[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-la-ebanisteria-pluie-de-couleurs":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":285},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":280,"matched_pages":281,"match_count":282,"two_pages":283,"show_text":284},4002,"Pluie de Couleurs","la-ebanisteria-pluie-de-couleurs","\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fcc\u002F86173de59302a0bd6fb008330a8889.pdf","La Ebanisteria",1273,"la-ebanisteria","9.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277],{"image":7,"text":15,"number":16},"Following a light microscopy \nexamination, it was initially \nthought that the rains were \ncoloured by fallout from a \nhypothetical meteor burst, but \na study commissioned by the \nGovernment of India concluded \nthat the rains had been coloured \nby airborne spores from locally \nprolific terrestrial algae.\nIt was not until early 2006 that \nthe coloured rains of Kerala \ngained widespread attention \nwhen the popular media reported \nthat Godfrey Louis and Santhosh \nKumar of the Mahatma Gandhi \nUniversity in Kottayam proposed \na controversial argument that \nthe coloured particles were \nextraterrestrial cells. Red rains \nwere also reported from 15 \nNovember 2012 to 27 December \n2012 occasionally in eastern \nand north-central provinces of \nSri Lanka, where scientists from \nthe Sri Lanka Medical Research \nInstitute (MRI) are investigating to \nascertain their cause.[12][13][14]\nTHE KERALA RED RAIN \nPHENOMENON WAS A \nRED RAIN EVENT THAT \nOCCURRED FROM 25 JULY \nTO 23 SEPTEMBER 2001, \nWHEN HEAVY DOWNPOURS \nOF RED-COLOURED RAIN \nFELL SPORADICALLY ON THE \nSOUTHERN INDIAN STATE OF \nKERALA, STAINING CLOTHES \nPINK. YELLOW, GREEN, \nAND BLACK RAIN WAS ALSO \nREPORTED. COLOURED RAIN \nWAS ALSO REPORTED IN \nKERALA IN 1896 AND SEVERAL \nTIMES SINCE, MOST RECENTLY \nIN JUNE 2012. THE RAIN WAS \nCAUSED BY AREAL SPORES OF \nMICROALGAE TRENTEPOHLIA \nANNULATA.\nbe at home, since 1968\nphoto_technology: www.3drender.es\nPLUIE DE COULEURS\nBob Marley\nPLUIE DE COULEURS\nbe at home, since 1968\nbe at home, since 1968\nbe at home, \nsince 1968\nColor Glossary\nBasically, this is where you \nshould put the bulk of your \nclothing budget, as they will last \na long time and are timeless in \nsense of fashion.  \nNeutral colour \n01\nBasic concepts\nYou will need some contrast \nbetween colours to enhance \nyour look. Avoid yellow and \ngolden based colours unless \nyou balance them with cool \nshades and tones.\nCool colours\n02\nWarm tones look beautiful \nin “earthy” shades like burnt \norange, cream, saturated sunny \nyellow, brown, dark leafy green, \nand that shade of red maple \nleaves turn when autumn comes \nyour way. \nWarm colours\n03\nMONOCHROME creations \nare genderless, singular and \ntimeless, coming from nowhere \nbut made to wear anywhere and \nby anyone. \nMonochromatic colours\n04\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.2.png","Azul Noche Piano,  Azul Spring Piano & Piel Azul Noche\nZEBRA \nSideboard   \u002F   Contenedor \u002F   Mobile contenitore\n2           LA EBANISTERIA  \n    3\nPLUIE DE COULEURS\nThe unique stripes of zebras \nmake them one of the animals \nmost familiar to people. They \noccur in a variety of habitats, \nsuch as grasslands, savannas, \nwoodlands, thorny scrublands, \nmountains, and coastal hills. \nHowever, various anthropogenic \nfactors have had a severe \nimpact on zebra populations, \nin particular hunting for skins \nand habitat destruction. Grévy’s \nzebra and the mountain zebra \nare endangered. While plains \nzebras are much more plentiful, \none subspecies, the quagga, \nbecame extinct in the late \n19th century – though there \nis currently a plan, called the \nQuagga Project, that aims \nto breed zebras that are \nphenotypically similar to the \nquagga in a process called \nbreeding back.\nTHERE ARE THREE SPECIES \nOF ZEBRAS: THE PLAINS \nZEBRA, THE GRÉVY’S ZEBRA \nAND THE MOUNTAIN ZEBRA. \nTHE PLAINS ZEBRA AND THE \nMOUNTAIN ZEBRA BELONG TO \nTHE SUBGENUS HIPPOTIGRIS, \nBUT GRÉVY’S ZEBRA IS THE \nSOLE SPECIES OF SUBGENUS \nDOLICHOHIPPUS. THE LATTER \nRESEMBLES AN ASS, TO WHICH \nIT IS CLOSELY RELATED, WHILE \nTHE FORMER TWO ARE MORE \nHORSE-LIKE. ALL THREE BELONG \nTO THE GENUS EQUUS, ALONG \nWITH OTHER LIVING EQUIDS.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.3.png","Adara Piano, Nómada Piano & Piel Adara\nGIRAFFE \nSideboard   \u002F   Contenedor \u002F   Mobile contenitore\n4           LA EBANISTERIA  \n    5\nPLUIE DE COULEURS\nAnimal print is a clothing and \nfashion style in which the \ngarment is made to resemble \nthe pattern of the skin and fur \nof an animal such as a Leopard, \nCheetah, Zebra, Tiger, Spotted \nHyena, Striped Hyena, African \nWild Dog, Giraffe or monkey. \nAnimal print is also used for \nroom decoration, handbags and \nfootwear and even some jewelry.\n[1] A major difference between \nanimal prints and fur clothing \nis that animal prints today very \noften use fake fur instead of \nanimal coat.\nIN ALL THINGS OF NATURE \nTHERE IS SOMETHING OF THE \nMARVELOUS\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.4.png","Adara mate,  Adara Piano & Nómada Piano\nTV Table + cubes  \u002F   Mesa TV + cubos \u002F   Mobile TV + cubi\nMIRAGE & CAPITONÉ\n    7\n6           LA EBANISTERIA  \nPLUIE DE COULEURS\nGod is in \nthe details.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.5.png","Brownie Piano & Crema Piano - Midline Rosa Piano\nTRIANGLE COCÓ \nSideboard   \u002F   Aparador \u002F   Credenza\n    9\nPLUIE DE COULEURS\n8           LA EBANISTERIA  \nHoundstooth has come quite \na long way from its early \nbeginnings on the backs \nof sheepherders. In 2003, \nJapanese designer Yohji \nYamamoto created his entire fall \ncollection -- from oversized coats \nto chiffon ball gowns -- with \nhoundstooth in the design. 