[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-gubi-fall-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":229},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":224,"matched_pages":225,"match_count":226,"two_pages":227,"show_text":228},24837,"Fall 2023","gubi-fall-2023","\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe2\u002F653fa4f62704e449a7de5f321b3780-28fc25b062.pdf","GUBI",1852,"gubi","25.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221],{"image":7,"text":15,"number":16},"FALL 2023\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.2.png","CONTENTS\nFALL 2023\nGIANFRANCO FRATTINI  Aspide & Model 597\nLOUIS WEISDORF Multi-Lite Portable\nPAAVO TYNELL 9209, 9205, 1967, 1972 & 9602\nGAMFRATESI Vanity\nILLUM WIKKELSØ V11 \nMATERIAL MAKEOVERS Adnet, TS & CDC.1\nGUBI SALONE 2023\nCOLLECTION OVERVIEW\n02\n26\n36\n44\n58\n66\n74\n80\n90\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.3.png","2\nYOUR SPACE, YOUR STORY\n \nGet inspired to create captivating narratives for your \nhome that exude timeless sophistication with GUBI. \nThis season, GUBI embarks on a journey of \nrediscovery, breathing new life into forgotten design \nclassics that resonate across the globe. Offset with \ncontemporary pieces, they result in elevated interiors \nthat dance ahead of the curve.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.4.png","4\nWonder 3-seater Sofa upholstered in GUBI Dadja 10\nGUBI Cushion 60x60 upholstered in GUBI Dadja 18 & Limonta Alberobello 27\nV11 Lounge Chair upholstered in GUBI Smooth Leather Cream\nViolin Dining Chair upholstered in GUBI Bouclé 005\nGUBI Rug 300 x 250 in Moss \u002F BL3 Floor Lamp in Chrome\nAdnet Coffee Table in Cream Leather\n1972 Pendant Ø90 \u002F Timberline Floor Lamp\nAspide Table Lamp \u002F 62 Desk\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.5.png","6\nV11 Lounge Chair upholstered in GUBI Smooth Leather Cream \nV11 Lounge Chair upholstered in Limonta Forli 27 \nTS Side Table in White Marble \u002F Aspide Table Lamp\nModel 597 Floor Lamp \u002F Adnet Wall Mirror 70x180 in Cream Leather\nWonder 3-seater Sofa upholstered in GUBI Dadja 10 \u002F TS Side Table in White Marble \nModel 597 Table Lamp \u002F Adnet Wall Mirror Ø58 in Cream Leather\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.6.png","8\nLeft & right: Aspide Table Lamp \nRight: Vanity Wall Mirror 1\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.7.png","10\nLeft & Right: Pacha Lounge Chair upholstered in GUBI Dadja 18\nAdnet Coffee Table in Cream Leather \u002F Model 597 Table Lamp\nRight: Pacha Lounge Chair w. armrests upholstered in Limonta Alberobello 23 \nModel 597 Floor Lamp \u002F 1972 Pendant Ø90 \u002F Vanity Wall Mirror 2\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.8.png","12\nCarmel Coffee Table 60x60 in Rock Red\nSeine Portable Lamp \u002F Grace Lounge Chair, \nSeat in Dedar, Karakorum 001 & Cushion in Dora Boucle 0002\nV11 Lounge Chair upholstered in GUBI Smooth Leather Coffee\nV11 Ottoman upholstered in GUBI Smooth Leather Coffee\nTimberline Floor Lamp\nBeetle Dining Chair 3D Walnut Veneer Shell, upholstered in Dedar Flair Special FR 134\nV11 Lounge Chair upholstered in Limonta Forli 23 \nV11 Ottoman upholstered in Gubi Smooth Leather Cream\n9602 Floor Lamp in Bamboo \u002F 62 Desk \u002F 9209 Table Lamp\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.9.png","14\nMulti-Lite Portable Lamp in Chrome and White\nMulti-Lite Portable Lamp in Chrome\nV11 Ottoman upholstered in Limonta Forli 27\nPacha Lounge Chair w. armrests upholstered in Limonta Alberobello 23\nModel 597 Floor Lamp\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.10.png","16\nMulti-Lite Portable Lamp in Brass and Black\nMulti-Lite Portable Lamp in Brass\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.11.png","18\nLeft: Seine Portable Lamp \u002F GT Lounge Chair in Dedar, Flair Special FR 134\nRight: Seine Portable Lamp\nVanity Wall Mirror 2\nMulti-Lite Portable Lamp in Brass\nVanity Wall Mirror 3 \u002F Multi-Lite Portable Lamp in Brass and Black\nBeetle Dining Chair 3D Walnut Veneer Shell, upholstered in Dedar Flair Special FR 134\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.12.png","20\nMulti-Lite Portable Lamp in Chrome\nMulti-Lite Portable Lamp in Brass\nModel 597 Floor Lamp\nModel 597 Table Lamp\n62 Sideboard\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.13.png","22\nV11 Lounge Chair upholstered in GUBI Smooth Leather Cream\n9209 Table Lamp \u002F Vanity Wall Mirror 3 \u002F GUBI Rug 300x250 in Moss\nLeft: Tropique Dining Chair in Leslie Stripe 20 \u002F Matégot Bowl in Yellow\nSemi Pendant dia. 47 in Fennel Seed Glossy \nRight: Satellite Outdoor Floor Lamp in Cream White Semi Matt \nF-Chair Outdoor \u002F Epic Coffee Table dia. 60 in Red Travertine\nAdnet Wall Mirror 70x180 in Cream Leather\nModel 597 Floor Lamp\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.14.png","24\nIT’S ALL IN THE DETAIL\n \nWhen it comes to the success of a design, it is often the \nsmallest things that matter the most. \n \nGreat designers understand this. Designers such as \nItalian visionary Gianfranco Frattini, who knew that the \nharmony of sculptural beauty and functional excellence \ndemands the most precise engineering. Or his Finnish \ncounterpart, Paavo Tynell, whose devotion to detail \nelevated the metalsmith’s craft into an art form. \n \nLouis Weisdorf, master of the intricate, the multi-layered \nand the multi-functional, understood it. So did his fellow \nDane, Illum Wikkelsø, whose standards of material \ncomfort and formal elegance in furniture demands the \nmost extraordinary hand-crafting skills to achieve.\n \nToday, one finds this obsessive quality in the work of \nstudios such as GamFratesi, whose thoughtful and focused \neye for detail has the power to transform even the most \neveryday objects into something truly remarkable.