[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-de-padova-novelties-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":185},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":180,"matched_pages":181,"match_count":182,"two_pages":183,"show_text":184},25068,"Novelties 2023","de-padova-novelties-2023","\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F30\u002Ffb62e7b81ee27ff652fb52a5aa2abd-28fe2ccb03.pdf","De Padova",1753,"de-padova","44.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177],{"image":7,"text":15,"number":16},"EDITION 004\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.2.png","NOVELTIES 2023\nHonoré \nAmi\nHonoré \nCarlo\nAmi\nVilletta\nAbete\nAva\nL.O.P.\nNaviglio\nHorizontal Cabinet\nēdition\nCamilla\nFirefly Outdoor\nRea Outdoor\nSen Outdoor\nSo Outdoor\nTavolo '95 Outdoor\nSofas\nArmchairs\nLow tables\nTables\nChairs\nLighting\nBookcases\nand Cabinets\nOutdoor\n006\n016\n020\n026\n034\n036\n048\n050\n054\n058\n062\n064\n066\n068\n070\n072\n076\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.3.png","Sofas\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.4.png","Honoré\nDesign: \nELISA OSSINO\nIT \nÈ la designer Elisa Ossino a delineare i \nprofili morbidi di Honoré, un divano dalle forme \norganiche che ha l'appeal di una scultura, come \nil pouf che l’accompagna. Pop quanto basta, la \nsua seduta è un accento di stile, curvo e pieno, lo \nschienale un segno grafico circolare. Disponibile \nin due dimensioni, è sorretto da piedini torniti in \nlegno, a ricordare l'attenzione al recupero delle \nlavorazioni artigianali.\nEN \nDesigner Elisa Ossino gives a soft silhouette \nto Honoré, a sofa with organic shapes that, much \nlike its pouf version, has the appeal of a sculpture. \nThere is a Pop element to her curved and generous \nseat, with its stylish accent and backrest with its \ncircular graphic marker. Available in two sizes, it \nsits on turned wooden feet, a reminder of the need \nto value craftsmanship.\nHONORÉ, Elisa Ossino, low tables\nSEN, Kensaku Oshiro, low table\nVERTICAL LAYER, Time & Style, Time & Style ēdition, open-faced units\nELEMENTI, Elisa Ossino, lamp\nL.O.P., C.R.S. Boffi, lamps\nBAMAKO, rug\n7\nEDITION 004\nSofas\n6\nDe Padova\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.5.png","HONORÉ, Elisa Ossino, low tables\nVERTICAL LAYER, Time & Style, Time & Style ēdition, open-faced units\nL.O.P., C.R.S. Boffi, lamps\nBAMAKO, rug\nHONORÉ\n9\nEDITION 004\nSofas\n8\nDe Padova\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.6.png","SHOJI, Time & Style, Time & Style ēdition, screen\nBAMAKO, rug\nHONORÉ\nHONORÉ, Elisa Ossino, low tables\nNOTA, Elisa Ossino, lamp\nTSUKI, Naoto Fukasawa, lamp\n11\nEDITION 004\nSofas\n10\nDe Padova\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.7.png","HONORÉ\n13\nEDITION 004\nSofas\n12\nDe Padova\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.8.png","Armchairs \nand Pouf\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.9.png","Ami\nIT \nDi quell'eleganza confortevole che \nricorda la club chair francese degli anni Venti del \nNovecento, Ami è un oggetto giocoso, classico, \ncontemporaneo insieme, con quel tocco raffinato \ne poetico tipico del design di Yabu Pushelberg. Le \nlinee che lo definiscono sono nette e morbide, la \nseduta è ampia e i braccioli affusolati si incontrano \nnello schienale e lo attraversano. \nEN \nTaking cues from the relaxed elegance \nof the French club chair of the 1920s, Ami is a \ncontemporary piece that is also playful and classic. \nIt features refined and poetic touches commonly \nseen in the designs of Yabu Pushelberg. It is \ndefined by clean and soft lines, with a wide seat \nand tapered armrests that meet and cross at the \nbackrest.\nDesign: \nYABU PUSHELBERG\n17\nEDITION 004\nArmachairs and Pouf\n16\nDe Padova\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.10.png","Low tables\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.11.png","Design: \nELISA OSSINO\nHonoré\nIT \nRidisegnano le linee della collezione Honoré \ndi Elisa Ossino e le trasformano in una coppia di \ntavolini scultorei e minimali. Diametri, altezze e \npersonalità differenti creano un gioco ottico dove \nle linee si incontrano e possono essere combinate \nper dare vita a un unico oggetto. Un equilibrio di \nstili che si declina anche nella materia con piedini \ne top in marmo e laccatura in diverse sfumature di \ncolore.