[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-medulum-news-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":196},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":191,"matched_pages":192,"match_count":193,"two_pages":194,"show_text":195},12384,"News 2023","medulum-news-2023","\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F97\u002Fd686ca96201c9e377520774991477f-26fcb1606a.pdf","Medulum",2287,"medulum","17.7 MB",[14,17,21,25,29,32,36,40,44,48,51,55,59,63,67,70,74,78,82,86,89,93,97,101,105,108,112,116,120,124,128,132,135,139,143,147,151,155,159,162,166,169,173,177,181,184,188],{"image":7,"text":15,"number":16},"NEWS 2023\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.2.png","ACQUABELLA\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.3.png","ACQUABELLA\nIT\n Lo scorrere dell’acqua, dalla sorgente all’Urbe, \ne l’incedere del tempo nel corso dei secoli: l’acquedotto \nromano ripreso nella sua maestosa eleganza formale, tra \npragmatismo tecnologico e archeologia della memoria.\nOpere di ingegneria idraulica imponenti e sofisticate, \ngli acquedotti romani sono stati definiti come la più \nalta manifestazione della grandezza di Roma: Acqua-\nbella, il progetto della designer milanese Viviana De-\ngrandi per MEDULUM, ne riprende la struttura ad archi \ntrasformandola nel dettaglio chiave di un tavolo dalle \nforme essenziali, al tempo stesso altamente evocative.\nAcquabella è un progetto d’arredo che nasce da una \nlunga indagine della designer sul tema delle acque, \ncon i suoi significati multiformi e i forti richiami simbo-\nlici al mondo delle emozioni e dello scorrere del tempo.\nDESIGNER\nViviana De Grandi\nANNO DI PRODUZIONE\n2022\nEN\n The flow of the water, from the source to the \ncity, and the effect of time over the course of the cen-\nturies: the Roman aqueduct captured in its majestic \nformal elegance, between technological pragmatism \nand the archaeology of memory.\nImposing and sophisticated works of hydraulic engi-\nneering, the Roman aqueducts have been described as \nthe greatest manifestation of Rome’s grandeur: Ac-\nquabella, the work by Milanese designer Viviana De-\ngrandi for MEDULUM, borrows their arched structure \nand transforms it into the key detail of a table which is \nminimalist in form, but at the same time highly evoca-\ntive. Acquabella is a furniture design born of the de-\nsigner’s long investigation on the topic of water, with \nits manifold meanings and strong symbolic references \nto the world of emotions and the passage of time.\nDESIGNER\nViviana De Grandi\nPRODUCTION YEAR\n2022\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.4.png","ACQUABELLA\nCardine estetico e costruttivo del progetto, questa \nsuddivisione genera un inaspettato intarsio visivo tra \npieni e vuoti - ulteriormente sottolineato dagli \nspessori ricurvi e smussati degli elementi portanti e \ndel piano di appoggio - in grado di imprimere ritmo, \ndinamismo e leggerezza al complemento d’arredo nel \nsuo insieme. Le venature del materiale ligneo, \nsottolineate dalla finitura monocromatica, amplificano \ninfine l’aspetto materico del tavolo e la suggestione \narchitettonica dell’oggetto stesso, essenziale e al \ntempo stesso iconico. \n The aesthetic and structural linchpin of the \ndesign, this subdivision generates an unexpected \nvisual inlay between solids and voids – further \nhighlighted by the curved and chamfered thicknesses \nof the supporting elements and the tabletop – able to \nimpose rhythm, dynamism and lightness on the piece \nof furniture in its entirety. The woodgrain, highlighted \nby the single-colour finish, amplifies the textural \naspect of the table and the architectural \nsuggestiveness of the object itself, minimalist while\nat the same time iconic.\nOgni gamba, composta da due parallelepipedi \na sezione triangolare, si separa in due archi in \nprossimità del piano, andando a delineare una \nstruttura ad arcate che abbraccia con leggerezza\nil perimetro della parte superiore del tavolo. \nEach leg, composed of two parallelepipeds of \ntriangular cross section, separates into two arches \nnear the surface, delineating an arcade structure \nwhich gently embraces the perimeter of the upper \npart of the table.\n",4,{"image":30,"text":19,"number":31},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.5.png",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.6.png","DIMENSIONI \u002F DIMENSIONS\n— 110 W110 x H75 x D110 cm\n— 160 W160 x H75 x D80 cm\n— 220 W220 x H75 x D100 cm\nMATERIALI \u002F MATERIALS\nLegno massellato in essenza impiallacciato, \ntamburato massellato impiallacciato.\nSolid wood in veneered essence, solid honeycomb \nveneered.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n75\n110\n110\n160\n80\n75\n80\n220\n100\n75\n100\n110\n160\n220\n02\ncanaletto walnut\nnoce canaletto\n01\noak\nrovere\n03\nItalian walnut\nnoce nazionale\n09\nblack painted\nopen-pore ash\nfrassino laccato nero\na poro aperto\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.7.png","ARCATE\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.8.png","ARCATE\nIT\n La chiesa di Santa Fosca, il Duomo di Torcello \ne quello di Murano: in uno stile architettonico austero, \nla raffinata lievità degli archi che si susseguono se-\nguendo un ritmo costante. Le isole minori della laguna \ne i suoi edifici romanici. \nLa linea curva e quella retta, i pieni e i vuoti, la severità \ne la leggerezza; e, sopra ogni cosa, la raffinata lievità \ndegli archi che si susseguono seguendo un ritmo \ncostante. Rappresenta un dichiarato omaggio ad uno \ndegli elementi architettonici essenziali - l’arco nella sua \ndeclinazione tipica delle costruzioni romaniche, pre-\nsenti in diverse aree del Veneto così come in alcune \nisole minori della laguna - la serie di arredi Arcate, \ncomposta da settimanali, cassettiere e comodini; una \nfamiglia di complementi dalla superficie vibrante e dalla \nvocazione fortemente architettonica ideata dallo stu-\ndio milanese AccardiBuccheri – Mauro Accardi e Silvia \nBuccheri, progettisti architettonici, designer e direttori \nartistici del brand - per MEDULUM. \nDESIGNER\nAccardiBuccheri\nANNO DI PRODUZIONE\n2022\nEN\n Santa Fosca church, the Torcello and Murano \nbasilicas: in an austere architectural style, the refined \nlightness of the arches which follow on from each oth-\ner at a constant rhythm. The smaller islands of the la-\ngoon and its Romanesque buildings.