[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-molteni-sofas-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":984},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":979,"matched_pages":980,"match_count":981,"two_pages":982,"show_text":983},15470,"Sofas 2024","molteni-sofas-2024","\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F6b\u002F42a28a0bc6dcaab12b3aa342632968-285cf12855.pdf","Molteni",1338,"molteni","32.8 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428,432,436,440,444,448,452,456,460,464,468,472,476,480,484,488,492,496,500,504,508,512,516,520,524,528,532,536,540,544,548,552,556,560,564,568,572,576,580,584,588,592,596,600,604,608,612,616,620,624,628,632,636,640,644,648,652,656,660,664,668,672,676,680,684,688,692,696,700,704,708,712,716,720,724,728,732,736,740,744,748,752,756,760,764,768,772,776,780,784,788,792,796,800,804,808,812,816,820,824,828,832,836,840,844,848,852,856,860,864,868,872,876,880,884,888,892,896,900,904,908,912,916,920,924,928,932,936,940,944,948,952,956,960,964,968,972,976],{"image":7,"text":15,"number":16},"Sofas\n2024\n",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.3.png","CONTENT\nSeating systems \nand sofas\npp 12-205\nArmchairs\npp 206-311\nCoffee \ntables\npp 312-407\nCarpet \ncollection\npp 408-437\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.4.png","SEATING SYSTEMS AND SOFAS\nOVERVIEW\nAlbert Vincent Van Duysen - p. 136\nAugusto Vincent Van Duysen - p. 14\nGregor Vincent Van Duysen - p. 114\nFreestyle Ferruccio Laviani - p. 184\nDomino Nicola Gallizia - p. 204\nCleo Vincent Van Duysen - p. 56\nChelsea Rodolfo Dordoni - p. 174 \nBreeze Matteo Nunziati - p. 192\nSkin Jean Nouvel - p. 196\nLido Hannes Wettstein - p. 188\nLucio Vincent Van Duysen - p. 44\nMarteen Vincent Van Duysen - p. 74\nOctave Vincent Van Duysen - p. 96\nRegis Vincent Van Duysen - p. 200\nPaul Vincent Van Duysen - p. 148\nReversi ‘14 Studio Wettstein - p. 180\nSurf Yabu Pushelberg - p. 128\nTurner Hannes Wettstein - p. 164\n 4  5\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.5.png","ARMCHAIRS\nOVERVIEW\nCinnamon Naoto Fukasawa - p. 252\nD.156.3 Gio Ponti - p. 240\nD.154.2 Gio Ponti - p. 208\nRound D.154.5 Gio Ponti - p. 212\nD.157.6 Due Foglie Gio Ponti - p. 224\nD.163.7 Continuum Gio Ponti - p. 228\nD.151.4 Gio Ponti - p. 232\nD.153.1 Gio Ponti - p. 236\nChelsea Rodolfo Dordoni - p. 304\nWalter Vincent Van Duysen - p. 284\nTuscany Naoto Fukasawa - p. 260\nSurf Yabu Pushelberg - p. 128\nPaula Vincent Van Duysen - p. 244\nPiccadilly Rodolfo Dordoni - p. 292\nMargou Vincent Van Duysen - p. 276\nGlove-Up Patricia Urquiola - p. 310\nKensington Rodolfo Dordoni - p. 298\nGillis Vincent Van Duysen - p. 288\nDoda, Doda Low Ferruccio Laviani - p. 308\nElain Vincent Van Duysen - p. 296\nYoell Vincent Van Duysen - p. 268\n 6  7\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.6.png","COFFEE TABLES\nOVERVIEW\n45°\u002FTavolino Ron Gilad - p. 390\nAlisee Matteo Nunziati - p. 382\nAster Vincent Van Duysen - p. 336\nFonte Vincent Van Duysen - p. 322\nDomino Next Nicola Gallizia - p. 394\nD.555.1 Gio Ponti - p. 314\nCleo Vincent Van Duysen - p. 356\nD.552.2 Gio Ponti - p. 318\nAttico Nicola Gallizia - p. 388\nHubert Vincent Van Duysen - p. 378\nMarteen Vincent Van Duysen - p. 364\nLouisa Vincent Van Duysen - p. 370\nPicea Vincent Van Duysen - p. 334\nWhen Rodolfo Dordoni - p. 406\nTeso Foster + Partners - p. 398\nRemi Vincent Van Duysen - p. 352\nRegent Vincent Van Duysen - p. 342\nPanna Cotta Ron Gilad - p. 400\nVicino Table Foster + Partners - p. 404\n 8  9\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.7.png","Atalante \nby Ruckstuhl - Nicola Gallizia - p. 412\nSonoro \nNicola Gallizia - p. 430\nCARPET COLLECTION\nRandom\nby Altai- Patricia Urquiola - p. 428\nStripe\nVincent Van Duysen - p. 432 \nTelaro\nby Amini - Marta FerrI - p. 434\nAura\nNicola Gallizia - p. 414\nVibrazioni\nMarta FerrI - p. 436\nD.754.1\nGio Ponti - Heritage Collection - p. 410\n \nOVERVIEW\nDedalo \nby Pierre Frey - Marta Ferri - p. 416\nDuna\nNicola Gallizia - p. 418\nEdge\nNicola Gallizia - p. 420\nEone\nNicola Gallizia - p. 422\nHem\nby G.T.Design - Patricia Urquiola - p. 424 \nPalette\nNicola Gallizia - p. 426\n 10  11\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.8.png","seating\n  systems\nMOLTENI PAYS SPECIAL ATTENTION \nTO THE DESIGN AND MANUFACTURE \nOF ITS PRODUCTS, STUDYING \nTHE NUMEROUS FEATURES THAT \nDISTINGUISH A QUALITY ARMCHAIR \nOR SOFA. FROM THE PROJECT, \nBASED ENTIRELY ON ERGONOMIC \nREQUIREMENTS TO PRODUCTION \nWITH THE USE OF FIRST CLASS \nMATERIALS. THIS MEANS WE CAN \nPROVIDE AN ELEGANT AND COZY \nSOFA OR ARMCHAIR THAT WILL \nBE A COMPANION TO MOMENTS \nOF RELAXATION, DAY AFTER DAY.\nMOLTENI&C CURA NEI MINIMI DETTAGLI LA PROGETTAZIONE E LA REALIZZAZIONE DELLE PROPRIE COLLEZIONI, \nRICERCANDO NUOVE SOLUZIONI TECNICHE E FORMALI PER MIGLIORARE SEMPRE LA QUALITÀ DI SEDUTE E \nDIVANI. DAL PROGETTO, CHE TIENE CONTO DEGLI ASPETTI ERGONOMICI, ALLA PROTOTIPAZIONE, FINO ALLA \nPRODUZIONE, SOLO CON MATERIALI DI QUALITÀ CERTIFICATA. PER GARANTIRE PRODOTTI FINALI PERFETTI, \nELEGANTI E CONFORTEVOLI, PER OGNI MOMENTO DELLA GIORNATA, PER TUTTI GLI AMBIENTI LIVING.\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.9.png","AUGUSTO \nVINCENT VAN DUYSEN\nThe evolution of the Augusto sofa is firmly \nunderway as it transforms into a versatile modular \nsystem, seamlessly blending timeless elegance \nwith contemporary flair. Van Duysen’s vision aims \nto capture the enduring essence of Augusto in a \nmodular format, introducing innovative circular \ncompositions with curvilinear modules that foster \nintimate conversations. Retaining its timeless \naesthetic, complemented by coordinating piping, \nthe Augusto modular sofa features soft padded \nseats and a sleek metal structure adorned with \nelegant piping. This adaptable design effortlessly \ncomplements various interior styles, offering \nboth comfort and sophistication. The modular \nsystem includes lateral and central elements \nfor enhanced functionality, chaise lounges and \nislands for relaxation zones, and curvilinear \nmodules for dynamic configurations. From \ncompact spaces to spacious rooms, Augusto \nprovides stylish solutions tailored to diverse \nneeds. Crafted with comfort in mind, the Augusto \nsofa incorporates high-density foam padding \nand soft seat cushions made from recycled \nPET polyester fiber. The meticulously designed \nbase, featuring aluminum feet with non-slip tips, \nensures stability and durability while aligning \nwith Molteni&C’s eco-conscious ethos.\nIl divano Augusto  si evolve nella sua versione \nmodulare, continuando a esplorare i contrasti tra \nle linee classiche del passato e il gusto attuale. \nIl desiderio dichiarato del designer belga è di \n“trasferire l’atemporalità di Augusto in un sistema \nmodulare”, contemplando la grande novità di \ncomposizioni circolari grazie ai moduli curvilinei \nin grado di creare comode sedute attorno ad un \ncerchio di conversazione. La chiave estetica senza \ntempo del divano, caratterizzata dall’elegante \npiping che ne definisce le forme, rimane intatta \ne si trasmette anche alla nuova poltrona della \nstessa famiglia. Gli elementi modulari del sistema \ncomprendono elementi laterali e centrali per una \nfunzionalità accentuata, chaise lounge e isole per \nuna zona di completo relax, e moduli curvilinei \nche consentono una composizione articolata e \ntondeggiante, elevandosi a soluzione privilegiata \nper le situazioni più esigenti e per le più varie \nmetrature degli spazi, dove l’ospitalità con stile a \nregola d’arte è un piacere quotidiano. L’eccezionale \ncomfort è garantito dall’imbottitura in poliuretano \nespanso ad alta portanza e densità variabile, \ninsieme ai morbidi cuscini di seduta in fibra di \npoliestere PET riciclata. Il basamento verniciato \npoggia a terra grazie a piedini in alluminio con \npuntali antiscivolo.\n 14  15\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.10.png","AUGUSTO —\n 16  17\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.11.png","\u003C\nAUGUSTO —\np. 16-17\nSEATING SYSTEM—\nWEB W6281 FABRIC,\nANTHRACITE GROS GRAIN\nWALTER ARMCHAIR—\nFONTE AND ASTER\nCOFFEE TABLES—\nMATEO LOUNGE TABLE—\nPORTA VOLTA CHAIR—\nREGIS POUF—\nAURA CARPET—\np. 16-17 \nSISTEMA DI SEDUTE—\nTESSUTO WEB W6281,\nGROS GRAIN ANTRACITE\nTAVOLINI\nFONTE E ASTER—\nPOLTRONA WALTER—\nFONTE E ASTER—\nTAVOLO LOUNGE MATEO—\nSEDIA PORTA VOLTA—\nPOUF REGIS—\nTAPPETO AURA—\n 18  19\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.12.png","AUGUSTO —\n 20  21\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.13.png","\u003C\nAUGUSTO —\np. 20-21\nSEATING SYSTEM—\nKENDAL KI642 FABRIC,\nSAND GROS GRAIN\nD.151.4 ARMCHAIR—\nFONTE AND PICEA\nCOFFEE TABLES—\nLOGOS SYSTEM—\nAURA CARPET—\np. 20-21\nSISTEMA DI SEDUTE—\nTESSUTO KENDAL KI642,\nGROS GRAIN SAND\nPOLTRONA D.151.4—\nTAVOLINI\nFONTE E PICEA—\nSISTEMA LOGOS—\nTAPPETO AURA—\n 22  23\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.14.png","AUGUSTO —\n 24  25\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.15.png","\u003C\nAUGUSTO —\np. 24-25\nSEATING SYSTEM—\nZELO ZI854 FABRIC,\nSADDLE LEATHER COLOUR\nGROS GRAIN\nREGIS POUF—\nFONTE AND REGENT\nCOFFEE TABLES—\n505 UP SYSTEM—\nEONE CARPET—\np. 24-25\nSISTEMA DI SEDUTE—\nTESSUTO ZELO ZI854,\nGROS GRAIN\nCOLOR CUOIO\nPOUF REGIS—\nTAVOLINI\nFONTE E REGENT—\nSISTEMA 505 UP—\nTAPPETO EONE—\n 26  27\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.16.png","AUGUSTO —\n 28  29\n 28  29\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.17.png","\u003C\nAUGUSTO —\np. 28-29\nSEATING SYSTEM—\nWALLABI WI524 FABRIC,\nPAPER WHITE GROS GRAIN\nD.163.7 CONTINUUM\nARMCHAIR—\nFONTE COFFEE TABLES—\nLOGOS SYSTEM—\nSTRIPE CARPET—\np. 28-29\nSISTEMA DI SEDUTE—\nTESSUTO WALLABI WI524,\nGROS GRAIN BIANCO CARTA\nPOLTRONA\nD.163.7 CONTINUUM—\nTAVOLINI FONTE—\nSISTEMA LOGOS—\nTAPPETO STRIPE—\n 30  31\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.18.png","AUGUSTO —\nSEATING SYSTEM—\nUTOPIA UL189 LEATHER\nSYSTEM AND GROS GRAIN,\nWALLABI WI588\nBACK CUSHIONS\nREGIS POUF—\nFONTE COFFEE TABLES—\nPORTA VOLTA\nLOW CHAIR—\n505 UP SYSTEM—\nEONE CARPET—\nSISTEMA DI SEDUTE—\nSISTEMA E GROS GRAIN\nPELLE LUCIDA UTOPIA UL189,\nCUSCINI SCHIENALE\nWALLABI WI588\nPOUF REGIS—\nTAVOLINI FONTE—\nLOW CHAIR\nPORTA VOLTA—\nSISTEMA 505 UP—\nTAPPETO EONE—\n 32  33\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.19.png","AUGUSTO —\nARMCHAIRS—\nUTOPIA UL137 LEATHER\nSEAT, CUSHION\nAND GROS GRAIN\nFONTE COFFEE TABLES—\nVIBRAZIONI CARPET—\nPOLTRONE—\nSEDUTA, CUSCINO \nE GROS GRAIN\nPELLE UTOPIA UL137\nTAVOLINI FONTE—\nTAPPETO VIBRAZIONI—\n 34  35\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.20.png","SOFA—\nKOLO KI142 FABRIC WITH\nCREAM COLOR GROSGRAIN\nREGENT TABLE—\nPALETTE CARPET—\nDIVANO—\nTESSUTO KOLO KI142 CON\nGROSGRAIN COLORE CREMA\nTAVOLINO REGENT—\nTAPPETO PALETTE—\nAUGUSTO —\n 36  37\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.21.png","SOFAS—\nKOLO KI142 FABRIC WITH\nCREAM COLOR GROSGRAIN\nCINNAMON ARMCHAIR—\nREGENT AND ASTER\nCOFFEE TABLES—\n505 UP SYSTEM—\nUENO SCREEN—\nPALETTE CARPET—\nDIVANI—\nTESSUTO KOLO KI142 CON\nGROSGRAIN COLORE CREMA\nPOLTRONA CINNAMON—\nTAVOLINI\nREGENT E ASTER—\n505 UP SYSTEM—\nPARAVENTO UENO—\nTAPPETO PALETTE—\nAUGUSTO —\n 38  39\n 38  39\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.22.png","DIVANO E ISOLA—\nTESSUTO KOLO KI135 CON\nGROSGRAIN COLORE TESTA DI MORO\nCHAISE LONGUE TUSCANY—\nTAVOLINI\nREGENT E ASTER—\nTAPPETO VIBRAZIONI—\nSOFA AND ISLAND—\nKOLO KI135 FABRIC WITH\nDARK BROWN COLOR GROSGRAIN\nTUSCANY CHAISE LONGUE—\nREGENT AND ASTER\nCOFFEE TABLES—\nVIBRAZIONI CARPET—\nAUGUSTO —\n 40  41\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.23.png","SOFA—\nWILLIAM WI211 FABRIC\nWITH ANTHRACITE\nCOLOR GROSGRAIN\nASTER, LOUISA COFFEE TABLES—\nVIBRAZIONI CARPET—\nDIVANO—\nTESSUTO WILLIAM WI211\nCON GROSGRAIN\nCOLORE ANTRACITE\nTAVOLINI ASTER, LOUISA—\nTAPPETO VIBRAZIONI—\nAUGUSTO —\n 42  43\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.24.png","LUCIO \nVINCENT VAN DUYSEN\nThe essence of contemporary living is intrinsic \nto the Lucio collection. This meticulously crafted \nensemble of sofa, armchair, and dormeuse \nembodies a harmonious blend of functionality \nand character, united by an artistic vision that \nelevates any space. Drawing on the expertise of \nItalian upholstery masters, every product in the \nLucio series reflects meticulous craftsmanship, \ninfused with passion and dedication. Innovations \nin padding materials enhance ergonomic \ncomfort while reducing environmental impact, \nunderscoring Molteni&C’s commitment to \nsustainability. The distinctive tone-on-tone \nstitching of the Lucio collection accentuates \nits sinuous silhouette, while strategically placed \nopenings on the backrests add a sense of \nlightness and breathability to the design. \nAvailable in two sofa configurations, along \nwith an armchair and dormeuse, the Lucio \ncollection offers versatility and customization. \nVincent Van Duysen’s artistic vision infuses \neach detail of the Lucio collection with vibrant \nenergy and emotion, seamlessly integrating \nwith diverse interiors.\nLa famiglia di sedute Lucio è un’espressione \ntangibile dell’arte dell’abitare che si sviluppa \nattorno al concetto di collezione. Il divano, \nla poltrona e la dormeuse si distinguono \nper la loro funzionalità e carattere unici e si \nuniscono sotto un’estetica artistica e grafica \ncomune, contribuendo a plasmare un’atmosfera \ncoinvolgente. Ciascun prodotto della serie \nLucio incarna il valore del savoire faire dei \nmaestri italiani nell’imbottitura, ricchi di dettagli \neseguiti con cura, passione e la dedizione. \nLa cura artigianale è ancora più preziosa \nquando è capace di sposare le innovazioni \ntecniche e tecnologiche mirate a migliorare \nil comfort ergonomico e a ridurre l’impatto \nambientale lungo l’intero ciclo di vita del \nprodotto. La cucitura generosa e tono su \ntono contraddistingue la collezione Lucio, \nsviluppandosi in una linea infinita che evidenzia \nla sinuosità e la morbidezza del prodotto. \nL’apertura posizionata sullo schienale aggiunge \nuno spazio di vuoto e respiro, conferendo un \ntratto di identità unico, oltre a donare allo stesso \ntempo leggerezza e ariosità alla composizione.\nLe due configurazioni del divano Lucio, a \ndue e tre posti, trovano complementarità in \nuna poltrona dalle forme tonde e avvolgenti, \ninsieme a una dormeuse rivisitata in chiave \ncontemporanea. I prodotti Lucio si rivelano \nperfetti quando mescolati all’interno della loro \nstessa famiglia, creano una melodia coesa di stile.\n 44  45\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.25.png","LUCIO —\nSOFA—\nZELO ZI811 FABRIC\nFONTE COFFEE TABLE—\nPASS-WORD EVOLUTION\nSHELVES—\nVIBRAZIONI CARPET—\nDIVANO—\nTESSUTO ZELO ZI811\nTAVOLINO FONTE—\nMENSOLE\nPASS-WORD EVOLUTION—\nTAPPETO VIBRAZIONI—\n 46  47\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.26.png","LUCIO —\n 48  49\n 48  49\nDIVANO LUCIO—\nTESSUTO KYLE KG696\nPOLTRONA LUCIO—\nPELLE UTOPIA UL 147\nTAVOLINO FONTE—\nSTRUTTURA ROVERE CAFFÈ, TOP \nMARMO CALACATTA LUCIDO\nTAVOLINO FONTE—\nSTRUTTURA E TOP ROVERE CAFFÈ\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.27.png","\u003C\nLUCIO —\np. 48-49\nSOFAS—\nKYLE KG696 FABRIC\nARMCHAIR—\nUTOPIA UL147 LEATHER\nFONTE COFFEE TABLES—\nVIBRAZIONI CARPET—\np. 48-49\nDIVANI—\nTESSUTO KYLE KG696\nPOLTRONA—\nPELLE UTOPIA UL147\nTAVOLINI FONTE—\nTAPPETO VIBRAZIONI—\n 50  51\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.28.png","LUCIO —\nDORMEUSE—\nWALLABI WI524FABRIC\nCUSHION AND SEAT\nFONTE COFFEE TABLE—\nGLISS MASTER WARDROBE—\nPALETTE CARPET—\nDORMEUSE—\nCUSCINO E SEDUTA\nTESSUTO WALLABI WI524\nTAVOLINO FONTE—\nARMADIO GLISS MASTER—\nTAPPETO PALETTE—\n 52  53\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.29.png","LUCIO —\nARMCHAIR—\nUTOPIA UL137 LEATHER\nCUSHION AND SEAT\nASTER COFFEE TABLE—\nVIBRAZIONI CARPET—\nPOLTRONA—\nCUSCINO E SEDUTA\nPELLE UTOPIA UL137\nTAVOLINO ASTER—\nTAPPETO VIBRAZIONI—\n 54  55\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.30.png","Cleo is a modular system consisting of various \nrectilinear, angular and self-standing elements that \nallow for a large number of compositions suitable \nfor all kinds of living. The heart of the project is the \nframe, which is used for each individual component. \nA harmonious curvilinear shell, recalling a cosy \nplace, which embraces seat and back without \na break. The shell, upholstered in textiles or in \nleather, like the seat cushions, offers great comfort. \nThe possible combinations between the various \nupholstery materials for covering the frame and \nthe seat cushions, can either make a contrast or \nemphasize the harmony of the two components. \nThe rectangular back cushions can be placed at will \nto satisfy any requirements, guaranteeing comfort \nand allowing for different relaxation positions: from \nsitting comfortably to read a good book or spending \ntime with loved ones, to lying down for a brief rest. \nCleo is supported by feet made of a thin layer of \nvarnished steel, designed to make the sofa look like \nan object floating in the living area, thus become \nheart and protagonist, thanks to its easy collocation \neven in the centre of the room. In addition, Cleo \nhas rectilinear single frame solutions, suitable for \ncreating a sofa with complete and enveloping shapes.\nCleo è un sistema componibile nato dalla combinazione \ndi vari elementi, rettilinei, ad angolo e a isola, che \npermettono di creare un vasto numero di composizioni \nadatte a ogni tipo di living. Cuore del progetto è la scocca, \nche viene utilizzata per ogni singolo componente. Un \narmonioso guscio curvilineo, a ricordare un luogo \nraccolto, che abbraccia seduta e schienale senza \nsoluzione di continuità. Il guscio è rivestito in tessuto \no in pelle e, come i cuscini di seduta, offre un grande \ncomfort. Le possibili combinazioni tra i vari materiali \ndi rivestimento per la scocca e i cuscini di seduta, \npermettono di ottenere un contrasto o sottolineare \nl’armonia dei due elementi. I cuscini dello schienale \nsono rettangolari, liberamente posizionabili, così da \nsoddisfare ogni tipo di necessità, garantendo comfort \ne consentendo diverse posizioni relax: dal sedersi per \nleggere comodamente un buon libro o per trascorrere \ndel tempo con i propri affetti, allo sdraiarsi per concedersi \nun momento di riposo. Cleo è sostenuto da piedini in \nsottile lamina di acciaio verniciato, pensati per rendere \nil divano un oggetto galleggiante nell’area living, \ndiventandone cuore e protagonista, grazie alla sua \nfacile collocazione anche al centro dell’ambiente. Cleo \ndispone inoltre di soluzioni monoscocca rettilinee, atte \na creare un divano dalle forme complete ed avvolgenti.\nCLEO \nVINCENT VAN DUYSEN\n 56  57\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.31.png","CLEO —\n 58  59\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.32.png","\u003C p. 58-59 \nSEATING SYSTEM—\nKERMESSE KH713 FABRIC\nCLEO COFFEE TABLES—\nBLACK OAK STRUCTURE\nGALAXY TOP\nYOELL ARMCHAIRS—\nSIRIA S1211 LEATHER\nBLACK OAK STRUCTURE\n505 UP SYSTEM—\nAURA CARPET—\np. 58-59\nSISTEMA DI SEDUTE—\nTESSUTO KERMESSE KH713\nTAVOLINI CLEO—\nSTRUTTURA ROVERE NERO\nTOP GALAXY\nPOLTRONE YOELL—\nPELLE SIRIA S1211\nSTRUTTURA ROVERE NERO\nSISTEMA 505 UP—\nTAPPETO AURA—\nCLEO —\n 60  61\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.33.png","CLEO —\n 62  63\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.34.png","\u003C p. 62-63 \nSEATING SYSTEM—\nUE134 LEATHER\nEXTERNAL STRUCTURE,\nKUBO KH621 FABRIC\nINTERNAL CUSHIONING\nCLEO COFFEE TABLES—\nBLACK OAK STRUCTURE\nIVORY ECO SKIN TOP\nAURA CARPET—\np. 62-63 \nSISTEMA DI SEDUTE—\nSTRUTTURA ESTERNA\nPELLE UE134,\nCUSCINATURA INTERNA\nTESSUTO KUBO KH621\nTAVOLINI CLEO—\nSTRUTTURA ROVERE NERO\nTOP ECO SKIN AVORIO\nTAPPETO AURA—\nCLEO —\n 64  65\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.35.png"," 66  67\nSEATING SYSTEM—\nUNIQUE UE146 LEATHER\nEXTERNAL STRUCTURE,\nKAOMA KH142 FABRIC\nINTERNAL CUSHIONING\nLOUISA COFFEE TABLES—\nEUCALYPTUS\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nSTRUTTURA ESTERNA\nPELLE UNIQUE UE146,\nCUSCINATURA INTERNA\nTESSUTO KAOMA KH142\nTAVOLINI LOUISA—\nEUCALIPTO\nTAPPETO PALETTE—\nCLEO —\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.36.png","SEATING SYSTEM—\nSIRIA S1230 LEATHER\nEXTERNAL STRUCTURE,\nKUBO KH611 FABRIC\nINTERNAL CUSHIONING\nYOELL ARMCHAIR—\nSIRIA S1211 LEATHER\nSUNRISE OAK STRUCTURE\nHECTOR BOOKCASE—\nSISTEMA DI SEDUTE—\nSTRUTTURA ESTERNA\nPELLE SIRIA S1230,\nCUSCINATURA INTERNA\nTESSUTO KUBO KH611\nPOLTRONA YOELL—\nPELLE SIRIA S1211\nSTRUTTURA ROVERE SUNRISE\nLIBRERIA HECTOR—\nCLEO —\n 68  69\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.37.png","\u003C\nCLEO —\np. 68-69\nSEATING SYSTEM—\nSIRIA S1230 LEATHER\nEXTERNAL STRUCTURE,\nKUBO KH611 FABRIC\nINTERNAL CUSHIONING\nYOELL ARMCHAIR—\nSIRIA S1211 LEATHER\nSUNRISE OAK STRUCTURE\nHECTOR BOOKCASE—\np. 68-69\nSISTEMA DI SEDUTE—\nSTRUTTURA ESTERNA\nPELLE SIRIA S1230,\nCUSCINATURA INTERNA\nTESSUTO KUBO KH611\nPOLTRONA YOELL—\nPELLE SIRIA S1211\nSTRUTTURA ROVERE SUNRISE\nLIBRERIA HECTOR—\n 70  71\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.38.png","CLEO —\nSEATING SYSTEM—\nSIRIA S1254 LEATHER\nCLEO COFFEE TABLES—\nBLACK OAK STRUCTURE\nGALAXY TOP\nGLISS MASTER WARDROBE—\nSISTEMA DI SEDUTE—\nPELLE SIRIA S1254\nTAVOLINI CLEO—\nSTRUTTURA ROVERE NERO\nTOP GALAXY\nARMADIO GLISS MASTER—\n 72  73\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.39.png","Marteen is a multifunctional seating and storage \nsystem introducing harmony with perfectly \nbalanced volumes, in an alternation of solids and \nvoids.  Vincent Van Duysen has succeeded in \nhis intent of rewriting the living area experience, \ncontaminating traditional types of seating with freer \nand more informal lifestyles, translating them into \nextremely versatile and contemporary configurations.\nMarteen è un sistema di sedute e contenitori \nmultifunzionale che propone un’armonia di volumi \nperfettamente equilibrati, in un’alternanza di pieni \ne vuoti. Vincent Van Duysen è riuscito nel suo \nintento di riscrivere l’esperienza della zona living, \ncontaminando le tipologie tradizionali delle sedute \ncon stili di vita più liberi ed informali, traducendoli in \nconfigurazioni estremamente versatili e contemporanee. \nMARTEEN\nVINCENT VAN DUYSEN\n 74  75\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.40.png","MARTEEN —\nSEATING SYSTEM—\nKYLE KG611 FABRIC\nMARTEEN COFFEE TABLES—\nTHERMO OAK TOP,\nPEWTER FINISH BASE\nMARGOU ARMCHAIRS—\nKATANA KG834 FABRIC\nEUCALYPTUS STRUCTURE\nATALANTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO KYLE KG611\nTAVOLINI MARTEEN—\nTOP ROVERE THERMO,\nBASAMENTO PELTRO\nPOLTRONE MARGOU—\nTESSUTO KATANA KG834\nSTRUTTURA EUCALIPTO\nTAPPETO ATALANTE—\n 76  77\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.41.png","SEATING SYSTEM—\nKYLE KG611 FABRIC\nMARTEEN MODULE WITH DRAWER—\nTHERMO OAK TOP,\nPEWTER FINISH DRAWER\nSISTEMA DI SEDUTE—\nTESSUTO KYLE KG611\nMODULO CON CASSETTO MARTEEN—\nTOP ROVERE THERMO,\nCASSETTO PELTRO\nMARTEEN —\n 78  79\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.42.png","MARTEEN —\n 80  81\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.43.png","SEATING SYSTEM—\nKYLE KG642 FABRIC\nMARTEEN COFFEE TABLE—\nEUCALYPTUS TOP,\nPEWTER FINISH BASE\nSISTEMA DI SEDUTE—\nTESSUTO KYLE KG642\nTAVOLINO MARTEEN—\nTOP EUCALIPTO,\nBASAMENTO PELTRO\nMARTEEN —\n 82  83\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.44.png","MARTEEN —\nSEATING SYSTEM—\nKYLE KG611 FABRIC\nMARTEEN COFFEE TABLES—\nTHERMO OAK UPPER SURFACE\n505 UP SYSTEM—\nSISTEMA DI SEDUTE—\nTESSUTO KYLE KG611\nTAVOLINI MARTEEN—\nPIANO SUPERIORE ROVERE THERMO\n505 UP SYSTEM—\n 84  85\n 84  85\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.45.png","MARTEEN COFFEE TABLE\nAND MODULES WITH DRAWER—\nEUCALYPTUS TOP,\nPEWTER FINISH BASE\nAND DRAWER\nTAVOLINO E MODULI\nCON CASSETTO MARTEEN—\nTOP EUCALIPTO,\nBASAMENTO E\nCASSETTO PELTRO\nMARTEEN —\n 86  87\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.46.png","SEATING SYSTEM—\nKYLE KG611 FABRIC\nSISTEMA DI SEDUTE—\nTESSUTO KYLE KG611\nMARTEEN —\n 88  89\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.47.png"," 90  91\nSEATING SYSTEM—\nKATANA KG844 FABRIC\nMARTEEN COFFEE TABLES\nAND MODULE WITH DRAWER—\nEUCALYPTUS TOP,\nPEWTER FINISH BASE\nAND DRAWER\nSISTEMA DI SEDUTE—\nTESSUTO KATANA KG844\nTAVOLINI E MODULO\nCON CASSETTO MARTEEN—\nTOP EUCALIPTO,\nBASAMENTO E\nCASSETTO PELTRO\nMARTEEN —\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.48.png","MARTEEN —\n 92  93\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.49.png","SEATING SYSTEM—\nWAINE WG734 FABRIC,\nCUSHIONS\nWING WG237, WEB W6296 FABRICS\nDOMINO NEXT COFFEE TABLE—\nSILVER WAVE MARBLE TOP\nBLACK NICKEL STRUCTURE\nATALANTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WAINE WG734,\nCUSCINI\nTESSUTI WING WG237, WEB W6296\nTAVOLINO DOMINO NEXT—\nTOP MARMO SILVER WAVE\nSTRUTTURA NICKEL NERO\nTAPPETO ATALANTE—\nMARTEEN —\n 94  95\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.50.png","Octave is a system of modular sofas featuring rigorous \nshapes. A design marked by geometrical lines, based \non mix & match modular elements that came together \nin linear, angular compositions or with the addition \nof hanging trapezoidal or rectangular elements in \nunusual and highly appealing configurations. Blade-like \nextruded steel legs support the base on which rest low \nrectangular fabric or leather upholstered backrests, \nof the same thickness as the cosy seat cushions. \nGuaranteeing the utmost comfort, complementary \ncushions, again rectangular or square, along with the \nheadrest that can be freely positioned on the backrest, \nenabling it to be used in various positions. In addition to \nthe traditional linear or corner elements, Octave offers \nopen elements with which to create chaises longues or \npoufs that can be arranged alongside the composition \nor used as free-standing elements, also for the centre \nof the room. The conjoining rectangular or trapezoidal \nelements feature innovative hide leather trays on which \nto place all kinds of objects. Thanks to the possibility \nof creating articulated compositions, Octave is ideal in \na “smart working” environment via the use of binding \ncomponents designed to support laptops and tablets.