\nEN \nThe lines of the Honoré collection by Elisa \nOssino have been redesigned and transformed \ninto a pair of sculptural, minimalist tables. Different \ndiameters, heights and personalities create \nan optical game where lines meet up and are \ncombined to create a single object. This balance \nof styles is also visible in the materials, with feet in \nlacquered wood and tabletop in marble in different \ncolours.\n21\nEDITION 004\nLow tables\n20\nDe Padova\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.12.png","23\nEDITION 004\nLow tables\n22\nDe Padova\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.13.png","Tables\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.14.png","Carlo\nIT \nProporzioni rigorose e linee essenziali \ndanno risalto al piano circolare in legno di frassino \ncolor carbone e ai grafismi della base, che dipinge \nuna grande X. Carlo, disegnato nel 1984 da Tono \nMorganti per Casa Juker, è stato rieditato con la \nconsulenza progettuale di Renato J. Morganti, e \nrappresenta la massima espressione dell'eleganza. \nUn vero oggetto couture dalle molteplici \nsfaccettature. \nEN \nRigorous proportions and essential lines \nmark the round tabletop in charcoal-coloured ash \nwood with a striking base that forms a large X. \nDesigned in 1984 by Tono Morganti for Casa Juker, \nCarlo has been reissued by the design consultancy \nof Renato J. Morganti and represents the maximum \nexpression of elegance. It’s a multifaceted object \nof pure design. \nDesign: \nTONO MORGANTI \n& RENATO J. MORGANTI\n26\nDe Padova\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.15.png","AMI, Yabu Pushelberg, chairs\nVILLETTA, Keiji Takeuchi , chair\nCARLO\nVERTICAL LAYER, Time & Style, Time & Style ēdition, open-faced units\nABETE, Paolo Tilche, lamp\n29\nEDITION 004\nLow tables\n28\nDe Padova\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.16.png","CARLO\nVILLETTA, Keiji Takeuchi , chair\nAVA, David Lopez Quincoces , lamp\n31\nEDITION 004\nLow tables\n30\nDe Padova\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.17.png","Chairs\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.18.png","Ami\nIT \nDelicata nei tratti, avvolgente nelle forme, \ndiscreta, elegantissima. Ami ripercorre le forme \nessenziali della club chair francese degli anni Venti \ndel Novecento calibrando alla perfezione i volumi \ndella seduta e le gambe in massello di frassino \ntinto carbone. Classica ma contemporanea, \nraffinata e conviviale insieme, con il tratto armonico \ntipico del design di Yabu Pushelberg.\nEN \nWith delicate features and an enveloping \nshape that is discreet and elegant, Ami retraces \nthe essential lines of the French club chair of the \n1920s, perfectly calibrating the volumes of the \nseat and the legs in coal-stained solid ash. It is \nsimultaneously classic and contemporary, refined \nand convivial, with the harmonious features \ncommon to the designs of Yabu Pushelberg.\nDesign: \nYABU PUSHELBERG\n34\nDe Padova\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.19.png","Villetta\nIT \nUn'essenzialità contemporanea fiorisce sulle \nforme nuove di Villetta. Un dialogo fra struttura e \nfunzione dove il linguaggio che ne detta la cifra \nstilistica è quello del comfort. Il tratto del designer \ngiapponese Keiji Takeuchi è minimale e disegna \nuna struttura dalle forme morbide ricavate dal \nmassello di frassino, tinto carbone o naturale, che \naccoglie una comoda seduta imbottita.\nEN \nThe new forms of Villetta speak to a \ncontemporary essentiality. There is a dialogue \nbetween structure and function where comfort \nis the predominant stylistic reference. Japanese \ndesigner Keiji Takeuchi uses minimalist lines and \ndesigns a frame with soft shapes obtained from \nsolid ash in either a charcoal hue or natural colour \nwithin which sits a comfortable padded seat.