\nThe curved and straight lines, the solids and voids, \nthe austerity and lightness; and, above all, the refined \nlightness of the arches which follow on from each \nother at a constant rhythm. The Arcate collection of \nfurniture represents a stated homage to one of the es-\nsential architectural elements – the arch in its typical \nvariation of Romanesque constructions, present in \nvarious areas of the Veneto region such as some of the \nsmaller islands of the Venetian lagoon – consisting of \nseven-drawer chests, dressers and bedside tables. It is \na family of furniture with vibrant surfaces and a \nstrongly architectural vocation, designed by Milanese \nstudio AccardiBuccheri – Mauro Accardi and Silvia \nBuccheri, architectural designers, designers and artis-\ntic directors of the brand – for MEDULUM. \nDESIGNER\nAccardiBuccheri\nPRODUCTION YEAR\n2022\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.9.png","ARCATE\nL’utilizzo dell’essenza di noce canaletto amplifica\nla natura scultorea di questi oggetti, enfatizzata dal \nparticolare disegno delle maniglie, rivelatrici di una \nulteriore, importante caratteristica: la presenza di \nampi cassetti a sottolineare la vocazione, altamente \nfunzionale della collezione.\nThe use of canaletto walnut amplifies the \nsculptural nature of these objects, emphasised\nby the particular design of the handles, which reveal\na further, important characteristic: the presence of \nlarge drawers to emphasise the highly functional \nvocation of the collection.\nL’alternarsi costante di una serie di archi \ndefinisce così la geometria di Arcate: \nelementi in legno massello, sapientemente \nfresati con maestria manifatturiera, \ncreano un sistema di gole e di maniglie che \nne contraddistinguono la superficie, pur \nrimanendo apparentemente invisibili. \nThe constant alternation of a series of arches \nthus defines the geometry of Arcate: solid \nwood elements, skilfully milled with mastery \nof the manufacturing process, create a system \nof recesses and handles which mark out the \nsurface, while remaining apparently invisible.\n",9,{"image":49,"text":38,"number":50},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.10.png",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.11.png","DIMENSIONI \u002F DIMENSIONS\n— AR.SET  W65 x H142,5 x D48,5 cm\n7 cassetti\n7 drawers\n— AR.CO W111,5 x H74 x D48,5 cm\n4 cassetti\n4 drawers\n— AR.COM  W49,5 x H55 x D48,5 cm\n3 cassetti\n3 drawers\nMATERIALI \u002F MATERIALS\nMultistrato curvato impiallacciato, legno massello.\nCurved plywood veneered, solid wood.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n55\n49,5\n48,5\nCOMODINO\n142,5\n65\n48,5\nSETTIMANALE\n02\ncanaletto walnut\nnoce canaletto\n01\noak\nrovere\n09\nblack painted\nopen-pore ash\nfrassino laccato nero\na poro aperto\n03\nItalian walnut\nnoce nazionale\n74\n111,5\n48,5\nCOMÒ\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.12.png","ASTRO\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.13.png","ASTRO\nIT\n  Si può addomesticare una stella? La materici-\ntà del legno si accende attraverso un caleidoscopio di \nessenze disposte a raggiera: gli effetti ottici disegnati \ndagli intarsi lapidei presenti nelle chiese e nei palazzi di \nVenezia. \nUn arredo ibrido che vuole adempiere alla funzione di \nmobile contenitore e al tempo stesso fungere da ele-\nmento scultoreo, oggetto custode di sogni e desideri. \nFunzionale e decorativo allo stesso tempo, Astro – pro-\ngettato dallo studio di design veneto DEBONADEMEO \n- testimonia l’altissima abilità manifatturiera ed ebani-\nstica di MEDULUM, applicata in questo caso alla realiz-\nzazione di uno scrigno per l’arredo contemporaneo. \nDESIGNER\nDebonaDemeo\nANNO DI PRODUZIONE\n2022\nEN\n  Can you tame a star? The textural nature of \nwood lights up through a kaleidoscope of different \nspecies arranged in a sunburst: the optical effects rep-\nresented by the stone inlay work present in the church-\nes and palazzi of Venice. \nA hybrid piece of furniture which aims to both fill the \nrole of container, while also functioning as a sculptural \nelement, the custodian of dreams and desires. Func-\ntional and decorative at the same time, Astro – de-\nsigned by Venetian design studio DEBONADEMEO – \nbears testament to the very high manufacturing and \ncabinetry skill of MEDULUM, applied in this case to the \ncreation of a trunk for contemporary furnishing.  \nDESIGNER\nDebonaDemeo\nPRODUCTION YEAR\n2022\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.14.png","ASTRO\nL’esile struttura in metallo, concepita come un \npiedistallo di memoria museale, fa da supporto a un \nvolume essenziale che esalta l’estetica naturale del \nlegno di cui è composto. Il ritmo geometrico degli \nspicchi a raggiera nasconde il perimetro delle ante, \nche consentono al mobile di aprirsi svelando al suo \ninterno un vano contenitivo organizzato attraverso \nripiani metallici. La forma stessa delle ante, che \npresentano una strombatura verso il centro, dona un \neffetto dinamico alla composizione, quasi anamorfica \na seconda dei punti di osservazione. \n The slender metal structure, designed as a \npedestal of museum memory, supports a streamlined \nvolume which exalts the natural look of the wood it is \ncomposed of. The geometric rhythm of the sunburst \nwedges hides the perimeter of the door, which allows \nthe item to open up, revealing an internal storage \ncompartment organised with metal shelves. The shape \nof the door itself, which is splayed towards the centre, \nlends a dynamic effect to the composition, almost \nanamorphic depending on where it is viewed from. \nIn questa collezione il duo di designer\nLuca De Bona e Dario De Meo prosegue il \ntema della ricerca dell’effetto ottico ricavato \nattraverso l’intarsio ligneo, indagato in una \nserie di arredi precedentemente sviluppati \nper il brand veneto.\nIn this collection, the design duo\nLuca De Bona and Dario De Meo continue \ntheir topic of research into optical effects \ncreated using inlay work, investigated \nin a series of furniture pieces previously \ndeveloped for the Venetian brand.