2009 \nsaw houndstooth featured in \nalmost every major international \nrunway show, from British \ndesigner Alexander McQueen \nto the Italian brand Moschino. \nMoving beyond apparel and \nouterwear, houndstooth has \nfound its way into hats, shoes \nand even home accessories. The \ncheck with modest origins has \nbecome a pattern wildly adored \nby the international fashion \ncrowd.\nAN UNDYING PRINT\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.6.png","    11\n10           LA EBANISTERIA  \nPLUIE DE COULEURS\nFashion forms a key part of many \nof our important industries, \nespecially those involving design, \nsuch as cars, computer printers \nand clothing. In the world of \nmachines, changes in design \noften accompany technical \nimprovements.\nHowever, new design in clothing \nis more commonly motivated \nby fashion. Differences in the \nclimate from season to season \nand the tendency to equate each \nnew year with a new look provide \ntextiles companies with frequent \nopportunities to renew their \nsales.\nThese marketing opportunities \nare often realised by associating \nproducts with people. Fashion \nmodels are highly paid to provide \nappropriate images of good \nhealth, comfortable life-styles, \nsuccess and beauty.\n Rosa Pastel Piano &  Adara Piano - Midline Berenjena Piano   \u002F   Adara Piano & Nómada Piano - Midline Berenjena Piano \nRosa Pastel Piano & Nómada Piano - Midline Berenjena Piano\nTRIANGLE\nABSOLUTE\nTRIANGLE PAISLEY\nCabinets  \u002F   Vitrinas  \u002F   Vetrine\nArmchair  \u002F   Butaca  \u002F   Poltrona\nSideboard  \u002F   Aparador  \u002F   Credenza\nDo you have\nthis one \nin pink?\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.7.png","    13\n12           LA EBANISTERIA  \nPLUIE DE COULEURS\nNómada mate & Adara mate\nComposition  \u002F   Composición  \u002F   Composizione\nAdara mate\nBELT\nCoffee table  \u002F   Mesa de Centro  \u002F   Tavolo centrale\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.8.png","    15\n14           LA EBANISTERIA  \nPLUIE DE COULEURS\nFORGET THE MATCHY-MATCHY \nLOOK. DECORATING A ROOM \nWITH DIFFERENT FURNITURE \nSTYLES, COLORS, AND \nPATTERNS IS FASHIONABLE \nAND FRESH — BUT IT CAN ALSO \nBE HARD TO PULL OFF. HERE \nARE EASY EXPERT TRICKS FOR \nMIXING ANTIQUE, MODERN, \nAND TRADITIONAL DESIGN \nSO THAT YOUR SPACE LOOKS \nCONSIDERED INSTEAD OF \nCHAOTIC.\nAdara mate & Nómada Piano\nAzul Spring mate\nPAISLEY\nTRIANGLE\nSideboard  \u002F   Aparador  \u002F   Credenza\nCabinet  \u002F   Vitrina  \u002F   Vetrina\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.9.png","16           LA EBANISTERIA  \n    17\nPLUIE DE COULEURS\nBEOL\nBlanco Piano &  Azul Spring Piano\nTRIANGLE BEOL\nSideboard  \u002F   Aparador  \u002F   Credenza\nThis season there is a move \ntoward the cooler and softer \nside of the color spectrum. \nAn eclectic, ethereal mix of \nunderstated brights, pale pastels \nand nature-like neutrals take \ncenter stage as designers draw \nfrom daydreams of simpler \ntimes. Remembrances of retro \ndelights, folkloric and floral \nart, and the magical worlds of \ntropical landscapes restore a \nsense of well-being as we head \ninto warmer months.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.10.png","    19\n18           LA EBANISTERIA  \nPLUIE DE COULEURS\nOf all the various accessories \navailable to the gentleman, the \nhandkerchief in the jacket’s \nbreast pocket is quite likely the \nleast understood.\nWhat color to choose, which \nfabric is right, and how to fold \nit properly are just some of \nthe questions that add to the \napprehension.\nThe dress handkerchief doesn’t \nhave to be a mysterious and \nfrightening item; with a little \nknow-how and a few simple \nrules, it can become a standard \n– and debonair – part of any \ngentleman’s wardrobe.\nNómada mate & Roble Sof \u002F Azul Spring mate \u002F Azul Noche mate\nTV Table + cubes   \u002F   Mesa TV + cubos \u002F   Mobile TV + cubi\nNómada mate & Roble Soft\nTRIANGLE SOFT\nSideboard  \u002F   Contenedor  \u002F   Mobile contenitore\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.11.png","    21\n20           LA EBANISTERIA  \nPLUIE DE COULEURS\nAzul Spring Piano & Nómada Piano\nNómada Piano & Azul Spring Piano\nNómada mate & Azul Spring mate \nTRIANGLE COCÓ\nTRIANGLE COCÓ\nSideboard  \u002F   Contenedor  \u002F   Mobile contenitore\nSideboard  \u002F   Aparador  \u002F   Credenza\nComposition  \u002F   Composición  \u002F   Composizione\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.12.png","    23\n22           LA EBANISTERIA  \nPLUIE DE COULEURS\nAzul Noche mate\nMUSCARY\nATLANTIC\nBookcase  \u002F   Biblioteca  \u002F   Librerie\nSofa  \u002F   Sofá  \u002F   Divano\nLUXURY CAN BE A DIVISIVE \nWORD. TRADITIONALLY, A \nLUXURY DENOTES SOMETHING \nTHAT IS ENJOYED BY CERTAIN \nPEOPLE AND NOT BY OTHERS. \nIT SPEAKS OF THE PRIVILEGE \nAND EXCLUSIVITY ENJOYED BY \nAN ELITE AND UNATTAINABLE \nFEW. HAVING NOT PERSONALLY \nINHERITED A MEMBERSHIP \nCARD TO SOCIETY, I FIND THIS \nCONCEPT TO BE INCREDIBLY \nBORING. I KNOW I AM NOT THE \nONLY ONE.\nThere is a new approach to \nthe idea of luxury growing \nspecifically within our generation \nthat puts the subject in an \nentirely different (and perhaps to \nolder generations an alarmingly \ninclusive) light. It is not that we \nno longer want nice things–\ninstead, we are beginning to \nrealize that the existing definition \nof luxury is too simple.\nWe seem to be shifting our \nsights from acquiring things \nto acquiring experiences. Our \nluxury is focused less on the \ninfamous Jones’s and more \non our personal quality of life. \nWe are not content to take up \nspace and to buy what is sold \nto us–we have the need to see \nthings, to understand art, and \nto drink deeply of the incredible \nbeauty that technology has \nshown us exists outside of our \nhome sphere. Not only are we \nexponentially more aware of the \nvalue of quality, craftsmanship \nand culture, but we also have \nmore access to these things \nthan ever before.