[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-lapalma-light-office-2017":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":351},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":346,"matched_pages":347,"match_count":348,"two_pages":349,"show_text":350},24574,"Light Office 2017","lapalma-light-office-2017","\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F62\u002F51611757708574507eff2fba3693e7-28fa0b5be3.pdf","Lapalma",2039,"lapalma","43.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,196,200,204,208,211,215,219,223,227,231,235,239,242,246,250,254,258,262,265,269,273,277,281,285,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344],{"image":7,"text":15,"number":16},"Lig\nht of\nﬁce\nPreview\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.2.png","Light Ofﬁce Preview\nI luoghi contemporanei del lavoro \nsono radicalmente cambiati. Nell’era \ndella società liquida, anche l’ufﬁcio \nha mutato volto, per adattarsi a nuovi \nmodi di lavorare, alle nuove tecnologie \ne ai nuovi ritmi delle persone. Il luogo \ndi lavoro, quindi, non è più uno spazio \ntradizionale, con postazioni allineate e \nsequenziali. Ma è uno spazio articolato \ne leggero, multifunzionale e ﬂessibile. \nLight Ofﬁce.\nLapalma ha saputo cogliere il \ncambiamento, puntando sulla \ntrasversalità dei suoi prodotti, che si \nadattano con facilità alle necessità di \nquesti spazi, seguendo un processo di \nindustrializzazione “custom oriented”.\nE’ questa un’idea nuova di ufﬁcio \nleggero, che assembla con grande \nlibertà arredi e moduli variabili, sceglie \ndiverse texture e ﬁniture, accosta \ntessuti e materiali evocativi, compone \ngli spazi in modo ﬂuido.  \nUna seduta da ufﬁcio, allora, non avrà \npiù soltanto un unico modello. Grazie \nalla possibilità di variare ogni sua \nparte – schienale, braccioli, gambe, \nstoffe, materiali – diventa una famiglia \ndi prodotti molto versatile, capace di \nrispondere a molteplici conﬁgurazioni \nspaziali e diverse esigenze \norganizzative: la sala d’aspetto, la \nseduta per riunioni, la sedia direzionale, \nla postazione operativa. \nGrazie all’abaco articolato dei prodotti \nLapalma, si possono comporre e \nabbinare, con grande ﬂessibilità, \nelementi di arredo, scrivanie e tavoli a \ndiverse altezze, contenitori da ufﬁcio \ne accessori funzionali, per creare un \nufﬁcio a propria misura e in linea con \ni tempi.\nLapalma reinventa un ufﬁcio \ncontemporaneo e disinvolto, con arredi \nminimal che si riscaldano nei dettagli, \nnei materiali, nella scelta cromatica.\nNella sua linea di prodotti per il Light \nOfﬁce, Lapalma propone un nuovo \nconcetto di spazio di lavoro, dove le \ngerarchie sono sfumate, le funzioni \nnon sono più rigidamente separate \ne il comfort diventa più informale e \ndemocratico: il cliente si siede su una \npanca imbottita, i documenti sono \nriposti in armadi colorati, il cablaggio è \ncollocato in contenitori sollevati da terra. \nCon leggerezza, l’ufﬁcio è cambiato: \nTime is changed, the ofﬁce is light!\nI TEMPI SONO CAMBIATI, \nL’UFFICIO È LIGHT! \n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.3.png","Contemporary working places have totally changed. In \nthe age of a more ﬂuid society, the ofﬁce too has changed \nand has adapted itself to the new ways of working, new \ntechnologies and the new rhythm of people. The work place \nis therefore no longer a traditional space with regimented \ndesking, but a light, well-structured, multifunctional and \nﬂexible space. It is a Light Ofﬁce.\nLapalma  are able to capture this need for change  by offering \na range of  cross-over products which can be easily adapted \nto the spaces and by using their established industrial \nprocesses set up to provide customized solutions.\nThis is a new idea of light ofﬁce, which freely combines \nfurniture with ﬂexible elements, choosing different textures \nand ﬁnishes, matching fabrics with suggestive materials to \nconﬁgure the spaces in a ﬂuid way.