[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-knoll-piero-lissoni-collection-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":182},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":177,"matched_pages":178,"match_count":179,"two_pages":180,"show_text":181},13068,"Piero Lissoni Collection 2020","knoll-piero-lissoni-collection-2020","\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F10\u002Fbfcd393b21f9a995bd40c75a916719-273753728d.pdf","Knoll",1649,"knoll","3.8 MB",[14,17,21,25,29,33,37,41,45,49,53,56,60,64,68,72,76,80,84,88,92,96,100,104,107,111,115,119,123,127,131,135,139,143,146,150,154,158,162,166,170,174],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.2.png","Piero Lissoni   Collection 2020\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.3.png","2\n \nA modern architecture inhabited by contemporary  \npieces. Or that tension of modernism to restore each piece\nto its essential dimensions: a gesture that restores structures  \nand lines of the past to primary, archetypal forms. Within this \nspace, the new forms of contemporary design experiment  \nwith visions of the future and together question what it once \nwas. Because even in architecture and in design it could  \nbe said that, as occurs in other fields, nothing is created and \nnothing is destroyed. The forms of existence are endless.\n \n‘The visible form is the synthesis, the transparency; \nthe invisible part, the work that makes it possible for the  \nvisible to come to life. The success of a sofa, of a chair,\nof an arm-chair depends on the way in which the visible and  \ninvisible speak to each other.’\nPiero Lissoni\n— 3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.4.png","Knoll   PL Collection 2020\n— 5\n4\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.5.png","Knoll   PL Collection 2020\n6\n \nEin moderner Stil, der von \nzeitgenössischen Stücken belebt wird. \nDas Streben des Modernismus,  \njedem Objekt seine essenziellen \nDimensionen zurückzugeben und damit \nStrukturen und Linien aus der Vergan- \ngenheit wieder zu beleben zu \nelementaren, archetypischen Formen. \nIn diesem Umfeld experimentieren die \nneuen Formen des modernen Designs \nmit Visionen der Zukunft und zusammen \nfragen sie, was einst gewesen ist. Denn \nselbst in Architektur und Design gilt, \nanders als es in anderen Bereichen \nvorkommt, dass nichts erschaffen und \nnichts zerstört wird. Die Formen des \nSeins sind endlos.\n \n‘Die sichtbare Form ist die  \ntransparente Synthese daraus und der \nunsichtbare Teil die Arbeit, die es  \ndem Sichtbaren möglich macht, lebendig \nzu werden. Der Erfolg eines Sofas,  \neines Stuhls oder eines Sessels \nhängt davon ab, wie der sichtbarer \nund der unsichtbarer Teil miteinander \nkommunizieren.’\n \nUne architecture moderne, habitée de créations  \ncontemporaines. Ou cette volonté du modernisme de rendre \nses dimensions essentielles à chaque objet: un geste  \nqui restitue aux structures, aux lignes du passé, leurs formes \nprimaires, archétypales. Dans cet espace, les nouvelles \nformes de design contemporain s’aventurent vers l’avenir, \ntout en questionnant ce qui fut autrefois. Car dans \nl’architecture et le design comme dans d’autres disciplines,\non pourrait dire que rien ne se perd, rien ne se crée.  \nLes formes d’existence sont infinies.\n \n‘La forme visible est la synthèse, la transparence;  \nla partie invisible, le travail nécessaire pour aboutir au \nvisible, lui donner vie. Le succès d’un canapé, d’une chaise,  \nd’un fauteuil, dépend du dialogue entre le visible et l’invisible.’\n \nUn’architettura moderna abitata da pezzi \ncontemporanei. Ovvero quella tensione del modernismo  \na riportare ogni cosa alla misura essenziale: gesto che \nrestituisce strutture e linee del passato a forme primarie, \narchetipiche. Dentro a questo spazio, le forme nuove  \ndel disegno contemporaneo sperimentano visioni del futuro\ne insieme interrogano ciò che è stato. Perché anche \nin architettura e nel design si potrebbe dire che, come  \navviene in altri campi, nulla si crea e nulla si distrugge.\nLe forme dell’esistente sono inesauribili.\n \n‘La forma visibile è la sintesi, la chiarezza; la parte  \ninvisibile, il lavoro che dà modo al visibile di realizzarsi. \nLa riuscita di un divano, di una sedia, di una poltroncina \ndipende dal modo in cui visibile e invisibile si parlano.’