\nLuxury must be \ncomfortable, \notherwise it is not \nluxury\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.13.png","Brownie Piano, Cappuccino Piano & Piel Bombón\nTV Composition + cube   \u002F   Composición TV + cubo \u002F   Composizione TV + cubo\n    25\n24           LA EBANISTERIA  \nPLUIE DE COULEURS\nTouch it,\nfeel it.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.14.png","Piel Nómada & Nómada mate\nNómada mate\nPan de Oro\nPiel Azul Noche & Azul Noche Piano\nBELT\nOPALO\nANGULAR\nAGORA\nNómada mate & Azul Spring Piano\nTRIANGLE BEOL\nSideboards   \u002F   Contenedores \u002F   Mobili contenitori\nNómada mate & Nómada Piano\nTRIANGLE\nSideboard   \u002F   Aparador \u002F   Credenza\nDining table   \u002F   Mesa de comedor \u002F   Tavolo da pranzo\nChairs  \u002F   Sillas  \u002F   Sedie\nMirrors  \u002F   Espejos  \u002F   Specchi\nConsole  \u002F   Consola  \u002F   Consolle\n    27\n26           LA EBANISTERIA  \nPLUIE DE COULEURS\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.15.png","Nómada mate, Nómada Piano & Azul Spring Piano\nPan de Oro\nAMURA MIRAGE\nBAROQUE \nConsole  \u002F   Consola  \u002F   Consolle\nMirror  \u002F   Espejo  \u002F   Specchio\n28           LA EBANISTERIA  \n    29\nPLUIE DE COULEURS\nBeauty is \nthe quality of \nharmonious \nrelationships.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.16.png","Nómada mate\nAdara mate & Nómada Piano - Midline Blond\nHOBO\nTRIANGLE COCÓ & PAISLEY\nABSOLUTE\nATLANTIC \nCoffe and corner tables  \u002F   Mesa centro y rincón \u002F   Tavoli centrali e angolari\nTV Table + cubes \u002F   Mesa TV + cubos \u002F  Mobile TV + cubi\nArmchair  \u002F   Butaca  \u002F   Poltrona\nSofa  \u002F   Sofá  \u002F   Divano\n    31\n30           LA EBANISTERIA  \nPLUIE DE COULEURS\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.17.png","Nómada mate & Nómada Piano\nTRIANGLE\nMOMENTUM\nSideboard \u002F   Aparador  \u002F   Credenza\nArmchair \u002F   Butaca  \u002F   Poltrona\nCabinet \u002F   Vitrina  \u002F   Vetrina\nAdara mate & Piel Adara\n    33\n32           LA EBANISTERIA  \nPLUIE DE COULEURS\nNo pattern should \nbe without some \nsort of meaning.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.18.png","Verde Manzana Piano & Azul Noche Piano \u002F Azul Noche Piano & Verde Manzana Piano\nTRIANGLE COCÓ\nSideboards \u002F   Contenedores  \u002F   Mobili Contenitori\n    35\n34           LA EBANISTERIA  \nPLUIE DE COULEURS\nHOUNDSTOOTH, HOUNDS TOOTH \nCHECK OR HOUND’S TOOTH \n(AND SIMILAR SPELLINGS), \nALSO KNOWN AS DOGSTOOTH, \nDOGTOOTH OR DOG’S TOOTH, IS \nA DUOTONE TEXTILE PATTERN \nCHARACTERIZED BY BROKEN \nCHECKS OR ABSTRACT FOUR-\nPOINTED SHAPES, OFTEN IN \nBLACK AND WHITE, ALTHOUGH \nOTHER COLOURS ARE USED. \nTHE CLASSIC HOUNDSTOOTH \nPATTERN IS AN EXAMPLE OF A \nTESSELLATION.\nA GIRL SHOULD BE TWO \nTHINGS: CLASSY AND \nFABULOUS.\nA smaller scale version of the \npattern can be referred to \nas puppytooth. Houndstooth \nchecks originated in woven wool \ncloth of the Scottish Lowlands, \nbut are now used in many \nother materials. The traditional \nhoundstooth check is made with \nalternating bands of four dark \nand four light threads in both \nwarp and weft\u002Ffilling woven in \na simple 2:2 twill, two over\u002Ftwo \nunder the warp, advancing one \nthread each pass. In an early \nreference to houndstooth, De \nPinna, a New York City–based \nmen’s and women’s high-end \nclothier founded in 1885, \nincluded houndstooth checks \nalong with gun club checks \nand Scotch plaids as part of \nits 1933 spring men’s suits \ncollection.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.19.png","Detail hexagonal handle\nDetalle tirador hexagonal\nDettaglio maniglia esagonale\n    37\nPLUIE DE COULEURS\n36           LA EBANISTERIA  \nNever throw away \nyour blue jeans.\nBrownie Piano & Azul Noche Piano - Midline Azul Noche Piano\nTRIANGLE BEOL\nABSOLUTE\nCabinets \u002F   Vitrinas  \u002F   Vetrine\nArmchair \u002F   Butaca  \u002F   Poltrona\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.20.png","Piel Bombón & Brownie Piano\nDOUBLE\nCappuccino Piano, Brownie Piano & Champagne\nCAPITONÉ\nTV Composition   \u002F   Composición TV \u002F   Composizione TV\nCoffee table    \u002F   Mesa de centro \u002F   Tavolo centrale\nLeather is\nnot only for\nyour jacket.\n38           LA EBANISTERIA  \n    39\nPLUIE DE COULEURS\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.21.png","    41\n40           LA EBANISTERIA  \nPLUIE DE COULEURS\nNómada Piano, Adara Piano & Pan de Oro\nCAPITONÉ\nMOMENTUM\nSideboard    \u002F   Contenedor \u002F   Mobile contenitore\nNómada Piano, Adara Piano & Pan de Oro\nMIRAGE\nSideboard    \u002F   Contenedor \u002F   Mobile contenitore\nArmchair  \u002F   Butaca  \u002F  Poltrona\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.22.png","Life is too short \nto wear boring \nclothes.