\n",14,{"image":68,"text":57,"number":69},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.15.png",15,{"image":71,"text":72,"number":73},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.16.png","DIMENSIONI \u002F DIMENSIONS\n— AST.03 W100 x H172 x D50 cm\nMATERIALI \u002F MATERIALS\nLegno impiallacciato, metallo verniciato nero opaco,\nripiani in acciaio\nVeneered wood, matt black painted metal,\nsteel shelves.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n172\n50\n100\n84\n39\n50\n200\n20\n20\n20\n34\nAST.03\nI5\nmatt black painted metal legs\nmetallo verniciato nero opaco\n02\ncanaletto walnut\nnoce canaletto\n03\nItalian walnut\nnoce nazionale\nG2\nextraclear\nextrachiaro\n",16,{"image":75,"text":76,"number":77},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.17.png","GENGÈ\n",17,{"image":79,"text":80,"number":81},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.18.png","GENGÈ\nIT\n  “Una realtà non ci fu data e non c’è, ma dobbia-\nmo farcela noi, se vogliamo essere: e non sarà mai una per \ntutti, una per sempre, ma di continuo e infinitamente \nmutabile.” Luigi Pirandello – Uno, nessuno e centomila\n. \nGrazie ad un particolare gioco di punti di vista, chi si trova \ndavanti a Gengè – il complemento d’arredo ideato dai de-\nsigner Matteo Vilardo e Marcello Marino per MEDULUM - \npuò scrutare la sua immagine solo cercando la giusta an-\ngolazione, mentre chi osserva dall’esterno continuerà a \nvedere soltanto la maschera disegnata dall’oggetto. Una \ncollezione di non specchi – al tempo stesso particolarissi-\nma, altamente scenografica eppure essenziale – che in-\nduce a riflettere sul tema dell’identità all’interno della \nsocietà contemporanea, spronando l’osservatore a non \nfermare la propria ricerca alle maschere che si sovrappon-\ngono tra noi e la realtà. In questo modo viene così reinter-\npretato attraverso gli strumenti del design l’antico e im-\nportante tema del doppio: ciò che siamo davvero e ciò che \ngli altri vedono di noi.\nDESIGNER\nMatteo Vilardo e Marcello Marino \nANNO DI PRODUZIONE\n2022\nEN\n  “Because a reality wasn’t given to us and is \nnot there; but we have to make it ourselves, if we want \nto be; and it will never be one for ever, but constant \nand infinitely changeable.” Luigi Pirandello – One, No \nOne and One Hundred Thousand.\nThanks to a particular interplay of points of view, when \nlooking at Gengè – the furniture accessory designed \nby Matteo Vilardo and Marcello Marino per MEDULUM \n– it is only possible to scrutinise its image when looking \nfrom the right angle, while those looking from the out-\nside will continue to see only the mask formed by the \nobject. A collection of non-mirrors – at the same time \nhighly unusual, spectacular and yet minimalist – which \nleads the observer to reflect on the topic of identity \nwithin contemporary society, spurring them not to \nstop their search for the masks which overlap between \nourselves and reality. Thus, the ancient and extremely \nimportant topic of the double is reinterpreted through \nthe tools of design: what we really are and what others \nsee of us.   \nDESIGNER\nMatteo Vilardo and Marcello Marino \nPRODUCTION YEAR\n2022\n",18,{"image":83,"text":84,"number":85},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.19.png","GENGÈ\nUna collezione di non-specchi che vuole portare \nl’osservatore ad indagare – in una modalità \ncontemporanea e al tempo stesso scevra da ogni \nforma di virtualità – il tema antico della propria \nidentità e del suo doppio; utilizzando la maschera \ncome forma, lo specchio come strumento e un \ndiaframma in legno come espediente ottico. \nA collection of non-mirrors which aims to lead the \nobserver to investigate – in a manner which is \ncontemporary yet at the same time free of any form of \nvirtuality – the ancient theme of identity and its \ndouble; using the mask as the shape, the mirror as the \ninstrument and a wooden diaphragm as an optical \nexpedient. \nOmaggio dichiarato dei progettisti allo scrittore Pirandello e \nal protagonista del romanzo Uno, nessuno e centomila, Gengè \nrappresenta indirettamente anche un tributo alle proprie comuni \norigini siciliane. \nA stated homage by the designers to Italian writer Pirandello \nand the protagonist of his novel Uno, nessuno e centomila (One, \nNo One and One Hundred Thousand), Gengè also indirectly \nrepresents a tribute to his common Sicilian origins. \n",19,{"image":87,"text":76,"number":88},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.20.png",20,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.21.png","DIMENSIONI \u002F DIMENSIONS\n— GENGÈ1 W123,5 x H173 x D4,8 cm\n— GENGÈ2 W123,5 x H194 x D4,8 cm\nMATERIALI \u002F MATERIALS\nSpecchio acrilico, MDF, legno, massello.\nAcrylic mirror, MDF, solid wood.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n123,5\n173\nGENGÈ1\n194\n123,5\nGENGÈ2\nL14\ngold painted\nlaccato oro\nG3\nacrylic mirror\nspecchio in acrilico\n01\noak\nrovere\n02\ncanaletto walnut\nnoce canaletto\n10\nmahogany\nmogano\n",21,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.22.png","MILLA\n",22,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.23.png","MILLA\nIT\n  “La moda non è ornamento, è architettura: non \nbasta che un vestito sia bello, dev’essere costruito come \nun palazzo, poiché come un palazzo esso è la materializ-\nzazione di una idea.” Roberto Capucci – La ricerca della \nregalità.\nIn MILLA - la madia progettata per MEDULUM dal desi-\ngner meneghino Filippo Protasoni - un semplice nastro in \ntessuto naturale si trasforma in decoro e dipana il suo in-\ntreccio - al tempo stesso netto e geometrico, tattile e \nmaterico – lungo le ante frontali dell’arredo, dalle super-\nfici levigate in noce canaletto. Un fare delicato ripropone \nil gesto dell’intreccio inteso nella sua forma primordiale, \ncon i fili intersecati sul telaio uno ad uno, manualmente, \ncon gli spazi che piano piano si riempiono fino a farsi su-\nperficie, Il contrasto materico nel dialogo tra il materiale \ntessile e quello ligneo appare enfatizzato dalla presenza \ndi esili punti d’appoggio in ottone: elementi strutturali \ndalla linearità raffinata ed essenziale, emergono come \nbagliori di luce, scintille di riflessione. Come una spilla \npuntata su un abito. \nDESIGNER\nFilippo Protasoni \nANNO DI PRODUZIONE\n2022\nEN\n  “Fashion is not an ornament, it is architec-\nture. It isn’t enough that a dress be beautiful, It has to \nbe built like a building, because like a building it is the \nmaterialisation of an idea.” Roberto Capucci – La ricer-\nca della regalità.