\n \nThis fall, GUBI pays tribute to those rare and radical \ndesigners who made the biggest impact – by getting every \ndetail right.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.15.png","26\nGIANFRANCO \nFRATTINI\nFrom door handles and jewelry to homes and hotels, Gianfranco Frattini \n(1926 – 2004) left an indelible mark on modern Italian design over the course \nof his 50-year career. It may have been the architect Ernesto Rogers, Frattini’s \ncountryman, who coined the phrase “from the spoon to the city”, but there are \nfew designers who lived this adage as completely as Frattini. He treated every \nproject with the same creative imagination and devotion to detail, regardless of \nscope or scale.\nFrattini left behind one of the richest and most varied legacies of any 20th-century \ndesigner, encompassing award-winning furniture – both indoor and outdoor – \nmodern icons, and landmark interiors that shaped the taste of the era.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.16.png","A\nS\nP\nI\nD\nE\nThe Aspide Table Lamp by Gianfranco Frattini\n“Fresh, uncomplicated, and futuristic, Aspide is a true \noriginal, a shining, jewel-like object that reveals a surprising \nrigor and practicality.”\n –  Emanuela Frattini, Gianfranco Frattini’s daughter.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.17.png","30\nSerpentine in shape, beautifully balanced and gleaming like \na jewel, the Aspide Lamp by Gianfranco Frattini is both a \nbrilliantly practical piece of industrial design and an irresistibly \nplayful design statement. First developed in 1970, the Aspide \nis a highly adjustable table lamp that looks like no other light \nbefore or since, but which still expresses the material and \naesthetic tastes of its time. oks like no other light before or \nsince, but which still expresses the material stes of its time. \nNamed after the Italian word for ‘asp’, referencing its sinuous, \nsnake-like form, the Aspide was designed as a versatile task \nlamp that can be manually adjusted to create either direct \nlight for work or reading, or turned toward the wall to create \na softer, ambient glow. \nThe body of the lamp comprises large curved tubes of iron \nfitted to a specially engineered steel shaft. The shaft allows \ntwo different parts of the lamp – the neck and the head – \nto be rotated seamlessly around their own axes by as much \nas 350º, with an integrated stop. This simple and intuitive \nmechanism adjusts both the aesthetics and function of the \nlamp, giving the user the ability to easily control the light in \ntheir space, switching smoothly between task and accent \nlighting as they wish. \nA counterweight housed within the base ensures that the \nlamp remains stable and will not topple over as the neck \nis rotated outwards. The upper part of the lamp’s head is \nfitted with small holes that distribute light upwards, making it \ninstantly clear whether the light is on or off, however the head \nmight be positioned. A coating of gleaming chrome gives \nAspide a mirror-like surface, that reflects the lamp’s own light. \nThis high-shine brilliance that imbues the lamp with a feeling \nof preciousness as well as playfulness – in Frattini’s hands, \nglamor and whimsy can coexist in a single object.\nLike so many of his works, Aspide perfectly encapsulates \nFrattini’s belief that an object’s aesthetic should be rooted in \na fusion of function with the materials and methods that have \ngone into its construction. The Aspide Table Lamp expresses \nthis with eye-catching clarity, achieving a distinct personality \nand a sculptural beauty with no superfluous elements. Its \ndistinct organic form and sculptural beauty are purely the \nresult of process and function – proof that purpose-driven \nindustrial design can produce a work of art.\nA new addition to the GUBI designer roster, Gianfranco \nFrattini left an indelible mark on modern Italian design over \nthe course of his 50-year career, bringing his passion for \nmaterials,  devotion to functional detail, and deep appreciation \nof craft and construction methods to a staggeringly diverse \nportfolio that included some truly ground-breaking lighting \ndesigns. GUBI is delighted to return some of Frattini’s \nlandmark pieces – including the Aspide Table Lamp – to the \nworld’s design lovers, and to shine a light on his extraordinary \ntalent once again.\nAspide Table Lamp \nTS Desk in Polished Steel and Black Marquina Marble\nAspide Table Lamp\nPacha Ottoman upholstered in GUBI Alberobello 23\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.18.png","The Model 597 Collection\nby Gianfranco Frattini\n\"Gianfranco \nFrattini \nunderstood \nthe \nfundamental importance of lighting. Model \n597 has a unique combination of elegance, \ninnovative functionality, and an element of \nwhimsy that puts a smile on everybody’s face.”\n –  Emanuela Frattini, \nGianfranco Frattini’s daughter\nMODEL \n597\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.19.png","34\nFirst released in 1961, the Model 597 by Italian virtuoso \nGianfranco Frattini is the lamp that launched him as a lighting \ndesigner. Short and cylindrical in shape, the Model 597 is \nfitted with multiple bulbs and quirky fringes that disguise its \nfunctional versatility. Its unique and playful form perfectly \nencapsulates Frattini’s extraordinary approach to the \naesthetics of light.\nFrattini understood that light has an unparalleled power to \nmake or break a space. Experienced at creating interiors \nfor public spaces such as restaurants and nightclubs, he \nappreciated the importance of modulating light to create \nnuances within an interior – forming areas of both functional \nfocus and warm, subtle radiance that contribute to the \natmosphere and sense of place. \nFrattini’s thinking led directly to the development of the Model \n597, a lamp conceived to combine direct and indirect light, \nusing a dual switch and a fringed curtain to soften the bulbs’ \nglow. The fringe gives the light texture and volume, while \nevoking the decorative features of a traditional lampshade.