\nAn ofﬁce chair then will not just be a single model; thanks \nto the possibility of changing each of its parts – backrest, \narms, base, fabric, materials - it becomes a multipurpose \nfamily of products, capable of responding to many spatial \nconﬁgurations and new organization requirements: the \nwaiting room, the meeting room, the executive chair, the task \nchair.\nThanks to the range and variety of Lapalma’s products, \nseating, tables, desks can be combined, matched \nwith functional storage to make a tailored ofﬁce for the \ncontemporary time.\nLapalma reinvents a contemporary and relaxed ofﬁce, offering \nfurniture of a clean design but also genial and inviting with \ncareful attention to detail and a range of ﬁnishes and fabrics \nwith warmth and colour.\nWith its range for the Light Ofﬁce, Lapalma suggests a \nnew concept of shared work space, where hierarchies are \nblended, functions are no longer strictly separated and \ncomfort becomes informal and democratic. With lightness, \nthe lifting of formality, the ofﬁce has changed: times are \nchanging, the ofﬁce is light !\nDie Arbeitslandschaft hat sich in den letzten Jahren \ngrundlegend verändert. In einer im ständigen Wandel \nbegriffenen Gesellschaft, verändert sich auch das \nErscheinungsbild der Arbeitsplätze. Sie werden an neue \nArbeitsformen und -rhythmen angepasst und tragen den \nneuen Kommunikationsmitteln Rechnung. Das klassische \nBüro mit Schreibtischen in Reih und Glied weicht immer mehr \neinem offenen, multifunktionalen Raum, der nach Bedarf \nﬂexibel gestaltet werden kann: das „Light Ofﬁce“.\nLapalma hat diese Veränderungen wahrgenommen und \nentwirft daher vielseitig einsetzbare Produkte, die leicht an \ndie verschiedenen Raumgegebenheiten angepasst werden \nkönnen. Dadurch werden sie trotz industrieller Fertigung den \nBedürfnissen der Benutzer gerecht.\nDiese neue Sichtweise des  „Büros“ offenbart große \nGestaltungsfreiheit: verschiedene Einrichtungsgegenstände \nwerden in variablen Modulen zusammengestellt, Materialien \nund Ausführungen frei gewählt und Stoffe mit anderen \nMaterialien zu ausdrucksstarken Kombinationen vereint. Dies \nschafft ﬂießenden Übergänge innerhalb der Räume.\nAuch ein Bürostuhl kann daher nicht mehr nur als „fertiges“ \nModell angeboten werden, sondern muss die Möglichkeit \nbieten, die einzelnen Komponenten – Rückenlehne, \nArmlehnen, Gestell – aber auch verschiedene Bezugsstoffe \nfrei zu wählen. Dadurch entsteht ein vielseitig einsetzbares \nProdukt, sozusagen eine „Stuhlfamilie“, die sich an die \nverschiedensten Raumgegebenheiten und Bedürfnisse \nanpassen lässt: Warteräume, Besprechungszimmer, \nDirektionsbüros oder Arbeitsplätze für Angestellte können \ndamit ausgestattet werden.\nLapalmas breit gefächertes Angebot bietet die Möglichkeit \nSchreib- oder andere Tische mit unterschiedlichen Höhen, \nStauraumelemente und verschiedenes Zubehör zu \nkombinieren, um das Büro den eigenen Bedürfnissen und \ndem Zeitgeist entsprechend  einzurichten.\nLapalma denkt das „Büro“ neu - modern und unkompliziert - \nmit einer aufs Minimum beschränkten Einrichtung, die jedoch \ndurch besondere Details, ausgefallene Materialien oder \nFarben besticht.\nMit der neuen Produktlinie für das „Light Ofﬁce“ zielt Lapalma \nauf ein neues Konzept für den Arbeitsplatz ab:  Hierarchien \nlösen sich auf, die einzelnen Aufgabenbereiche sind nicht \nmehr streng getrennt und Komfort sowie die Möglichkeit zu \ninformeller Begegnung werden immer wichtiger. So sitzt der \nKunde auf einer gepolsterten Bank, Dokumente werden in \nfarbenfrohen Schränken aufbewahrt und Kabel „versteckt“.\nDas „Büro“ hat sich ganz einfach verändert: times are \nchanging, ofﬁce is light !\nTIMES ARE CHANGING, \nOFFICE IS LIGHT !\nDIE ZEITEN ÄNDERN SICH, \nDAS BÜRO WIRD LIGHT !