[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bla-station-identity-2014":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":581},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":576,"matched_pages":577,"match_count":578,"two_pages":579,"show_text":580},8058,"Identity 2014","bla-station-identity-2014","\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F44\u002F9cf062aa5b0fb6c6f9e60109cd5953.pdf","Bla Station",1996,"bla-station","70.0 MB",[14,17,20,24,27,31,35,38,41,45,49,52,55,59,63,67,70,74,77,81,85,88,91,95,98,101,104,108,111,114,117,121,125,128,132,135,138,142,145,148,151,155,158,161,164,168,171,174,177,181,184,188,192,195,198,202,205,209,212,215,218,222,225,229,232,236,239,243,246,250,253,257,260,264,267,271,274,278,281,285,289,292,295,299,302,306,310,314,317,321,324,328,331,335,338,342,345,349,352,356,359,363,366,370,373,377,380,384,387,391,394,398,401,405,408,412,415,419,422,426,429,433,436,440,443,447,451,455,458,462,465,469,472,476,479,483,486,490,493,497,501,505,508,512,516,520,524,528,532,536,540,544,548,552,556,560,563,567,571,574],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.3.png","Quality must be part of the frst idea.\nIn the intention.\nThe form and the function.\nThe means and materials.\nQuality can never be an afterthought.\n",3,{"image":25,"text":15,"number":26},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.4.png",4,{"image":28,"text":29,"number":30},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.5.png","WHY\nÅhus, Skåne, Sweden\n",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.6.png","Blå Station was born out of a designer’s dream to put into production the kind \nof furniture that he himself liked and which, to his mind, deserved a place in \nthe market. The designer was Börge Lindau, our father, known at that time as \none half of the Lindau & Lindekrantz design team. \nAfter many successful years in the furniture industry, he chose to return to his \nold home town, Åhus. His motivation to design yet another chair had begun \nto wane, and he was thinking about a complete career change. He played a \nlot of golf, and for a while thought about opening a fsh restaurant; he’d even \nchosen the name - ”Herring & Design”. Our mother wasn’t entirely convinced, \nmainly because it was she who was expected to cook the fantastic herring \ndishes that would be on the menu!\nBut a design award combined with long walks along the coast gave new \nimpetus to Börge’s motivation, and his dream of manufacturing his own \nproducts became a reality. We started Blå Station in 1986.\nBÖRGE LINDAU To be and to do - ToBeDo!\nBörge Lindau 1932-1999\n",6,{"image":36,"text":15,"number":37},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.7.png",7,{"image":39,"text":15,"number":40},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.8.png",8,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.9.png","The basic idea was a series of small stools, chairs and tables of varying heights and \ndesigns. A small family of furniture that we called OBLADO, constructed around a \ncompression moulded ring in birch veneer, vegetable-tanned leather and stainless \nsteel. Börge’s chosen design idiom. Today, the expression, materials and forms have \ndeveloped from a close collaboration with new designers and even new industries. \nEach item of furniture is the result of a design problem that we have formulated and \nare determined to solve. For us, design is about developing everyday products. It’s \nabout simplifying or improving.\n",9,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.10.png","We are driven by curiosity and a great joy in what we do, and are constantly \non the lookout for new challenges. We never ask the market what it wants, \nbecause the market doesn’t know what it actually needs – and if it did, the \nitem would probably already exist. We have a different future focus, seeking \nout not what is already known and established but rather the unexpected and \nwhat remains to be discovered.\nWe are convinced that furniture can be made both better and more intelligent, \nand that there will always be more to discover and develop. We attempt to \nexploit each material’s unique characteristics and are happy to push back the \nboundaries of what is considered possible in manufacturing in order to create \nfurniture that is relevant today, tomorrow and in the future.\nFor us, design isn’t form, design is development.\n",10,{"image":50,"text":15,"number":51},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.11.png",11,{"image":53,"text":15,"number":54},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.12.png",12,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.13.png","We worked sustainably long before someone put a label on the notion of a \ncomprehensive environmental focus. As early as the 1960s, Börge Lindau and \nhis design partner in Lindau & Lindekrantz stood on the barricades and called \nattention to the importance of environmental responsibility in symbiosis with price, \nquality and product lifetime. So when we started Blå Station, it was extremely \nimportant for us to produce furniture under the banner of sustainability. And that’s \nwhat we do and have always done. Our furniture must have a long lifetime and \nbe safe during development, use and at the end of its life. We have our furniture \neco-labelled and tested at the toughest institutes. \nWe produce high quality furniture and we manufacture it in Sweden. \nYou can read about our work with sustainable development and more on our website | www.blastation.se\n",13,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.14.png","CEO & Design Manager at Blå Station | JOHAN’S TOP HOME TIPS 1. Drink wine with your food 2. Turn out the lights and use candles 3. Put away everything except the things you love\nToday, my sister Mimi and I run Blå Station.\nI usually say that I was born and raised in the furniture industry. \nI’m a true designaholic, more interested in products than decoration, but the two \ngo hand in hand. I have an immense need to keep myself updated, and I explore \nnew design on a regular basis. I want to know what’s happening and what’s on the \nhorizon. But I read images, not text. I only read the text if I want to know more or\nif I don’t understand something. I get inspiration from questioning the accepted and \nletting myself be swept away by the opportunities presented by opposites, or by \nperceiving new behaviour. \nI love to study people and their behaviour, and above all how young people – boys \nand girls – behave, how they communicate, socialise, study, eat and drink, how they \nmove, cycle, take the bus or the train, and how they do everything at the same time, \ntogether and separately. Young people’s behaviour is the key to the future. They are \nthe multitasking generation. The conscious generation. This new generation isn’t going \nto change, either itself or its behaviour; these young people aren’t going to adapt \nmerely because they have moved away from home or started working. But they will \ndefnitely adapt their frst home to their own behaviour, and they will undoubtedly \nhave an impact upon their workplaces and all of the other environments they have \nthe opportunity to affect. \nEverything we surround ourselves in and with is undergoing constant change, much \nof it at incredible speed, some barely noticeable; materials, machines, technology, \nprocesses and behaviour. Our behaviour changes along with the new technologies, \ngadgets and opportunities we come into contact with. When we develop new \nproducts, a large part of our analysis is about our behaviour and the environments we \npopulate, about what works and what can be changed and improved. The other part \nof the process is about fnding problems; problems that we believe can be solved.  \nFrom our design perspective, we always say... “Everything can be better!” \nOur vision is to make a signifcant contribution to the necessary change currently \nfacing the Swedish and international furniture industry. We want to unite innovation \nand materials with industry and design in order to achieve humanitarian, \nenvironmentally-conscious progress. We refuse to take the easy short cut by choosing \nlow pay countries or to abandon social responsibility.\nWe work with design management and not with marketing strategy. We don’t work \nwith designers just because they are well-known and established – and we never ask \nourselves what the market wants. Instead we are self-reliant, constantly seeking out \ndesigners who want to solve problems; often young designers and very frequently \nthose who are still seeking to establish themselves. Because these are designers who \nhaven’t yet been defeated by major problems, who believe that everything can be \novercome, and that you can change the world if you only have suffcient energy and \ndesire – two extremely important ingredients in the design process. But age actually \nisn’t important. It’s drive and enthusiasm that we want.