[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-karpeta-news-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":73},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":68,"matched_pages":69,"match_count":70,"two_pages":71,"show_text":72},13903,"News 2020","karpeta-news-2020","\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe1\u002Fa8e5ba60395b6b8fb88c94e770534a-27918b74bc.pdf","Karpeta",2404,"karpeta","6.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.2.png","Visioni, elaborazioni, ricordi.\nSe lo spazio non è che percezione, con Texturae e Karpeta \ndiventa ispirazione. Passaporto per un’infinità di mondi possibili \ned universi declinabili, le carte Texturae e tappeti Karpeta \nvogliono essere pentagramma di melodia unica e personalissima,\nmodellata e modellabile su desideri e suggestioni di chi la \ncompone.\nVisions, elaborations, memories.\nIf space is nothing but perception, Texturae and Karpeta makes it inspiration. Key \nto an unlimited number of possible worlds, these wallpapers are the pentagram for \na personal, unique melody to be played according to the wishes and inspirations of \nthose who have composed it. \nKarpeta + Texturae \u002F News2020\n2 \u002F 3\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.3.png","Visioni, elaborazioni, ricordi.\nSe lo spazio non è che percezione, con Texturae e Karpeta \ndiventa ispirazione. Passaporto per un’infinità di mondi possibili \ned universi declinabili, le carte Texturae e tappeti Karpeta \nvogliono essere pentagramma di melodia unica e personalissima\nmodellata e modellabile su desideri e suggestioni di chi la \ncompone.\nVisions, elaborations, memories.\nIf space is nothing but perception, Texturae and Karpeta makes it inspiration. Key \nto an unlimited number of possible worlds, these wallpapers are the pentagram for \na personal, unique melody to be played according to the wishes and inspirations of \nthose who have composed it. \nKarpeta + Texturae \u002F News2020\n4 \u002F 5\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.4.png","DWA Design Studio \nFrederik De Wachter, Alberto Artesani\nDWA viene fondato a Milano nel 2005 da Alberto Artesani e Frederik \nDe Wachter. Il loro lavoro si sviluppa attraverso un continuo dialogo \nfra sensibilità diverse e interessi comuni, ricerca, rigore e ispirazione, \ndeclinando il processo creativo alle molteplici forme del vivere.\nDWA was founded in Milan in 2005 by Alberto Artesani and Frederik \nDe Wachter. Their work is developed through a continuous dialogue \nbetween different sensibilities and common interests, research, rigour \nand inspiration, declining the creative process to the multiple forms of \nliving.\nTIDE\nUnendo la precisa scansione delle maree alle indefinite \npossibilità immaginative, Tide by DWA Design Studio \nmescola il rigore e il caos dei colori e della geometria \ncon un approccio modulare, mai uguale. Palette che si \nmescolano e mescolano a loro volta sfumature e tinte \npiene, si compongono in un gioco perpetuo, il moto ondoso \ndi una fantasia in una fluida versatilità.\nCombining the precise tide scan with the indefinite imaginative possibilities, \nTide by DWA Design Studio mixes the rigour and chaos of colours and geometry \nwith a modular approach, never the same.\nPalettes that mingle and mix in turn shades and full colors, are composed in a \nperpetual game, the wave motion of a fantasy \nin a fluid versatility.\nKarpeta + Texturae \u002F News2020\n6 \u002F 7\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.5.png","DWA Design Studio \nFrederik De Wachter, Alberto Artesani\nDWA viene fondato a Milano nel 2005 da Alberto Artesani e Frederik \nDe Wachter. Il loro lavoro si sviluppa attraverso un continuo dialogo \nfra sensibilità diverse e interessi comuni, ricerca, rigore e ispirazione, \ndeclinando il processo creativo alle molteplici forme del vivere.\nDWA was founded in Milan in 2005 by Alberto Artesani and Frederik \nDe Wachter. Their work is developed through a continuous dialogue \nbetween different sensibilities and common interests, research, rigour \nand inspiration, declining the creative process to the multiple forms of \nliving.\nTIDE\nUnendo la precisa scansione delle maree alle indefinite \npossibilità immaginative, Tide by DWA Design Studio \nmescola il rigore e il caos dei colori e della geometria \ncon un approccio modulare, mai uguale. Palette che si \nmescolano e mescolano a loro volta sfumature e tinte \npiene, si compongono in un gioco perpetuo, il moto ondoso \ndi una fantasia in una fluida versatilità.