[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-freifrau-novelties-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":97},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":92,"matched_pages":93,"match_count":94,"two_pages":95,"show_text":96},20653,"Novelties 2022","freifrau-novelties-2022","\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fbc\u002F89c0c9f80a8a87975531d7f1b0ccbe-28c6890469.pdf","Freifrau",2087,"freifrau","4.8 MB",[14,17,20,23,27,31,35,38,42,46,49,53,57,60,64,68,71,75,79,82,86,90],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.2.png",2,{"image":21,"text":15,"number":22},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.3.png",3,{"image":24,"text":25,"number":26},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.4.png","2\nNANA & NANA ARMCHAIR\nKlare Linien, weich übersetzt: Der Stuhl Nana ist die \nSymbiose aus unnachahmlicher Softness und gerad­\nliniger Designsprache ohne Schnörkel. Ein Stuhl, der als \nHommage an die Kunst des Möbelpolsterns zu verste­\nhen ist und trotz seines voluminösen Looks zeitgleich \ndurch Eleganz und Raffinesse besticht. Für das Design \nzeichnet Hanne Willmann verantwortlich, die mit diesem \nEntwurf ihr Debüt als Designerin für Freifrau feiert.  \nDie Inspiration für die Formensprache von Nana fand  \ndie Designerin in allem Weichen und Voluminösen.  \nSicher ist es kein Zufall, dass das fertige Modell an  \nWolkenfragmente erinnert. Die Maxime: etwas Schlich­\ntes, Vollkommenes zu erschaffen, das den Anspruch \nverfolgt, allerhöchste Sitzqualität zu realisieren. \nDesign lines which are clean without being hard: \nNana is the perfect combination of unparalleled \nsoftness with a straightforward, unfussy aes­\nthetic. This chair is best understood as a homage \nto the art of upholstery – and one which, in spite \nof its voluminous look, is characterised by simple \nelegance. Nana is designer Hanne Willmann’s first \npiece for Freifrau, and she found inspiration for  \nthe chair by concentrating on softness and thick­\nness. As such, it’s no surprise that the finished \ndesign is reminiscent of tufts of cloud. All in all, \nNana was created to offer maximum simplicity and \ntrue design perfection with the highest possible \nlevel of comfort.\nDesigned by  \nHANNE WILLMANN\nNana\n",4,{"image":28,"text":29,"number":30},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.5.png","4\nNANA COUCH & NANA LOVESEAT \nNANA LOVESEAT & NANA POUF\n",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.6.png","6\nGRACE ARMCHAIR HIGH\n“Nana is the \nmost comfort-\nable chair I’ve \never sat in. \nLike sitting on \na cloud!”\nHANNE WILLMANN \nDesigner\nDESIGNER: \nHanne Willmann (*1987) hat \nschon viele Stationen durch­\nlaufen. Außer in Berlin arbeitete \ndie Industriedesignerin  \nin Barcelona und Istanbul, bevor \nsie sich, zurück in Berlin, mit \neinem eigenen Studio selbstän­\ndig machte. Die verschiedenen \nEinflüsse sind es wohl auch, die \nHannes Experimentierfreude \nmit Materialien in unzähligen \nKombinationen erklärt.\n—\nHanne Willmann (born in 1987) \nhas already enjoyed a rich and \nvaried career. She worked as \nan industrial designer in Berlin, \nBarcelona and Istanbul before \nreturning to Berlin, where she \nset up her own studio.  \nThese myriad influences serve  \nto explain Hanne’s love of \nexperimentation with materials, \nwhich she combines in  \ncountless ways.\n     „Nana ist der \nbequemste Stuhl, \nauf dem ich je \ngesessen habe.  \nWie auf einer \nWolke!