[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-ento-general-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":444},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":439,"matched_pages":440,"match_count":441,"two_pages":442,"show_text":443},20533,"General 2022","ento-general-2022","\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F21\u002F5187e405723602a2318dfbc06b4e6e-28c3f317c7.pdf","ENTO",2268,"ento","12.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,436],{"image":7,"text":15,"number":16},"02\nEDIZIONE\nEDITION\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.3.png","SPOON\nGordon Guillaumier\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.4.png","4\nCONCEPT\nEDGE\nDiliberto - Bucci\nLa maniglia completa il progetto\nThe handle completes the project\nEnto is a Salice Paolo brand – a historic classic handle \ncompany founded in Cantù in 1937. It is positioned in the high-\nend of the market and distributed to more than 80 countries.\nIn 2018, after years of investments in its modern range, Fabrizio \nand Luisa Salice, together with the creative director Davide \nDiliberto, split it from the rest of the classic catalogue, to give \nthe range its best chance of development and to create an \nindependent brand.\nEnto inherits the same extended quality and true Made in Italy \nconcept, with the exclusive use of brass and controls on 100% \nof items in all finishing stages.\nThe ENTO handle approach is based on its complementary \nfunction and appearance. Our name is an incomplete word, \njust like doors and windows without mechanisms that allow \nthem to be opened or closed.\nEach new product is created in collaboration with \ninternationally renowned designers and emerging talents, who \ncan imagine precise use contexts, combinations and trends, \nfollowing Ento’s philosophy.\nEnto offers designers a high-quality alternative in the field \nof door and window handles.\nEnto è un marchio Salice Paolo, storica azienda di \nmaniglieria classica fondata a Cantù nel 1937, posizionata \nnella fascia alta del mercato e distribuita in più di 80 Paesi.\nDopo alcuni anni di investimenti nella gamma moderna, \nnel 2018 Fabrizio e Luisa Salice, insieme al direttore \ncreativo Davide Diliberto, decidono di separarla dal resto \ndel catalogo classico, per consentirle le migliori chance di \nsviluppo e creare un vero brand indipendente.\nEnto eredita lo stesso concetto di qualità estesa e vero \nMade in Italy, con l’uso esclusivo dell’ottone e controlli sul \n100% dei campioni in tutte le fasi di finitura.\nL’approccio Ento alla maniglia si basa sulla sua condizione di \ncomplemento, funzionale ed estetico. Il nostro nome è una \nparola incompleta, esattamente come lo sono porte e finestre \nprive di meccanismi che consentano di aprirle o chiuderle.\nOgni nuovo prodotto nasce in collaborazione con designer \ndi fama internazionale e talenti emergenti, in grado di \nimmaginare precisi contesti di utilizzo, abbinamenti e trend, \nnel rispetto della filosofia Ento.\nEnto offre ai progettisti un’alternativa di alta qualità nel \nsettore della maniglieria per porte e finestre.\nA sinistra, un badge degli anni sessanta della storica azienda \nSalice Paolo, che nel 2018 presenta il nuovo marchio di design \nEnto. A destra, la sede oggi, a Cantù.\nOn the left, a badge from the sixties of the historic company Salice \nPaolo which, in 2018, presented the new design brand Ento.\nOn the right, our headquarters, in Cantù.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.5.png","Nel 2018, per il suo primo Fuorisalone, Ento sceglie il Brera \nDesign District con la collaborazione di Gordon Guillaumier e \nLorenzo Damiani insieme al Direttore Creativo Davide Diliberto.\nI loro progetti Spoon, Trace e Robot esplorano modi diversi \ndi ridurre l’uso di materiale e dialogare con il progetto \narchitettonico. \nSopra, l’azienda e Lorenzo Damiani durante la presentazione \nufficiale del nuovo marchio.\nEnto chooses the Brera Design District, during the 2018 Milan \nDesign Week, for its first Fuorisalone event, with renown \ndesigners Gordon Guillaumier, Lorenzo Damiani and the \nCreative Director Davide Diliberto.\nSpoon, Trace and Robot designs give new visions about reduction \nin material use and dialogue with the architectural project.\nTop, the Ento team with Lorenzo Damiani during the official \ndebut of the new brand.\n7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.6.png","Nel 2019 Ento è partner di Archiproducts Milano all’evento \nThe Design Experience.  I modelli recenti e la novità Contour \ndisegnata da Giuseppe Bavuso sono parte integrante del \nprogetto curato dallo studio Marcante-Testa. \nIn 2019 Ento is partner of Archiproducts Milano at The Design \nExperience event. The latest products and the new Contour by \nGiuseppe Bavuso are integral part of the project developed by the \nstudio Marcante-Testa.\n9\nDurante la Biennale di Venezia del 2021, Ento è partner di Casa \nPlatform nella splendida cornice della Scuola Grande di Santa \nMaria della Misericordia.\nLa mostra dedicata a una selezione di progetti internazionali si \nconclude con il Platform Architecture Festival.\nDuring the 2021 Venice Biennale, Ento is partner of Casa Platform \nin the marvelous setting of the Scuola Grande di Santa Maria \ndella Misericordia.\nThe exhibition dedicated to a selection of international projects \nends with the Platform Architecture Festival.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.7.png","11\nElle Decor Design Forever, Milan Design Week 2022.\nLe novità Zai (Neri&Hu) e Contact (Eugeni Quitllet) su \nallestimento di Calvi-Brambilla, Palazzo Bovara.\nThe new Zai (Neri&Hu) and Contact (Eugeni Quitllet); exhibition \nproject by Calvi-Brambilla, Palazzo Bovara.\nIn alto: Architect@Work Parigi, 2020.\nIn basso: progetti alla Milan Design Week 2022.\nLa maniglia Contour sulla porta Rever di Cini Boeri per TREP+, \nUnderstate Milano.\nSelezione di materiali con la maniglia Elan, DEBASS material gallery.\nTop: Architect@Work Paris, 2020.\nBottom: various exhibitions at the 2022 Milan Design Week.\nContour handle on the Rever door by Cini Boeri for TREP+, \nUnderstate Milano.\nA selection of materials and the Elan handle, DEBASS material gallery.\n10\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.8.png","13\n12\nQUALITÀ \u002F QUALITY\nTutta la gamma è realizzata in ottone\nThe full range is made only in brass\nControllo su ogni pezzo in tutte le fasi di finitura\nOne by one check in each finishing process\nVerniciatura a polvere S-COATING ad alte prestazioni\ned anti-impronta.\nHigh performance and anti-fingerprint S-COATING powder coating.\nLa tecnologia H-FINISH garantisce altissime prestazioni \nfisiche, chimiche e di durata.\nH-FINISH technology guarantees high physical, chemical and \ndurability performance.\nCR - CRS\nL’ottone è la miglior base per rivestimenti \na bagno galvanico di alta qualità e privi di \ndifetti estetici. Ento garantisce le finiture \ncromo CR e cromo satinato CRS per 10 \nanni, rispettando semplici indicazioni di \nutilizzo riportate nella documentazione \nche accompagna ogni prodotto.\nBrass allow to obtain the best galvanic \nbath finishes, without any visual defect. \nEnto guarantees the chrome CR and satin \nchrome CRS finishes for a period of 10 years, \nfollowing all the instructions included in any \nproduct.\nOgni prodotto Ento è disegnato, realizzato e rifinito in Italia con alti \nstandard di qualità.\nSull’etichetta di ogni confezione è riportato il codice \nTrace Me Code che consente di verificarne online l’autenticità.\nThe whole Ento production is designed, made and finished in \nItaly with high quality standards.\nTrace Me Code is on every packaging label, allowing the \ncustomer to verify online that the purchase is genuine.\nGLASS AND CRYSTAL\nBrass is contrasted by the visual lightness of transparent \nmaterials, chosen based on each model design and the \nrequired visual properties.\nAll products with glass and crystal parts are tested to withstand \nthe expected bending loads.\nCristallo\nCrystal\nVetro\nGlass\nVETRO E CRISTALLO\nAll’ottone si contrappone la leggerezza visiva dei materiali \ntrasparenti, scelti in base al design del singolo modello e \nalle proprietà ottiche richieste.\nTutti i prodotti con parti in vetro e cristallo sono testati per \nresistere ai carichi di flessione previsti.\nTest effettuati da\nTesting by\nLa qualità senza compromessi del vero Made in Italy: \ndall’idea alla progettazione, dagli stampi alla finitura e \ncontrolli su ogni singolo pezzo.\nThe uncompromising true Made in Italy quality –  ideas, \ndesigns, moulds, finishing and checks on every piece.\nMolla di ritorno\nReturn spring\nEspositore standard a parete, configurabile e \ncustomizzabile; packaging a basso impatto ambientale.\nStandard wall display case, configurable and customizable; \npackaging with low environmental impact.