\nLos ambientes contemporáneos de trabajo están cambiando \nde manera radical. En la era de la sociedad liquida, también \nlas oﬁcinas han cambiado la cara, para adaptarse a nuevas \nformas de trabajo, a las nuevas tecnologías y a los nuevos \nritmos de las personas. El ambiente de trabajo, non es \nmás un espacio tradicional, con los puestos alineados \ny en secuencia. Más bien un espacio articulado y ligero, \nmultifuncional y ﬂexible. Light Ofﬁce.\nLapalma ha sabido coger el cambio, concentrándose en \nla transversalidad de sus productos, que se adaptan con \nfacilidad a las necesidades de estos espacios, siguiendo la \nproducción industrial “custom oriented\nEsta es la nueva idea de oﬁcinas ligeras, que ensambla \ncon grande libertad muebles y módulos variables, elige \ndiferentes texturas y acabados, utiliza tejidos con materiales \nevocadores, componiendo espacios en modo ﬂuido.  \nUna silla para la oﬁcina, entonces no tendrá un único modelo. \nGracias a la posibilidad de variar sus partes – respaldo, apoya \nbrazos, base, tejidos, acabados -  convirtiéndose en una \nfamilia muy versátil de  productos, capaz de responder a \nmúltiples conﬁguraciones de espacios y diferentes exigencias \norganizativas: la sala de espera, de reuniones, la silla del \ndirector de la empresa o para un puesto operativo.  \nGracias al ábaco articulado de los productos Lapalma, \nse pueden componer e combinar, con grande ﬂexibilidad, \nelementos de mobiliario, escritorios y mesas en diferentes \nalturas, contendores de oﬁcinas e accesorios funcionales, \npara crear una oﬁcina a medida del cliente y de acuerdo con \nlos tiempos. \nLapalma reinventa una oﬁcina contemporánea y casual, con \nmuebles minimalistas que se destacan en los detalles, los \nmateriales y la elección cromática de los colores.\nEn su línea de productos para Light Ofﬁce, Lapalma propone \nun nuevo concepto de espacios de trabajo, donde las \njerarquías no se demarcan, las funciones no son rígidamente \nseparadas y el confort se vuelve más informal y democrático: \nel cliente se sienta en un sofá tapizado, los documentos son \narchivados en armarios de colores, los cables son colocados \nen contenedores elevados del suelo. \nLos tiempos cambian, la oﬁcina es ligera: Times are \nchanging, ofﬁce is light !\nLes lieux de travail contemporains sont en pleine mutation.\nA l’ère d’une société en mouvement, ﬂuide comme de l’eau, \nle bureau a lui aussi changé d’aspect pour s’adapter aux \nnouvelles façons de travailler, aux nouvelles technologies \net pour accompagner les nouveaux rythmes de vie des \npersonnes. Le lieu de travail n’est plus un espace traditionnel \navec des stations alignées, mais un espace articulé, léger, \nmultifonctionnel, évolutif et ﬂexible : est né le Light ofﬁce.\nLapalma a su accueillir ce changement en proposant des \nproduits transversaux qui s’adaptent facilement aux besoins \nde ces espaces grâce à un procès d’industrialisation dit \n«custom oriented».\nCeci est la nouvelle conception du Light ofﬁce, qui réunit avec \nune grande liberté meubles et assises modulables, mixte \ndifférents choix de couleurs et de textures, assemble tissus et \nmatériaux, compose des espaces ﬂuides.\nUne chaise de bureau, donc, ne se déclinera pas en une \nseule version. Grace à la possibilité de changer chaque \npartie (dossier, accoudoirs, piètements, tissus, matériaux), la \nchaise devient une famille de produits adaptables capable \nde répondre à plusieurs conﬁgurations : salle d’attente, salle \nréunion, siège de direction, poste de travail.\nLes produits Lapalma, peuvent être composés avec une \ngrande ﬂexibilité : éléments, bureaux et tables de différentes \nhauteurs, éléments conteneurs, accessoires fonctionnels sont \nlà pour créer un bureau sur mesure et de grande actualité.\nLapalma décline un bureau contemporain et astucieux qui \ns’enrichit de détails, de matériaux et d’un vaste choix de \ncouleurs.