\nOur philosophy is “design from an innovative perspective”. Creating change and \nimprovement is what I’m passionate about – and so is Mimi and Blå Station.    \n",14,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.15.png","In the mind of JOHAN LINDAU\n",15,{"image":68,"text":15,"number":69},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.16.png",16,{"image":71,"text":72,"number":73},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.17.png","HOW\n",17,{"image":75,"text":15,"number":76},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.18.png",18,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.19.png","We have a great deal to say about how we work \nwith our design process and how each product we \ncreate deserves to be on the market. Here are a few \nstories about how our products came into being.\n",19,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.20.png","Sting | Lincoln Center, New York, USA\n",20,{"image":86,"text":15,"number":87},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.21.png",21,{"image":89,"text":15,"number":90},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.22.png",22,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.23.png","21\nSTING – Design “an entirely normal chair – made in an entirely new way”. Such was \nthe assignment Fredrik Mattson obtained during the Milan Furniture Fair in 2002. He was \nthen still attending Konstfack school of design. The project ultimately also involved one of \nFredrik’s classmates, Stefan Borselius, with whom he was developing an aluminium chair \nthat the two of them wanted us to see. We replied immediately, and without a second \nthought, that we didn’t want an aluminium chair. But Fredrik insisted that we really ought \nto see it before we turned it down, which made us instantly curious. \nSix weeks later, over the course of a long PowerPoint presentation, we witnessed the \nbirth of a classic – a chair that would make us proud, both then and far into the future. \nAlthough we did wonder whether it could really work. Stefan and Fredrik thought they had \neverything worked out. But after our very frst factory visit, it became clear to us that what \nwe believed in was technically impossible. We had challenged a well-known industrial \nprocess and applied its possibilities far beyond the limits of the process – on paper. \nThe profle of the seat was too long and too thin in the middle. The connection and the \nlocking between the seat and the back required tolerances that couldn’t be guaranteed \nand these were the details that made the chair unique. But we chose to believe our own \ntheory, that it would work. After a great deal of persuasion and signifcant investments in \nterms of tools, time and money, we were fnally able to begin product development. \nBut our joy was short-lived, because two weeks before the Stockholm Furniture Fair, Sting \nreceived its death sentence – when SAPA decided to abandon the product after four \nexpensive failures. And that would have been the end of Sting... if it hadn’t been for a \nsmall miracle that sprang from the professional pride of a team at SAPA, the world’s most \ninnovative chair would never have seen the light of day.\nSTING\nDesign: Stefan Borselius  \n& Fredrik Mattson 2OO3\n",23,{"image":96,"text":15,"number":97},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.24.png",24,{"image":99,"text":15,"number":100},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.25.png",25,{"image":102,"text":15,"number":103},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.26.png",26,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.27.png","25\nDENT\nDENT – For nearly 100 years, designers across the world – including Alvar Aalto \nand Arne Jacobson – have attempted to challenge the materials and techniques used \nin compression-moulded wood veneers. Many of them have succeeded in coaxing \nsomething out of the material with a variety of hand fnishes, others have managed to \nfool the eye of the beholder – special veneers have even been developed that allow \nmoulding in three dimensions. Such veneers are processed, prohibitively expensive and \nless than environmentally friendly.\nIn this project, Jon Lindström and Henrik Kjellgren challenged the generally accepted \ntheory of paper – that a piece of paper will allow itself to be folded in one direction or \nanother, but never both – by applying another theory never before used in this context, \nnamely the crumpled paper theory. \nDid these two theories share a point of contact? This question became the foundation \nof the idea that threw the switch and started the process. The experiment began, and a \nlong journey against strong headwinds got under way. None of the industries involved \nwere interested in supporting the project; none of them believed that the experiment \nwould produce a positive result – they were quite simply convinced that it would not \nwork. Finally, one of them dared to share the risk of failure and Dent saw the light of day \nin late autumn 2012.\nDent has opened the door to new opportunities, new forms and new applications for \na traditional material in a traditional industrial process. Dent is a chair with a three-\ndimensional shell, compression moulded with traditional techniques and traditional \nveneers. No hocus-pocus! Dent is not just beautiful, comfortable and unique in its \nindependence... Dent is an innovation.\nDesign: o4i 2O13\n",27,{"image":109,"text":15,"number":110},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.28.png",28,{"image":112,"text":15,"number":113},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.29.png",29,{"image":115,"text":15,"number":116},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.30.png",30,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.31.png","29\nSTRAW\nSTRAW – To interpret means to explain and clarify. The City of Berlin approached \nyoung German designers there with the mission of interpreting BAUHAUS in small \nseparate exhibitions during the 90th anniversary of BAUHAUS in 2009. For decades, \ninterpreting BAUHAUS was a task that many people have been given or taken \non themselves; one that often – or always, to be perfectly honest – is merely a \nmanifestation of bent, curved steel tubes.\nOsko+Deichmann chose a completely different approach. They wondered how a \nworld of steel tube furniture would have looked had BAUHAUS, Mart Stam and \nMarcel Breuer not seen how, in order to improve weight and aerodynamics, the \nGerman aeronautical industry had discovered how to slowly bend sand-flled tubes to \nexact patterns and to obtain perfectly curved tubes. Until then, tubes had simply been \nkinked into shape as per instructions. Osko+Deichmann began by making copies of a \nnumber of known BAUHAUS models, but with kinks instead of the familiar curves. \nAs an invitation to an exhibition in Milan in 2009, they sent out a postcard with an \nimage of Mart Stam’s classic Cantilever chair, but made in their “kinked” version. \nWith the postcard clutched frmly in the hand, we rang Osko+Deichmann and the \nfrst thing we said was, “we want to do this”. Their immediate, straightforward answer \nwas, “It can’t be done for any amount of money. The steel tube industry is structured \nand arranged around the bending of tubes – not kinking them”.\nBut where there’s a will, there’s also a way and the energy to fnd a solution.\nDesign: Osko+Deichmann \n2O1O\n",31,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.32.png","SUPERKINK\n",32,{"image":126,"text":15,"number":127},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.33.png",33,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.34.png","Innovation C | Paris, France\n",34,{"image":133,"text":15,"number":134},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.35.png",35,{"image":136,"text":15,"number":137},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.36.png",36,{"image":139,"text":140,"number":141},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.37.png","35\nINNOVATION C\nInnovation C – The year was 2001, and for a change, Konstfack’s masters’ \nstudents had been given a reality-based school assignment, namely to design furniture \nfor an airport in a project called Arlanda Pir F.\nThe students were given an introduction to the Swedish Civil Aviation Administration \nand its manual, which clearly prescribes the shape and design of airport furniture. \nFredrik Mattson threw the manual away and instead went to Arlanda to study \ntravellers and their behaviour. He gathered information such as the airport’s costs per \nsquare metre, who travels by air, the equipment and tools used and what travellers \nrequire in the form of furniture. He quickly came up with a table top, seat, backrest \nand armrests.