\n    43\n42           LA EBANISTERIA  \nPLUIE DE COULEURS\nAdara Piano & Nómada Piano - Little mouldings Rojo Piano & Berenjena Piano\nSideboard    \u002F   Contenedor \u002F   Mobile contenitore\nNómada Piano & Adara Piano - Little mouldings Berenjena \nPiano & Brownie Piano\nMIRAGE\nSideboard    \u002F   Aparador \u002F   Credenza\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.23.png","    45\n44           LA EBANISTERIA  \nPLUIE DE COULEURS\nKUBUS\nATLANTIC\nNEUTRIA\nOPALO\nAMARANDA\nRoom divider  \u002F   Separador de ambientes  \u002F   Interparete a vista\nSofas    \u002F   Sofás \u002F   Divani\nCorner table    \u002F   Mesa de rincón  \u002F   Tavolo angolare \nDining table    \u002F   Mesa de comedor  \u002F   Tavolo da pranzo\nChairs   \u002F   Sillas  \u002F  Sedie\nBrownie Piano\nAdara mate\nAdara mate\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.24.png","    47\nPLUIE DE COULEURS\n46           LA EBANISTERIA  \nTriangle\nAdara mate &  Adara Piano\nBrownie Piano & Nómada Piano - Midline Blond\nTRIANGLE BEOL \nTRIANGLE \nSideboards    \u002F   Contenedores  \u002F   Mobili contenitori \nSideboard    \u002F   Aparador  \u002F   Credenza\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.25.png","    49\n48           LA EBANISTERIA  \nPLUIE DE COULEURS\nGood dressing \nis largely a question of \ndetail and accessories.\nSCALA\nHOBO\nBAUHAUS\nSofas    \u002F   Sofás  \u002F   Divani\nCoffee tables   \u002F   Mesas de centro \u002F   Tavoli centrali\nTV Table   \u002F   Mesa TV \u002F  Mobile TV\nNogal 4 & Brownie Piano\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.26.png","50           LA EBANISTERIA  \n    51\nPLUIE DE COULEURS\nThe most \nimportant is \nalways inside.\nNómada Piano,  Adara Piano & Pan de Oro\nCLUB\nBar unit    \u002F  Mueble bar  \u002F   Mobile bar\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.27.png","Grafito Piano & Gris Normandía Piano\nBookcases  \u002F   Bibliotecas  \u002F   Librerias\n    53\n52           LA EBANISTERIA  \nPLUIE DE COULEURS\nGrafito Piano & Gris Normandía Piano\nGrafito Piano\nQUANTUM ROMBHUS\nBERTA\nDining table   \u002F   Mesa de comedor  \u002F   Tavolo da pranzo\nChairs   \u002F   Sillas \u002F   Sedie\nBeauty is in \nthe eye \nof the \nbeholder.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.28.png","    55\nPLUIE DE COULEURS\n54           LA EBANISTERIA  \nSmoke Piano & Negro Piano\nMIRAGE\nTV Composition \u002F Composición TV \u002F Composizione per TV\nI never met a color \nI didn´t like\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.29.png","56           LA EBANISTERIA  \n    57\nPLUIE DE COULEURS\nSmoke Piano & Rojo Piano\nSideboard \u002F  Aparador \u002F Credenza\nLife is too \nshort to be \nboring.\nHARLEQUIN, IN ITALIAN \n“ARLECCHINO”, IN FRENCH \n“ARLEQUÍN”, IS THE BEST-\nKNOWN OF THE ZANNI OR \nCOMIC SERVANT CHARACTERS \nFROM THE ITALIAN COMMEDIA \nDELL’ARTE. TRADITIONALLY \nBELIEVED TO HAVE BEEN \nINTRODUCED BY ZAN GANASSA \nIN THE LATE 16TH CENTURY, \nTHE ROLE WAS DEFINITIVELY \nPOPULARIZED BY THE ITALIAN \nACTOR TRISTANO MARTINELLI \nIN PARIS IN 1584–1585 AND \nBECAME A STOCK CHARACTER \nAFTER MARTINELLI’S DEATH IN \n1630.\nThe Harlequin is characterized \nby his chequered costume. His \nrole is that of a light-hearted, \nnimble and astute servant, often \nacting to thwart the plans of his \nmaster, and pursuing his own \nlove interest, Colombina, with \nwit and resourcefulness, often \ncompeting with the sterner and \nmelancholic Pierrot. He later \ndevelops into a prototype of \nthe romantic hero. Harlequin \ninherits his physical agility and \nhis trickster qualities, as well as \nhis name, from a mischievous \n“devil” character in medieval \npassion plays.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.30.png","58           LA EBANISTERIA  \n    59\nPLUIE DE COULEURS\nAdara Piano\nTRIANGLE  TIGER\nSideboard    \u002F   Contenedor  \u002F   Mobile contenitore\nThe question isn’t about “should \nyou” or “should you not” own an \nanimal print. Every fashionista \nmust own at least a piece of this \nprint be it a dress, a top, a pair \nof shoes, a scarf or a bag. The \nquestion therefore is – how do \nyou make it right?\nANIMAL PRINT NEVER GOES \nOUT OF FASHION. IN FACT, \nEVERY SEASON AND EVERY \nYEAR, PEOPLE PARROT, “ANIMAL \nPRINT IS ON TREND!” BUT IT’S \nTHE SAME PRINT. IF THERE’S \nANYTHING NEW, IT’S PURELY A \nMATTER OF INTERPRETATION.\nTake a walk on the wild side\nMatching colors and prints is \nvery common in styling. However, \nnot only does going too matchy \ncreates a trying hard kind’a \nobsolete way of styling, it’s \nconsidered a big NAY when it \ncomes to animal prints.\nChoose only one large part \nof your outfit that’s wild. For \ninstance, if your top is a leopard\u002F\ntiger\u002Fzebra print, let the tights\u002F\nskirt\u002Fpants be non-animal. If it’s \nyour dress that has the print, then \nlet your shoes be plain black or \nnude.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.31.png","60           LA EBANISTERIA  \n    61\nPLUIE DE COULEURS\nThe most important problem \nhas been a confusion between \nthe behavior of light mixtures, \ncalled additive color, and the \nbehavior of paint, ink, dye, \nor pigment mixtures, called \nsubtractive color. This problem \narises because the absorption \nof light by material substances \nfollows different rules from the \nperception of light by the eye.\nTHE FOUNDATIONS OF PRE-\n20TH-CENTURY COLOR \nTHEORY WERE BUILT AROUND \n“PURE” OR IDEAL COLORS, \nCHARACTERIZED BY SENSORY \nEXPERIENCES RATHER THAN \nATTRIBUTES OF THE PHYSICAL \nWORLD. THIS HAS LED TO A \nNUMBER OF INACCURACIES IN \nTRADITIONAL COLOR THEORY \nPRINCIPLES THAT ARE NOT \nALWAYS REMEDIED IN MODERN \nFORMULATIONS.\nBuy the best, \nand you only \ncry once.\nA second problem has been \nthe failure to describe the very \nimportant effects of strong \nluminance (lightness) contrasts \nin the appearance of colors \nreflected from a surface (such \nas paints or inks) as opposed to \ncolors of light; “colors” such as \nbrowns or ochres cannot appear \nin mixtures of light. Thus, \na strong lightness contrast \nbetween a mid-valued yellow \npaint and a surrounding bright \nwhite makes the yellow appear \nto be green or brown, while \na strong brightness contrast \nbetween a rainbow and the \nsurrounding sky makes the \nyellow in a rainbow appear to be \na fainter yellow, or white.