\nDans la gamme de produits pensés pour le Light Ofﬁce, \nLapalma propose un nouveau concept d’espace de travail, \ndans lequel les hiérarchies s’estompent, les fonctions ne \nsont plus rigidement séparées, où le confort devient informel \net démocratique : le client est assis dans une banquette \nrembourrée, les documents sont classés dans des armoires \ncolorées, les câbles stockés dans des conteneurs adaptés. \nAvec légèreté le bureau a changé : les temps ont changé et le \nbureau est devenu light !\nLOS TIEMPOS CAMBIAN,\nLA OFICINA ES LIGERA !\nLES TEMPS VONT CHANGER, \nLE BUREAU EST LIGHT !\n5\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.4.png","7\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.5.png","9\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.6.png","Index\nADD\nFrancesco Rota | 2014\nADD T\nFrancesco Rota | 2016\nADD S\nFrancesco Rota | 2016\nADD SYSTEM\nFrancesco Rota | 2016\nUNO\nFrancesco Rota | 2016\nFRAME\nRomano Marcato | 2007\nSCREEN\nFrancesco Rota | 2016 \nZA SYSTEM\nShin & Tomoko Azumi  | 2003\nKIPU\nAnderssen & Voll   | 2014\nLAB\nKarri Monni | 2014\nBRUNCH\nRomano Marcato | 2012\n107\n51\n13\n125\n63\n29\n135\n81\n143\n153\n97\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.7.png","ADD\nFrancesco Rota | 2014\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.8.png","15\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.9.png","17\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.10.png","19\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.11.png","ADD\nFrancesco Rota | 2014\nHigh table\nCharging tray unit\nMagazine unit\nTray \nLegs\nTablet accessories\n59\n23 \"\n59\n23 \"\n59\n23 \"\n59\n23 \"\n59\n23 \"\n59\n23 \"\n32\n32\n38\n15\"\n38\n15\"\n50\n20\"\n19\n\"\n26\n\"\n52\n\"\n34\n\"\n33\n13\"\n40\n\"\n33\n13\"\n38\n\"\n3\n10\n4\"\n5\n2\n\"\n21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.12.png","Frames\n59\n46\"\n4\n59\n23\"\n4\n59\n23\"\n176\n69\"\n4\n117\n46\"\n4\n\"\n7\n117\n46\"\n117\n46\"\n\"\n4\n59\n23\"\n116\n\"\n87\n\"\n59\n23\"\n\"\n4\n234\n92\"\n45\n17\n\"\n\"\n4\n90\n35\"\n23\n60\n\"\n128\n\"\n44\n\"\n70\n70\n\"\n44\n\"\n\"\n58\n\"\n15\n6\"\n44\n\"\n78\n\"\n44\n\"\n44\n\"\nBacks\nSeats\n\"\n7\n234\n92\"\n59\n23\"\n\"\n7\n59\n46\"\n59\n23\"\n\"\n7\n59\n23\"\n176\n69\"\n\"\n7\n117\n46\"\n59\n23\"\n\"\n7\n117\n46\"\n117\n46\"\n\"\n121\n91\n\"\n\"\n7\n45\n17\n\"\n\"\n4\n90\n35\n23\n\"\n50\n23\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.13.png","59\n23\"\n\"\n176\n69\"\n4\n\"\n4\n117\n46\"\n117\n46\"\n117\n46\"\n\"\n4\n59\n23\"\n\"\n4\n59\n46\"\n59\n23\"\n59\n23\"\n176\n69\"\n117\n46\"\n117\n46\"\n117\n46\"\n59\n23\"\n59\n46\"\n59\n23\"\nTable frames\nTable top\n23\n23\nVis à vis – small \nV_shape in\nClassic mini – double\nClassic\nL_shape – open\nV_shape out\nSide by side\nVis à vis-big\nADD\nSample conﬁguration\nL_ shape – big \n25\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.14.png","T_shape\nSquare bench system\nX_shape\nRound out\nRound in\nLong bench\nADD\nSample conﬁguration\nS_shape\nU_shape\nSquare_shape\nMirror_shape\nS_shape big\n27\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.15.png","ADD T\nFrancesco Rota | 2016\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.16.png","31\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.17.png","33\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.18.png","35\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.19.png","37\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.20.png","39\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.21.png","41\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.22.png","43\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.23.png","ADD T\nFrancesco Rota | 2016\n74\n29\"\n130 ÷ 160 ÷ 180\n51\" ÷ 63\" ÷ 71\"\n130 ÷ 160 ÷ 180\n51\" ÷ 63\" ÷ 71\"\n 180\n71\"\n 180\n71\"\n74\n29\"\n300 ÷ 360\n118\" ÷ 142\"\n74\n29\"\n110\n300 ÷ 