\nFredrik minimised the functions and combined them in a piece of furniture that met all \nrequirements. Its shape was aerodynamic and reminiscent of an aircraft wing.\nWhen we saw the prototype at the student exhibition that same year, we understood \nimmediately that this was a new way of relating to function and interior in symbiosis \nwith today’s technological society and behaviour. Without really being aware \nof it himself, Fredrik had created one of the frst modern, multifunctional pieces of \nfurniture on the market which genuinely flled the gap between new technologies and \ntraditional furniture.\nWe instinctively knew that it didn’t matter if it turned out to be before its time and its \npublic. Innovation C was already – and still is – a necessary product, a statement of \nour times.\nDesign: Fredrik Mattson \n2OO1\n",37,{"image":143,"text":15,"number":144},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.38.png",38,{"image":146,"text":15,"number":147},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.39.png",39,{"image":149,"text":15,"number":150},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.40.png",40,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.41.png","39\nWILMER T\nWilmer T – These days, when it’s time for dinner, it’s easier to send a text message \nthan to shout for your kids. Young people are permanently plugged in with headphones, \ncutting themselves off from any external signals or unnecessary sound.\nAnd if you take a little while to study your environment, you realise that everything \nhas changed, at the same time that almost everything still looks the same, and that \ndecoration and architecture is often more about how things normally look than how they \ncould be. And if you look at the wider perspective and compare it to the small, human \nperspective of how we are, how we function and why we do things in a particular way \n– then it’s easy to fnd a world of opportunities opening up.\nTogether with Stefan Borselius we removed everything down to the smallest components, \nlike right and left halves of the brain. One half is analytical, calculating, thinking – while \nthe other is active, creative and passionate.\nFrom that point, our smallest common denominator, we felt we could perhaps come \ncloser to the “multitasking generation” and create a hybrid model for their needs.\nA hybrid between the size of an offce chair and the comfort of an armchair – a thinking \nside, with a raised armrest that helps you to think, and an active side, with different \ntables for different purposes. \nNormally chairs like this have only one work surface – which is always irritatingly small \nand doesn’t work for more than one activity. We gave Wilmer T two table and work \nsurfaces. Otherwise, where can you set down your wine, coffee or juice when you pick \nup your laptop? Or vice versa. And what if someone sat on the table beside the chair \n– that has to work too. And if you need to take a break – then you just twist the upper \ntable out of the way and off you go. \nVoilà, Wilmer T. A hybrid for the new generation. Which works just as well for everyone, \nregardless of age.\nDesign: Stefan Borselius 2O12\n",41,{"image":156,"text":15,"number":157},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.42.png",42,{"image":159,"text":15,"number":160},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.43.png",43,{"image":162,"text":15,"number":163},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.44.png",44,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.45.png","43\nOPPO – How can we populate empty public spaces? Can furniture help give a \nsense of presence? Can products speak, populate, make us feel secure and enjoy a \nsense of community in large empty spaces? \nThis was the starting point for a discussion that began in Cologne in autumn 2008 \nbetween Stefan Borselius and us after we spotted a small sketch in one of Stefan’s \nsketch books, which he so generously lets us browse through every now and again. \nWe agreed that it would be like walking a tightrope, and that it was probably much \neasier to fail pathetically than design a piece of furniture that creates an impression of \npresence in a space even when no-one is there. Stefan said that such a piece is not \neasily drawn, but should instead be sculpted into being. \nStefan’s process started as a long exploration of organic forms, often uncomfortably \nevocative of something entirely different. But gradually a more friendly fgure began to \nemerge; a friend who began to respond. Because Oppo would be entirely covered \nin textile we chose to make our friend plump and with every outline and curve convex. \nWe didn’t want Oppo to be sad, old and crinkly with wrinkled hanging fabric... \nOppo was to be a happy companion, now and always.\nOPPO\nDesign: Stefan Borselius  \n2OO9\n",45,{"image":169,"text":15,"number":170},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.46.png",46,{"image":172,"text":15,"number":173},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.47.png",47,{"image":175,"text":15,"number":176},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.48.png",48,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.49.png","47\nKOJA\nKOJA – If as humans we were entirely unaffected by our environment, our surroundings \nand the spaces we live and work in, we would never have needed to observe or study \nchanges in architecture, nor to examine users of architecture and how their behaviour \nevolves. We love to try to understand how and why an environment affects us and in \nwhat ways it is then possible to make an impact upon and modify this environment. \nMajor change is frightening and challenging – while more self-evident changes are \nscarcely noticed; simply adopted and used, exactly as they were intended to be. \nOur journey with the design process for Koja took root in just such a re-examination \nand exploration of modern architecture. We discussed how architecture forms new \nspaces which are often both beautiful and magnifcent while simultaneously creating \nnew problems and challenges. Perhaps, we wondered, these problems, such as sound \nabsorption, spatiality, separation and security, could be solved through the development \nof new furniture? Design can be used to change and improve our environment.\nKoja literally grew organically, solving problems of both spatiality and noise with its \nhard, protective outer shell and soft, cosy inner core. Koja’s high sides and back have \nbeen carefully designed to be high enough, yet not to confict with the architecture of \nthe wider space beyond. Several Kojas used together can create space, separation \nand calm in a large, busy room.\nKoja is available as high and low armchairs and 2- and 3-seater sofas, all of which can \nbe equipped with work tables. \nDesign: Fredrik Mattson \n2OO9\n",49,{"image":182,"text":15,"number":183},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.50.png",50,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.51.png","49\n• sound absorbing and easy to use to create a room in a room\n• the mobile meeting room\n• is available as high and low armchairs\n• can create a room in a room\n• is available as high and low 2- and 3-seater sofas \n• all models can be equipped with work tables\n• has a sound absorbing free-standing room-divider called ELEMENT\n• has been tested for tough environment\nKOJA\nAll textile surfaces can \nbe serviced in place \nFrame of moulded ash veneer \nAvailable with swivel work surface\nVertical sides\nHard protective outer shell with\na comfortable cosy inner core\n \n",51,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.52.png","Koja | Bimbo | Lund, Sweden \n",52,{"image":193,"text":15,"number":194},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.53.png",53,{"image":196,"text":15,"number":197},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.54.png",54,{"image":199,"text":200,"number":201},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.55.png","WHAT\n",55,{"image":203,"text":15,"number":204},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.56.png",56,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.57.png","DENT\n55\n Dent Wood | Boulebar, Malmö, Sweden\n",57,{"image":210,"text":15,"number":211},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.58.png",58,{"image":213,"text":15,"number":214},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.59.png",59,{"image":216,"text":15,"number":217},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.60.png",60,{"image":219,"text":220,"number":221},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.61.png","Dent Nostack | table Size \n",61,{"image":223,"text":15,"number":224},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.62.png",62,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.63.png","SIZE\nchair Vivi 2 | Pedestal Size table | Ginkgo acoustic panels\nSIZE – As the name implies, this is a series of tables that can be adapted to every \nconceivable size. The idea is to put customer needs frst and foremost. Customers \nshould be free to focus on the size and shape of the tabletop they want. SIZE can \nbe constructed as a pedestal table or one with legs at the edges of the tabletop. \nSIZE tables can be round, oblong, and square with either four legs or a pedestal \nbase. They can be large or small, high or low. And, whatever the form, the under \nframe has been designed to adapt easily to every imaginable shape and size. \nSIZE table is made of solid ash or oak, but is also available in other fnishes and \ncolours. It is as much at home in conference rooms, cafés, offces and other public \nspaces as it is in a domestic setting.  \n61\nchair Vivi 4 | Size table with cable holder \n",63,{"image":230,"text":15,"number":231},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.64.png",64,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.65.png","VIVI\n63\nVIVI – architecture in a chair. Form isn’t fxed. Form isn’t static. Furniture like Vivi is \ntraditional and functional, and updating this kind of furniture is among the toughest \nchallenges to be found. Vivi is a shell chair in layer-glued wood with legs or runners. \nA masterpiece of balance. The impressively tight radius of Vivi’s legs and seat, which \ngives it a resilience that few other layer-glued chairs, can match. The layer-glued \nrunners mean that the chair is extremely stable in form, strong and stands frm and \nsteady. All the different versions of Vivi are stackable with just 30 mm spacing – an \nimpressive feat for any wooden chair. \nVivi details\nVivi 4 | Vivi 2\n",65,{"image":237,"text":15,"number":238},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.66.png",66,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.67.png","Vivi 2 | Vivi 4 | Size table | Organic Oil – Saltimporten, Malmö, Sweden  \n",67,{"image":244,"text":15,"number":245},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.68.png",68,{"image":247,"text":248,"number":249},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.69.png","146cm\n196cm\nBOO\n67\nBOO – Probably the most comfortable chair in the world! People comes in different sizes, Boo just in one - one size fts all!\n",69,{"image":251,"text":15,"number":252},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.70.png",70,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.71.png","69\nGecco-82 | Visp | Mono table | Mini-oppo | Mörrums Conference Center, Sweden \nGecco-82 | Gecco-65 | Sting | Level table\n \n \nSTING | GECCO\n",71,{"image":258,"text":15,"number":259},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.72.png",72,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.73.png","STING\nSting | Innovation C | Fechor, Madrid, Spain\nSting | Level | Astra Zeneca, Stockholm, Sweden\n",73,{"image":265,"text":15,"number":266},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.74.png",74,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.75.png","Sting | Lincon Center, New York, USA \n",75,{"image":272,"text":15,"number":273},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.76.png",76,{"image":275,"text":276,"number":277},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.77.png","KAFFE\nKAFFE – There are environments that we love and don’t actually want to change – \nsimply give new dimensions and possibilities. Cafés have been part of our history for \nas long as we can remember; they are watering holes, breathing spaces and meeting \nplaces. To make us feel welcome, the atmosphere and service are just as important as \nthe furnishings, both outdoors and indoors. KAFFE meets all the requirements placed \non outdoor furniture, but is equally suited to indoor use. The seat is designed to create \na cosy and comfortable impression. It is made in moulded polyurethane, but looks \nupholstered, slightly “worn in”, and warm, snug and inviting. The Kaffe chairs feels \nsimple and natural, classic but in a blend of all the great café chairs you could \nimagine... yet still something completely new. The tables have an added advantage \nin that you can dismantle them in the winter so that they don’t take up space. \nWe named the family KAFFE because it’s so refreshing...\n75\nKaffe Lounge | Kaffe chair | Kaffe sofa | Kaffe table \nKafferosteriet, Malmö, Sweden\n",77,{"image":279,"text":15,"number":280},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.78.png",78,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.79.png","Boulebar, Malmš, Sweden\n",79,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.80.png","Kaffe sofa | Anna Gouteva - Saltimporten, Malmö, Sweden\n",80,{"image":290,"text":15,"number":291},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.81.png",81,{"image":293,"text":15,"number":294},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.82.png",82,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.83.png","STRAW\n81\nStraw chair | Straw table L35\nStraw chair | Straw table L35X | Bauhaus Archive, Berlin, Germany\n",83,{"image":300,"text":15,"number":301},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.84.png",84,{"image":303,"text":304,"number":305},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.85.png","Straw | Straw table L35X | Bauhaus Archive, Berlin, Germny\n",85,{"image":307,"text":308,"number":309},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.86.png","STRAW\n",86,{"image":311,"text":312,"number":313},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.87.png","85\nSUPERKINK\nSuperkink sofa \nStraw | Oatly – Saltimporten, Malmö, Sweden\n",87,{"image":315,"text":15,"number":316},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.88.png",88,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.89.png","SUPERKINK\nSuperkink easy-chair | Superkink sofa | Frankly - Salimorten, Malmö, Sweden \nMika table   \n",89,{"image":322,"text":15,"number":323},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.90.png",90,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.91.png","OPPO | PUPPA\n89\nOppo High | Motel One, Rostock, Germany \n \n",91,{"image":329,"text":15,"number":330},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.92.png",92,{"image":332,"text":333,"number":334},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.93.png","Oppo high | Oppo low | Puppa | Motel One, Rostock, Germany\n",93,{"image":336,"text":15,"number":337},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.94.png",94,{"image":339,"text":340,"number":341},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.95.png","ALLY\n93\nALLY – One of the most diffcult challenges in a modular approach to sofa or \narmchair systems is to fnd a shape that is equally effective when used as a solitary \narmchair as when linked in a row to form a sofa. Ally is a modular system that meets \ntoday’s need for fexibility, allowing the user or context to determine what works best \nfrom one occasion to the next – armchairs or sofa, or why not both in various \ngroupings? You can connect and disconnect Ally modules easily yourself, thanks to \nthe fxed magnetic frame.\nAlly | Mika table | Mörrums Conference Center, Mörrum, Sweden \n \n",95,{"image":343,"text":15,"number":344},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.96.png",96,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.97.png","CODE 27\nCODE 27 – How long is a sofa? Code 27 can be as long as you wish. No top \nor bottom, no right or wrong. CODE 27 is a coded alphabet, a system of A, B and \nC that can be extended infnitely by adding + 27 cm. Code 27 can come in the \nform of the smallest easy chair or the longest sofa. The appearance can be changed \nfrom one moment to the next – to infuence both you and the room it stands in. And \nthe way to do it is obvious, simple, inviting – and infnitely variable… The cushions \nare made identical on both sides by creating a visual divide down the middle. That \nmeans they can be turned over and used in the same way. This gives you even more \npossibilities to choose from: dark side\u002Flight side, winter side\u002Fspring side… no need \nto limit your options.