\nAnti-impronta\nAnti-fingerprint\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.9.png","15\nTest effettuato da\nTesting by\nTEST - RESEARCH -EXPEDITING\nSalice Paolo srl - Via Domea, 45 - 22063 Cantù (CO) Italy T +39 031 714520 ento.it\nSalice Paolo srl si riserva, a termini di legge, la proprietà del presente documento con il divieto di riprodurlo o duplicarlo senza sua previa autorizzazione.\nSalice Paolo srl reserves all rights on the attached document, prohibiting any duplication or copy before authorization from the company.\nH-FINISH technology guarantees high physical, chemical \nand durability performance, up to three times higher than \ntraditional electroplating bath finishes. The process takes place \nin an autoclave, where the combination of high temperatures, \nnoble gases and electrically charged vaporised precious metals \ncreates a layer of material that binds to the product at the \nmolecular level. This guarantees exceptional physical-chemical \ncharacteristics. \nLa tecnologia H-FINISH garantisce altissime prestazioni \nfisiche, chimiche e di durata, fino a tre volte superiori alle \ntradizionali finiture a bagno galvanico.\nIl processo avviene in autoclave, dove la combinazione di \nalte temperature, gas nobili e metalli preziosi vaporizzati \ncaricati elettricamente, crea uno strato di materiale che si \nlega al prodotto a livello molecolare, garantendo eccezionali \ncaratteristiche fisico-chimiche.\nLaboratorio accreditato \u002F Accredited laboratory UNI CEI EN ISO\u002FIEC 17025\nI nostri prodotti in finitura H-FINISH sono stati sottoposti \nal test di resistenza alla corrosione secondo il metodo di \nprova:\nUNI EN ISO 9227:2017\nCon esito positivo, evidenziando:\nAssenza di corrosione sulla superficie dei campioni\nNessuna alterazione della superficie\nAssenza di blisters sulla superficie\n(Risultato finale dopo 1008 h).\nOur products with H-FINISH treatment were tested for \ncorrosion resistance according to the test method:\nUNI EN ISO 9227:2017\nSuccessfully, revealing:\nAbsence of corrosion on the surface of the samples\nNo surface alteration\nNo blisters on the surface\n(Final result after 1008 h).\nCORROSION RESISTANCE \nCERTIFICATE\nCERTIFICATO DI RESISTENZA \nALLA CORROSIONE\nH-FINISH\nH-FINISH\nGaranzia 15 anni\nGuarantee 15 years\nTest effettuato da\nTesting by\nTEST - RESEARCH -EXPEDITING\nSalice Paolo srl - Via Domea, 45 - 22063 Cantù (CO) Italy T +39 031 714520 ento.it\nSalice Paolo srl si riserva, a termini di legge, la proprietà del presente documento con il divieto di riprodurlo o duplicarlo senza sua previa autorizzazione.\nSalice Paolo srl reserves all rights on the attached document, prohibiting any duplication or copy before authorization from the company.\nH-FINISH technology guarantees high physical, chemical \nand durability performance, up to three times higher than \ntraditional electroplating bath finishes. The process takes place \nin an autoclave, where the combination of high temperatures, \nnoble gases and electrically charged vaporised precious metals \ncreates a layer of material that binds to the product at the \nmolecular level. This guarantees exceptional physical-chemical \ncharacteristics. \nLa tecnologia H-FINISH garantisce altissime prestazioni \nfisiche, chimiche e di durata, fino a tre volte superiori alle \ntradizionali finiture a bagno galvanico.\nIl processo avviene in autoclave, dove la combinazione di \nalte temperature, gas nobili e metalli preziosi vaporizzati \ncaricati elettricamente, crea uno strato di materiale che si \nlega al prodotto a livello molecolare, garantendo eccezionali \ncaratteristiche fisico-chimiche.\nLaboratorio accreditato \u002F Accredited laboratory UNI CEI EN ISO\u002FIEC 17025\nH-FINISH\nH-FINISH\nGaranzia 15 anni\nGuarantee 15 years\nCERTIFICATO DI RESISTENZA \nALL’IRRAGGIAMENTO UV\nI nostri prodotti in finitura H-FINISH sono stati sottoposti al \ntest di resistenza ai raggi UV secondo il metodo di prova:\nISO 489Z-3 MODE 1\nCon esito positivo, senza nessuna alterazione della \nsuperficie.\nOur products with H-FINISH treatment were tested for UV \nresistance according to the test method:\nISO 489Z-3 MODE 1\nSuccessfully, with no alteration of the surface.\nUV RADIATION RESISTANCE \nCERTIFICATE\nTest effettuato da\nTesting by\nTEST - RESEARCH -EXPEDITING\nSalice Paolo srl - Via Domea, 45 - 22063 Cantù (CO) Italy T +39 031 714520 ento.it\nSalice Paolo srl si riserva, a termini di legge, la proprietà del presente documento con il divieto di riprodurlo o duplicarlo senza sua previa autorizzazione.\nSalice Paolo srl reserves all rights on the attached document, prohibiting any duplication or copy before authorization from the company.\nLaboratorio accreditato \u002F Accredited laboratory UNI CEI EN ISO\u002FIEC 17025\nH-FINISH technology guarantees high physical, chemical \nand durability performance, up to three times higher than \ntraditional electroplating bath finishes. The process takes place \nin an autoclave, where the combination of high temperatures, \nnoble gases and electrically charged vaporised precious metals \ncreates a layer of material that binds to the product at the \nmolecular level. This guarantees exceptional physical-chemical \ncharacteristics. \nLa tecnologia H-FINISH garantisce altissime prestazioni \nfisiche, chimiche e di durata, fino a tre volte superiori alle \ntradizionali finiture a bagno galvanico.\nIl processo avviene in autoclave, dove la combinazione di \nalte temperature, gas nobili e metalli preziosi vaporizzati \ncaricati elettricamente, crea uno strato di materiale che si \nlega al prodotto a livello molecolare, garantendo eccezionali \ncaratteristiche fisico-chimiche.\nCERTIFICATO DI RESISTENZA AI \nPRODOTTI CHIMICI\nCHEMICAL RESISTANCE \nCERTIFICATE\nI nostri prodotti in finitura H-FINISH sono stati sottoposti \nall’azione di diversi agenti chimici secondo il metodo di prova:\nASTM D543-20 \ncon prodotti quali:\nAlcool etilico 95%\nAcqua ossigenata 3%\nDiluente nitro\nAmmoniaca 6%\nAcido cloridico 6%\nProdotto anticalcare\nGrasso al silicone\nCalce\nCemento\nSenza riportare nessuna alterazione visibile della \nsuperficie.\nOur products with H-FINISH treatment were subjected to the \naction of various chemicals according to the test method:\nASTM D543-20 \nwith products such as:\nEthyl Alcohol 95%\nHydrogen peroxide 3%\nNitro thinner\nAmmonia 6%\nHydrochloric acid 6%\nAnti-scale product\nSilicone grease\nLime\nCement\nWith no visible surface alteration.\nATTENZIONE: questi test non autorizzano \nprocedure di pulizia diverse da quelle indicate \nnella documentazione a corredo del prodotto. \nCAUTION: these tests do not authorise cleaning \nprocedures other than those specified in the \nproduct literature. \nH-FINISH\nH-FINISH\nGaranzia 15 anni\nGuarantee 15 years\nH-CS\nH-OS\nH-BS\nCarbonio satinato H-CS: sostituisce il Grafite satinato H-GR \ncon una tonalità più neutra che la rende ancora più attuale e \nversatile.\nH-CS satin carbon: replaces the H-GR satin graphite with a more \nneutral shade that makes it even more current and versatile.\nOttone satinato H-OS: risponde ad una domanda crescente \nche copre anche contesti luxury e timeless.\nH-OS satin brass: responds to a growing demand that covers \nalso luxury and timeless contexts.\nBronzo satinato H-BS: un’alternativa che spazia dal vintage \nall’industrial a seconda del contesto e del modello.\nH-BS satin bronze: a real alternative that ranges from vintage \nto industrial depending on the context and model.\nH-FINISH\nBrass and H-FINISH technology guarantees high physical, \nchemical and durability performance, up to three times \nhigher than traditional electroplating bath finishes. \nThe process takes place in an autoclave, where the \ncombination of high temperatures, noble gases and \nelectrically charged vaporised precious metals creates a \nlayer of material that binds to the product at the molecular \nlevel. This guarantees exceptional physical-chemical \ncharacteristics.\nL’abbinamento fra ottone e tecnologia H-FINISH \ngarantisce altissime prestazioni fisiche, chimiche e di \ndurata, fino a tre volte superiori alle tradizionali finiture \na bagno galvanico.\nIl processo avviene in autoclave, dove la combinazione \ndi alte temperature, gas nobili e metalli preziosi \nvaporizzati caricati elettricamente, crea uno strato di \nmateriale che si lega al prodotto a livello molecolare, \ngarantendo eccezionali caratteristiche fisico-chimiche.\nH-FINISH\nEnto garantisce per 15 anni tutte le finiture con tecnologia H-FINISH, rispettando semplici \nindicazioni di utilizzo riportate nella documentazione che accompagna ogni prodotto.\nEnto guarantees for a period of 15 years all the finishes with H-FINISH technology, following \nall the care maintenance suggestions included in any product.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.10.png","Deep black, vivid reflections, high resistance.\nEnto’s S-COATING matt black enamel is designed with \nthese goals and with consolidated technology in sectors \nsuch as taps, which require high performance standards.