\n— 7\nPiero Lissoni\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.6.png","— 9\n8\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.7.png","10\nMatic   Sofa Collection\n(Chapter I)\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.8.png","A.   294×107\nTechnical Details: pp. 52—55\nImages: pp. 11—16\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.9.png","C.   359×352\nB.   300×107\nTechnical Details: pp. 52—55\nTechnical Details: pp. 52—55\nImages: pp. 11—16\nImages: pp. 19—21\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.10.png","E.   300×157\nD.   352×157\nTechnical Details: pp. 52—55\nImages: pp. 22—23\nTechnical Details: pp. 52—55\nImages: pp. 24—26\n",10,{"image":54,"text":15,"number":55},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.11.png",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.12.png","— 11\nPiero Lissoni   Knoll 2020\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.13.png","12\n— 13\nMatic   Sofa Collection\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.14.png","— 15\n14\nMatic   Sofa Collection\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.15.png","16\n— 17\n \nA platform suspended in space, a cross between  \nan island and architecture. An object imagined to float  \nin space and present itself as a universe in and of itself.\nMatic borrows moves from a frame designed like a building\nwith a strict structural system: pillars, footings, beams, \ncolumns, slabs. A high profile technological exercise that \ndecides its own aesthetic destiny, its own form. Very low, \nample seating of different dimensions, on which modular\narms and backs can be arranged, created to provide structural \nsupport. A muted nature, depending on the finishes, Matic\ncan fit into settings where it disappears or can stand out\nwith its decisive character, but discreetly.\nMatic   Sofa Collection\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.16.png","18\n \nEine Plattform schwebend im \nRaum, ein Zwischending zwischen \nInsel und Architektur. Ein Objekt treibt \nscheinbar durch den Raum und mutet \nan wie ein Universum. Matic schaut sich \nBewegungen von einem Rahmen  \nab, der wie ein Gebäude mit einer strengen \nStruktur gestaltet ist: mit Pfeilern, \nFundamenten, Balken, Säulen, Platten.\nEin anspruchsvoller technologischer \nDiskurs, der seine eigene ästhetische \nRichtung und Form bestimmt. Sehr \nniedrige, großzügige Sitzfläche \nin verschiedenen Abmessungen, zu  \ndenen Arm-und Rückenlehnen als \nstrukturelle Stützen modular hinzugefügt \nwerden können. In gedeckten Tönen, \nabhängig von der gewählten Oberfläche, \nkann Matic entweder mit seiner \nUmgebung verschmelzen oder mit \nseinem bestimmten, aber doch diskreten \nCharakter daraus hervorstechen.\n \nUne plateforme suspendue, à la croisée d’une île  \net de l’architecture. Un objet imaginé pour flotter dans \nl’espace et se présenter tel un univers, en et par lui-même. \nMatic emprunte au lexique du bâtiment avec un système \nstructural rigoureux: piliers, piétement, poutres, colonnes, \ndalles. Un exercice technologique de haute volée, pour  \nun objet maître de son destin esthétique, de sa forme.\nUne assise ample et très basse, déclinée en différentes \ndimensions, sur laquelle des accoudoirs et des dossiers \nmodulaires peuvent être disposés pour offrir une structure  \nà l’assise. De nature nuancée, selon la finition choisie,  \nMatic peut se fondre dans son environnement ou s’affirmer  \npar son caractère, mais avec discrétion.\n \nUna piattaforma sospesa nel vuoto, via di mezzo  \nfra isola e architettura. Un oggetto immaginato per galleggiare \nnello spazio e disegnarsi come universo a sé. Matic prende \nle mosse da un telaio pensato come edificio dall’impianto \nstrutturale rigoroso: pilastri, piedi, travi, colonne, solette. \nUn esercizio tecnologico di alto profilo che determina il \nproprio destino estetico, la propria forma. Sedute bassissime, \nampie, di dimensioni diverse, su cui vivono braccioli e \nschienali modulabili, realizzati per fornire appoggio strutturale. \nDi natura silenziosa, a seconda delle finiture Matic può abitare \nnell’ambiente fin quasi a scomparire oppure affermarsi per \nil carattere deciso, ma con discrezione.\n— 19\nMatic   Sofa Collection\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.17.png","— 21\nMatic   Sofa Collection\n20\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.18.png","— 23\nMatic   Sofa Collection\n22\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.19.png","24\n— 25\nMatic   Sofa Collection\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.20.png","— 27\n26\nMatic   Sofa Collection\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.21.png","28\n(Chapter II)\nMatic   Sofa Collection\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.22.png","F.   300×157\nTechnical Details: pp. 52—55\nImages: pp. 29—33\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.23.png","G.   297×107\nTechnical Details: pp. 52—55\nImages: pp. 34—37\nH.   150×157\nTechnical Details: pp. 52—55\nImages: pp. 38—40\n",23,{"image":105,"text":15,"number":106},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.24.png",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.25.png","Piero Lissoni   Knoll 2020\n— 29\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.26.png","30\n— 31\nMatic   Sofa Collection\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.27.png","32\n— 33\nMatic   Sofa Collection\n \nMatic is a collection of modular padded sofas \nof varying depths, upholstered in either leather or fabric. \nThe chaise longue modules and end peninsula have seats \nupholstered with evenly-sized squares or with a T-seam,  \nand are equipped with a curved back that moves.