360\n118\" ÷ 142\"\n74\n29\"\n90\n  \n  \n160 ÷ 180 ÷ 200\n63\" ÷ 71\" ÷ 78\"\n74\n29\"\n110\n  \n  \n250 ÷ 300\n420\n165\n45\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.24.png","74\n29\"\n200\n135°\n90\n130\nADD T\nFrancesco Rota | 2016\n130\n74\n29\"\n200\n135°\n90\n74\n29\"\n270\n135°\n90\n130\n130\n130\n135°\n74\n29\"\n90\n74\n29\"\n270\n135°\n90\n130\n1061 3\n1061 3\n47\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.25.png","ADD T\nSample conﬁguration\nSquare\nPrivacy screen\nV_shape symmetric\nRectangle\nModesty screen\nV_shape asymmetric\nRectangle extended\nV_shape asymmetric extended\nSquare conference\nRectangular conference\nS_shape small\nLinked\nS_shape big\n49\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.26.png","ADD S\nFrancesco Rota | 2016\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.27.png","53\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.28.png","55\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.29.png","57\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.30.png","59\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.31.png","Chest of drawers\nADD S\nFrancesco Rota | 2016\n40\n54\n58\n45\n45\n45\n12\nS –  Flap door \nS –  two drawers \nS – open\nM – doors \nS – card index\nM – open\nL – doors\nL – doors + M – open\nS –  two drawers + L – open + L – doors \nM – doors double + S –  two drawers + S – open double  \nM – open + L – doors double + S –  two drawers double\nL  – open\nADD S\nSample conﬁguration\n61\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.32.png","ADD SYSTEM\nFrancesco Rota | 2016\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.33.png","65\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.34.png","67\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.35.png","69\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.36.png","71\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.37.png","73\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.38.png","75\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.39.png","77\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.40.png","ADD SYSTEM\nSample conﬁguration\nS_shape  \nU_ shape − executive\nL_ shape\nSymmetrical workstation − rectangle\nAsymmetrical task workstation 1\nI_shape\nSymmetrical − square\nSymmetrical workstation − square\nAsymmetrical task workstation 2\n79\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.41.png","UNO\nFrancesco Rota | 2016\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.42.png","",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.43.png","85\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.44.png","87\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.45.png","89\n",45,{"image":194,"text":179,"number":195},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.46.png",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.47.png","93\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.48.png","UNO\nFrancesco Rota | 2016\nGuest\nTask\n66\n26\"\n60\n44 ÷ 54 \n82 ÷ 92\n66\n26\"\n60\n44 ÷ 54 \n82 ÷ 92\n66\n26\"\n60\n46 \n18\"\n84\n33\"\n103\n46 \n18\"\n66\n26\"\n63\n66\n26\"\n63\n44 ÷ 54 \n101 ÷ 111\n66\n26\"\n63\n44 ÷ 54 \n101 ÷ 111\nExecutive\nLounge\n44 ÷ 54 \n66\n26\"\n66\n26\"\n101 ÷ 111\n66\n26\"\n64\n25\"\n39\n103\n44 ÷ 54 \n66\n26\"\n66\n26\"\n101 ÷ 111\n44 ÷ 54 \n66\n26\"\n64\n25\"\n108 ÷ 118\n44 ÷ 54 \n66\n26\"\n64\n25\"\n108 ÷ 118\n66\n26\"\n66\n26\"\n39\n96\n95\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.49.png","FRAME\nRomano Marcato | 2007\n",49,{"image":209,"text":179,"number":210},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.50.png",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.51.png","101\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.52.png","103\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.53.png","FRAME\nRomano Marcato | 2007\n74\n29\"\n80 ÷ 120\n  80 ÷ 