\nDesign: \nKEIJI TAKEUCHI\n36\nDe Padova\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.20.png","Bookcases \nand Cabinets\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.21.png","Horizontal Cabinet\nēdition\nIT \nL'estensione della funzione. Horizontal \nCabinet ēdition è un progetto modulato dall'alta \ncifra stilistica del brand giapponese Time & Style. \nUn mobile dalle linee geometriche e squadrate \ncon un sistema di contenitori e vani a giorno in \nrovere affumicato, completato, a scelta, da eleganti \nsedute imbottite, chaise longue e pouf, per spazi \nche si compongono di equilibrio e proporzioni.\nEN \nA functional design extension, Horizontal \nCabinet ēdition has been stylistically adapted \nby Japanese brand Time & Style. The furniture \nfeatures geometric and square lines with a system \nof containers and open compartments in smoked \noak. There is the option of elegantly upholstered \nseats, a chaise longue and a pouf for well-ordered \nspaces with balanced proportions.\nDesign: \nTIME & STYLE\nTSUKI, Naoto Fukasawa, lamp\nLINOSA, rug\n41\nEDITION 004\nBookcases and cabinets\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.22.png","HORIZONTAL CABINET ĒDITION\n43\nEDITION 004\nBookcases and cabinets\n42\nDe Padova\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.23.png","HORIZONTAL CABINET ĒDITION\n44\nDe Padova\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.24.png","Lighting\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.25.png","Abete\nIT \nUn minuto capolavoro di equilibri il \ncui punto focale si accende nell'incontro dei \nlistelli di abete. Una gioco di sovrapposizioni \nche fa convergere la luce per poi irradiarla \ncon un movimento sottile, sinuoso. Disegnata \ndall'architetto Paolo Tilche, Abete è una lampada \na sospensione che si sviluppa leggera e sembra \ntorcersi in una spirale di moduli quadrati di misura \ndecrescente.\nEN \nA delicate masterpiece of balance whose \nfocal point is the coming together of strips made \nfrom spruce. This game of overlaps makes light \nconverge and then diffuse in a subtle, sinuous \nmovement. Designed by architect Paolo Tilche, \nAbete is a suspension lamp that is based on a \nlightness of form and appears to twist in a spiral of \nsquare modules of decreasing size.\nDesign: \nPAOLO TILCHE\n48\nDe Padova\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.26.png","Ava\nIT \nUn racconto di chiaroscuri, di diversità \ntattili che si uniscono nel segno della luce. Ava è \nuna lampada a sospensione, disponibile anche da \nappoggio, espressione armonica della materia. \nLa struttura, in massello di frassino tinto noce, è \navvolta da un paralume impagliato con corteccia \ndi giungo sbiancata con un leggero tessuto come \ndiffusore, per un effetto rilassante e luminoso.\nEN \nChiaroscuro and different tactile sensations \ncome together in an illuminating way in the Ava \nsuspension lamp. Available also in a free-standing \nlamp version, it is a harmonious expression of the \nmaterial. The structure in walnut-stained solid ash \nis surrounded by a straw lampshade in bleached \nreed bark with a light fabric as a diffuser to create a \nrelaxing and luminous effect.\nDesign: \nDAVID LOPEZ QUINCOCES\nOKE, Time & Style, Time & Style ēdition, low tables\n51\nEDITION 004\nLighting\n50\nDe Padova\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.27.png","AVA\n53\nEDITION 004\nLighting\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.28.png","L.O.P.\nIT \nSintetica, mobile. L.O.P. è una lampada \na sospensione che si compone di un tubolare \nin alluminio dotato di movimento oscillante, da \nposizionare al soffitto. Un conduttore verticale, \nche dilata la luce grazie alla sfera in vetro opaco e \nregala agli ambienti nuove, illuminate prospettive. \nDisponibile in diverse misure e nelle nuove varianti \ncolore verde Comodoro e rosso Nevada.\nEN \nConcise, agile and made of tubular \naluminium with an oscillating movement, the \nL.O.P. suspension lamp works well on the ceiling. \nA vertical conductor diffuses the light via the \nopaque glass sphere to provide rooms with new, \nilluminated perspectives. Available in various sizes \nand the new Comodore green and Nevada red \ncolours.\nDesign: \nC.R.S. BOFFI\n55\nEDITION 004\nLighting\n54\nDe Padova\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.29.png","L.O.P.