\nAvailable in a selection of handles and on all accessories.\nNero profondo, riflessi vividi, alta resistenza.\nLo Smalto nero opaco S-COATING di Ento è studiato \ncon questi obbiettivi e con la tecnologia consolidata \nin settori come la rubinetteria, che richiedono alti \nstandard prestazionali.\nDisponibile in una selezione di prodotti e su tutti gli \naccessori.\nOgni finitura S-COATING è anti-impronta e mette in \nrisalto le forme della maniglia. \nThe whole Ento S-COATING line is anti-fingerprint and aims \nto highlight handle’s shape.\nCEDRO\nGiuliano Galeazzi\nS-COATING\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.11.png","19\n18\nRosette e bocchette di \n6 mm di spessore con \nmolla di ritorno integrata e \ndiametro standard 50 mm.\nMontaggio semplificato, \npiù solido rispetto alla \ntradizionale sottorosetta in \nacciaio.\nMaggior silenziosità di \nfunzionamento.\nNon richiede lavorazioni \nspeciali sulla porta.\n6 mm thick roses and \nescutcheons with integrated \nreturn spring and standard \n50 mm diameter.\nSimplified assembly, more \nsolid than the traditional \nsteel substructure.\nQuieter operation.\nIt does not require special \nmachining on the door.\nRosetta di 4 mm di \nspessore con molla \ndi ritorno integrata e \ndiametro di 43 mm.\nMontaggio semplificato; \nmaggior silenziosità di \nfunzionamento.\nDisponibile specificamente \nper il modello Contour.\nNon richiede lavorazioni \nspeciali sulla porta.\n4 mm thick rose with \nintegrated return spring and \n43 mm diameter. Simplified \nassembly; quieter operation.\nAvailable specifically for the \nContour model.\nIt does not require special \nmachining on the door.\nRosette e bocchette di \n3 mm di spessore con \nmolla di ritorno integrata e \ndiametro di 33 mm.\nRichiede una lavorazione \nsulla porta da eseguire con \nmacchina automatica.\n3 mm thick roses and \nescutcheons with integrated \nreturn spring and 33 mm \ndiameter.\nRequires machining on the \ndoor to be carried out with \nan automatic machine.\nSISTEMI DI MONTAGGIO \u002F MOUNTING SYSTEMS\nLa rosetta C3 è attualmente la più piccola sul mercato con \nmolla di ritorno integrata. \nMisura appena 33 mm di diametro e 3 mm di spessore, un \nrisultato tecnico ed estetico che valorizza al massimo sia la \nmaniglia che la porta su cui è montata.\nThe C3 rose, with its integrated return spring, is the smallest \non the market.  It is 33 mm diameter and 3 mm thick and is a \ntechnical and aesthetic result that enhances the handle and door.\nComponenti bassi R6: rosette e bocchette di 6 mm di \nspessore con molla di ritorno integrata e diametro standard \n50 mm.\nIl montaggio è semplice, più solido rispetto alla tradizionale \nsottorosetta in acciaio e non richiede lavorazioni speciali \nsulla porta.\nR6 low components: 6 mm thick, 50 mm diameter roses and \nescutcheons, including an integrated spring box.\nSimplified assembly, more solid and no need for a special \nmachining on the door.\nThe GK German Kit is specifically designed for all situations \nwhere it is impossible to use the sub-rose standard system \nsuch as cases where there is reduced thickness or poor wood-\ntightness. Two threaded rods firmly fasten each door pair of \nsub-roses, through two holes with 38 mm inter-axis.\nIl German Kit GK è specificatamente progettato per tutte \nle situazioni in cui non è possibile usare il sistema standard \ndi sottorosette, ad esempio con spessori ridotti o scarsa \ntenuta del legno. Due tiranti filettati fissano saldamente \nogni coppia di sottorosette alla porta, attraverso due fori \npassanti con interasse 38 mm.\nComponenti bassi R6\nRosetta Contour\nComponenti compatti C3\nR6 low components\nContour Rose\nC3 compact components\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.12.png","20\nPROGETTI \u002F REFERENCES\nI prodotti Ento sono selezionati in progetti da tutto il \nmondo. Le qualità insostituibili dell’ottone e uno stile \nequilibrato ma riconoscibile, sono il valore aggiunto \nper completare e impreziosire allo stesso modo grandi \nrealizzazioni e abitazioni private.\nEnto products have been chosen and installed in projects all over \nthe world. The irreplaceable quality of brass and a balanced \nbut recognizable style are the added value for completing and \nenhancing large facilities and private homes alike.\nCordis Hotel, Capital International Airport, Beijing, 2019.\nLa catena di alberghi del Langham Hospitality Group ha scelto \nEdge, in finitura cromo satinato, per le diverse aree VIP e \nbusiness, confermando il successo di questo modello, sintesi \nfra aspetto tecnico ed elegante sobrietà.\nHotels in the Langham Hospitality Group chose Edge in a satin \nchrome finish for the different VIP and business areas, thus \nconfirming the success of this model - a combination of technical \nsuperiority and subtle elegance.\nHotel Vista Palazzo, Lago di Como.\nQuesto splendido albergo cinque stelle lusso affacciato sul \nlago di Como ha subìto un restyling nel 2019; nelle camere \narredate in stile classico contemporaneo, le maniglie \ndella serie Anatomica aggiungono una nota personale e \nmodernista.\nThis splendid 5-star luxury hotel overlooking Lake Como \nunderwent restyling works in 2019. Handles from the \nAnatomica series add a personal and modernist touch to the \nrooms furnished in contemporary classic style.\nL’Estoril, Monaco, 2020.\nNell’importante ristrutturazione dei suoi lussuosi appartamenti \nè stata scelta la maniglia Wood su placca e finitura cromo \nlucido. In questa configurazione assume un aspetto più \nrigoroso ed elegante, conservando al tempo stesso il suo \ninconfondibile stile materico e senza tempo.\nIn an important renovation project concerning luxury \napartments, the Wood handle was mounted on a plate with \na polished chrome finish. This configuration produces a more \nrigorous and elegant decor while maintaining the timelessly \nunmistakable style of the authentic material.\nDaewoo World Mark, Seoul.\nNegli appartamenti esclusivi dei due grattacieli, trova naturale \ncollocazione la best seller Cedro, moderna ed essenziale.\nWith its modern and essential style, the best-selling model Cedro \nfound its natural home inside the exclusive flats in two skyscrapers.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.13.png","22\nSTRUMENTI PER LA SCELTA \u002F TOOLS FOR CHOICE\nThe range is divided into three categories that perform three \ndifferent functions within a project.\nLa gamma è divisa in 3 categorie che svolgono 3 diverse \nfunzioni all’interno di un progetto.\nARCHITETTURALI\nProdotti che si integrano visivamente con \nl’architettura, o ne interpretino elementi e forme.\nARCHITECTURAL\nProducts that visually integrate with the architecture, or \ninterpret its elements and shapes.\nESTETICI\nProdotti dotati di caratteristiche estetiche peculiari, \ncome ad esempio quelli con un design di tipo organico.\nAESTHETIC\nProducts with unique aesthetic characteristics, such as \nthose with an organic design.\nSPECIALI\nProdotti multimaterici o con soluzioni particolari.\nSPECIAL\nMulti-material products or special solutions.\nSTRUMENTO CORRELATI\nSul sito Ento ogni scheda prodotto presenta un sistema \nvisivo e immediato per verificare tutte le possibilità per il \nvostro progetto, mostrando tutti gli accessori della stessa \nfamiglia o compatibili.\nCOORDINATION TOOL\nOn the website each product sheet contains a visual\nand immediate system for all your project’s possibilities.\nIt shows all the accessories in the same or a \ncompatible range.\nTo facilitate the choice of models and accessories, Ento offers \ndesigners a number of solutions, including the Coordination \nTool which divides the range into 3 style categories.\nPer facilitare la scelta di modelli e accessori, Ento offre al \nprogettista alcune soluzioni, tra cui lo Strumento Correlati e \nla divisione della gamma in 3 categorie stilistiche.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.14.png","25\n24\nEnto prosegue il suo percorso collaborando con designer e \narchitetti di assoluto rilievo. \nDopo Gordon Guillaumier, Lorenzo Damiani e Giuseppe \nBavuso, nel 2020 si sono aggiunti i nomi di Patrick Norguet \ne Matteo Nunziati con interpretazioni opposte dell’idea di \nmaniglia, eppure perfettamente in linea con la filosofia del \nbrand. Ai nostri designer chiediamo di immaginare prodotti con \nun obbiettivo preciso: una funzione, un riferimento estetico, un \ntrend, sempre con in mente un contesto di utilizzo reale. \nEnto continues its mission by collaborating with acclaimed \narchitects and designers.