120\n74\n29\"\n104\n41\"\n160\n63\"\n160\n63\"\n74\n29\"\n80\n\"\n120 ÷ 160 \n74\n29\"\n90\n\"\n180\n75\"\n74\n29\"\n100\n\"\n200\n71\n\"\n105\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.54.png","SCREEN\nFrancesco Rota | 2016\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.55.png","109\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.56.png","111\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.57.png","113\n",57,{"image":240,"text":179,"number":241},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.58.png",58,{"image":243,"text":244,"number":245},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.59.png","SCREEN\nFrancesco Rota | 2016\n121\n167\n73\n4\n121\n167\n4\n130\n51\"\n121\n130\n51\"\n4\n167\n161\n167\n73\n4\n4\n161\n130\n51\"\n130\n4\n51\"\n161\n117\n",59,{"image":247,"text":248,"number":249},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.60.png","SCREEN\nSample conﬁguration\n119\n",60,{"image":251,"text":252,"number":253},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.61.png","SCREEN\nSample conﬁguration\nSCREEN\nSample conﬁguration\n121\n",61,{"image":255,"text":256,"number":257},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.62.png","SCREEN\nSample conﬁguration\nSCREEN\nSample conﬁguration\n123\n",62,{"image":259,"text":260,"number":261},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.63.png","ZA SYSTEM\nShin & Tomoko Azumi | 2003\n",63,{"image":263,"text":179,"number":264},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.64.png",64,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.65.png","129\n",65,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.66.png","ZA SYSTEM\nShin & Tomoko Azumi | 2003\n44\n\"\n48\n19\"\n44\n\"\n94\n37\"\n44\n\"\n44\n\"\n44\n\"\n48\n19\"\n44\n\"\nø 214\nø  84\n45°\n82\n\"\n\"\n2\n131\n",66,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.67.png","ZA SYSTEM\nSample conﬁguration\nC_shape\nSquare shape – open\nL_shape\nRounde shape – open\nV_shape\nRound shape\nU_shape\nS_shape\nBump shape\nS_shape – double\nCorner shape\n133\n",67,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.68.png","KIPU\nAnderssen & Voll | 2014\n",68,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.69.png","137\n",69,{"image":286,"text":179,"number":287},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.70.png",70,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.71.png","KIPU\nAnderssen & Voll | 2014\n80\n80\n40\n45\n57\n57\n45\n80\n80\n130\n130\n130\n36\n130\n45\n141\n",71,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.72.png","LAB\nKarri Monni | 2014\n",72,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.73.png","145\n",73,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.74.png","147\n",74,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.75.png","149\n",75,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.76.png","LAB\nKarri Monni | 2014\n47 ÷ 60\n60\n60\n\"\n\"\n\" ÷ \n\"\n76 ÷ 89\n30\" ÷ 35\"\n60\n\"\n60\n\"\n96 ÷ 108\n\" ÷ \n\"\n68 ÷ 80\n\" ÷ \n\"\n60\n\"\n68 ÷ 80\n\" ÷ \n\"\n60\n\"\n47 ÷ 60\n18\n ÷ \n\"\n\"\n151\n",76,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.77.png","BRUNCH\nRomano Marcato | 2012\n",77,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.78.png","155\n",78,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.79.png","157\n",79,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.80.png","159\n",80,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.81.png","90\n\"\n110\n\"\n74\n29\"\n140\n55\"\n180\n\"\n70\n70\nBRUNCH\nRomano Marcato | 2012\n70\n4\n3\n110\n43\n43\n17\n60°\n71\" ÷ 55\n140\n55\"\nø373\n147\"\nø452\n178\"\n180\nAccessories\n69 ÷ 85 ÷ 105\n23\n9\"\n38\n15\"\n5\n2\"\n180 ÷ 140\n71\" ÷ 55\n\"\n70\n70\n60°\nR40\n110\n5\n70\n4\n3 \"\n4\n3 \"\n180 ÷ 140\n180 ÷ 140\n70\n4\n3\n\"\n161\n",81,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.82.png","BRUNCH\nSample