\nCombining the precise tide scan with the indefinite imaginative possibilities, \nTide by DWA Design Studio mixes the rigour and chaos of colours and geometry \nwith a modular approach, never the same.\nPalettes that mingle and mix in turn shades and full colors, are composed in a \nperpetual game, the wave motion of a fantasy \nin a fluid versatility.\nKarpeta + Texturae \u002F News2020\n8 \u002F 9\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.6.png","Alessandro Costariol \nGrafico e art director, vive e lavora a Milano. Inizia la sua carriera \nnel 2006 alternando la professione alla sperimentazione di nuovi \nlinguaggi visivi principalmente attraverso l’uso della tipografia come \nsegno espressivo. Lavora per clienti privati e istituzioni e si occupa di \ndirezione creativa, brand identity ed editoria. È stato selezionato per il \nTokyo Directors Club Annual 2017. Candidato alla XXV e XXII edizione \ndel Premio Compasso d’Oro, il suo lavoro è stato pubblicato in Italia e \nall’estero. Ha insegnato presso la Philadelphia University a Roma.\nAlessandro Costariol graphic designer and art director, lives and \nworks in Milan. He began his career in 2006, alternating work and \nexperimenting with new visual languages, mainly through his use of \ntypography as a sign of expression. He works for private clients and \ninstitutions, in the areas of creative direction, brand identity and \npublishing. He was selected for the Tokyo Directors Club Annual 2017. \nHe was also nominated for the XXV and XXII edition of the Premio \nCompasso d’Oro, and his work has been published in Italy and overseas. \nHe has taught at Philadelphia University in Rome.\nHAIRSPRAY\nHairspray trae ispirazione dagli interni scintillanti dei club \nanni 70 e dall’esuberanza glam dei loro avventori.\nIl risultato è un intreccio di linee a tinte vibranti che appare \ncome la superficie di una pelliccia psichedelica. \nHairspray takes inspiration from the bright interiors of the 70s clubs and their \npatrons’ glamorous exuberance. \nThe results are lines weaving together, as in a psychedelic fur.\nKarpeta + Texturae \u002F News2020\n10 \u002F 11\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.7.png","Alessandro Costariol \nGrafico e art director, vive e lavora a Milano. Inizia la sua carriera \nnel 2006 alternando la professione alla sperimentazione di nuovi \nlinguaggi visivi principalmente attraverso l’uso della tipografia come \nsegno espressivo. Lavora per clienti privati e istituzioni e si occupa di \ndirezione creativa, brand identity ed editoria. È stato selezionato per il \nTokyo Directors Club Annual 2017. Candidato alla XXV e XXII edizione \ndel Premio Compasso d’Oro, il suo lavoro è stato pubblicato in Italia e \nall’estero. Ha insegnato presso la Philadelphia University a Roma.\nAlessandro Costariol graphic designer and art director, lives and \nworks in Milan. He began his career in 2006, alternating work and \nexperimenting with new visual languages, mainly through his use of \ntypography as a sign of expression. He works for private clients and \ninstitutions, in the areas of creative direction, brand identity and \npublishing. He was selected for the Tokyo Directors Club Annual 2017. \nHe was also nominated for the XXV and XXII edition of the Premio \nCompasso d’Oro, and his work has been published in Italy and overseas. \nHe has taught at Philadelphia University in Rome.\nHAIRSPRAY\nHairspray trae ispirazione dagli interni scintillanti dei club \nanni 70 e dall’esuberanza glam dei loro avventori.\nIl risultato è un intreccio di linee a tinte vibranti che appare \ncome la superficie di una pelliccia psichedelica. \nHairspray takes inspiration from the bright interiors of the 70s clubs and their \npatrons’ glamorous exuberance. \nThe results are lines weaving together, as in a psychedelic fur.