\nAfter Gordon Guillaumier, Lorenzo Damiani and Giuseppe \nBavuso, in 2020 the company worked with Patrick Norguet \nand Matteo Nunziati on opposite interpretations of the idea \nof the handle that were still perfectly in line with the brand’s \nphilosophy. We ask our designers to create products with a \nclear goal in mind: a function, an aesthetic reference, a trend, \nand always with a context for the actual use of the product. \nPAROLA AI DESIGNER \u002F DESIGNERS’ PERSPECTIVE\n“Il design che sviluppo è strettamente legato \nall’architettura d’interni e l’architettura d’interni che \nsviluppo è legata al dettaglio. La qualità di un progetto \nemerge proprio dai dettagli, dove non si può “barare”: \nnaturale quindi che la maniglia sia un elemento \nfondamentale di ogni progetto.”\n“My vision of design is closely linked to interior \narchitecture and that, in turn, is connected to attention \nto detail. The quality of a product shows in the details, of \ncourse, and it’s impossible to “cheat”: there is no question \nthat handles are fundamental elements of each project.”\n“La maniglia è un oggetto unico e allo stesso tempo \ncomune, profondamente radicato nella nostra \ncultura; può raccontare molto di un ambiente! A \nseconda dello stile e delle sue caratteristiche, può \nconferirgli un’identità ben definita. Che sia ammaccata, \nornamentale, minimal o economica, la maniglia è anche \nun simbolo sociale che demarca uno spazio. E per \ntutti questi fattori, è esaltante decifrare e disegnare un \nprodotto come questo.”\n“The door handle is a singular and common object that is \ndeeply rooted in our cultures; it says a lot about an interior! \nDepending on its style and design, it gives a place a real identity. \nDented, ornamental, minimal or cheap, the door handle is also \na social symbol that signs a space. And for all these reasons, it \nis exciting to decipher this object and to design it.”\n“Nel momento in cui la mano afferra una maniglia, l’intensità e intimità \ndegli stimoli restituiscono una percezione importante sulla qualità di \nesecuzione dell’intero progetto.”\n \n“The moment a person grasps a handle, the intensity and intimacy\nof the stimuli provide an important insight into the quality of\nimplementation of the whole project.“\nMatteo Nunziati\nGiuliano Galeazzi\nManuela Bucci\nDavide Diliberto\nCreative director\nLorenzo Damiani\nMarelli - Molteni\nGordon Guillaumier\nAnna Deplano\nItamar Harari\nEnrico Marforio\nG. e R. Fauciglietti\nDaniele Moro\nPatrick Norguet\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.15.png","27\n26\n“Sono convinto che nella nostra professione non si \npossa prescindere da una precisa responsabilità: \nogni progetto risponde a esigenze contemporanee, \nma deve avere, come prospettiva, il futuro. Quindi \nriciclabilità, risparmio energetico, sostenibilità, utilizzo \ndi materiali a basso impatto ambientale, sono tutti \ncriteri che considero fondamentali nel mio lavoro.”\n“I am convinced that in our profession we cannot \ndisregard a precise responsibility: each project responds \nto contemporary needs, but must have the future as its \nperspective. So recyclability, energy saving, sustainability, \nand the use of materials with a low environmental impact \nare all criteria that I consider to be fundamental in my work.”\nGiuseppe Bavuso\nEugeni Quitllet\n“Il semplice gesto quotidiano di aprire una porta è \nallo stesso tempo ordinario e sorprendente, ripetuto \nmigliaia di volte nella nostra vita, può comunque \nevocare una serie di emozioni. Afferrare una maniglia \npotrebbe portarti indietro nel tempo, un viaggio \nattraverso la memoria, o avanti, anticipando ciò che si \ntroverà oltre la soglia.”\n“The simple everyday act of opening a door is both mundane \nand sublime, repeated thousands of times in our lifetime, \nit nevertheless can evoke an array of emotions. The feeling \nof grasping a handle could take you backwards in time, \na journey through memory, or it can take you forwards, \nanticipating what is to be found.”\n“Usare una maniglia è un’esperienza che parte dagli \nocchi e prosegue nel movimento. È una continuità \ndi azioni che devono connettersi armonicamente! E \nquando la maniglia non viene utilizzata deve integrarsi \nin modo elegante e decorativo, trasmettendo un senso \ndi affidabilità.”\n“The action of using a handle is an experience that start \nin the eye and continues in the movement. It’s a continuity \nof actions that must connect together in harmony!  And \nwhen the handle is not in use it must stay in an elegant and \ndecorative serenity  and give the sense of trust.”\nA destra, uno sketch di Lyndon Neri per la \ncollezione Zai, design Neri&Hu, 2022.\nRight, a sketch from Lyndon Neri for the Zai \ncollection, design Neri&Hu, 2022.\nLyndon Neri & Rossana Hu\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.16.png","29\nCEDRO \n36\nCEDRO SQ \n37\nEDGE \n39\nEDGE SQ \n41\nLIFT \n45\nLIFT C3 \n46\nROBOT \n49\nSAND \n54\nSAND SQ \n55\nSMART \n56\nTECA QUADRO \n62\nTECA RIGA \n61\nTRACE \n67\nTUBE \n70\nUNIT \n73\nUNIT C3 \n75\nUNIT SQ \n74\nVELVET \n77\nVELVET C3 \n79\nVELVET SQ \n78\nZAI \n81\n28\nINDICE \u002F INDEX\nManiglie\nDoor Handles\nManiglie\nDoor Handles\nManiglie\nDoor Handles\nARCHITETTURALI\nARCHITECTURAL\nESTETICHE\nAESTHETIC\nSPECIALI\nSPECIAL\n32\n82\n136\nANATOMICA \n85\nANATOMICA SQ \n86\nCONTACT \n89\nDAFNE \n90\nELAN \n93\nFLAP \n94\nFLOW \n97\nFLOW C3 \n98\nILEX \n100\nINFINITO \n101\nLIFE \n103\nLIFE C3 \n104\nLINK \n106\nMABELLE \n110\nMABELLE SQ \n111\nPILOT \n113\nPILOT C3 \n114\nPLISSÉ \n116\nREFLEX \n119\nREFLEX C3 \n120\nSPOON \n123\nSPOON C3 \n124\nTULIPANO \n126\nWAVE \n127\nWING \n129\nWING C3 \n130\nWOOD \n133\nWOOD C3 \n135\nWOOD SQ \n134\nCONTOUR \n139\nCONTOUR plus \n140\nDROP \n143\nGHOST \n145\nSHINY \n147\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.17.png","31\n30\nINDICE \u002F INDEX\nPomoli\nDoor knob\nCodici\nCodes\nIncasso\nFlush handles\nAlzanti scorrevoli\nPull-up handles\nAccessori\nAccessories\nManiglioni\nDoor pull\nANATOMICA \n162\nANATOMICA SQ \n163\nCEDRO \n150\nCONTACT \n160\nDROP \n166\nGHOST \n167\nLINK \n164\nSHINY \n165\nSMART \n158\nSPOON \n159\nTRACE \n154\nTUBE \n151\nUNIT \n152\nUNIT SQ \n153\nZAI \n157\nDROP \n178\nFLAG \n171\nGHOST \n176\nSHINY \n177\nSPOT \n170\nUNIT \n172\nUNIT C3 \n174\nUNIT SQ \n173\nPATCH \n186\nTWIN \n182\nVIOLA \n189\nADE \n197\nARES \n198\nCITY \n192\nCONTOUR \n195\nEROS \n197\nKINGSTONE \n196\nKINGSTONE C3 \n193\nPAN \n191, 196\nPAN SQ \n191\nPARK \n192\nSPOON \n194\nSURF \n190, 196\nUNIT chiave \n199\nUNIT fermaporte \n200\nUNIT \n201\n1104 \n198\n1108 \n199\n4488 \n189\n4610 \n200\n4620R6 \n170\n4621R6 \n171\n4820R6 \n145\n4821 \n145\n4823BIS \n145\n4824R6 \n167\n4825R6 \n176\n4830R6 \n56\n4831 \n56\n4833BIS \n56\n4834R6 \n158\n4870R6 \n85\n4871 \n85\n4873BIS \n85\n4874R6 \n162\n4910 \n197\n4911 \n197\n5200 \n196\n5200C3 \n193\n5207 \n194\n5208R6 \n194\n5209 \n195\n5210 \n195\n5212R6 \n192\n5214R6 \n192\n5215 \n196\n5216R6 \n190\n5217 \n196\n5218R6 \n191\n5220R6 \n191\n5300S \n183\n5300SCF \n183\n5300SWC \n183\n5300SWCN \n183\n5300SY \n183\n5301S \n187\n5301SCF \n187\n5301SWC \n187\n5301SWCN \n187\n5301SY \n187\n6005R6 \n100\n6006 \n100\n6008 \n100\n6015R6 \n126\n6016 \n126\n6018 \n126\n6020R6 \n90\n6021 \n90\n6023 \n90\n6060R6 \n36\n6061 \n36\n6063 \n36\n6064 \n150\n6075R6 \n37\n6076 \n37\n6078 \n37\n6085R6 \n147\n6086 \n147\n6088 \n147\n6089R6 \n165\n6090R6 \n101\n6091 \n101\n6093 \n101\n6100R6 \n116\n6101 \n116\n6103 \n116\n6105R6 \n86\n6106 \n86\n6108 \n86\n6109R6 \n163\n6110R6 \n94\n6111 \n94\n6113 \n94\n6115R6 \n106\n6116 \n106\n6118 \n106\n6119AR6 \n164\n6130R6 \n127\n6131 \n127\n6133 \n127\n6135R6 \n70\n6136 \n70\n6138 \n70\n6139R6 \n151\n6140R6 \n39\n6141 \n39\n6143 \n39\n6145R6 \n54\n6146 \n54\n6148 \n54\n6150R6 \n110\n6151 \n110\n6153 \n110\n6155C3 \n120\n6155R6 \n119\n6156 \n119\n6158 \n119\n6160C3 \n104\n6160R6 \n103\n6161 \n103\n6163 \n103\n6165C3 \n135\n6165R6 \n133\n6166 \n133\n6168 \n133\n6170R6 \n41\n6171 \n41\n6173 \n41\n6175R6 \n55\n6176 \n55\n6178 \n55\n6180R6 \n111\n6181 \n111\n6183 \n111\n6185C3 \n46\n6185R6 \n45\n6186 \n45\n6188 \n45\n6190C3 \n130\n6190R6 \n129\n6191 \n129\n6193 \n129\n6195C3 \n98\n6195R6 \n97\n6196 \n97\n6198 \n97\n6200C3 \n75\n6200R6 \n73\n6201 \n73\n6203 \n73\n6204R6 \n152\n6205C3 \n174\n6205R6 \n172\n6207 \n201\n6208R6 \n177\n6209R6 \n153\n6210C3 \n79\n6210R6 \n77\n6211 \n77\n6213 \n77\n6215C3 \n114\n6215R6 \n113\n6216 \n113\n6218 \n113\n6220R6 \n143\n6221 \n143\n6222 \n143\n6223 \n178\n6224R6 \n166\n6225C3 \n124\n6225R6 \n123\n6226 \n123\n6227 \n123\n6229 \n159\n6230R6 \n67\n6231 \n67\n6232 \n67\n6233A \n154\n6233B \n154\n6234 \n155\n6235R6 \n134\n6236 \n134\n6238 \n134\n6240R6 \n74\n6241 \n74\n6243 \n74\n6244R6 \n173\n6245R6 \n78\n6246 \n78\n6248 \n78\n6250R6 \n49\n6251 \n49\n6252 \n49\n6255 \n139\n6256 \n139\n6260 \n140\n6261 \n140\n6265R6 \n93\n6266 \n93\n6268 \n93\n6270R6 \n61\n6271 \n61\n6273 \n61\n6275R6 \n62\n6276 \n62\n6278 \n62\n6280R6 \n89\n6281 \n89\n6283 \n89\n6284A \n160\n6284B \n160\n6285R6 \n81\n6286 \n81\n6288 \n81\n6289 \n157\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.18.png","MANIGLIE \u002F DOOR HANDLES\nARCHITETTURALI \u002F ARCHITECTURAL\nProdotti che si integrano visivamente con l’architettura,\no ne interpretino elementi e forme.