\nModel 597’s unique nylon fringes were inspired by both the \nworld of fashion and the fringed entrance curtains commonly \nfound in Italy’s bars and grocery stores in the late 1950s. \nThey are affixed to a diabolo-shaped aluminum base, which \nis fitted with six lateral bulbs around the central core, with \nan additional bulb housed in a cavity on top, directing light \nupwards. This creates a 360º light that floods out evenly \nbetween the fringes, as well as an uplight – enhanced by the \nreflection in the polished-aluminum surface – which can be \nindividually controlled with a dual-button switch. \nThe lamp was a hit from the moment it was launched, and \nswiftly appeared in residential projects and in public settings \nthroughout the early 1960s – notably including Frattini’s \ncelebrated Restaurant St. Andrews in Milan in 1963. Although \nit was undoubtedly Model 597’s characteristic appearance \nthat caught design lovers’ eyes, it was the lamps’ ingenious \nversatility, ability to enrich any setting, and endless aesthetic \npossibilities that made it an icon and earned it timeless appeal. \nThanks to the Model 597’s unusual marriage of industrial \nprocess and alluring tactility, Frattini secured his place in the \npantheon of great 20th-century lighting designers. \nReferring to Frattini’s original drawings alongside an original \nexample of the design, GUBI and the Frattini family have not \nonly reissued the Model 597 Floor Lamp as it was, but also \nscaled the dimensions down to a smaller size. This smaller \nvariant retains all the functional flexibility and aesthetic \nimpact of the 1960s original, in a compact tabletop size, with \nfour lateral bulbs rather than six. \nThe bodies of both versions are constructed from aluminum \nplate, which is spun on a lathe and shaped over a mold. The \nTable Lamp is made from a single piece, and the Floor Lamp \ncomprises two pieces, which are attached using three finger \nscrews. These are also used to affix the baseplate and cover \nto both lamps, making them easy to disassemble for repair \nor recycling.\nNow, more than six decades after it was first produced, the \nModel 597 is back, its characteristic and timeless blend of \nversatility, elegance, tactility, and light-hearted whimsy ready \nto delight a new generation. As the lamp that cemented \nFrattini as one of the masters of light, the Model 597 has an \nimportant place in design history, and brilliantly showcases \nthe affinity for materials, functional focus, and construction \ningenuity that so many of his designs embodied. GUBI is \nhonored to give this one-of-a-kind design – and its visionary \ndesigner – a platform once more.\nModel 597 Floor Lamp and Table Lamp\nModel 597 Floor Lamp\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.20.png","36\nLOUIS\nWEISDORF\nLouis Weisdorf (1932 – 2021) was a well-known Danish architect and industrial \ndesigner. After becoming one of the youngest designers to graduate from the Royal \nDanish Academy of Fine Arts in Copenhagen in 1954, he worked across graphic, \ninterior, architectural, and industrial design. Weisdorf described himself as a \nspecialist in versatility, which sums up the prodigious and notable career of this \nmulti-faceted designer.\nWeisdorf made the drawings for his iconic Multi-Lite in 1972. The lamp collection \nreflects Weisdorf’s passion for objects that can be changed by the user, involving them \nin the design process and offering a more dynamic design.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.21.png","38\nThe Multi-Lite Portable Lamp by Louis Weisdorf\n“The Multi-Lite lends itself perfectly to use as a portable lamp – it is a \ndesign that was made to be carried; the perfect companion lamp. My father \nwould have loved how GUBI’s use of state-of-the-art lighting technology has \nenhanced the functionality of his original design.”\n– Simon Weisdorf, son of Louis Weisdorf\nMULTI-LITE \nPORTABLE\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.22.png","40\nMulti-Lite Portable Lamp in Brass and Black\nMulti-Lite Portable Lamp in Chrome\nMulti-Lite Portable Lamp in Brass\nWith its adjustable shades, Louis Weisdorf’s Multi-Lite \nis one of the most dynamic and adaptable lighting \ndesigns of the 20th century. The introduction of the \nportable edition makes it even more interactive.\nStarting with the Multi-Lite Table Lamp as a template, \nGUBI has worked closely with the Weisdorf family \nto reimagine the design as a fully portable lamp that \npacks all the Multi- Lite’s trademark versatility into a \nmore compact form.\nFirst launched in 1972, the Multi-Lite design is unique \nin its playful flexibility, allowing the light to be directed \nin multiple directions with a simple adjustment to its \nshades. Unrestricted by cables, the new edition gives \nfans of Weisdorf the opportunity to bring the Multi-\nLite’s exceptional functionality to any space in the \nhome – or outside it. In the portable iteration, each \ncomponent of the light has been redeveloped and \nadapted to optimize ergonomics and stability, and to \nensure that all parts work together in harmony.\nThe outer ring – a key aesthetic and structural feature \nof the Multi-Lite – naturally lends itself to use as a \nhandle, as does the thin stem connecting the shade \nto the base. On the table lamp, the two small discs \non either side of the outer ring are used to adjust the \nangle of the shade. On the portable version, however, \nthese have been reimagined as dimmer switches. With \nthree dimmer settings, the brightness of the Multi-Lite \nPortable Lamp can be modified to match the mood \nor meet the needs of the moment – allowing leisurely \nevenings on the patio to continue long after the sun \ngoes down.