\nIn MILLA – the cabinet designed for MEDULUM by Mil-\nanese designer Filippo Protasoni – a simple ribbon of \nnatural-fibre fabric transforms into a decoration and \nuntangles its weave – at once both clean and geomet-\nric, tactile and textural – along the front doors of the \npiece of furniture, with their smooth black walnut sur-\nfaces. A delicate realisation once again proposes the \nweave understood in its primordial form, with the \nthreads intersecting on the frame individually, by \nhand, with the spaces which gradually fill up until they \nbecome surfaces, the textural contrast in the dialogue \nbetween the fabric and the wood is emphasised by the \npresence of slender support points made of brass: \nstructural elements with a sleek and refined linearity \nemerge gleaming as they reflect sparks of light. Like \npins in a dress.  \nDESIGNER\nFilippo Protasoni\nPRODUCTION YEAR\n2022\n",23,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.24.png","MILLA\nL’incontro di due eccellenze del saper fare italiano, \na generare un dialogo inatteso e sorprendente. Un \ncomplemento d’arredo che intreccia la profonda \ncultura del tessuto che caratterizza - nel nostro Paese \n- il mondo della moda, e la forte expertise \nmanifatturiera che contraddistingue il comparto \ndell’arredo.\n The coming together of two giants of Italian \nknow-how creates an unexpected and surprising \ndialogue. A piece of furniture which weaves together \nthe profound culture of the fabric of the Italian \nfashion industry and the strong manufacturing \nexpertise which sets apart the furniture sector.\nAl pari di una trama sapientemente \nintrecciata, di un abito sartoriale creato \nsu misura, in MILLA il nastro si pone al \ncentro del progetto: ne definisce gli spazi e \nli interpreta, ne diventa la voce narrante. \nL’idea prende forma e diventa architettura; \nnon è solo stoffa, è un pensiero. \nLike the skilfully woven weft of a tailor-\nmade piece of attire, in MILLA the fabric \nstrip lies at the centre of the design: it defines \nits spaces and interprets them, becoming the \nnarrative voice. The idea takes shape and \nbecomes architecture; it is not just cloth, but \nrather a thought. \n",24,{"image":106,"text":95,"number":107},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.25.png",25,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.26.png","DIMENSIONI \u002F DIMENSIONS\n— MB183.L W183 x H42 x D43 cm\n— MB222.L W222 x H42 x D43 cm\n— MA183.L W183 x H61 x D43 cm\n— MA222.L W222 x H61 x D43 cm\nMATERIALI \u002F MATERIALS\nLegno impiallacciato, massello di legno, nastro,\nottone satinato verniciato.\nVeneered wood, solid wood, ribbon,\nvarnished satin brass.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n42\n42\n222\n43\n43\nMILLA BASSO 222\n61\n42\n222\n43\n43\nMILLA ALTO 222\n61\n42\n183\n43\n43\nMILLA ALTO 183\n42\n42\n183\n43\n43\nMILLA BASSO 183\n02\ncanaletto walnut\nnoce canaletto\n03\nItalian walnut\nnoce nazionale\n01\noak\nrovere\nL\nlacquered finishes\nfiniture laccate\nC7\nEcru rigid grosgrain ribbon\nnastro rigido grosgrain ecru\nC6\nBlue rigid grosgrain ribbon\nnastro rigido grosgrain blu\n",26,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.27.png","LACQUER\nL11\nsage green\nverde salvia\nL12\nrantique pink\nrosa antico\nL13\ncandy pink\nrosa caramella\nL14\ngold painted\nlaccato oro\nL15\ncobalt blue\nblu cobalto\nL2\nmint green\nverde menta\nL5\npowder pink\nrosa cipria\nL3\npetrol green\nverde petrolio\nL1\nsky blue\nazzurro cielo\nL4\nbrick red\nrosso mattone\nL6\ngrey white\nbianco grigio\nL8\nblue\nblu\nL9\ncockatoo green\nverde cockatoo\nL7\nyellow\ngiallo\nL10\ncalypso\ncalypso\n",27,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.28.png","PARVATI\n",28,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.29.png","IT\n Viaggio in India. Sulle tracce di Parvati, sposa \ndi Shiva e dea del matrimonio, figura benevola venera-\nta dalle donne indiane che le rendono omaggio indos-\nsando preziosi anelli al naso. \nLa collezione - declinata in tre varianti differenti: \nNanda, nella versione cabinet e cassettiera, e la madia \nUma - emerge per l’utilizzo di legni dalle nuances deci-\nse e vivaci, da cui emergono evidenti le venature della \nmateria, e per la presenza di texture vibranti e multico-\nlor che rimandano alla cultura psichedelica degli anni \n’60: nel corso di quel periodo, numerosi artisti viaggia-\nrono attraverso le regioni indiane e si immersero in \nquesta cultura sfaccettata e multiforme, mixandola poi \ncon quella occidentale per dare vita a capolavori della \nmusica e dell’arte. \nLa natura composita di Parvati identifica inoltre la dea \nquale consorte di Shiva e simbolo di devozione coniu-\ngale: ancora oggi, le donne indiane le rendono omag-\ngio indossando al naso preziosi anelli d’oro, monili dal \nforte valore simbolico. Traendo ispirazione proprio da \nquesto aspetto, la collezione proposta dal brand rivela \nquindi un ulteriore tratto comune, la presenza di una \nmaniglia gioiello in ottone: un cameo di raffinata parti-\ncolarità per una serie di arredi dal carattere unico e in-\nconfondibile. \nDESIGNER\nSerena Confalonieri\nANNO DI PRODUZIONE\n2022\nEN\nJourney to India. On the path of Parvati, Shiva’s \nbride and goddess of matrimony, a benevolent figure \nvenerated by Indian women who pay homage to her by \nwearing precious nose rings.\nThe collection - available in three different variants: \nNanda, in the cabinet and chest of drawers version, the \nUma sideboard – stands out for its use of woods with de-\ncisive and vivacious nuances. The woodgrain catches the \neye in addition to the presence of vibrant, multi-coloured \ntextures which hark back to the psychedelic culture of the \n1960s: during that period, numerous artists journeyed \naround India and immersed themselves in this multi-fac-\neted and multifarious culture, mixing it back into the \nWestern one to create musical and artistic masterpieces. \nThe compositional nature of Parvati also identifies the \ngoddess as consort of Shiva and symbol of marital devo-\ntion: still today, Indian women pay homage to her by \nwearing precious gold rings on their noses, jewellery with \na strong symbolic value. Drawing inspiration precisely \nfrom this aspect, the collection proposed by the brand \nhas a further common aspect, the presence of a brass \nfeature handle: a cameo of refined distinctiveness for a \ncollection of furnishings with a unique and unmistakea-\nble character. \nDESIGNER\nSerena Confalonieri\nPRODUCTION YEAR\n2022\nNANDA\n",29,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.30.png","NANDA\nArredi realizzati con impiallacciature applicate su \nscocca di multistrato curvato. \nFurnishing elements made with veneers applied to \na curved plywood shell. \nGli accessori di Nanda, gambe di supporto, \ncerniere per apertura ante e maniglie,\nsono realizzate in metallo ottonato lucido \ne danno a questo cabinet l’aspetto di un \nprezioso gioiello.