\nPiel Adara & Adara Piano\nTRIANGLE\nSideboards \u002F Contenedores \u002F Mobili Contenitori\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.32.png","    63\n62           LA EBANISTERIA  \nPLUIE DE COULEURS\nNegro Piano & Blanco Piano\nNegro mate\nPan de Oro\nAzul Noche mate\nZEBRA\nOPERA\nANGULAR\nNEUTRIA\nSideboard    \u002F   Aparador  \u002F   Credenza\nDesk    \u002F   Mesa despacho  \u002F   Tavolo da ufficio\nMirrors    \u002F   Espejos  \u002F   Specchi\nConsole    \u002F   Consola  \u002F   Consolle\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.33.png","There is a certain outfit many \noften joke is the unofficial \n“music industry uniform.” It \nconsists of business-casual \nstyle shoes (such as loafers for \nmen or flats for women), jeans, \na stylish shirt or even a t-shirt, \nand a blazer. This is the outfit \nyou will most commonly see \nworn any just about any music \nevent from a convention to an \nindustry showcase. It is also the \nquintessential example of what \nthe “music industry dress code” \ninvolves. It is some unique hybrid \nof casual, trendy, and business \ncasual to create a style that is \nrather unique to the music world.\nWHAT TO WEAR TENDS TO \nBE ONE THE MOST POPULAR \nTOPICS ON THIS SITE. \nPROBABLY BECAUSE IT CAN \nTOUGH FOR INTERNS AND \nOTHER NEWCOMERS TO \nDETERMINE WHAT TO WEAR \nIN AN INDUSTRY THAT’S A MIX \nBETWEEN BUSINESS, CASUAL, \nAND COUNTLESS MUSICAL \nSUBCULTURES. HOW DO YOU \nLOOK PROFESSIONAL BUT \nSTILL FIT IN WHEN IT COMES TO \nATTENDING A CONFERENCE OR \nOTHER PROFESSIONAL EVENT? \nTO BE HONEST, THE ANSWER \nREALLY DEPENDS BECAUSE \nSOME EVENTS ARE MORE \nFORMAL THAN OTHERS AND MAY \nINCLUDE AWARDS DINNERS OR \nWALKS DOWN THE RED CARPET \n(NO, I’M NOT KIDDING). TODAY, \nWE’LL TAKE A LOOK AT WHAT TO \nWEAR TO YOUR AVERAGE MUSIC \nINDUSTRY CONFERENCE OR \nPROFESSIONAL EVENT AND WILL \nGET INTO SOME MORE SPECIFIC \nEXAMPLES IN THE FUTURE.\n64           LA EBANISTERIA  \n    65\nPLUIE DE COULEURS\nPiel Azul Noche & Azul Noche Piano\nNegro mate\nAGORA\nBERTA\nDining table    \u002F   Mesa comedor  \u002F   Tavolo da pranzo\nChairs    \u002F   Sillas  \u002F  Sedie\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.34.png","    67\nPLUIE DE COULEURS\n66           LA EBANISTERIA  \nNegro mate & Pan de Oro\nARISTOCRAT\nCabinet    \u002F   Vitrina  \u002F   Vetrine\nSCALA\nSofa    \u002F   Sofá  \u002F   Divani\nLive your life like \na rockstar\nWhat most people don’t realize \nabout being a “rockstar” is \nthe amount of hard work, \ndetermination, and ambition that \nlies behind it. Having to not only \nmake your music, but finding a \nway to get it out there so people \ncan hear it, making contacts at \ndifferent venues so they have \nsomewhere to play live shows, \nselling tickets to the shows, \nfinding someone to transport \nall of their gear, etc, etc. It’s not \nall gravy all the time. Before the \nfame and money…  There was \na ton of hard work and taking \naction.\nYOU SEE, THE LIFESTYLE OF A \nGUY WHO IS A “ROCKSTAR” IS A \nVERY, VERY INTERESTING ONE. \nA GUY WHO GOES THROUGH \nSTRUGGLES AND VICTORIES, \nHIGH POINTS AND LOW POINTS, \nBUT STILL KEEPS PUSHING \nBECAUSE HE HAS A DREAM. \nCAUSE LET’S FACE IT, MOST \nGUYS WHO SAY THEY WANT \nTO BE A ROCK STAR, (OR A \nPROFESSIONAL ATHLETE OR \nWHATEVER “DREAM JOB” \nYOU MIGHT COME UP WITH) \nPEOPLE WILL SAY THEY ARE \n“DREAMING” OR “DELUSIONAL” \nOR THEY NEED TO “GET REAL.” \nBUT THEY DON’T LISTEN… THEY \nKEEP PUSHING AND PUSHING \nUNTIL THEY REACH THEIR \nULTIMATE GOAL.\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.35.png","Negro mate, Negro Piano & Azul Noche Piano\nPan de Oro\nNegro mate\nZEBRA \u002F GIRAFFE \u002F MIRAGE\nLOARRE\nNEUTRIA\nTV  Table + cubes   \u002F   Mesa  TV + cubos  \u002F  Mobile  TV + cubi\nArmchairs  \u002F  Butacas  \u002F  Poltrone\nCoffee table  \u002F  Mesa de centro \u002F Tavolo centrale\n    69\n68           LA EBANISTERIA  \nPLUIE DE COULEURS\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.36.png","    71\nPLUIE DE COULEURS\n70           LA EBANISTERIA  \nUnlike red sometimes does, this \nintense color makes a statement \nwithout being brash. It turns a \ncozy sweater, notch-color coat, \nor swingy dress into something \nstartlingly original. Designers \nhave the blues for spring, if the \ncolors coming down the runways \nare any indication. From icy \nshades (clearly someone was \nwatching too much Frozen) \nto teal and turquoise, fans of \nthe hue will have nearly every \nsaturation possible. No wonder \ncobalt has edged out\nTHE PUREST AND MOST \nTHOUGHTFUL MINDS ARE \nTHOSE WHICH LOVE COLOUR \nTHE MOST.\nNegro Piano &  Turquesa Piano\nATLANTIC\nTRIANGLE ICONIC\nSofa  \u002F   Sofá  \u002F   Divano\nSideboard  \u002F   Contenedor  \u002F   Mobile contenitore\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.37.png","Crema Piano & Cappuccino Piano\nCAPITONÉ\nTV Composition   \u002F   Composición TV  \u002F   Composizione TV\nApparent gloss depends on the \namount of specular reflection – \nlight reflected from the surface \nin an equal amount and the \nsymmetrical angle to the one of \nincoming light – in comparison \nwith diffuse reflection – the \namount of light scattered into \nother directions.\nGLOSS IS AN OPTICAL \nPROPERTY WHICH INDICATES \nHOW WELL A SURFACE \nREFLECTS LIGHT IN A SPECULAR \n(MIRROR-LIKE) DIRECTION. \nIT IS ONE OF IMPORTANT \nPARAMETERS THAT ARE USED \nTO DESCRIBE THE VISUAL \nAPPEARANCE OF AN OBJECT. \nTHE FACTORS THAT AFFECT \nGLOSS ARE THE REFRACTIVE \nINDEX OF THE MATERIAL, THE \nANGLE OF INCIDENT LIGHT AND \nTHE SURFACE TOPOGRAPHY.