\n95\nCode 27 A easy-chair | Code 27 C sofa | Code 27 ABC sofa | Tetra Pak, Lund, Sweden  \n",97,{"image":350,"text":15,"number":351},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.98.png",98,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.99.png","Size table | Dent Wood | Vivi 4 | Pond table \nCode 27 BC | Harvest Agency, Malmö, Sweden\n",99,{"image":357,"text":15,"number":358},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.100.png",100,{"image":360,"text":361,"number":362},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.101.png","DUNDER\n99\nDUNDER – easy-chair and sofa is consisting of big pillows. Dunder is modular and \ncan be changed to ft any setting you like. All we need are pillows! One big to sit on \nor perhaps two. One pillow to lean your back against. Perhaps a pillow to rest your \narm. It would be nice if that was all, because pillows have nice shapes, squared but \nstill rounded. You can build together Dunder sections just as you wish, back to back \nor front to back, as both backs and armrests fts within the seat’s total area, turn and \ntwist and combine according to your own taste. All you need to add is yourself, \nand perhaps even more pillows.\nDunder easy-chair | Dunder sofa | Bit table | Tele2 Arena, Stockholm, Sweden  \n",101,{"image":364,"text":15,"number":365},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.102.png",102,{"image":367,"text":368,"number":369},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.103.png","Dunder sofa | Pond table | Private home      \n",103,{"image":371,"text":15,"number":372},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.104.png",104,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.105.png","DUNDRA\nDundra 82 bar-chair | Dundra chair | Size bar-table | Bit table | Kino Victoria, Oslo, Norway \n103\nDUNDRA –  A furniture family that keeps on growing. It all actually started the sofa \ncalled Dunder. A soft shape built up of cushions, covered buttons, extendable sections \n– it was friendly and inviting. Then came the frst Dundra chair, bar stool and bar \nchair, then the stackable sofa, an armchair and a stackable stool. The series has also \ngained upholstered armrests that can be ftted to the sofa, easy chair, and chair and \nbar chairs. And there is a Dundra table available for easy-chairs and sofas.\n",105,{"image":378,"text":15,"number":379},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.106.png",106,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.107.png","Dundra bar-chair | Boulebar, Malmö, Sweden \n \nDundra arm-chair | HSB Headoffce, Stockholm, Sweden \n \n",107,{"image":385,"text":15,"number":386},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.108.png",108,{"image":388,"text":389,"number":390},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.109.png","107\nMika table | Dunder sofa | Dundra easy - chair | Oppo High | Kino Victoria, Oslo, Norway \nMIKA\n",109,{"image":392,"text":15,"number":393},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.110.png",110,{"image":395,"text":396,"number":397},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.111.png","WILMER\n109\nWilmer C\nWilmer CS | Dundra chair | Bit table | Dunder sofa | Kino Victoria, Oslo, Norway \n",111,{"image":399,"text":15,"number":400},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.112.png",112,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.113.png","Wilmer T | Wilmer TS | Mörrums Conference Center, Sweden\nWilmer T | Kaffe table | Code 27 \n",113,{"image":406,"text":15,"number":407},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.114.png",114,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.115.png","INNOVATION C\n113\nInnovation C | Nya Malmö Latin, Malmö, Sweden  \n",115,{"image":413,"text":15,"number":414},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.116.png",116,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.117.png","PEEKABO\n115\nPeekaboo | Bit table | Geodis Wilson, Gšteborg, Sweden \n",117,{"image":420,"text":15,"number":421},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.118.png",118,{"image":423,"text":424,"number":425},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.119.png","GINKGO\nGINKGO – In Japan, the ginkgo tree is venerated. Several ginkgo trees survived the \natomic bomb and continue to live today. For this reason, the trees are considered a \n‘’bearer of hope’’ and a symbol of resilience and peace on the island nation. Ginkgo \nbrings a traditional Japanese pattern into a beautiful and very useful acoustic panel. \nGinkgo can bring the most amazing landscapes from all over the world into your \nindoor environment. Ginkgo can be a cloudy sky in the winter or a colourful forest \nduring the autumn. By just changing the colours, this simple shape can bring millions \nof opportunity. Ginkgo can as well be used as a wall decoration. Ginkgo is sound \nabsorbing acoustic panels in polyester Form felt that suppresses echo and noise level \nin the room. It comes in fve standard colours and the surface can be laminated in 30 \nadditional colours. Ginkgo is mounted on the wall with a magnetic ftting, so you can \neasily move around Ginkgo’s when you feel like it, maybe to change a striped wall to \nvariegated or from light to dark. Read more on www.blastation.se \nDunder sofa | Kaffe table | Ginkgo acoustic panels\n117\n",119,{"image":427,"text":15,"number":428},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.120.png",120,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.121.png","119\nKoja high easy-chair | LUX, University of Lund, Sweden\nKOJA | ELEMENT\n",121,{"image":434,"text":15,"number":435},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.122.png",122,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.123.png","Koja high sofa | Kristianstad City Hall, Sweden\n",123,{"image":441,"text":15,"number":442},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.124.png",124,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.125.png","B25\nB25 easy-chair | B26 footstool | Kista Library, Kista, Sweden\n",125,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.126.png","PM\n",126,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.127.png","SPARTA\n125\nSPARTA Ð 1 folded chair: 27mm. 10 folded chairs: 270mm. 100 folded chairs: 2,7 meters.\nPM | Mono high table | Mono Low table | Kista Library, Kista, Sweden\n",127,{"image":456,"text":15,"number":457},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.128.png",128,{"image":459,"text":460,"number":461},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.129.png","127\nSÖNDAG | BIMBO\nBimbo | Malmš Nya Latin, Malmš, Sweden \n \n",129,{"image":463,"text":15,"number":464},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.130.png",130,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.131.png","HIPPO\n129\nHippo chair | HSB Headoffce, Stockholm, Sweden  \n",131,{"image":470,"text":15,"number":471},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.132.png",132,{"image":473,"text":474,"number":475},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.133.png","GATE\n131\nGate GR | Gate GS | UKH in Linz, Graz, Austria \n \n",133,{"image":477,"text":15,"number":478},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.134.png",134,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.135.png","Ping-Pong table | Ping-Pong bench | Microsoft offce, Stockholm, Sweden \n \nPing-Pong table | Dundra bar-stool | Soliditet och D&B, Stockholm, Sweden  \nPING-PONG\n",135,{"image":484,"text":15,"number":485},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.136.png",136,{"image":487,"text":488,"number":489},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.137.png","CLIP\n1 – 4. Clip foldable table | Trolley | Boo chair \n \nClip foldable table | Sting chair \n \n",137,{"image":491,"text":15,"number":492},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.138.png",138,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.139.png","KLIM\n137\nKLIM – For us kliM is the ultimate shelving system: it’s simple, beautiful and \nanonymous. Instantly changing or moving this piece of furniture is a piece of \ncake. We don’t normally work with accessories, shelving systems or storage… \nbut it’s incredibly hard to stick to those principles. Here we’re straying from our \nprinciples again by presenting a shelving system. This means that we’re seriously \nopening the door to consumers – maybe kliM will fnd its way into your home...