\nNanda’s accessories such as the supportive \nlegs, door hinges and doorknob, are made \nof polished, brass-plated metal and give this \ncabinet the appearance of a precious jewel.\n",30,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.31.png","NANDA\n",31,{"image":133,"text":130,"number":134},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.32.png",32,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.33.png","UMA\nCaratteristica di tutta la collezione Parvati\nè l’essenza effetto tessuto utilizzata per l’esterno\nche può essere di tonalità rossa, nera o blu.\n Characteristic of the Parvati collection\nis the fabric effect essence used for the exterior\nwhich can be red, black or blue.\nParvati, la dea benevola del pantheon \ninduista, simbolo di amore, devozione e \nfertilità. È la tradizione mitologica indiana \n- con il suo universo affascinante di divinità \ncreatrici e ordinatrici del cosmo - la musa \nispiratrice della collezione Parvati, serie \ndi complementi d’arredo ideata dalla \ndesigner milanese Serena Confalonieri per \nMEDULUM. \nParvati, the benevolent goddess of the \nHindu pantheon, symbol of love, devotion \nand fertility. It is the Indian mythological \ntradition – with its fascinating universe \nof cosmic creator and ruler divinities – \nwhich is the inspiration behind the Parvati \ncollection, a range of furniture created by \nMilanese designer Serena Confalonieri for \nMEDULUM. \n",33,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.34.png","UMA\n",34,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.35.png","DIMENSIONI \u002F DIMENSIONS\n— NAN.170 W100 x H170 x D44 cm\n2 ante e 2 ripiani in vetro\n2 doors and 2 shelves\n— NAN.140 W100 x H140 x D44 cm\n5 cassettini \n5 drawes\n— UMA W195 x H105 x D44 cm\nMATERIALI \u002F MATERIALS\nMultistrato impiallacciato verniciato trasparente\nDettagli ottonati (maniglia e parte di struttura)\nRipiani in vetro temperato extrachiaro 10mm \nTransparent varnished plywood\nBrass-plated details (handle and part of the structure)\n10mm extra-clear tempered glass shelves\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n100\n125\n170\n44\n50\n100\n125\n140\n19,2\n44\n50\n195\n65\n105\n44\n50\nNAN.170\nNAN.140\nUMA\nP01.in\nash tree blu\nfrassino tinto blu\nP02\nblu caleidolegno\ncaleidolegno blu\nP01\nred caleidolegno\ncaleidolegno rosso\nP01.out\nred tanganyka\ntanganika tinto rosso\nP02.out\nblu tanganyka\ntanganika tinto blu\nP02.in\nash tree jellow\nfrassino tinto giallo\nP03\nblack caleidolegno\ncaleidolegno nero\nP03.out\nblack tanganyka\ntanganica tinto nero\nM3\nottone lucido\npolished brass\nP03.in\nash tree light purple\nfrassino tinto viola\u003C\nM4\nacciaio ottonato lucido\npolished brass-plated steel\n",35,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.36.png","TURNO\n",36,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.37.png","TURNO\nIT\n “Deliziose tinte di seta, di venature rosa, di pal-\nlidi violetti come i corsetti di Veronese, di giallo oro con \nsfumature porporine, intense e vinose come le zimarre di \nTiziano… ondulano, si fondono, si confondono, sotto la \npioggia di raggi che il sole dardeggia dall’alto.”\nHyppolite Taine – Viaggio in Italia Turning identity.\nUn oggetto e le sue possibilità infinite; unico e incon-\nfondibile, al tempo stesso costantemente differente. Al \npari del paesaggio lagunare, nelle sue infinite sfumature \ndi riflessi luminosi, di bagliori e cangianti cromie, il tavo-\nlo progettato da frattinifrilli – il progettista meneghino \nDavide Frattini Frilli – si rivela un complemento d’arredo \ndall’identità inconfondibile, che esprime al tempo stes-\nso molteplici sfaccettature identitarie. \nDESIGNER\nFrattinifrilli\nANNO DI PRODUZIONE\n2022\nEN\n “Exquisite melting silken tints, veined roses \nand pale violets, like the draperies of Veronese, golden \norange, yellows, vinous and intense, like Titian’s simar-\nres … undulate, conflict, and lose themselves under \nthe innumerable flaming darts descending from above \nat every discharge of the sun’s rays.”\nHippolyte Taine, Italy Turning identity.\nAn object and its infinite possibilities; unique and un-\nmistakeable, while at the same time constantly differ-\nent. Like the lagoon landscape, in its infinite nuances \nof luminous reflections, glare and iridescent colours, \nthe table designed by frattinifrilli – Milanese designer \nDavide Frattini Frilli – reveals itself to be a piece of fur-\nniture with an unmistakeable identity, which simulta-\nneously expresses numerous aspects of its identity.  \nDESIGNER\nFrattinifrilli\nPRODUCTION YEAR\n2022\n",37,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.38.png","TURNO\nIn TURNO un piano d’appoggio dalla personalità \nimportante – massiccio e al tempo stesso lieve,\ndel tutto simile ad un solido volume scultoreo,\nal contempo ingentilito dalle forme lievemente \nstondate - alloggia quattro elementi da appoggio\na base semicircolare, altrettanto compatti e decisi \nnella loro plastica linearità. Le diverse componenti \ndell’arredo esprimono, nel loro insieme, un \nmeccanismo ingegnoso e sorprendente: le gambe, \nruotando su loro stesse e posizionandosi in modalità \ndifferente in relazione al piano, giungono infatti\na definire molteplici configurazioni differenti.\nIn TURNO, a tabletop with an imposing personality \n– solid, and at the same time lightweight, entirely \nsimilar to a solid sculpture, at the same time refined \nby the gently rounded forms – houses four supporting \nelements with semi-circular base, equally compact \nand decisive in their plastic linearity. The various \ncomponents of the furniture piece together express \nan ingenious and surprising mechanism: the legs, \nrotating on themselves and positioning themselves \ndifferently in relation to the surface, indeed going so \nfar as defining numerous different configurations. \nTURNO è un tavolo che diventa infiniti \ntavoli: racchiude in sé il concetto stesso di \npersonalizzazione e progettualità su misura, \ne pone al centro l’interazione con lo spazio \ne la relazione con chi lo sceglie per il proprio \npaesaggio domestico.