[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-de-la-espada-studioilse":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":160},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":155,"matched_pages":156,"match_count":157,"two_pages":158,"show_text":159},25055,"Studioilse","de-la-espada-studioilse","\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F97\u002Fdacd0694bf8e8db571dc2e8654e220-28fe2a0bba.pdf","De La Espada",2084,"de-la-espada","11.0 MB",[14,17,21,25,29,32,36,39,42,45,49,52,55,58,61,64,67,71,75,79,83,87,91,95,99,102,106,110,114,118,122,126,130,133,137,141,145,149,153],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.2.png","‘Let’s Pretend This Never Happened’\nStockholm Design Week 2018\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.3.png","The objects in our lives have meaning.\nTheir touch, their origin, the memories\ncreated around them.\nThe objects’ nascent stories — materials, craft, \ndetailing, heritage — gain layers of complexity as \nthey integrate with our daily lives. Our conflict, \njoy, togetherness, solitude, even our banal \nactivities imbue them with greater significance.\nHow can we present furniture in a way that \ncommunicates its personal value? How can we draw \npeople into the story so they feel connected? How \ncan we bring a piece of Portugal to Stockholm?\nAt Stockholm Design Week, we presented fourteen \nnew pieces of furniture designed by Jason Miller, \nNeri&Hu, Matthew Hilton, and Luca Nichetto in a \nprivate home in Östermalm. Two actors, Fernando \nNobre and Vania Rovisco, moved through the space, \nbringing each piece to life through vignettes of \ndaily life. Twelve scenes in two acts, created by \nLisbon-based Studio Astolfi.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.4.png","THE STAGE\n",4,{"image":30,"text":15,"number":31},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.5.png",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.6.png","“Beautiful, powerful, and effective \nwhen the Portuguese furniture company \nDe La Espada reveals emotions, \nactors and furniture before an \naudience. Many businesses focus on \nstorytelling, but not everyone is \nable to create a story that is deeply \ntouching. One who has succeeded, and \nin so doing takes inspiration to \nnew artistic heights, is Portuguese \nfamily-run company De La Espada.” \n \nRUM Design\n",6,{"image":37,"text":15,"number":38},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.7.png",7,{"image":40,"text":15,"number":41},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.8.png",8,{"image":43,"text":15,"number":44},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.9.png",9,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.10.png","“...the presentation and performance \nwas without doubt the biggest talking \npoint of the week.” \n \nElle Decoration Sweden\n",10,{"image":50,"text":15,"number":51},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.11.png",11,{"image":53,"text":15,"number":54},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.12.png",12,{"image":56,"text":15,"number":57},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.13.png",13,{"image":59,"text":15,"number":60},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.14.png",14,{"image":62,"text":15,"number":63},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.15.png",15,{"image":65,"text":15,"number":66},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.16.png",16,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.17.png","Furniture draped in white sheets \ngreeted guests upon arrival.\n“After removing their shoes, guests wander \nthrough the apartment’s many rooms, where \npastel-hued walls are hung with gray canvases \nbearing the names, in simple typeface, of the \npaintings that usually hang there. Scattered \nthroughout the spaces are the forms of many \npieces of furniture, all covered with white \nsheets. An audio recording plays on repeat \nthroughout, a calming voice outlining the \nprinciples of De La Espada. This is the \nbeginning of Let’s Pretend This Never Happened, \nan hour-long interactive performance that [De \nLa Espada founder, Luis] De Oliveira sees as \nthe antidote to the furniture fair, where any \ninspiration is usually outweighed by a mind-\nnumbing, overwhelming intake of information.” \nArchitectural Digest\n",17,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.18.png","THE PERFORMANCE\n",18,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.19.png","FUSION\nA human sculpture, fusing man and \nwoman, is perched atop the Elliot \nDining Table. \nACT ONE\n",19,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.20.png","WHITE SHEETS\nWhen one becomes two, the apartment fills with joy and the \nexcitement of love. In a playful chase, white sheets are \nflung off each product in turn, revealing both the furniture, \nand the warmth of the connection between the protagonists.\n",20,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.21.png","“The Portuguese furniture company De La Espada presents a \ndifferent way of communicating interior design, combining \nit harmoniously with theatre, sound and music, and launching \nfourteen new furniture designs in an unprecedented manner.” \n \nElle Decor Italia\n",21,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.22.png","PROSCIUTTO\nGuests are welcomed with a taste of Portuguese \nhospitality as Fernando serves prosciutto and \nwine from the Tavli Table.\n",22,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.23.png","SKYPE CALL\nThe familiar ring of a Skype call comes over \nthe speakers, and the characters chat to each \nother through their phones, Vania curled up \non Gates Sofa, and Fernando excitedly running \nthrough the home to show her each of the \nproducts through his phone screen.\n",23,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.24.png","KNOCK ON WOOD\nIrresistible music fills the apartment, and as \nFernando sings, guests find themselves smiling, \ndancing, stroking Elliot Dining Table’s wood \ngrain to the rhythm.