\nProducts that visually integrate with the architecture, or \ninterpret its elements and shapes.\nROBOT\nDavide Diliberto\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.19.png","CEDRO SQ\nGiuliano Galeazzi\nThe essence of architectural design, a three-dimensional shape \nthat becomes a surface without thickness.\nCedro is an example of pioneering design and archetypal \nmodernity, in which pure geometries enhance the material and \nvisually integrate with the project.\nL’essenza del design architettonico, una forma \ntridimensionale che diventa superficie senza spessore. \nCedro è un esempio di maniglia di design pioneristico e \narchetipo di modernità, in cui le geometrie pure esaltano il \nmateriale e si integrano visivamente con il progetto.\nCEDRO\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.20.png","37\n36\n6060R6\n6075R6\n6061\n6076\n6063\n6078\n150\n33\n75\n150\n36\n68\n250\n45\n153\n250\n45\n153\n50\n50\n50\n155\n6\n56\n6\n56\n50\n50\n50\n155\nGiuliano Galeazzi\nGiuliano Galeazzi\nCEDRO\nCEDRO SQ\nH-CS\nH-CS\nCR\nCR\nCRS\nCRS\nH-OS\nH-OS\nS-NO\nS-NO\nNS\nNS\nH-BS\nH-BS\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.21.png","39\nCR\nCRS\n6141\n250\n45\n137\n6143\n33\n126\n75\n6140R6\nS-NO\nH-CS\nEDGE\nThe rigorous shape is developed around the front edge, a thin \nline of light. \nIt is a product that perfectly fits with formal and industrial \nenvirnments.\nLa forma estremamente rigorosa nasce intorno al bordo \nfrontale, una linea sottile di luce. \nUn prodotto ideale per contesti formali o industrial.\n50\n50\n50\n140\n6\n60\nDavide Diliberto e Manuela Bucci\nEDGE\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.22.png","41\nMagazzino automatizzato\nAutomated warehouse\nDavide Diliberto e Manuela Bucci\nEDGE SQ\nCR\nCRS\n6171\n250\n45\n137\n6173\n36\n126\n68\n6170R6\nS-NO\nH-CS\n6\n50\n50\n50\n140\n60\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.23.png","EDGE SQ\nDiliberto - Bucci\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.24.png","45\nCR\nCRS\nH-CS\n6186\n6188\n45\n250\n139\n33\n75\n133\n6185R6\nDavide Diliberto\nLIFT\n50\n50\n50\n142\n61\n6\nLift escapes the technical constraints. It rises diagonally while \nrapidly thins, drawing a quick sign on the door.\nIn the C3 version the rose disappears in the base of the handle, \na surprising technical and aesthetic result.\nIdeally suited for architectural and minimal taste environments.\nLift sfugge ai vincoli tecnici. Sale in diagonale mentre si assottiglia \nrapidamente, disegnando un segno rapido sulla porta.\nNella versione C3 la rosetta scompare nella base della maniglia,\nun risultato estetico e tecnico sorprendente. Particolarmente \nadatta ad ambienti di gusto architettonico e minimal.\nLIFT\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.25.png","CR\nCRS\n46\nH-CS\n6185C3\nDavide Diliberto\nLIFT C3\n134\n58\n33\n27\n27\n50\n6186\n6188\n45\n250\n139\n33\n75\n133\nLIFT C3\nDavide Diliberto\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.26.png","49\nH-CS\nCRS\nCR\n49\nThe Robot is inspired by the concept of transformation. \nIt reminds a micro architecture and it is a combination of regular \nshapes configured to extend and rotate in a manner that ensures \nthat user’s palm and thumb will find the right grip area.\nLa linea Robot è interamente ispirata al concetto di \ntrasformazione. Come un esempio di micro architettura, è \nil risultato di forme regolari da cui idealmente si estendono \ne ruotano dei piani per offrire superfici d’appoggio là dove \nservono, per il palmo e per il pollice.\nROBOT\n6250R6\n6\n56\n50\n50\n50\n141\n6252\n6251\n75\n133\n33\n250\n45\n139\nDavide Diliberto\nROBOT\nH-OS\nS-NO\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.27.png","50\nROBOT\nDavide Diliberto\nFinitura \u002F Finish: S-NO\nInquadra il QR Code per \nvedere come Robot interpreta \nil concetto di trasformazione.\nScan the QR code to see how \nRobot interprets the concept of \ntransformation.\nDavide Diliberto\nROBOT\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.28.png","SAND\nL’ equilibrio del rigore geometrico e le forme vive della natura.\nThe balance of the geometric strictness and the living nature’s shapes.\nSAND\nDiliberto - Bucci\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.29.png","55\n54\n6175R6\n50\n50\n50\n143\n6\n47\nFLA\nDavide Diliberto e Manuela Bucci\nSAND SQ\n6176\n6178\n127\n36\n68\n250\n45\n140\nCR\nCRS\nFLA\nCR\nCRS\nFLA\nDavide Diliberto e Manuela Bucci\nSAND\n6145R6\n50\n50\n50\n143\n6\n47\n6146\n6148\n127\n33\n75\n250\n45\n140\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.30.png","56\nSMART\nNS\n4830R6\n4831\n4833BIS\n75\n129\n33\n250\n45\n130\nCR\nCRS\nNS\nH-OS\nSmerigliatura manuale\nHand grinding\n50\n50\n50\n133\n6\n64\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.31.png","TECA riga \u002F TECA quadro\nMatteo Nunziati\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.32.png","CR\nCRS\nModern style and tradition: rigorous architectural shapes \nfeature a precious finishing on the\nfront face up to the neck for a unique aesthetic result. Essential \ntextures are designed to discreetly decorate with lines or \nsquares and to be suitable for a wide range of projects.\n“Teca is inspired by the great history of Italian goldsmithing.”\nModernità e tradizione: le forme rigorose sono finemente \ndecorate non solo sulla faccia frontale, ma anche sul collo \nper un risultato estetico unico. Le texture essenziali, a righe \no a quadri, sono pensate per decorare in modo discreto un \nampio spettro di progetti.\n“Teca è ispirata alla grande storia della lavorazione orafa italiana.”\n(Matteo Nunziati)\nTECA \n61\nMatteo Nunziati\nTECA riga\n6270R6\n6\n52\n50\n50\n50\n164\n6271\n6273\n150\n36\n68\n250\n45\n161\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.33.png","62\nTECA quadro\nMatteo Nunziati\nCR\nCRS\nMatteo Nunziati\nTECA quadro\n6276\n6278\n150\n36\n68\n250\n45\n161\n6275R6\n6\n52\n50\n50\n50\n164\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.34.png","Modelli di studio e prototipi della linea Trace di Lorenzo Damiani.\nAllestimento “Innesti” per la rassegna DimoreDesign, Bergamo, 2018.\nStudy models and prototypes of the Trace line by Lorenzo Damiani.\n“Innesti” installation for DimoreDesign event, Bergamo (Italy), 2018.\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.35.png","CR\nCRS\nThe shape of a semi-finished product, to underline the handle’s \nnature, halfway between a functional element and a furnishing \naccessory. A deformation at the thumb level helps the grip, a \ntrace of an industrial process and a symbolic point of contact \nbetween human nature and technology or it is simply the \nimprint of creativity on mass production.\nLa forma di un semilavorato dell’industria del mobile, a \nsottolineare la natura della maniglia, a metà strada fra \nelemento funzionale e complemento d’arredo. \nLa deformazione in corrispondenza del pollice invita alla presa, \nuna traccia del processo industriale, un punto di contatto \nsimbolico fra natura umana e tecnologia, o semplicemente \nl’impronta della creatività sulla produzione in serie.\nTRACE\n67\n6230R6\n50\n50\n50\n145\n6\n64\n6231\n6232\n75\n145\n33\n250\n45\n145\nTRACE\nLorenzo Damiani\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.36.png","TRACE\nLorenzo Damiani\nFinitura \u002F Finish: CR\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.37.png","71\n70\nCR\nCR\u002FW\nCR\u002FZ\n6135R6\n6135R6\nCRS\n6136\n6136\n6138\n6138\n250\n45\n152\n250\n45\n152\n75\n141\n33\n75\n141\n33\nCR\u002FCRS\nCRS\u002FCR\nCRS\u002FW\nCRS\u002FZ\n50\n50\n50\n156\n6\n61\n50\n50\n50\n156\n6\n61\nMarelli - Molteni\nMarelli - Molteni\nTUBE\nTUBE\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.38.png","73\nCR\nCRS\nS-NO\nH-CS\n6200R6\n50\n50\n50\n133\n6\n59\nDavide Diliberto\nUNIT\n6201\n6203\n75\n119\n33\n250\n45\n130\nUNIT\nIt is a passepartout line, the first one to be conceived as an \nextended system within the modern range, a complement for \nthe whole environment. Unit is a complete series of handles and \naccessories designed around a special cross section, squared and \nsoftened at the same time to be suitable for any kind of styles.\nE’ una linea passepartout, la prima della gamma moderna \nad essere concepita come sistema esteso.\nIl concetto di complemento per tutto l’ambiente si traduce \nin una serie di accessori disegnati su una speciale sezione \nquadrata ammorbidita per adattarsi ad ogni stile.\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.39.png","75\n74\nCR\nCRS\nS-NO\nH-CS\n6200C3\nDavide Diliberto\nUNIT C3\n6201\n6203\n75\n119\n33\n250\n45\n130\nCR\nCRS\nS-NO\nH-CS\nDavide Diliberto\nUNIT SQ\n6240R6\n50\n50\n50\n133\n6\n59\n6241\n6243\n68\n119\n36\n250\n45\n130\n56\n124\n50\n27\n27\n33\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.40.png","77\nCR\nCRS\nGraziella e Renzo Fauciglietti\nVELVET\n6210R6\n50\n50\n50\n139\n6\n54\n6211\n6213\n75\n124\n33\n250\n45\n136\nH-OS\nH-BS\nThis door handle mixes a sober and regular external look, with \nan rounded cross section, intended for the maximum comfort.