\nTURNO is a table which becomes infinite \ntables: it contains within it the concept of \ncustomisation and tailor-made design, and \ncentres on interaction with the space and the \nrelationship with the person choosing it for \ntheir own domestic landscape.\n",38,{"image":160,"text":149,"number":161},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.39.png",39,{"image":163,"text":164,"number":165},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.40.png","DIMENSIONI \u002F DIMENSIONS\n— TUR120.L  W120 x H75 x D120 cm\n— TUR130.L Ø130 x H75 cm\nMATERIALI \u002F MATERIALS\nTamburato massellato laccato, multistrato curvato \nlaccato o impiallacciato.\nSolid honeycomb lacquered, curved plywood \nlacquered or veneered.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\nA\nB\nC\nE\nD\n75\n120\n120\nTUR120.L\nI4\nruby red\nrosso rubino\n01\noak\nrovere\n03\nItalian walnut\nnoce nazionale\n75\n130\n130\nTUR130.L\n02\ncanaletto walnut\nnoce canaletto\nL\nlacquered finishes\nfiniture laccate\n",40,{"image":167,"text":114,"number":168},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.41.png",41,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.42.png","VARIAZIONI\n",42,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.43.png","VARIAZIONI\nIT\n Specchio di luce disteso e riflettente, l’acqua \ndella laguna veneta prende vita al passaggio delle imbar-\ncazioni, arricchendosi di mutazioni cromatiche e incre-\nspature luminose in un continuo riverbero che ne anima \nla superficie.\nIn VARIAZIONI, il complemento d’arredo progettato per il \nbrand da NAESSI STUDIO – il duo di designer romani Ele-\nonora Carbone e Alessandro D’Angeli - tarsie circolari si \nsovrappongono e si rincorrono lungo l’intera circonfe-\nrenza del piano d’appoggio, sostenuto da una base a sua \nvolta circolare, posta al centro del tavolo. Gli intarsi tono \nsu tono, generati da intagli della stessa essenza, celebra-\nno la versatilità estetica del legno, materiale nobile e na-\nturale per eccellenza: ogni porzione di fibra lignea, ruo-\ntata di pochi gradi rispetto all’orientamento base, assorbe \nla luce e la restituisce con vibrazioni cromatiche, effetti di \nprofondità e segni geometrici inaspettati. Il cambiare del \npunto di vista porta con sé il mutare della superficie del \ntavolo, in un risultato estetico dal carattere ritmico e sor-\nprendente. Un dinamismo visivo particolarissimo, testi-\nmone della forte expertise manifatturiera del brand, che \nrispecchia la funzione dinamica dell’oggetto stesso, pen-\nsato per riunire le persone e suggerire connessioni e \nscambi di idee. \nDESIGNER\nNæssi\nANNO DI PRODUZIONE\n2022\nEN\n A vast, mirror-like expanse, the waters of the \nVenetian lagoon come to life with the passage of ves-\nsels, taking on chromatic mutations and luminous \nwrinkles in a continuous reflection which brings its \nsurface to life. \nIn VARIATIONS, the piece of furniture designed for the \nbrand by NAESSI STUDIO – the Roman design duo Ele-\nonora Carbone and Alessandro D’Angeli – circular inlays \noverlap and follow each other along the entire circum-\nference of the tabletop, supported by a base which is \nalso circular, located at the centre of the table. The ton \nsur ton inlays, created from intaglios of the same spe-\ncies, celebrate the aesthetic versatility of wood, the \nmost natural and noble material of all: each portion of \nwood fibre, rotated by a few degrees compared to the \nbase orientation, absorbs light and gives it back with \nunexpected chromatic vibrations, depth effects and ge-\nometric signs. Changing viewing point causes the sur-\nface of the table to transform, an aesthetic result with a \nrhythmic and surprising nature. A highly unusual visual \ndynamism, testament to the brand’s strong expertise in \nmanufacturing, which reflects the dynamic function of \nthe object itself, designed to bring people together and \nsuggest connections and exchanges of ideas. \nDESIGNER\nNæssi\nPRODUCTION YEAR\n2022\n",43,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.44.png","VARIAZIONI\nVARIAZIONI nasce dal desiderio dei progettisti di \nesaltare in primo luogo l’estetica cangiante della \nmateria lignea; proprio come l’acqua della laguna, che \nimprovvisamente prende vita e ci sorprende attraverso \nmutazioni cromatiche e riflessi inaspettati.\n VARIAZIONI was born of the designer’s desire to \nbring to the fore the iridescent look of the wood – just \nlike the waters of the lagoon, which suddenly come to \nlife and surprise us through changes of colour and \nunexpected reflections.\nUna collezione di tavoli caratterizzati\nda forme archetipiche, proporzioni \nimponenti e un gioco di intarsi lieve\ned essenziale, che ne anima in modo inatteso \nl’intera superficie del piano. \nA collection of tables of archetypical \nforms, imposing proportions and a light, \nminimalist interplay of inlays which\nbrings the entire tabletop to life in an \nunexpected manner. \n",44,{"image":182,"text":171,"number":183},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.45.png",45,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.46.png","DIMENSIONI \u002F DIMENSIONS\n— VAR125.01 Ø125 x H73 cm\n— VAR220.01 W220 x H73 x D110 cm\n— VAR330.01 W330 x H73 x D110 cm\nMATERIALI \u002F MATERIALS\nTamburato massellato impiallacciato rovere, \nmultistrato curvato impiallacciato rovere.\nSolid honeycomb in oak veneer,  \ncurved plywood veneered in oak.