\nOctave è un sistema di divani componibili di design dalle \nforme rigorose. Un progetto dalle linee geometriche \nessenziali, basato su elementi accostabili tra loro \nche danno vita a composizioni lineari, angolari o, \ntramite l’inserimento di elementi sospesi trapezoidali o \nrettangolari, a configurazioni inedite di grande attrattività. \nPiedi a lama in acciaio pressofuso sostengono la base \nsu cui poggiano schienali bassi imbottiti di forma \nrettangolare, in tessuto o pelle, dello stesso spessore \ndei comodi cuscini di seduta. A garantirne il massimo \ncomfort cuscini d’appoggio complementari, sempre \nrettangolari o quadrati insieme all’elemento poggia \ntesta che può essere posizionato liberamente sullo \nschienale permettendone l’utilizzo in diverse posizioni. \nOltre ai tradizionali elementi lineari o ad angolo, Octave \ndispone di elementi aperti per creare chaise longue \no pouf che possono accostarsi alla composizione \no rimanere liberi anche al centro della stanza. Gli \nelementi di congiunzione rettangolari o trapezoidali \nsi caratterizzano per la presenza di innovativi vassoi \nin cuoio per appoggiare ogni genere di oggetti. \nGrazie all’ampia possibilità di creare composizioni \narticolate, Octave è ideale nell’ambito delle attività \n“smart working” attraverso l’utilizzo degli elementi di \ncongiunzione studiati per supportare laptop e tablet.\nOCTAVE\nVINCENT VAN DUYSEN\n 96  97\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.51.png","OCTAVE —\nSEATING SYSTEM—\nKRILL KG135 FABRIC\nLOUISA COFFEE TABLES—\nEUCALYPTUS\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO KRILL KG135\nTAVOLINI LOUISA—\nEUCALIPTO\nTAPPETO PALETTE—\n 98  99\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.52.png","SEATING SYSTEM—\nTRINKET TRAY\nDARK BROWN\nBONDED HIDE LEATHER\nSISTEMA DI SEDUTE—\nVASSOIO PORTAOGGETTI\nCUOIO RIGENERATO\nTESTA DI MORO\nOCTAVE —\n 100  101\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.53.png","SEATING SYSTEM—\nHEADREST\nSIRIA S1230 LEATHER\nSISTEMA DI SEDUTE—\nPOGGIATESTA\nPELLE SIRIA S1230\nOCTAVE —\n 102  103\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.54.png","SEATING SYSTEM—\nWING WG123 FABRIC\nWALTER ARMCHAIR—\nSIRIA S1299 LEATHER\nBLACK OAK STRUCTURE\nALISEE RECTANGULAR COFFEE TABLE—\nMATT PEWTER COLOUR STRUCTURE,\nSILVER WAVE MARBLE\nAND BLACK OAK SHELVES\nHECTOR BOOKCASE—\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WING WG123\nPOLTRONA WALTER—\nPELLE SIRIA S1299\nSTRUTTURA ROVERE NERO\nTAVOLINO RETTANGOLARE ALISEE—\nSTRUTTURA PELTRO OPACO,\nPIANI MARMO SILVER WAVE\nE ROVERE NERO\nLIBRERIA HECTOR—\nTAPPETO PALETTE—\nOCTAVE —\n 104  105\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.55.png","SEATING SYSTEM—\nWING WG123 FABRIC\nALISEE COFFEE TABLE—\nGLOSSY ANTIQUE GOLD STRUCTURE,\nBLACK OAK SHELVES\nSISTEMA DI SEDUTE—\nTESSUTO WING WG123\nTAVOLINO ALISEE—\nSTRUTTURA ORO ANTICO LUCIDO,\nPIANI ROVERE NERO\nOCTAVE —\n 106  107\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.56.png","SEATING SYSTEM—\nWONDER WG412 FABRIC,\nSIRIA S1222 LEATHER\nLOUISA COFFEE TABLES—\nMATT PEWTER STRUCTURE\nAND ASH GREY CEMENT TOP\nEDGE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WONDER WG412,\nPELLE SIRIA S1222\nTAVOLINI LOUISA—\nSTRUTTURA PELTRO OPACO\nE PIANO CEMENTO GRIGIO CENERE\nTAPPETO EDGE—\nOCTAVE —\n 108  109\n 108  109\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.57.png","SEATING SYSTEM—\nWONDER WG412 FABRIC,\nSIRIA S1222 LEATHER\nSISTEMA DI SEDUTE—\nTESSUTO WONDER WG412,\nPELLE SIRIA S1222\nOCTAVE —\n 110  111\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.58.png","SEATING SYSTEM—\nTRINKET TRAY\nDARK BROWN\nBONDED HIDE LEATHER,\nHEADREST\nSIRIA S1230 LEATHER\nSISTEMA DI SEDUTE—\nVASSOIO PORTAOGGETTI\nCUOIO RIGENERATO\nTESTA DI MORO,\nPOGGIATESTA\nPELLE SIRIA S1230\nOCTAVE —\n 112  113\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.59.png","A modular system of seatings that includes various \nstraight, corner or peninsular units that can be mixed \nand matched together to give multiple combinations \nfor a living space destined for conversation, reading \nand entertainment, with all the media devices readily \navailable. The steel base, in a new zinc finish, supported \nby small feet that recall VVD’s most recent furniture \ndesigns, is covered in leather, as are the winged armrests \nsuitable for supporting soft cushions while at the same \ntime acting as a useful surface. The backrest takes \nup the Belgian designer’s classic approach to sofas: \nlarge with raised stitching, but featuring an innovative \nsolution for the corner, which in this design is rounded \nso as to give continuity to the form. As an alternative \nto the winged armrest, there is a trapezoidal, padded, \nslightly flared version, that offers a more comfortable sit.\nUn sistema di sedute composto da vari elementi rettilinei, \nad angolo o a penisola che si abbinano tra loro per dar \nluogo a molteplici combinazioni per uno spazio abitativo \ndestinato alla conversazione, lettura e alla fruizione di \ntutti i dispositivi media destinati all’entertainment. La \nbase in acciaio, nella nuova finitura zinco, sostenuta da \npiedini che ricordano i progetti di arredo più recenti \ndi Vincent Van Duysen, è rivestita in tessuto o in pelle \ncome i braccioli ad ala, atti a sostenere morbidi cuscini \ne fungere contemporaneamente da piano d’appoggio. \nLo schienale riprende il classico approccio del designer \nbelga, al tema divani. Ampio con cuciture in rilievo, ma \ncon una soluzione innovativa per risolvere l’angolo che \nin questo progetto è arrotondato per dare continuità \nalla forma. La presenza in alternativa al bracciolo ad \nala è un bracciolo trapezoidale imbottito, leggermente \nsvasato, che permette un appoggio più confortevole.\nGREGOR\nVINCENT VAN DUYSEN\n 114  115\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.60.png","SEATING SYSTEM—\nSAFIRE ZF613 FABRIC,\nSIRIA S1221 LEATHER\nHUBERT COFFEE TABLES—\nEUCALYPTUS TOPS\nSUPPORT ELEMENTS,\nMUD GREEN BONDED HIDE LEATHER\nSTRIPE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO SAFIRE ZF613,\nPELLE SIRIA S1221\nTAVOLINI HUBERT—\nPIANI EUCALIPTO,\nELEMENTI DI SOSTEGNO\nCUOIO RIGENERATO VERDE FANGO\nTAPPETO STRIPE—\nGREGOR —\n 116  117\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.61.png","GREGOR —\n 118  119\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.62.png","SOFA—\nSCIROCCO SD930 LEATHER\nATTICO COFFEE TABLE—\nPEWTER AND SATIN BRASS BASE,\nGREEN ALPINE MARBLE TOP\n45°\u002FTAVOLINO COFFEE TABLE—\nPEWTER COLOUR STRUCTURE\nSMOKED GLASS, SAHARA NOIR\nMARBLE SHELVES\nDIVANO—\nPELLE SCIROCCO SD930\nTAVOLINO ATTICO—\nBASAMENTO PELTRO E\nOTTONE SATINATO,\nPIANO MARMO VERDE ALPI\n45°\u002FTAVOLINO—\nSTRUTTURA PELTRO\nPIANI VETRO FUMÈ,\nMARMO SAHARA NOIR\nGREGOR —\n 120  121\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.63.png","SEATING SYSTEM—\nKINGSTON KF293 FABRIC,\nEDGE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO KINGSTON KF293\nTAPPETO EDGE—\nGREGOR —\n 122  123\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.64.png","SEATING SYSTEM—\nSAFIRE ZF622 FABRIC,\nSIRIA LEATHER S1235 ARM\nHUBERT COFFEE TABLE—\nEUCALYPTUS TOP,\nSUPPORT ELEMENTS\nMUD GREEN BONDED HIDE LEATHER\nSISTEMA DI SEDUTE—\nTESSUTO SAFIRE ZF622,\nBRACCIOLO PELLE SIRIA S1235\nTAVOLINO HUBERT—\nPIANI EUCALIPTO,\nELEMENTI DI SOSTEGNO\nCUOIO RIGENERATO VERDE FANGO\nGREGOR —\n 124  125\n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.65.png","SEATING SYSTEM—\nWEB W6245 FABRIC,\nSIRIA S1235 LEATHER ARM,\nORNAMENTAL CUSHIONS\nSAFIRE ZF645 FABRIC\nHUBERT COFFEE TABLE—\nEUCALYPTUS TOP,\nSUPPORT ELEMENTS\nMUD GREEN BONDED HIDE LEATHER\nATALANTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WEB W6245,\nBRACCIOLO PELLE SIRIA S1235,\nCUSCINI ORNAMENTALI\nTESSUTO SAFIRE ZF645\nTAVOLINO HUBERT—\nPIANI EUCALIPTO,\nELEMENTI DI SOSTEGNO\nCUOIO RIGENERATO VERDE FANGO\nTAPPETO ATALANTE—\n 126  127\nGREGOR —\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.66.png","Thanks to their experience in the hospitality field \nand in exploring the nature of organic forms well \nbeyond any traditional approach, Yabu Pushelberg \ndesign seating, unfettered by the constrictions \nof excessive modularity and rich in unexpected \ndetails. Ideal for residential or hospitality projects, \nsuch as hotels or offices. Seats all-one with the \nbase, with rounded forms supporting snug, slightly \nprotruding backrests, make Surf a design that is \nnot only ergonomically perfect but also visually \nappealing. This excellent result is due to the use of \ndifferentiated polyurethane foam technology. Artfully \ndesigned rectilinear, chaise longue, corner and terminal \nelements, partially devoid of backrests, give rise to \nmultiple compositions suitable for situations of all kinds. \n \nGrazie alla loro esperienza nel campo dell’hospitality \ne nell’esplorazione della natura della forma organica, \nben oltre l’approccio tradizionale, Yabu Pushelberg \nprogettano sedute dall’andamento sinuoso e di \ngrande personalità, libere da costrizioni formali ad \nalta componibilità e dagli inaspettati dettagli. Ideali \nper progetti residenziali o luoghi dedicati all’hospitality \ncome hotel o uffici. Seduta integrata con la base, \ndalle forme arrotondate su cui poggiano schienali \navvolgenti, leggermente sporgenti, rendono Surf un \nprogetto non solo ergonomicamente perfetto ma \nanche visivamente accattivante. La tecnologia che si \nattiene all’uso di schiume poliuretaniche differenziate \npermette di raggiungere questo eccellente risultato. \nElementi rettilinei, chaise longue, ad angolo e terminali \nparzialmente privi di schienale, sapientemente \ncombinati tra loro, danno luogo a molteplici \ncomposizioni originali adatte ad ogni tipo di situazione. \nSURF\nYABU PUSHELBERG\n 128  129\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.67.png","SEATING SYSTEM—\nSAFIRE ZF695 FABRIC\nPANNA COTTA COFFEE OVAL TABLE—\nBLACK MATT LACQUER\nWITH BLACK MARQUINA MARBLE\nSISTEMA DI SEDUTE—\nTESSUTO SAFIRE ZF695\nTAVOLINO OVALE PANNA COTTA—\nLACCATO NERO OPACO\nCON MARMO NERO MARQUINA\nSURF —\n 130  131\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.68.png","SEATING SYSTEM—\nSAFIRE ZF695 FABRIC,\nWILUNA WF513 FABRIC\nPANNA COTTA COFFEE OVAL TABLE—\nBLACK MATT LACQUER\nWITH BLACK MARQUINA MARBLE\nSISTEMA DI SEDUTE—\nTESSUTO SAFIRE ZF695,\nTESSUTO WILUNA WF513\nTAVOLINO OVALE PANNA COTTA—\nLACCATO NERO OPACO\nCON MARMO NERO MARQUINA\n 132  133\nSURF —\n 132  133\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.69.png","SEATING SYSTEM—\nWEB W6246 FABRIC\nGILLIS ARMCHAIRS—\nEXTRA L154 LEATHER,\nEUCALYPTUS STAINED STRUCTURE,\nDARK BROWN BONDED HIDE LEATHER\nSTRAPS \u002F ARM UPPER PART\nATALANTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WEB W6246\nPOLTRONE GILLIS—\nPELLE EXTRA L154,\nSTRUTTURA TINTO EUCALIPTO,\nCINGHIE \u002F PARTE SUPERIORE BRACCIOLO\nCUOIO RIGENERATO TESTA DI MORO\nTAPPETO ATALANTE—\nSURF —\n 134  135\n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.70.png","A flexible and dynamic seating system, rich in content, \nwhich shows how research and craftsmanship have \nalways been part and parcel of the company’s DNA. \nAlbert is a brave step forward in the search for a seating \nsystem conceived as a flexible and disarticulatable \nstructure, that can reshape the new complexity of \nmodern living, marked by extreme planning. The basic \nfeature is that all the component parts, each with their \nown formal and functional autonomy, have been \ndesigned as parts of different spaces and different \nfunctions. Large parts in two depths, 108 and 153 \ncm, available in several lengths, fitted with special \ncushioning that enables the depth of the ergonomic \nseat to be varied. The tailoring is exasperated, the \nframes are all “marked” by these double seams that \nexalt the forms; the back cushion, conceived as a \nquilted blanket lying over the back of the seat, helps \nthe shoulders to find a perfectly ergonomic seat. The \nbase is not just a simple passe-partout, but the frame \nof the rounded profiles that sinuously accompanies \nthe shape of the Pewter finishing on the floor, raising \nthe seating and providing a floating and extremely \nlightweight effect. A complete and calibrated collection \nwith perfect aesthetic balance, refinement and versatility. \nFabric and leather covers are completely removable.\nUn sistema di sedute flessibile e dinamico, ricco di \ncontenuti, che dimostra come ricerca e artigianalità \ncostituiscano da sempre il patrimonio genetico \ndell’azienda. Albert è un coraggioso passo in avanti \nnella ricerca di un sistema di sedute concepito come \nuna struttura flessibile e disarticolabile, in grado di \nristrutturare la nuova complessità del panorama \nabitativo, caratterizzato da estrema progettualità. \nCaratteristica sostanziale è che tutti gli elementi, per \nquanto conservino una loro autonomia formale e \nfunzionale, siano stati concepiti come parti di diversi \nspazi e diverse funzioni. Grandi elementi in due \nprofondità, 108 e 153 cm, disponibili in più lunghezze, \ndotati di una particolare cuscinatura che permette \ndi variare la profondità della seduta ergonomica. \nLa sartorialità è esasperata, le strutture sono tutte \n“segnate” da questa doppia cucitura che ne esalta le \nforme; il cuscino dorsale, pensato come una coperta \ntrapuntata adagiata sopra lo schienale della struttura, \naiuta le spalle a trovare una perfetta ergonomia di \nseduta. Il basamento non è un semplice passe-partout, \nma la cornice dai profili arrotondati che accompagna \nsinuosamente a terra le forme nella finitura Peltro, \nsollevando la seduta e fornendo un effetto flottante \ne di estrema leggerezza. Una collezione completa \ne calibrata che sorprende per equilibrio estetico, \nraffinatezza e versatilità. Prodotto completamente \nsfoderabile sia nelle versioni in tessuto che in pelle.\nALBERT\nVINCENT VAN DUYSEN\n 136  137\n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.71.png","SEATING SYSTEM—\nWEAR WF137 FABRIC,\nDORSAL CUSHION\nSCIROCCO SD930 LEATHER\nATTICO COFFEE TABLES—\nPEWTER AND\nSATIN BRASS BASE,\nCALACATTA MARBLE TOPS\nD.355.1 BOOKCASES—\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WEAR WF137,\nCUSCINO DORSALE\nPELLE SCIROCCO SD930\nTAVOLINI ATTICO—\nBASAMENTO\nPELTRO E OTTONE SATINATO,\nPIANI MARMO CALACATTA\nLIBRERIE D.355.1—\nTAPPETO PALETTE—\nALBERT —\n 138  139\n 138  139\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.72.png","ALBERT —\nSEATING SYSTEM—\nWAIT WE753 FABRIC\nELAIN ARMCHAIRS—\nSAVANA S9337 LEATHER\nATTICO COFFEE TABLES—\nPEWTER AND\nSATIN BRASS BASE,\nCALACATTA OR\nORIENT GREY MARBLE TOPS\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WAIT WE753\nPOLTRONE ELAIN—\nPELLE SAVANA S9337\nTAVOLINI ATTICO—\nBASAMENTO PELTRO E\nOTTONE SATINATO,\nPIANI MARMO CALACATTA\nO GRIGIO ORIENTE\nTAPPETO PALETTE—\n 140  141\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.73.png","SEATING SYSTEM—\nWAIT WE725 FABRIC\nPOUF—\nWAINE WG734 FABRIC\nATTICO COFFEE TABLES—\nPEWTER AND\nSATIN BRASS BASE,\nEMPERADOR DARK MARBLE TOPS\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WAIT WE725,\nPOUF—\nTESSUTO WAINE WG734\nTAVOLINI ATTICO—\nBASAMENTO\nPELTRO E OTTONE SATINATO,\nPIANI MARMO EMPERADOR DARK\nTAPPETO PALETTE—\nALBERT —\n 142  143\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.74.png","SEATING SYSTEM—\nWAIT WE725 FABRIC\nPOUF—\nWAINE WG734 FABRIC\nSISTEMA DI SEDUTE—\nTESSUTO WAIT WE725,\nPOUF—\nTESSUTO WAINE WG734\nALBERT —\n 144  145\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.75.png","SEATING SYSTEM—\nWAIT WE753 FABRIC\nELAIN ARMCHAIRS—\nSAVANA S9337 LEATHER\nATTICO COFFEE TABLES—\nPEWTER AND\nSATIN BRASS BASE,\nCALACATTA OR\nORIENT GREY MARBLE TOPS\nPALETTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WAIT WE753\nPOLTRONE ELAIN—\nPELLE SAVANA S9337\nTAVOLINI ATTICO—\nBASAMENTO PELTRO E\nOTTONE SATINATO,\nPIANI MARMO CALACATTA\nO GRIGIO ORIENTE\nTAPPETO PALETTE—\nALBERT —\n 146  147\n 146  147\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.76.png","Paul is a seating system with elegant proportions and \nreassuring lines. The system includes linear sofas, \ncorner compositions, chaises longue and islands, all \nwith a single seat cushion. A lightweight image, marked \nwith distinctive double stitching and accentuated by \nthe essential design of the die-cast aluminium feet. \nElements with a generous width complete the system \nto guarantee comfortable seating with a welcoming \nand luxurious look.\nPaul è un programma di sedute dalle proporzioni \neleganti e dalle linee rassicuranti. Del progetto fanno \nparte divani lineari, composizioni angolari, chaises \nlongue e isole, tutti con cuscino di seduta unico. \nUn’immagine leggera, caratterizzata dalla distintiva \ncucitura doppia e accentuata dal disegno essenziale \ndei piedini in pressofusione di alluminio. Elementi \ncon ampia profondità completano il progetto, per un \nmodo di sedersi confortevole, lussuoso ed accogliente.\nPAUL\nVINCENT VAN DUYSEN\n 148  149\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.77.png","SEATING SYSTEM—\nKAOS K17 CS FABRIC,\nCUSHIONS\nWEB 6278 FABRIC,\nUNIQUE UE160 LEATHER\n45°\u002FTAVOLINO—\nSMOKED GLASS SHELVES\nBLACK OAK STRUCTURE\nWALTER ARMCHAIRS—\nUNIQUE UE160 LEATHER\nBLACK OAK STRUCTURE\n505 UP SYSTEM—\nVIBRAZIONI CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO KAOS K17 CS,\nCUSCINI\nTESSUTO WEB 6278,\nPELLE UNIQUE UE160\n45°\u002FTAVOLINO—\nPIANI VETRO FUMÉ\nSTRUTTURA ROVERE NERO\nPOLTRONE WALTER—\nPELLE UNIQUE UE160\nSTRUTTURA ROVERE NERO\n505 UP SYSTEM—\nTAPPETO VIBRAZIONI—\nPAUL —\n 150  151\n 150  151\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.78.png","SEATING SYSTEM—\nWING WG245 FABRIC\nPEWTER COLOUR BASE\nD.154.2 ARMCHAIRS—\nWEB W6243 FABRIC\nBLACK CHROME FEET\nMHC.2 BOOKCASES—\nHEM CARPET—\nSISTEMA DI SEDUTE— \nTESSUTO WING WG245\nBASAMENTO PELTRO\nPOLTRONE D.154.2—\nTESSUTO WEB W6243\nPIEDI CROMO NERO\nLIBRERIE MHC.2—\nTAPPETO HEM—\n 152  153\nPAUL —\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.79.png","SEATING SYSTEM—\nSAVANA S9330 LEATHER\nPEWTER COLOUR BASE\nCHELSEA ARMCHAIRS—\nWEB W6245 FABRIC\nGRAPHITE OAK STRUCTURE\n45°\u002FTAVOLINO COFFEE TABLES—\nHEM CARPET—\nSISTEMA DI SEDUTE—\nPELLE SAVANA S9330\nBASAMENTO PELTRO\nPOLTRONE CHELSEA—\nTESSUTO WEB W6245\nSTRUTTURA ROVERE GRAFITE\n45°\u002FTAVOLINO—\nTAPPETO HEM—\nPAUL —\n 154  155\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.80.png","SEATING SYSTEM—\nKUPIDO K3922 FABRIC\nPEWTER COLOUR BASE\nMHC.2 BOOKCASES—\nHEM CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO KUPIDO K3922\nBASAMENTO PELTRO\nLIBRERIE MHC.2—\nTAPPETO HEM—\nPAUL —\n 156  157\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.81.png","PAUL —\nSEATING SYSTEM—\nWEB W6231 FABRIC\n45°\u002FTAVOLINO AND\nPANNA COTTA COFFEE TABLES—\n505 UP SYSTEM—\nLOOP&CUT CARPET—\nISTEMA DI SEDUTE—\nTESSUTO  WEB W6231\nTAVOLINI 45°\u002FTAVOLINO\nE PANNA COTTA—\nSISTEMA 505 UP—\nTAPPETO LOOP&CUT—\n 158  159\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.82.png","CHAISES LONGUE—\nWEB W6242 FABRIC\nPEWTER COLOUR BASES\nD.156.3 ARMCHAIR—\nKRILL KG135 FABRIC\nAMERICAN WALNUT STRUCTURE\nVICINO TABLE—\nPEWTER COLOUR STRUCTURE \nWITH BLACK MARQUINA MARBLE\nPALETTE CARPET—\nCHAISES LONGUE—\nTESSUTO WEB W6242\nBASAMENTI PELTRO\nPOLTRONA D.156.3—\nTESSUTO KRILL KG135\nSTRUTTURA NOCE CANALETTO\nTAVOLINO VICINO TABLE—\nSTRUTTURA PELTRO \nCON MARMO NERO MARQUINA\nTAPPETO PALETTE—\nPAUL —\n 160  161\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.83.png","SEATING SYSTEM—\nWILUNA WF511FABRIC,\nPEWTER COLOUR BASE\nMARTEEN SEATING SYSTEM—\nPAULA POUF—\nREGENT, ASTER, LOUISA\nCOFFEE TABLES—\nPORTA VOLTA LOW CHAIRS—\nATALANTE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO WILUNA WF511,\nBASAMENTO PELTRO\nSISTEMA DI SEDUTE MARTEEN—\nPOUF PAULA—\nTAVOLINI REGENT,\nASTER, LOUISA—\nSEDIE LOW PORTA VOLTA—\nTAPPETO ATALANTE—\nPAUL —\n 162  163\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.84.png","Turner, the seating system designed by Hannes \nWettstein, combines comfort with refinement. Great \nvolumes, controlled proportions, and a modern yet \ntimeless look, characterise the design. Turner is a \nmodular comfortable seating system with a simple, \ncontemporary line. Settees in various sizes, corner \npieces, chaises-longue and pouf can be combined \ntogether to create different furnishing solutions. Turner \nresponds to varying needs in terms of comfort and \nposture, thanks to an easy mechanism which adjusts \nthe depth of the seating.\nTurner, il sistema di sedute progettato da Hannes \nWettstein, coniuga comfort e raffinatezza formale. \nVolumi generosi, proporzioni misurate, un aspetto \nmoderno e senza tempo, ne caratterizzano il design. \nTurner è un sistema di comode sedute componibili \ndalle linee essenziali e contemporanee. Divani di varie \ndimensioni, elementi ad angolo, chaise longue e pouf \nsono combinabili tra loro per dar luogo a diverse \nsoluzioni d’arredo. Turner è in grado di rispondere \nalle differenti esigenze di comfort e di postura, grazie \nad un meccanismo di facile utilizzo per variare la \nprofondità delle sedute.\nTURNER\nHANNES WETTSTEIN\n 164  165\n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.85.png","SEATING SYSTEM—\nWING WG289 FABRIC\nELAIN ARMCHAIRS—\nSAVANA S9337 LEATHER\nPANNA COTTA COFFEE TABLE—\nMATT BLACK LACQUER\nWITH BLACK MARQUINA MARBLE\nSISTEMA DI SEDUTE—\nTESSUTO WING WG289\nPOLTRONE ELAIN—\nPELLE SAVANA S9337\nTAVOLINO PANNA COTTA—\nLACCATO NERO OPACO\nCON MARMO NERO MARQUINA\nTURNER—\n 166  167\n",85,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.86.png","SEATING SYSTEM—\nKASSANDRA K3722 FABRIC\nVICINO TABLE—\nPEWTER COLOUR STRUCTURE\nWITH EUCALYPTUS SHELVES\nDOMINO NEXT POUF—\nWEB W6231 FABRIC\nSAVANA S9392 LEATHER\nDOMINO NEXT COFFEE TABLES—\nBLACK NICKEL STRUCTURE\nSAHARA NOIR MARBLE TOPS\nGRADUATE BOOKCASE—\nSISTEMA DI SEDUTE—\nTESSUTO KASSANDRA K3722\nTAVOLINO VICINO TABLE—\nSTRUTTURA PELTRO\nCON PIANI EUCALIPTO\nPOUF DOMINO NEXT—\nTESSUTO WEB W6231\nPELLE SAVANA S9392\nTAVOLINI DOMINO NEXT—\nSTRUTTURA NICKEL NERO\nPIANI MARMO SAHARA NOIR\nLIBRERIA GRADUATE—\n 168  169\nTURNER —\n 168  169\n",86,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.87.png","SEATING SYSTEM—\nKASSANDRA K3722 FABRIC\nHEM CARPET—\nSEATING SYSTEM—\nKUPIDO K3922 FABRIC\nSISTEMA DI SEDUTE—\nTESSUTO KASSANDRA K3722\nTAPPETO HEM—\nSISTEMA DI SEDUTE—\nTESSUTO KUPIDO K3922\nTURNER —\n 170  171\n",87,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.88.png","SEATING SYSTEM—\nSIRIA S1221 LEATHER\nSISTEMA DI SEDUTE—\nPELLE SIRIA S1221\nTURNER —\n 172  173\n",88,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.89.png","The sofa, which takes its inspiration from the original \nChelsea project, collection of chairs and armchairs, \nbrings a new and important addition to the living area. A \nsolid wooden frame, available in various colors, with an \nessential but well-proportioned design, accommodates \nan ergonomic seat which embraces the sitter in large \nand comfy goose-down-filled cushions.\nIl divano si ispira all’idea originale del progetto Chelsea, \ncollezione di sedie e poltrone, dotandolo di un nuovo \nelemento d’arredo, protagonista della zona living. Un \ntelaio in legno massello, disponibile in diversi colori, \nessenziale nel disegno ma raffinato nelle proporzioni, \naccoglie una seduta avvolgente ed ergonomica ma \nsoprattutto confortevole grazie agli ampi cuscini in \npiuma d’oca.\nCHELSEA\nRODOLFO DORDONI\n 174  175\n",89,{"image":369,"text":370,"number":371},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.90.png","SEATING SYSTEM—\nKARL KF993 FABRIC\nGRAPHITE OAK BASE\n45°\u002FTAVOLINO COFFEE TABLES—\nPEWTER COLOUR WITH\nBLACK MARQUINA MARBLE\nPANNA COTTA COFFEE TABLE—\nMATT BLACK LACQUER \nWITH BLACK MARQUINA MARBLE\nHEM CARPET—\nSISTEMA DI SEDUTE—\nTESSUTO KARL KF993\nBASAMENTO ROVERE GRAFITE\n45°\u002FTAVOLINO—\nPELTRO CON MARMO\nNERO MARQUINA\nTAVOLINO PANNA COTTA—\nLACCATO NERO OPACO \nCON MARMO NERO MARQUINA\nTAPPETO HEM— \nCHELSEA —\n 176  177\n",90,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.91.png","SEATING SYSTEM—\nLUXOR L1699 LEATHER\nGRAPHITE OAK BASE\nVICINO TABLE—\nPEWTER COLOUR STRUCTURE\nWITH BLACK MARQUINA MARBLE\nSISTEMA DI SEDUTE—\nPELLE LUXOR L1699\nBASAMENTO ROVERE GRAFITE\nTAVOLINO VICINO TABLE—\nSTRUTTURA PELTRO\nCON MARMO NERO MARQUINA\nCHELSEA —\n 178  179\n",91,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.92.png","Reversi ‘14 reveals a strong, rational personality and \naffirms its reputation for comfort and warmth. The \n3-position backrest mechanism makes it possible to \nchange the seat depth to create a rational space for \nwork and a welcoming space for relaxing - both on \nthe same sofa. Reversi ‘14 offers excellent modular \nsolutions - its logical components can be assembled \nin a wide range of compositions that include linear \nelements, corner elements, chaise longue pieces \nand poufs. The structure in polyurethane foam in \ndifferent thicknesses holds comfortable seat cushions. \nBackrests are organised in two configurations: cushions \nadjacent to one another to occupy all available space, \nand cushions spaced apart.