\n    73\nPLUIE DE COULEURS\n72           LA EBANISTERIA  \n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.38.png","    75\n74           LA EBANISTERIA  \nPLUIE DE COULEURS\nBrownie Piano & Cappuccino Piano\nCabinet   \u002F   Vitrina  \u002F  Vetrina\nCappuccino Piano & Crema Piano\nCAPITONÉ\nSideboard   \u002F   Aparador  \u002F  Credenza\nCappuccino Piano & Crema Piano\nAGORA\nDining table \u002F Mesa de comedor \u002F Tavolo da pranzo\nCappuccino Piano\nBERTA\nChairs \u002F Sillas \u002F Sedie\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.39.png","Neoclassical design emerged \nin Europe in the 1750s, as the \nAge of Enlightenment reached \nfull flower. Furniture took its \ncues from the styles of ancient \nRome and Athens: symmetrical, \nordered, dignified forms with \nsuch details as tapered and \nfluted chair and table legs, \nbackrest finials and scrolled \narms. Over a period of some 20 \nyears, first in France and later in \nBritain, Neoclassical design — \nalso known as Louis XVI, or Louis \nSeize — would supersede the \nlithe and curvaceous Rococo or \nLouis XV style.\nTHE FIRST HALF OF THE 18TH \nCENTURY HAD SEEN A REBIRTH \nOF INTEREST IN CLASSICAL \nANTIQUITY. THE “GRAND \nTOUR” OF EUROPE, CODIFIED \nAS A PART OF THE PROPER \nEDUCATION OF A PATRICIAN \nGENTLEMAN, INCLUDED AN \nEXTENDED VISIT TO ROME.\n76           LA EBANISTERIA  \nPLUIE DE COULEURS\n    77\nLuxury is in each detail.\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.40.png","    79\n78           LA EBANISTERIA  \nPLUIE DE COULEURS\nThe cube is the only regular \nhexahedron and is one of the \nfive Platonic solids and has 12 \nedges, 6 faces and 8 vertices.\nThe cube is also a square \nparallelepiped, an \nequilateral cuboid and a \nright rhombohedron. It is \na regular square prism in \nthree orientations, and a \ntrigonal trapezohedron in four \norientations.\nThe cube is dual to the \noctahedron. It cu has cubical or \noctahedral symmetry.\nIN GEOMETRY, A CUBE IS A \nTHREE-DIMENSIONAL SOLID \nOBJECT BOUNDED BY SIX \nSQUARE FACES, FACETS OR \nSIDES, WITH THREE MEETING AT \nEACH VERTEX.\nNómada mate,  Adara mate, Cappucino mate & Pan de Oro\nKUBUS\nBookcase    \u002F   Biblioteca  \u002F   Librerie\nBring \nyour own\nexperience \ninto your \nrooms\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.41.png","Brownie Piano, Cappuccino Piano & Piel Moka\nCurry Piano & Negro Piano\nCAPITONÉ\nTV Composition    \u002F   Composición  TV  \u002F   Composizione  TV\nBrownie Pìano & Cappuccino Piano\nQUANTUM\nCoffee table    \u002F   Mesa de centro  \u002F   Tavolo centrale\nCabinet    \u002F   Vitrina  \u002F  Vetrina\n    81\n80           LA EBANISTERIA  \nPLUIE DE COULEURS\nHome is the nicest \nplace there is.\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.42.png","    83\nPLUIE DE COULEURS\n82           LA EBANISTERIA  \nCurry Piano & Negro Piano\nCabinet   \u002F   Vitrina  \u002F  Vetrina\nColours are brighter when the mind is open\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.43.png","Smoke Piano & Rojo Piano\nSmoke Piano\nQUANTUM\nGIULIETTA\nDining table   \u002F   Mesa de comedor \u002F   Tavolo da pranzo\nChair   \u002F   Silla  \u002F   Sedie\n84           LA EBANISTERIA  \nSmoke Piano & Rojo Piano\nSideboard  \u002F   Aparador  \u002F  Credenza\nArt without \nmeasure\nPLUIE DE COULEURS\n    85\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.44.png","86           LA EBANISTERIA  \nSmoke Piano & Rojo Piano\nTV table  \u002F   Mesa TV  \u002F  Mobile TV\nWhen in \ndoubt, wear  \nRED\nPLUIE DE COULEURS\n    87\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.45.png","    89\n88           LA EBANISTERIA  \nPLUIE DE COULEURS\nRESEMBLING A TWISTED \nTEARDROP, THE KIDNEY-SHAPED \nPAISLEY IS OF IRANIAN ORIGIN, \nBUT ITS WESTERN NAME \nDERIVES FROM THE TOWN OF \nPAISLEY, IN WEST SCOTLAND, A \nCENTRE FOR TEXTILES WHERE \nPAISLEY DESIGNS WERE \nPRODUCED.\nSome design scholars believe it \nis the convergence of a stylized \nfloral spray and a cypress \ntree: a Zoroastrian symbol \nof life and eternity. Paisley \nis the quintessential visual \nmetaphor of Iran’s bifurcated \nand tormented identity – riven \nbetween Arabic Islam and pre-\nIslamic Persian creeds. It is a \nbent cedar, and the cedar is \nthe tree Zarathustra planted \nin paradise. The heavenly tree \nwas “bent” under the weight of \nthe Arab invasion and Muslim \nconquest of Persia. \nPaisley\npassion.\nThe “bent” cedar is also the \nsign of strength and resistance \nbut modesty. The floral motif \nwas originated in the Sassanid \nDynasty and later in the Safavid \nDynasty of Persia (from 1501 to \n1736), and was a major textile \npattern in Iran during the Qajar \nand Pahlavi Dynasties. In these \nperiods, the pattern was used to \ndecorate royal regalia, crowns, \nand court garments, as well \nas textiles used by the general \npopulation.\nAdara mate & Nómada Piano - Midline Azul Spring Piano\nTRIANGLE PAISLEY\nSideboard \u002F Contenedor \u002F Mobile contenitore\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.46.png","PLUIE DE COULEURS\n    91\n90           LA EBANISTERIA  \nIndigenous Mexican art \ncelebrates the skeleton and \nuses it as a regular motif. The \nuse of skulls and skeletons in art \noriginated before the Conquest: \nThe Aztecs excelled in stone \nsculptures and created striking \ncarvings of their gods. Coatlicue, \nthe goddess of earth and death, \nwas portrayed with a necklace \nof human hearts, hands and a \nskull pendant. She was imbued \nwith the drama and grandeur \nnecessary to dazzle the subject \npeople and to convey the image \nof an implacable\nTrust your\ninstincts.\nstate. The worship of death \ninvolved worship of life, while \nthe skull – symbol of death – \nwas a promise to resurrection. \nThe Aztecs carved skulls in \nmonoliths of lava, and made \nmasks of obsidian and jade. \nFurthermore, the skull motif \nwas used in decoration. They \nwere molded on pots, traced on \nscrolls, woven into garments, \nand formalized into hieroglyphs.