\nLike all lamps in the Multi-Lite family, the shades can \nbe manually repositioned to alter the direction and \npattern of the lamp’s light, and have been meticulously \nengineered to ensure they can be smoothly adjusted \nwith one hand. To address the fact that the Portable \nLamp sits lower on the table, two diffusers in the \nupper part of the lamp prevent glare while creating an \nattractive glow of indirect light.\nMulti-Lite Portable Lamp \nin Chrome and White\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.23.png","42\nBalancing the aesthetic requirement for a slender silhouette \nwith the need for optimal stability, the base is fitted with a \nUSB-C charging unit that charges to full in six hours, and \nto 80% in three. From the moment it is switched on, a fully \ncharged Multi-Lite Portable Lamp can keep shining for six \nand a half hours at maximum brightness – enough to outlast \neven the longest evenings outdoors.\nLike other portable lamps in the GUBI Lighting Collection, \nthe Multi-Lite is intended and certified to be used outside, \nalthough it should be kept dry – and charged – indoors when \nnot in use. GUBI has developed four material variations, \nenabling the Multi-Lite to slip seamlessly into any style of \nspace: black or brass shades with a brass base, and white or \nchrome shades with a chrome base.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.24.png","44\nPAAVO TYNELL\nPaavo Tynell (1890 – 1973) was born in Helsinki 12 years after the invention of \nthe domestic lightbulb – a time when Finland, like most of the northern Europe, \nwas yet to be electrified. One of the great industrial designers and metal craftsmen \nof the 20th century, Tynell came into the world at precisely the right time to become \none of the pioneers of modern lighting; as the electric light spread across the world, \nso too did Tynell’s design visions. \nTynell left behind a legacy as one of the biggest influences on early lamp design both \nin Finland and beyond. By the time he died in 1973, Tynell was known, fondly, as \n‘the man who illuminated Finland’. \n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.25.png","46\n1967 & 1972 \nPENDANTS\nThe 1967 & 1972 Pendants by Paavo Tynell\nEncompassing several variations of a classic 1950s Tynell \ndesign, this family of classic ceiling-mounted pendants \nexpands on the design language he developed in 1948 for \nthe 1965 pendant.\n1972 Pendant Ø90\nA1967 Pendant\n1967 Pendant\nThe classic pendant family has two \nshade material options – one in canvas \n(model 1967) and one in bamboo (model \n1972) – both natural materials selected \nfor their performance and durability.\nAlthough broadly similar in profile, the \n1972 is wider at the top of the shade \nthan the 1967, resulting in a greater \namount of light being cast upwards to \nthe ceiling. In both styles, a central core \nkeeps the shade in place, a polished \nbrass canopy sits at the top of the wire, \nconnecting the light to the ceiling. Below \nthe bulb, a fabric diffuser modulates the \nlight and, beneath this, a decorative \nbrass detail gives each lamp a flourish \nof character, and subtly influences the \nplay of light it generates.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.26.png","48\n1972 Pendant Ø90\n1972 Pendant\nTynell’s original 1972 pendant featured a shade made from \nslats of Finnish aspen. This has been updated to bamboo \n– a material that shares the visual quality, durability, and \nflexibility of aspen, but which is fast-growing and therefore \nmore rapidly renewable. Similar to the other Tynell lamps \n9205 and 9602, the bamboo slats are hand sewn into a \npleated mat and fastened by hand to the wire frame, with \na linen liner in between. This directs light down towards \nthe base and creates a diffuse glow around the shade and \nupward, as the bamboo slats are penetrated by the light. The \nprocess of weaving the bamboo into this pattern demands a \nhigh degree of specialist skill, requiring two craftspeople to \ncomplete the complicated process of pleating and fastening.\nBoth canvas and bamboo versions are also available with an \noptional brass counterweight for the Ø60cm version (A1967 \nand A1972). This mechanism – a sign of Tynell’s tremendous \ningenuity as an engineer – allows the user to easily adjust \nthe height of the lamp via a pulley system, changing the \nmood of the room. Made from a single milled brass block, the \ncounterweight introduces visual balance as well as physical, \nacting as a solid counterpoint to the slenderness of the \nlamp’s frame and wire. \nBoth pendants house two bulbs beneath their Ø60cm \nshades. For larger rooms requiring a grander statement \ncenterpiece, a Ø90cm edition of 1972 is available, fitted with \nthree bulb housings.\nA1972 Pendant\n1972 Pendant\n1972 Pendant Ø90\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.27.png","50\nOne of the iconic pieces launched during Tynell’s tenure at \nTaito, the 9209 was first produced in 1940. Similar in form \nand proportion to the much-loved, shell-shaded 5321 Table \nLamp that followed it, the 9209 has a distinctively shaped \nshade in spun brass that has led to it being referred to as \nthe ‘Kypärä’ – the Finnish word for ‘helmet’.\nHeld in place by a curved brass arm, the individually molded \nshade is decorated with triangular patterns of perforation – \na Tynell decorative signature – which requires a specialist \npunch tool and the utmost precision to achieve by hand. \nAs well as guiding the light downward, thanks to the holes \npunched in the surface, the shade also allows pinpricks of \nlight through, creating a soft, textured glow and a starlight- \nlike sparkle. The lamp is activated by a simple switch, \ndiscreetly positioned at the rear of the shade, attached to a \ngolden-textile-covered cord that runs up the stem.