\nRivisitato nelle proporzioni e nelle cuscinature Reversi ‘14 \nmostra una personalità forte, calda e razionale e si \nriconferma particolare per comfort e accoglienza. Il \nmeccanismo schienale, a tre posizioni, consente di \ndifferenziare la profondità delle sedute, per creare, \nnel singolo divano, uno spazio razionale associato ad \nun’area di lavoro o ad una coinvolgente isola relax. \nReversi ‘14 propone un’eccellente soluzione ai temi \ndella componibilità grazie alla sua logica modulare \ncon un’ampia gamma compositiva che comprende \nelementi lineari, angolari, chaise longue e pouf. La \nstruttura in poliuretano espanso a quote differenziate \naccoglie comodi cuscini sedile. Gli schienali sono \norganizzabili in due configurazioni: piena occupazione \ndello spazio o, in alternativa, spaziati tra di loro.\nREVERSI ‘14\nSTUDIO WETTSTEIN\n 180  181\n",92,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.93.png","SEATING SYSTEM—\nWILUNA WF513 FABRIC\n45°\u002FTAVOLINO COFFEE TABLES—\nBLACK OAK,\nBLACK NICKEL WITH\nBLACK MARQUINA MARBLE\nPANNA COTTA COFFEE TABLE—\nMATT WHITE LACQUER\nWITH WHITE CARRARA MARBLE\nSISTEMA DI SEDUTE— \nTESSUTO WILUNA WF513\n45°\u002FTAVOLINO—\nROVERE NERO,\nNICKEL NERO CON\nMARMO NERO MARQUINA\nTAVOLINO PANNA COTTA—\nLACCATO BIANCO OPACO\nCON MARMO BIANCO CARRARA\n 182  183\nREVERSI ‘14 —\n 182  183\n",93,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.94.png","FREESTYLE\nFERRUCCIO LAVIANI\nMaximum modularity for this agile and versatile \nsystem. Ranging from the more classic three-seat \nsofa to an island with opposed seating, Ferruccio \nLaviani deconstructed and reformulated the entire \nconversation area. There are three alternatives in \nthe design of the armrests. A vertical element placed \nbeside the seat module completes the design of the \nbackrests, offering a comfortable surface to lean to; \na low cushion integrated in the seat body, a discrete \nsupport where to lie down, stretch out and eventually \nfall asleep; a trapezoid end piece that can further \nincrease the possible composition forms.\nMassima componibilità per un sistema agile e versatile. \nDal più classico salotto a tre posti fino all’isola con \nsedute contrapposte, Ferruccio Laviani ha scomposto \ne riformulato l’intero universo della conversazione. \nTre alternative nel disegno dei braccioli. Un elemento \nverticale si accosta al modulo seduta e completa il \ndisegno degli schienali, offrendo una sponda morbida \ncui appoggiarsi; un cuscino basso, integrato nel corpo \ndel sedile, diventa un sostegno discreto su cui stendersi, \nallungarsi, addormentarsi; un terminale trapezoidale \nper ampliare ulteriormente le possibili forme \ndelle composizioni.\n 184  185\n",94,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.95.png","SEATING SYSTEM—\nWING WG226,\nWEAR WF190 FABRICS\nD.156.3 ARMCHAIR—\nWONDER WG488 FABRIC,\nGLOSSY BLACK STRUCTURE\nATTICO COFFEE TABLES—\nPEWTER AND\nSATIN BRASS BASE,\nEMPERADOR DARK MARBLE TOP\nEDGE CARPET—\nSISTEMA DI SEDUTE—\nTESSUTI WING WG226,\nWEAR WF190\nPOLTRONA D.156.3—\nTESSUTO WONDER WG488,\nSTRUTTURA NERO LUCIDO\nTAVOLINI ATTICO—\nBASAMENTO\nPELTRO E OTTONE SATINATO,\nPIANO MARMO EMPERADOR DARK\nTAPPETO EDGE—\n 186  187\nFREESTYLE —\n 186  187\n",95,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.96.png","LIDO\nHANNES WETTSTEIN\nA line of armchairs and sofas, design Hannes Wettstein, \nwhich reinterpret the idea of the modern home with \na contemporary slant. Resting against a tall backrest, \nthe cushions support and enwrap, shaping a position \nthat is both decorous and relaxed. Living in the home \nand adjusting the depth of your gaze with a gesture, \nshaping it to match our emotions. Lido, the balance of \nclassic style with the proper proportions and shapes.\nUna serie di poltrone e divani, design Hannes Wettstein, \nche riscrivono in chiave contemporanea l’ideale della \ncasa moderna. Appoggiati ad uno schienale alto, i \ncuscini sorreggono e accolgono, modellando una \nposizione allo stesso tempo composta e rilassata. \nAbitare lo spazio della casa, modulare con un gesto \nla profondità dello sguardo per dargli la forma delle \nnostre emozioni. Lido, l’equilibrio del classico, la misura \ndelle proporzioni e delle forme.\n 188  189\n",96,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.97.png","SOFA— KAMEO K0511 FABRIC\nDOMINO POUF— L200 LEATHER\nDIVANO— TESSUTO KAMEO K0511\nPOUF DOMINO— PELLE L200\nLIDO —\n 190  191\n",97,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.98.png","BREEZE\nMATTEO NUNZIATI\nMatteo Nunziati presents “Breeze”, a program of essential \nsofas with a very original appearance. The surprising \nbalance of the elements arises from the reduction of all \nsuperfluous elements and the proportioned construction \nof the individual components: the minimalist feet have a \nsharp but discreet shape, the seat is continuous without \ncushions, and the armrests are slinky and cozy. The \nseat, in polyurethane foam in different thicknesses, \nis integrated into the structure. The down backrests \ncan be positioned as desired.\nMatteo Nunziati propone “Breeze”, un programma di \ndivani essenziali, connotati da un’estetica di grande \noriginalità. Il sorprendente equilibrio degli elementi \nnasce dalla riduzione di qualsiasi elemento superfluo \ne dalla costruzione proporzionata delle singole \ncomponenti: i piedini, dal tratto essenziale con una \npresenza decisa ma discreta, la seduta continua senza \ncuscinature, il bracciolo sinuoso ed accogliente. La \nseduta in poliuretano espanso a quote differenziate \nè integrata nella struttura. Gli schienali in piuma sono \nliberamente organizzabili.\n 192  193\n",98,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.99.png","SOFA— SIRIA S1211 LEATHER\nDOMINO POUF— L200 LEATHER\nDIVANO— PELLE SIRIA S1211\nPOUF DOMINO— PELLE L200\nBREEZE —\n 194  195\n",99,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.100.png","SKIN\nJEAN NOUVEL\nSKIN exists above all thanks to the bringing to life of \nJean Nouvel’s project the Musée du Quai Branly in \nParis, reinterpreting the unique architecture designed \nfor the museum and making it a product, both sculptural \nand innovative. Self supporting hide leather cover \nwith a special pattern.\nSKIN nasce grazie alla capacità di dare seguito all’idea \nche ha ispirato a Parigi il Musée du Quai Branly, \nprogettato da Jean Nouvel, reinterpretando soluzioni \narchitettoniche uniche in un elemento scultoreo e \ninnovativo allo stesso tempo. Rivestimento autoportante \nin cuoio con incisioni al laser.\n 196  197\n",100,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.101.png","SOFAS— HIDE LEATHER\nDIVANI— CUOIO\nSKIN —\n 198  199\n",101,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.102.png","REGIS \nVINCENT VAN DUYSEN\nThis functional stool effortlessly transforms \ninto a pouf, offering a seamless blend of \nform and versatility. Crafted with a burnished \nmetal base featuring three vertical uprights \nuprights, harmoniously joined and polished \nto be painted, and connecting two circles, \nRegis exudes understated sophistication. \nMeasuring 48cm in diameter and 45cm in \nheight, Regis is the epitome of practicality and \nversatility. Its circular yet structured design allows \nit to seamlessly integrate into various settings, \nserving as a connecting element between pieces \nlike the Augusto and Lucio sofas from the 2024 \ncollection. Vincent Van Duysen describes Regis \nas “a timeless piece with enduring appeal,” \nreflecting its ability to transcend trends and \ncomplement any interior with effortless grace.\nRegis, uno sgabello che può trasformarsi \nall’occorrenza in un pouf. La struttura \nbase in metallo brunito è caratterizzata da \ntre montanti verticali raccordati e lucidati \narmoniosamente per poi essere verniciati. I \nmontanti uniscono due cerchi, di cui quello \ndi appoggio a terra è aperto sul lato frontale. \nProposta in un’unica misura di diametro 48cm \ne 45cm in altezza, Regis svolge egregiamente il \nruolo di un pezzo di arredo pratico e trasversale, \ndistinguendosi per il grazioso gioco di geometrie \ndisegnato dalle linee della struttura. La forma \ncircolare e al contempo rigorosa conferiscono \na Regis una personalità peculiare che si adatta \ncon stile a una varietà di contesti, fungendo \nanche da elemento di congiunzione tra i due \ndivani Augusto e Lucio della collezione 2024, “un \nvero passe-portout senza scadenza”, conferma \nVincent Van Duysen a proposito di Regis.\n 200  201\n",102,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.103.png","\u003C\nREGIS —\np. 201\nPOUF—\nWALLABI WI588 FABRIC,\nBURNISHED METAL STRUCTURE\nAURA CARPET—\nPOUF—\nUTOPIA UL188 LEATHER,\nBURNISHED METAL STRUCTURE\nEONE CARPET—\np. 201\nPOUF—\nTESSUTO WALLABI WI588,\nSTRUTTURA METALLO BRUNITO\nTAPPETO AURA—\nPOUF—\nPELLE UTOPIA UL188,\nSTRUTTURA METALLO BRUNITO\nTAPPETO EONE—\n 202  203\n",103,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.104.png","A system of upholstered poufs for the conversation \narea and bedroom.\nUn sistema di pouf imbottiti al servizio della zona \nconversazione e della camera da letto.\nDOMINO\nNICOLA GALLIZIA\n 204  205\n",104,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.105.png","POLTRONE DALLE FORME RIGOROSE ED ERGONOMICHE, CAPACI DI COMPORSI CON ELEGANZA, PER \nLO SPAZIO DELLA CONVERSAZIONE NEL SOGGIORNO, MA ANCHE DI INSERIRSI CON DISINVOLTURA IN \nAMBIENTI DIVERSI DELLA CASA. I RIVESTIMENTI UTILIZZATI SONO FRUTTO DI UN METICOLOSO PROCESSO \nDI RICERCA E SVILUPPO CHE PORTA ALLA DEFINIZIONE DI COLLEZIONI ESCLUSIVE, IN COLLABORAZIONE \nCON LA DESIGNER MARTA FERRI.COLLECTIONS, IN COLLABORATION WITH THE DESIGNER MARTA FERRI.\nERGONOMIC AND PRECISE \nLINES, THE ARMCHAIRS CAN BE \nCOMBINED WITH CLASSIC \nELEGANCE TO CREATE A \nCONVERSATION AREA IN YOUR \nLIVING ROOM OR UNASSUMINGLY \nENTER OTHER PARTS OF THE HOUSE. \nTHE COVERS ARE THE RESULT \nOF A CAREFUL RESEARCH AND \nDEVELOPMENT PROCESS, LEADING \nTO THE DEFINITION OF EXCLUSIVE \nCOLLECTIONS, IN COLLABORATION \nWITH THE DESIGNER MARTA FERRI.\narmchairs\n",105,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.106.png"," 208  209\nThe armchair, was designed for one of the projects \nclosest to Gio Ponti’s heart, the villa of the Planchart \ncollectors in Caracas (1953-57). Today the armchair, \nwhich is like a cosy shell, has a rigid polyurethane frame, \na soft polyurethane counter-frame and a cushion, and \nis upholstered in the Molteni textile range, with the \noption of differentiating the component parts.\nLa poltrona, è stata disegnata per uno dei progetti \npiù cari a Gio Ponti, la villa dei collezionisti Planchart \na Caracas (1953-57). Oggi la poltrona, che è come \nun guscio accogliente, ha una scocca in poliuretano \nrigido, una controscocca in poliuretano morbido e un \ncuscino, ed è rivestita nella gamma dei tessuti Molteni, \ncon la possibilità di differenziare gli elementi.\nD.154.2\nGIO PONTI\n \n",106,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.107.png"," 210  211\nARMCHAIRS—\nWEB W6289 FABRIC,\nEXTRA L154 LEATHER\nBLACK CHROME FEET\nD.555.1 COFFEE TABLE—\nMETAL LEGS AND\nTRANSPARENT GLASS TOP\nMHC.1 CHESTS OF DRAWERS—\nHEM CARPET—\nPOLTRONE—\nTESSUTO WEB W6289,\nPELLE EXTRA L154\nPIEDI CROMO NERO\nTAVOLINO D.555.1—\nGAMBE METALLICHE E\nPIANO IN CRISTALLO TRASPARENTE\nCASSETTONI MHC.1—\nTAPPETO HEM—\nD.154.2 —\n 210  211\n",107,{"image":441,"text":442,"number":443},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.108.png","D.154.5 ROUND\nGIO PONTI\n 212  213\nDesigned in 1954, the project name, Round D.154.5, \ncomes from the rounded shape of the seat and \nbackrests, also referred to as the ‘soap bar’. It has \nvery modern shapes, almost out of this world, which \nhad never been thought of before. Characterized by \navantgarde materials and technologies for that time, \nsuch as the Vipla (a plastic material that resembles \nleather) for the upholstery, curved plywood to join \nthe backrest and seat, and metal feet with non-slip \ntips that are easy to assemble. Round D.154.5 is also \nreferred to as ‘Otto Pezzi’ (Eight Pieces) in the Ponti\u002F\nFornaroli\u002FRosselli study. In fact, there are eight pieces \nthat make up the chair: backrest, seat, two curved \nplywood elements and four legs, which screw into \nthe seat to hold the whole thing together. A totally \nnew product, an industrial design, thought for a world \nwhere we talk about assembly, ease of production \nand packaging, with the intention of minimising bulk \nand transport. Full production began in 1956\u002F1957 and \nit was officially presented at the 11th Milan Triennale \nin 1957 (Feal Pavilion), along with other innovative \nPonti furnishings, in a limited number of examples \nwhich are now highly sought after by collectors. \nMore than 60 years after the original idea, Round \nD.154.5 was reborn thanks to the Heritage Collection \nreissue project by Molteni&C, in collaboration with \nthe Gio Ponti Archives. Featuring a wooden structure \nof multi-layered ash honey color stained and black \nchrome or brushed brass feet, Round D.154.5 chair \ncan be covered with all textiles and leathers of the \nMolteni&C Collection.\nProgettata nel 1954, il nome Round D.154.5 deriva dalla \nforma arrotondata della seduta e degli schienali, detta \n“a saponetta”.  Ha forme modernissime addirittura \n“spaziali”, mai pensate prima. Questa poltroncina \nutilizza per la sua costruzione materiali e tecnologie \nd’avanguardia per l’epoca, come l’uso della Vipla \n(materiale plastico a imitazione della pelle) per i \nrivestimenti, compensato curvato per fissare tra \nloro lo schienale e la seduta, e piedi in metallo con \npuntale antiscivolo facilmente assemblabili. Round \nD.154.5 viene definita, nell’ambito dello studio Ponti\u002F \nFornaroli\u002F Rosselli, anche “Otto Pezzi”. Infatti, sono otto \ni pezzi che la compongono: schienale, seduta, due \nelementi in compensato curvato e quattro gambe, \nche avvitandosi alla seduta tengono assieme il tutto. \nUn prodotto totalmente nuovo, pensato per l’industria, \ndove si parla di assemblaggio, facilità di produzione, \nma anche di imballo, con la soluzione di ridurre al \nminimo gli ingombri e il trasporto.  La poltroncina \nentra in regime di produzione nel 1956\u002F1957 e viene \npresentata ufficialmente alla XI Triennale di Milano del \n1957 (Padiglione Feal), insieme ad altri innovativi arredi \nPonti, prodotta in un numero limitato di esemplari, \noggi molto ricercati dai collezionisti. Dopo oltre 60 \nanni dall’idea originale, Round D.154.5 rinasce grazie al \nprogetto di riedizioni Heritage Collection di Molteni&C, \nin collaborazione con i Ponti Archives.  Caratterizzata \nda struttura di legno multistrato frassino tinto miele \ne piedini in cromo nero o ottone satinato, la poltrona \nRound D.154.5 può essere rivestita in tutti i tessuti e \nle pelli della gamma Molteni&C.\n",108,{"image":445,"text":446,"number":447},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.109.png"," 214  215\nARMCHAIRS—\nKAOS K12 FABRIC,\nBLACK CHROME FEET\nATTICO COFFEE TABLE—\nPOLTRONE—\nTESSUTO KAOS K12,\nPIEDINI CROMO NERO\nTAVOLINO ATTICO—\nD.154.5 ROUND —\n",109,{"image":449,"text":450,"number":451},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.110.png"," 216  217\nARMCHAIR—\nKAOS K12 PE FABRIC,\nSATIN BRASS FEET\nSTRIPE CARPET—\nPOLTRONA—\nTESSUTO KAOS K12 PE,\nPIEDINI OTTONE SATINATO\nTAPPETO STRIPE—\nD.154.5 ROUND —\n",110,{"image":453,"text":454,"number":455},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.111.png"," 218  219\nARMCHAIR—\nWING WG254 - WG257 FABRIC,\nBLACK CHROME FEET\nATALANTE CARPET—\nPOLTRONA—\nTESSUTO WING WG254 - WG257,\nPIEDINI CROMO NERO\nTAPPETO ATALANTE—\n 218  219\nD.154.5 ROUND —\n",111,{"image":457,"text":458,"number":459},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.112.png"," 220  221\nARMCHAIR—\nUNIQUE UE121 - UE146 LEATHER,\nBLACK CHROME FEET\nATALANTE CARPET—\nPOLTRONA—\nPELLE UNIQUE UE121 - UE146,\nPIEDINI CROMO NERO\nTAPPETO ATALANTE—\nD.154.5 ROUND —\n",112,{"image":461,"text":462,"number":463},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.113.png"," 222  223\nARMCHAIR—\nEXTRA L131 LEATHER,\nSATIN BRASS FEET\n505 UP SIDEBOARD—\nATALANTE CARPET—\nPOLTRONA—\nPELLE EXTRA L131,\nPIEDINI OTTONE SATINATO\n505 UP SIDEBOARD—\nTAPPETO ATALANTE—\nD.154.5 ROUND —\n",113,{"image":465,"text":466,"number":467},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.114.png"," 224  225\nD.157.6 DUE FOGLIE \nGIO PONTI\nThis loveseat was designed by Gio Ponti in \n1957. This piece takes inspiration from Gio \nPonti’s stunning design for Villa Planchart \nin Caracas, commissioned in 1954 by Anala \nand Armando Planchart, ardent admirers of \nPonti’s diverse talents. Our project began with \na meticulous examination of materials and \ntechnical specifications, ensuring not only \nfaithful adherence to the original design but \nalso the enduring quality that characterizes \nall Molteni&C products. The D.157.6 two-\nseater sofa boasts a distinctive silhouette, \nreminiscent of two elongated exotic leaves, \njoined and supported by a delicate trestle \nstructure with a metallic finish. The defining \nfeature of the design is undeniably the foam \nstructure, meticulously shaped by two molds. \nBeyond its striking aesthetic, this feature \noffers a unique seating experience: spacious \nand comfortable for one, yet conducive to \nintimate conversations for two. \nIl divano a due posti è stato concepito da Gio Ponti \nnel 1957. L’ispirazione proviene dalla magnifica \nvilla dei collezionisti Planchart a Caracas, \nprogettata nel 1954 su commissione della coppia \nAnala e Armando Planchart, profondamente \naffascinati dal genio multidisciplinare di Ponti. \nIl progetto parte da un meticoloso studio dei \nmateriali e delle prestazioni tecniche, garantendo \nnon solo il rispetto per il prezioso disegno \noriginale, ma anche la durabilità qualitativa \nche contraddistingue tutti i prodotti Molteni&C.\nIl divano D.157.6 presenta una forma riconoscibile, \ndata dallo schienale e la seduta che ricordano \ndue foglie esotiche dalla forma allungata, unite \ne fissate su una leggera e sottile struttura \na cavalletto con finitura metallica. Il fulcro \nprogettuale è senza dubbio la struttura \nschiumata ottenuta tramite due stampi, che \noltre a suggerire un’estetica eccezionale ed \ninsolita, offre un’esperienza di seduta imbottita \nunica: confortevole e ampia per una persona, \nma adatta anche a momenti di intimo e breve \ncolloquio per due. \n",114,{"image":469,"text":470,"number":471},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.115.png"," 226  227\n\u003C\nD.157.6 DUE FOGLIE —\np. 225\nSOFA—\nUTOPIA UL142 LEATHER,\nBLACK CHROME STRUCTURE\nEONE CARPET—\nSOFA—\nZAGO ZI410 FABRIC,\nBLACK CHROME STRUCTURE\nPICEA COFFEE TABLE—\nSTRIPE CARPET—\np. 225\nDIVANO—\nPELLE UTOPIA UL 142,\nSTRUTTURA CROMO NERO\nTAPPETO EONE—\nDIVANO—\nTESSUTO ZAGO ZI410,\nSTRUTTURA CROMO NERO\nTAVOLINO PICEA—\nTAPPETO STRIPE—\n",115,{"image":473,"text":474,"number":475},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.116.png"," 228  229\nD.163.7 CONTINUUM by Bonacina 1889 \nGIO PONTI\nThe Continuum armchair D.163.7 was designed \nby Gio Ponti in 1963 for Bonacina 1889.  \nIt underscores the enduring alliance between \nBrianza’s manufacturing companies, pioneers \nand leaders in the design furniture sector for \ngenerations. These companies are dedicated \nto preserving their essential roots in the region \nand their distinctive artisanal skills, which are \nnow applied across all phases of furniture \nmanufacturing. In the case of the Continuum, \nthis craftsmanship is exemplified through the \nmeticulous processing of rattan, a natural \nmaterial intricately interwoven and curved \nat every step, without the use of machineries. \nThe design aims to materialize the concept of \na continuous and sinuous brushstroke, inspired \nby organic forms, elegantly realized through \nthe uninterrupted line flowing from headrest to \narmrest. Crafted entirely in Italy, the armchair \nutilizes first-class materials from the rattan family: \nmanao and malacca sourced from the equatorial \nforests of Indonesia. The structure and backrest \nare painstakingly shaped from manao cane by \nskilled artisans, employing steam to facilitate \nbending. Each piece demands over 200 hours \nof meticulous craftsmanship. The seat, crafted \nfrom canes with a smaller diameter, is affixed \nto the structure using special flat rattan cane.\nLa poltrona Continuum D.163.7, ideata da \nGio Ponti nel 1963 per Bonacina 1889, è un \nprogetto che testimonia il forte legame tra le \nrealtà produttive della Brianza, pioniere e leader \nnel settore arredo di design, accomunate dalla \ncura nella preservazione del radicamento nel \nterritorio e delle distintive abilità artigianali. Nel \ncaso della Continuum, la maestria artigianale \nsi esprime attraverso la lavorazione del giunco, \nun materiale naturale da intrecciare, curvare \ne plasmare con minuziosa precisione in ogni \npassaggio, senza l’utilizzo di macchinari. \nIl disegno vuole dare consistenza e forma \nall’idea di una pennellata continua e sinuosa, \nispirata alle forme organiche, incarnata dalla \nlinea ininterrotta che percorre la testata fino \nal bracciolo. Realizzata interamente in Italia, \nla poltrona utilizza esclusivamente materiali \ndi prima scelta della famiglia del giunco – \nmanao e malacca, provenienti dalle foreste \nequatoriali indonesiane. La struttura e lo \nschienale sono modellati a mano dalla canna di \nmanao, utilizzando il vapore per agevolarne la \npiegatura. Per ciascun pezzo sono necessarie \noltre 200 ore di lavoro artigianale. La seduta è \nrealizzata con canne di un diametro più piccolo \ned è fissata alla struttura mediante apposite \nfasciature, in midollino piatto.\n",116,{"image":477,"text":478,"number":479},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.117.png"," 230  231\n\u003C\nD.163.7 CONTINUUM —\n229\nARMCHAIR—\nWEB W6281 FABRIC,\nBLACK RATTAN STRUCTURE\nFONTE COFFEE TABLE—\nSTRIPE CARPET—\nARMCHAIR—\nWEB W6213 FABRIC,\nBLACK RATTAN STRUCTURE\nSTRIPE CARPET—\n229\nPOLTRONA—\nTESSUTO WEB W6281,\nSTRUTTURA GIUNCO NERO\nTAVOLINO FONTE—\nTAPPETO STRIPE—\nPOLTRONA—\nTESSUTO WEB W6213,\nSTRUTTURA GIUNCO NERO\nTAPPETO STRIPE—\n",117,{"image":481,"text":482,"number":483},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.118.png"," 232  233\nAlways passionate about nautical furnishings, Gio \nPonti gained direct experience in four ocean liners \nand two cruise ships upgraded or built from scratch \nafter the war, between 1949 and 1951: the Conte \nGrande, Africa, Oceania, Conte Biancamano, Andrea \nDoria and Giulio Cesare. Ponti designed this easy \nchair with slight variants for these ships. Featuring \nan enveloping frame and comfortable armrests, it \nhas solid wooden legs with brass shoes. Textile and \nleather upholstery from the Molteni&C collection. \nAesthetic structure in solid American walnut; solid \nwood seat with elastic bands and filler in multi-density \npolyurethane; contoured backrest made from metal \ncrosspieces and injection moulded polyurethane filler.\nAppassionato da sempre al tema dell’arredo navale, Gio \nPonti ne fece diretta esperienza in quattro transatlantici \ne due navi da crociera rinnovati o costruiti ex novo \ndopo la guerra, tra il 1949 e il 1951: Conte Grande, \nAfrica, Oceania, Conte Biancamano, Andrea Doria e \nGiulio Cesare. Ponti progetta questa poltroncina con \nlievi varianti per le navi. Caratterizzata da una struttura \navvolgente e da comodi braccioli, ha piedini in legno \nmassello con puntale in ottone. Rivestimenti tessili e \npelle della collezione Molteni&C. Struttura estetica in \nmassello di noce canaletto; seduta in massello con \ncinghie elastiche tamponata con poliuretano da taglio a \nquote differenziate; schienale avvolgente costruito con \ntravettatura metallica e tamponamenti in poliuretano \niniettato in stampo.\nD.151.4\nGIO PONTI\n",118,{"image":485,"text":486,"number":487},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.119.png"," 234  235\nARMCHAIRS—\nKAISER KD442 FABRIC\nAMERICAN WALNUT STRUCTURE\n45°\u002FTAVOLINO COFFEE TABLE—\nPEWTER COLOUR STRUCTURE\nGLASS TOP\nPOLTRONE—\nTESSUTO KAISER KD442\nSTRUTTURA NOCE CANALETTO\n45°\u002FTAVOLINO—\nSTRUTTURA PELTRO\nPIANO VETRO\nD.151.4 —\n",119,{"image":489,"text":490,"number":491},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.120.png"," 236  237\nDesigned in 1953, the D.153.1 armchair is part of the \nfurniture of Gio Ponti’s private house in via Dezza in \nMilan. This re-edition is produced by Molteni&C based \non the original drawings from the Gio Ponti Archives. \nBrass structure, cover in bicolor white\u002Fblue, sand\u002Fpaper \nwhite or dove grey\u002Fdark brown leather or “punteggiato” \nfabric, designed by Ponti for Rubelli in 1934. The fabric \nreinterprets the age-old technique of velvet-weaving, \nbringing it up to date with contemporary patterns, such \nas close sequences of staggered disks with various \ngradations of colour. Cover also available in fabrics \nand leathers from the Molteni range.\nDisegnata nel 1953, la poltrona D.153.1 fa parte degli \narredi dell’abitazione privata di Gio Ponti in via Dezza \na Milano. La riedizione è prodotta da Molteni&C \nsulla base dei disegni originali custoditi nei Gio \nPonti Archives. La struttura è in ottone satinato, il \nrivestimento in pelle bicolore bianca\u002Fblu, sabbia\u002F\nbianco carta o tortora\u002Ftesta di moro oppure in tessuto \n“punteggiato” Rubelli. Il tessuto, disegnato da Ponti \nnel 1934, reinterpreta la secolare tecnica del velluto, \nattualizzandola con pattern contemporanei, come \nle serrate sequenze di bolli sfalsati in gradazione di \ncolore. Rivestimento disponibile anche nei tessuti e \npelli della collezione Molteni.