\nThanks to its duality, it’s a product extremely discreet and \nsuitable for a wide range of environments.\nE’ l’abbinamento di una linea esterna sobria e regolare come \nun nastro, ad una sezione interna organica, sviluppata per \nil massimo piacere della presa. Un prodotto estremamente \ndiscreto e adatto ad un vasto range di ambienti.\nVELVET\nS-NO\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.41.png","79\n78\nCR\nCRS\nGraziella e Renzo Fauciglietti\nVELVET SQ\n6245R6\n6246\n6248\n68\n124\n36\n250\n45\n136\n50\n50\n50\n139\n6\n54\nCR\nCRS\nGraziella e Renzo Fauciglietti\nVELVET C3\n6210C3\n6211\n6213\n75\n124\n33\n250\n45\n136\n51\n50\n33\n27\n27\n130\nH-OS\nH-OS\nH-BS\nH-BS\nS-NO\nS-NO\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.42.png","81\n“The design frees the handle from the contemporary position as \ndoor decoration. It plays the notion of a simple door opening \nhardware by magnifying the form that conforms to physical \nrotation, and eventually makes the material itself shine. \nBy concretizing the archetype of the handle in people’s common \nmemory and conforming to the modern process and lines, the \nZai (“again” in chinese) collection serves as a conceptual linkage \nbetween the past and the present, memory and reality.”\n“Questo progetto solleva la maniglia dal ruolo contemporaneo \ndi elemento decorativo per la porta. Torna a svolgere la \nsemplice funzione di ferramenta, con una forma modellata \nsull’esigenza di ruotarla e che, inoltre, enfatizza la lucentezza \ndel metallo. Materializzando l’archetipo della maniglia nella \nmemoria collettiva e attualizzandola secondo i moderni \nprocessi produttivi e tipologie, la collezione Zai (“ancora” in \ncinese) fa da ponte fra passato e presente, ricordo e realtà.”\n(Lyndon Neri & Rossana Hu)\nZAI\nH-CS\nCR\nCRS\nH-OS\nS-NO\nH-BS\n6285R6\n6286\n6288\n33\n75\n136\n250\n45\n148\n50\n50\n50\n150\n6\n56\nNeri&Hu\nZAI\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.43.png","ESTETICHE \u002F AESTHETIC\nMANIGLIE \u002F DOOR HANDLES\nELAN\nPatrick Norguet\nProdotti dotati di caratteristiche estetiche peculiari,\ncome ad esempio quelli con un design di tipo organico.\nProducts with unique aesthetic characteristics, such as those \nwith an organic design.\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.44.png","85\nCR\nCRS\nCR\nCRS\nNS\nANATOMICA\nIt is a sculptural object, that features a pleasing grip and \nunconventional proportions.\nUn oggetto scultoreo, che sorprende per il piacere della \npresa e le proporzioni anticonvenzionali.\nANATOMICA\n4870R6\n50\n50\n50\n142\n6\n71\n4871\n4873BIS\n129\n33\n75\n250\n45\n139\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.45.png","86\nCR\nCRS\nNS\nANATOMICA SQ\n6105R6\n6106\n6108\n129\n36\n68\n250\n45\n139\n50\n50\n50\n142\n6\n71\nANATOMICA\nFinitura \u002F Finish: NS\nHotel Vista Palazzo, Lago di Como.\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.46.png","89\nH-CS\nCR\nCRS\n6281\n6283\n6280R6\nS-NO\nSintesi tra forme morbide e rigorose, Contact è\nl’interpretazione Ento dello stile informale.\nLa presa sottile e il caratteristico profilo a T appena\naccennato, donano comfort e leggerezza visiva.\n“La cosa più difficile è restare moderni in qualsiasi epoca e \nin ogni luogo.”\nAs a synthesis between rounded and rigorous shapes,\nContact is the Ento vision of informal style.\nThe thin grip and the distinctive, yet just hinted “T”\nprofile give comfort and visual lightness.\n“The most difficult thing is to stay modern in every time and in \nevery place.”\nCONTACT\nEugeni Quitllet\nCONTACT\n138\n33\n75\n250\n45\n138\n50\n50\n50\n138\n6\n62\n(Eugeni Quitllet)\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.47.png","CR\nCRS\n90\n6023\n6021\nOL\nNS\n6020R6\nDAFNE\n75\n127\n33\n250\n45\n139\n68\n50\n50\n50\n142\n6\nSmerigliatura automatizzata\nAutomated grinding\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.48.png","93\nCR\nCRS\nH-CS\nELAN\nElan redefines the formal canon for handles.\nThe neck is squared off, cut to the smallest dimensions \npossible for installation, visually blended with the thin and \nergonomic lever. Perception changes depending on the angle of \nobservation: from the top, it looks like a faint single wing, and \nfrom the other sides, the reduced thickness is remarkable: both \nthe neck and the lever are only 13 mm wide.\nElan conveys lightness and modernity with a neutral mix of \ntechnical and organic shapes.\nElan ridefinisce i canoni formali della maniglia.\nIl collo è tagliato di netto, ridotto alle dimensioni minime \ndi fissaggio per fondersi visivamente in una presa sottile \ned ergonomica. La percezione cambia a seconda del punto \nd’osservazione: se dall’alto appare come un’unica ala \nsfuggente, dalle altre viste si apprezza lo spessore ridotto, di \nappena 13mm, sia della presa che del collo.\nElan trasmette leggerezza e modernità con un mix neutro di \nforme tecniche e organiche.\nPatrick Norguet\nELAN\n6265R6\n6\n68\n50\n50\n50\n153\n6268\n6266\n75\n144\n33\n250\n45\n151\nH-OS\nS-NO\nH-BS\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.49.png","94\nCR\nCRS\n6113\n6111\n6110R6\nS-NO\nOL\nEnrico Marforio e Daniele Moro\nFLAP\n75\n131\n33\n250\n45\n139\n59\n50\n50\n50\n142\n6\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.50.png","97\nCR\nCRS\n6196\n6198\n6195R6\nAn iconic and suggestive object which is part of a trend where it \nis allowed to play with styles and cultures.\nFLOW is an example of cheerful design, it transmits its visual \nvibrations to the hand and to the environment that it endows \nwith its living shape and its metal reflections.\nSuitable to informal and pop settings, or to distinguish neutral \nenvironments.\nUn oggetto iconico, allusivo, che si inserisce in un trend in \ncui è concesso giocare con gli stili e le culture.\nFLOW è un esempio di design spensierato, che trasmette \nle sue vibrazioni visive alla mano e all’ambiente che arreda \ncon la forma viva e i riflessi del metallo.\nAdatta a contesti informali, pop, o per caratterizzare \nambienti neutri.\nFLOW\nFLOW\nItamar Harari\n75\n133\n33\n45\n250\n145\n148\n56\n50\n50\n50\n6\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.51.png","98\nCR\nCRS\n6196\n6198\n6195C3\nFLOW C3\nItamar Harari\n75\n133\n33\n45\n250\n145\n140\n53\n33\n27\n27\n50\nPlatform Milano Design City 2020\nEnto partner ufficiale \u002F official partner\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.52.png","100\nCR\nCRS\n6091\n6093\n6090R6\nNS\nGiuliano Galeazzi\nINFINITO\nCR\u002FSB\nCR\u002FS-NO\n75\n141\n33\n250\n45\n147\n61\n50\n50\n50\n150\n6\n101\nCR\nCRS\n6008\n6006\n6005R6\nOL\nNS\nILEX\n75\n140\n33\n250\n45\n145\n64\n50\n50\n50\n148\n6\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.53.png","103\nCR\nCRS\n6161\n6163\n6160R6\nThe essence of ergonomic design, where the liquid metal comes \nto life supporting the hand shapes. Enhance with definite and \ncontrasted “chiaroscuro”, in a never-ending motion.\nL’essenza del design ergonomico, dove il metallo liquido \nprende vita, assecondando le forme della mano. Decora con \ni chiaroscuri decisi e contrapposti, in continuo movimento.\nLIFE\nDavide Diliberto e Manuela Bucci\nLIFE\n131\n33\n75\n250\n45\n136\n58\n50\n50\n50\n138\n6\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.54.png","104\nCR\nCRS\n6161\n6163\n6160C3\nDavide Diliberto e Manuela Bucci\nLIFE C3\n131\n33\n75\n250\n45\n136\n56\n50\n33\n27\n27\n131\nMarcatura laser\nLaser marking\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.55.png","107\n106\nCR\nCRS\n6116\n6118\nLINK\nAnna Deplano\nNS\n6115R6\n36\n140\n68\n250\n45\n149\n50\n50\n50\n152\n6\n55\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.56.png","The romantic side of elegance.\nThe capitonné echo and the regular outline create a decorative \nand timeless object.\nIl lato romantico dell’eleganza.\nLa citazione del capitonné e il profilo regolare creano un \noggetto decorativo senza tempo.\nMABELLE\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.57.png","110\nCR\nCRS\n6180R6\n6181\n6183\nFLA\nDavide Diliberto e Manuela Bucci\nMABELLE SQ\n134\n36\n68\n250\n45\n134\n6\n48\n50\n50\n50\n137\nCR\nCRS\n6150R6\n6151\n6153\nFLA\nDavide Diliberto e Manuela Bucci\nMABELLE\n134\n33\n75\n250\n45\n134\n50\n50\n50\n137\n6\n48\n111\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.58.png","113\n6216\n6218\n6215R6\nCR\nCRS\nThis is a product with taut lines, that features strong light \ncontrast. \nThe compact shape, together with the technical look and the \nvery thin front edge make it suitable for modern environments \nand for the contract.\nUn modello dalle linee decise, caratterizzato da forti \ncontrasti di luce.\nLa forma compatta, l’aspetto tecnico e il bordo anteriore \nsottilissimo la rendono ideale per ambienti moderni e \ncontract.