\nThanks to its shape and material composition, the 9209 \nTable Lamp has a warm, materially honest expression. The \nbrass stem is hand-wrapped with lacquered rattan, creating \na visual and textural contrast to the gleaming brass, while \nalso allowing the lamp to be easily and comfortably moved \naround. The stem is fixed into a molded brass base.\n9209 TABLE LAMP\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.28.png","52\nFirst produced around 1950, the 9205 is a classic, almost \narchetypal, table lamp with an unmistakable Tynell aesthetic. \nElegant and slender, the lamp’s apparently simple form \nconceals an extraordinary degree of craftsmanship and \nhighly skilled hand-making. \nThe stem is milled with a rattan-like pattern, created by a \nmetalsmith using a lathe with great precision and attention \nto detail to mimic the effect of a series of overlapping strips. \nThis complex and demanding process results in a subtly \nappealing and highly tactile finish. A brass plate, screwed \ninto the stem, keeps the shade in place.\nThe lamp is available with two shade options: classic canvas \nand a slightly smaller bamboo version – similar to fellow Tynell \nlamps 1967, 1972, and 9602. Whereas the canvas model is \nattached to a liner and manually fixed onto a wire frame, the \nbamboo is made from a series of slats first sewn together by \nhand to form a pleated mat before being connected to the \nliner and frame – a contemporary update to the ryegrass cane \nused in Taito’s original model. Activated by a switch on top of \nthe stem, the light in both versions presents a downward light \nand a warm, 360o glow.\nA beautifully detailed fusion of crafted precision, classic \nproportions, and natural material, the 9205 exemplifies \nthe attention to decorative detail and the delight in fine \ncraftsmanship that Tynell brought to even the most simple-\nseeming forms.\n9205 Table Lamp in Bamboo\n9205 Table Lamp in Canvas\nTABLE LAMP\n9205\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.29.png","54\nElegantly capturing Paavo Tynell’s affinity with beautiful \nmaterial combinations in its juxtaposition of rattan and \npolished brass, the 9602 Floor Lamp is one of the designer’s \nmost loved lamp designs. First developed for Finland’s \nHotel Aulanko in 1935, the lamp earned the nickname ‘the \nChinese hat’ for the shape of its large, playful shade.\nGUBI returned the 9602 to production in 2018, with \nlampshades in both canvas and wicker. Now, having \nmastered the complex process of handweaving wooden \nslats that was used to create Tynell’s original aspen variation, \nGUBI has introduced a third shade option: bamboo.\nComplementing the 9602’s distinctive rattan-wrapped stem \nwith another natural material, the bamboo variant presents \nnuanced contrasts with the polished brass that forms the \nbase and the conical crown of the shade, tying the design \ntogether. As with Tynell lamps 9205, 1967 and 1972, the \nbamboo slats are sewn together to form a pleated mat, \nstitched onto a linen liner by hand, and fixed to a wire frame. \nThis ensures the shade creates an engaging pattern of light \nas the glow penetrates between the slats, bringing a gentle \nwarmth to the surrounding room.\n9602 FLOOR LAMP \nIN BAMBOO\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.30.png","56\n9602 FLOOR LAMP \nPierre Frey Special Edition\nIn a new edition of the beloved 9602 Floor Lamp, \nGUBI brings together two masters of 20th-century \ndesign – the Finnish lighting maestro Paavo Tynell, \nand the renowned Parisian textile house Maison \nPierre Frey. To honor Tynell’s ground- breaking \n9602 Floor Lamp, GUBI chose to collaborate with \nPierre Frey in recognition of its expertise in crafting \nfabrics that are perfect for lighting. The result is \na fresh and fantastical version of one of Tynell’s \nmost celebrated pieces, reverently reinvented with \na vivid and evocative lampshade pattern.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.31.png","58\nGAMFRATESI\nGamFratesi was established in Copenhagen in 2006 by Danish architect Stine \nGam and her partner, Italian architect Enrico Fratesi. Gam studied at the school of \narchitecture in Aarhus, Denmark, before training and working as an architect in both \nItaly and Tokyo. Fratesi read architecture at universities in Florence and Ferrara and \nworked as an architect in Stockholm and Denmark while still studying. \nAs a pair, they operate in symbiosis, sharing everything across their personal and \nprofessional lives. Gam takes a particular and thoughtful approach to design, while \nFratesi moves more conceptually and energetically. This instinctive and spontaneous \nfusion of two ways of working is one of their key strengths. The couple divides their \ntime between their hometowns of Copenhagen, Denmark and Pesaro, Italy. Their \ndual heritage affects the products they design – a combination of Scandinavian \nbalance and harmony and Italian exuberance and openness.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.32.png","60\nV  AN  ITY\nThe Vanity Collection by GamFratesi\n“We wanted to reinvent a type of mirror that had been all but forgotten \nin the modern day – the classic vanity table mirror that offered multiple \nperspectives. Our contemporary interpretation manages to combine a modern \ndesign with an aesthetic link to the past.”