“\nGrace\n",6,{"image":36,"text":33,"number":37},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.7.png",7,{"image":39,"text":40,"number":41},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.8.png","8\nDie Inspiration zum Entwurf Grace von Birgit Hoffmann \nund Christoph Kahleyss war die sanfte Erscheinung  \nvon locker über einen Stuhl gezogenem Leder. Früh \nstand fest, dass ein besonders dickes Leder, kontras­\ntierend mit einem filigranen Gestell, den besonderen \nReiz ausmachen, das Designduo jedoch gleichzeitig vor \neine große Herausforderung stellen würde. Leder ist ein \nNaturmaterial, dessen Eigenschaften sich die Designer \nerst einmal zu eigen machen mussten, um ihre Idee so \numsetzen zu können. Die robuste Anmutung des Leders \nmit seinen fein austarierten, offenen Nähten vermittelt \neine archaische Kraft. Grace präsentiert Leder in seiner \nreinsten Form, gepaart mit dem höchsten Maß an \nSitzkomfort. \nIn designing Grace, Birgit Hoffmann and Christoph \nKahleyss got their inspiration from the soft elegance of \nleather draped loosely over a chair. Early on, it became \nclear that the particular charm of the new piece would \nrequire especially thick leather as a contrast to a delicate \nframe, and this represented a not inconsiderable chal­\nlenge for the design duo. Leather is a natural material, \nand designers need to harness its characteristics in \norder to turn their ideas into reality. With its finely  \npositioned open stitches, the leather used is at once \nrobust and elegant, full of archaic heft yet with  \nan undeniable grace. Hence the name of the chair,  \nwhich presents leather in its purest form and offers \nunparalleled comfort: Grace.\nDesigned by\nHOFFMANN KAHLEYSS DESIGN\nGrace\nGRACE ARMCHAIR HIGH & LOW\n",8,{"image":43,"text":44,"number":45},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.9.png","10\nAMELIE ARMCHAIR HIGH & LOW\nBIRGIT HOFFMANN & CHRISTOPH KAHLEYSS\nDesigners\nDESIGNERS: \nStets funktional, aber nie kühl \nkommt das Design von  \nBirgit Hoffmann (*1968) und  \nChristoph Kahleyss (*1963) \ndaher. Ihre Möbel und Interior­ \nKonzepte sind vielmehr geprägt \nvon weichen, organischen  \nFormen. Im gemeinsamen  \nHamburger Büro verleihen die \nbeiden jeder ihrer Kreationen ein  \nso ausdrucksstark­individuelles \nwie sinnliches Gesicht.\n–\nAlways functional, never cold: \ndesigns by Birgit Hoffmann \n(born in 1968) and Christoph  \nKahleyss (born in 1963)  \nare recognisable by their  \nelegant, yet soft and organic \nform. In their joint Hamburg \nbureau, the duo produce  \ndesign after design with an  \nexpressive, individual look  \nand a sensuous feel.\n„Grace ist stark,  \nselbstbewusst und \ndabei anmutig  \nund sanft.“\n–\n“Grace is strong,  \nconfident, yet graceful \nand gentle.”\nAmelie\n",9,{"image":47,"text":44,"number":48},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.10.png",10,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.11.png","12\nAMELIE ARMCHAR LOW\nAmelie steht für klares, formvollendetes Design und ist \ndoch beeindruckend wandelbar. \nDie vollgepolsterte Sitzschale wird mit wertvollen Stoffen  \noder elegantem Leder bezogen, wobei sich die Bezugs­\nmaterialien der Vorder­ und Rückseite individuell  \nkombinieren lassen. Das Gestell dieses Stuhls kann \nebenfalls nach dem persönlichen Geschmack gewählt \nwerden: elegantes Eichenholz, gebeizt in verschiedenen \nFarben, oder grazile Stahlgestelle, pulverbeschichtet. \nUnterstrichen wird die konsequente Linienführung  \ndes Designs durch einen Keder, der die Form der Sitz­ \nund Lehnflächen optisch abrundet. \nNeu ist Amelie mit halber Armlehne — die Modellvariante \nergänzt das Arrangement am Tisch mit Amelie mit Arm­\nlehne oder ohne Armlehne perfekt. \nAmelie represents understated design perfection –  \nand yet remains impressively variable. \nThe seat shell is fully upholstered in premium fabric  \nor elegant leather, while covering materials for both the \nfront and back can be varied and combined at will to \nmake a truly unique piece. The chair’s frame, too, can be \nselected to match personal preferences: there’s elegant \noak, stained in a variety of colours, or a graceful frame  \nof powder­coated steel. Piping offers a visual out ­ \nline of the seat and backrest, further highlighting  \nthe consistent lines throughout the design. \nArranged around a table, the new version of the arm­\nchair with half­height armrests is the perfect com­\nplement both to Amelie without armrests and the full \nAmelie armchair.