\nD.153.1\nGIO PONTI\n",120,{"image":493,"text":494,"number":495},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.121.png"," 238  239\nARMCHAIRS—“PUNTEGGIATO”\nVELVET BY RUBELLI\nTEOREMA DRAWER UNIT—\nRANDOM CARPET—\nPOLTRONE— VELLUTO\n“PUNTEGGIATO” BY RUBELLI\nCONTENITORE TEOREMA—\nTAPPETO RANDOM—\nD.153.1 —\n",121,{"image":497,"text":498,"number":499},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.122.png"," 240  241\nD.156.3\nGIO PONTI\nDesigned by Gio Ponti and produced for Altamira, an \nAmerican company founded by the nephew of the \nSpaniard De Cuevas, was displayed in the company’s \nshowroom in New York, along with furniture by Ico \nParisi, Franco Albini, Carlo De Carli, Ignazio Gardella and \nothers, chosen from among the most representative \nexhibitors at the 10th Milan Triennale. The D.156.3 \narmchair, exclusively remade by Molteni&C, has a \nsolid American walnut or black semi-matt lacquered \nframe. It is assembled and sandpapered by hand and \nwiped with aniline dyes. Elastic ergonomic seat and \nback support bands in the colours black and military \ngreen, selected by the client.\nDisegnata da Gio Ponti e prodotta per Altamira, \nsocietà americana fondata da un nipote dello \nspagnolo De Cuevas, viene esposta nello showroom \ndell’azienda a New York, insieme a mobili di Ico Parisi, \nFranco Albini, Carlo De Carli, Ignazio Gardella e altri, \nscelti fra i più rappresentativi della X Triennale di \nMilano. La poltrona D.156.3, che Molteni&C riedita \nin esclusiva, ha una struttura in massello di noce \ncanaletto o laccato nero semilucido. L’assemblaggio \ne la levigatura sono manuali. La verniciatura è con \ncoloranti all’anilina applicati mediante stracciatura. \nCinghie di sostegno dello schienale ergonomico e \ndella seduta in materiale elastico nei colori nero e \nverde militare opzionabili.\n",122,{"image":501,"text":502,"number":503},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.123.png"," 242  243\nARMCHAIRS—\nNABUK SCIROCCO SD974 LEATHER\nGLOSSY BLACK STRUCTURE\n45°\u002FTAVOLINO COFFEE TABLE—\nPEWTER COLOUR STRUCTURE\nGLASS TOPS\nPANNA COTTA COFFEE TABLE—\nMATT BLACK LACQUER\nWITH BLACK MARQUINA MARBLE\nPOLTRONE—\nPELLE NABUK SCIROCCO SD974\nSTRUTTURA NERO LUCIDO\n45°\u002FTAVOLINO—\nSTRUTTURA PELTRO\nPIANI VETRO\nTAVOLINO PANNA COTTA—\nLACCATO NERO OPACO\nCON MARMO NERO MARQUINA\nD.156.3 —\n",123,{"image":505,"text":506,"number":507},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.124.png","PAULA\nVINCENT VAN DUYSEN\n 244  245\nDesigned by creative director Vincent Van \nDuysen, the Paula armchair enters the canon \nof iconic contemporary seating by providing \na sense of movement and lightness within the \nspace. The key to Paula’s timelessness lies in \nits carefully developed proportions. With its \ncantilevered frame and suspended cushions, \nthe Paula armchair has been designed to create \na synthesis between the soft and inviting seat \nand the solid and robust structure of the base. \nThe armchair’s shape is defined by an \ninnovative system of looping hide leather \nstraps, which attach the seat and backrest \nto the metal frame. The hide leather straps, \navailable in four shades - natural, tobacco, \nhazelnut, and mud green - provide a warm \ncontrast to the matte, burnished, or sand \nmetal. The matching ottoman was conceived \nas a visual continuation of the armchair. Its \nbase features the same finish in burnished or \nsand metal, and its cushion is attached with the \nsame system of looping hide leather straps.\nPaula is a visually striking object that is \nboth modern and elegant; a beautifully \ncrafted piece of furniture that combines \ncontemporary design with luxurious comfort.\nDisegnata dal direttore creativo Vincent \nVan Duysen, la poltrona Paula si inserisce \ndi dirit to tra le icone delle se dute \ncontemporanee, donando un senso di \nmovimento e leggerezza all’interno dello  \nspazio. La chiave dell’eleganza senza tempo \ndi Paula si evince nelle sue proporzioni \nattentamente studiate: con la sua struttura \na sbalzo e i cuscini sospesi, la poltrona Paula \nè stata progettata per creare una sintesi tra la \nseduta morbida e invitante e la base robusta \ne solida. La poltrona è caratterizzata da una \nsagoma dove il sedile e lo schienale sono fissati \nalla struttura in metallo mediante un sistema di \ncinghie in cuoio, che creano un caldo contrasto \ncon la struttura in metallo brunito o sabbia. \nLe fasce in cuoio sono disponibili in quattro \ntonalità: naturale, tabacco, nocciola e verde \nfango. L’ottomano abbinato è una naturale \ncontinuazione della poltrona. La sua base è \ncaratterizzata dalla stessa finitura in metallo \nbrunito o sabbia di Paula e il cuscino è fissato \ncon lo stesso sistema di cinghie in cuoio. \nPaula è un elemento di grande impatto: \nmoderna ed elegante, combina un design \ncontemporaneo con un comfort esclusivo.\n",124,{"image":509,"text":510,"number":511},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.125.png"," 246  247\nPAULA —\nARMCHAIR—\nUNIQUE UE195 LEATHER,\nHAZELNUT HIDE LEATHER STRAPS,\nBURNISHED METAL STRUCTURE\nPALETTE CARPET—\nPOLTRONA—\nPELLE UNIQUE UE195,\nCINGHIE CUOIO NOCCIOLA,\nSTRUTTURA METALLO BRUNITO\nTAPPETO PALETTE—\n",125,{"image":513,"text":514,"number":515},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.126.png"," 248  249\nPAULA —\nARMCHAIR—\nUNIQUE UE122 LEATHER,\nHAZELNUT HIDE LEATHER STRAPS,\nBURNISHED METAL STRUCTURE\nVIBRAZIONI CARPET—\nPOLTRONA—\nPELLE UNIQUE UE122,\nCINGHIE CUOIO NOCCIOLA,\nSTRUTTURA METALLO BRUNITO\nTAPPETO VIBRAZIONI—\n",126,{"image":517,"text":518,"number":519},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.127.png"," 250  251\nPAULA —\nPOUF—\nUNIQUE UE122 LEATHER,\nBURNISHED METAL STRUCTURE\nMARTEEN SEATING SYSTEM—\nASTER, LOUISA COFFEE TABLES—\nATALANTE CARPET—\nPOUF—\nPELLE UNIQUE UE122,\nSTRUTTURA METALLO BRUNITO\nSISTEMA DI SEDUTE MARTEEN—\nTAVOLINI ASTER, LOUISA—\nTAPPETO ATALANTE—\n",127,{"image":521,"text":522,"number":523},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.128.png","CINNAMON\nNAOTO FUKASAWA\n 252  253\nThe Cinnamon armchair marks the first \ncollaboration between Molteni&C and the \nJapanese designer Naoto Fukasawa. A \nmasterpiece, that seamlessly blends form, \nfunction, and comfort. Cinnamon has an \napparently simple but technically complex \nshape: the structure is characterized by a \nrounded line, essentially a simple U-shaped \nbase that follows the entire perimeter. The \nbulbous central seat is completed by a \nremovable cushion that has been designed for \nmaximum comfort. Aesthetically harmonious, \nthe armchair’s stitches are masterfully hidden, \nleaving free expression to its sophisticated look. \nCrafted with meticulous attention to detail, it \nis upholstered with two elastic jersey fabrics \nspecially made for the project that beautifully \nadapt to its rounded shape. Available in a range \nof 21 fabrics, each one adding a unique touch \nof elegance. From textural tones to shades of \ngrey or ivory to warmer nuanced hues such as \nochre. Cinnamon becomes an iconic design \npiece with great personality, created to be used \nwith versatility in a multitude of contexts, such \nas the living room, bedroom, study, or any other \nspace where comfort and style are a must.\nLa poltrona Cinnamon segna la prima \ncollaborazione tra Molteni&C e il designer \ngiapponese Naoto Fukasawa. Un capolavoro \nche coniuga perfettamente forma, funzione \ne comfort. Cinnamon presenta una forma \napparentemente semplice ma tecnicamente \ncomplessa: la struttura è caratterizzata da una \nlinea arrotondata che ne descrive la silhouette. \nIl basamento a U segue tutto il perimetro, la \nseduta a bulbo con il cuscino rimovibile è stata \nstudiata per il massimo comfort. Esteticamente \nla poltrona Cinnamon è armonica e unitaria, \nle cuciture sono magistralmente nascoste, \nlasciando libera espressione al suo aspetto \nsofisticato. Realizzata con meticolosa attenzione \nai dettagli, è rivestita in due diversi tessuti \nelasticizzati appositamente realizzati per il \nprogetto, perfetti per adattarsi alla forma \narrotondata. La proposta dei tessuti spazia tra 21 \ndiverse colorazioni, ognuna delle quali pensata \nper aggiungere un tocco di eleganza unico. \nDai toni più materici alle sfumature dei grigi \nalle gradazioni color avorio, fino a nuances più \ncalde come l’ocra. Cinnamon diventa un iconico \npezzo di design dalla grande personalità, \npensato per essere utilizzato con versatilità \nin ogni ambiente della casa come il living, la \ncamera da letto, lo studio o qualsiasi altro \nspazio in cui il comfort e lo stile sono un must. \n",128,{"image":525,"text":526,"number":527},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.129.png"," 254  255\nSOFA AND POUF\nWITH GROSGRAIN—\nSIRIA S1222 LEATHER\nCINNAMON ARMCHAIRS—\nREGENT COFFEE TABLE—\nPALETTE CARPET—\nDIVANO E POUF\nCON GROSGRAIN—\nPELLE SIRIA S1222\nPOLTRONE CINNAMON—\nTAVOLINO REGENT—\nTAPPETO PALETTE—\nCINNAMON —\n",129,{"image":529,"text":530,"number":531},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.130.png"," 256  257\nCINNAMON —\nARMCHAIR—\nZAGO ZI426 FABRIC\nREGENT COFFE TABLE—\n505 UP SYSTEM—\nPALETTE CARPET—\nPOLTRONA—\nTESSUTO ZAGO ZI426\nTAVOLINO REGENT—\n505 UP SYSTEM—\nTAPPETO PALETTE—\n",130,{"image":533,"text":534,"number":535},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.131.png","ARMCHAIR—\nZEUS ZI311 FABRIC\nREGENT COFFE TABLE—\nPASS-WORD EVOLUTION—\nAURA CARPET—\nPOLTRONA—\nTESSUTO ZEUS ZI311\nTAVOLINO REGENT—\nPASS-WORD EVOLUTION—\nTAPPETO AURA—\nCINNAMON —\n 258  259\n",131,{"image":537,"text":538,"number":539},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.132.png","TUSCANY\nNAOTO FUKASAWA\n 260  261\nRenowned designer Naoto Fukasawa presents his \nlatest exploration of shape and form with Tuscany, \nhis interpretation of the archetype of the chaise \nlongue that marks an important contribution to \nthe collaboration with Molteni&C, recalling new \nsuggestions. The form is the result of meticulous \ntechnical development by the Research and \nDevelopment Department at Molteni&C, which, \ntogether with the designer, created the ideal \nbalance and proportions for the chaise’s unique \nshape. The smooth, rounded legs are made from \nsolid wood and are connected by a satin brass \nH-frame, providing a sturdy and stylish base \nfor the chaise longue. The shape of the chaise \nlongue is obtained by curving different layers \nof wood, obtaining its characteristic shape. It \nis the result of a meticulous process obtained \nby the Molteni&C Research and Development \ndepartment, which studied the ideal balance \nand proportions together with the designer. The \nlegs that support the structure are made of solid \nwood and connected by a satin brass H-frame, \nproviding an elegant base. The cushions, with \ndifferent bearing capacities, are connected to one \nanother by carefully hidden zippers and form an \narticulated whole that neatly hugs the structure. \nThese are available in several types of fabrics \nand leathers of Molteni&C easily complement. \nThe rounded headrest moves independently \nfrom the square cushions and is balanced by a \nmetal dowel held by adjustable straps to hold \nit in place, allowing for customised comfort. \nTuscany is available in two different versions: \nthe first integrate the eucalyptus finishing with \npainted satin brass, the second one pairs the \nnatural sunrise oak to the brightness of the \nstainless steel for a more contemporary effect. \nIl rinomato designer giapponese Naoto Fukasawa \npresenta la sua ultima esplorazione nel campo \ndella dimensione e della forma, presentando \nTuscany, la sua interpretazione dell’archetipo \ndelle chaise longue che segna un importante \ncontributo alla collaborazione con Molteni&C, \nevocando nuove suggestioni provenienti da \nechi lontani. La forma della chaise longue è \nottenuta curvando e assemblando diversi \nstrati di legno, ottenendo la sua caratteristica \nforma. Si tratta del risultato di un meticoloso \nprocesso ottenuto dal dipartimento di Ricerca \ne Sviluppo di Molteni&C, che ne ha studiato \ninsieme al designer l’equilibrio e le proporzioni \nideali. Le gambe che sorreggono la struttura \nsono anch’esse realizzate in legno massello e \ncollegate da un telaio ad H in ottone satinato, \nfornendo una base robusta ed elegante. I cuscini \na portanza differenziata, collegati tra loro da \ncerniere accuratamente nascoste, formano un \ninsieme articolato che abbraccia ordinatamente \nla struttura. Questi sono realizzabili nelle diverse \ntipologie di tessuti e pelli di Molteni&C, creando \nuna piacevole armonia con gli altri elementi della \nCollezione. Il poggiatesta arrotondato è pensato \nper essere regolato in modo indipendente ed è \nbilanciato da un tassello in metallo sorretto da \ncinghie, consentendo il massimo del comfort. \nTuscany è disponibile in due diverse versioni: \nla prima abbina la finitura eucalipto a dettagli \nmetallici in ottone satinato, la seconda coniuga \nla finitura naturale del rovere sunrise alla \nlucentezza dell’acciaio inox, per un effetto più \ncontemporaneo.\n",132,{"image":541,"text":542,"number":543},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.133.png"," 262  263\nCHAISE LONGUE\nWITH HEADREST—\nEXTRA L162 LEATHER,\nEUCALYPTUS STRUCTURE,\nSATIN BRASS TRESTLE\nASTER COFFEE TABLE—\nPASS-WORD EVOLUTION—\nVIBRAZIONI CARPET—\nCHAISE LONGUE CON\nPOGGIATESTA—\nPELLE EXTRA L162,\nSTRUTTURA EUCALIPTO,\nCAVALLETTO OTTONE SATINATO\nTAVOLINO ASTER—\nPASS-WORD EVOLUTION—\nTAPPETO VIBRAZIONI—\nTUSCANY —\n",133,{"image":545,"text":546,"number":547},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.134.png"," 264  265\nCHAISE LONGUE—\nKOLO KI135 FABRIC\nWITH HEADREST\nSIRIA S1221 LEATHER,\nEUCALYPTUS STRUCTURE,\nSATIN BRASS TRESTLE\nCHAISE LONGUE—\nTESSUTO KOLO KI135\nCON POGGIATESTA\nPELLE SIRIA S1221,\nSTRUTTURA EUCALIPTO,\nCAVALLETTO OTTONE SATINATO\nTUSCANY —\n",134,{"image":549,"text":550,"number":551},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.135.png"," 266  267\nCHAISE LONGUE—\nKOLO KI135 FABRIC\nWITH HEADREST\nSIRIA S1221 LEATHER,\nEUCALYPTUS STRUCTURE,\nSATIN BRASS TRESTLE\nGLISS MASTER WARDROBE—\nPALETTE CARPET—\nCHAISE LONGUE—\nTESSUTO KOLO KI135\nCON POGGIATESTA\nPELLE SIRIA S1221,\nSTRUTTURA EUCALIPTO,\nCAVALLETTO OTTONE SATINATO\nARMADIO GLISS MASTER—\nTAPPETO PALETTE—\nTUSCANY —\n",135,{"image":553,"text":554,"number":555},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.136.png","YOELL\nVINCENT VAN DUYSEN\n 268  269\nVincent Van Duysen, an exper t in the history of \nmodern design, has restyled an archetype created \nin the 1950s and especially popular in America: the \ndeckchair originally derived from the hammock, a \ntraditional item of furniture in that part of the world. \nSuppor ted by an elegant solid wooden structure \nstained of Black Oak, Eucalyptus or Sunrise Oak, \nYoell reflects the distinctive feature of the deckchair, \ndesigned for relaxing in patios, living spaces and \nterraces blessed with a tropical climate. In his version, \nVincent Van Duysen underlines the difference with \nthe systems of the original chairs, featuring textiles \nor straw with freedom of movement, by designing \na brand new element. A frame, printed and shaped \nanatomically using a thin layer of polyurethane, \nfinds its natural place by hooking itself to the two \ntop and bottom cross-bars of the frame. The result \nis an exceptionally comfortable, all-in-one system \nthat seamlessly links seat and backrest. Yoell can be \nupholstered in textiles or leather.\nVincent Van Duysen, profondo conoscitore della storia \ndel design moderno, riprogetta in chiave contemporanea \nun archetipo, nato a metà degli anni ’50, soprattutto in \nAmerica Latina: la poltrona relax, a sua volta derivata \ndall’amaca, tradizionale arredo di quest’area geografica. \nDotata di un’elegante struttura in legno massello tinto \nRovere nero, Eucalipto e Rovere Sunrise, Yoell rispecchia \nrinnovando profondamente il tratto distintivo della \npoltrona relax, nata per rilassarsi in patii, terrazze e \nliving accarezzati dal clima tropicale. Nella sua versione, \nVincent Van Duysen rimarca il distacco con i sistemi \ndi seduta originali, caratterizzati da teli o rivestimenti \nin paglia liberi di muoversi, progettando un elemento \ndel tutto nuovo. Una scocca, stampata e modellata \nanatomicamente attraverso l’uso di un sottile strato di \npoliuretano, che trova la sua sede naturale agganciandosi \nalle due traverse, inferiore e superiore, della struttura. \nIl risultato è un sistema integrato di seduta e schienale \nsenza soluzione di continuità e dal comfort eccezionale. \nYoell è proposta con rivestimenti in tessuto o in pelle.\n",136,{"image":557,"text":558,"number":559},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.137.png"," 270  271\n\u003C\n\u003C\np. 269\nARMCHAIRS—\nSIRIA S1211 LEATHER\nBLACK OAK STRUCTURE\nAURA CARPET—\nARMCHAIRS—\nUNIQUE UE134 LEATHER\nBLACK OAK STRUCTURE\nCLEO COFFEE TABLES—\nBLACK OAK STRUCTURE\nIVORY ECO SKIN TOP\np. 269\nPOLTRONE—\nSTRUTTURA ROVERE NERO\nPELLE SIRIA S1211\nTAPPETO AURA—\nPOLTRONE—\nPELLE UNIQUE UE134\nSTRUTTURA ROVERE NERO\nTAVOLINI CLEO—\nSTRUTTURA ROVERE NERO\nTOP ECO SKIN AVORIO\nYOELL —\n",137,{"image":561,"text":562,"number":563},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.138.png"," 272  273\nYOELL —\n",138,{"image":565,"text":566,"number":567},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.139.png"," 274  275\n\u003C\nYOELL —\np. 272-273\nARMCHAIR—\nSIRIA S1211 LEATHER\nSUNRISE OAK STRUCTURE\nHECTOR BOOKCASE—\np. 272-273\nPOLTRONA—\nPELLE SIRIA S1211\nSTRUTTURA ROVERE SUNRISE\nLIBRERIA HECTOR—\n",139,{"image":569,"text":570,"number":571},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.140.png","MARGOU\nVINCENT VAN DUYSEN\n 276  277\nMargou is an integral part of everyday life, designed \nto live in harmony with its surroundings. A simple \nand cultured design, denoting a fusion of geometric \nshapes enhanced by a contemporary evolution of solid \nbeech craftsmanship. The structure is given relevance, \nhighlighted and exaggerated in the joint sections, \nmaking all the harmonious parts hypothetically fused \ninto one piece, balancing the structural forces of the \nproduct. The construction of the seat and backrest \nskillfully combines aesthetics and ergonomics: the \nconnection between the board of the supporting \nstructure and the textile\u002Fleather part of the upholstery \nmerge in a harmonious craftwork design.\nMargou è parte integrale della vita quotidiana, pensata \nper convivere in armonia con l’ambiente che la ospita. \nUn disegno semplice e colto, che denota una fusione \ndi forme geometriche impreziosito da un’evoluzione \ncontemporanea della lavorazione artigianale del \nmassello in faggio. La struttura viene portata in \nprimo piano, evidenziata ed esasperata nelle sezioni \ndei raccordi, rendendo tutte le parti armoniose \nipoteticamente fuse in un unico pezzo, bilanciando \nle forze strutturali del prodotto. La costruzione della \nseduta e dello schienale coniuga abilmente estetica \ned ergonomia: il raccordo fra la parete della struttura \nportante e la parte tessile\u002Fpelle dell’imbottitura si \nfondono in un armonioso gioco d’abilità artigianale.\n",140,{"image":573,"text":574,"number":575},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.141.png"," 278  279\nARMCHAIRS—\nKYLE KG623 FABRIC\nEUCALYPTUS STRUCTURE\nPOLTRONE—\nTESSUTO KYLE KG623\nSTRUTTURA EUCALIPTO\nMARGOU —\n",141,{"image":577,"text":578,"number":579},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.142.png"," 280  281\nARMCHAIRS—\nKYLE KG623 FABRIC\nEUCALYPTUS STRUCTURE\nVIBRAZIONI CARPET—\nPOLTRONE—\nTESSUTO KYLE KG623\nSTRUTTURA EUCALIPTO\nTAPPETO VIBRAZIONI—\nMARGOU —\n",142,{"image":581,"text":582,"number":583},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.143.png"," 282  283\nARMCHAIRS—\nKAOS K12 CS FABRIC\nEUCALYPTUS STRUCTURE\nMARTEEN COFFEE TABLES—\nEUCALYPTUS TOP,\nPEWTER FINISH BASE\nPOLTRONE—\nTESSUTO KAOS K12 CS\nSTRUTTURA EUCALIPTO\nTAVOLINI MARTEEN—\nTOP EUCALIPTO,\nBASAMENTO PELTRO\nMARGOU —\n",143,{"image":585,"text":586,"number":587},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.144.png","WALTER\nVINCENT VAN DUYSEN\n 284  285\nIn design terms, it is at once a nostalgic and an \nexperimental object. A small armchair with a frame \nmade entirely of solid ash, stained as black oak or \neucalyptus, where the backrest is all one with the \narmrests. Designed for a contemporary and convivial \nsetting, the relaxed style of this little armchair is \nplayed out on its contrasts: the essential elegance \nof the frame contrasts with the softness of the seat. \nSeat and backrest are completed with soft padding \nupholstered in fabric or leather, chosen from the wide \nrange of the Molteni&C collections.\nÈ un oggetto di memoria ma nello stesso tempo \nsperimentale nel suo disegno. Poltroncina dalla struttura \ninteramente in massello di frassino tinto rovere nero \no eucalipto, dove lo schienale si raccorda in un’unica \nsoluzione con i braccioli. Pensata per un ambiente \ncontemporaneo e conviviale, lo stile disinvolto di \nquesta poltroncina gioca sui contrasti: l’essenzialità \nelegante della struttura si contrappone alla sofficità \ndella seduta. Seduta e schienale sono completati da \nmorbide imbottiture rivestibili in tessuto o pelle, scelti \ntra la vasta gamma delle collezioni Molteni&C.\n",144,{"image":589,"text":590,"number":591},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.145.png"," 286  287\nARMCHAIR—\nBLACK OAK STRUCTURE,\nWALLANCE WG322 FABRIC\nLOUISA COFFEE TABLE—\nEUCALYPTUS\nARMCHAIR—\nBLACK OAK STRUCTURE,\nSIRIA S1222 LEATHER\nPOLTRONA—\nSTRUTTURA ROVERE NERO,\nTESSUTO WALLANCE WG322\nTAVOLINO LOUISA—\nEUCALIPTO\nPOLTRONA—\nSTRUTTURA ROVERE NERO,\nPELLE SIRIA S1222\nWALTER —\n",145,{"image":593,"text":594,"number":595},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.146.png"," 288  289\nA small, low armchair, designed mainly for the \nhospitality sector, in hotel lobbies, bedrooms, \nlounges and bars, but also in the home as an \noccasional armchair set alongside impressive \nsofas. Classic frame made entirely of wood, where \nthe backrest also acts as an armrest. The structural \nseat and backrest function is performed by bonded \nhide-leather straps that guarantee perfect comfort \nby adapting ergonomically to the body. Seat and \nbackrest are complete with comfortable cushions \ncovered in textiles or leather chosen from the wide \nrange of the Molteni&C collections.\nPoltroncina bassa il cui principale utilizzo è nel campo \ndell’hospitality, nelle lobbies, nelle stanze da letto, nelle \nlounges e bar, ma anche in ambienti domestici come \npoltroncina complementare affiancata a divani di grande \npresenza. Classica struttura interamente in legno, dove \nlo schienale svolge anche la funzione di bracciolo. La \nfunzione strutturale di seduta ed appoggio è svolta da \ncinghie di cuoio rigenerato che garantiscono un perfetto \nconfort di seduta adattandosi ergonomicamente al \ncorpo. Seduta e schienale sono completati da comodi \ncuscini dal rivestimento in tessuto o pelle, scelti tra la \nvasta gamma delle collezioni Molteni&C.\nGILLIS\nVINCENT VAN DUYSEN\n",146,{"image":597,"text":598,"number":599},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.147.png"," 290  291\nARMCHAIRS—\nUNIQUE UE146 LEATHER,\nEUCALYPTUS STAINED STRUCTURE,\nMUD GREEN BONDED HIDE LEATHER\nSTRAPS \u002F ARM UPPER PART\nATTICO COFFEE TABLE—\nPEWTER AND\nSATIN BRASS BASE,\nCALACATTA TOP\nSTRIPE CARPET—\nPOLTRONE—\nPELLE UNIQUE UE146,\nSTRUTTURA TINTO EUCALIPTO,\nCINGHIE \u002F PARTE SUPERIORE BRACCIOLO\nCUOIO RIGENERATO VERDE FANGO\nTAVOLINO ATTICO—\nBASAMENTO\nPELTRO E OTTONE SATINATO,\nPIANO MARMO CALACATTA\nTAPPETO STRIPE—\nGILLIS —\n",147,{"image":601,"text":602,"number":603},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.148.png"," 292  293\nRodolfo Dordoni has designed a new armchair \ncollection. The design springs from the way different \nsurfaces criss-cross each other to create new and \nenveloping forms with or without armrests. An \ninnovative configuration, enhanced by a revolving \npressure die-cast aluminium base, in two finishes, \nplus a pouf. Each individual component of the \nPiccadilly collection showcases the craftsmanship, \nevident in the way that the top quality raw materials, \nfrom aluminium to leather, are crafted, with the care \nand passion that guarantee the charm of these \nextremely versatile armchairs.\nRodolfo Dordoni disegna una nuova collezione di \npoltrone. Il progetto nasce dall’unione di varie superfici \nche si intersecano creando forme nuove e avvolgenti \ncon e senza braccioli. Innovativa nella configurazione, \nimpreziosita da un basamento in alluminio pressofuso \ngirevole in due finiture più un pouf. Ogni singolo \nelemento della collezione Piccadilly esprime il valore \ndella maestria artigianale che trova evidenza nella \nlavorazione di materie prime di assoluta qualità, \ndall’alluminio al tessuto alla pelle, con dettagli eseguiti \ncon cura e passione che garantiscono il fascino a \nqueste poltrone estremamente versatili.