\nThe frontal profile, a key element of the project’s aesthetics \nthat determines its capacity to adapt to different settings,  \ncan be in aluminium with a shiny finish or charcoal painted \nfinish or covered in fabric or leather. The feet are in aluminium \nfusion, with either a shiny finish or charcoal painted. \n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.28.png","34\n— 35\nMatic   Sofa Collection\n \nMatic est une collection de canapés modulables \nrembourrés, déclinés en plusieurs profondeurs, revêtus soit  \nde cuir ou de tissu. Les modules méridienne et péninsule  \nsont dotés d’assises tapissées en carrés de même taille ou \navec une couture en T. Leur dossier, spécialement incurvé,\nest mobile. Le profilé avant, élément clé de l’esthétique du  \nprojet, détermine la capacité du canapé à s’adapter à différents \ncontextes. Il peut être en aluminium finition brillante, ou  \npeint en coloris charcoal, ou encore revêtu de tissu ou de cuir. \nLe piétement est en aluminium fusion, finition brillante ou \npeint en coloris charcoal.\n \nMatic è una collezione di sedute imbottite componibili  \ndalle differenti profondità, rivestibili in pelle o in tessuto.\nmoduli chaise longue e terminale penisola hanno la seduta \nrivestita a quadri regolari oppure con cucitura a T, e sono \ndotati di uno speciale schienale curvo provvisto di movimento. \nIl profilo frontale, elemento chiave dell’estetica del progetto \nche ne determina la capacità di adeguarsi ad ambienti diversi, \npuò essere in alluminio finitura lucida o finitura verniciata \ncolor manganese oppure rivestito in tessuto o pelle. I piedi \nsono in fusione di alluminio, finitura lucida oppure verniciata \ncolor manganese.\n \nMatic ist eine Kollektion modular \naufgebauter Polstersofas, erhältlich  \nin verschiedenen Tiefen und mit Leder- \noder Stoffbezug. Die Liege- und \nHalbinselmodule haben quadratisch oder \nT-förmig abgesteppte Bezüge und  \nsind mit einer speziellen, geschwungenen \nund beweglichen Rückenlehne \nausgestattet. Das Frontprofil – ästhetisches \nSchlüsselelement der Serie und \nanpassungsfähig an verschiedene\nUmgebungen – ist aus Aluminium und  \nentweder glänzend poliert oder schwarz  \ngestrichen bzw. mit Stoff oder Leder  \nbezogen. Die Füße sind aus Aluminiumguss, \nentweder glänzend poliert oder schwarz \ngestrichen. \n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.29.png","Matic   Sofa Collection\n— 37\n36\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.30.png","38\n— 39\nMatic   Sofa Collection\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.31.png","Matic   Sofa Collection\n— 41\n40\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.32.png","42\n(Chapter III)\nKN06   Chair Collection\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.33.png","I.   63×56×79\nTechnical Details: pp. 52—55\nImages: pp. 43—51\n",33,{"image":144,"text":15,"number":145},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.34.png",34,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.35.png","Piero Lissoni   Knoll 2020\n— 43\n",35,{"image":151,"text":152,"number":153},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.36.png","44\n— 45\n \nThanks to a particular moulding technology,  \nthe KN06 chair is born perfect, with no irregularities between \nthe upholstery and the structure. Its form, the ultimate  \ngoal of a sophisticated production process, recalls a half-\nshell delicately supported by four fingers, a sort of imaginary \nembrace to welcome those who choose to sit there.\nA design that is easy on the eye, that connects both inside\nand out in a uniquely soft and continuous line, resting \non four lightweight and slender legs, in aluminium fusion.  \nA clean object, with an outstanding presence, made  \nto last and live in different settings: homes, public buildings, \nand offices.  \n",36,{"image":155,"text":156,"number":157},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.37.png","46\n— 47\n \nEine besondere Formtechnik \nbeschert dem Stuhl KN06 seine \nPerfektion, ohne Unregelmäßigkeiten \nzwischen Polsterung und Struktur.  \nSeine Form – das ultimative Ziel eines \nanspruchsvollen Produktionsprozesses \n– erinnert an eine Muschelschale, sanft \ngetragen von vier Fingern, eine  \nArt imaginäre Umarmung, die den darauf \nPlatznehmenden umfängt. Ein optisch \nleichtes Design verbindet das Innere \nund das Äußere in einer unnachahmlich \nsanften und durchgehenden Linie  \nund ruht schließlich auf vier leichten und \nschlanken Beinen aus Aluminiumguss. \nEin puristisches Objekt mit \nhervorstechender Präsenz für \nverschiedene Umgebungen: Wohnräume, \nöffentliche Gebäude und Büros.  \nKN06    Chair Collection\n \nGrâce à une technologie de moulage particulière, \nle fauteuil KN06 naît parfait, sans irrégularités entre \nle revêtement et la structure. Sa forme, but ultime d’un \nprocessus de fabrication sophistiqué, évoque une  \ndemi-coquille délicatement soutenue par quatre doigts,  \nsorte d’étreinte imaginaire pour accueillir celles ou \nceux qui choisiront de s’y asseoir. Un design agréable  \nà l’œil, où l’intérieur et l’extérieur se répondent en  \nsuivant une même ligne, d’une douceur unique. L’ensemble \nrepose sur quatre pieds élancés, d’une légèreté  \naérienne, en aluminium fusion. Un objet aux lignes claires, à \nla présence remarquable, conçu pour durer et s’inscrire dans \ndifférents contextes : intérieur, bâtiments publics, bureau.\n \nGrazie a una particolare tecnologia di stampaggio,  \nla sedia KN06 nasce perfetta, senza cuciture, giunture, \nirregolarità fra rivestimento e scocca. La sua forma, punto  \ndi arrivo di un sofisticato processo produttivo, ricorda  \nun mezzo guscio delicatamente sorretto da quattro dita, sorta \ndi abbraccio immaginato per accogliere chi vi prenda posto. \nUn disegno gentile all’occhio che connette interno ed esterno \nin un’unica linea morbida, continua, appoggiata su  \nquattro gambe leggere e slanciate, in fusione di alluminio. \nUn oggetto pulito, di chiara presenza, fatto per durare \ne abitare luoghi diversi: domestici, pubblici, di lavoro.\n",37,{"image":159,"text":160,"number":161},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.38.png","— 49\n48\nKN06   Chair Collection\n",38,{"image":163,"text":164,"number":165},"\u002Fmedia\u002Fimages\u002F90\u002F0a347a34ad9ff93e8e89326aa38e36-273753e77c.39.png"," \nKN06 is a chair that features a perfect homogeneity \nbetween inside and out, seating and structure. The structure \nis in fibreglass painted in a glossy white or glossy black \ncolour, or upholstered in fabric or leather. The seat and the \nback in moulded flexible polyurethane can be upholstered in \nfabric or leather. The base with four legs in aluminium fusion\nis in a glossy finish or painted in glossy white or glossy black. \nIn terms of aesthetic value, it is of an uncompromising \nindustrial and technological quality, ideal for a wide variety  \nof contexts and uses, and perfectly offsets dining tables, \ndesks, and mini desks.\n \nLa chaise KN06 arbore une homogénéité parfaite \nentre l’intérieur et l’extérieur, l’assise et la structure.  \nCette dernière est en fibre de verre, soit peinte en blanc ou \nnoir finition brillante, soit revêtue de tissu ou de cuir. \nL’assise et le dossier en polyuréthane souple moulé peuvent \nêtre revêtus de tissu ou de cuir. La base, composée de \nquatre pieds en aluminium fusion, se présente soit en finition \nbrillante, soit peinte en noir ou blanc, tous deux brillants.\nEn terme de valeur esthétique, ce modèle atteint une qualité \nindustrielle et technologique sans compromis. Adapté  \nà différents contextes et usages, il fera parfaitement écho \nà une table à manger, un bureau ou un mini-bureau.\n— 51\n50\n \nKN06 è una sedia caratterizzata \nda una perfetta omogeneità fra interno \ned esterno, seduta e scocca. La scocca  \nè in vetroresina verniciata nei colori bianco \nlucido o nero lucido, oppure rivestita in \ntessuto o pelle. La seduta e lo schienale \nin poliuretano flessibile stampato possono \nessere rivestiti in tessuto o pelle. La base \na quattro gambe in fusione di alluminio \nè in finitura lucida oppure verniciata \nnei colori bianco lucido o nero lucido. \nPer valenza estetica, risultato di una \nqualità industriale e tecnologica senza \ncompromessi, è adatta a contesti e usi \ndiversi, e vive bene accanto a tavoli da \npranzo, scrivanie, scrittoi.\n \nDer KN06 ist ein Stuhl mit \nperfekter Homogenität zwischen Innerem \nund Äußerem, zwischen Rahmen  \nund Sitzfläche. Der Rahmen besteht aus \nFiberglas in glänzend weiß oder  \nglänzend schwarz oder ist mit Stoff oder \nLeder bezogen. Der Sitz und die Lehne \naus elastischem Polyurethan-Schaum sind \nebenfalls mit Stoff oder Leder bezogen. \nDer Unterbau mit vier Beinen aus \nAluminiumguss ist hochglanzpoliert oder \nweiß bzw. schwarz glänzend gestrichen. \nNeben seinem ästhetischen Wert \nist er von kompromissloser, industrieller \nund technologischer Qualität. 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