\nAdara mate & Nómada Piano - Midline Azul Noche Piano\nTRIANGLE PAISLEY\nSideboard \u002F Aparador \u002F Credenza\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.47.png","92           LA EBANISTERIA  \nAdara Piano &  Nómada Piano - Midline Yellow Piano\nTRIANGLE BEOL\nSideboard \u002F Contenedor \u002F Mobile Contenitore\nTHESE SLEEK GEOMETRIC \nFASHION FINDS ARE SURE \nTO ATTRACT FASHIONISTAS \nLOOKING FOR THE NEXT BIG \nTHING TO HIT THE RUNWAY, AND \nTHESE DESIGNS WILL CONTINUE \nTO DOMINATE CLOTHING AND \nACCESSORIES FOR A WHILE TO \nCOME. \nGeometric patterns and shapes \nare often things we associate \nwith decor and interior design, \nbut these simple shapes \nand patterns have now been \nincorporated into a wide variety \nof fashion accessories and \ncollections, illustrating the kind \nof popularity these geometric \ndesigns have had in modern \nday culture. From geometrically \nstudded shoes to geometric-\npatterned dresses, these \ndesigns serve to add an intricate \namount of detail to an otherwise \nordinary outfit.\nDon´t be \nmodern, be \ntimeless\nPLUIE DE COULEURS\n    93\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.48.png","    95\n94           LA EBANISTERIA  \nPLUIE DE COULEURS\nNómada mate\nAzul Noche mate\nNómada mate & Roble Soft\nORSAY\nOPALO\nABSOLUTE\nCabinet \u002F Vitrina \u002F Vetrina\nCoffee table \u002F Mesa de centro \u002F Tavolo centrale\nTV Table \u002F Mesa TV \u002F Mobile TV\nArmchair \u002F Butaca \u002F Poltrona\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.49.png","Piel Crema & Crema Piano\nCrema Piano\nAdara mate\nCrema mate\nPiel Azul Noche & Azul Noche Piano\nAGORA\nGIULIETTA  XXL\nMUSCARY\nDining table    \u002F  Mesa de comdor  \u002F   Tavolo da pranzo\nChairs    \u002F   Sillas  \u002F   Sedie\nBookcase    \u002F   Biblioteca  \u002F   Librerie\nBookcase    \u002F  Bilbioteca \u002F  Librerie\nSideboard    \u002F  Aparador  \u002F  Credenza\n    97\n96           LA EBANISTERIA  \nPLUIE DE COULEURS\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.50.png","    99\n98           LA EBANISTERIA  \nPLUIE DE COULEURS\nPiel Azul Noche & Azul Noche Piano\nCrema mate\nSideboard    \u002F  Aparador  \u002F   Credenza\nBookcase    \u002F  Biblioteca  \u002F   Librerie\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.51.png","Piel Bombón & Brownie Piano\nBrownie Piano\nDOUBLE\nGIULIETTA\nDining table   \u002F   Mesa de comedor  \u002F   Tavolo da pranzo\nChair   \u002F   Silla \u002F   Sedie\nCappuccino Piano & Crema Piano\nSideboards   \u002F   Contenedores  \u002F   Mobili contenitori\n    101\n100           LA EBANISTERIA  \nPLUIE DE COULEURS\ndon´t be afraid to show\nyour true colours\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.52.png","Negro Piano &  Adara Piano - POP Rojo Piano & Blanco Piano\nSIXTY-NINE POP\nSideboard    \u002F  Contenedor  \u002F   Mobile contenitore\n    103\n102           LA EBANISTERIA  \nPLUIE DE COULEURS\nThe home \nshould be the \ntreasure chest \nof living.\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.53.png","Rosa Pastel Piano & Adara Piano - POP Negro Piano & Blanco Piano\nSIXTY-NINE POP\nSideboard    \u002F  Aparador  \u002F   Credenza\n    105\nPLUIE DE COULEURS\n104           LA EBANISTERIA  \nPerfectos have been produced \nfor more than 50 years, so \nfinding out when a vintage jacket \nwas made can be difficult. There \nhave, however, been slight \nvariations in the design over \ntime. Some of the details in the \ntimeline below overlap. Style \n118 is fitted with new chrome \npocket zippers with different \npulls (Schott recently switched \nback to the original chain zipper \npulls) and a snap under the \nbelt buckle to prevent it from \ndamaging the gas tank. The \nside pockets on the 118 have \nsupposedly been moved closer \nto the center of the jacket for \neasier access. The 613\u002F618 \nhave not been updated since the \nearly 1990s.\nPERFECTO IS A BRAND OF \n“LANCER FRONTED” LEATHER \nMOTORCYCLE JACKETS \nDESIGNED BY IRVING SCHOTT \nAND MANUFACTURED BY \nAMERICAN CLOTHING COMPANY. \nTHEY WERE WORN BY SUCH \nICONS AS MARLON BRANDO \nIN THE 1953 SEMINAL MOVIE \nTHE WILD ONE, BY PUNK ROCK \nPIONEERS THE RAMONES IN \nTHE 1970S AND STYLED BY \nFASHION DESIGNERS SUCH AS \nJEAN PAUL GAULTIER IN THE \n1980S. THE 613 AND 618\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.54.png","    107\nPLUIE DE COULEURS\n106           LA EBANISTERIA  \nNegro Piano & Crema Piano\nSIXTY-NINE POP & NUMBER\nTV Table + cubes    \u002F  Mesa TV + cubos  \u002F   Mobile TV + cubi\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.55.png","    109\n108           LA EBANISTERIA  \nPLUIE DE COULEURS\nNómada mate & Adara mate\nComposition    \u002F  Composición  \u002F   Composizione\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.56.png","    111\n110           LA EBANISTERIA  \nPLUIE DE COULEURS\nAdara mate & Roble soft\nSIXTY-NINE SOFT\nSideboard    \u002F  Contenedor  \u002F   Mobile contenitore\nRoble soft\nDOUBLE SOFT\nDining table   \u002F  Mesa de comedor  \u002F   Tavolo da pranzo\nCobre\nGINA\nChairs  \u002F  Sillas \u002F  Sedie\nCobre\nGINA\nChairs  \u002F  Sillas \u002F  Sedie\nAdara mate, Roble soft & Yellow Piano\nMURMUR\nDining table    \u002F  Mesa de comedor  \u002F  Tavolo da pranzo\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.57.png","    113\n112           LA EBANISTERIA  \nPLUIE DE COULEURS\nAnd like any other skill, it can be \nlearned. Here are six strategies \nto make it easier. It’s pretty \nstraightforward: pastels with \npastels, earth tones with earth \ntones, jewel tones with jewel \ntones. When you’re talking \nabout colors, “complimentary” \nactually means “opposite.” Black \nand white, for instance, are \ncomplimentary colors. That’s \nwhy they look so great together. \nYou know, “opposites attract.” \nThat whole thing. \nEvery color has a complimentary \ncolor. It’s just whatever is on \nthe opposite side of the color \nwheel. True complimentary \ncolors are the same distance \nfrom the center of the wheel, \nbut it can be very striking to \ncombine a color from the center, \nlike a pale yellow green, with its \ncomplimentary color from the \noutside edge, like a deep mauve.