\nPICCADILLY\nRODOLFO DORDONI\n",148,{"image":605,"text":606,"number":607},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.149.png"," 294  295\n 294  295\nPICCADILLY —\nARMCHAIRS WITH LOW BACK—\nSCIROCCO SD988 LEATHER,\nGLOSSY PEWTER COLOUR BASE\nLOUISA COFFEE TABLES—\nEUCALYPTUS STRUCTURE AND TOP,\nMATT PEWTER STRUCTURE\nAND ASH GREY CEMENT TOP\nAURA CARPET—\nPOLTRONE CON SCHIENALE BASSO—\nPELLE SCIROCCO SD988,\nBASAMENTO COLOR PELTRO LUCIDO\nTAVOLINI LOUISA—\nSTRUTTURA E TOP EUCALIPTO,\nSTRUTTURA PELTRO OPACO\nE PIANO IN CEMENTO GRIGIO CENERE\nTAPPETO AURA—\n",149,{"image":609,"text":610,"number":611},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.150.png"," 296  297\nElain, is a cosy, curvacious, little armchair designed \nto fit easily into any setting. Consisting of just two \nparts, a seat and a backrest, which come together \nto form a perfectly rounded object that invites you \nsimply to sit down. Ideal for use alongside sofas \nalso designed by Vincent Van Duysen, or even \non her own as a comfy armchair or with a twin to \ncreate discreet little conversation corners. Elain is \nnot just a stay at home chair but one that loves to \nmake an appearance in public hospitality spaces \nsuch as hotel or office lobbies. Whether upholstered \nin quality textiles or in soft leather, Elain is always \nherself: a pretty, sophisticated little chair, featuring \nsnug, welcoming lines, thanks to the padded seat \nand back. Swivel base or fixed version with feet. \nFabric and leather covers are completely removable.\nElain, dalle forme tonde ed avvolgenti, è una poltroncina \nprogettata per essere inserita in ogni ambiente grazie \nalle sue dimensioni contenute. Composta da due soli \nelementi, la seduta e lo schienale, che unendosi danno \nvita ad un oggetto a tutto tondo dove accomodarsi \nviene spontaneo. Ideale per accompagnarsi con i divani \nprogettati sempre da Vincent Van Duysen o anche da \nsola come poltroncina o in coppia per creare piccoli \ne riservati angoli di conversazione. Elain non ama \nstare solo in casa ma anche in spazi pubblici destinati \nall’hospitality come lobby d’albergo o di uffici. Si veste \ndi preziosi tessuti o morbide pelli rimanendo sempre \nsé stessa: una sofisticata poltroncina, dal linguaggio \nestetico ricercato e dalle linee avvolgenti, che offrono \nuna sensazione di grande accoglienza, grazie alle \nimbottiture di sedile e schienale. Basamento girevole \no versione fissa con piedini. Prodotto completamente \nsfoderabile sia nelle versioni in tessuto che in pelle.\nELAIN\nVINCENT VAN DUYSEN\n",150,{"image":613,"text":614,"number":615},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.151.png"," 298  299\nKensington is a relaxing armchair with enveloping lines \nand calibrated proportions that you can simply sink \ninto when you want to chill out or have a chat with \nfriends. The all-in-one frame, complete with generous \narmrests, supports an ergonomic seat that guarantees \ncomfort. The central four-spokes is designed to support \nthe slightly sloping frame for greater comfort. Two \nversions, tall and low, and a practical footrest complete \nthe collection. The Kensington armchair offers a high \ndegree of personalisation, given that the leatherclad \nouter shell can be combined with the inner frame, \nalso clad in leather, for a refined mono material effect. \nAlternatively, a pleasing contrast can be obtained by \nmatching the leather-clad shell with an inner frame \ncovered in one of the fabrics from the exclusive \nMolteni&C collection. With their refined elegance, these \nelements help nto create intimate conversation areas \nboth in the home and in hospitality spaces such as \nlounges, waiting rooms and executive offices.\nKensington è una poltrona relax dalle linee avvolgenti e \ndalle proporzioni calibrate adatte a rilassarsi o conversare \nin tutta tranquillità. La scocca integrata, dotata di ampi \nbraccioli, accoglie una seduta ergonomicamente studiata \nper garantire la comodità. Basamento centrale metallico \na quattro razze per sostenere la scocca leggermente \ninclinata per un migliore confort. Due versioni, alta \ne bassa, e un pratico poggiapiedi completano la \ncollezione. La poltrona Kensington offre un elevato \ngrado di personalizzazione, dato dalla possibilità di \ncombinare il guscio esterno rivestito in pelle con la \nscocca interna anch’essa rivestita in pelle, per un \nraffinato effetto mono materico, oppure ottenere un \ngradevole contrasto associando al guscio rivestito in \npelle una scocca interna rivestita in uno dei tessuti \ndell’esclusiva collezione Molteni&C. Con la loro raffinata \neleganza, questi elementi contribuiscono alla creazione \ndi aree di conversazione intime sia all’interno degli \nspazi domestici che in spazi hospitality come lounge, \nsale d’attesa e uffici direzionali.\nKENSINGTON\nRODOLFO DORDONI\n",151,{"image":617,"text":618,"number":619},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.152.png"," 300  301\nARMCHAIR\nWITH HIGH BACK AND POUF—\nWEAR WF191 FABRIC,\nUNIQUE UE199 LEATHER\nGLOSSY PEWTER COLOUR BASE\nARMCHAIR WITH LOW BACK—\nWEAR WF191 FABRIC,\nUNIQUE UE195 LEATHER\nGLOSSY PEWTER COLOUR BASE\nRANDOM CARPET—\nPOLTRONA\nCON SCHIENALE ALTO E POUF—\nTESSUTO WEAR WF191,\nPELLE UNIQUE UE199\nBASAMENTO COLOR PELTRO LUCIDO\nPOLTRONA CON SCHIENALE BASSO—\nTESSUTO WEAR WF191,\nPELLE UNIQUE UE195\nBASAMENTO COLOR PELTRO LUCIDO\nTAPPETO RANDOM—\nKENSINGTON —\n",152,{"image":621,"text":622,"number":623},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.153.png"," 302  303\nARMCHAIR\nWITH HIGH BACK AND POUF—\nSIRIA S1232 LEATHER\nGLOSSY PEWTER COLOUR BASE\nARMCHAIRS WITH LOW BACK—\nWAIT WE773 FABRIC,\nUNIQUE UE130 LEATHER\nGLOSSY PEWTER COLOUR BASE\nPANNA COTTA COFFEE TABLE—\nMATT BLACK LACQUER\nWITH BLACK MARQUINA MARBLE\nPOLTRONA\nCON SCHIENALE ALTO E POUF—\nPELLE SIRIA S1232\nBASAMENTO COLOR PELTRO LUCIDO\nPOLTRONE CON SCHIENALE BASSO—\nTESSUTO WAIT WE773,\nPELLE UNIQUE UE130\nBASAMENTO COLOR PELTRO LUCIDO\nTAVOLINO PANNA COTTA—\nLACCATO NERO OPACO\nCON MARMO NERO MARQUINA\nKENSINGTON —\n",153,{"image":625,"text":626,"number":627},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.154.png"," 304  305\nThe Chelsea armchairs, like the chairs from the same \nproduct family, carry the essence of contemporary \ndesign and the memory of tradition. Their personality \nreaches toward the future, which brings with it the \ncertainty of experience. The strong mark of the \nsolid wood structure balances the fluid lines of the \nbackrests blending ergonomics and elegance to create \ncomfortable chairs. The value of handcraftsmanship \nis expressed in the masterful use of high quality raw \nmaterials: wood, fabric and leather. Details were designed \nand applied with passion and care, which underscores \nthe versatile nature and appeal of these pieces.\nLe poltrone Chelsea, come le sedie dell’omonima famiglia, \nriassumono in sé l’essenza del design contemporaneo \ne la memoria della tradizione, in un’ideale tensione \nverso il futuro che porta con sé il saper fare. Il segno \nforte della struttura in massello bilancia la linea fluida \ndegli schienali fondendo indissolubilmente ergonomia \ned eleganza per dare vita a sedute confortevoli e \nraffinate. Tutto il valore di una maestria artigianale si \nesprime nella lavorazione di materie prime di assoluta \nqualità, dal legno al tessuto alla pelle, con particolari \nfatti con cura e passione che garantiscono il fascino \na queste sedute estremamente versatili.\nCHELSEA\nRODOLFO DORDONI\n",154,{"image":629,"text":630,"number":631},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.155.png"," 306  307\nSOFA—\nPAGLIA Z64PS FABRIC\nEUCALYPTUS STRUCTURE\nBENCH—\nWEB W6290 FABRIC\nEUCALYPTUS STRUCTURE\nVICINO TABLE—\nPEWTER COLOUR STRUCTURE\nWITH EUCALYPTUS SHELVES\nMHC.2 BOOKCASES—\nRANDOM CARPET—\nDIVANO—\nTESSUTO PAGLIA Z64PS\nSTRUTTURA EUCALIPTO\nPANCA—\nTESSUTO WEB W6290\nSTRUTTURA EUCALIPTO\nTAVOLINO VICINO TABLE—\nSTRUTTURA PELTRO\nCON PIANI EUCALIPTO\nLIBRERIE MHC.2—\nTAPPETO RANDOM—\nCHELSEA —\n",155,{"image":633,"text":634,"number":635},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.156.png"," 308  309\nDoda, an interpretation of the classic bergère in \ncontemporary style. A welcoming armchair with \nmaximum comfort, which stands out for its measured \nproportions between thicknesses and the meetings \nof straight and curved lines. With Doda is the pouf \nEasy, combining with it to create a comfortable chaise \nlongue. Doda Low, which features more generous \nproportions and a lower back.\nDoda è l’interpretazione della classica bergère in \nchiave contemporanea. Una poltrona dalle forme \navvolgenti e di grande comfort, che si connota per \nuna calibrata proporzione tra spessori e raccordi di \nlinee rette e curve. A Doda si affianca il pouf Easy per \ntrasformarla in una comoda chaise longue. Doda Low \nsi connota per le proporzioni più generose e per uno \nschienale meno pronunciato in altezza. \nDODA - DODA LOW\nFERRUCCIO LAVIANI\n",156,{"image":637,"text":638,"number":639},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.157.png"," 310  311\nGlove-Up is the evolution of a rigorous design theme, \nfeaturing sinuous, moulded and softly linked lines. \nA balance of forms which, from the fluid line of the \nbackrest, flows into the lightness of the legs. An \ninviting small armchair or chair, upholstered in fabric \nor leather, make Glove-Up fun and versatile, suitable \nfor any classic or contemporary setting.\nGlove-Up rappresenta l’evoluzione di un tema \nprogettuale rigoroso, caratterizzato da linee sinuose, \nplasmate e morbidamente raccordate. Un equilibrio di \nforme che, dalla linea fluida dello schienale, confluisce \nnella leggerezza delle gambe. Poltroncina o sedia \ndal comfort accattivante, rivestite in tessuto o pelle, \nrendono Glove-Up spiritosa e versatile, adatta ad ogni \nambiente classico o contemporaneo.\nGLOVE-UP\nPATRICIA URQUIOLA\n",157,{"image":641,"text":642,"number":643},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.158.png","THE DURABILITY OF FURNITURE \nDEPENDS ON GOOD WORKMANSHIP \nAND HIGH QUALITY MATERIALS BUT \nALSO PERFECT AND PROPER LINES. \nMATERIALS MUST BE GOOD BUT ARE \nSUCH ONLY IF THEY ARE CONSISTENT \nWITH THEIR POTENTIAL, HISTORY \nAND FUNCTION. COFFEE TABLES AND \nUPHOLSTERED POUFS; A GALAXY \nOF SATELLITES AT THE SERVICE \nOF THE CONVERSATION AREA.\nLA DURATA NEL TEMPO DEGLI ARREDI È LEGATA ALLA QUALITÀ DELLE MATERIE PRIME \nMA ANCHE ALLA COMPIUTEZZA E ALL’ADEGUATEZZA DELLE FORME. I MATERIALI DEVONO \nESSERE “BUONI” MATERIALI, E DIVENTANO TALI SE SONO COERENTI CON LE LORO \nCARATTERISTICHE TECNICHE, CON LA LORO STORIA E LA LORO DESTINAZIONE D’USO. \nCOFFEE TABLES E POUF IMBOTTITI, UNA GALASSIA DI SATELLITI PER LA ZONA LIVING.\ncoffee\n  tables\n",158,{"image":645,"text":646,"number":647},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.159.png"," 314  315\nFrom Gio Ponti’s house, located in via Dezza in Milan, the \nsmall table D.555.1, designed in 1954-1955, is produced \nby Molteni&C based on the original drawings from \nthe Gio Ponti Archives. Metal hand painted structure \nand glass top.\nDalla casa di Gio Ponti in via Dezza a Milano, il tavolino \nD.555.1, disegnato nel 1954-1955, è prodotto da Molteni&C \nsulla base dei disegni originali custoditi nei Gio Ponti \nArchives. Struttura e gambe in metallo, con griglia \ncolorata verniciata a mano, il piano è in cristallo \ntrasparente.\nD.555.1\nGIO PONTI\n",159,{"image":649,"text":650,"number":651},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.160.png"," 316  317\nCOFFEE TABLE—\nMETAL LEGS\nTRANSPARENT GLASS TOP\nRANDOM CARPET—\nTAVOLINO—\nGAMBE METALLICHE\nPIANO IN CRISTALLO TRASPARENTE\nTAPPETO RANDOM—\nD.555.1 —\n",160,{"image":653,"text":654,"number":655},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.161.png"," 318  319\nSmall table with a rounded triangular shape, designed in \nthe mid-1950s and originally destined to the american \nmarket. Solid rosewood structure and transparent \nextra-light glass top. Feet: satin brass.\nTavolino dalla forma triangolare arrotondata progettato a \nmetà degli anni ’50 e originariamente destinato al mercato \namericano. Struttura in massello di palissandro e piano \nin vetro trasparente extrachiaro. Piedi: ottone satinato.\nD.552.2\nGIO PONTI\n",161,{"image":657,"text":658,"number":659},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.162.png"," 320  321\nCOFFEE TABLE—\nSOLID ROSEWOOD\nSTRUCTURE\nSATIN BRASS FEET\nEXTRALIGHT GLASS TOP\nTAVOLINO—\nSTRUTTURA MASSELLO\nDI PALISSANDRO\nPIEDI OTTONE SATINATO\nPIANO VETRO EXTRACHIARO\nD.552.2 —\n",162,{"image":661,"text":662,"number":663},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.163.png"," 322  323\nFONTE \nVINCENT VAN DUYSEN\nWithin the Fonte series, circular volumes meet \nrefined craftsmanship, creating sophisticated \nlounge complements suitable for any setting. \nResting on three vertical oak stained solid \nwood uprights, the circular base of the Fonte \ncoffee tables showcases any one of a rich \narray of tabletop materials such as marble, \nessence, or black back-painted glass, offering \nversatility in design. The subdued hues of the \ntabletops harmonize with the coffee and black \noak finishes, creating a delicate interplay of \nsolidity and fluidity that exudes timeless charm. \nCompleting the collection are a bedside table \nand a refined lounge table, each meticulously \ncrafted to enhance functionality and style. The \nbedside table features a practical drawer and \na sophisticated upper ring with an elegant \nburnished painted finish, while the lounge \ntable offers a generous surface area.\nLa serie di tavolini Fonte, contraddistinta dal suo \nvolume circolare, è concepita come sofisticati \ncomplementi lounge adatti a una varietà di \nambienti. Partendo da una base circolare, la \nstruttura si regge su tre montanti verticali in legno \nmassello tinto rovere, mentre il piano sfoggia un \nmateriale dotato di profonda espressività come \nil marmo. In alternativa, è possibile optare per \nun top in essenza o vetro retroverniciato nero \nche conferisce un tocco più leggero. Le tonalità \ndel top si riflettono nelle finiture rovere caffè e \nrovere nero per le parti in essenza, sono tonalità \nposate e solide che giocano in contrasto con \nla sensazione di leggerezza e fluidità, creando \nnell’oggetto un flusso equilibrato e bilanciato \ndi pieno-vuoto. La gamma si completa con \nl’aggiunta di un tavolino-comodino e un raffinato \ntavolo lounge. La versione comodino mantiene \nle forme e dimensioni dei tavolini, arricchendosi \ndi un pratico cassetto posizionato sotto il piano \ne un sofisticato anello superiore dall’elegante \nverniciatura effetto brunito. Il tavolo lounge, \ndalle dimensioni più generose, offre una terza \nopzione per il piano, presentando un’essenza \ncon pregiato intarsio.\n",163,{"image":665,"text":666,"number":667},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.164.png","COFFEE TABLE—\nBLACK OAK STRUCTURE,\nBLACK GLASS\nBACK PAINTED CLEAR TOP\nCOFFEE TABLE—\nBLACK OAK STRUCTURE AND TOP \nAUGUSTO SEATING SYSTEM—\nAURA CARPET—\nTAVOLINO—\nSTRUTTURA ROVERE NERO,\nTOP VETRO TRASPARENTE\nRETRO VERNICIATO NERO\nTAVOLINO—\nSTRUTTURA E TOP ROVERE NERO\nSISTEMA DI SEDUTE AUGUSTO—\nTAPPETO AURA—\n 324  325\nFONTE —\n",164,{"image":669,"text":670,"number":671},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.165.png","COFFEE TABLE—\nCOFFEE OAK STRUCTURE,\nGLOSSY EMPERADOR DARK \nMARBLE TOP\nCOFFEE TABLE—\nCOFFEE OAK STRUCTURE AND TOP\nAUGUSTO SEATING SYSTEM—\nLOGOS SYSTEM—\nAURA CARPET—\nTAVOLINO—\nSTRUTTURA ROVERE CAFFÈ,\nTOP MARMO\nEMPERADOR DARK LUCIDO\nTAVOLINO—\nSTRUTTURA E TOP ROVERE CAFFÈ\nSISTEMA DI SEDUTE AUGUSTO—\nSISTEMA LOGOS—\nTAPPETO AURA—\n 326  327\nFONTE —\n",165,{"image":673,"text":674,"number":675},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.166.png","LOUNGE TABLE—\nBLACK OAK STRUCTURE,\nGLOSSY CALACATTA\nMARBLE TOP\nLUCIO SOFA—\nHECTOR MIRROR—\nPALETTE CARPET—\nTAVOLO LOUNGE—\nSTRUTTURA ROVERE NERO,\nTOP MARMO \nCALACATTA LUCIDO\nDIVANO LUCIO—\nSPECCHIO HECTOR—\nTAPPETO PALETTE—\n 328  329\nFONTE —\n",166,{"image":677,"text":678,"number":679},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.167.png","COFFEE TABLES—\nCOFFEE OAK STRUCTURE,\nRED LEPANTO MARBLE TOP\nAUGUSTO SEATING SYSTEM—\nSTRIPE CARPET—\nTAVOLINI—\nSTRUTTURA ROVERE CAFFÈ,\nTOP MARMO ROSSO LEPANTO\nSISTEMA DI SEDUTE AUGUSTO—\nTAPPETO STRIPE—\n 330  331\nFONTE —\n",167,{"image":681,"text":682,"number":683},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.168.png","COFFEE TABLE—\nCOFFEE OAK STRUCTURE,\nBLACK TEMPERED\nBACK-PAINTED GLASS\nTAVOLINO—\nSTRUTTURA ROVERE CAFFÈ,\nTOP VETRO TEMPERATO\nRETROVERNICIATO NERO\n 332  333\nFONTE —\n",168,{"image":685,"text":686,"number":687},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.169.png"," 334  335\nPICEA \nVINCENT VAN DUYSEN\nCrafted entirely in ceramic, Picea coffee table \nby Vincent Van Duysen boasts gracefully \nrounded lines and a harmonious design. Balance \nand functionality are given by the slightly \nhourglass shape, allowing for a wider base \nand a comfortable support surface, evoking \nmovement without interrupting the fluidity \nof the single solid color body. Picea’s design \nspeaks of sophistication without unnecessary \ncomplexity. Picea coffee tables work well as \na duo or a cluster, in monochrome or in any \ncombination of the three colors.\nIl tavolino Picea di Vincent Van Duysen è un \noggetto integralmente in ceramica e dalle \nlinee armoniose e finemente arrotondate. \nEquilibrio e funzionalità sono date dalla forma \nleggermente a clessidra, che permette di \navere un basamento più largo e un comodo \npiano di appoggio, donando movimento \nsenza interrompere la fluidità del corpo \nunico a tinta unita. Usato singolarmente, a \ncoppia o in gruppo, in un solo colore o in tutte \nle sue tre varianti cromatiche, Picea offre la \nflessibilità di variazione nella disposizione in \nbase alle esigenze dell’ambiente.\n",169,{"image":689,"text":690,"number":691},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.170.png"," 336  337\nThe Aster coffee table, designed by Vincent Van \nDuysen, is the ultimate expression of compositional \nrationality and craftsmanship. A unique object made \nentirely by hand, a contemporary work of art that \ncombines aesthetics and functionality. Each table \nhas a slightly different connotation, testifying to \nits handcrafted nature. Its base features a brass \ncasting made with an earth mould that gives it \nthe sophisticated hammered effect. The ring is \nmounted to the legs by welding. A vibratory finishing \ntechnique completes the aesthetics. With the help \nof stones, the structure is gently smoothed, giving \nit a wavy effect. The top is made of annealed glass \nwith a thickness of 1.9 cm and features a slight ripple \nin the lower area that adds personality. Again, the \nmanufacturing technique is extremely meticulous: \nthe sheet is placed in a mould with a textured bottom \nand fused at 180° C, giving the glass its distinct finish. \nAster is available in two sizes: 50 cm in height with a \n40 cm top in diameter, or 40 cm by 50 cm. Finishes \nare available in polished brass or black patinated \nbrass, while the top can be customised in smoked \nor green. The Aster coffee table is a piece with a \nsculptural value, which can be used transversally \nto collections and spaces.\nIl tavolino Aster, design di Vincent Van Duysen, è \nl’espressione massima di razionalità compositiva e \ndi capacità artigianale. Un oggetto unico realizzato \ntotalmente a mano, un’opera d’arte contemporanea \nche unisce estetica e funzionalità. Ogni tavolo ha una \nconnotazione leggermente diversa, a testimoniare la \nsua natura artigianale. La base di Aster è caratterizzata \nda una fusione d’ottone realizzata con uno stampo in \nterra che le conferisce il sofisticato effetto martellato. \nL’anello è assemblato alle gambe tramite saldatura. \nLa tecnica della vibrofinitura ne completa l’estetica. \nMediante l’ausilio di sassi, la struttura viene gentilmente \nlevigata, restituendo un effetto mosso. Il top è \ncostituito da un vetro ricotto dallo spessore di 1,9 \ncm e contraddistinto, nella parte inferiore, da una \nleggera increspatura che dona personalità. Anche in \nquesto caso la tecnica di realizzazione è meticolosa: \nla lastra viene collocata in uno stampo con un fondo \nbugnato e fusa ad una temperatura di 180 gradi, \nconferendo al vetro la sua tipica finitura. Aster è \ndisponibile in due misure: in altezza 50 cm con top \ndi diametro 40 cm e in altezza 40 cm e diametro \n50 cm. Le finiture della struttura sono disponibili in \nottone lucido o in ottone patinato nero mentre il top \nè personalizzabile in due colori – smoked o verde.\nIl tavolino Aster è un elemento forgiato dal valore \nscultoreo, che può essere utilizzato trasversalmente \nalle collezioni e agli ambienti.\nASTER\nVINCENT VAN DUYSEN\n",170,{"image":693,"text":694,"number":695},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.171.png","COFFEE TABLES—\nPOLISHED BRASS\nWITH SMOKED\nTEXTURED GLASS TOP,\nPATINATED BLACK BRASS\nWITH GREEN\nTEXTURED GLASS TOP\nTAVOLINI—\nOTTONE LUCIDO\nCON PIANO VETRO\nRICOTTO SMOKED,\nOTTONE NERO PATINATO\nCON PIANO VETRO\nRICOTTO VERDE\nASTER —\n 338  339\n",171,{"image":697,"text":698,"number":699},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.172.png","COFFEE TABLE—\nPOLISHED BRASS\nWITH SMOKED\nTEXTURED GLASS TOP\nTUSCANY\nCHAISE LONGUE—\n505 UP SYSTEM—\nPALETTE CARPET—\nTAVOLINO—\nOTTONE LUCIDO\nCON PIANO VETRO\nRICOTTO SMOKED\nCHAISE LONGUE\nTUSCANY—\n505 UP SYSTEM—\nTAPPETO PALETTE—\nASTER —\n 340  341\n",172,{"image":701,"text":702,"number":703},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.173.png"," 342  343\nThe Regent coffee tables signed by Vincent Van \nDuysen are the indoor interpretation of the version \nlaunched in the Molteni&C Outdoor Collection. \nIn conceiving the new Regent coffee tables, Van \nDuysen makes a statement on the essential fluidity \nof his designs, demonstrating that, aesthetically, \nthese forms can live comfortably in any context and \ncan create a natural continuity between indoor and \noutdoor. The base of the Regent table is composed \nof a burnished metal ring with slender legs. A mirror-\nimage structure supports the table top, which is \navailable in several different finishes: lava stone in \nanthracite, olive green, desert yellow colours and \nlava stone with matt finish.To enrich the indoor \nversion, lava stone with a glossy polyester finish, \nblack marquina and calacatta marble with a matt \nor glossy polyester finish. The Regent tables come \nin several different proportions and shapes. From \nlow, oval-shaped versions, ideal for use as a coffee \ntable, to taller, round editions that sit easily as a side \ntable next to a sofa.  The Regent’s versatility, paired \nwith its sophisticated, minimal shape, marks a step \nforward in the longstanding collaboration between \nMolteni&C and Van Duysen, opening the door to \ninterpreting the historic brand’s extensive catalogue \nin entirely new contexts and environments.\nI tavolini Regent firmati Vincent Van Duysen sono la \nriproposizione indoor della versione lanciata per la \nCollezione Outdoor Molteni&C. Nel concepire i nuovi \ntavolini, Van Duysen dimostra la fluidità e l’essenzialità \ndei suoi progetti, comprovando che esteticamente \nqueste forme possono vivere comodamente in \nqualsiasi contesto e possono creare una naturale \ncontinuità tra l’interno e l’esterno. La base dei tavolini \nRegent è composta da un anello in metallo brunito \narricchito da gambe sottili che ne creano la struttura. \nUna struttura speculare sostiene il piano del tavolino \nrealizzato in differenti finiture: pietra lavica smaltata \nin color antracite, verde oliva, giallo deserto e pietra \nlavica finitura opaca. Ad arricchire la versione indoor, \npietra lavica finitura poliestere lucido, in marmo nero \nmarquina e calacatta in finitura opaca o poliestere \nlucido. Il tavolo Regent è disponibile in diverse \nproporzioni e forme. Dalle versioni basse di forma \novale, ideali per l’uso come tavolino da caffè, alle varietà \nrotonde, che si adattano facilmente come struttura \nd’appoggio accanto ad un divano. La versatilità di \nRegent, unita alla sua forma sofisticata e minimale, \nsegna un passo avanti nella lunga collaborazione tra \nMolteni&C e Vincent Van Duysen, aprendo le porte \nall’interpretazione dell’ampio catalogo dello storico \nmarchio in contesti e ambienti completamente nuovi.\nREGENT\nVINCENT VAN DUYSEN\n",173,{"image":705,"text":706,"number":707},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.174.png","COFFEE TABLES—\nBURNISHED\nMETAL STRUCTURE,\nCALACATTA AND BLACK\nMARQUINA MARBLE TOP\nASTER COFFEE TABLE—\nAUGUSTO SOFA—\nCINNAMON ARMCHAIR—\nUENO SCREEN—\nPALETTE CARPET—\nTAVOLINI—\nSTRUTTURA\nMETALLO BRUNITO,\nPIANI MARMO CALACATTA\nE NERO MARQUINA\nTAVOLINO ASTER—\nDIVANO AUGUSTO—\nPOLTRONA CINNAMON—\nPARAVENTO UENO—\nTAPPETO PALETTE—\nREGENT —\n 344  345\n",174,{"image":709,"text":710,"number":711},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.175.png","COFFEE TABLE—\nBURNISHED\nMETAL STRUCTURE,\nLAVA STONE\nMATT FINISH TOP\nAUGUSTO SOFA—\nVIBRAZIONI CARPET—\nTAVOLINO—\nSTRUTTURA\nMETALLO BRUNITO,\nPIANO PIETRA LAVICA\nFINITURA OPACA\nDIVANO AUGUSTO—\nTAPPETO VIBRAZIONI—\nREGENT —\n 346  347\n",175,{"image":713,"text":714,"number":715},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.176.png","COFFEE TABLES—\nBURNISHED\nMETAL STRUCTURE,\nDESERT YELLOW\nENAMELLED LAVA STONE\nAND LAVA STONE\nMATT FINISH TOP\n505 UP SYSTEM—\nTELARO CARPET—\nTAVOLINI—\nSTRUTTURA\nMETALLO BRUNITO,\nPIANI PIETRA LAVICA\nSMALTATA GIALLO DESERTO\nE PIETRA LAVICA\nFINITURA OPACA\n505 UP SYSTEM—\nTAPPETO TELARO—\nREGENT —\n 348  349\n",176,{"image":717,"text":718,"number":719},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.177.png","COFFEE TABLE—\nBURNISHED\nMETAL STRUCTURE,\nLAVA STONE\nGLOSSY POLYESTER\nFINISH TOP\nTAVOLINO—\nSTRUTTURA\nMETALLO BRUNITO,\nPIANO PIETRA\nLAVICA FINITURA\nPOLIESTERE LUCIDO\nREGENT —\n 350  351\n",177,{"image":721,"text":722,"number":723},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.178.png"," 352  353\nThe Remi console is a meditation on materials, \nform, and the power of craftsmanship. The console \nwas designed to be placed also behind the new \nAugusto sofa and mirrors its proportions, acting as a \ncounterweight to the backrest’s soft and voluminous \nsilhouette. The frame, with its solid wood base joints, \nis available in the precious coffee oak essence. At 230 \nx 55 x 55 h cm in dimensions, Remi’s elegant shape \nmakes it suitable for a multitude of different layouts. \nThe top is the testimony of the craftmanship and \nattention to detail of Molteni&C, thanks to wood’s \nvein that provides a unified design.