\nDesigned by\nHOFFMANN KAHLEYSS DESIGN\nAmelie\n",11,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.12.png","14\nTHEIA ARMCHAIR LOW\nBIRGIT HOFFMANN & CHRISTOPH KAHLEYSS\nDesigners\n„Amelie steht  \nfür klares Design, \ndas unglaublich  \nwandelbar ist.“\n–\n“For us, Amelie stands \nfor clear design that is \nincredibly variable.”\nTheia\n",12,{"image":58,"text":55,"number":59},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.13.png",13,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.14.png","16\nTHEIA ARMCHAIR HIGH & LOW\nDesigned by\nSEBASTIAN HERKNER\nTheia\nTheia ist der zweite Entwurf von Sebastian Herkner für  \nFreifrau. Er selbst beschreibt Theia als sachlich, elegant  \nund vielseitig. Verbindendes Element ist die fein ge­\nzeichnete Sitzschale mit dem umgreifenden Metall­\ngestell. Fast wirkt die Sitzschale wie ein eingefasster \nEdelstein. Die Aussparung im Rücken des Modells steht \nim direkten Dialog mit dem Gestell, das die Öffnung \nelegant um rahmt und den skulpturalen Ansatz des  \nEntwurfes unter streicht. Theia gibt es in zwei Versionen —  \nmit und ohne Armlehne. Je nach Stofflichkeit der Schale \nkann man die Persönlichkeit des Stuhls unterstreichen,  \nvom Ess zimmerstuhl bis hin zum Objektstuhl. Für \nHerkner soll der Stuhl aber vor allem ein Begleiter fürs \nLeben werden.\nTheia is Sebastian Herkner’s second design for  \nFreifrau. In his own words, the chair is ‘functional, \nelegant and versatile’, characterised by the fine  \nlines of its shell set in a metal frame – almost, you \nmight think, like a jewel embedded in a ring. An \nopening in the backrest enters into a dialogue with \nthis frame, which surrounds and presents it so as \nto underscore the elegantly sculptural feel of the \ndesign. Theia is available in two versions – with and \nwithout armrests – while the material selected for \nthe shell gives the chair its personality, deciding \nwhether it’s a seat at the dining table or a striking \ndesign object. Whatever it is, though, Herkner sees \nTheia as a life­long companion.\n",14,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.15.png","19\n18\nONA LOUNGE CHAIR HIGH & ONA OTTOMAN\nSEBASTIAN HERKNER\nDesigner\n„Die Sitzschale von  \nTheia ist eingefasst wie  \nein Schmuckstein.“\n–\n“With Theia, the  \nseat shell is framed  \nlike a jewel.“\nFREIFRAU MANUFAKTUR: Lieber Sebastian, mit  \nTheia hast du jetzt deinen zweiten Stuhl für Freifrau \nentwickelt. Welchen Ansatz hast du verfolgt?  \nSEBASTIAN HERKNER: Wir waren bei der Entwicklung  \nvon Theia auf der Suche nach einer anderen  \nAussage von Eleganz und Einfachheit. Wir kombi-\nnieren hier ein umlaufendes Metallgestell mit der \nskulpturalen, feinen Sitzschale, um einen neuen \nCharakter zu kreieren. Wie ein Schmuckstein wird \ndie Sitzschale in den Metallrahmen gefasst. \nFF: Welche besonderen Charakteristika hat Theia? \nSH: Theia gibt es in zwei Versionen, mit und ohne Arm- \n lehne. Das verbindende Element ist die fein ge-\nzeichnete Sitzschale mit dem umgreifenden Metall-\ngestell. Je nach Stofflichkeit der Schale kann man \ndie Persönlichkeit des Stuhles unterstreichen, von \neinem Esszimmerstuhl bis hin zu einem Objektstuhl.\nFF: In der Rückenlehne hat Theia eine kleine Ausspa-\nrung. Erzähl uns etwas über dieses Detail!