\nKarpeta + Texturae \u002F News2020\n12 \u002F 13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.8.png","Raw Color \nÉ nato dai designer Christoph Brach e Daniera ter Haar. Il lavoro dello \nstudio riflette un sofisticato trattamento del materiale mescolando i \ncampi della grafica, della fotografia e del design di prodotto. Questo \nsi incarna attraverso la ricerca e la sperimentazione costruendo \nun linguaggio visivo. Insieme al loro team, lavorano nel loro studio \ndi Eindhoven su progetti autoavviati e commissionati. Spinti dalla \ncuriosità, si interrogano sul significato del soggetto su cui stanno \nlavorando. \nRaw Color has been initiated by the Designers Christoph Brach and \nDaniera ter Haar. The studios work reflects a sophisticated treatment \nof material by mixing the fields of graphic design, photography and \nproduct design. This is embodied through research and experiments \nbuilding a visual language. Together with their team, they are working \nin their Eindhoven based studio on self initiated and commissioned \nprojects. Driven by curiosity they are questioning the meaning of the \nsubject they are working on.\nLINUS\nLinus riproduce le linee dei pastelli a gesso, che appaiono \npolverose e imperfette come tracce a mano libera su una \nlavagna. \nIl motivo ripetitivo combina colori e spessori diversi, creando \nschemi intuitivi in varie composizioni.\nThe powdery dusty lines of chalk crayons leave hand-made traces and \nimperfections. These are used to create intuitive prints in various compositions. \nWithin these borders we’ve tried to vary between all-over prints, combining \ncolour, line thicknesses and compositions.\nKarpeta + Texturae \u002F News2020\n14 \u002F 15\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.9.png","  \nRaw Color \nÉ nato dai designer Christoph Brach e Daniera ter Haar. Il lavoro dello \nstudio riflette un sofisticato trattamento del materiale mescolando i \ncampi della grafica, della fotografia e del design di prodotto. Questo \nsi incarna attraverso la ricerca e la sperimentazione costruendo \nun linguaggio visivo. Insieme al loro team, lavorano nel loro studio \ndi Eindhoven su progetti autoavviati e commissionati. Spinti dalla \ncuriosità, si interrogano sul significato del soggetto su cui stanno \nlavorando. \nRaw Color has been initiated by the Designers Christoph Brach and \nDaniera ter Haar. The studios work reflects a sophisticated treatment \nof material by mixing the fields of graphic design, photography and \nproduct design. This is embodied through research and experiments \nbuilding a visual language. Together with their team, they are working \nin their Eindhoven based studio on self initiated and commissioned \nprojects. Driven by curiosity they are questioning the meaning of the \nsubject they are working on.\nLINUS\nLinus riproduce le linee dei pastelli a gesso, che appaiono \npolverose e imperfette come tracce a mano libera su una \nlavagna. \nIl motivo ripetitivo combina colori e spessori diversi, creando \nschemi intuitivi in varie composizioni.\nThe powdery dusty lines of chalk crayons leave hand-made traces and \nimperfections. These are used to create intuitive prints in various compositions. \nWithin these borders we’ve tried to vary between all-over prints, combining \ncolour, line thicknesses and compositions.\nKarpeta + Texturae \u002F News2020\n16 \u002F 17\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.10.png","Alessandra Salaris \u002FSans Nom studio \nStudio Salaris si avvale di un linguaggio potente \ne contemporaneo per fornire una consulenza \ncreativa alle aziende interessate a comunicare il \nloro alto valore estetico. La volontà è di offrire un \nsupporto individuale e fortemente personalizzato \naiutando i clienti ad esplicitare esteticamente \nl’intrinseca identità aziendale. La mission e’ dare \nun contributo personale e riconoscibile che non \nsovrasti la vera anima e la storia delle aziende \ncliente.\nSans Nom è uno studio di consulenza creativa \nfortemente radicato sul design di prodotto.Con \nil suo approccio intraprende una ricerca radicale \ncon lo scopo di riscoprire dettagli quotidiani \nportandone l’intrinseca poesia in oggetti d’uso. I \nfondatori scelgono di rimanere anonimi affinché \ngli oggetti possano esprimersi nella forma più \npura e diretta.\nDalla contaminazione dei due studi nascono \nprogetti incentrati sulla pura sperimentazione.\nStudio Salaris calls upon a powerful and \ncontemporary language to provide creative \nconsultancy for companies interested in \ncommunicating their high aesthetic value. The \nambition is to deliver a customised support to \nhelp clients achieve an aesthetic expression of \ntheir brands. The mission is to give a personal \nand recognisable contribution that enhances \nthe clients’ story and core values.