\n57\nEDITION 004\nLighting\n56\nDe Padova\n56\nDe Padova\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.30.png","Naviglio\nIT \nLa forma concreta della luce, diretta, \ncircolare, viva. Ritmata dal tratto moderno e \ndeciso di Piero Lissoni, Naviglio è una lampada a \nsospensione che si apre in un paralume dalle linee \nbasiche, semisferico, realizzato in alluminio tornito \na piastra. Disponibile nella versione verniciata, \npanna o nero, si colora di nuove varianti colore: il \nrosso Nevada e il verde Comodoro. \nEN \nThe fixed light form is spherical, direct \nand dynamic. Shaped by Piero Lissoni's modern \nand decisive lines, Naviglio is a pendant lamp \nthat opens into a semi-spherical lampshade with \na straightforward silhouette made from a turned \naluminium plate. Available in a natural, cream \nor black finish, it comes in new colour variants: \nNevada red and Comodore green.\nDesign: \nPIERO LISSONI\n59\nEDITION 004\nLighting\n58\nDe Padova\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.31.png","Outdoor\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.32.png","IT \nPiero Lissoni l'ha immaginata libera da \nvincoli, contenuta nelle dimensioni, ideale origine \ndi punti luce innovativi. Una sfera luminosa in \nvetro opalino dai contorni essenziali, lievemente \ncompressi, che racchiude lo spirito minimale di \nDe Padova e una tecnologia di ultima generazione: \nCamilla si accende e si spegne con un semplice \nmovimento orizzontale o con un'inclinazione a 45°.\nEN \nPiero Lissoni imagined it free of restraints \nin a contained size to create the ideal source of \ninnovative points of light. This luminous sphere \nin opal glass with essential, slightly compressed \ncontours captures the minimalist spirit of De \nPadova and the latest generation technology: \nCamilla turns on and off with a simple horizontal \nmovement or with a 45° inclination.\nDesign: \nPIERO LISSONI\nCamilla\nSEN OUTDOOR, Kensaku Oshiro, low table\n63\nEDITION 004\nOutdoor\n62\nDe Padova\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.33.png","Firefly Outdoor\nIT \nUno spirito nomade quello di Firefly, \nprogetto di Alexander Åhnebrink. Basico nelle \nlinee stondate, vagamente rétro, si compone di \nun diffusore esterno in vetro stampato, stretto fra \nun intreccio di cinghie in Eva, un materiale che \ncombina resistenza e flessibilità. Una lampada \nagile, da appendere sull’apposito piedistallo o da \nposizionare a terra, per illuminare senza vincoli \ngrazie alla batteria ricaricabile.\nEN \nDesigned by Alexander Åhnebrink, Firefly \nhas a nomadic spirit with its simple, rounded lines \nthat are vaguely retro in look. It features an external \ndiffuser in moulded glass sandwiched between a \nweave of straps in Eva, a material that combines \nstrength and flexibility. This versatile lamp may \nbe hung on its pedestal or placed on the ground \nand illuminates without constraints thanks to its \nrechargeable battery.\nDesign: \nALEXANDER ÅHNEBRINK\n65\nEDITION 004\nOutdoor\n64\nDe Padova\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.34.png","Rea Outdoor\nIT \nMinimale, eclettica nell'uso, fuori e dentro \ncasa, Rea è un progetto dell'architetto Paolo Tilche \ndel 1956. Le sue forme rigorose si modulano su \nuna struttura in acciaio verniciato nero opaco a \ncui si agganciano seduta e schienale in materiale \noutdoor elastico e resistente. Un gioco materico \ne tattile, che non risente dello scorrere del tempo, \nin un binomio perfetto che combina estetica e \nfunzionalità.\nEN \nA minimalist design from 1956 by architect \nPaolo Tilche, the eclectic Rea is suitable for use \ninside or out. Its rigorous lines come together in a \nmatt black painted steel structure with a flexible \nand resistant outdoor material for seat and back. \nThis timeless, tactile design perfectly blends \naesthetics and functionality.\nDesign: \nPAOLO TILCHE\n67\nEDITION 004\nOutdoor\n66\nDe Padova\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.35.png","Sen Outdoor\nIT \nKensaku Oshiro racconta una storia fatta \ndi altezze e formati differenti. Sen Outdoor è un \neclettico insieme di tavolini, rotondi e quadrati, che \nsi sorreggono su un reticolo di linee plasmate in \nacciaio inox color grigio antracite con top in pietra \nlavica smaltata nelle varianti rosso, verde e giallo. \nVersatili e minimali, animano giardini e terrazze con \nun tocco di misurata eleganza.