\nSH: Die Aussparung steht im direkten Dialog mit dem \nGestell. Dieses umrahmt diese Öffnung sehr  \nelegant und unterstreicht den skulpturalen Ansatz \ndes Entwurfes. \nFF: Wenn du Theia einer Person in 3 drei Wörtern  \nbeschreiben müsstest, welche wären das?\nSH: Elegant, sachlich, vielseitig.\nFREIFRAU MANUFAKTUR: Sebastian, Theia is  \nthe second chair you have designed for Freifrau.  \nWhat was your approach to this piece? \nSEBASTIAN HERKNER: In developing Theia, we were \non a quest for a different expression of elegance  \nand simplicity. So we combined a metal frame \naround the shell with a sculptural approach to this \nshell in order to create something new with a quite \ndistinct character. Think of a gemstone set in a ring: \nthat’s how the seat will sit in the frame.\nFF: What are the most special qualities of Theia?\nSH: Theia comes in two versions – one with, one without \narmrests. What unites them both is the finely drawn  \nseat shell and the metal frame around it.  The \nmaterial selected for the shell gives the chair its \npersonality, deciding whether it’s a seat at the \ndining table, a striking design object, or something \nin between.\nFF: Theia has an opening in the backrest. What can you \ntell us about this detail?\nSH: The opening enters into a direct dialogue with  \nthe frame, which surrounds and presents it so as  \nto underscore the sculptural feel of the design.\nFF: If you had to describe Theia in three words, which \nthree words would you choose?\nSH: Elegant, functional, versatile.\nOna\n",15,{"image":69,"text":66,"number":70},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.16.png",16,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.17.png","20\nDesigned by\nSEBASTIAN HERKNER\nOna\nEin rundliches Sitzpolster, eine geschwungene \nRückenlehne, vier schlanke Füße — Ona ist reduziert \nauf das Wesentliche. Auf den ersten Blick. Charak­\nteristisch ist der weich umlaufende Keder, der die \nNaht zwischen den zwei Schalen der Rückenlehne \nverstärkt. „Etwas eleganter und weniger lässig“ —  \ndas antwortet der Designer Sebastian Herkner, wenn \nman ihn fragt, was seinen Entwurf gegenüber den \nanderen Freifrau­Modellen auszeichnet. Ona umarmt \nherzlich und lässt seinen Besitzer dennoch die  \nHaltung bewahren. Erhältlich ist dieser aus hoch­\nwertigen Materialien gefertigte Stuhl in mehreren \nVarianten, wodurch er vielseitig einsetzbar ist.\nA rounded seat cushion, a curved backrest and four \nslender legs: that’s Ona, an object lesson in reducing \na design to its essentials. Well, at first sight. On closer \ninspection, there’s the characteristic soft wrap­around \npiping which reinforces the seam between the two back­\nrest shells, for instance. When asked what distinguishes \nhis design from other Freifrau models, designer Sebas­\ntian Herkner says it is: “A touch more elegant and less \ncasual”. And indeed sinking into Ona’s warm embrace \ndoesn’t come at the expense of maintaining good  \nposture. Manufactured from high­quality materials,  \nthis chair is available in a range of variations, making it  \na wonderfully versatile addition to any space.\nONA LOUNGE CHAIR LOW & ONA OTTOMAN\n",17,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.18.png","22\nLEYASOL WINGBACK SWINGSEAT\nDESIGNER:  \nSebastian Herkner (*1981) \narbeitet mit großem Respekt vor \ndem Material. Seine Entwürfe \nverbinden nicht nur unter-\nschiedliche kulturelle Kontexte, \nsondern auch zeitgenössische \nFormen und Techniken mit \ntraditioneller Handwerkskunst. \nIn seinem Studio in Offenbach \nentstehen Möbel und Objekte \nfür Unternehmen weltweit.