteuil et un système\nmodulaire éventuel.\nDans ce cas aussi, c’est mon intérêt à\nl’égard de la section qui m’a guidé; les\naccoudoirs et les proportions deviennent\nplus vaporeux, le dossier se baisse et se\nlaisse même construire par le vide.\n",20,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.21.png","LL017-2870-83\nLL077-2870-83\nLL017-2a2871-83\n",21,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.22.png","TAV. XIV\n",22,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.23.png","Map of Lowland\nDesign     Patricia Urquiola\nStruttura in legno \nrivestito con poliuretano espanso\nindeformabile a densità\ndifferenziata e fibra poliestere.\nBraccioli in espanso ignifugo\nschiumato a freddo.\nImbottitura\ncuscini volanti in fibra poliestere.\nCaratteristiche \nLa collezione Lowland è\ncompletamente sfoderabile. \nI piedi sono in acciaio inox.\nMaria Patricia Cristina Blanca\nHidalgo Urkiola è nata a Oviedo, \nin Spagna, sotto il segno del Toro.\nDopo gli studi alla Facultad \nde Arquitectura di Madrid, nel 1989\nsi laurea al Politecnico di Milano, \ne a Milano vive e lavora.\nNel 1998, sempre sotto il segno del\nToro, inizia la collaborazione con\nMoroso (divani Step) che prosegue\ncon Lowland. \nE non è finita qui...\nLLCD9\nLLCM1\nLL017\nLL077\nLL0CE\nLL0CF\nLLC02\nLLC18\nLLC03\nLS001\nLLE1S-D\nLLE2D-S\nLLA1D-S\nLLA2D-S\nLLA3D-S\nLLB1D-S\nLLB2D-S\nLLB3D-S\nLL0KF\nLL0KE\nTAV. I\nTAV. II\nTAV. III\nTAV. IV\nTAV. XI\nTAV. XII\nTAV. XIII\nTAV. XIV\nTAV. IX\nTAV. X\nMoroso is a registered trade mark. Quality System Certification \naccording to UNI EN ISO 9001:94, Ecoquality UNI EN ISO 14001:99.\nArt direction: Patrizia Moroso\nDesign: Ferruccio Montanari\nText: Patricia Urquiola\nPhoto: Alessandro Paderni\u002FEye\nSet Coordinator: Marco Viola\nColor-separations: Fotolito Udinese\nSet in Bodoni Antiqua, Helvetica Neue \nand Franklin Gothic\nPaper: uso mano LLoyd 170gr\u002Fmq\nPrinted by: Esaprint - Maniago (PN)\nOctavius: \nbrand, model and patent \nGallimard-Zanardi\nEdition: 2007\nMoroso s.p.a. \nVia Nazionale, 60 \n33010 Cavalicco\nUdine\u002FItaly\nTel. +39 0432 577111\nFax +39 0432 570761 \ninfo@moroso.it\nwww.moroso.it\nMilano Showroom\nVia Pontaccio 8\u002F10\n20121 Milano\nTel. +39 02 72 016 336 \nFax +39 02 72 006 684\nMoroso USA\nGreen Street 146\nNew York, NY 10012\nTel. +1 800 7056863\ninfo@morosousa.com\nwww.morosousa.com\nKöln\nDesign Post Köln\nDeutz-Müheimerstrasse, 22A\n50679 Köln\nwww.designpostkoeln.de\nMoroso Ltd\nCenterpoint\n22-24 St. Giles High Street\nLondon WC2H 8TA\nTel. +44 870 8506568\nFax +44 870 8506569\ninfo@moroso.co.uk\nwww.moroso.co.uk\nA special thanks to:\nCarlo Piccolomini, Enrico Sello,\nMario Arlati, Flavia, Giovanna, \nGiuliano, Khadim, Marie-Noëlle, Marisa,\nOmar, Pippo, Rossella, Sabrina e Sal\n",23,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002Fda\u002Fac017b180dcedbc3bb410931cd7d64-289294b1bc.24.png","Frame in wood\ncovered by stress-resistant\npolyurethane foam at varied\ndensities and polyester fiber.\nArms with injected flame retardant\npolyurethane foam.\nPadding \nloose cushions in polyester fiber.\nSpecial characteristics\nThe Lowland collection has\ncompletely removable covers. \nFeet are in stainless steel.\nStruktur aus Holz\ngepolstert mit unverformbarem\nPolyurethanschaum in\nunterschiedlichen Raumdichtigkeiten\nund Dacronfaser.\nArmlehnen gepolstert mit feuersicherem\nPolyurethanschaum.\nFüllung \nloser Kissen in Dacronfaser.\nBesonderheiten \nDie Kollektion Lowland ist komplett\nabziehbar.\nFüsse aus Rostfreistahl.\nStructure en bois\nrecouverte en mousse de\npolyuréthane indéformable à\ndensités différentes et fibre polyester.\nAccoudoirs en mousse de\npolyuréthane non feu.\nRembourrage \ncoussins accessoires en fibre\npolyester.\nCaractéristiques\nLa collection Lowland est\ncomplètement déhoussable. \nPieds en acier inoxydable.\nMaria Patricia Cristina Blanca\nHidalgo Urkiola born in Oviedo, \nin Spain, under the sign of Taurus.\nAfter studying at the Facultad \nde Arquitectura of Madrid, in 1989\nshe graduated at the Politecnico \nof Milan where she lives and works.\nIn 1998, always under the sign of\nTaurus, she began a collaboration\nwith Moroso (Step sofas) which\ncontinues with Lowland. \nAnd it is not yet ended...\nMaria Patricia Cristina Blanca Hidalgo\nUrkiola ist unter dem Zeichen des\nStieres in Oviedo, in Spanien, geboren.\nNach dem Studium an der Facultad \nde Arquitectura von Madrid, promoviert\nsie 1989 am Polytechnikum von\nMailand, wo sie lebt und arbeitet. \n1998 beginnt sie, immer unter dem\nZeichen des Stieres, eine Zusammenarbeit\nmit Moroso (Step Sofas), die sie mit\nLowland weiterführt. \nUnd damit sind wir noch nicht am\nEnde...\nMaria Patricia Cristina Blanca\nHidalgo Urkiola est née à Oviedo, \nen Espagne sous le signe du Taureau.\nAprès les études à la Facultad \nde Arquitectura de Madrid, en 1989\nelle se diplôme au Politecnico \nde Milan où elle vit et travaille. \nEn 1998 toujours sous le signe \ndu Taureau, elle commence sa\ncollaboration avec Moroso \n(divans Step) qui poursuit avec\nLowland. Et ce n’est pas fini...\nLLC2D-S\nLLC1D-S\nLLC3D-S\nLLC4D-S\nLLC5D-S\nLLC6D-S\nLLE3D-S\nLLD1D-S\nLLD2D-S\nTAV. V\nTAV. VI\nTAV. VII\nTAV. 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