\nLa consolle Remi è una meditazione sui materiali, sulla \nforma e sulla competenza artigianale. La consolle \nè stata pensata per essere collocata anche alle \nspalle del nuovo divano Augusto, richiamandone le \nproporzioni e facendo da solido contrappeso alla \nsilhouette morbida e voluminosa dello schienale. La \nstruttura in legno con le giunzioni del basamento in \nmassello è disponibile nella preziosa essenza rovere \ncaffè, Remi grazie alla sua forma elegante, si adatta \nperfettamente a diversi layout ed è disponibile nella \nmisura 230 x 55 h 55 cm. Il top è espressione della \ncapacità artigianale e dell’attenzione al dettaglio \ndi Molteni&C, grazie al senso della vena che corre \nformando un disegno unitario.\nREMI\nVINCENT VAN DUYSEN\n",178,{"image":725,"text":726,"number":727},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.179.png"," 354  355\nREMI —\nCONSOLE—\nSTRUCTURE AND TOP\nCOFFEE OAK\nCONSOLLE—\nSTRUTTURA E PIANO\nROVERE CAFFÈ\n",179,{"image":729,"text":730,"number":731},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.180.png"," 356  357\nA natural complement to the modular system of \nCleo seating, it is a set of small tables marked by \na geometry that recalls an ellipse. Its particular \nfeature lies in the top, available with a new metallic \nfinish (Galaxy), or upholstered in Eco Skin in the 8 \ncolors of the Molteni&C range. The top is thicker \nin the middle in order to accommodate the solid \nEucalyptus, black Oak and Sunrise Oak supporting \nlegs, curved according to the profile of the top. The \nprofile of the top becomes slims down towards the \nfree sides, tapering almost to the width of a blade. \nNaturale complemento al sistema componibile di \nsedute Cleo, è una serie di tavolini connotati da una \ngeometria che ricorda un’ellisse. La sua peculiare \ncaratteristica risiede nel piano, disponibile con una \nnuova finitura metallica (Galaxy), oppure rivestito \nin Eco-Skin negli 8 colori della gamma Molteni&C. \nIl piano presenta al centro un forte spessore per \naccogliere le gambe di sostegno in massello tinto \nEucalipto, Rovere nero e Rovere Sunrise, arcuate \nsecondo il profilo del piano. Il profilo del piano si \nassottiglia man mano che giunge ai lati liberi, fino \na diventare quasi una lamina. \nCLEO\nVINCENT VAN DUYSEN\n",180,{"image":733,"text":734,"number":735},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.181.png"," 358  359\nCLEO —\nCOFFEE TABLES—\nBLACK OAK STRUCTURE\nGALAXY TOP\nCLEO SEATING SYSTEM—\nKERMESSE KH713 FABRIC\nAURA CARPET—\nTAVOLINI—\nSTRUTTURA ROVERE NERO\nTOP GALAXY\nSISTEMA DI SEDUTE CLEO—\nTESSUTO KERMESSE KH713\nTAPPETO AURA—\n",181,{"image":737,"text":738,"number":739},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.182.png"," 360  361\nCOFFEE TABLES—\nBLACK OAK STRUCTURE\nIVORY ECO SKIN TOP\nAURA CARPET—\nTAVOLINI—\nSTRUTTURA ROVERE NERO\nTOP ECO SKIN AVORIO\nTAPPETO AURA—\nCLEO —\n",182,{"image":741,"text":742,"number":743},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.183.png"," 362  363\nCOFFEE TABLES—\nSUNRISE OAK STRUCTURE\nGALAXY TOP\nATALANTE CARPET—\nTAVOLINI—\nSTRUTTURA ROVERE SUNRISE\nTOP GALAXY\nTAPPETO ATALANTE—\nCLEO —\n",183,{"image":745,"text":746,"number":747},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.184.png"," 364  365\nThe Belgian designer has conceived the Marteen \ncoffee tables as contemporary furniture elements \nthat can be used individually or combined with each \nother, either independently or by combining them \nwith seating systems to create interesting contrasts \nbetween soft and rigid materials. A dynamic, new and \nmodern way of conceiving the living area. Equipped \nwith a large surface area, the coffee tables play on \nthe overlapping of tops and contrasts between \nthe materials they are made of, such as eucalyptus \nwood and the new thermo oak wood in the upper \npart, which contrast with the pewter finish in the \nlower part. The coffee tables reach their maximum \nexpressiveness together with the Marteen seating \nsystem. Dynamic domino solutions create a layering \nof volumes one on top of the other and create small \nprivate spaces, which can be opened with simple \ngestures to store personal items.\nIl designer belga concepisce i tavolini Marteen \ncome elementi di arredo contemporaneo singoli \no aggregabili tra loro, da utilizzare in maniera \nindipendente oppure abbinandoli ai sistemi di seduta \ncosì da creare interessanti contrasti fra materiali \nmorbidi e rigidi. Un effetto dinamico, nuovo e \nmoderno di concepire la zona living.   Dotati di ampia \nsuperficie, i tavolini giocano sulla sovrapposizione \ndi piani e contrasti fra materiali che li compongono, \ncome le essenze in eucalipto e la nuova essenza \nrovere thermo nella parte superiore del progetto, \nle quali si contrappongono alla finitura peltro che \ndenota la parte inferiore. I tavolini trovano massima \nespressività insieme al sistema di sedute Marteen. \nDinamiche soluzioni a domino presentano così una \nstratificazione di volumi uno sopra l’altro e creano \npiccoli spazi privati, che si aprono con semplici gesti \nper riporvi oggetti personali.\nMARTEEN\nVINCENT VAN DUYSEN\n",184,{"image":749,"text":750,"number":751},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.185.png"," 366  367\nCOFFEE TABLE—\nEUCALYPTUS TOP,\nPEWTER FINISH BASE\nAND DRAWER\nMARTEEN SEATING SYSTEM—\nUNIQUE UE121 LEATHER\nPIROSCAFO BOOKCASE—\nVIBRAZIONI CARPET—\nTAVOLINO—\nTOP EUCALIPTO,\nBASAMENTO E\nCASSETTO PELTRO\nSISTEMA DI SEDUTE MARTEEN—\nPELLE UNIQUE UE121\nLIBRERIA PIROSCAFO—\nTAPPETO VIBRAZIONI—\nMARTEEN —\n",185,{"image":753,"text":754,"number":755},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.186.png"," 368  369\nMARTEEN —\nCOFFEE TABLES—\nTHERMO OAK TOP,\nPEWTER FINISH BASE\nAND DRAWER\nROUND D.154.5 ARMCHAIR—\nEXTRA L131 LEATHER\nBLACK CHROME FEET\nMARTEEN SEATING SYSTEM—\n505 UP SYSTEM—\nDEDALO CARPET—\nTAVOLINI—\nTOP ROVERE THERMO,\nBASAMENTO E\nCASSETTO PELTRO\nPOLTRONA ROUND D.154.5—\nPELLE EXTRA L131\nPIEDINI CROMO NERO\nSISTEMA DI SEDUTE MARTEEN—\n505 UP SYSTEM—\nTAPPETO DEDALO—\n",186,{"image":757,"text":758,"number":759},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.187.png"," 370  371\nVincent Van Duysen has designed Louisa, a set of round \nand oval coffee tables in which the presence of both \nwood and cement conveys an innovative tactile and \naesthetic effect. The load-bearing structure, a conical \ncentral plinth, is raised from the floor and inserted \ninto a space hollowed out within it. The table tops, \na bit like suspended trays, come in ash, brick red or \nwhite cement or in Eucalyptus wood and feature an \noriginal radial motif, achieved by means of a special \nprocedure for joining up the slabs. The base is made \nof curved plywood with a Eucalyptus veneer or of \nbent sheet metal painted pewter colour, brick red or \nwhite. Transversal objects, combined at will, simply, \nlightly, elegantly: the quintessence of modern design.\nVincent Van Duysen progetta Louisa, una serie di \ntavolini tondi e ovali in cui la presenza del legno e \ndel cemento è dichiarata con una percezione tattile \ned estetica innovativa. La struttura portante, un \nplinto centrale conico, si solleva da terra e si innesta \nin un piano scavato al suo interno. I piani, quasi dei \nvassoi in sospensione, possono essere in cemento \ncolore cenere, rosso mattone o bianco, o in essenza \nEucalipto, si contraddistinguono per un originale motivo \nraggiato, ottenuto tramite un particolare procedimento \ndi giunzione delle lastre. Il basamento è realizzato in \ncurvato di multistrato rivestito di essenza di Eucalipto o \nin lamiera piegata verniciata nel colore peltro, mattone \no bianco. Oggetti trasversali, combinabili tra loro a \npiacimento, con semplicità, leggerezza, eleganza: la \nquintessenza del design moderno.\nLOUISA\nVINCENT VAN DUYSEN\n",187,{"image":761,"text":762,"number":763},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.188.png"," 372  373\nCOFFEE TABLES—\nWHITE CEMENT\nSTRUCTURE AND TOP\nASTER COFFEE TABLE—\nAUGUSTO SOFA—\nPAULA ARMCHAIRS—\nCINNAMON ARMCHAIR—\n505 UP SYSTEM—\nVIBRAZIONI CARPET—\nTAVOLINI—\nSTRUTTURA E PIANO\nCEMENTO BIANCO\nTAVOLINO ASTER—\nDIVANO AUGUSTO—\nPOLTRONE PAULA—\nPOLTRONA CINNAMON—\n505 UP SYSTEM—\nTAPPETO VIBRAZIONI—\nLOUISA —\n",188,{"image":765,"text":766,"number":767},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.189.png"," 374  375\nCOFFEE TABLES—\nWHITE CEMENT\nSTRUCTURE AND TOP\nASTER COFFEE TABLE—\nAUGUSTO ISLAND—\nMARTEEN SEATING SYSTEM—\nATALANTE CARPET—\nTAVOLINI—\nSTRUTTURA E PIANO\nCEMENTO BIANCO\nTAVOLINO ASTER—\nISOLA AUGUSTO—\nSISTEMA DI SEDUTE MARTEEN—\nTAPPETO ATALANTE—\nLOUISA —\n",189,{"image":769,"text":770,"number":771},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.190.png"," 376  377\nCOFFEE TABLES—\nEUCALYPTUS STRUCTURE AND TOP,\nBRICK RED COLOUR STRUCTURE\nAND BRICK RED COLOUR CEMENT TOP,\nMATT PEWTER COLOUR  STRUCTURE\nAND ASH GREY CEMENT TOP,\nMATT WHITE COLOUR STRUCTURE\nAND WHITE COLOUR CEMENT TOP\nVIBRAZIONI CARPET—\nTAVOLINI—\nSTRUTTURA E PIANO EUCALIPTO,\nSTRUTTURA COLOR MATTONE\nE PIANO IN CEMENTO COLOR MATTONE,\nSTRUTTURA PELTRO OPACO\nE PIANO IN CEMENTO GRIGIO CENERE,\nSTRUTTURA COLOR BIANCO OPACO\nE PIANO IN CEMENTO BIANCO \nTAPPETO VIBRAZIONI—\nLOUISA —\n",190,{"image":773,"text":774,"number":775},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.191.png"," 378  379\nSet of small tables specifically designed by Vincent \nVan Duysen to go with the Gregor sofa. They echo \nthe rounded angles of the sofa to create a harmonious \nwhole. Square or rectangular, these are occasional tables \neach with two wooden horizontal tops, supported by \ncurved bonded hide-leather covered vertical elements, \nwhich form a partially closed compartment between \nthe top and the shelf below, designed to hold various \nhandy objects for those sitting on the sofa.\nSerie di tavolini progettati espressamente da Vincent \nVan Duysen per accompagnare il divano Gregor. Dal \ndivano riprendono l’idea degli angoli arrotondati per \ncreare un armonioso tutt’uno. Di forma quadrata o \nrettangolare sono tavolini dotati di due piani orizzontali \nin essenza, sostenuti da elementi verticali curvi sempre \nrivestiti in cuoio rigenerato, che vanno a formare un vano \nparzialmente chiuso tra i due piani atto a contenere ogni \ntipo di oggetto che si ama tenere a portata di mano \nquando ci si accomoda sul divano.\nHUBERT\nVINCENT VAN DUYSEN\n",191,{"image":777,"text":778,"number":779},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.192.png"," 380  381\nCOFFEE TABLES—\nEUCALYPTUS TOPS,\nSUPPORT ELEMENTS\nMUD GREEN BONDED HIDE LEATHER\nSUNRISE OAK TOPS,\nSUPPORT ELEMENTS\nMUD GREEN BONDED HIDE LEATHER\nTAVOLINI—\nPIANI EUCALIPTO,\nELEMENTI DI SOSTEGNO\nCUOIO RIGENERATO VERDE FANGO\nPIANI ROVERE SUNRISE,\nELEMENTI DI SOSTEGNO\nCUOIO RIGENERATO VERDE FANGO\nHUBERT —\n",192,{"image":781,"text":782,"number":783},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.193.png"," 382  383\nA complete and perfectly calibrated system of \nfurnishings suitable for all rooms of the home, it \nsurprises with its aesthetic balance and the rigorous \nproportions of the individual components. The structure \nof the table creates a rhythm between solids and \nvoids, enhanced by two finishes: pewter colour and \nglossy antique Gold. The two surfaces enrich the \ntop part in wood, marble, smoked glass, and wood \nat the bottom. Refined materials and workmanship, \nattention to detail, for a family of elegant and refined \ncontemporary furnishings.\nSistema completo e calibrato di complementi adatto a \ntutti gli ambienti della casa, sorprende per l’equilibrio \nestetico e per la rigorosa proporzione delle singole \ncomponenti. La struttura del tavolo, crea un ritmo \ntra pieni e vuoti, impreziosita da due finiture: peltro e \noro antico lucido. I doppi piani arricchiscono la parte \nsuperiore in essenza, marmi, vetro fumè, ed essenza \nnella parte inferiore. Materiali e lavorazioni raffinate, cura \nnei singoli dettagli, per una famiglia di complementi \ndal design contemporaneo, eleganti e raffinati.\nALISEE\nMATTEO NUNZIATI\n",193,{"image":785,"text":786,"number":787},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.194.png"," 384  385\nCOFFEE TABLE—\nMATT PEWTER COLOUR STRUCTURE,\nGREEN ALPINE MARBLE\nAND BLACK OAK SHELVES\nTAVOLINO—\nSTRUTTURA PELTRO OPACO,\nPIANI MARMO VERDE ALPI\nE ROVERE NERO\nALISEE —\n",194,{"image":789,"text":790,"number":791},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.195.png"," 386  387\nCOFFEE TABLE—\nGLOSSY ANTIQUE GOLD\nSTRUCTURE,\nSUNRISE OAK SHELVES\nCOFFEE TABLE—\nGLOSSY ANTIQUE GOLD\nSTRUCTURE,\nSILVER WAVE MARBLE\nAND BLACK OAK SHELVES\nTAVOLINO—\nSTRUTTURA ORO\nANTICO LUCIDO,\nPIANI ROVERE SUNRISE\nTAVOLINO—\nSTRUTTURA\nORO ANTICO LUCIDO,\nPIANI MARMO SILVER WAVE\nE ROVERE NERO\nALISEE —\n",195,{"image":793,"text":794,"number":795},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.196.png"," 388  389\nAttico is a collection of coffee tables featuring a \nsophisticated simplicity of lines, available in a choice of \ntop quality materials. Even when an object is defined, \ntechnology intervenes to guarantee its purpose as \na useful instrument for building the shape of the \nenvironment and for suggesting a different way of \napproaching the home space. Attico’s salient feature \nis the original central three legged base with rounded \ncorners, typical of the Milanese designer, made of \ncast aluminium with a pewter colour painted finish, \nwith shiny chrome or satin brass profile, which can \nbe used in different ways. The tops can be round or \ntriangular, with buffered forms in the thickness of the \ntop. The finishes of the tops can be made of marble: \nemperador dark, orient grey, calacatta, Sahara noir, \ngreen alpine, silver wave.\nAttico è una collezione di tavolini caratterizzati da \nuna sofisticata semplicità delle linee, declinata in una \nscelta di materiali di grande pregio. Anche laddove \nl’oggetto è un elemento definito, la tecnica interviene \ngarantendo la loro funzione di strumenti utili per \ncostruire la forma dell’ambiente e per suggerire un \nmodo diverso di pensare lo spazio abitato. Attico si \ncaratterizza per l’originale base centrale a tre cuspidi \ndagli angoli arrotondati, tratto caratteristico del designer \nmilanese, in fusione di alluminio e verniciata color \npeltro, con profilatura cromo lucido o ottone satinato, \nche può adeguarsi a diverse forme di utilizzo. I piani \npossono essere rotondi o triangolari, dalle forme \nsmussate nello spessore del piano. Le finiture dei piani \npossono essere in marmo: emperador dark, grigio \noriente, calacatta, Sahara noir, verde alpi, silver wave.\nATTICO\nNICOLA GALLIZIA\n",196,{"image":797,"text":798,"number":799},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.197.png"," 390  391\n45°\u002FTavolino by Ron Gilad, underlines the designer’s \ninterest in basic geometric shapes. A series of \n“open box” small tables, of which we can only see \nthe contours, easy to integrate into all furnishing \nsolutions with character.\n45°\u002FTavolino di Ron Gilad, conferma l’interesse \ndel designer per le forme geometriche essenziali. \nQui una serie di tavolini a “scatola aperta” di cui \nvediamo solo i contorni, facilmente integrabili in \ntutte le soluzioni abitative.\n45°\u002FTAVOLINO\nRON GILAD\n",197,{"image":801,"text":802,"number":803},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.198.png"," 392  393\nCOFFEE TABLES—\nSMOKED GLASS SHELVES\nBLACK OAK STRUCTURE\nPAUL SEATING SYSTEM—\nKAOS K17 CS FABRIC\nCOFFEE TABLE—\nEXTRA-LIGHT TRANSPARENT\nCRYSTAL SHELVES\nAMERICAN WALNUT STRUCTURE\nTAVOLINI—\nPIANI VETRO FUMÉ\nSTRUTTURA ROVERE NERO\nSISTEMA DI SEDUTE PAUL—\nTESSUTO KAOS K17 CS\nTAVOLINO—\nPIANI CRISTALLO\nTRASPARENTE EXTRACHIARO\nSTRUTTURA NOCE CANALETTO\n45°\u002FTAVOLINO —\n",198,{"image":805,"text":806,"number":807},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.199.png"," 394  395\nIn his search for stylized forms and characterful \nmaterials, Nicola Gallizia develops a series of versatile \nand complementary units that can fit into each other \nor be set side by side, such as small oval tables and \npoufs. They are made using and alternating steel, glass, \nstone, textiles and leather. Color, matter and form are \nthe inspiration and the synthesis of the collection.\nNicola Gallizia sviluppa un programma di elementi \nversatili per costruzione e utilizzo, basato sulla ricerca \ndi forme stilizzate e materiali dalla spiccata personalità, \nin un continuo gioco a rincorrersi e sovrapporsi. \nComplementi, come tavolini ovali e pouf, utilizzabili \nper qualsiasi espressione progettuale, sono realizzati \nutilizzando e alternando acciaio, vetro, pietra, tessuti \ne pelle. Colore, materia e forma sono l’ispirazione e \nla sintesi della collezione.\nDOMINO NEXT\nNICOLA GALLIZIA\n",199,{"image":809,"text":810,"number":811},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.200.png"," 396  397\nPOUF—\nSAVANA S9333,\nSAVANA S9336 LEATHERS\nCOFFEE TABLES—\nBLACK NICKEL STRUCTURE\nSAHARA NOIR MARBLE,\nCHELSEA SOFA—\nWING WG225 FABRIC\nEUCALYPTUS BASE\nD.153.1 ARMCHAIR—\nTWO-COLOURED LEATHER:\nL209 \u002F L216\nPOUF—\nPELLI SAVANA S9333,\nSAVANA S9336\nTAVOLINI—\nSTRUTTURA NICKEL NERO\nPIANI MARMO SAHARA NOIR,\nDIVANO CHELSEA—\nTESSUTO WING WG225\nBASAMENTO EUCALIPTO\nPOLTRONA D.153.1—\nPELLE BICOLORE:\nL209 \u002F L216\nDOMINO NEXT —\n",200,{"image":813,"text":814,"number":815},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.201.png"," 398  399\nTeso, design Foster + Partners, is a sculptural objet \nhighly unusually shaped. The table’s base is formed \nby a robotic arm, which is used to press and twist a \nperforated disc of steel into a tough, tapered cylinder. \nWe tested different perforations to the flat metal sheet \nthat would give the base strength, while creating a \ndistinctive geometric patterned mesh. The result is \na complex form where lightness and solidity attract \nand conquer unhindered. Functionality is guaranteed \nby extra light (ø 118) transparent glass tops that reveal \nthe complexity of the structural forms from whichever \nangle you observe them. The base is available in matt \nbrushed stainless steel and bronze paint.\nTeso, design Foster + Partners, è un oggetto scultura \ndalle forme assolutamente inedite. La struttura viene \nottenuta prima perforando con incisioni al laser una \nlamiera rotonda di acciaio, e poi stirandola, per ottenere \nun solido tridimensionale. La sperimentazione ha \nprevisto diversi pattern al fine di ottenere solidità \nabbinata a un disegno geometrico distintivo. Il risultato \nè la creazione di un solido dalla forma complessa, \ndove leggerezza e solidità attraggono e conquistano \nsenza preclusioni. La funzionalità è garantita da piani \nin vetro trasparente extralight (ø 118) che permettono \ndi ammirare la complessità delle forme strutturali da \nogni angolo di osservazione. La base è disponibile in \ninox spazzolato opaco o verniciato bronzo.\nTESO\nFOSTER + PARTNERS\n",201,{"image":817,"text":818,"number":819},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.202.png"," 400  401\nPanna Cotta low table oval or round. At once delicate \nand heavy, the paradox lies in the use of materials \nsuch as marble and iron to achieve a fragile stability. \nBase and top made of white, black or green lacquered \nmetal, combined with tone-on-tone white Carrara, \nblack marquina or green alpine marbles.\nPanna Cotta, tavolino ovale o rotondo, delicato e \npesante allo stesso tempo, paradosso nell’uso di \nmateriali come marmo e ferro per ottenere una fragile \nstabilità. Struttura e piano in metallo laccato bianco, \nnero o verde, abbinati a marmi tono su tono, in bianco \nCarrara, nero marquina, verde alpi.\nPANNA COTTA\nRON GILAD\n",202,{"image":821,"text":822,"number":823},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.203.png"," 402  403\nCOFFEE ROUND TABLE H.42,\nCOFFEE OVAL TABLE—\nBLACK MATT LACQUER\nWITH BLACK MARQUINA MARBLE\nCHELSEA SOFA—\nKASSANDRA K3790 FABRIC\nGRAPHITE OAK BASE\nD.355.1 SUSPENDED BOOKCASE—\nTAVOLINO ROTONDO H.42,\nTAVOLINO OVALE—\nLACCATI NERO OPACO\nCON MARMO NERO MARQUINA\nDIVANO CHELSEA—\nTESSUTO KASSANDRA K3790\nBASAMENTO ROVERE GRAFITE\nLIBRERIA SOSPESA D.355.1—\nPANNA COTTA —\n",203,{"image":825,"text":826,"number":827},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.204.png"," 404  405\nAs in all Foster + Partners designs, the hi-tech \ncomponent is essential. The basic idea is that of \na small table which, thanks to sideways movable \ntops, can act no only as a surface for objects, but \nalso as a device for bringing whatever is required \ninto the foreground. The steel frame, conceals \na sophisticated mechanism for the traverse \nmovement of the slim but structurally effective \nmarble or wood table tops. A perfectly designed \nstructure for a highly contemporary project.\nCome in ogni progetto di Foster + Partners, la \ncomponente tecnologica risulta fondamentale. Alla \nbase l’idea di un tavolino che, attraverso movimenti \ndei piani, fungesse non solo da appoggio di oggetti \nma consentisse anche il loro spostamento per portare \nin primo piano ciò che serve. La struttura, realizzata \nin acciaio, nasconde un meccanismo sofisticato di \ntraslazione dei piani in marmo o essenza, molto sottili \nma strutturalmente molto efficaci. Una struttura dal \ndisegno perfetto, simbolo della contemporaneità \ndel progetto.\nVICINO TABLE\nFOSTER + PARTNERS\n",204,{"image":829,"text":830,"number":831},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.205.png"," 406  407\nOccasional furnishings in solid wood which complete \nthe living area and the bedroom thanks to the structure \ndesign which follows the lines of the bed Wish.\nComplementi d’arredo in legno massello integrabili \nnella zona giorno o nella zona notte grazie al design \ndella struttura che riprende le linee del letto Wish. \nWHEN\nRODOLFO DORDONI\n",205,{"image":833,"text":834,"number":835},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.206.png"," 408  409\nATALANTE\n \nAURA\n \nD.754.1\n \nDEDALO\nDUNA\nEDGE\n \nEONE \nHEM\n \nPALETTE\n \nRANDOM \nSONORO \nSTRIPE\nTELARO\nVIBRAZIONI\ncarpet\ncollection\n",206,{"image":837,"text":838,"number":839},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.207.png"," 410  411\nRug of an unusual geometric form, designed in 1954, \nas a prototype, for the Ponti’s house on via Dezza in \nMilan. Made of “Pony” leather in four colours: white, \nbrown, black, beige.\nTappeto dall’insolita forma geometrica, disegnato nel \n1954 come prototipo per la casa Ponti di via Dezza a \nMilano. Realizzato in pelle di cavallino a quattro colori: \nbianco, marrone, nero, beige.\nD.754.1\nGIO PONTI\nDimensions \u002F Dimensioni\n240 x 245 cm \nPony leather\nPelle di cavallino\nBEIGE\nWHITE\nBROWN\nBLACK\n",207,{"image":841,"text":842,"number":843},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.208.png"," 412  413\nNatural hemp fibres, hand woven according to ancient \ncarpet weaving techniques, feature geometric surfaces \nof simple and elegant modernity. Distinct backgrounds, \nmodulated like a musical score, become delightful \ndecorative motifs in the material and in the natural \ncolour combinations.\nLa fibra naturale di canapa, tessuta a mano secondo \nantiche tecniche del tappeto intrecciato, disegnano \nsuperfici geometriche di semplice ed elegante \nmodernità. Campiture nette, ritmate come una partitura \nmusicale, diventano motivo decorativo che trova la \nsua preziosità nella materia e nella naturalezza degli \nabbinamenti cromatici.\nDimensions \u002F Dimensioni\n300 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 400 cm\nHand-tufted\nHeight fleece 12 mm\n100% Hemp\nTaftato a mano\nSpessore 12 mm\n100% Canapa\nATALANTE by Ruckstuhl\nNICOLA GALLIZIA\nVULCANO\nDESERT\nLAVA\n",208,{"image":845,"text":846,"number":847},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.209.png"," 414  415\nAura, designed in Italy by Nicola Gallizia for Molteni&C. is \na rug produced in the Kathmandu valley in Nepal. The \nglossy and matt effects achieved by using vegetable silk \nand wool, which respond differently to the light, produce \na refined and subtle monochromatic finish. The border, \nskillfully finished with scissors, completes the rug and adds \na touch of elegance. The entire rug production process \nis performed by hand, from carding the raw materials \nto weaving right through to finishing.\nAura firmato da Nicola Gallizia per Molteni&C è un tappeto \ndisegnato in Italia e prodotto nella valle di Kathmandu, \nNepal. Gli effetti lucido ed opaco, dati dal contrasto seta \nvegetale e lana, restituiscono un comportamento diverso \nalla luce, che rende percepibile la raffinatezza del contrasto \nmonocromatico. La bordura maestralmente realizzata \na forbice in fase di finissaggio, completa il tappeto e \naggiunge un tocco  di eleganza. L’intero processo di \nproduzione del tappeto viene realizzato a mano.