\n–\nSebastian Herkner (born in 1981)  \nworks with the greatest respect \nfor his materials, creating  \ndesigns which don’t just connect \ndifferent cultural contexts, but \nalso contemporary forms and \ntechniques with traditional \nhandcraft. From his studio in \nOffenbach, near Frankfurt, he \ndelivers designs for furniture \nand objects to companies  \nacross the world.\n„Mein Ansatz für  \nOna ist sehr elegant,  \nweniger lässig.“\n–\n“My approach to  \nOna is very elegant,  \nless relaxed.”\nSEBASTIAN HERKNER\nDesigner\nLeyasol\n",18,{"image":80,"text":77,"number":81},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.19.png",19,{"image":83,"text":84,"number":85},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.20.png","24\nLEYASOL CHAIR\nDas Designduo Birgit Hoffmann und Christoph Kahleyss \nhaben das Modell Leya entworfen, das mittlerweile zu \nden neuen Klassikern zählt. Fast zwanzig Teile umfasst \ndie Kollektion, der nun mit Leyasol ein Schwestermodell \nhinzugefügt wurde. Ein filigranes, wetterbeständiges \nDrahtgestell ahmt die femininen, für Leya charakte­\nristischen Linien nach. Große, weiche Daunenkissen ver ­ \nmitteln das typisch weiche und lässige Sitzgefühl. \nDer Clou: Leyasol ist konzipiert, um innen und außen ein­ \nsetzbar zu sein. In Kombination mit Leya bringt das \nModell eine ganz eigene Spannung in die Anordnung am \nEsstisch. Die Kissen — gefüllt mit hochwertigen Kunst­\ndaunen — sind leicht herausnehmbar und verstaubar.  \nJe nach Bezug sogar wetterfest. \nThe Leya model developed by the design duo Birgit \nHoffmann and Christoph Kahleyss has become a new \nclassic. The collection features nearly 20 pieces and  \nis now complemented by its sister model Leyasol.  \nAn elegant, weather­resistant wire frame pays tribute  \nto the feminine lines. Large down cushions provide  \nthe typically soft and casual feel of the seat. \nAnd its winning feature: Leyasol is designed for use \nboth inside and outside. In combination with Leya,  \nthis model adds its own form of excitement to the dining \ntable arrangement at home or outdoors in the summer. \nThe cushions are filled with high­quality artificial  \ndown and can be removed and stored with ease. Some  \nof the upholstery is even weather­resistant. \nDesigned by\nHOFFMANN KAHLEYSS DESIGN\nLeyasol\n",20,{"image":87,"text":88,"number":89},"\u002Fmedia\u002Fimages\u002F96\u002F956616a2e21eccb6a1caff92932c1c-28c68a6429.21.png","SALES\nUDO PATZKE\nPhone: +49 89 - 4190 2293, Fax: +49 89 - 4190 2294 \nMobile: +49 171 - 5376 767 \nEmail: up-agentur@freifrau.com\nMARTIN SGORZALY\nPhone: +49 5261 - 971 330 - 11, Fax: +49 5261 - 9713 309 \nMobile: +49 170 - 2926 008 \nEmail: martin@freifrau.com \nIMPRINT\nFreifrau Manufaktur GmbH \nGildestraße 9, 32657 Lemgo\nManaging director: Hansjörg Helweg \nCompany registration: AG Lemgo, HRA 10487  \nHeadquarters: Lemgo \nTax ID n.: 329\u002F5903\u002F0760  \nVAT ID n: DE351357974\nCREATIVE DIRECTION\nHoffmann Kahleyss Design\nCONCEPT & ART DIRECTION\nAnna Bertermann & Meike Winters\nEDITORIAL OFFICE\nDeike Bokelmann\nTEXT\nDeike Bokelmann, Alexandra von Poschinger\nTRANSLATION\nBrian Melican, Apostroph Germany\nPROOFREADING\nApostroph Germany\nLITHOGRAPHY\nedelweiß publish\nPRINT\nBeisner Druck\nPHOTOGRAPHY  \nPortraits: Alicia Minkwitz, Gaby Gerster, Sonja Müller \nInterior photography: Hendrik Lemke, Patrick Pantze Images, Wolfgang Stahr\nSTYLING\nThomas Rook\nOUR PARTNER\nJANUA Möbel (www.janua-moebel.de)\nTHANKS TO\nJan Kath Design GmbH \nM2 Rugs Design GmbH \nMiinu GmbH \nWall & Decò S.r.l.\n02RZ_Neuheitenbroschüre_Cover.indd   3\n14.04.22   10:38\n26\nBIRGIT HOFFMANN & CHRISTOPH KAHLEYSS\nDesigners\n„Leyasol ist für  \nuns wie ein nie  \nenden wollender  \nSommertag.“\n–\n“For us, Leyasol  \nis like a  \nnever-ending  \nsummer’s 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