\n",24,{"image":100,"text":15,"number":101},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.25.png",25,{"image":103,"text":104,"number":105},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.26.png","TYPEWRITER\nThe tone quietens, and we are now observers to \nour protagonists feverishly typing away at Solo \nDesk, their thoughts voiced in the space above. \nThey search for the right words to define De La \nEspada, and once satisfied, walk off together \nhand in hand.\n",26,{"image":107,"text":108,"number":109},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.27.png","“Amazing performance and beautiful pieces from \na warm-hearted brand. We absolutely loved it.”\nAnne-Marie Buemann, OEO Studio\n",27,{"image":111,"text":112,"number":113},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.28.png","LOVE BOAT \u002F MUSICAL CHAIRS\nThe celebration returns in Act Two, with Fernando \nbelting out Love Boat. Clothed in a bathrobe \nand boating cap, his performance recalls the \nunselfconscious joy of singing in the shower. \nGuests are invited to join Vania and Fernando in a \ngame of musical chairs. A bit apprehensive at first, \neach is soon laughing, running and pushing in a bid \nto grab that final seat on Solo Dining Chair.\nACT TWO\n",28,{"image":115,"text":116,"number":117},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.29.png","SOFA SCENE\nPiling up on the Planalto Sofa like friends and \nfamily, guests watch film clips involving sofas \nand guess the titles.\n",29,{"image":119,"text":120,"number":121},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.30.png","MIRRORED MEAL\nVania and Fernando have a silent argument \nover dinner at the Elliot Dining Table. The \nisolation each feels is palpable. Vania exits \nto the bedroom as Fernando pours himself a \nglass of bourbon at the Classon Sideboard. \n",30,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.31.png","THIS IS A MAN’S WORLD\nFernando sings a lament, a cry of loneliness \nand fear of losing his loved one. \n",31,{"image":127,"text":128,"number":129},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.32.png","BED SCENE\nIn bed, neither character is able to sleep. \nInternally, anger and isolation struggle with \nlove and a need for connection. The lovers \ntwist and turn in the Solo Bed, pushing away \nfrom one another, then toward, then away again. \n",32,{"image":131,"text":15,"number":132},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.33.png",33,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.34.png","CABINET OF CURIOSITIES\nA connection is found through play: the pair take \nturns looking through the lens of a View-Master toy. \nFernando brings out a leather suitcase full of \npersonal items, each special to someone involved \nin the production. Guests are invited to select an \nitem and place it inside the Solo Vitrine,together \ncreating a cabinet of curiosities. \n",34,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.35.png","“New furniture and a very emotional \nart performance by De La Espada. The \nmost interesting, poetic and touching \nI’ve experienced in connection with a \nfurniture launch!” \nCharlotte Ravnholt, Bo Bedre\n",35,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.36.png","“The experience, by its conclusion, had a \nnear-magical effect: Even the most uptight, \njaded journalists and style-setters... were, \nby the show’s end, completely entranced, eager \nto grasp hands with strangers and dance to \nblasting music or stroke the grain of a table \nas instructed by the performance’s charismatic \nactor and de facto master of ceremonies.” \nArchitectural Digest\n",36,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.37.png","“Once intimate and interactive, the emotional \npresentation felt like witnessing someone \nelse’s private life. Or being a part of it. \nWhat makes it unique is that the performance \nbrings the furniture to life, instead of taking \nit out of context as in usual presentations. It \nbrings us to the very heart of the home, where \nfurniture is ultimately used. It also makes one \nthink of the intimacy of the spaces we inhabit, \nand the special moments that happen in our \neveryday lives.” \nTrend Tablet\n“Absolutely transporting performance by \nPortuguese dancers\u002Factors. All the while \ndemonstrating #delaespada #delaespadafurniture \nAn emotional hour spanning from teary eyed \nto laughter. Thank you for this brilliant \nshow(room).” \nKristina Backlund\n“It began with the two actors in a wild dance \nwith the light feet of love, who flew through \nthe rooms and uncovered both their feelings and \nthe furniture. The audience was in the middle \nof the drama and followed these scenes from \na marriage. The collection from De La Espada \nweaved into the couple’s life story of love, \nsadness and lack, but also into a scene about \nthe magic of memory where life’s props - our \nfurniture - play important roles.”\nSVD Magasinet\n",37,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.38.png","CREDITS\nPhotography\nPages 1-33,61,69 by Fredrik Sweger\nPages 36-77 by Yves Callewaert\nFilm Stills\nPages 38,40,50 by Yves Callewaert\nSet Design\nRoberta Ellingsen\nAccessories\nRoll & Hill\nKasthall\n© De La Espada\n",38,{"image":154,"text":15,"number":155},"\u002Fmedia\u002Fimages\u002Fbf\u002Fb87b90d4531b1b259b585c593ba835-28fe2c5604.39.png",39,[],0,false,true,{"success":159,"data":161,"meta":380,"count":381,"next":382,"previous":383,"results":420,"brand_chips":481},[162,175,188,201,211,224,237,247,257,267,277,289,299,309,318,328,341,351,361,371],{"id":163,"title":164,"slug":165,"image":166,"source":167,"brand_name":168,"brand":169,"brand_slug":170,"file_size":171,"pages":172,"pages_count":173,"matched_pages":174,"match_count":157,"two_pages":158,"show_text":159},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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