\n",139,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.140.png","SMALL ISLAND\nBIG ISLAND\nANTOINETTE\n",140,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.141.png","POLSTERGEIST\nPOLSTERGEIST\nTAYLOR\nQVARTO\n89\n",141,{"image":506,"text":15,"number":507},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.142.png",142,{"image":509,"text":510,"number":511},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.143.png","PRODUCTS & FACTS\n",143,{"image":513,"text":514,"number":515},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.144.png","Sšndag\nDesign: Vardag 1996\nStandard: Birch, black\nOther colours: \nAccording to valid pricelist \nor customized for projects\nSteel: Black, chrome III\nSupplement: Upholstered seat\nSparta\nDesign: Börge Lindau 1993\nStandard: Birch, black, white\nOther colours: According to valid \npricelist or customized for projects\nSteel: Black, chrome III\nAccessories: Trolley, floor stand\nlinking device, wall hook\nFoldable, Stackable\nPall B2\nDesign: Börge Lindau 1986\nStandard: Birch, black\nOther colours: According to valid \npricelist or customized for projects\nSteel: Black, stainless steel\nStackable in SH470\nBimbo \nDesign: Peter Brandt 1994–2008\nStandard: \nBirch, oak, black, white\nOther colours: According to valid \npricelist or customized for projects\nStackable in SH445, SH500\nB4\nDesign: Börge Lindau 1986\nStandard: Birch, black\nColours: According to valid pricelist \nor customized for projects\nSteel: Black, stainless steel\nSupplement: Leather covered seat\nStackable in SH470\nHippo \nDesign: Mia Gammelgaard 2010\nStandard: Birch, black, white\nOther colours: \nCustomized for projects\nAccessories:\nAnkle band, leg warmers, socks\nBimbo O6O \nH445 W420 D300\nBimbed O61\nH500 W475 D350\nBimbord O61\nH550 W430 D480\nSšndag O62\nH485 SH450 W370 L1160\nSparta B15\nH790 SH460 W480 D490. Folded 480x910x27\nPall B2-47\nH470 W380 D380\nPall B2-82\nH820 W380 D380\nPall B2-65\nH650 W380 D380\nB4-47\nH720 SH470 W425 D430\nB4-82\nH990 SH820 W425 D430\nB4-65\nH820 SH650 W425 D430\nHippo O2O\nH750 SH450 W420 D510\nTrolley D3 for 26pcs\nH890 W530 L1030\nFloor stand\nfor 10pcs W85 L425. \nWall hook D15\u002F14\nfor 5 or 2pcs\nUpholstered seat\nAnkle band\n \nLeg warmers\nSocks\nLinking Device\n2\n",144,{"image":517,"text":518,"number":519},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.145.png","Straw\nDesign: Osko + Deichmann 2010\nLacquered steel. Indoor\u002Foutdoor\nStandard: Black, white, tomato red\nOther colours: According to valid \npricelist or customized for projects\nAccessories: Removable seatpad\nStackable\nHövding \nDesign: Börge Lindau 1986\nStandard: Birch, black\nOther colours: According to valid \npricelist or customized for projects\nSteel: Grey foot, stainless steel crown\nSupplement: \nLeather covered backrest and seat\nHövding B8L\nH1195 SH445 W535 D675\nStraw Bar O37\nH900 SH820 W430 D400\nStraw O35\nH850 SH460 W475 D565\nSting\nDesign: Borselius & Mattson 2003\nAnodised aluminium. Indoor\u002Foutdoor\nStandard profles: \nNatural, black, red, gold \nOther colours: \nAccording to valid pricelist \nStainless steel legs\nSupplement: \nLeather covered seat and back\nAccessories: Writing tablet, trolley, \nlinking device, different seat pads\nStackable\nGecco\nDesign: Borselius & Mattson 2006\nAnodised aluminium. Indoor\u002Foutdoor\nStandard profles: Natural, black\nOther colours: \nAccording to valid pricelist \nStainless steel legs\nSupplement: Leather covered seat\nStackable\nSting O3O\nH810 SH455 W530 D540\nSting O3OA\nH810 SH455 W530 D540\nGecco O33-65\nH685 SH650 W475 D465\nGecco O33-82\nH855 SH820 W480 D465\nKaffe\nDesign: Thomas Bernstrand 2014\nLacquered steel. Indoor\u002Foutdoor\nStandard: Black, grey, light grey\nOther colours: According to valid \npricelist or customized for projects\nAccessories: \nRemovable uppholstered back cover\nStackable  \nKaffe Lounge O11L\nH720 SH395 W510 D520\nKaffe bench O12\nH810 SH420 W1100 D520    \nKaffe O11\nH810 SH450 W510 D520\nSeat\u002Fback pad\nMoulded polyurethane\nSeat pad\nMoulded foam with Comfort\nSeat\u002Fback pad\nMoulded foam with Comfort\nSting O3O + tablet\nStraw Lounge O36\nH750 SH360 W605 D660\nD11\nRemovable back cover\nHövding B8M\nH925 SH445 W510 D620\nSeat pads \nMoulded foam with Dartex\nTrolley\n for 50 chairs\nRemovable seat pad\nFelt non-slip backing\nLinking device\nWriting tablet\nD11\nRemovable back cover\n3\n",145,{"image":521,"text":522,"number":523},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.146.png","Vivi\nDesign: Thomas Bernstrand 2013\nStandard: Ash, oak, black, white\nColours: According to valid pricelist \nor customized for projects\nSupplement: Linking device, trolley\nStackable\nVivi 2 B9O2\nH795 SH450 W510 D565\nVivi 2A B9O\nH795 SH450 W530 D565\nVivi 4 B9O\nH795 SH450 W510 D565\nVivi 4A B9O\nH795 SH450 W530 D565\nBoo \nDesign: Stefan Borselius 2008\nSeat shell in formfelt \nStandard: Light-grey, grey, black\nInside\u002Foutside can be laminated \nwith micro fbre or leather\nSteel: Chrome III, black\nSupplement: Trolley\nStackable\nBoo Vacuum\nDesign: Stefan Borselius 2008\nSeat shell in ABS-plastic\nStandard: Matt black, shiny white\nSteel: Chrome III, black\nSupplement: Trolley\nStackable\nBoo O48\nH830 SH455 W530 D530\nBoo O48A\nH830 SH455 W580 D530\nBoo O49\nH830 SH455 W530 D530\nBoo O49A\nH830 SH455 W580 D530\nPeekaboo\nDesign: Stefan Borselius 2005\nSeat shell in formfelt \nStandard: Grey, black\nInside\u002Foutside can be laminated \nwith micro fbre or leather\nAuto-return swivel-base: Chrome III\nAccessories: Hood in grey or black \nUpholstered removable seat pad\nPeekaboo O43\nH1210 SH380 W690 D740\nPeekaboo Swivel O43\nH1275 SH380 W690 D740\nDent\nDesign: O4i 2O13 \nStandard: \nAsh, oak, walnut, black, white\nColours: According to valid pricelist \nor customized for projects\nSteel: Black, chrome III\nAccessories: Trolley for Dent Stack\nDent Stack O501 is stackable\nDent Offce B503\nH780 SH455 W520 D520 \nDent Nostack B5O2\nH780 SH455 W500 D520\nDent Wood\nDesign: O4i 2O13\nStandard: \nAsh, oak, black, white\nColours: According to valid pricelist \nor customized for projects\nDent Wood B504\nH7801 SH455 W425 D520\nDent Stack B5O1\nH780 SH455 W425 D520\nTrolley\nfor up to 25pcs\nTrolley\nfor up to 25pcs\n4\nRemovable\nSeat pad\n",146,{"image":525,"text":526,"number":527},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.147.png","Wilmer\nDesign: Stefan Borselius 2012\nUpholstery: List of fabric and leather \nFoam: Moulded polyurethane \nSteel: Chrome III, black \nCan be customized for projects\nSupplement:\nMoulded CHMR polyurerthane foam\nCastors for projects\nWilmer S has auto-return swivel-base\nWilmer T has two tabletops, top one \nis turnable; ash, oak, black, white\nDundra \nDesign: Stefan Borselius 2011\nUpholstery: List of fabric and leather \nFoam: Moulded CHMR polyurethane \nSteel: Chrome III, black, white\nCan be customized for projects\nSupplement:\nButtons in contrasting colour \nAccessories: Trolley for projects\nFollowing models are stackable:\nStool S73-47\nChair S70, S70A\nBar chair S72-65, S72-82\nEasy-chair S71\nSofa S74\nDundra S73-82 \nH820 W450 D470\nDundra S73-47 \nH465 W450 D450\nDundra S73-65 \nH650 W450 D450\nDundra S7O\nH800 SH465 W500 D560\nDundra S7OA\nH800 SH465 W590 D560\nDundra S7OAS\nH800 SH465 W620 D560\nDundra S72-65\nH900 SH650 W520 D510\nDundra S72-82\nH1070 SH820 W520 D510\nDundra S71\nH695 SH400 W680 D720\nDundra S71AS\nH695 SH400 W685 D720\nDundra S74\nH695 SH400 W1500 D720\nDundra S74AS \nH695 SH400 W1550 D720\nInnovation C\nDesign: Fredrik Mattson 2001\nUpholstery: List of fabric and leather, \nFoam: Moulded CHMR polyurethane\nSwivel base: Stainless steel, grey foot\nRemovable writing table:\nAsh, oak, black, white\nSupplement: Auto-return swivel base\nInnovation C O7O\nH750 SH480 W700 D650\nWilmer C O59\nH830 SH460 W615 D620\nWilmer CS O57\nH830 SH460 W615 D620\nWilmer S O55\nH830 SH460 W615 D620\nWilmer CT O58\nH790 SH450 W1000 D620\nWilmer T O56\nH790 SH450 W1000 D620\nRemovable writing table\n5\n",147,{"image":529,"text":530,"number":531},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.148.png","Puppa \nDesign: Stefan Borselius 2010\nUpholstery: List of fabric and leather,\ncustomized for projects\nFoam: Moulded polyurethane\nSupplement:\nMoulded CHMR polyurerthane foam\nOppo\nDesign: Stefan Borselius 2009\nUpholstery: List of fabric and leather,\ncustomized for projects\nFoam: Moulded polyurethane\nAuto-return swivel base: \nGrey lacquered steel\nSupplement:\nMoulded CHMR polyurerthane foam\nAlternative bases:\nFixed base or elevated swivel base\nwith auto-return in chrome III\nOppo Small O5O\nH725 SH390 W700 D900\nOppo Small O5OA\nH725 SH390 W740 D900\nOppo Large O52\nH1045 SH390 W700 D900\nOppo Large O52A\nH1045 SH390 W740 D900\nHigh swivelbase\nSH450\nPuppa O53\nH330 SH330 W730 D500\nB25, B26, L25 \nDesign: Cate & Nelson 2011\nStandard: Ash, black, white\nUpholstery: List of fabric and leather\nSeat and cushions: Polyether & down\nBack: Grey, black, red woollen felt\nTray table top in steel: White, black \nOther colours: According to valid \npricelist or customized for projects\nB25\nH980 SH400 W930 D870 Ø780. \nB26\nSH400 Ø780\nTaylor\nDesign: Mia Gammelgaard 2012\nUpholstery: List of fabric and leather\nArm- and backrest: black leather\nStiches: Neon colours, black, white\nFoam: Polyether\nSteel: Black\nOther colours: According to valid \npricelist or customized for projects\nSupplement: Fire retardancy foam\nTaylor S36\nH790 SH410 W660 D770\nTaylor S37\nH790 SH410 W1500 D770\nSuperkink \nDesign: Osko + Deichmann 2013\nUpholstery: List of fabric and leather\nFoam: Polyether\nSteel frame: Black, tomato red\nOther colours: According to valid \npricelist or customized for projects\nSupplement: Fire retardancy foam\nSuperkink S26\nH790 SH400 W755 D820\nSuperkink S27\nH790 SH400 W1630 D820\nFixed base\nSH390 \nL25\nTH302  Ø780\n6\n",148,{"image":533,"text":534,"number":535},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.149.png","Ally   \nDesign: Hertel & Klarhoefer 2012\nUpholstery: List of fabric and leather,\ncontrasting colours on cut edges,\ncustomized for projects\nFoam: Moulded polyurethane\nSteel: Stainless steel base with built in \nmagnetic linking device \nEasy to link, easy to separate\nSupplement: Fire retardancy foam\nAlly SO6\nH670 SH380 W600 D850\n4x Ally SO6   \nH670 SH380 W2400 D850\nPolstergeist\nDesign: Christine Schwarzer 2000\nUpholstery: List of fabric and leather,\ncustomized for projects\nFoam: Moulded polyurethane\nSteel: Chrome III\nSupplement:\nContrasting colours on cut edges\nMoulded CHMR polyurerthane foam\nPolstergeist S2O\nH410 SH410 D480 L1980\nQvarto\nDesign: Bšrge Lindau 1999. \n(Lindau & Lindekrantz 1965)\nUpholstery: List of fabric and leather\nFoam: Polyether\nSteel: Chrome III\nLinking device in steel included\nSupplement: Fire retardancy foam\nL10 table: White laminte, chrome\nCustomized for projects\nLinkable\n \nDunder \nDesign: Stefan Borselius 2010\nUpholstery: List of fabric and leather,\ncustomized for projects\nFoam: Moulded polyurethane\nSteel: Chrome III\nLinking device in steel included \nSupplement:\nButtons in contrasting colour \nMoulded CHMR polyurerthane foam\nAccessories: Cushion  \nLinkable\nDunder S6O0\nSH400 W850 D850\nDunder S6O3\nH740 SH400 W850 D850\nDunder S6O5 (right)\nH740 SH400 W850 D850\nDunder S6O2\nH740 SH400 W850 D850\nDunder S6O4 +S602 + S605\nH740 SH400 W2550 D850\nS1O corner \nH800 SH400 W770 D770\nS1O middle\nH800 SH400 W660 D770\nS1O footstool\nSH400 W660 D660 \nL1O table\nH550 W660 D660\nDunder S6O1\nH740 SH400 W850 D850\nDunder S6O4 (left)\nH740 SH400 W850 D850\nPolstergeist S2O\nH750 SH410 D690 L1980\nPolstergeist S2O\nH750 SH410 D930 L1980\nS1O 2x corner \nH800 SH400 W2140 D770\nS1O 2x corner & 3x middle\nH800 SH400 W2140 D770\n7\nDunder cushion\n500x500\n",149,{"image":537,"text":538,"number":539},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.150.png","Antoinette \nDesign: Cate & Nelson 2010\nSteelframe: Black\nMesh: Black\nSteel belt: Black, off-white\nUpholstery: List of fabric and leather\nFoam: Polyether\nCustomized colours for projects \nAntoinette S55\nH1750 SH470 D690 L1325\nCode 27 \nDesign: Lindau & Borselius 2014\nUpholstery: List of fabric and leather\nSupplement: Side cushion\nSeat & Backrest cushions: \nPolyether foam, down, feathers\nSteel: Black\nCan be customized for projects\nThe flling of all the cushions are \nidentical on both sides which makes \nthem revesible. Use two colours to \nmake it more fexible in appearance\nCode 27 is based on a \nmathematical formula where you \nby adding +27cm can build it to \nvirtually any length you wish.\nFinish with endings +120mm\nA = 540mm (2x27cm) +120mm\nB = 810mm (3x27cm) +120mm\nC = 1350mm (5x27cm) +120mm\nMake a combination of your choice\nExample:\nA+B+C+B+C = Lenght 4980mm\nCode 27 - A\nH750 SH400 W660 D920\nCode 27 - B\nH750 SH400 W930 D920\nCode 27 - C\nH750 SH400 W1470 D920\nCode 27 - ABC\nH750 SH400 W2820 D920\nKoja \nDesign: Fredrik Mattson 2008\nFrame standard: Ash, black, white\nUpholstered backrest in   \nGabriel\u002FEuropost Stripe EW40, \nEW25 colours according to valid \npricelist or customized for projects.\nSeat and cushions with polyether \nfoam and down\nUpholstery: List of fabric and leather,\ncustomized for projects\nThe backrest can be quilted with \nsewn channels and visible stitching \nin customers choice of fabric\nSupplement:\nWriting tablet: chrome III, \ntable top in ash, black or white\nSound absorbing room-divider,\nElement, see page 13\nKoja S51L\nH830 SH440 W770 D740\nKoja S51H\nH1210 SH440 W770 D740\nKoja S53L\nH830 SH440 W1400 D740\nKoja S53H\nH1210 SH440 W1400 D740\nCode 27 - ABC\nH750 SH400 W2820 D920\nKoja S52L\nH830 SH440 W1830 D740\nKoja S52H\nH1210 SH440 W1830 D740\nWriting tablet\nPM\nDesign: Peter Molin 2011\nUpholstery: List of fabric and leather,\ncustomized for projects\nFoam: Polyether\nSupplement: Fire retardancy foam\nStackable\nPM A11\nSH400 D500 W800\nElement A5O\nSee page 13\n8\nRemovable\nSide cushion\n",150,{"image":541,"text":542,"number":543},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.151.png","Island\nDesign: Tomoyuki Matsuoka 2001\nWood: Oak\nLaminate: White\nSteel: Chrome III\nFoldable\nOther table tops or colours: \nCustomized for project\nMono\nDesign: Mia Cullin 2010\nLacquered aluminium: \nNatural, black, white\nWood top: Reversible ash\u002Foak, \nall white, all black\nGlass top: Reversible black\u002Fwhite\nOther table tops or colours: \nCustomized for project\nIsland\nDesign: Tomoyuki Matsuoka 2001\nUpholstery: List of fabric and leather,\ncustomized for projects\nFoam: Polyether\nSteel: Chrome III\nFoldable\nSmall Island O8O\nH445 D550 W1330\nSmall Island L8O\nH410 D550 L1325\nBig Island L82\nH445 Ø1150\nBig Island O82\nH410 Ø1155\nMika\nDesign: Mika Tolvanen 2012\nIndoor\u002Foutdoor \nLacquered aluminium\nStandard: Natural, black, white\nOther colours: Customized for project\nPond\nDesign: Mia Cullin 2013\nStandard: Ash, oak, white, black\nSteel: Chrome III\nHandle: Black rubber, natural or \nblack leather\nCastors\nOther colours: C ustomized for \nproject\nMono High L88\nH450 Ø400\nMono Low L89\nH270 Ø665\nMika L28LS\nH400 top 450x280    \nPond High L842\nH500 Top Ø400\nMika L28LR\nH400 top Ø500\nPond Low L841\nH400 Top Ø500\nMika L28HR\nH500 top Ø500\nMika L28HS\nH500 top 450x280\nSmall Island O8O\nFolded\nBig Island L82\nFolded\nDundra \nDesign: Stefan Borselius 2013\nWood: Ash, oak, black, white\nSteel: Chrome III, black,white\nOther colours: Customized for project\nDundra Table L24\nTH 400 L1140 W540\n9\n",151,{"image":545,"text":546,"number":547},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.152.png","Ping-Pong\nDesign: Johan Lindau 2001\nWood standard: \nAsh, oak, white, black\nMDF standard: White \nSteel: Stainless steel\nSizes, colours and materials\ncan be customized for projects\nSize\nDesign: Thomas Bernstrand 2O13\nTable Size can be provided in \nalmost any possible size or height. \nWood standard: \nAsh, oak, white, black\nSteel details: Chrome III\nSizes according to valid pricelist\nand customized.\nPing-Pong L23-72\nH720 W800 L2500\nSize L9O4\nH420 H720 Table-top: round or square in many sizes\nSize L9O5\nH420 H720 H900 H1070 Table-top: rektangular in many sizes\nStraw Table\nDesign: Osko + Deichmann 2014\nIndoor\u002Foutdoor depending on top \nTable top in ash, oak, white, black,\nvalchromat or outdoor MDF \nSteel: Black, other colours according \nto valid pricelist\nCustomized for projects\nL35X in all steel, for projects only\nL1\nDesign: Börge Lindau 1987\nStandard: Birch, black\nOther colours: According to valid \npricelist or customized for projects\nSteel: Black or grey pillar, stainless \nsteel crown\nTable top: Glass\nBabel L3O\nH435 H530 H625 H720 H910 H1005 H1100 Table-top: Ø600 Ø750 Ø900\nL1\nH590 H710 H890 H1060  Table-top: Ø580\nL35\nH720 Ø750\nBabel \nDesign: Fredrik Mattson 2008\nWood standard: \nBirch; white - black scale or all white\nOther colours: According to valid \npricelist or customized for projects\nSteel foot: Black, crome III\nTable top: Ash, white, black\nKaffe Table\nDesign: Thomas Bernstrand 2014\nIndoor\u002Foutdoor depending on top \nTable top in ash, oak, white, black\nvalchromat, outdoor MDF or \naccording to valid pricelist \nSteel: Black, grey, light grey \nCustomized for projects\nKaffe Table L11\nH400 H500 H720  Table-top: Ø600 Ø750 Ø900, 650x650 1180x650 1180x380\nL35X -Design 2012\nfor projects H720 W750 D750\nPing-Pong L23-107\nH1070 W600 L2000\nPing-pong Bench\nH460 W400 L2380\nPing-Pong L23-90 \nH900 W600 L1800\n10\n",152,{"image":549,"text":550,"number":551},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.153.png","Level\nDesign: Borselius & Mattson 2004\nAnodised aluminium. Indoor\u002Foutdoor\nStandard: Natural, black\nTabletop: White compact laminate \nOther colours: According to valid \npricelist or customized for projects\nClip L41\nH735 W800 Table-top: L1400 L1850 L2050  \nLevel L32\nH460 H600 H720 H900 H1070 Foot: 430x430 Table-top: ¯600 ¯750 ¯900 500x500 700x700 (700x1400 2xL31)\nPedestal Level\nDesign: Borselius & Mattson 2004\nAnodised aluminium. Indoor\u002Foutdoor\nStandard: Natural, black\nOther colours: According to valid \npricelist or customized for projects\nSteel pedestals available for contract \nprojects\nPedestal Level L31\nH458 H588 H708 H888 H1058 Foot: 430x430\nClip\nDesign: Jonas Forsman 2005\nTable top standard: \nLightweight Eurolight with white \nmelamine and white edging strip.