\n– Stine Gam and Enrico Fratesi, GamFratesi\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.33.png","62\nAs interior objects, mirrors serve multiple purposes, making \nthem as complex and multifaceted decorative features as \nlighting. As well as the functional role of offering reflection, \nthey can also play a hugely influential part in defining a space \n– by directing light, creating an impression of size, reflecting \nother spaces, bringing the outdoors in, and adding texture \nand interest to the room. Furthermore, a beautifully crafted \nmirror can make a design statement in its own right. In the \nVanity Mirror Collection, GamFratesi has created a family \nof mirrors that fulfil each of these roles – reflective surface, \ninterior enhancer, and distinct aesthetic object.\nThis new collection of wall-mounted mirrors takes a near- \nforgotten mirror typology – the classic vanity mirror of the \nboudoir dressing table – and ingeniously reinvents it for \ncontemporary interiors. Vanity embodies GamFratesi’s \nunerring ability to bring the highest levels of craftsmanship \nand technical precision to even the most apparently simple \nof forms. With three variants – comprising one, two, or three \nmirror panels – the Vanity Mirror Collection offers a high \ndegree of versatility, and represents a perfect balance of \nfunction and decorative beauty.\nThe collection takes its inspiration – and its name – from \nthe vanity-table mirrors of the 18th century, which typically \nfeatured three adjustable mirror panels connected by hinges, \nallowing the viewer to admire themselves from multiple \nperspectives. In its Vanity design, GamFratesi reinterprets \none of the key functional elements of this – the hinge – in \na contemporary context, thereby creating a modern design \nthat preserves an aesthetic link to the past.\nHinges are a principal feature of all three variants of the \nVanity Mirror. As well as incorporating the fixtures for wall \nmounting and support, the hinges allow the panels to be \nangled by the user, changing the look and light in the room \nas they like.\nVanity Wall Mirror 2\nVanity Wall Mirror 3\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.34.png","64\nIn the three- and two-paneled versions, Vanity Mirror 2 and \nVanity Mirror 3, the hinges’ 180o rotation allows the panels \nto be folded flat over each other, effectively ‘closing’ the \nmirror when not in use. This introduces an element of ritual \nto the use of the mirror – another, subtle, parallel with the \nritualized process of performing one’s toilette at the classic \nvanity table. In Vanity Mirror 1, the single-panel mirror, the \nhinge allows for a 15o rotation along a central axis, so even \nin its simplest form, the Vanity design gives you the ability \nto alter the look and feel of the room and the light with the \nslightest of adjustments.\nThe hinges themselves are finished in brass, which pairs \nbeautifully with the warmth of the hand-crafted walnut \nveneer used on the panels. Created bespoke for the Vanity \nMirror Collection, the hinges require the highest degree \nprecision in order to achieve the necessary tolerances (just \none-tenth of a millimeter) and ensure a satisfyingly smooth \nbut reassuringly controlled motion.\nAnother vintage reference point for GamFratesi was Gio \nPonti’s F.A.33 Wall Mirror of 1993, which was reintroduced \nby GUBI in 2015. In its previous mirror design for GUBI, the \nIOI Wall Mirror, GamFratesi responded to Ponti’s art deco \naesthetic. With Vanity, the studio pays homage to the iconic \ncurved line that defines Ponti’s design by incorporating \na gentle arc into the upper and lower edges of the Vanity \nframe. This creates a sense of kinship and coherence within \nGUBI’s portfolio of mirrors, while also introducing depth and \nintriguing play of perspective to GamFratesi’s design. \nFrom its earliest days, GUBI has led the way in integrating \nmirrors into interior spaces beyond the bathroom, where \nthey would conventionally be found. The Vanity Mirror \nCollection follows suit, being designed for use in all rooms \nin the home outside the bathroom, including those where \nmirrors might not be typically featured. The design thus \nbrings both clean contemporary elegance and an unusual \nversatility and interactivity to any space or style, with a \ngentle but reverent nod to history woven in.\nGamFratesi has been working with GUBI since the inception of its studio, and the collaboration has produced some of its \nmost admired modern designs. Drawing on their dual heritage, Italian Enrico Fratesi and Danish Stine Gam share GUBI’s \nability to synthesize seemingly opposing ideas – the classic and the contemporary, the intellectual and the sensorial, the \ncrafted and the engineered. These defining juxtapositions – and the explorative material curiosity that animates their design \npractice – are brilliantly exemplified in the Vanity Mirror Collection.\nVanity Wall Mirror 1 and 2\nVanity Wall Mirror 3\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.35.png","66\nILLUM \nWIKKELSØ\nDanish furniture designer Kristian Illum Wikkelsø (1919– 1999) believed that \nfurniture should be built to last, to indulge the body and to please the eye. He belonged \nto a group of designers who represented the Golden Age of Danish design during \nthe 1950s and 1960s. With his clear design aesthetic and deep understanding \nof materials, he was one of the key protagonists to make Danish design style an \ninternational phenomenon.\nWikkelsø worked with clean lines, but he also had a strong sense of organic expression \nand was deeply inspired by nature – especially the Danish landscape. He aimed to \ncapture the beauty he saw in the environment around him in his furniture designs.\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.36.png","68\nV11\nThe V11 Collection by Illum Wikkelsø\n\"GUBI's launch of V11 underlines the design’s high quality, elegance, and comfort. \nIt also illustrates the value of producing furniture that lasts for decades.”