\nAURA\nNICOLA GALLIZIA\nDimensions \u002F Dimensioni\n300 x 100 cm\n300 x 250 cm\n400 x 300 cm\nØ 300 cm \nHand Loom\nHeight fleece 6 mm\nHeight border 3 mm\nNgari wool pile \nrug with a Tibetan wool \nand viscose  \n(or bamboo silk) twill\nTelaio a mano\nSpessore vello 6 mm\nSpessore bordura 3 mm\nVello in lana Ngari \ne un twill di lana \ntibetana e viscosa \n(o seta vegetale)\nPETROLEUM BLUE\nANTHRACITE\nJADE\nBORDEAUX\nSAGE\n",209,{"image":849,"text":850,"number":851},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.210.png"," 416  417\nThe Dedalo rug is characterised by a rigorous geometry \nand refined colours that are always the protagonists \nof the design, harmoniously integrating in the new \neveryday concept of the home. The project marks the \nfirst collaboration with the prestigious Maison Pierre \nFrey which, with over eighty years of experience, is a \nleader in the production of wonderful fabrics for curtains\nand upholstery. The exceptional know-how of Maison \nPierre Frey thus combines with Molteni&C’s obsession for \nquality and detail to create a project with an innovative \ndesign and strong visual impact.\nDedalo si caratterizza per una geometria rigorosa \ne da cromie ricercate e sempre protagoniste nel \nprogetto, in grado di integrarsi con armonia al nuovo \nconcetto quotidiano di casa. Il progetto segna una \nprima collaborazione con la prestigiosa Maison Pierre \nFrey che, con oltre ottanta anni di storia, è leader nella \nproduzione di meravigliosi tessuti per tendaggi e imbottiti. \nL’eccezionale know-how della Maison Pierre Frey si \nunisce così all’ossesione per la qualità e per i dettagli di \nMolteni&C nella creazione di un progetto innovativo nel \ndesign e dal forte impatto visivo.\nDimensions \u002F Dimensioni\n400 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm \nHand-tufted with carving\nHeight fleece 15 mm\n70% Tencel\n30% Wool\nTaftato a mano con carving\nSpessore 15 mm\n70% Tencel\n30% Lana\nDEDALO by Pierre Frey\nMARTA FERRI\nORANGE SPARK\nSOFT GREY\n",210,{"image":853,"text":854,"number":855},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.211.png"," 418  419\nInspired by the geometric impermanence of the \ndesert dunes, Duna is made of wool and bamboo \nplatted in various thicknesses to produce the effect \nof furrows of sand. Its modularity gives rise to an \nelegant and simple decorative effect. Handcrafted \nusing the manual tufting method, Duna is available \nin three versions of warm and natural colors: Ivory, \nTobacco and Anthracite.\nIspirato all’impermanenza geometrica delle dune del \ndeserto, Duna è realizzato in lana e bambù intrecciati in \nvari spessori per produrre l’effetto dei solchi di sabbia. \nLa ripartizione in moduli dà vita ad un effetto decorativo \nall’insegna dell’eleganza e della semplicità. Realizzato \nartigianalmente con metodo tufting manuale, Duna è \ndisponibile in tre versioni di colori naturali ed accoglienti: \nIvory, Tobacco e Anthracite.\nDimensions \u002F Dimensioni\n400 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm\nHand-tufted\nHeight fleece 12 mm\nDensity 5 kg\u002Fmq\n75% New Zeland Wool\n25% Bamboo\nTaftato a mano\nSpessore 12 mm\nPeso 5 kg\u002Fmq\n75% New Zeland Wool\n25% Bamboo\nDUNA\nNICOLA GALLIZIA\nANTHRACITE\nTOBACCO\nIVORY\n",211,{"image":857,"text":858,"number":859},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.212.png"," 420  421\nWool and linen, materials from the most sophisticated \ntradition of carpet manufacturing, mixed in a new way \nfor a new soft and bright feel. The conventional edge \nof the carpet, which frames the central field, reinvents \nthe decoration using the colours of our memory. It is \na return to simple and elegant chromatic lines. \nLana e lino, materia della più sofisticata tradizione del \ntappeto, mescolate in maniera nuova diventano una \ninedita superficie morbida e luminosa. Il tradizionale \nbordo del tappeto che riquadra la campitura centrale, \nreinventa la decorazione utilizzando colori della \nmemoria riportandola a segno grafico e cromatico \nsemplice ed elegante.\nEDGE\nNICOLA GALLIZIA\nDimensions \u002F Dimensioni\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm\nØ 500 cm \nHand-tufted\nHeight fleece 18 mm\nGradient border 40 cm \n80% Mohair wool\n20% Linen\nTaftato a mano\nSpessore 18 mm\nGradiente bordo 40 cm\n80% Lana mohair \n20% Lino\nGREEN GRADIENT BORDER\nMOON GRADIENT BORDER\nROSE GRADIENT BORDER\nBLUE GRADIENT BORDER\nBROWN GRADIENT BORDER\n",212,{"image":861,"text":862,"number":863},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.213.png"," 422  423\nEONE\nNICOLA GALLIZIA\nIVORY\nEBONY\nSAND\nBARK\nDimensions \u002F Dimensioni\n400 x 200 cm\n400 x 300 cm\n500 x 400 cm\nCustom \u002F Su misura \nHand-tufted\nHeight fleece 3 cm\nDensity 5,5 kg\u002Fmq \n100% Bamboo \nTaftato a mano\nSpessore 3 cm\nDensità 5,5 kg\u002Fmq \n100% Bamboo\nEone offers a luxurious long-pile rug that enchants \nwith its tactile allure and creates an irresistibly \ninviting ambiance. Crafted exclusively from 100% \nbamboo yarn, renowned for its refreshing qualities \nand minimal ecological footprint, Eone delivers a \nsensorial experience like no other. \nEone offre una raffinata opzione di tappeto a pelo lungo, \npiacevole al tatto in ogni stagione e apprezzato per \nl’irresistibile atmosfera di accoglienza che sa creare. \nLa sensoriale esperienza tattile di questo tappeto è \nresa possibile grazie al filato esclusivamente in bambù \nal 100%, una materia prima nota per le sue qualità di \nfreschezza e sempre più ricercata per il suo ridotto \nimpatto ecologico. \n",213,{"image":865,"text":866,"number":867},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.214.png"," 424  425\nRugs return to their original purpose as islands or \nplaces where people sit down together and forget their \ndaily worries. Always different, they express a blend \nof the highest western creativity and ancient Asian \ncraft traditions. From the long-standing partnership \nbetween Molteni&C and Patricia Urquiola, a new family \nof products. This combination uses natural materials \nto create a harmonious rug collection.\nIl tappeto ritorna all’antica funzione di isola, dove ritrovarsi \ne dimenticare gli affanni quotidiani. Sempre diverso, \nperché frutto dell’incontro tra la più alta creatività \noccidentale e la millenaria artigianalità asiatica. La \nlunga collaborazione tra Molteni&C e Patricia Urquiola \nsi arricchisce di una nuova famiglia di prodotti. Ed è \nproprio questo incontro, unito a materiali naturali a \ndar vita a una collezione di tappeti di grande armonia.\nDimensions \u002F Dimensioni\n300 x 250 cm\n400 x 300 cm\nØ 250 cm \nHand knotted\nHeight fleece 6 mm\nDensity  \n86.000 knots\u002Fmq \n100% Bamboo silk \nRealizzati a mano \nSpessore 6 mm\nDensità  \n86.000 nodi\u002Fmq \n100% Bamboo silk\nSAND\nSTONE\nHEM by G.T.Design\nPATRICIA URQUIOLA\n",214,{"image":869,"text":870,"number":871},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.215.png"," 426  427\nA collection consisting of matter and colour, the \ndecorative peculiarity of these carpets is their essential \nelegance. The vibrato depth of colour creates a soft \nand enveloping effect that functions as ordering \nelement of space. \nÈ una collezione costruita di materia e colore, cifra \ndecorativa di questi tappeti eleganti proprio perché \nessenziali. Il vibrato del colore crea un effetto morbido e \navvolgente che accoglie e diventa elemento ordinatore \ndello spazio. \nPALETTE\nNICOLA GALLIZIA\nDimensions \u002F Dimensioni\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm \nHand-tufted\nHeight fleece 18 mm\n100% Tencel\nTaftato a mano\nSpessore 18 mm\n100% Tencel\nPETROLEUM BLUE\nANTHRACITE\nTAUPE\nBORDEAUX\nCREAM\nDOVE GREY\n",215,{"image":873,"text":874,"number":875},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.216.png"," 428  429\nThe charm of an ancient rug, with its marked \nindividuality and well-worn look, is the source of \ninspiration for Random. The well-worn look is the \nkey feature, expressing itself in an original exaltation \nof the texture of the rug, created with an innovative \nhand-woven technique, which highlights the structure \nof the weave.\nIl fascino del tappeto antico con la sua spiccata individualità \ne il suo aspetto vissuto è la fonte di ispirazione che ha \nportato alla creazione di Random. Il vissuto a cui si ispira, \ndiventa l’elemento caratterizzante esprimendosi in una \noriginale esaltazione della trama del tappeto creata \nattraverso una innovativa tecnica di lavorazione a mano \nche mette in rilievo la struttura del tessuto. \nRANDOM by Altai\nPATRICIA URQUIOLA\nDimensions \u002F Dimensioni\n300 x 200 cm\n400 x 300 cm\nØ 300 cm\nHand knotted\nHeight fleece 12\u002F14 mm\nDensity  \n40.000 knots\u002Fmq\n80 % Bamboo silk, \n10 % Cotton, 10% Wool\nBacking: natural latex\nAnnodato a mano\nSpessore 12\u002F14 mm\nDensità  \n40.000 nodi\u002Fmq \n80% Bamboo silk, \n10% Cotone, 10% Lana \nAppoggio: lattice naturale\nARTIC\nPLATINUM\nPOWDER PINK\n",216,{"image":877,"text":878,"number":879},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.217.png"," 430  431\nSONORO\nNICOLA GALLIZIA\nASH\nEBONY\nIVORY\nFashioned from wool yarn and cotton, it boasts \na luxuriously soft and inviting texture, perfectly \nsuited for a variety of indoor environments. Sonoro \ncaptivates with its intricate pattern of slender rectangles, \nreminiscent of gracefully dancing piano keys. In the \nmonochromatic rendition, the key illusion is heightened \nby the meticulous alignment and alternating knot \ndirections during the loom process, resulting in \nvaried pile heights and a mesmerizing interplay of \nlight and shadow. Meanwhile, the two-tone version \naccentuates the decorative allure through a harmonious \ncolor contrast.\nRealizzato in pregiato filato di lana e cotone, questo \ntappeto offre una mano morbida e avvolgente, risultando \nideale per svariate ambientazioni interne. Sonoro \nsi distingue per la sua caratteristica trama di sottili \nrettangoli sullo sfondo, evocando l’immagine di tasti \ndi pianoforte che danzano in armonia. Nella versione \nmonocromatica, la sensazione dei tasti è sottolineata \ndalla particolare inclinazione e cambio di direzione dei \nnodi durante la lavorazione su telaio, generando una \nvariazione di altezze del pelo e un affascinante gioco di \nriflessi alla luce. La versione bicolore, invece, enfatizza \nulteriormente l’effetto decorativo attraverso il contrasto \ncromatico scelto.\nDimensions \u002F Dimensioni\n300 x 200 cm\n400 x 300 cm\n400 x 400 cm\n500 x 400 cm\nCustom \u002F Su misura\nHand-woven on loom \nHeight fleece 0,6\u002F0,8 cm\nDensity 3 kg\u002Fmq \n80% Wool \n20% Cotton \nTessuto a mano su telaio\nSpessore 0,6\u002F0,8 cm\nPeso 3 kg\u002Fmq \n80% Lana \n20% Cotone\n",217,{"image":881,"text":882,"number":883},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.218.png"," 432  433\nThe sophisticated beauty of these soft surfaces is the \nresult of a deliberate contrast between the simplicity \nof the design and decorative detail and the richness \nof the material. Slender alternating stripes of wool \nand silk create geometric backgrounds in shades of \ntone-on-tone colours that delicately reflect the light. \nHarmonious balance between rigour and form.\nLa sofisticata bellezza di queste morbide superfici \nnasce dal voluto contrasto tra essenzialità del disegno \ne del dettaglio decorativo e la ricchezza della materia. \nSottili righe alternate di lana e seta creano campiture \ngeometriche in nuances di colori tono su tono che \nriflettono delicatamente  la luce. Armonioso equilibrio\n tra rigore e forma.\nSTRIPE\nVINCENT VAN DUYSEN\nDimensions \u002F Dimensioni\n500 x 400 cm\n400 x 300 cm\n300 x 300 cm\n400 x 200 cm\nHand-tufted\nHeight fleece 14 mm\n50% Wool, 50% Tencel \nTaftato a mano\nSpessore 14 mm\n50% Lana, 50% Tencel\nMINT  GREEN\nMILITARY GREEN\nCREAM GREY\n",218,{"image":885,"text":886,"number":887},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.219.png"," 434  435\nTelaro is a rug featuring a geometric motif and a linear \npattern. A series of spaces arranged regularly with \neach other, featuring different sizes and orientations \nwhich thus define a contrasting grid. The precious \nsemi-combed wool rug features a woven surface \ndistinguished by a play of reliefs, achieved by means \nof skilled craftsmanship through hand loom. \nDal motivo geometrico e lineare nasce il tappeto Telaro. \nUn susseguirsi di spazi disposti regolarmente tra loro, \ncaratterizzati da diverse grandezze e orientamenti che \ndefiniscono così una griglia a contrasto. Il tappeto, in \npreziosa lana semi pettinata, presenta una superficie \nintrecciata e contraddistinta da un gioco di rilievi, ottenuti \nda un’abile tecnica artigianale: la realizzazione tramite \ntelaio manuale.\nTELARO by Amini\nMARTA FERRI\nDimensions \u002F Dimensioni\n400 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm\nHand loomed\nHeight fleece 6\u002F7 mm\nDensity  3,4 kg\u002Fmq \nSemi worsted wool\nIntelaiato a mano\nSpessore 6\u002F7 mm\nPeso 3,4 kg\u002Fmq\nLana semi pettinata\nNATURAL\nCOGNAC\nANTHRACITE\n",219,{"image":889,"text":890,"number":891},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.220.png"," 436  437\nConstantly changing scenarios give rise to Vibrazioni.  \nA visual and tactile interplay, thanks to differing \nthicknesses and weaves on different levels that \ncharacterize the whole surface of the rug. Interplays \nof light and shade favoured by a glossy fibre such as \nrayon, skillfully combined dyes that vary according \nto the light.\nScenari in trasformazione in continuo cambiamento, \ndai quali nasce Vibrazioni. Un gioco optical visivo e \ntattile, grazie agli spessori e tra mature su diversi livelli \nche ne caratterizzano l’intera superficie del tappeto. \nGiochi di luci e ombre favoriti da una fibra lucente \nqual’è il rayon, poche tinte sapientemente ricercate \nche variano a seconda della luce.\nVIBRAZIONI Frammenti Collection\nMARTA FERRI\nDimensions \u002F Dimensioni\n300 x 300 cm\n400 x 200 cm\n400 x 300 cm\n500 x 400 cm\nHand-tufted\nHeight fleece 16\u002F22 mm\n100% Bamboo\nTaftato a mano\nSpessore 16\u002F22 mm\n100% Bamboo\nICE\nGRANITE\nCLAY\nOBSIDIAN\nGEM\nEARTH\n",220,{"image":893,"text":894,"number":895},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.221.png"," 438  439\nThe “finishes guideline” document aims to guide the user through the \navailable finishes for the main living and night systems and all the available \nfinishes in real sample. We strongly suggest to build your projects looking \nto the dedicated price lists for living and night systems. \nIl documento “finishes guideline” si propone come una guida esemplificativa \ndelle finiture disponibili per i principali sistemi giorno e notte e per tutte \nle finiture prodotte in campione reale. Per tutti i dettagli in merito alla \nstrutturazione del progetto, consigliamo la consultazione del corrispettivo \nlistino giorno o notte.\nPhysical sample available and ready to order\n \nCampione fisico disponibile e ordinabile\n \nSAMPLE AVAILABLE\nCAMPIONE DISPONIBILE\nMolteni&C \nFinishes guideline \n",221,{"image":897,"text":898,"number":899},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.222.png"," 440  441\nINDOOR FINISHES OVERVIEW*\nOVERVIEW FINITURE INDOOR*\nNO SAMPLES AVAILABLE\nSAMPLE AVAILABLE\nOverlay etched or transparent glass sample onto any laquer sample to get the effect of the corresponding coloured etched or coloured glass.\nSovrapporre un campione di vetro trasparente o acidato su qualsiasi campione laccato per ottenere l’effetto del corrispondente vetro colorato acidato o vetro colorato.\nMATT\nLACQUER\nGLOSSY\nLACQUER\nCOLOURED\nGLASS\nETCHED COLOURED\nGLASS\n*NEW 2024\nBURGUNDY\nBG\nMOKA \nMK\nSPECIAL LACQUER \nONLY  Cleo\nGALAXY\nGY\nMUSTARD\nSE\nSPICE \nSP\nSTARDUST \nSU\nMOONLIGHT \nML\nLIGHT BLUE GREY\nCZ\nPETROLEUM BLUE\nPR\nPEWTER\nPX\nANTHRACITE \nAT\nPINE GREEN \nPG\nBLACK\nNE\nONLY Hector\nSLATE\nLA\nONLY 505, Gliss Master\nGLAZE\nGBX\nONLY Blevio\nECLIPSE\nLEC\n3D ALL THE COLOURS OF \nMOLTENI THE RANGE\nSample ONLY \n3D Copper\nThe document aims to show all the finishes produced, highlighting if the real sample is available or not. \nFor every detail and usage of each finish you must look at the dedicated price list. \nColors are to be considered as purely indicative.\nIl documento è una guida a tutte le finiture prodotte con l’indicazione della presenza o meno del campione reale. \nPer ogni dettaglio relativo all’applicazione delle finiture su vari prodotti, bisogna fare riferimento esclusivamente ai listini.\nI colori sono puramente indicativi.\n* kitchen and outdoor collections excluded\n* collezioni cucine e outdoor escluse\nCHALK WHITE\nBC\nALMOND WHITE \nAW\nPEARL\nPE\nSILICA\nSI\nSAND\nSA\nDOVE GREY\nTO\nPLATINUM\nPL\nLONDON SKY \nLS\nDUNE\nDN\nCLAY\nAL\nDOLOMITE  GREY\nDO\nCOPPER\nRX\nRUBY\nRU\nWHITE\nLO01\nONLY Arial\nIRIS\nIX\nCAPPUCCINO\nCP\nLEAD\nLO63\nONLY Arial\nLIGHT GREY \nLO06\nONLY Arial\nNO SAMPLES AVAILABLE\nMATT\nLACQUER\nGLOSSY\nLACQUER\nCOLOURED\nGLASS\nETCHED COLOURED\nGLASS\n",222,{"image":901,"text":902,"number":903},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.223.png"," 442  443\nEucalyptus\nEU\nAmerican Walnut\nCN \nGraphite oak\nRF\nBlack Oak\nRN\nWalnut\nNO\nSunrise oak\nRS\nAsh Wood In \nNatural Colour\nFNA\nWOODS\nAsh wood \nstained black\nFTN\nThermo oak\nRT\nBlack Nickel\nNN\nPewter colour\nPT\nShiny aluminium\nAU\nGreen\nVD\nCopper\nRM\nMETAL PARTS\nBronze\nBZ\nSunrise oak rays\nRRS\nEucalyptus rays\nREU\nGraphite oak rays\nRRF\nIris\nIR\nThermo oak rays\nRRT\nCoffee oak\nRC\nSand metal\nOnly Paula\nSB\nPolished Brass\nOnly Aster\nOT\nPatinated \nblack brass\nOnly Aster\nOP\nShiny steel\nOnly Mateo \nbasement\nAK\nCoffee oak rays\nRRC\nSAMPLE AVAILABLE\n*NEW 2024\nINDOOR FINISHES OVERVIEW*\nOVERVIEW FINITURE INDOOR*\nThe document aims to show all the finishes produced, highlighting if the real sample is available or not. \nFor every detail and usage of each finish you must look at the dedicated price list. \nColors are to be considered as purely indicative.\nIl documento è una guida a tutte le finiture prodotte con l’indicazione della presenza o meno del campione reale. \nPer ogni dettaglio relativo all’applicazione delle finiture su vari prodotti, bisogna fare riferimento esclusivamente ai listini.\nI colori sono puramente indicativi.\n* kitchen and outdoor collections excluded\n* collezioni cucine e outdoor escluse\nWhite Carrara\nMBC\nEmperador Dark\nMED\nBlack Marquina\nMNM \nOrient Grey\nMGO \nSahara Noir\nMSN\nCalacatta\nMCA \nSilver Wave\nMSW\nGreen Alpine\nMVA\nMARBLES\nBrick red\nCMT\nAsh\nCGC\nCEMENT  ARC\nMink\nESVI\nDark brown \nESTM\nIvory\nESAV\nGrey\nESGR\nHemp\nESCA\nECO SKIN\nEarth\nESTE\nTaupe\nESTA\nArtic\nESAC\nWhite\nCBN\nBreccia Capraia\nMBR\nLepanto red\nMLR\nCERAMIC \nCalacatta Vena \nVecchia\nHCA\nOnly Harry’s Bar \n505 Up System \nback panels\nBlack\nCNE\nBronze\nCBR\nWhite\nCBI\nGrey\nCGR\nCEMENT  LOUISA\nLAVA STONE\nMatt finish\nOnly Regent\nGlossy \npolyester finish\nOnly Regent\nBrick red\nCMT\n*\n",223,{"image":905,"text":906,"number":907},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.224.png"," 444  445\nPiqué\nXQ\nLarix dark\nYM\nSilver cembran \nYA\nWax white\nWW\nGrey Tatami\nQG\nIvory Tatami\nQA\nLight Chestnut\nQC\nDark Chestnut\nQS\nFine grain\nFG1\nSAMPLE AVAILABLE\nCartapaglia white\nKB\nSilk Silica\nZS\nCartapaglia anthracite\nKA\nSilk Chalk White\nZB\nCartapaglia silica\nKS\nSilk Dove Grey\nZT\nBatik Slate\nXA\nBatik Ecru\nXE\nGrey Saffiano\nLunar\nJLU\nEcrù Saffiano\n*NEW 2024\nMELAMINE\nGLASSES\nINDOOR FINISHES OVERVIEW*\nOVERVIEW FINITURE INDOOR*\nThe document aims to show all the finishes produced, highlighting if the real sample is available or not. \nFor every detail and usage of each finish you must look at the dedicated price list. \nColors are to be considered as purely indicative.\nIl documento è una guida a tutte le finiture prodotte con l’indicazione della presenza o meno del campione reale. \nPer ogni dettaglio relativo all’applicazione delle finiture su vari prodotti, bisogna fare riferimento esclusivamente ai listini.\nI colori sono puramente indicativi.\n* kitchen and outdoor collections excluded\n* collezioni cucine e outdoor escluse\nBronze mirror\nSPB\nTransparent\nVTR\nTransparent stopsol\nVTSR\nStopsol etched\nVTST\nGraphene reflective\nOnly Half A Square\u002F\nDiamond\nVTRR\nFumè \u002F Smoked\nVTFU\nEtched glass\nVA\nStopsol Net\nVTSN\n3D etched bronze\nV3BZ\nStopsol Bronze \nVTSB\nStopsol Silver\nVTSS\nTextured green\nOnly Aster\nVRVE\nTextured smoked\nOnly Aster\nVRFU\nBronze\nVBO\nVanilla\nTEVA\nOlive Green\nTEOG\nMoss Green\nTEMG\nOxide Orange\nTEOO\nBark Brown\nTEBB\nBLEND COLLECTION \n(Only Gliss Master Blend Door \nand Logos Living System)\n",224,{"image":909,"text":910,"number":911},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.225.png"," 446  447\nTECHNICAL DRAWINGS\nDISEGNI TECNICI\n",225,{"image":913,"text":914,"number":915},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.226.png"," 448  449\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nCHAISE LONGUE\nCHAISE LONGUE\nCHAISE LONGUE\nCENTRAL ELEMENT\nCENTRALE\nCORNER ELEMENT\nANGOLARE\nPOUF\nCHELSEA RODOLFO DORDONI \n96\n37 3\u002F4”\n96\n37 3\u002F4”\n96\n37 3\u002F4”\n96\n37 3\u002F4”\n96\n37 3\u002F4”\n96\n37 3\u002F4”\n96\n37 3\u002F4”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n155\n61”\n147\n57 7\u002F8”\n188\n74”\n218\n85 7\u002F8”\n180\n70 7\u002F8”\n196\n77 1\u002F8”\n226\n88”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n94\n37”\n94\n37”\n86\n33 7\u002F8”\n200\n78 3\u002F4”\n153\n60 1\u002F4”\n153\n60 1\u002F4”\n92\n36 1\u002F4”\n85\n33 1\u002F2”\n85\n33 1\u002F2”\n92\n36 1\u002F4”\n88\n34 5\u002F8”\n44\n17 3\u002F8”\nPOUF\nALBERT VINCENT VAN DUYSEN \n126\n49 5\u002F8”\n90\n35 3\u002F8”\nEND ELEMENT\nTERMINALE\n108\n42 1\u002F2”\nEND ELEMENT\nTERMINALE\n108\n42 1\u002F2”\n191\n75 1\u002F4”\nCENTRAL ELEMENT\nCENTRALE\n108\n42 1\u002F2”\n108\n42 1\u002F2”\nCENTRAL ELEMENT\nCENTRALE\n108\n42 1\u002F2”\n135\n53 1\u002F8”\nCENTRAL ELEMENT\nCENTRALE\n108\n42 1\u002F2”\n173\n68 1\u002F8”\nCHAISE LONGUE\n90\n35 3\u002F8”\n108\n42 1\u002F2”\n153\n60 1\u002F4”\nCHAISE LONGUE\n153\n60 1\u002F4”\n126\n49 5\u002F8”\nCHAISE LONGUE\n153\n60 1\u002F4”\n135\n53 1\u002F8”\nISLAND ELEMENT\nISOLA\n108\n42 1\u002F2”\n213\n83 7\u002F8”\n108\n42 1\u002F2”\n73\n28 3\u002F4”\n38\n15”\nPOUF\n38\n15”\n108\n42 1\u002F2”\n108\n42 1\u002F2”\nPOUF\n38\n15”\n108\n42 1\u002F2”\n135\n53 1\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nPOUF\nCLEO VINCENT VAN DUYSEN  \nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nCURVED END ELEMENT\nTERMINALE CURVO\nCURVED END ELEMENT\nTERMINALE CURVO\nEND ELEMENT\nTERMINALE\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\nCENTRAL ELEMENT\nCENTRALE\nCHAISE LONGUE\nCURVED ISLAND ELEMENT\nISOLA CURVA\n210\n82 5\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n240\n94 1\u002F2”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n280\n110 1\u002F4”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n160\n63”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n180\n70 7\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n200\n78 3\u002F4”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n140\n55 1\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n180\n70 7\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\nCORNER ELEMENT\nANGOLARE\nCURVED CHAISE LONGUE\nCHAISE LONGUE CURVA\n110\n43 1\u002F4”\n160\n63”\n67\n26 3\u002F8”\n162\n63 3\u002F4”\n140\n55 1\u002F8”\n67\n26 3\u002F8”\n157,5\n62”\n147\n57 7\u002F8”\n200\n78 3\u002F4”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n220\n86 5\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n196,5\n77 3\u002F8”\n102\n40 1\u002F8”\n67\n26 3\u002F8”\n95\n37 3\u002F8”\n95\n37 3\u002F8”\n40\n15 3\u002F4”\n",226,{"image":917,"text":918,"number":919},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.227.png"," 450  451\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nCHAISE LONGUE\nAUGUSTO VINCENT VAN DUYSEN\nARMCHAIR\nPOLTRONA\nEND ELEMENT\nTERMINALE \nEND ELEMENT\nTERMINALE \nCURVED END ELEMENT\nTERMINALE CURVO\nCENTRAL ELEMENT\nCENTRALE\nCENTRAL ELEMENT\nCENTRALE\nCENTRAL ELEMENT\nCENTRALE\nCURVED CENTRAL ELEMENT\nCENTRALE CURVO\nEND ELEMENT\nTERMINALE \nISLAND ELEMENT\nISOLA \nCORNER ELEMENT\nANGOLARE\nCORNER ELEMENT\nANGOLARE\nEND ELEMENT\nTERMINALE \nEND ELEMENT\nTERMINALE \nEND ELEMENT\nTERMINALE \n63\n24 3\u002F4”\n100\n39 3\u002F8”\n120\n47 1\u002F4”\n118\n46 1\u002F2”\n63\n24 3\u002F4”\n100\n39 3\u002F8”\n136\n53 1\u002F2”\n63\n24 3\u002F4”\n100\n39 3\u002F8”\n158\n62 1\u002F4”\n100\n39 3\u002F8”\n63\n24 3\u002F4”\n178\n70 1\u002F8”\n100\n39 3\u002F8”\n63\n24 3\u002F4”\n208\n81 7\u002F8”\n100\n39 3\u002F8”\n63\n24 3\u002F4”\n243\n95 5\u002F8”\n100\n39 3\u002F8”\n63\n24 3\u002F4”\n160\n63”\n118\n46 1\u002F2”\n63\n24 3\u002F4”\n208\n81 7\u002F8”\n100\n39 3\u002F8”\n63\n24 3\u002F4”\n100\n39 3\u002F8”\n118\n46 1\u002F2”\n63\n24 3\u002F4”\n100\n39 3\u002F8”\n136\n53 1\u002F2”\n63\n24 3\u002F4”\n177\n69 5\u002F8”\n190 - 74 3\u002F4”\n145\n57 1\u002F8”\n63\n24 3\u002F4”\n100\n39 3\u002F8”\n100 - 39 3\u002F8”\n100\n39 3\u002F8”\n153\n60 1\u002F4”\n63\n24 3\u002F4”\n100\n39 3\u002F8”\n183\n72”\n63\n24 3\u002F4”\n \n177\n69 5\u002F8\n145\n57 1\u002F8”\n63\n24 3\u002F4”\n190 - 74 3\u002F4”\n100\n39 3\u002F8”\n100 - 39 3\u002F8”\n100\n39 3\u002F8”\n133\n52 