\n COLOR MIXING IS NOT THE \nSORT OF THING THAT ANYONE \nIS BORN KNOWING HOW TO DO, \nBUT THAT’S A GOOD THING. IT’S \nNOT A TALENT. IT’S A SKILL.\nVerde Manzana mate & Roble Soft \nTRIANGLE SOFT\nSideboard  \u002F   Aparador  \u002F   Credenza\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.58.png","Nogal 4 & Cappuccino Piano\nBAUHAUS\nTV Composition   \u002F   Composición TV  \u002F   Composizione TV\n    115\nPLUIE DE COULEURS\n114           LA EBANISTERIA  \nMake it simple, \nbut significant.\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.59.png","Nogal 4 & Cappuccino Piano\nNogal 4 & Cappuccino Piano\nBAUHAUS\nBAUHAUS\nBookcase   \u002F   Biblioteca  \u002F   Librerie\nSideboard   \u002F   Aparador  \u002F   Credenza \n    117\n116           LA EBANISTERIA  \nPLUIE DE COULEURS\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.60.png","BAUHAUS\nNogal 4 & Grafito Piano\nTV Composition   \u002F    Composición TV  \u002F   Composizione TV\n    119\n118           LA EBANISTERIA  \nPLUIE DE COULEURS\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.61.png","    121\n120           LA EBANISTERIA  \nPLUIE DE COULEURS\nBAUHAUS\nSideboard   \u002F   Aparador  \u002F   Credenza\nNogal 4 & Negro Piano\nFor those of you who have no \nclue what Bauhaus is: Bauhaus \nwas a school in Germany that \ncombined crafts and the fine \narts, and was famous for its \napproach to design that it \npublicized and taught. One \nof the main objectives of the \nBauhaus was to unify art, \ncraft, and technology. The use \nof graphical shapes, different \nmaterials and colours are just \nsome of the elements of designs \ninspired by Bauhaus.\nSimplicity is \nthe ultimate \nform of \nsophistication\nEven though the Bauhaus \nschool existed only for 14 years \nand closed 79 years ago, its \ninfluence is still felt today. \nNot only do you see Bauhaus \ninfluences in streets, interiors \nand furniture design, but also \nin the classroom where its \nteaching strategies are still \ncommonly used. In fashion too, \nmany designers are still inspired \nby the Bauhaus movement.\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.62.png","Berenjena Piano\nOPALO\nArmchair   \u002F   Sillón  \u002F   Sedia a braccioli\n122           LA EBANISTERIA  \n    123\nPLUIE DE COULEURS\nYour place, your rules\nCappuccino Piano, Berenjena Piano & Piel Bombón\nAGORA\nDesk   \u002F   Mesa despacho   \u002F   Tavolo da ufficio\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.63.png","Piel Crema, Crema Piano, Azul Spring Piano & Azul Noche Piano\nArmchair  \u002F   Butaca   \u002F  Poltrona                          Pan de Oro\nTV Composition + cubes   \u002F   Composición TV + cubos   \u002F   Composizione TV + cubi\nLOARRE\n124           LA EBANISTERIA  \nColours speak \nall languages.\nPLUIE DE COULEURS     125\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.64.png","Piel Crema & Crema Piano\nCrema Piano\nAGORA\nGIULIETTA XXL \nORGANIC\nDining table   \u002F  Mesa de comedor  \u002F  Tavolo da pranzo\nChairs  \u002F  Sillas  \u002F  Sedie\nSofa  \u002F  Sofá  \u002F  Divano\nPiel Crema & Crema Piano - Little mouldings Azul Spring Piano & Azul Noche Piano\nSideboards   \u002F  Contenedores  \u002F  Mobile contenitore\n    127\n126           LA EBANISTERIA  \nPLUIE DE COULEURS\nPLUIE DE COULEURS     127\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.65.png","Azul Noche Piano\nPiel Crema & Crema Piano - Little mouldings Azul Spring Piano & Azul Noche Piano\nAMURA\nMirror   \u002F  Espejo  \u002F  Specchio\nSideboard   \u002F  Aparador  \u002F  Credenza\n    129\n128           LA EBANISTERIA  \nPLUIE DE COULEURS\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.66.png","    131\n130           LA EBANISTERIA  \nPLUIE DE COULEURS\nP. 003\nP. 057\nP. 013\nP. 069\nP. 025\nP. 081\nP. 037\nP. 101\nP. 113\nP. 005\nP. 059\nP. 017\nP. 071\nP. 027\nP. 085\nP. 039\nP. 103\nP. 115\nP. 007\nP. 061\nP. 018\nP. 073\nP. 031\nP. 089\nP. 091\nP. 093\nP. 041\nP. 105\nP. 051\nP. 117\nP. 009\nP. 063\nP. 021\nP. 075\nP. 033\nP. 095\nP. 043\nP. 107\nP. 053\nP. 119\nP. 011\nP. 065\nP. 023\nP. 079\nP. 035\nP. 097\nP. 045\nP. 109\nP. 055\nP. 127\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fed\u002Fa6aab8e60065f0e41be406d076b825.67.png","Thank you letter.\nI am extremely grateful to all the people who \nhave collaborated on the edition of this cata-\nlogue. And I'd like to give a special mention \nto my sister Susana,  for her critical eye and \nthorough reviews; to Sergio, for his attitude \nand endurance;  to Lourdes, who is always so \nmeticulous and persistent;  to Carmelo,  for \nthe passion that he demonstrates for typogra-\nphy and photography;  to Alberto, for his desi-\nre to improve and to my brother Roberto, for \nthe hours of deprived sleep that I have taken \naway from him with the of new designs.\nI HOPE YOU ENJOY IT!\nbe at home, since 1968\n132           LA EBANISTERIA  \n",67,[],0,false,true,{"success":284,"data":286,"meta":501,"count":502,"next":503,"previous":504,"results":538,"brand_chips":599},[287,300,310,319,329,338,348,358,368,380,392,405,415,428,440,450,460,469,479,491],{"id":288,"title":289,"slug":290,"image":291,"source":292,"brand_name":293,"brand":294,"brand_slug":295,"file_size":296,"pages":297,"pages_count":298,"matched_pages":299,"match_count":282,"two_pages":283,"show_text":284},26607,"Working 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