\n– Marianne and Carsten Wikkelsø, Illum Wikkelsø’s daughter and son\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.37.png","70\nLeft: Tropique Dining Chair with fringes, Black Frame, Leslie Stripe 20\nRight: Tropique Dining Chair, Black Frame, Leslie Stripe 20\nTropique Dining Chair with fringes, White Frame, Leslie Stripe 40\nOriginally designed around 1965 for the furniture maker \nHolger Christiansen, the V11 went on to become one of \nWikkelsø’s most wildly successful designs, generating \ndemand all over the world. It has been featured everywhere \nfrom the office of the president of Japan to the palace of \nthe king of Saudi Arabia, and has sustained an unwavering \nappeal among collectors and design aficionados in every \ndecade since its launch.\nThe V11’s success is largely down to its fine craftsmanship \nand distinctive design. The tall trapezoidal body of the \nchair stands on four tapering solid wooden legs, each in an \ninverted pyramid shape that echoes the angular contours of \nthe arms and backrest. This gives the V11 a sharply defined \nand unmistakably modernist silhouette, while maintaining \nthe look of a classic lounge chair. This iconic aesthetic is \nmatched in the accompanying ottoman, which, used in \ncombination with the lounge chair, opens up the variety of \npositions available to the sitter still further, while being a \ncomfortable perch in its own right.\nV11 Lounge Chair upholstered in Limonta Forli 27\nV11 Ottoman upholstered in Limonta Forli 27\nV11 Lounge Chair upholstered in GUBI Smooth Leather Coffee\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.38.png","72\nV11 Lounge Chair upholstered in GUBI Smooth Leather Cream\nTo ensure Wikkelsø’s original design is precisely recreated, \nGUBI worked in close collaboration with the designer’s family, \nemploying a 3D scanning process on original examples of \nthe design in order to perfectly capture the V11’s original \naesthetic and construction. A gifted cabinetmaker, Wikkelsø \ntypically created furniture that involved a high degree of \ncomplexity in its construction, and the V11 is no exception. \nEach component of the chair has to be crafted by hand, and, \nbecause of the unusual shape of the chair body, the upholstery \nclosure has to be positioned visibly at the top rather than \nconcealed at the bottom. To give the chair a seamless piped \nedge therefore requires the highest upholstery skills, as any \nimperfection would be clearly exposed.\nThe reintroduced editions of both the lounge chair and \nthe ottoman are FSC®-certified (FSC®-C176589) and \ncomprise a wooden frame, with legs in either solid walnut \nor oak, and numerous upholstery options available. On the \nLounge Chair, s-spring suspension beneath the seat and \nfour removable, feather-filled cushions ensure comfort on \nall sides – this is a chair one can sink into and stay in for \nhours. The V11 Ottoman features a single cushion that can \nbe easily removed for cleaning.\nLike GUBI’s other Wikkelsø furniture – the Croissant Sofa \nand Lounge Chair – the V11 is designed to offer a balance \nof timeless formal elegance, comfort, and longevity, slipping \neffortlessly into both modern and classic interiors, and \noffering its owner decades of relaxation.\nReturned to production by GUBI, the V11 Lounge Chair \nand Ottoman serve as at-a-glance testimony to Wikkelsø’s \nforward-thinking, quintessentially modern style as a \ndesigner, but it is not until the moment one sits in the chair \nthat his exceptional craft and dedication to physical comfort \nand flexibility become immediately, irresistibly clear.\nV11 Lounge Chair upholstered in GUBI Smooth Leather Coffee\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.39.png","74\nFor Fall 2023, GUBI has curated a selection \nof material transformations for some of its \nmost coveted design classics. Infusing timeless \nelegance with the thrill of the new, GUBI \nrefreshes the Adnet Collection with cream \nleather, adds a flash of polished steel to a beloved \nGamFratesi piece, and elevates a Carlo De \nCarli masterpiece.\n              MATERIAL  \n      MAKEOVERS\n fall 23       \n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.40.png","76\nADNET IN CREAM\nFrench architect Jacques Adnet was renowned for his unique blend \nof Art Deco and Modernist styles, and for pioneering the innovative \ncombination of metal, leather, and glass in furniture – his 1950s \nAdnet Collection is still credited with inspiring designers worldwide \nto this day. In two captivating new variations of the Adnet Wall Mirror \nand one of the Adnet Coffee Table, GUBI has introduced hand-\nstitched leather in a refined cream hue and delicate brass details to \nprovide a fresh, understated, and yet sophisticated reinterpretation \nof this classic collection.\nAdnet Coffee Table in Cream Leather\n Adnet Wall Mirror 70x180 in Cream Leather\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.41.png","78\nCDC.1 LOUNGE CHAIR \nWITH CONIC LEGS\nTS TABLES IN \nPOLISHED STEEL\nThe TS Tables, originally designed in 2014 by GamFratesi for Copenhagen's renowned \nrestaurant The Standard, have been reimagined with a subtle flash of polished steel for \na shimmer of luxury. The new polished steel bases can be matched with tabletops in \ntravertine or marble, creating different expressions depending on the sizes and number of \ntables combined.\nFirst introduced in 1950, the original edition of CDC.1 Lounge Chair was characterized by its \nslender, conical legs. Revisiting Carlo De Carli’s original design, GUBI has added a carefully \ncurated range of two-toned upholstery to its distinctive silhouette and elongated metal legs. \nThe result celebrates the minimalist elegance of its form. The CDC.1 Lounge Chair with conical \nlegs showcases an elegant connection to the floor, while its arms sweep like wings, imparting \na dynamic grace and exuding a resolute character.