\nPILOT\n125\n33\n75\n250\n45\n135\n6\n50\n50\n50\n138\n56\nGraziella e Renzo Fauciglietti\nPILOT\nS-NO\nH-BS\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.59.png","115\n114\n6216\n6218\n6215C3\n125\n33\n75\n250\n45\n135\nGraziella e Renzo Fauciglietti\nPILOT C3\n53\n50\n33\n27\n27\n129\nCR\nCRS\nS-NO\nH-BS\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.60.png","117\n116\nCR\nCRS\n6101\n6103\n6100R6\nNS\nEnrico Marforio e Daniele Moro\nPLISSÉ\n134\n36\n68\n250\n45\n142\n6\n75\n50\n50\n50\n145\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.61.png","119\nCR\nCRS\n6155R6\n6156\n6158\nAn expression of the latest trends in which a soft appearance \ncoexists with a regular design, enhanced by its thin outline.  \nPerfect for modern locations as well as contract projects. \nEspressione dei trend più attuali in cui coesistono un \naspetto morbido e un design regolare, valorizzati dagli \nspessori sottili. Ideale per ambienti moderni e il contract.\nREFLEX\nDavide Diliberto e Manuela Bucci\nREFLEX\n128\n33\n75\n250\n45\n133\n54\n50\n50\n50\n135\n6\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.62.png","120\nCR\nCRS\n6155C3\n6156\n6158\nDavide Diliberto e Manuela Bucci\nREFLEX C3\n128\n33\n75\n250\n45\n133\n52\n50\n33\n27\n27\n128\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.63.png","123\nIt is inspired by the iconic shape of the cutlery handle, familiar \nobjects, strongly linked to the idea of living. The typical tapered \nand thin shape is duplicated in an uninterrupted, visual game \nwhich becomes three-dimensional. This enables maximum \nfunctionality with a minimum amount of material.\nSi ispira alla forma iconica del manico delle posate, oggetti \nfamiliari, fortemente legati all’idea dell’abitare. La tipica \nforma affusolata e sottile si duplica in un gioco visivo \nsenza interruzione e diventa tridimensionale, ottenendo la \nmassima funzionalità con la minima quantità di materiale.\nSPOON\n6225R6\n6226\n6227\nCR\nCRS\nGordon Guillaumier\nSPOON\n75\n127\n33\n250\n45\n136\n60\n6\n50\n50\n50\n139\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.64.png","124\n6225C3\n6226\n6227\nCR\nCRS\nGordon Guillaumier\nSPOON C3\n75\n127\n33\n250\n45\n136\n57\n50\n33\n27\n27\n130\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.65.png","CR\nCRS\n126\n6130R6\n6131\n6133\nMarelli - Molteni\nWAVE\n75\n126\n33\n250\n45\n137\n53\n50\n50\n50\n140\n6\n127\nCR\nCRS\n6016\n6018\n6015R6\nOL\nNS\nEnrico Marforio\nTULIPANO\n75\n126\n33\n250\n45\n137\n6\n54\n50\n50\n50\n140\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.66.png","129\nCR\nCRS\n6190R6\n6193\n6191\nIts shape evolves the organic trend design. Its section has a \nwing profile, perfect to obtain a thickness of just 10 mm and yet \nextremely comfortable to grip.\nIt characterizes the environment with its natural appearance \nand visual lightness.\nLa sua forma evolve il trend del design organico. La sezione \nè un profilo alare, ideale per ottenere uno spessore di \nappena 10 mm eppure estremamente comodo alla presa.\nCaratterizza gli ambienti con il suo aspetto naturale e la \nleggerezza visiva.\nWING\nDavide Diliberto\nWING\n75\n135\n33\n250\n45\n135\n135\n50\n50\n50\n6\n73\nS-NO\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.67.png","130\nCR\nCRS\n6190C3\n6193\n6191\nDavide Diliberto\nWING C3\n75\n135\n33\n250\n45\n135\n33\n27\n27\n135\n70\n50\nWING C3\nDavide Diliberto\nS-NO\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.68.png","133\nCR\nCRS\n6165R6\n6166\n6168\nH-CS\nBorn to solve the need of matching floors, ceilings, oak-beamed \nand furniture where wood is the only protagonist. Modern, \nironic and chameleon adapts to minimalist, industrial and even \ncountry settings.\nNasce per risolvere esigenze di abbinamento con pavimenti, \nsoffitti, travi a vista e mobilio in cui il legno è protagonista. \nModerna, ironica e camaleontica, si adatta ad ambienti \nminimalisti, industrial e persino country.\nWOOD\nDavide Diliberto e Manuela Bucci\nWOOD\n123\n33\n75\n250\n45\n131\n50\n50\n50\n133\n6\n54\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.69.png","135\n134\nCR\nCR\nCRS\nCRS\n6165C3\n6235R6\n6166\n6236\n6168\n6238\nH-CS\nH-CS\nDavide Diliberto e Manuela Bucci\nDavide Diliberto e Manuela Bucci\nWOOD C3\nWOOD SQ\n123\n33\n75\n250\n45\n131\n123\n33\n68\n250\n45\n131\n50\n50\n50\n133\n6\n54\n51\n50\n33\n27\n27\n126\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.70.png","SPECIALI \u002F SPECIAL\nMANIGLIE \u002F DOOR HANDLES\nSHINY\nGiuliano Galeazzi\nProdotti multimaterici o con soluzioni particolari.\nMulti-material products or special solutions.\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.71.png","139\nGiuseppe Bavuso has designed the Contour, a beautifully \nproportioned door handle constructed around a compact \nspring and rose mechanism, with a diameter of 43 mm. \nNot only does the Contour come complete with a bespoke \nfaceplate and door latch, it also comes in a double version \nbased on a single unit with a core insert available in several \nmaterials and finishes so it can be easily customized.\nGiuseppe Bavuso disegna Contour, un prodotto denso di \nricerca tecnica racchiuso in uno stile pulito, essenziale e \nsenza tempo, modellato e proporzionato attorno ad un \nsistema di molla e rosetta compatte, di 43 mm di diametro.\nOltre a bocchette e nottolino specifici, è disponibile in doppia \nversione: in pezzo unico o con inserto in diversi materiali e \nfiniture, facilmente personalizzabile per progetti custom.\nCONTOUR\nCR\nCRS\nH-CS\nGiuseppe Bavuso\nCONTOUR\n6255\n43\n43\n142\n51\n6256\n45\n144\n250\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.72.png","141\n140\nCONTOUR plus\nGiuseppe Bavuso\n6260\n43\n43\n142\n51\n5210\n25\n26\n43\n43\n6261\n45\n144\n250\nO materiali \u002F finiture su progetto\nOr custom materials \u002F finishes\nInserto standard incluso\nStandard insert included \nCUSTOM\n+\nCR\nCRS\nPMMA\nH-CS\nContour Plus is offered with an insert in PMMA as a \nstandard element, already included and applied onto the \nhandle, in all finishes.\nOn request, it can be supplied separately to be painted*, but \nthe particular aspect of Giuseppe Bavuso’s design is that it is \neasy to involve any supplier in the project. For example, the \ndoor manufacturer can create the insert in different materials \nand finishes with standard tooling.\nContour Plus offers the highest freedom of customization and \nthe perfect match to any adjacent material, or a product that \nconforms to project requirements.\nContour plus viene proposta di default con inserto in \nmetacrilato opalino (PMMA), incluso e già applicato sulla \nmaniglia, in tutte le finiture. Su richiesta può essere \nfornito separatamente per poter essere verniciato*, ma la \nparticolarità del progetto di Giuseppe Bavuso è la facilità \ncon cui qualunque fornitore coinvolto nel progetto, ad \nesempio il produttore delle porte, possa realizzarlo in \nmateriali e finiture diversi con utensileria standard.\nContour plus offre la massima libertà di personalizzazione e \nl’abbinamento perfetto a qualunque materiale adiacente, o \nrichiesto dal progetto.\nEsempi di combinazioni\nExamples of combinations\n*Servizio su richiesta\n  Service on request\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.73.png","143\nCR\nCRS\nNS\nThe trasparency and shape of a water drop.\nThe innovative spirit of 70es iconic products made by plastic \nmeterial is remade with a complet accessories range that combine \nbrass and nontoxic methacrylate, light and 100% recyclabe.\nLa trasparenza e la forma organica di una goccia d’acqua.\nLo spirito innovativo di prodotti iconici degli anni settanta \nrealizzati in materiale plastico è reinterpretato con una gamma \ncompleta di accessori coordinati che abbinano ottone e \nmetacrilato atossico, leggerissimo e riciclabile al 100%.\nDROP\n6222\n75\n138\n33\nDROP\n6220R6\n6221\n250\n45\n138\n61\n50\n50\n50\n138\n6\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.74.png","145\nCR\nCRS\n4820R6\nOL\nGHOST\nGHOST\nThe soft interpretation of Industrial style.\nThe contrast between mechanical aspect of brass element and \nthe certificated extra clear glass lightness. A strong and discreet \nelement on the door.\nInterpretazione gentile di uno stile industriale.\nIl contrasto fra l’aspetto meccanico degli elementi in ottone \ne la leggerezza del vetro extrachiaro certificato, restituisce \nuna presenza forte e discreta sulla porta.\n50\n50\n50\n144\n6\n66\n4821\n4823BIS\n75\n137\n33\n250\n45\n141\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.75.png","147\nCR\nCRS\n6086\n6088\nNS\nSHINY\nGiuliano Galeazzi\nIn the Shiny line we find all the visual purity of the crystal, \nthe essential shapes and the apparent simplicity of joining \nthe elements, the result of historical know-how, tested \nand certified.\nA complete series of precious and elegant accessories.