conﬁguration\n140\n180 double\n140 + 180\n180\nDouble extended\nY_shape big\nV_shape\nV_ shape mirror\nY_shape small\nV_shape double\n163\n",82,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.83.png","Designers\nAnderssen & Voll\nAnderssen & Voll is an Oslo based design-\nstudio run by Torbjørn Anderssen (1976) \nand Espen Voll (1965). Torbjørn is gradu-\nated from The Bergen Academy of Art and \nDesign and Espen is graduated from Oslo \nNational Academy of the Arts. As cofound-\ners of Norway Says in 2000, they were \nforerunners in a emerging international \nmovement amongst young Norwegian de-\nsigners. Since the startup of Anderssen & \nVoll in 2009, their work has spanned from \ntextile design through tableware, lighting \nand furniture to electronics for some of \nEurope’s most renowned international \ndesign Brands. Their colaborations include \nwork for companies like Lapalma, Muuto, \nWrong for Hay, Foscarini, Kvadrat, Erik \nJørgensen and Filip Technologies. They \nalso take great pride in working with some \nof the ﬁnest Norwegian traditional industry \nlike Jøtul, Gudbrandsdalens Uldvarefabrik, \nFjord Fiesta, Røros Tweed and LK Hjelle. \nWorking with the very different industrial \ncultures spanning from the mountains of \nNorway to the plains of Veneto is a conti-\nnous source of inspiration. Their work has \nreceived numerous awards like Honorary \nAward for Design Excellence in Norway, \nWallpaper Award, IF Award and the Tor-\nsten and Wanja Söderberg Prize.\nShin Azumi\nShin Azumi was born in Kobe, Japan in \n1965, and is currently based in London, \nUK. After ﬁnishing his Master course at the \nRoyal College of Art, London, in 1994, he \nstarted working as a design unit ‘AZUMI’.\nIn 2005, he established his own design \nofﬁce ‘a studio’, working with international \nclients such as; lapalma (IT), Magis (IT), \nDesalto (IT), Fredericia (DK), Tefal (FR), \nAuthentics(DE), Itoki(JP), Formax (JP), \nTOA (JP), Case (UK), Habitat (UK) and \nothers.Shin Azumi’s works have received \nnumerous design awards in Europe and in \nJapan, including; FX International Design \nAward “Product of the Year” (UK), V&A \nHomes & Gardens Classic Design Award \n(UK), Good Design Award Best one hun-\ndred (JP), Classic Innovation Award ‘Best \nof the Best’ (DE), etc. His works have been \nadded to the collection of many museums \nincluding the Victoria & Albert Museum \n(UK), Stedelijk Museum (Holland), Crafts-\nCouncil (UK), Die Neue Sammlung (Ger-\nmany), Museum für Angewandte Kunst \nFrankfurt (Germany) as well as others. He \nis a visiting professor of Osaka University of \nArts, and Kobe Design University and also \na lecturers at Vitra Design Museum Work-\nshops. Shin Azumi also has been part of \nin the judge on numerous design awards, \nsuch as; IF Design Award (DE), DT Design \nAward (JPN), Design Report Award (DE\u002F\nIT), FX International Design Award (UK), \nKokuyo Design Award (JPN), etc.\nTomoko Azumi\nTomoko Azumi (born in 1966, Hiroshima, \nJapan) is an interior and furniture designer \nbased in London. She studied architecture \nand interior design at Kyoto City University \nof Art, worked in architectural studio in \nTokyo, then moved to London in 1992. \nShe ﬁnished a master course of Furniture \nDesign at the Royal College of Art in 1995. \nAfter her activities as a partnership AZUMI \n(1995-2004), she started her own practice \nTNA Design Studio in East London in \n2005. At TNA Design Studio, her main \nﬁelds are furniture, lighting products, inte-\nrior design and exhibition space design. \nShe has been collaborating with interna-\ntional clients such as Benchmark Furniture \n(UK), Lapalma (Italy), Maxray (Japan), \nRöthlisberger (Switzerland) and Swarovski \n(Austria), as well as interior design for The \nSupreme Court of United Kingdom, shops \nfor Harrys London and exhibition designs \nfor the Crafts Council (UK). Her works are \nin several permanent collections include \nVictoria & Albert Museum and Geoffrey \nMuseum in London and Stedelijk Museum \n(Netherlands). She has been a project \nteacher at the Design Products of Royal \nCollege of Art since 2005 and a research \nfellow at London Metropolitan University \nfrom 2006 to 2009. Also she is a member \nof jury for Good Design Award in Japan \nsince 2006 and member of selection \nboard for 100% Design London in 2010 \nand a member of jury for imm Design \nAward at the Cologne Furniture Fair on \n2010 and 2011.