\nFINITURE \u002F FINISHES\nTECHNICAL INFO\n73\n125\n125\nVAR125.01\n73\n110\n220\n110\nVAR220.01\n73\n110\n330\n110\nVAR330.01\n01\noak\nrovere\n",46,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002Fb7\u002Fab155a5a31f8957b9c8cca2bc68935-26fcb1d55b.47.png","Let’s keep in touch\nHead Office address\nVia A. Toscanini 8\u002FA - 30020 Meolo\nVenice, Italy\nphone number\n+39 042161730\ne-mail\ncommerciale@medulum.it\nwww.medulum.it\n",47,[],0,false,true,{"success":195,"data":197,"meta":414,"count":415,"next":416,"previous":417,"results":454,"brand_chips":515},[198,211,223,236,246,259,272,282,292,301,311,323,333,343,352,362,375,385,395,405],{"id":199,"title":200,"slug":201,"image":202,"source":203,"brand_name":204,"brand":205,"brand_slug":206,"file_size":207,"pages":208,"pages_count":209,"matched_pages":210,"match_count":193,"two_pages":194,"show_text":195},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],100,[],{"id":212,"title":213,"slug":214,"image":215,"source":216,"brand_name":217,"brand":218,"brand_slug":219,"file_size":220,"pages":221,"pages_count":191,"matched_pages":222,"match_count":193,"two_pages":194,"show_text":195},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":224,"title":225,"slug":226,"image":227,"source":228,"brand_name":229,"brand":230,"brand_slug":231,"file_size":232,"pages":233,"pages_count":234,"matched_pages":235,"match_count":193,"two_pages":194,"show_text":195},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":237,"title":238,"slug":239,"image":240,"source":241,"brand_name":229,"brand":230,"brand_slug":231,"file_size":242,"pages":243,"pages_count":244,"matched_pages":245,"match_count":193,"two_pages":194,"show_text":195},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],109,[],{"id":247,"title":248,"slug":249,"image":250,"source":251,"brand_name":252,"brand":253,"brand_slug":254,"file_size":255,"pages":256,"pages_count":257,"matched_pages":258,"match_count":193,"two_pages":194,"show_text":195},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":260,"title":261,"slug":262,"image":263,"source":264,"brand_name":265,"brand":266,"brand_slug":267,"file_size":268,"pages":269,"pages_count":270,"matched_pages":271,"match_count":193,"two_pages":194,"show_text":195},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],63,[],{"id":273,"title":274,"slug":275,"image":276,"source":277,"brand_name":265,"brand":266,"brand_slug":267,"file_size":278,"pages":279,"pages_count":280,"matched_pages":281,"match_count":193,"two_pages":194,"show_text":195},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":283,"title":284,"slug":285,"image":286,"source":287,"brand_name":265,"brand":266,"brand_slug":267,"file_size":288,"pages":289,"pages_count":290,"matched_pages":291,"match_count":193,"two_pages":194,"show_text":195},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":293,"title":294,"slug":295,"image":296,"source":297,"brand_name":265,"brand":266,"brand_slug":267,"file_size":298,"pages":299,"pages_count":176,"matched_pages":300,"match_count":193,"two_pages":194,"show_text":195},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":302,"title":303,"slug":304,"image":305,"source":306,"brand_name":265,"brand":266,"brand_slug":267,"file_size":307,"pages":308,"pages_count":309,"matched_pages":310,"match_count":193,"two_pages":194,"show_text":195},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],146,[],{"id":312,"title":313,"slug":314,"image":315,"source":316,"brand_name":317,"brand":318,"brand_slug":319,"file_size":320,"pages":321,"pages_count":77,"matched_pages":322,"match_count":193,"two_pages":194,"show_text":195},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":324,"title":325,"slug":326,"image":327,"source":328,"brand_name":265,"brand":266,"brand_slug":267,"file_size":329,"pages":330,"pages_count":331,"matched_pages":332,"match_count":193,"two_pages":194,"show_text":195},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],101,[],{"id":334,"title":335,"slug":336,"image":337,"source":338,"brand_name":265,"brand":266,"brand_slug":267,"file_size":339,"pages":340,"pages_count":341,"matched_pages":342,"match_count":193,"two_pages":194,"show_text":195},26583,"Pigment France 2026","giobagnara-pigment-france-2026","\u002Fmedia\u002Fimages\u002F00\u002F394bcaf5adfa23d7243aa512a0dd67-292d16393c.1.png","\u002Fprivate\u002Ffiles\u002Fc4\u002F485c540ca42207213690262e6468a2-292d14d9b5.pdf","127.5 MB",[],151,[],{"id":344,"title":345,"slug":346,"image":347,"source":348,"brand_name":265,"brand":266,"brand_slug":267,"file_size":349,"pages":350,"pages_count":290,"matched_pages":351,"match_count":193,"two_pages":194,"show_text":195},26584,"Rudi 2026","giobagnara-rudi-2026","\u002Fmedia\u002Fimages\u002F7e\u002F4dd524b56e79aeda431f14f4fe1069-292d15c3f9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002Fc19ea3b6cbea78f50140a3e5f872d8-292d14d9c0.pdf","134.0 MB",[],[],{"id":353,"title":354,"slug":355,"image":356,"source":357,"brand_name":265,"brand":266,"brand_slug":267,"file_size":358,"pages":359,"pages_count":360,"matched_pages":361,"match_count":193,"two_pages":194,"show_text":195},26585,"Riviere 2026","giobagnara-riviere-2026","\u002Fmedia\u002Fimages\u002Fed\u002F017702644dc149d47ca54e182c820b-292d154e96.1.png","\u002Fprivate\u002Ffiles\u002F8c\u002F4afc407dc4db9e13219e5295f76976-292d14d9cb.pdf","127.3 MB",[],202,[],{"id":363,"title":364,"slug":365,"image":366,"source":367,"brand_name":368,"brand":369,"brand_slug":370,"file_size":371,"pages":372,"pages_count":373,"matched_pages":374,"match_count":193,"two_pages":194,"show_text":195},26586,"Outdoor 2026","atmosphera-outdoor-2026","\u002Fmedia\u002Fimages\u002Fd6\u002Fab855609f1a95186f6ccd83055cc20-292d18f82f.1.png","\u002Fprivate\u002Ffiles\u002F90\u002Fb7983122cc2d6cabbb384898663939-292d179899.pdf","Atmosphera",977,"atmosphera","39.2 MB",[],235,[],{"id":376,"title":377,"slug":378,"image":379,"source":380,"brand_name":265,"brand":266,"brand_slug":267,"file_size":381,"pages":382,"pages_count":383,"matched_pages":384,"match_count":193,"two_pages":194,"show_text":195},26587,"Giobagnara x PoltronaFrau 2026","giobagnara-x-poltronafrau-2026","\u002Fmedia\u002Fimages\u002Fd0\u002F6899938ad0400f5dbea066e0d861fc-292d1882ea.1.png","\u002Fprivate\u002Ffiles\u002F4c\u002Faac20af747b8da46542a7f50bb0c42-292d17989d.pdf","46.7 MB",[],58,[],{"id":386,"title":387,"slug":388,"image":389,"source":390,"brand_name":265,"brand":266,"brand_slug":267,"file_size":391,"pages":392,"pages_count":393,"matched_pages":394,"match_count":193,"two_pages":194,"show_text":195},26588,"Design Editions 2026","giobagnara-design-editions-2026","\u002Fmedia\u002Fimages\u002F94\u002F9e001b70b82b057a99547b62a5cd72-292d180db9.1.png","\u002Fprivate\u002Ffiles\u002F85\u002F8b7fba451e37f0288f2fd06246bf47-292d1798a2.pdf","331.6 MB",[],446,[],{"id":396,"title":397,"slug":398,"image":399,"source":400,"brand_name":265,"brand":266,"brand_slug":267,"file_size":401,"pages":402,"pages_count":403,"matched_pages":404,"match_count":193,"two_pages":194,"show_text":195},26589,"Encyclopedia 