\nSans Nom is a creative studio with a deep-rooted \nfocus on product design. With its work it takes \na radical approach and aims to discover hidden \neveryday details bringing their poetry into objects \nof use and research. Its founders, driven by a \nprofound passion to create objects, choose to \nremain anonymous to let their objects speaking \nin a pure form.\nFrom the combination of the two studios arise \nexperimental projects.\nOVERSHADOW\nOvershadow è una collezione di tappeti a telaio fatti a\nmano che indaga il tema della trasparenza. Un’illusione di \nombre si moltiplicano con un gioco di sovrapposizioni sulla \nsuperficie del tappeto. Il vello superficiale, fa emergere \nla struttura del tappeto con la sua trama e il suo colore a \ncontrasto.\nOvershadow is a hand-loomed rug collection that investigates the theme of \ntransparency. An illusion of shadows multiplies in a game of overlaps on the rug \nsurface. A thin graphic line interrupts - not only visually but also physically the \nsuperficial pile, letting the structure emerge with it’s texture and contrasting \ncolour.\nKarpeta + Texturae \u002F News2020\n18 \u002F 19\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.11.png","Alessandra Salaris \u002FSans Nom studio \nStudio Salaris si avvale di un linguaggio potente \ne contemporaneo per fornire una consulenza \ncreativa alle aziende interessate a comunicare il \nloro alto valore estetico. La volontà è di offrire un \nsupporto individuale e fortemente personalizzato \naiutando i clienti ad esplicitare esteticamente \nl’intrinseca identità aziendale. La mission e’ dare \nun contributo personale e riconoscibile che non \nsovrasti la vera anima e la storia delle aziende \ncliente.\nSans Nom è uno studio di consulenza creativa \nfortemente radicato sul design di prodotto.Con \nil suo approccio intraprende una ricerca radicale \ncon lo scopo di riscoprire dettagli quotidiani \nportandone l’intrinseca poesia in oggetti d’uso. I \nfondatori scelgono di rimanere anonimi affinché \ngli oggetti possano esprimersi nella forma più \npura e diretta.\nDalla contaminazione dei due studi nascono \nprogetti incentrati sulla pura sperimentazione.\nStudio Salaris calls upon a powerful and \ncontemporary language to provide creative \nconsultancy for companies interested in \ncommunicating their high aesthetic value. The \nambition is to deliver a customised support to \nhelp clients achieve an aesthetic expression of \ntheir brands. The mission is to give a personal \nand recognisable contribution that enhances \nthe clients’ story and core values.\nSans Nom is a creative studio with a deep-rooted \nfocus on product design. With its work it takes \na radical approach and aims to discover hidden \neveryday details bringing their poetry into objects \nof use and research. Its founders, driven by a \nprofound passion to create objects, choose to \nremain anonymous to let their objects speaking \nin a pure form.\nFrom the combination of the two studios arise \nexperimental projects.\nOVERSHADOW\nOvershadow è una collezione di tappeti a telaio fatti a\nmano che indaga il tema della trasparenza. Un’illusione di \nombre si moltiplicano con un gioco di sovrapposizioni sulla \nsuperficie del tappeto. Il vello superficiale, fa emergere \nla struttura del tappeto con la sua trama e il suo colore a \ncontrasto.\nOvershadow is a hand-loomed rug collection that investigates the theme of \ntransparency. An illusion of shadows multiplies in a game of overlaps on the rug \nsurface. A thin graphic line interrupts - not only visually but also physically the \nsuperficial pile, letting the structure emerge with it’s texture and contrasting \ncolour.\nKarpeta + Texturae \u002F News2020\n20 \u002F 21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.12.png","Color \npalette\nTIDE\nHAIRSPRAY\nDwa\nAlessandro Costariol\nKarpeta + Texturae \u002F News2020\n22 \u002F 23\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.13.png","Linus\nRaw Color\nOVERSHADOW\nAlessandra Salaris, Sans Nom studio\nKarpeta + Texturae \u002F News2020\n24 \u002F 25\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F81\u002F3ee3fbda6711781f42a558b66ddd09-27918b74c0.14.png","Karpeta + Texturae  \nVia Cappuccio 18\nMilano, Italy\ninfo@karpeta.it\ninfo@texturae.it\nkarpeta.it \ntexturae.it\nArt Direction & Graphic Design \n\u002F àr o\u002F 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