\nTS Desk in Polished Steel and Black Marquina Marble\nCDC.1 Lounge Chair with Antique Brass Base, \nupholstered in GUBI Soft Leather and Dedar Around Bouclé 141\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.42.png","During Milan Design Week 2023, GUBI took over the city's iconic Bagni Misteriosi to \nstage a sensory spectacle. In the heart of Porto Romana, GUBI SALONE 2023 brought \ntogether cutting-edge contemporary creativity with timeless icons of 20th-century design for \nthe preview of the Fall 2023 Collection. Unfolding in one of Milan's most magical places, \nGUBI's 2023 presence marked the debut of 'the Mysterious Baths' as a design venue, sending \nvisitors on an immersive, multi-layered, and mystery-filled journey of discovery.  \n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.43.png","82\nLeft: F-Chair Outdoor\nRight: Obello Table Lamp \u002F Atmosfera Coffee Table \n1972 Pendant Ø90\nDaumiller Armchair in Golden Pine\nEpic Dining Table in Midnight Black Steel\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.44.png","84\nGrace Lounge Chair upholstered in Dedar Karakorum 001 and Kvadrat Sahco Clay 0011 \nGrace Lounge Chair upholstered in Kvadrat Sahco Clay 0011 and Brescia Leder Reinhardt 2476\nPacha Ottoman upholstered in Limonta Alberobello 23\nEpic Coffee Table Ø60 and Ø80 in Burnt Red \n9209 Table Lamp \u002F 1967 Pendant \u002F F.A. 33 Wall Mirror in Brass\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.45.png","86\nPacha Lounge Chair upholstered in Brescia Leder Reinhardt 2476\nPacha Lounge Chair upholstered in Limonta Forli 011\nMR01 Initial Lounge Chair in American Walnut\nModel 597 Floor Lamp & Table Lamp\nStemlite Floor Lamp & Table Lamp in Black Chrome\nAspide Table Lamp\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.46.png","88\nCDC.1 Lounge Chair upholstered in Dedar Around Bouclé 141 and GUBI Soft Leather Army\nCDC.1 Lounge Chair upholstered in Dedar Sunday 032 and Glamour Group Drive 1115\nA1972 Pendant \u002F Epic Coffee Table Ø60 in Burnt Red\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.47.png","90\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.48.png","92\nASPIDE TABLE LAMP\nChrome\nMODEL 597 TABLE LAMP\nPolished Steel\nMODEL 597 FLOOR LAMP\nPolished Steel\nMODEL 597 COLLECTION\nASPIDE\nTABLE LAMP\nVANITY\n COLLECTION\nV11 LOUNGE CHAIR\nAmerican Walnut \nGUBI Smooth Leather Coffee\nV11 OTTOMAN\nAmerican Walnut \nGUBI Smooth Leather Coffee\nVANITY WALL MIRROR 2\nAmerican Walnut \nV11 LOUNGE CHAIR\nAmerican Walnut \nLimonta Forli 27\nV11 LOUNGE CHAIR\nAmerican Walnut \nGUBI Smooth Leather Cream\nV11 OTTOMAN\nAmerican Walnut \nLimonta Forli 27\nVANITY WALL MIRROR 1\nAmerican Walnut \nV11 OTTOMAN\nAmerican Walnut \nGUBI Smooth Leather Cream\nVANITY WALL MIRROR 3\nAmerican Walnut \nV11 COLLECTION\nFALL 2023\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.49.png","94\n1967 PENDANT\n9209 \nTABLE LAMP\n1972 PENDANT\n9205\nTABLE LAMP\n9602 FLOOR LAMP\nMULTI-LITE PORTABLE LAMP \nBrass | Black Semi Matt\nMULTI-LITE PORTABLE LAMP \nChrome\nMULTI-LITE PORTABLE LAMP\nMULTI-LITE PORTABLE LAMP \nBrass\nMULTI-LITE PORTABLE LAMP \nChrome | White Semi Matt\n9209 TABLE LAMP\nBrass\nA1972 PENDANT\nBamboo\n1972 PENDANT\nBamboo\n1972 PENDANT Ø90\nBamboo\n1967 PENDANT\nCanvas\nA1967 PENDANT\nCanvas\n9205 TABLE LAMP\nCanvas\n9205 TABLE LAMP\nBamboo\n9602 FLOOR LAMP\nBamboo\n9602 FLOOR LAMP\nSpecial Pierre Frey Edition\nFALL 2023\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.50.png","96\nTS SIDE TABLE \nØ30 | Polished Steel \nBlack Marquina Marble\nTS CONSOLE\n120x72 | Polished Steed\nBlack Marquina Marble\nTS COFFEE TABLE \nØ55 | Polished Steel \nBlack Marquina Marble\nTS DESK\n120x60 | Polished Steel\nBlack Marquina Marble\nTS COFFEE TABLE\nØ80 | Polished Steel \nBlack Marquina Marble\nTS TABLES IN \nPOLISHED STEEL\nADNET IN CREAM\nADNET COFFEE TABLE\nØ100 | Cream Leather\nADNET COFFEE TABLE\n180x70 | Cream Leather\nADNET WALL MIRROR \nØ58 | Cream Leather\nFALL 23 MATERIAL MAKEOVER\nCDC.1 LOUNGE CHAIR \nWITH CONIC LEGS\nCDC.1 LOUNGE CHAIR\nBlack Semi Matt | GUBI Bouclé 005  \nGUBI Soft Leather Black\nCDC.1 LOUNGE CHAIR\nAntique Brass | Dedar Around Bouclé \n141 | GUBI Soft Leather Army\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.51.png","98\nGUBI BOUCLÉ\n001\nGUBI BOUCLÉ\n005\nALBEROBELLO\n23\nGUBI BOUCLÉ\n002\nGUBI BOUCLÉ\n006\nALBEROBELLO\n02\nALBEROBELLO\n27\nGUBI BOUCLÉ\n003\nLUPO SPECIAL DIAGONAL\n008\nGUBI SMOOTH LEATHER\nCream\nGUBI BOUCLÉ\n004\nLUPO SPECIAL DIAGONAL\n009\nGUBI SMOOTH LEATHER\nCoffee\nDADJA\n018\nDADJA\n010\nWe are continually expanding, evolving, \nand editing our upholstery range. Our \nnew fabrics for fall 2023 explore different \ntextures, techniques, and technologies, in \ncollaboration with expert manufacturers. \nIt is all about texture, with super-smooth \nleathers, strokable bouclés, and alluringly \nvelvety chenilles – as well as a fresh, tactile \ntake on seersucker. The result is an ever-\nmore alluring selection, designed for both \nindoor and outdoor settings, that remains \ntrue to GUBI’s aesthetic expression, while \noffering you the inspiration and ability to \nstyle your space and tell your story.  \nViolin Dining Chair upholstered in GUBI Bouclé 005\nViolin Dining Chair upholstered in GUBI Bouclé 002\n              FEATURED  \n      FABRICS\n fall 23       \nGUBI has always been fascinated by the profound sensory power of fabrics. We believe that \ntextiles are more than just materials; they are the foundational elements of a tactile language, \nsending messages about identity, lifestyle, and culture through color, pattern, and texture.\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F1c\u002F0f54b60f44c650dbb768dc1d6debaf-28fc27851e.52.png","ENJOY DESIGN INSPIRATION FROM GUBI \nSIGN UP AT GUBI.COM\u002FNEWSLETTER\nENJOY DESIGN INSPIRATION FROM GUBI \nSIGN UP AT GUBI.COM\u002FNEWSLETTER\nC-Chair Dining Chair in French Cane and American 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