2026","giobagnara-encyclopedia-2026","\u002Fmedia\u002Fimages\u002Ff5\u002F8ff500491988ed2c8c49351db1fff5-292d1bb78a.1.png","\u002Fprivate\u002Ffiles\u002F6f\u002F7bb3601e56ae4fefdd94a2f11b57e2-292d1a57a1.pdf","358.6 MB",[],1981,[],{"id":406,"title":200,"slug":407,"image":408,"source":409,"brand_name":265,"brand":266,"brand_slug":267,"file_size":410,"pages":411,"pages_count":412,"matched_pages":413,"match_count":193,"two_pages":194,"show_text":195},26590,"giobagnara-news-2026","\u002Fmedia\u002Fimages\u002Fc9\u002F77e2d4731c2643875d7adc77b62a46-292d1b4203.1.png","\u002Fprivate\u002Ffiles\u002Fa6\u002F3fbc6e2e56d402392537b12f6edab9-292d1a57c5.pdf","85.8 MB",[],125,[],{"count":415,"next":416,"previous":417,"brand_chips":418},14117,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[419,423,427,430,433,437,441,444,447,451],{"title":420,"slug":421,"count":422},"SICIS","sicis",92,{"title":424,"slug":425,"count":426},"La Fabbrica AVA","la-fabbrica-ava",77,{"title":428,"slug":429,"count":426},"Terratinta","terratinta",{"title":431,"slug":432,"count":426},"Magis","magis",{"title":434,"slug":435,"count":436},"True Design","true-design",64,{"title":438,"slug":439,"count":440},"Covet House","covet-house",61,{"title":442,"slug":443,"count":383},"Ares Line","ares-line",{"title":445,"slug":446,"count":383},"Poltrona Frau","poltrona-frau",{"title":448,"slug":449,"count":450},"Karpenter","karpenter",56,{"title":452,"slug":453,"count":450},"Visionnaire","visionnaire",[455,458,461,464,467,470,473,476,479,482,485,488,491,494,497,500,503,506,509,512],{"id":199,"title":200,"slug":201,"image":202,"source":203,"brand_name":204,"brand":205,"brand_slug":206,"file_size":207,"pages":456,"pages_count":209,"matched_pages":457,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":212,"title":213,"slug":214,"image":215,"source":216,"brand_name":217,"brand":218,"brand_slug":219,"file_size":220,"pages":459,"pages_count":191,"matched_pages":460,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":224,"title":225,"slug":226,"image":227,"source":228,"brand_name":229,"brand":230,"brand_slug":231,"file_size":232,"pages":462,"pages_count":234,"matched_pages":463,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":237,"title":238,"slug":239,"image":240,"source":241,"brand_name":229,"brand":230,"brand_slug":231,"file_size":242,"pages":465,"pages_count":244,"matched_pages":466,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":247,"title":248,"slug":249,"image":250,"source":251,"brand_name":252,"brand":253,"brand_slug":254,"file_size":255,"pages":468,"pages_count":257,"matched_pages":469,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":260,"title":261,"slug":262,"image":263,"source":264,"brand_name":265,"brand":266,"brand_slug":267,"file_size":268,"pages":471,"pages_count":270,"matched_pages":472,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":273,"title":274,"slug":275,"image":276,"source":277,"brand_name":265,"brand":266,"brand_slug":267,"file_size":278,"pages":474,"pages_count":280,"matched_pages":475,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":283,"title":284,"slug":285,"image":286,"source":287,"brand_name":265,"brand":266,"brand_slug":267,"file_size":288,"pages":477,"pages_count":290,"matched_pages":478,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":293,"title":294,"slug":295,"image":296,"source":297,"brand_name":265,"brand":266,"brand_slug":267,"file_size":298,"pages":480,"pages_count":176,"matched_pages":481,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":302,"title":303,"slug":304,"image":305,"source":306,"brand_name":265,"brand":266,"brand_slug":267,"file_size":307,"pages":483,"pages_count":309,"matched_pages":484,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":312,"title":313,"slug":314,"image":315,"source":316,"brand_name":317,"brand":318,"brand_slug":319,"file_size":320,"pages":486,"pages_count":77,"matched_pages":487,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":324,"title":325,"slug":326,"image":327,"source":328,"brand_name":265,"brand":266,"brand_slug":267,"file_size":329,"pages":489,"pages_count":331,"matched_pages":490,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":334,"title":335,"slug":336,"image":337,"source":338,"brand_name":265,"brand":266,"brand_slug":267,"file_size":339,"pages":492,"pages_count":341,"matched_pages":493,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":344,"title":345,"slug":346,"image":347,"source":348,"brand_name":265,"brand":266,"brand_slug":267,"file_size":349,"pages":495,"pages_count":290,"matched_pages":496,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":353,"title":354,"slug":355,"image":356,"source":357,"brand_name":265,"brand":266,"brand_slug":267,"file_size":358,"pages":498,"pages_count":360,"matched_pages":499,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":363,"title":364,"slug":365,"image":366,"source":367,"brand_name":368,"brand":369,"brand_slug":370,"file_size":371,"pages":501,"pages_count":373,"matched_pages":502,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":376,"title":377,"slug":378,"image":379,"source":380,"brand_name":265,"brand":266,"brand_slug":267,"file_size":381,"pages":504,"pages_count":383,"matched_pages":505,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":386,"title":387,"slug":388,"image":389,"source":390,"brand_name":265,"brand":266,"brand_slug":267,"file_size":391,"pages":507,"pages_count":393,"matched_pages":508,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":396,"title":397,"slug":398,"image":399,"source":400,"brand_name":265,"brand":266,"brand_slug":267,"file_size":401,"pages":510,"pages_count":403,"matched_pages":511,"match_count":193,"two_pages":194,"show_text":195},[],[],{"id":406,"title":200,"slug":407,"image":408,"source":409,"brand_name":265,"brand":266,"brand_slug":267,"file_size":410,"pages":513,"pages_count":412,"matched_pages":514,"match_count":193,"two_pages":194,"show_text":195},[],[],[516,517,518,519,520,521,522,523,524,525],{"title":420,"slug":421,"count":422},{"title":424,"slug":425,"count":426},{"title":428,"slug":429,"count":426},{"title":431,"slug":432,"count":426},{"title":434,"slug":435,"count":436},{"title":438,"slug":439,"count":440},{"title":442,"slug":443,"count":383},{"title":445,"slug":446,"count":383},{"title":448,"slug":449,"count":450},{"title":452,"slug":453,"count":450}]