3\u002F8”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n63\n24 3\u002F4”\n100\n393\u002F8”\n100\n393\u002F8”\n100\n393\u002F8”\n100\n393\u002F8”\n100\n393\u002F8”\n40\n153\u002F4”\n40\n153\u002F4”\n40\n153\u002F4”\n100\n393\u002F8”\n120\n47 1\u002F4”\n140\n55 1\u002F8”\n140\n55 1\u002F8”\n120\n47 1\u002F4”\n116\n45 5\u002F8”\n116\n45 5\u002F8”\n116\n45 5\u002F8”\n150\n59”\n116\n45 5\u002F8”\nAUGUSTO VINCENT VAN DUYSEN\nSOFA\nDIVANO \nSOFA\nDIVANO \n185\n72 7\u002F8”\n185\n72 7\u002F8”\n235\n92 1\u002F2”\n235\n92 1\u002F2”\n195\n76 3\u002F4”\n270\n106 1\u002F4”\n270\n106 1\u002F4”\n205\n80 3\u002F4”\n205\n80 3\u002F4”\n \n \n \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nPOUF\nISLAND\nISOLA\nSOFA\nDIVANO \nSOFA\nDIVANO \nPOUF\nPOUF\n \n \n \n \n \n",227,{"image":921,"text":922,"number":923},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.228.png"," 452  453\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nFREESTYLE FERRUCCIO LAVIANI \nPOUF\nPOUF\nPOUF\nSEATS WITH CUSHION\nSEDILI CON CUSCINO\nEND WITH CUSHION\nTERMINALE CON CUSCINO\nISLAND\nISOLA\nCENTRALS\nCENTRALI\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100-139\n39 3\u002F8”-54 3\u002F4”\n130\n51 1\u002F8”\n75\n29 1\u002F2”\n75\n29 1\u002F2”\n75\n29 1\u002F2”\n64\n25 1\u002F4”\n37\n14 5\u002F8”\n37\n14 5\u002F8”\n37\n14 5\u002F8”\n64\n25 1\u002F4”\n64\n25 1\u002F4”\n64\n25 1\u002F4”\n64\n25 1\u002F4”\n25\n9 7\u002F8”\n100-125\n39 3\u002F8”-49 1\u002F4”\n125\n49 1\u002F4”\n150\n59”\n75\n29 1\u002F2”\n100\n39 3\u002F8”\n125\n49 1\u002F4”\n75-100-125\n29 1\u002F2”-39 3\u002F8”-49 1\u002F4”\nARM\nBRACCIOLO\n37\n14 5\u002F8”\n37\n14 5\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\nPOUF\n100\n39 3\u002F8”\n125\n49 1\u002F4”\nPOUF\nGREGOR  VINCENT VAN DUYSEN\n67\n26 3\u002F8”\n283\n111 3\u002F8”\n104\n41”\n206-242-262\n81 1\u002F8”-95 1\u002F4”-103 1\u002F8”\n67\n26 3\u002F8”\n104\n41”\nSOFA\nDIVANO\nSOFAS\nDIVANI\n291\n114 5\u002F8”\nSOFA WITH ARMRESTS\nDIVANO CON BRACCIOLI\n67\n26 3\u002F8”\n104\n41”\n214-250-270\n84 1\u002F4”-98 3\u002F8”-106 1\u002F4”\nSOFAS WITH ARMRESTS\nDIVANI CON BRACCIOLI\n67\n26 3\u002F8”\n104\n41”\n210-246\n82 5\u002F8”-96 7\u002F8”\nSOFAS WITH ARMREST\nDIVANI CON BRACCIOLO\n67\n26 3\u002F8”\n104\n41”\n180-216\n70 7\u002F8”-85”\n67\n26 3\u002F8”\n104\n41”\nEND ELEMENTS\nTERMINALI\n184-220\n72 1\u002F2”-86 5\u002F8”\n67\n26 3\u002F8”\n104\n41”\n184-220\n72 1\u002F2”-86 5\u002F8”\nEND ELEMENTS WITH ARMREST\nTERMINALI CON BRACCIOLO\nEND ELEMENTS WITH ARMREST\nTERMINALI CON BRACCIOLO\n67\n26 3\u002F8”\n104\n41”\n155 -191\n61”-75 1\u002F4”\n67\n26 3\u002F8”\n104\n41”\nCENTRAL ELEMENTS\nCENTRALI\n155-191\n61”-75 1\u002F4”\n67\n26 3\u002F8”\n104\n41”\nISLANDS\nISOLE\n67\n26 3\u002F8”\n104\n41”\n184-220\n72 1\u002F2”-86 5\u002F8”\nISLANDS WITH ARMREST\nISOLE CON BRACCIOLO\n180-216\n70 7\u002F8”-85”\n67\n26 3\u002F8”\n104\n41”\nCHAISES LONGUES \n43\n16 7\u002F8”\n99\n39”\n99\n39”\nPOUF\n",228,{"image":925,"text":926,"number":927},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.229.png"," 454  455\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nMARTEEN VINCENT VAN DUYSEN\nCORNER END ELEMENT\nTERMINALE ANGOLARE\nCORNER END ELEMENT\nTERMINALE ANGOLARE\nCENTRAL ELEMENT\nCENTRALE\nEND ELEMENT WITH LOW ARMREST\nTERMINALE CON BRACCIOLO BASSO\nCENTRAL ELEMENT\nCENTRALE\nSEAT WITH DRAWER\nSEDILE CON CASSETTO\nLOW ARMREST ISLAND\nISOLA CON BRACCIOLO BASSO\nEND ELEMENT WITH LOW ARMREST\nTERMINALE CON BRACCIOLO BASSO\nEND ELEMENT WITH DRAWER\nTERMINALE CON CASSETTO\nEND ELEMENT WITH DRAWER\nTERMINALE CON CASSETTO\nSEAT WITH DRAWER\nSEDILE CON CASSETTO\nCENTRAL ELEMENT\nCENTRALE\nISLAND WITH DRAWER\nISOLA CON CASSETTO\nSEAT WITH DRAWER\nSEDILE CON CASSETTO\nLOW ARMREST ISLAND\nISOLA CON BRACCIOLO BASSO\n67\n26 3\u002F8”\n128\n503\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n128\n503\u002F8”\n100\n39 3\u002F8”\n120\n47 1\u002F4”\n67\n26 3\u002F8”\n100\n39 3\u002F8”\n108\n42 1\u002F2”\n67\n26 3\u002F8”\n100\n39 3\u002F8”\n108\n42 1\u002F2”\n67\n26 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n120\n47 1\u002F4”\n100\n39 3\u002F8”\n41\n16 1\u002F8”\n120\n47 1\u002F4”\n108\n42 1\u002F2”\n100\n39 3\u002F8”\n67\n26 3\u002F8”\n100\n39 3\u002F8”\n41\n16 1\u002F8”\n100\n39 3\u002F8”\n108\n42 1\u002F2”\n67\n26 3\u002F8”\n80\n31 1\u002F2”\n100\n39 3\u002F8”\n41\n16 1\u002F8”\n80\n31 1\u002F2”\n108\n42 1\u002F2”\n51\n20 1\u002F8”\n128\n503\u002F8”\n80\n31 1\u002F2”\n41\n16 1\u002F8”\n128\n503\u002F8”\n80\n31 1\u002F2”\n51\n20 1\u002F8”\n108\n42 1\u002F2”\n80\n31 1\u002F2”\nMARTEEN VINCENT VAN DUYSEN\nCHAISE LONGUE WITH DRAWER\nCHAISE LONGUE CON CASSETTO\nDAYBED\nPOUF\nPOUF\nPOUF\nPOUF\nPOUF\nMODULE WITH 1 DRAWER\nMODULO CON 1 CASSETTO\nSMALL TABLE\nTAVOLINO\nSMALL TABLE WITH 2 DRAWERS\nTAVOLINO CON 2 CASSETTI\nISLAND WITH DRAWER\nISOLA CON CASSETTO\nCHAISE LONGUE WITH LOW ARMREST\nCHAISE LONGUE CON BRACCIOLO BASSO\nMODULE WITH 1 DRAWER\nMODULO CON 1 CASSETTO\nSMALL TABLE\nTAVOLINO\nSMALL TABLE WITH 2 DRAWERS\nTAVOLINO CON 2 CASSETTI\nMODULE WITH 2 DRAWERS\nMODULO CON 2 CASSETTI\nSMALL TABLE\nTAVOLINO\nSMALL TABLE WITH 1 DRAWER\nTAVOLINO CON 1 CASSETTO\n41\n16 1\u002F8”\n108\n42 1\u002F2”\n80\n31 1\u002F2”\n67\n26 3\u002F8”\n128\n503\u002F8”\n150\n59”\n67\n26 3\u002F8”\n128\n503\u002F8”\n150\n59”\n67\n26 3\u002F8”\n100\n39 3\u002F8”\n150\n59”\n120\n47 1\u002F4”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n41\n16 1\u002F8”\n41\n16 1\u002F8”\n60\n23 5\u002F8”\n80\n311\u002F2”\n100\n39 3\u002F8”\n41\n16 1\u002F8”\n100\n39 3\u002F8”\n41\n16 1\u002F8”\n80\n311\u002F2”\n41\n16 1\u002F8”\n80\n311\u002F2”\n20\n7 7\u002F8”\n77\n303\u002F8”\n30\n113\u002F4”\n98\n385\u002F8”\n118\n461\u002F2”\n20\n7 7\u002F8”\n30\n113\u002F4”\n20\n7 7\u002F8”\n30\n113\u002F4”\n16,5\n61\u002F2”\n98\n385\u002F8”\n58\n22 7\u002F8”\n118\n461\u002F2”\n98\n385\u002F8”\n98\n385\u002F8”\n16,5\n61\u002F2”\n16,5\n61\u002F2”\n58\n22 7\u002F8”\n26,5\n10 3\u002F8”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n150\n59”\n150\n59”\n36\n14 1\u002F8”\n58\n22 7\u002F8”\n98\n385\u002F8”\n26,5\n10 3\u002F8”\n",229,{"image":929,"text":930,"number":931},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.230.png"," 456  457\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\nEND ELEMENT\nTERMINALE\nEND ELEMENT WITH TRAY (60X90)\nTERMINALE CON VASSOIO (60x90) \nCENTRAL ELEMENT\nCENTRALE\nEND ELEMENT WITH TRAY (60X90)\nTERMINALE CON VASSOIO (60x90) \nEND ELEMENT\nTERMINALE\nISLAND ELEMENT\nISOLA\nISLAND ELEMENT WITH TRAY (60X90)\nISOLA CON VASSOIO (60X90)\nOCTAVE VINCENT VAN DUYSEN\n61\n24”\n270\n106 1\u002F4”\n95\n37 3\u002F8”\n61\n24”\n240\n94 1\u002F2”\n95\n37 3\u002F8”\n61\n24”\n210\n82 5\u002F8”\n95\n37 3\u002F8”\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\n61\n24”\n270\n106 1\u002F4”\n105\n41 3\u002F8”\n61\n24”\n240\n94 1\u002F2”\n105\n41 3\u002F8”\n61\n24”\n210\n82 5\u002F8”\n105\n41 3\u002F8”\n61\n24”\n255\n100 3\u002F8”\n105\n41 3\u002F8”\n61\n24”\n225\n88 5\u002F8”\n105\n41 3\u002F8”\n61\n24”\n195\n76 3\u002F4”\n105\n41 3\u002F8”\n61\n24”\n135\n53 1\u002F8”\n105\n41 3\u002F8”\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\n61\n24”\n255\n100 3\u002F8”\n105\n41 3\u002F8”\n61\n24”\n195\n76 3\u002F4”\n105\n41 3\u002F8”\nCENTRAL ELEMENT\nCENTRALE\nCENTRAL ELEMENT\nCENTRALE\n61\n24”\n210\n82 5\u002F8”\n105\n41 3\u002F8”\n61\n24”\n180\n70 7\u002F8”\n105\n41 3\u002F8”\n61\n24”\n120\n47 1\u002F4”\n105\n41 3\u002F8”\nISLAND ELEMENT WITH TRAY (60X90)\nISOLA CON VASSOIO (60X90)\nISLAND ELEMENT WITH TRAY (60X90)\nISOLA CON VASSOIO (60X90)\n61\n24”\n150\n59”\n105\n41 3\u002F8”\n105\n41 3\u002F8”\n61\n24”\n240\n94 1\u002F2”\n105\n41 3\u002F8”\n61\n24”\n180\n70 7\u002F8”\n105\n41 3\u002F8”\n61\n24”\n150\n59”\n105\n41 3\u002F8”\n*\n*\n*\n*\n*\n*\n*\n*\n*\n*\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nCORNER ISLAND ELEMENT\nISOLA ANGOLARE\nCHAISE LONGUE\nDAYBED\n61\n24”\n105\n41 3\u002F8”\n180\n70 7\u002F8”\n61\n24”\n105\n41 3\u002F8”\n180\n70 7\u002F8”\nOCTAVE VINCENT VAN DUYSEN\n61\n24”\n224 \n88 1\u002F4”\n142\n55 7\u002F8”\n105\n41 3\u002F8”\n181\n71 1\u002F4”\n37\n14 5\u002F8”\n105\n41 3\u002F8”\n105\n41 3\u002F8”\nPOUF\n27\n10 5\u002F8”\n123\n48 3\u002F8”\n97\n38 1\u002F4”\nCORNER SHELF\nMENSOLA ANGOLARE\nTRINKET TRAY\nVASSOIO PORTAOGGETTI\n60\n23 5\u002F8”\n90\n35 3\u002F8”\nTRINKET TRAY\nVASSOIO PORTAOGGETTI\n120\n47 1\u002F4”\n95\n37 3\u002F8”\n*\n",230,{"image":933,"text":934,"number":935},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.231.png"," 458  459\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nPAUL VINCENT VAN DUYSEN\nDEPTH 100\nPROFONDITÁ 100\nSOFA\nDIVANO\nDEPTH 120\nPROFONDITÁ 120\nSOFA\nDIVANO\nPOUF\nPOUF\nEND ELEMENT\nTERMINALE\nCENTRAL ELEMENT\nCENTRALE\nEND ELEMENT\nTERMINALE\nCENTRAL ELEMENT\nCENTRALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n46\n18 1\u002F8”\n46\n18 1\u002F8”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n165\n65”\n275\n108 1\u002F4”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n160\n63”\n160\n63”\n160\n63”\n156\n611\u002F4”\n190\n74 3\u002F4”\n220\n86 5\u002F8”\n220\n86 5\u002F8”\n250\n98 3\u002F8”\n255\n100 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n75\n29 1\u002F2”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n195\n76 3\u002F4”\n225\n88 5\u002F8”\n260\n102 3\u002F8”\nCHAISE LONGUE\nCHAISE LONGUE\nISLAND ELEMENT\nISOLA\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n92\n36 1\u002F4”\n92\n36 1\u002F4”\n156\n61 3\u002F8”\n186\n73 1\u002F4”\n \nPAUL VINCENT VAN DUYSEN\nDEPTH 64\nPROFONDITÁ 64\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nCENTRAL ELEMENT\nCENTRALE\nEND ELEMENT\nTERMINALE\nCENTRAL ELEMENT\nCENTRALE\nDEPTH 64\nPROFONDITÁ 64\nCENTRAL ELEMENT\nCENTRALE\nEND ELEMENT\nTERMINALE\nCENTRAL ELEMENT\nCENTRALE\n73 \n28 3\u002F4”\n73 \n28 3\u002F4”\n73 \n28 3\u002F4”\n73 \n28 3\u002F4”\n130\n51 1\u002F8”\n190\n74 3\u002F4”\n220\n86 5\u002F8”\n160\n63”\n65\n25 5\u002F8”\n65\n25 5\u002F8”\n65\n25 5\u002F8”\n65\n25 5\u002F8”\n \n126\n49 5\u002F8”\n186\n73 1\u002F4”\n216\n85”\n156\n61 3\u002F8”\n73 \n28 3\u002F4”\n73 \n28 3\u002F4”\n73 \n28 3\u002F4”\n73 \n28 3\u002F4”\n65\n25 5\u002F8”\n65\n25 5\u002F8”\n65\n25 5\u002F8”\n65\n25 5\u002F8”\n",231,{"image":937,"text":938,"number":939},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.232.png"," 460  461\nREVERSI '14 STUDIO HANNES WETTSTEIN\nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nSOFA\nDIVANO \nPOUF                                                                                        \nPOUF                                                                                        \n183\n72”\n203\n79 7\u002F8”\n223\n87 3\u002F4”\n243\n95 5\u002F8”\n263\n103 1\u002F2”\n183\n72”\n203\n79 7\u002F8”\n223\n87 3\u002F4”\n243\n95 5\u002F8”\n263\n103 1\u002F2”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n341\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n41\n16 1\u002F8”\n118\n46 1\u002F2”\n98\n38 5\u002F8”\n41\n16 1\u002F8”\nREVERSI '14 STUDIO HANNES WETTSTEIN\nCHAISE LONGUE\nCHAISE LONGUE\nCHAISE LONGUE\nCHAISE LONGUE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\n142\n55 7\u002F8”\n142\n55 7\u002F8”\n112\n44 1\u002F8”\n112\n44 1\u002F8”\n112\n44 1\u002F8”\n112\n44 1\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n162\n63 3\u002F4”\n202\n79 1\u002F2”\n202\n79 1\u002F2”\n162\n63 3\u002F4”\n87\n34 1\u002F4”\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\n162\n63 3\u002F4”\n182\n71 5\u002F8”\n202\n79 1\u002F2”\n222\n87 3\u002F8”\n222\n87 3\u002F8”\n202\n79 1\u002F2”\n182\n71 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\nEND ELEMENT\nTERMINALE\n162\n63 3\u002F4”\n98\n38 5\u002F8”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\nEND ELEMENT\nTERMINALE\nEND ELEMENT\nTERMINALE\n242\n95 1\u002F4”\n242\n95 1\u002F4”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n87\n34 1\u002F4”\n87\n34 1\u002F4”\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\n",232,{"image":941,"text":942,"number":943},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.233.png"," 462  463\nTURNER HANNES WETTSTEIN\nPOUF\nISLAND\nISOLA\nCORNER\nANGOLARE\nPOUF\nEND ELEMENTS\nTERMINALI\nCENTRALS\nCENTRALI\nISLANDS\nISOLE\n59-72\n23 1\u002F4”-28 3\u002F8”\n59-72\n23 1\u002F4”-28 3\u002F8”\n85-100-120\n33 1\u002F2”-39 3\u002F8”-47 1\u002F4”\n108-123-143\n42 1\u002F2”-48 3\u002F8”-56 1\u002F4”\n109\n42 7\u002F8”\n109\n42 7\u002F8”\n40\n15 3\u002F4”\n40\n15 3\u002F4”\n100\n39 3\u002F8”\n108\n42 1\u002F2”\n85\n33 1\u002F2”\n108\n42 1\u002F2”\nPOUF\n40\n15 3\u002F4”\n120\n47 1\u002F4”\n100\n39 3\u002F8”\nCHAISE LONGUE\nCHAISE LONGUE\n59-72\n23 1\u002F4”-28 3\u002F8”\n59-72\n23 1\u002F4”-28 3\u002F8”\n108\n42 1\u002F2”\n123\n48 3\u002F8”\n210\n82 3\u002F4”\n160\n63”\n59-72\n23 1\u002F4”-28 3\u002F8”\n59-72\n23 1\u002F4”-28 3\u002F8”\n108\n42 1\u002F2”\n123-143\n48 3\u002F8”-56 1\u002F4”\n210\n82 3\u002F4”\n160\n63”\n59-72\n23 1\u002F4”-28 3\u002F8”\n138\n54 3\u002F8”\n109\n42 7\u002F8”\nSURF YABU PUSHELBERG\n101\n39 3\u002F4”\n101\n39 3\u002F4”\nCENTRAL ELEMENT\nCENTRALE\nARMCHAIR\nPOLTRONA\n154\n60 5\u002F8”\n121\n47 5\u002F8”\nEND ELEMENT\nTERMINALE\n71\n28”\n142\n55 7\u002F8”\n154\n60 5\u002F8”\nCHAISE LONGUE\n71\n28”\n196\n77 1\u002F8”\n116\n45 5\u002F8”\n71\n28”\nISLAND\nISOLA\n197\n77 1\u002F2”\n101\n39 3\u002F4”\n71\n28”\nCORNER ELEMENT\nANGOLARE\n71\n28”\n71\n28”\n94\n37”\n91\n35 7\u002F8”\n101\n39 3\u002F4”\n101\n39 3\u002F4”\n101\n39 3\u002F4”\nSEATING SYSTEMS —   SISTEMI DI SEDUTE\nBREEZE MATTEO NUNZIATI\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\n183\n72”\n213\n83 7 \u002F8”\n243\n89 5 \u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n88\n34 5\u002F8”\n67\n26 3\u002F8”\n67\n26 3\u002F8”\n67\n26 3\u002F8”\nLIDO HANNES WETTSTEIN\n80\n31 1\u002F2”\n85\n33 1\u002F2”\n85\n33 1\u002F2”\n85\n33 1\u002F2”\n85\n33 1\u002F2”\n85\n33 1\u002F2”\n180\n70 7\u002F8”\n210\n82 3\u002F4”\n250\n98 3\u002F8”\n95\n37 3\u002F8”\n95\n37 3\u002F8”\n95\n37 3\u002F8”\nARMCHAIR\nPOLTRONA\nSOFA\nDIVANO\nSOFA\nDIVANO\nSOFA\nDIVANO\n40\n15 3\u002F4”\n97\n38 1\u002F4”\n97\n38 1\u002F4”\nPOUF\nSOFA\nDIVANO\nPOUF\nSKIN JEAN NOUVEL\nARMCHAIR\nPOLTRONA   \n67\n26 3\u002F8”\n39\n15 3\u002F8”\n67\n26 3\u002F8”\n81\n31 7\u002F8”\n210\n82 3\u002F4”\n56\n22”\n247\n97 1\u002F4”\n96\n37 3\u002F4”\n56\n22”\n96\n37 3\u002F4”\n77\n30 3\u002F8”\n77\n30 3\u002F8”\nSOFAS —   DIVANI\nLUCIO VINCENT VAN DUYSEN\nARMCHAIR\nPOLTRONA\nSOFA\nDIVANO\nSOFA\nDIVANO\nDORMEUSE\nSWIVEL ARMCHAIR\nPOLTRONA GIREVOLE\n73\n28 3\u002F4”\n88\n34 5\u002F8”\n84\n33 1\u002F8”\n73\n28 3\u002F4”\n88\n34 5\u002F8”\n84\n33 1\u002F8”\n209\n82 1\u002F4”\n73\n28 3\u002F4”\n97\n38 1\u002F4”\n73\n28 3\u002F4”\n169\n66 1\u002F2”\n97\n38 1\u002F4”\n160\n63”\n73\n28 3\u002F4”\n88\n34 5\u002F8”\nD.157.6 DUE FOGLIE GIO PONTI\nSOFA\nDIVANO\nDOMINO NICOLA GALLIZIA\nPOUF\nPOUF\nPOUF\n37\n14 5\u002F8”\n37\n14 5\u002F8”\n37\n14 5\u002F8”\nØ 44\nØ 17 3\u002F8”\nØ 89\nØ 35”\nØ 120\nØ 47 1\u002F4”\nREGIS VINCENT VAN DUYSEN\nPOUF\n85\n33 1\u002F2”\n155\n61”\n83\n32 5\u002F8”\n45\n17 3\u002F4”\nØ 48\nØ 18 7\u002F8”\n",233,{"image":945,"text":946,"number":947},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.234.png"," 464  465\nARMCHAIRS —   POLTRONE\nCHELSEA RODOLFO DORDONI\nSMALL SOFA\nDIVANO SMALL\nSMALL ARMCHAIR\nPOLTRONCINA  \nPOUF\nBENCH\nPANCA  \n63\n24 3\u002F4”\n140\n55 1\u002F8”\n150\n59”\n79\n31 1\u002F8”\n70\n27 1\u002F2”\nCHAIR\nSEDIA\nCHAIR\nSEDIA\nCHAIR\nSEDIA\n54\n21 1\u002F4”\n64\n25 1\u002F4”\n62\n24 3\u002F8”\n62\n24 3\u002F8”\n62\n24 3\u002F8”\n61\n24”\n62\n24 3\u002F8”\n62\n24 3\u002F8”\n84\n33 1\u002F8”\n69\n27 1\u002F8”\n84\n33 1\u002F8”\n94\n37”\n42\n16 1\u002F2”\n37\n14 5\u002F8”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\nSMALL ARMCHAIR\nPOLTRONCINA  \n70\n27 1\u002F2”\n79\n31 1\u002F8”\n71\n28”\nD.153.1 GIO PONTI\nD.154.2 GIO PONTI\nROUND D.154.5 GIO PONTI\n80\n31 1\u002F2”\n74\n29 1\u002F4”\n77\n30 3\u002F8”\n120\n47 1\u002F4”\n81\n31 7\u002F8”\n103\n40 1\u002F2”\nD.156.3 GIO PONTI\nD.151.4 GIO PONTI\n88\n34 5\u002F8”\n75\n29 1\u002F2”\n97\n38 1\u002F4”\n74\n29 1\u002F8”\n71\n28”\n70\n27 1\u002F2”\n80\n31 1\u002F2”\n61\n24”\n72\n28 3\u002F8”\nCINNAMON NAOTO FUKASAWA\nARMCHAIR\nPOLTRONA\n \n120\n47 1\u002F4”\n91\n35 7\u002F8”\n69,5\n27 3\u002F8”\nDODA - DODA LOW FERRUCCIO LAVIANI\nARMCHAIR WITH HIGH BACK\nPOLTRONA CON SCHIENALE ALTO\nARMCHAIR WITH LOW BACK\nPOLTRONA CON SCHIENALE BASSO\nEASY POUF\u002F EASY POUF WITH HOUSSE\nEASY POUF\u002F EASY POUF CON HOUSSE\n87\n34 1\u002F4”\n69\n27 1\u002F8 ”\n35\n13 3\u002F4 ”\n78\n30 3\u002F4”\n85\n33 1\u002F2”\n65\n25 5\u002F8”\n98\n38 5\u002F8”\n86\n33 7\u002F8”\n48\n18 7\u002F8”\nFIXED ARMCHAIR\nPOLTRONA FISSA\nELAIN VINCENT VAN DUYSEN\n80\n31 1\u002F2”\n84\n33 1\u002F8”\n68\n26 3\u002F4”\nSWIVEL ARMCHAIR\nPOLTRONA GIREVOLE\n80\n31 1\u002F2”\n84\n33 1\u002F8”\n68\n26 3\u002F4”\nCHAIR\nSEDIA\nSMALL ARMCHAIR\nPOLTRONCINA\nGLOVE-UP PATRICIA URQUIOLA\n81,6\n32 1\u002F8”\n71,5\n28 1\u002F8”\n51,5\n20 1\u002F4”\n83,5\n32 7\u002F8”\n68,8\n27 1\u002F8”\n55,6\n21 7\u002F8”\nGILLIS VINCENT VAN DUYSEN\nARMCHAIR\nPOLTRONA\n71\n28”\n71\n28”\n88\n34 5\u002F8”\nARMCHAIR WITH LOW BACK (FIXED OR SWIVEL)\nPOLTRONA CON SCHIENALE BASSO (FISSA O GIREVOLE)\nKENSINGTON RODOLFO DORDONI\nARMCHAIR WITH HIGH BACK (FIXED OR SWIVEL)\nPOLTRONA CON SCHIENALE ALTO (FISSA O GIREVOLE)\nPOUF\n83\n32 5\u002F8”\n84\n33 1\u002F8”\n78\n30 3\u002F4”\n83\n32 5\u002F8”\n84\n33 1\u002F8”\n109\n42 7\u002F8”\n61\n24”\n46\n18 1\u002F8”\n42\n16 1\u002F2”\n83\n32 5\u002F8”\n84\n33 1\u002F8”\n109\n42 7\u002F8”\nARMCHAIR WITH HIGH BACK (FIXED OR SWIVEL)\nPOLTRONA CON SCHIENALE ALTO (FISSA O GIREVOLE)\nCONTINUUM D.163.7 GIO PONTI\n102\n40 1\u002F8”\n63\n24 3\u002F4”\n95\n37 3\u002F8”\n",234,{"image":949,"text":950,"number":951},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.235.png"," 466  467\nARMCHAIRS —   POLTRONE\nARMCHAIR WITH LOW BACK (SWIVEL BASE)\nPOLTRONA CON SCHIENALE BASSO (BASAMENTO GIREVOLE)\nPICCADILLY RODOLFO DORDONI\nARMCHAIR WITH HIGH BACK ( SWIVEL BASE)\nPOLTRONA CON SCHIENALE ALTO (BASAMENTO GIREVOLE)\n73\n28 3\u002F4”\n70\n27  1\u002F2”\n74\n29  1\u002F8”\n78\n30 3\u002F4”\n73\n28 3\u002F4”\n87\n34  1\u002F4”\n64\n25 1\u002F4”\n59\n23  1\u002F4”\n41\n16 1\u002F8”\nPOUF ( FIXED BASE)\nPOUF (BASAMENTO FISSO)\nARMCHAIR \nPOLTRONA\nARMCHAIR \nPOLTRONA\nWALTER VINCENT VAN DUYSEN\nYOELL VINCENT VAN DUYSEN\nARMCHAIR WITH BACKREST CUSHION\nPOLTRONA CON CUSCINO SCHIENALE\n70\n27   1\u002F2”\n69\n27  1\u002F8”\n70,5\n27  3\u002F4”\n70\n27   1\u002F2”\n69\n27  1\u002F8”\n70,5\n27  3\u002F4”\n65\n25 5\u002F8”\n84\n33 1\u002F8”\n88\n34 5\u002F8”\nPOUF\nMARGOU VINCENT VAN DUYSEN\nPAULA VINCENT VAN DUYSEN\nARMCHAIR\nPOLTRONA\nARMCHAIR\nPOLTRONA\n72\n28 3\u002F8”\n77\n30 3\u002F8”\n41,5\n16 3\u002F8”\n77\n30 3\u002F8”\n48\n18 7\u002F8”\n70,5\n27 3\u002F4”\n70,5\n27 3\u002F4”\n80\n31 1\u002F2”\n74\n29 1\u002F8”\n \n \n \n \nSURF YABU PUSHELBERG\nTUSCANY NAOTO FUKASAWA\nARMCHAIR\nPOLTRONA\nCHAISE LONGUE\n71\n28”\n94\n37”\n91\n35 7\u002F8”\n189\n74 3\u002F8”\n58 \n22 7\u002F8”\n73,5 \n29”\n \n \n45°\u002FTAVOLINO RON GILAD\nCOFFEE TABLE\nTAVOLINO\n37\n14 5\u002F8”\n36,4\n14 3\u002F8”\n36,4\n14 3\u002F8”\nCOFFEE TABLE\nTAVOLINO \n59\n23 1\u002F4”\n36,4\n14 3\u002F8”\n36,4\n14 3\u002F8”\nCOFFEE TABLE\nTAVOLINO\n37\n14 5\u002F8”\n58,4\n22”\n36,4\n14 3\u002F8”\nCOFFEE TABLE\nTAVOLINO\n37\n14 5\u002F8”\n82,1\n32 3\u002F8”\n82,1\n32 3\u002F8”\nCOFFEE TABLE\nTAVOLINO\n37\n14 5\u002F8”\n122,1\n48 1\u002F8”\n122,1\n48 1\u002F8”\nCOFFEE TABLE\nTAVOLINO\n37\n14 5\u002F8”\n122,1\n48 1\u002F8”\n82,1\n32 3\u002F8”\nALISEE MATTEO NUNZIATI\nCOFFEE TABLE\nTAVOLINO\n38,5\n15 1\u002F8” \n100\n39 3\u002F8”\n40\n15 3\u002F4”\n120\n47 1\u002F4”\n70\n27 1\u002F2”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\nØ 42\nØ 16 1\u002F2”\n50\n19 5\u002F8”  \n38,5\n15 1\u002F8” \n38,5\n15 1\u002F8” \nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nCLEO VINCENT VAN DUYSEN \nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\n31\n12 1\u002F4”\n44\n17 3\u002F8”\n44\n17 3\u002F8”\n31\n12 1\u002F4”\n31\n12 1\u002F4”\n60\n23 5\u002F8”\n60\n23 5\u002F8”\n60\n23 5\u002F8”\n60\n23 5\u002F8”\n90\n35 5\u002F8”\n90\n35 5\u002F8”\n90\n35 5\u002F8”\n90\n35 5\u002F8”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\nATTICO NICOLA GALLIZIA\nCOFFEE TABLE\nTAVOLINO\n46,7\n18 3\u002F8”\nØ 60\nØ 23 5\u002F8”\nCOFFEE TABLE\nTAVOLINO\n56,6\n22 1\u002F4”\n46,7\n18 3\u002F8”\n60\n23 5\u002F8”\nTABLE \nTAVOLO\nØ 80\nØ 31 1\u002F2”\n64,3\n25 3\u002F8”\nASTER VINCENT VAN DUYSEN \nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nØ 40\nØ 15 3\u002F4”\n40\n15 3\u002F4”\nØ 50\nØ 19 3\u002F4”\n50\n19 3\u002F4”\n \nCOFFEE TABLES —   TAVOLINI\n",235,{"image":953,"text":954,"number":955},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.236.png"," 468  469\nDOMINO NEXT NICOLA GALLIZIA\nCOFFEE TABLE\nTAVOLINO\nPOUF\nPOUF\nCOFFEE TABLE\nTAVOLINO\nPOUF\nPOUF\nCOFFEE TABLE\nTAVOLINO\nPOUF\nCOFFEE TABLE\nTAVOLINO\nPOUF\nCOFFEE TABLE\nTAVOLINO\nPOUF\nCOFFEE TABLE\nTAVOLINO\n45\n17 3\u002F4”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n39\n15 3\u002F8”\n39\n15 3\u002F8”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n60\n23 5\u002F8”\n60\n23 5\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n150\n59”\n150\n59”\n60\n23 5\u002F8”\n60\n23 5\u002F8”\n90\n35 3\u002F8”\n120\n47 1\u002F4”\n70\n27 1\u002F2”\n140\n55 1\u002F8”\n43\n16 7\u002F8”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n35\n13 3\u002F4”\n45\n17 3\u002F4”\n45\n17 3\u002F4”\n39\n15 3\u002F8”\nD.555.1 GIO PONTI\nD.552.2 GIO PONTI\n37\n14 5\u002F8”\n40\n15 3\u002F4”\nØ 80\nØ 31 1\u002F2”\n83,2\n32 3\u002F4”\n78,9\n31 1\u002F8”\nRECTANGULAR COFFEE TABLE\nTAVOLINO RETTANGOLARE\nHUBERT VINCENT VAN DUYSEN\nRECTANGULAR COFFEE TABLE\nTAVOLINO RETTANGOLARE\nRECTANGULAR COFFEE TABLE\nTAVOLINO RETTANGOLARE\nSQUARE COFFEE TABLE\nTAVOLINO QUADRATO\nSQUARE COFFEE TABLE\nTAVOLINO QUADRATO\n35\n13 3\u002F4”\n99\n39”\n99\n39”\n35\n13 3\u002F4”\n121\n47 5\u002F8”\n121\n47 5\u002F8”\n35\n13 3\u002F4”\n99\n39”\n46\n18 1\u002F8”\n181\n71 1\u002F4”\n35\n13 3\u002F4”\n36\n14 1\u002F8”\n121\n47 5\u002F8”\n91\n35 7\u002F8”\n35\n13 3\u002F4”\nLOUISA VINCENT VAN DUYSEN\nCOFFEE TABLE\nTAVOLINO\n40\n15 3\u002F4” \nØ 50\nØ 19 5\u002F8”\n30\n11 3\u002F4”\n120\n47 1\u002F4” \n80\n31 1\u002F2”\n35\n13 3\u002F4”  \nØ 60\nØ 23 5\u002F8”\nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nMARTEEN VINCENT VAN DUYSEN\nSMALL TABLE\nTAVOLINO\nSMALL TABLE WITH 2 DRAWERS\nTAVOLINO CON 2 CASSETTI\nSMALL TABLE\nTAVOLINO\nSMALL TABLE WITH 2 DRAWERS\nTAVOLINO CON 2 CASSETTI\nSMALL TABLE\nTAVOLINO\nSMALL TABLE WITH 1 DRAWER\nTAVOLINO CON 1 CASSETTO\n16,5\n61\u002F2”\n98\n385\u002F8”\n58\n22 7\u002F8”\n118\n461\u002F2”\n98\n385\u002F8”\n98\n385\u002F8”\n16,5\n61\u002F2”\n16,5\n61\u002F2”\n58\n22 7\u002F8”\n26,5\n10 3\u002F8”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n150\n59”\n150\n59”\n36\n14 1\u002F8”\n58\n22 7\u002F8”\n98\n385\u002F8”\n26,5\n10 3\u002F8”\nCOFFEE TABLES —   TAVOLINI\nCOFFEE TABLE\nTAVOLINO\nFONTE VINCENT VAN DUYSEN\nCOFFEE TABLE\nTAVOLINO\nCOFFEE TABLE\nTAVOLINO\nBEDSIDE TABLE\nCOMODINO\nLOUNGE TABLE\nTAVOLO LOUNGE\nwood \nversion \ntop\npiano \nversione \nessenza\nwood \nversion \ntop\npiano \nversione \nessenza\nwood \nversion \ntop\npiano \nversione \nessenza\nwood \nversion \ntop\npiano \nversione \nessenza\n39,5 \u002F 40,5\n15 1\u002F2”  \u002F 16”  \nØ 50,5\nØ 19 7\u002F8”\nØ 50\nØ 19 5\u002F8”\n30 \u002F 31\n11 3\u002F4” \u002F 12 1\u002F4”  \nØ 120,5\nØ 47 1\u002F2”\nØ 120\nØ 47 1\u002F4”\nØ 42,5\nØ 16 3\u002F4”\nØ 40\nØ 15 3\u002F4”\n49,5 \u002F 50,5\n19 1\u002F2”  \u002F 19 7\u002F8”\n50,5\n19 7\u002F8”\nØ 58\nØ 22 7\u002F8”\nØ 61\nØ 24”\nØ 120,5\nØ 47 1\u002F2”\n65 \u002F 66\n25 5\u002F8” \u002F 26”\nØ 120\nØ 47 1\u002F4”\n",236,{"image":957,"text":958,"number":959},"\u002Fmedia\u002Fimages\u002F97\u002F94b591a0afdd178c2da114967b5b15-285cf19dc3.237.png"," 470  471\nCOFFEE TABLES —   TAVOLINI\nWHEN RODOLFO DORDONI\nCOFFEE TABLE WITH DRAWER\nTAVOLINO CON CASSETTO\n50\n19 3\u002F4”\nØ 50\nØ 19 3\u002F4”\nVICINO TABLE FOSTER + PARTNERS\n50\n19 5\u002F8”\nØ 40\nØ 15 3\u002F4”\nTESO FOSTER + PARTNERS\n31\n12 1\u002F4”\nØ 118\nØ 46 1\u002F2”\nROUND COFFEE TABLE\nTAVOLINO ROTONDO\nROUND COFFEE TABLE\nTAVOLINO ROTONDO\nROUND COFFEE TABLE\nTAVOLINO ROTONDO\nROUND COFFEE TABLE\nTAVOLINO ROTONDO\nRECTANGULAR COFFEE TABLE\nTAVOLINO RETTANGOLARE\nREGENT VINCENT VAN DUYSEN\nRECTANGULAR COFFEE TABLE\nTAVOLINO RETTANGOLARE\nSQUARE COFFEE TABLE\nTAVOLINO QUADRATO\nSQUARE COFFEE TABLE\nTAVOLINO QUADRATO\n88\n34 5\u002F8”\n40 \n15 3\u002F4”\n35\n13 3\u002F4”\n160\n63”\n90\n35 3\u002F8”\n35\n13 3\u002F4”\n90\n35 3\u002F8”\n90\n35 3\u002F8”\n120\n47 1\u002F4”\n120\n47 1\u002F4”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n40\n15 3\u002F4”\n40\n15 3\u002F4”\nØ 45\nØ 17 3\u002F4”\nØ 60\nØ 23 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\nØ 45\nØ 17 3\u002F4”\nØ 60\nØ 23 5\u002F8”\nCONSOLE\nCONSOLLE\nREMI VINCENT VAN DUYSEN\n230\n90 1\u002F2”\n55\n21 5\u002F8”\n55\n21 5\u002F8”\n \nPANNA COTTA RON GILAD\nOVAL COFFEE TABLE\nTAVOLINO OVALE\n35\n13 3\u002F4”\n180\n70 7\u002F8”\n50\n19 5\u002F8”\nROUND COFFEE TABLE\nTAVOLINO ROTONDO\n50\n19 5\u002F8”\nØ 40\nØ 15 3\u002F4”\nROUND COFFEE TABLE\nTAVOLINO ROTONDO\n42\n16 1\u002F2”\nØ 55\nØ 21 5\u002F8”\nPICEA VINCENT VAN DUYSEN \nCOFFEE TABLE\nTAVOLINO\n45\n17 3\u002F4”\nØ 35,4\nØ 13 7\u002F8”\nD.754.1 GIO PONTI\n240\n94 1\u002F2”\n245\n96 1\u002F2”\nCARPET\nTAPPETO\nATALANTE by Ruckstuhl NICOLA GALLIZIA\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n200\n78 3\u002F4”\nCARPETS —   TAPPETI\nDEDALO by Pierre Frey MARTA FERRI\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n200\n78 3\u002F4”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n500\n196 7\u002F8”\n300\n118 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