\nKIPU | 2014\nZA SYSTEM | 2003\nZA SYSTEM | 2003\nRomano Marcato\nBorn in Cadoneghe (Padova – Italy) in \n1951. He got his degree in 1970 in me-\nchanics at the Technical – Industrial Insti-\ntute in Padova. From 1970 till 1978 he was \nin charge of planning high precision tools \nin an industry production moulds for high-\nspeed trimmer for electrical connections. \nHe also planned automatic machines to \nﬁx the connections in the car industry, \nelectronics and domestic appliances. In \n1979, together with his brother Dario, he \nfounded Lapalma and designed some of \nthe products: he is head of the technical \ndepartment and in charge of prototyp-\ning, engineering and industrialisation of \nproducts.\nBRUNCH | 2012  FRAME | 2007\nFrancesco Rota\nFrancesco Rota, interior and product \ndesigner, born in 1966 in Milan where he \nlives and works. He graduated in product \ndesign at Art Center College of Design in \n1994, La Tour de Peilz (Switzerland), he \nopens his own studio in 1998 and works in \ndifferent ﬁelds of design: product, furniture, \nlighting, showrooms, ofﬁces, residential \ninteriors and events. International collabo-\nrations: Alchemy, Arketipo, Bals Tokyo, \nBarilla, Driade, Fiat, Frag, John Richmond, \nKnoll International, KME Italy, Lapalma, \nLema, Living Divani, L’Oreal Paris, Malo, \nMartini & Rossi, Mercedes Benz, Moroso, \nPaola Lenti, Oluce, Takano Co.Ltd, Versus.\nFrancesco Rota has been honoured with \nmany awards such as honorable men-\ntions for the Compasso d’Oro, Special \nMention for the German Design Award, \nGood Design Awards and Red Dot. He \nhas taken part in several exhibitions held \nat: Triennale di Milano, Material Connec-\ntion in New York, Biennale di Architettura \ndi Venezia,Royal Academy of Arts in \nLondon. From 2013 he is the art director \nof Lapalma.\nADD SYSTEM  | UNO  | SCREEN | 2014-16\nKarri Monni\nKarri Monni, born 1969 in Varkaus, \nFinland. Furniture carpenter studies 1985-\n1987. Studies in Lahti Institute of Design, \nin Department of Interior Architecture and \nFurniture Design 1994-1998, BA. Interior \nArchitect and Designer, SIO. Practiced in \nStudio Simo Heikkil&auml; 1997, Industrial \nDesign Ltd, Sistem 1998-1999, Keiski Ar-\nchitects 2000, Pekka Salminen Architects \n2000. Started own Studio Karri Monni \n1999. Started own company Koon Design \nOy 2006. Furniture designs for Lapalma \nfrom 2001. As a member of Interior Archi-\ntects Monni &amp; Koskivaara, furniture \ndesign \u002Finterior design work for Amer \nSports, Nordea Bank Finland, Vacon, \nSampo Group, Metso, Leiras Takeda \nPharmaceutical, WinWinD, EFG, City of \nHelsinki, Roche, YLE, Valio, Walki, Aventis \nPharma, McKinsey &amp; Company. Karri \nMonni lives and works in Helsinki.\nLAB | 2014\n165\n",83,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002Fb6\u002F86bdb900bf46557fc8fea634ddb5e6-28fa0d3080.84.png","Lapalma s.r.l.\nvia Majorana 26\n35010 Cadoneghe PD - Italy\nT +39 049 702788\nF +39 049 700889\ninfo@lapalma.it\nwww.lapalma.it \nart direction\nFrancesco Rota\ngraphic design concept\nFrancesco Rota\nphoto\nAdriano Brusaferri \nBianca Puleo\nDaniele Gobbin \nFrank Schoepgens\nstyling\nLapalma\nSissi Valassina\ntext\nFrancesca Acerboni \nlayout\nAnna Mascheroni \nprinted by\nGraﬁche Antiga\nJanuary 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