\nEN \nKensaku Oshiro tells a story made up of \ndifferent heights and formats. Sen Outdoor is an \neclectic set of small tables, round and square, \nwhich rest on a grid of lines shaped in anthracite \ngrey stainless steel with a tabletop in lava stone \nglazed in red, green and yellow variants. Versatile \nand minimal, they liven up gardens and terraces \nwith a touch of measured elegance.\nDesign: \nKENSAKU OSHIRO\n69\nEDITION 004\nOutdoor\n68\nDe Padova\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.36.png","So Outdoor\nIT \nLa cifra essenziale del designer Naoto \nFukasawa si riassume in questa sedia che fa della \nbrevità la sua signature. Sintetica nel nome e \nnella forma, dipinge dettagli che si plasmano sulla \nmateria. Poche linee, indispensabili. Una versatilità \npacata che si esprime anche outdoor, con la \nstruttura in Iroko combinato al filato in propilene \nintrecciato a mano per schienale e seduta.\nEN \nThe essential shapes of designer Naoto \nFukasawa is summed up in this chair that makes \nbrevity its calling card. Concise in name and shape, \nthe details are moulded onto the material. The few, \nessential lines convey a calm versatility that is also \nsuited to the outdoors, as its Iroko wood frame is \ncombined with hand-woven polypropylene yarn for \nthe backrest and seat.\nDesign: \nNAOTO FUKASAWA\n71\nEDITION 004\nOutdoor\n70\nDe Padova\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.37.png","Tavolo '95 Outdoor\nIT \nEstetica applicata alla materia. Tavolo '95, \na firma di Achille Castiglioni, unisce leggerezza \ne solidità, innovazione e ricerca: il piano, in \nmarmo o pietra, sembra sospeso su staffe sottili \nappoggiate sopra gambe in iroko. Disponibile in \ndiverse versioni, fra cui quella con disco interno \ngirevole per vivande a filo piano. Semplicemente \nsorprendente.\nEN \nThe material becomes the aesthetic. \nDesigned by Achille Castiglioni, Tavolo '95 \ncombines lightness and solidity, innovation and \nresearch. The tabletop, available in marble or stone, \nappears suspended and utilises thin brackets \nresting on iroko wood legs. It comes in different \nversions, including one with a revolving tray at its \ncentre that is flush with the surface. \nDesign: \nACHILLE CASTIGLIONI\nREA OUDOOR, Paolo Tilche, chairs\nCAMILLA, Piero Lissoni, lamp\nLEVANTE, Massimo Luca, ADL, doors system\n73\nEDITION 004\nOutdoor\n72\nDe Padova\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.38.png","TAVOLO '95 OUTDOOR\nREA OUDOOR, Paolo Tilche, chairs\nCAMILLA, Piero Lissoni, lamps\nFIREFLY OUTDOOR, Alexander Åhnebrink, lamps \nLEVANTE, Massimo Luca, ADL, doors system\n75\nEDITION 004\nOutdoor\n74\nDe Padova\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.39.png","TAVOLO '95 OUTDOOR\n77\nEDITION 004\nOutdoor\n76\nDe Padova\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.40.png","SO OUDOOR, Naoto Fukasawa, chairs\nLEVANTE, Massimo Luca, ADL, doors system\nTAVOLO '95 OUTDOOR\n79\nEDITION 004\nOutdoor\n78\nDe Padova\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F19\u002Ff03495a5f4c32e8d127df9fbb0d454-28fe2d401f.41.png","COLLECTIONS 004\nCreative Direction\nBoffi | DePadova\nCATALOGUE\nCreative Direction\nBoffi | DePadova \nProject Coordination\nStudio Costacurta\nGraphic Design\nStudio Costacurta, \nStefano Lucchetti\nPhotography\nFrancesca Moscheni\nTommaso Sartori\nStyling\nElisa Ossino Studio\nMichael Albert\nRetouching Pre Press\nA. De Pedrini\nNumerique\nRendering\nNudesign\nPrinted in Italy\nNava Press, 2023\nDe Padova Srl\nVia Santa Cecilia, 7\n20122 Milano - Italia\nT. +39 02 27 43 97 1\ninfo@depadova.it\nwww.depadova.com\nAll rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by \nany means, electronic or mechanical, including printing, photocopying, recording,or any informa-\ntion storage and retrieval system without prior permission in writing from De Padova s.r.l., except-\ning reproduction intended to support the sale of De Padova products privately. This catalogue is \navailable free of charge subject to the condition that it shall not, by way of trade or otherwise, be \nsold or hired out totally or partly.\nDe Padova reserves the right to make modifications and improvements at any time to the products, \nfabrics and leathers that may vary from the solutions presented in this catalogue. 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