\nNella linea Shiny si ritrova tutta la purezza visiva del \ncristallo, delle forme essenziali e dell’apparente semplicità \ndi giunzione degli elementi, frutto di storico know-how, \ntestato e certificato.\nUna serie completa di accessori preziosi ed eleganti.\nSHINY\n6085R6\n50\n50\n50\n147\n6\n59\n135\n36\n68\n250\n45\n144\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.76.png","MANIGLIONI \u002F PULL HANDLES\nCEDRO\nGiuliano Galeazzi\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.77.png","Giuliano Galeazzi\nCEDRO\n6064\n28\n32\n231\n200\n21\nNS\nCR\nCRS\nH-CS\nS-NO\n150\nMarelli - Molteni\nTUBE\nCR\u002FZ\nCRS\u002FZ\nCRS\u002FCR\nCR\nCR\u002FCRS\nCRS\n6139R6\n50\n56\n350\n300\nØ 50\n6\n151\nH-OS\nH-BS\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.78.png","153\n152\nDavide Diliberto\nUNIT\n6204R6\n50\n60\n350\n300\nØ 50\n6\nCR\nCR\nCRS\nCRS\nH-CS\nH-CS\nS-NO\nS-NO\nUNIT SQ\nDavide Diliberto\n6209R6\n50\n60\n350\n300\nØ 50\n6\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.79.png","155\n154\n19\n58\n320\n200\n30\nCR\nCR\nCRS\nCRS\n6234\n6233A\n6233B\n19\n58\n420\n300\n30\n20\n68\n500\n40\n620\n19\n58\n420\n300\n30\n19\n58\n320\n200\n30\n20\n68\n500\n40\n620\n154\nLorenzo Damiani\nLorenzo Damiani\nTRACE\nTRACE\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.80.png","157\nNeri&Hu\nZAI\n6289\n21\n90\n300\n321\n21\nH-CS\nCR\nCRS\nH-OS\nS-NO\nH-BS\nZAI\nFinitura \u002F finish: S-NO\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.81.png","159\nCR\nCRS\nNS\nSMART\n4834R6\n50\n66\n250\n200\nØ 50\n6\nGordon Guillaumier\nSPOON\nCR\nCRS\n6229\n26\n53\n436\n200\n22\n158\nH-OS\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.82.png","6284B\n6284A\nCONTACT\nEugeni Quitllet\n500\n25\n65\n578\nØ 24\n900\n25\n65\n978\nØ 24\nCR\nCRS\nH-CS\nS-NO\nCONTACT\nEugeni Quitllet\n160\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.83.png","163\n162\nANATOMICA\n6109R6\n4874R6\n50\n76\n6\n250\n200\nØ 50\n50\n6\n50\n76\n250\n200\nNS\nCR\nCRS\nANATOMICA SQ\nNS\nCR\nCRS\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.84.png","CR\nCRS\n165\n164\nCR\nCRS\nNS\nNS\nAnna Deplano\nLINK\n6119AR6\n50\n56\n350\n300\n50\n6\n6089R6\n50\n59\n250\n200\n50\n6\nGiuliano Galeazzi\nSHINY\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.85.png","167\n166\n4824R6\n6\n50\n66\n250\n200\nØ 50\nDROP\nGHOST\n6224R6\n50\n61\n200\nØ 50\n258\n6\nNS\nCR\nCRS\nOL\nCR\nCRS\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.86.png","POMOLI \u002F DOOR KNOBS\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.87.png","Davide Diliberto\nSPOT\n4620R6\nØ 50\n63\n54\n63\n50\n50\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\nDavide Diliberto\nFLAG\n4621R6\n58\nØ 50\n58\n54\n50\n50\nH-CS\nH-BS\nH-OS\nCR\nCRS\nS-NO\nNS\n170\n171\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.88.png","173\n172\n6205R6\n55\nØ 50\n55\n52\n50\n50\nDavide Diliberto\nUNIT\nH-CS\nCR\nCRS\nS-NO\nH-CS\nCR\nCRS\nS-NO\n6244R6\n55\nØ 50\n55\n56\n50\n50\nDavide Diliberto\nUNIT SQ\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.89.png","174\nDavide Diliberto\nUNIT C3\n6205C3\n55\n50\nØ 33\n55\n49\n27\n27\nH-CS\nCR\nCRS\nS-NO\nUNIT C3\nDavide Diliberto\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.90.png","CR\nCRS\n177\nCR\nCRS\n176\nOL\nNS\nGiuliano Galeazzi\nSHINY\nGHOST\n4825R6\n65\nØ 50\n65\n58\n50\n50\n6208R6\n60\n60\n58\n50\n50\n50\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.91.png","178\nDROP\n6223\n70\nØ 60\n70\n67\n50\n50\nCR\nCRS\nNS\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.92.png","ACCESSORI \u002F ACCESSORIES\nTWIN\nDiliberto - Bucci\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.93.png","183\n182\n5300SWC\nDavide Diliberto e Manuela Bucci\nTWIN\nTWIN\n41\n19\n20\n14\n4\n29\n65\nPiù spazio per le dita grazie al nottolino \ncompletamente ridisegnato.\nMore space for your fingers with a \ncompletely redesigned latch.\n5300S\n5300SCF\n5300SY\n5300SWCN\n41\n19\n20\n14\n4\n29\n65\n41\n19\n20\n14\n4\n29\n65\n41\n19\n20\n29\n14\n4\n65\n41\n19\n20\n14\n4\n29\n65\nCR\nCRS\nFLA\nOL\nNS\nH-CS\nH-OS\nH-BS\nS-NO\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.94.png","PATCH\nDiliberto - Bucci\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.95.png","186\n187\nDavide Diliberto e Manuela Bucci\nPATCH\n5301SWC\n41\n19\n20\n15\n5\n29\n65\nPATCH\n5301S\n5301SCF\n5301SY\n5301SWCN\n41\n19\n20\n15\n5\n29\n65\n41\n19\n20\n15\n5\n29\n65\n41\n19\n20\n29\n15\n5\n65\n41\n19\n20\n15\n5\n29\n65\nPiù spazio per le dita grazie al nottolino \ncompletamente ridisegnato.\nMore space for your fingers with a \ncompletely redesigned latch.\nCR\nCRS\nOL\nNS\nH-CS\nH-OS\nH-BS\nS-NO\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.96.png","4488\nVIOLA\n153\n35\n15\nOL\nCR\nCRS\nNS\nPATCH\nFinitura \u002F finish: CRS\nDiliberto - Bucci\n189\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.97.png","190\nSURF\n5216R6\nDavide Diliberto\n50\n50\n24\n6\n6\n50\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\nPAN\n5220R6\n50\n50\n27\n6\n6\n50\nDavide Diliberto\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\nPAN SQ\n5218R6\n50\n50\n27\n6\n6\n50\n191\nDavide Diliberto\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.98.png","192\n5212R6\n5214R6\nCITY\nPARK\n50\n50\n50\n31\n6\n6\n50\n50\n50\n31\n6\n6\nPARK\nCITY\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\n193\nKINGSTONE C3\n5200C3\nKINGSTONE C3\n33\n33\n28\n3\n3\n33\nCR\nCRS\nS-NO\nNS\nOL\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.99.png","195\n194\n5207\n5208R6\nSPOON\nCONTOUR\nGordon Guillamier\nGiuseppe Bavuso\n22\n22\n36\n50\n5210\n5209\n25\n26\n43\n43\n25\nØ 25\n25\n25\nH-CS\nCR\nCR\nCRS\nCRS\n62\n50\n50\n36\n6\n6\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.100.png","5215\n21\n22\n32\n5217\n24\n26\n26\n5200\n23\n25\n23\nPAN\nSURF\nKINGSTONE\nNOTTOLINI \u002F DOOR LATCH\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\n196\n197\nEROS\nADE\n4910\n4911\n250\n45\n250\n45\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.101.png","199\n198\nARES\n1104\n83\n51\nCR\nCRS\nOL\nNS\n1108\n80\n57\nDavide Diliberto\nUNIT\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.102.png","UNIT\nDavide Diliberto\n6207\n33\n33\n66\n292\n151\n250\nH-CS\nCR\nCRS\nS-NO\nH-CS\nH-BS\nH-OS\nCR\nCRS\nOL\nS-NO\nNS\n4610\n35\n33\n33\nDavide Diliberto\nUNIT\n201\n200\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.103.png","203\n202\nFINITURE \u002F FINISHES\nCromo\nChrome\nChromé\nCromato\nXpoм  \nOttone lucido\nPolished brass\nLaiton poli\nLaton brillo\nБлecтящaя лaтyнь\nH-Carbonio satinato\nH-Satin carbon\nH-Carbone satiné\nH-Carbono satinado\nH-сатинированный карбон\nH-Bronzo satinato\nH-Satin bronze\nH-Bronze satiné\nH-Bronze satinado\nH-сатинированная бронза\nH-Ottone satinato\nH-Satin brass\nH-Laton satiné\nH-Latón satinato\nH-сатинированная латунь\nFlare\nCromo satinato\nSatin chrome\nChromé satin\nCromato satinado\nCaтиниpованньІЙ xpoм\nNichel satinato\nSatin nichel\nNichel satiné\nNichel satinado\nCaтиниpoвaнный никeль\nCR\nNS\nSB\nCRS\nOL\nZ\nW\nH-CS\nH-BS\nH-OS\nFLA\nSmalto nero opaco\nMatt black enamel\nÉmail noir mat\nEsmalte mate negro\nМатовая черная эмаль\nS-NO\nSmalto bianco\nWhite enamel\nÉmail blanc\nEsmalte blanco\nБелая эмаль\nZigrinato\nGrained\nMoulu\nMolido\nШагреневидный\nNoce scuro\nDark walnut\nNoyer foncé\nNogal oscuro\nТемный орех\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002Fb4\u002F81bfd1cfb9c1ff1bce6bd69cf5f9f5-28c3f4773e.104.png","204\n205\n128\n23\n10\nPlexiglas\nØ 25\nØ 48\n19\n10\nFresature maniglia incasso\nMillings of fitted handle\nFraisages poignée encastrée\nFraesen Griff Einnahme\nFresado del tirador empotrado\nВрезка ручек\nINFORMAZIONI TECNICHE \u002F TECHNICAL INFORMATION\nCristallo\nCrystal\nOttone\nBrass\nManiglione con lunghezza custom su richiesta\nPull handle with custom measure on request\nVetro\nGlass\nSul sito ento.it sono disponibili per il download tutte le \nistruzioni di montaggio.\nAll assembly and mounting instructions can be downloaded \nfrom the website ento.it\nFresatura per molla compatta\nCompact spring milling\nFraisage de ressort compact\nCompackt Spring Fraes\nMolienda muelle compact\nпаз по мини пружину\nATTENZIONE: foro da eseguire con macchina automatica\nATTENTION: hole to be executed with automatic machine\nATTENTION: trou à exécuter avec machine automatique\nACHTUNG: Loch mit Bohrautomat ausführen\nADVERTENCIA: agujero que se realizará con la máquina automática\nВНИМАНИЕ: отверстие должно быть выполнено при помощи \nавтоматического инструмента\nFori passanti per sottorosette\nThrough holes for roses metal bosses\nTrous passage pour bossette de rosace\nDurch Löcher für Metallschildschen für Schilder\nAgujeros a través por placa en metal para boqueta\nСквозные отверстия для крепления подрозетников\nØ30,4+0,1\n+0\n+0,1\n+0\nA\nA\nR8\n8\n13\n+- 0,1\n13,8\n+- 0,1\n31,2\nmin. 10\nmin. 40\nsez. A-A\n14,9 +0,1\n+0\nR8\n+0,1\n+0\n38\n8\nØ30,4+0,1\n+0\nmin. 10\nmin. 40\nsez. 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