\nSteel: Chrome III\nCustomized for projects\nSupplement:\nTrolley\nPedestal Bit\nDesign: Bšrge Lindau 1992\nSteel frame: Chrome III, black\nOther colours: According to valid \npricelist or customized for projects\nSupplement: \nPlus-shaped footplate\nPropeller-shaped footplate\nGalvanised frame for outdoor use\nPedestal Bit L6\nH458 H588 H708 H888 H1058 Foot: ¯490\nBit\nDesign: Bšrge Lindau 1992\nSteel frame: Chrome III, black\nTabletop: White compact laminate \nOther colours: According to valid \npricelist or customized for projects\nSupplement: \nPlus-shaped footplate\nPropeller-shaped footplate\nBit L7\nH460 H600 H720 H900 H1070 Foot: 490 Table-top: ¯600 ¯750 ¯900 700x700 (700x1400 2xL6)\nSize\nDesign: Thomas Bernstrand 2O13\nWood standard: \nAsh, oak, white, black\nSteel details: Chrome III\nCustomized for projects\nPedestal Size L901\nTotal height: H500 H720 H900 H1070 Footplate: ¯490 ¯600 Table-top: ¯600\u002F¯750\u002F¯900 700x700\nClip L41\nH735 W600 L1400  H735  \nTrolley available for all sizes\nfor 10pcs tables  \nBig Bit L6\nH708 Foot: ¯700\nCustomized sizes for projects\n11\n",153,{"image":553,"text":554,"number":555},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.154.png","Klim\nDesign: Christian Göbel 2012\nShelving system\nSteel frame: Chrome III\nShelves in MDF: White, black \nColours can be customized for \nprojects\nVisp\nDesign: Staffan Holm 2011\nLacquered steel\nStandard: Black, white, tomato red\nOther colours: According to valid \npricelist or customized for projects\nSupplement: \nExtra footplate\nKlim A4\nH900\u002F1850 W800\u002F600 D350\nVisp A30\nH1800 Ø600\nOppocement\nDesign: Stefan Borselius 2009\nIndoor\u002Foutdoor\nConcrete: \nDark grey, natural grey, white grey\nComes in 2 sizes:\nOppocement 450 kg\nMini-Oppo 7,5 kg\nOppocement O51L\nH1040 SH350 W700 D900\nMini-Oppo A15\nH260 W180 D235\nGate\nDesign: \nBörge Lindau & Johan Lindau 1994\nBENCH SYSTEM for public spaces\nComes in 2 straight (GS) and \n2 curved (GR) basic models. \nThese can be linked together to \nform rows that are straight, curved \nor at right angles to suit any setting \nBenches may be ftted with \nback-rests and\u002For seats as\nrequired. Standard centre-to-centre\nspacing between seats of 600 mm \n(GS) and 650 mm (GR) can be \nvaried to accommodate more or \nfewer seats.\nStandard: Birch wood\nFrame: Galvanized steel\nAccessories:\nBackrest: Rounded, straight\nSeat: Round, straight, complete\nUpholstery: List of fabric and leather\nFoam: Polyether\nSupplement:\nArmrest\nWall and bench spacer in steel\nHalf-underframe for curved unites\nCan be anchored to the foor\nColours and materials: According \nto valid pricelist or customized for \nprojects\nGate GS20\nH890 SH420 L1200 D460\nGate GS20\nH890 SH455 L1200 D460\nGate GS30\nH890 SH455 L1800 D460\nArmrest\nGate 3xGS40 \nFor projects\nGate 2xGR20\nH890 SH455 External radius 1500 60° of a circle\nWall \nspacer \nHalf-\nunderframe\nGate GS30\nH420 SH420 L1800 D460\nVisp + extra footplate\n12\n",154,{"image":557,"text":558,"number":559},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.155.png","Ginkgo\nDesign: Stone-designs 2014\nAcoustic panelling\u002Fwall decoration\nFormfelt: off-white, light grey, medium \ngrey, antracite grey, black \nLaminated Formfelt: 100% new wool \nin 30 colours, minimum 4pcs\u002Fcolour \naccording to valid pricelist\nAvailable with or without sound \nabsorbent-flling of eco-felt\nMagnetic mounting \nTested for sound absorbent qualities \nboth with and without flling \nResults available on our website\n8pcs is 1sqm \nSee our website for more informaton\nAll black\nElement\nDesign: Fredrik Mattson 2014\nSound absorbing room-divider\nUpholstered in Gabriel\u002FEuropost \nStripe EW40, EW25 colours \naccording to valid pricelist \nor customized for projects.\nFilling: Eco-felt \nSteel: Black, chrome III\nSupplement: Removable runner in \nsteel with hangers, black or chrome III\nElement A5O\nH1230 W1850 B400 (foor)\nRemovable runner\nAntracite grey\nLight grey\nGinkgo A40\nH420+80 W500\nMedium grey\nOff-white\nBuild a pattern of your choice by using our CAD fles or a tool available on our wesite\nAlways enter our website for latest \ninformtion www.blastation.se \nCAD fles of our our products are \navilable to down-load from our \nwebsite\nSH  = Seat Height\nH    = Height\nW   = Width, Lenght on sofa’s\nL \n= Lenght on tables\nD    = Depth\nØ    = Diameter\n \n \n \n= Symbol for more colour\n13\n",155,{"image":561,"text":15,"number":562},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.156.png",156,{"image":564,"text":565,"number":566},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.157.png","In this catalog, our designers are represented with the products \nbelow. Note that more of our designers products are available \nfor projects. \nBörge Lindau  \nPall B2 | B4 | Hšvding | Beplus | L1 | Bit  \nSparta | Qvarto\nBörge Lindau  \nGate \n& Johan Lindau  \nPeter Brandt  \nBimbo, Bimbed, Bimbord\nAnnette Petersson  \nSšndag \n& Lotta Josefsson  \nJohan Lindau  \nPing-Pong\nTomoyuki Matsuoka \nIsland | Latte\nFredrik Mattson  \nInnovation C | Babel | Koja | Element\nStefan Borselius  \nSting | Level | Gecco \n& Fredrik Mattson  \nJonas Forsman  \nClip\nStefan Borselius  \nBoo | Peekaboo | Oppo | Puppa | Dunder  \nDundra | Wilmer   \nMia Gammelgaard  \nHippo | Taylor\nOsko+Deichmann  \nStraw | Superkink\nMia Cullin  \nMono | Pond \nCate & Nelson  \nAntoinette | B25\nPeter Molin  \nPM\nStaffan Holm  \nVisp\nHertel & Klarhoefer  \nAlly\nMika Tolvanen  \nMika\nChristian Göbel  \nKlim\nO4i \nDent\nThomas Bernstrand  \nVivi | Size | Kaffe \nStone Designs  \nGinkgo \nStefan Borselius  \nCode 27 \n& Johan Lindau  \n \nRead more about our designers at www.blastation.se\nDESIGNERS\nArchitectural & Interior Design Practices responsible for  \ninterior shown within this catalogue on following pages: \n18, 72, 73: LINCOLN CENTER, Diller Scofdio+Renfro, New York.  \n50, 119: LUX, Lunds Universitet: Semrén & Månsson, Gšteborg.  \n70: ASTRA ZENECA, Lomar Arkitekter, Stockholm.  \n71: FECHOR, Lado Blanco, Madrid.  \n98: TELE2 ARENA, Tema Arkitekter, Stockholm.  \n102, 106, 108: KINO-VIKTORIA, Mellbye Arkitektur Interiør, Oslo.  \n105, 128: HSB, PS Arkitektur, Stockholm.  \n112, 126: MALM… NYA LATIN, Mono Arkitekter, Malmš.  \n114: GEODIS WILSON, Gestalt Arkitekter, Gšteborg.  \n120: KRISTIANSTADS KOMMUNHUS, Fojab Arkitekter, Malmš.  \n122, 124: KISTA BIBLIOTEK, Wester + Elsner, Stockholm.  \n132: MICROSOFT, Murman Arkitekter, Stockholm.  \n133: SOLIDITET OCH D&B, Ljusrum Arkitekter, Stockholm.  \n138: ASTRA ZENECA, Refex Arkitekter, Stockholm.  \n139: LULE• KULTURHUS, Tirsen & Aili Arkitektur, LuleŒ. \nARCHITECTS\nPhotographers, name and page:  \nErik Karlsson: 2, 5, 7, 9, 13, 14, 21, 22, 23, 24, 25, 26, 27, 29, 30, 31,  \n32, 35, 37, 39, 41, 43, 45, 46, 47, 48, 49, 52, 55, 59, 61, 63, 66, 67, 68,  \n69, 75, 81, 85, 89, 92, 93, 95, 99, 103, 107, 109, 111, 113, 115, 117, 119,  \n120, 121, 125, 127, 129, 131, 134, 135, 136, 137, 139, 140, 142-153.  \nP-A Jörgensen: 6.  \nJohn Taggart: 18.  \nHenrik Palmberg: 34, 50, 54, 56, 58, 60, 62, 74, 76, 79, 94, 101,  \n104, 110, 112, 116, 118, 126.  \nDerek Berwin: 38.  \nNils Rohwer: 42.  \nMax Alm-Norell: 64, 78, 84, 86, 96.  \nÅke E:son Lindman: 70, 138.  \nMarta San Juan: 71.  \nIwan Baan: 72.  \nWalter Hutmacher: 80, 82.  \nBjörn Graßmann: 88, 90, 138.  \nJason Strong: 98, 105, 122, 124, 128, 132, 133.  \nTrond Walsø: 102, 106, 108.  \nBert Leandersson: 114.  \nPaul Otto: 130.  \nLuuk Kramer: 139.\nSpecial thanks to:  \nDuvanders, Kristianstad. Boulebar, Malmš. Designers Eye, Torsebro.\nLilla Kafferosteriet, Malmš. Mörrums Konferenscenter, Mšrrum. \nSaltimporten, Malmš: Oatly, Harvest Agency, Organic Oil, \nFrankly, Anna Gouteva.\nGraphic production: Formera, •hus.  \nRepro: Laholms Lito, Halmstad.\nPrint: Print One, Halmstad.\nPHOTOGRAPHERS\n",157,{"image":568,"text":569,"number":570},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.158.png","Blå Station AB. Box 1OO | S-296 22 Åhus. Sweden | Tel: +46 (O)44 24 9O 7O | Fax: +46 (O)44 24 12 14 | info@blastation.se | www.blastation.se\nThis is a status report,\nabout the things we’re doing,\nabout the places we’re influencing,\nabout the time we’re living in.\n",158,{"image":572,"text":15,"number":573},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.159.png",159,{"image":575,"text":15,"number":576},"\u002Fmedia\u002Fimages\u002F11\u002Fab9ae2c9e9d0245bc969408660adec.160.png",160,[],0,false,true,{"success":580,"data":582,"meta":790,"count":791,"next":792,"previous":793,"results":825,"brand_chips":886},[583,596,605,614,623,632,641,651,661,672,684,697,706,719,731,741,751,760,769,781],{"id":584,"title":585,"slug":586,"image":587,"source":588,"brand_name":589,"brand":590,"brand_slug":591,"file_size":592,"pages":593,"pages_count":594,"matched_pages":595,"match_count":578,"two_pages":579,"show_text":580},26607,"Working 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