[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bla-station-experiment-no1-2017":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":61},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":56,"matched_pages":57,"match_count":58,"two_pages":59,"show_text":60},8061,"Experiment No.1 2017","bla-station-experiment-no1-2017","\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe5\u002Fc5eb7ed13e3b96adb94c2ebc8fdaaf.pdf","Bla Station",1996,"bla-station","24.5 MB",[14,17,21,25,29,33,37,41,45,49,53],{"image":7,"text":15,"number":16},"No.1\n2O17\nEXPERIMENT\nBOB\nTHOMAS BERNSTRAND            \nSTEFAN BORSELIUS\nLUCKY\nLUKA STEPAN\nSTONE DESIGNS\nGAIA & GINKGO  \nBLÅ STATION FAMILY\nPEACE LOVE & GOOD DESIGN\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.2.png","Short or long, with just a couple or a lot of modules. \nEach of the five + one different modules is a mere \n26 cm in width, which turns Bob into an easily \nunderstood and extremely flexibly modular sofa \nsystem. Build it straight, add a hairpin turn, or let it \nflow in gentle rhythmical curves. Where ordinary \nsofas are usually rectangular, square and predictable, \nBob offers an architectonic freedom to either \nchallenge or adhere to all types of spaces. Without \nany “back” side, Bob faces all directions beautifully, \nproviding even more possibilities for ever-changing \ninterior design architecture. The straightforward \nconstruction requires a minimum of maintenance: \na frame in FSC-certified plywood with a sturdy yet \nsoft mould of foam, and a broad selection of fabrics \nand colours.\nJohan Lindau, CEO and design manager of Blå Station, \nhas once again challenged two of Sweden’s most \nrenowned designers. Is it possible to allow for \nmaximum flexibility with a minimum of components \nat a reasonable price? And will Stefan Borselius \nand Thomas Bernstrand once more be able to \ncollaborate – even more intimately this time – than \nwith their former success, Experiment 15, which \nresulted in Honken, Poppe and Morris JR? ‘You can \neasily get stuck on details when you work alone’, \nsay Thomas Bernstrand and Stefan Borselius in \nunison. ‘We work faster together when we can \nswitch roles, taking turns at leaning back to take in \nthe big picture, or immersing ourselves in the details.’ \nLogistics and production handling are obviously of \nparamount importance. ‘We cut and adjusted a \nvolume in styrofoam in Stefan’s studio until the height \nand depth was spot on’, says Thomas Bernstrand. \n‘Then we rotated it until it fitted perfectly on a Euro \npallet.’ The final result is a compact volume for \ntransport, with each module being easy to handle \nboth in the factory and on site. ‘Sit on the back \nof the sofa, or deep down in it; you will be sitting \ncomfortably regardless’, says Stefan Borselius, and \ncontinues: ‘Enter the floor plan into the computer and \nlet Bob flow through space with simple or complex \nforms. Email the order to Blå Station, and you will \nget a tailored delivery directly from the factory’.\nBOB\nBorselius & Bernstrand\nBOB | Borselius & Bernstrand 2017\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.3.png","‘If you can order a table by the metre, why not a sofa? Bob is comfortable and very attractive, with \na wide choice of fabrics that perfectly fit the outline. A restricted number of modules allows for any \nkind of configuration.’\nThomas Bernstrand\n‘The brief is quite simple: how do you allow for maximum flexibility \nwith as few components as possible? And of course everything has \nto fit on a Euro pallet so that warehousing and delivery is facilitated.’\nJohan Lindau\n‘Not too high; not too low. Not too deep; \nnot too short. Challenge any space with a \ntwist or adhere perfectly thanks to modules \nthat are a mere 26 cm wide.’.\nStefan Borselius\nBOB | MODULES\nBOB\nBorselius & Bernstrand\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.4.png","BOB\nBorselius & Bernstrand\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.5.png","Thomas Bernstrand can boast of being both a renowned Swedish \ndesigner and a singular rebel on the Swedish design scene. When Thomas \npresented the two lamps Do Swing and Sugar Ray at his exam exhibition \nat Konstfack, the School of Arts, Crafts and Design in Stockholm, they \nwere immediately picked up by Droog Design which featured them in their \nmuch-praised show during the Milano fair in 2001. A lamp which allowed \nyou to fly over the bar counter and another in silicon to punch until it lit up. \n‘I need to justify what I create’, says Thomas earnestly. ‘Why make a new \nproduct? Can I do it differently? In a more environmentally sound way? \nAllow for more efficient logistics? Make it easier to move? It can almost be \nanything as long as the product offers something new, otherwise it doesn’t \ncount.’ \nThe same desire to challenge prevailing norms with witty and meticulously \nconceived design is mirrored in Thomas’ art project. The Beach, which \nwon the 2008 Siena Landscape Award, consists of sun deck furniture and \nparasols in a year-round installation in the centre of Stockholm. Movable \nSpace is one of four projects still to be completed; a slowly revolving light \ninstallation that will adorn the new commuter rail station Odenplan in \nStockholm. Thomas’ education spans industrial design to art, and he studied \nin Stockholm at both Konstfack – the University of Arts, Crafts and Design – \nand Konsthögskolan – the University of Fine Arts – as well as at Denmark’s \nDesignskole. His work can be found in museums both in Sweden and \nDenmark, and of course in the Blå Station collection. Thomas has also \nbeen awarded many design prizes, among them the Young & Design \nAward, Italy, and the Imm Interior Innovations Award, Cologne, Germany.\nFAVOURITE PODCAST? \nLilla Drevet, where the cartoonist \nand radio host Liv Strömqvist \nsucceeds in joking about themes \noften deemed to be too sensitive \nfor humour.\nTHINGS THAT STIMULATE YOU? \nI like opposites. Public art \ninstallations are a way of finding \nnew uses of spaces, but they can \nalso make me very angry at the \nbureaucracy that must be surmount-\ned in order to have your ideas \ncome true. After that it’s always \nquite a relief to turn back to the \nchallenges of industrial design and \nsolving lots of petty details.\nTHE LAST BOOK YOU READ? \nGut: The Inside Story of Our \nBody’s Most Underrated Organ, \nby Giulia Enders. Isn’t it absurd that \nwe fill ourselves with antibiotics, \nwhich kill our bacteria, both good \nand bad, and then we have to \nrebuild our immune system over \nand over again?\n    THOMAS\nThomas Bernstrand\nHONKEN | Thomas Bernstrand + Lindau & Borselius  2015\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.6.png","WHAT DO YOU EXPECT OF 2017? \nI hope Trump as president won’t affect us too much, \nbut I’m worried of course. I’m gearing up a bit as a designer, \nwith a new employee and a soon-to-be-finished new studio \nat my home in Böste, near Smygehuk at the southern \ntip of Sweden.\nWHERE DO YOU HUNT FOR NEW IDEAS? \nAs a designer, you turn on a kind of analytical gaze when \ntravelling the world. You wonder how that chair is built, how \nit is used, how it could be made differently every time you \nenter a café, a restaurant or a public space. Peekaboo was \nan answer to the new open office where there is often a \nlack of private space.\nBEST RESTAURANT? \nFood is really taken seriously at Daniel Berlin in Skåne \nTranås, one of the best restaurants in Sweden. It’s not a \nplace where you can afford to go regularly, but the flavours, \nthe serving and the fresh ingredients really stimulate, inspire \nand focus your senses. It’s an experience worth comparing \nto a good theatre play or \nencountering different cultures.\nWHAT LIGHTENS YOUR MOOD? \nI listen to Swedish and English stand-up along with all sorts \nof music when I draw my designs. Humour and joy \ncontribute to your creativity just like a good glass of wine.\nStefan Borselius is one of Sweden’s most prominent \ncontemporary designers. He has trained as a \ncarpenter at the Steneby School, as a designer at \nthe Carl Malmsten School, and holds a master’s \ndegree from Konstfack, the University College of \nArts, Crafts and Design in Stockholm. With a keen \ninterest in historic designs, he creates furniture, lights \nand textiles inspired by new lifestyles and new \nworking environments. All of his work is marked \nby an attention to proportions and details, and he \nmethodically and whole-heartedly pushes the \nboundaries of what can be produced, without \nleaving anything to chance. ‘I presented my \njourneyman piece exactly 100 years after my \ngrandfather’s father did the same, but although I \nfelt at ease with carpentry, I wanted to learn how \nto create and draw my own forms.’\nThe Oppo chair for Blå Station, 2009, fuses \ntechnical and emotional functionality in a soft, cushy \nfriendly form. Stefan has received numerous awards \nincluding the Red Dot: Best of the Best Award, \n2004. He is represented in the design collection at \nthe National Museum, Stockholm. Many Swedish \ndesign companies in lighting, textile, and acoustic \nproducts are among his clients, and most of all Blå \nStation, for whom he has created modern design \nicons such as Peekaboo, Wilmer and Oppo as \nwell as Sting, designed with Fredrik Mattson.\n    STEFAN\nStefan Borselius\nPOPPE | Stefan Borselius + Bernstrand & Lindau 2015 \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.7.png","Sturdy yet flexible, with a calculated balance of \nproportions, Lucky is both closed and open, with \naccentuated horizontal and vertical forms: a chair \nthat offers a comfortable and at the same time \nalmost ritual seating experience. Lucky is made in \ntraditional materials such as oak plywood and has \nan upholstered backrest and seat covered in leather \nor textile. \nGenerously evident in all its simplicity, the monochrome \ncolour scheme underlines a stringent and classical \nexpression. ‘When I studied in London eight years \nago, I did a lot of experiments with plywood since \nit was readily available at the RCA workshop.’ says \nLuka Stepan. ‘I wanted to use it to achieve a touch \nof flexibility in contrast to solid wood. I managed \nto do this by mounting the seat at the front.’ Luka \ndescribes Lucky as a cantilevered dining chair that, \nthanks to its slightly lower back, can easily slid in \nunder a table to save space when not in use.\nJohan Lindau met Luka last year at Salone Satellite, \nthe Milan Furniture Fair’s stage for young designers. \n‘It would be a breach of my duty as a producer \nand design manager to always go with the stars \nof design, and not check out young talents’, says \nJohan Lindau. ‘It’s among the students and young \nyet unknown designers that you might stumble on new \nideas.’ And the fact that a producer from the north \nwere seduced by Luka’s design might be explained \nby its distinctly Nordic feeling. ‘There is a common \nhistory in this need to contend in a utilitarian way with \nscarce resources’, says Luka Stepan. ‘As a Slovenian \nI have a different background to work from because \nof my country’s socialist past, but it still requires the \nsame intelligent attitude to researching the full \npotential of the materials. \nLUCKY | Luka Stepan 2017\nLUCKY\nLuka Stepan\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.8.png","Luka Stepan\nDESIGN THAT CAN BE IMPROVED? \nCar design obviously; it can’t just be about \nstyling, can it? It’s not enough that Tesla \nchallenges the other manufacturers, there’s \nlot to do: how do you improve on the \ninterior and how do you interact with all \nthe electronics at your command? And \nbeing in charge of so much deadly power \nin the street, how do you develop the auto-\nmatic system keeping everything in check? \nIf we will have driverless cars in a sharing \neconomy, what will they look like? What \nkind of sociological and cultural challenges \nare we facing?\nTHE LAST BOOK YOU READ? \nThe Architectures of Atelier Bow-Wow: \nBehaviorology. I’m fascinated with the \nJapanese metabolists of the 1950s and \nhow their work applies to the architects of \ntoday, especially when we look for new \ntypes of dwellings for new lifestyles.\nLATEST MUSIC EXPERIENCE? \nThe Serbian indie-pop band Repetitor; \nthey are at their best live!\nLuka Stepan continued his studies at the Royal College of Art in London, \nafter graduating from the Academy of Fine Arts and Design in Ljubljana. \nHe received guidance from Professor Ron Arad at the RCA, and worked \nas a freelance designer in the UK for several renowned London studios – \namong them Tangerine – and Luka is now based in Ljubljana with his own \ndesign studio. ‘Why am I making yet another chair? Yes, that’s a good \nquestion! There are really way too many chairs in the world, and lots of \nthem are really bad since they don’t last long, not even culturally. Lucky is \nmade without any compromises or short-cuts, and while it’s not a cheap \nchair, it’s actually an investment because you can count on using it for a \nlong time.’\nAs a designer, I appreciate restrictions regardless of whether they are \nrelated to with artistic expression, marketing issues, sociological concerns \netc. It is these restrictions that make you bound to find successful solutions.’\nCutu Mazueolos and Eva Prego started their design \nstudio Stone Designs more than 20 years ago, and \ntoday have clients all around the world. Offices are \nto be found in Shanghai, Tokyo and Moscow, as \nwell as their home town of Madrid. Their designs \nhave earned them great popularity among \nSwedish manufacturers thanks to a Nordic feeling \nwhich surpasses even local designers. Maybe it’s \nbecause of an aversion to an ever-more artificial \nworld? ‘We feel a strong affinity with both Nordic \nand Japanese culture and aesthetics. We talk the \nsame language’, says Eva Prego. ‘Furthermore, \ncolour is a universal language, which people \nFAVOURITE MUSIC? \n‘We don’t really listen to Flamenco, but my life-long favourite \nis Debussy’s Claire De Lune’, says Cutu Mazuelos. ‘We also \nappreciate Nordic music like Sigur Rós and First Aid Kit.’\nTHE LAST BOOK YOU READ? \nTratamiento psycológico de la hipcondría y la ansiedad \ngeneralizada. Who really believes in the image of designers \nall clad in black going from success to success? It’s a tough, \nstressful life; you travel all day, you’ve got all these dead-\nlines, it hurts a lot, and you really have to curb your anxiety \nand hypochondria. I believe that in order to make people \nhappy, you must also allow yourself to experience sadness \nonce in a while. \nStone Designs\n    CUTU & EVA\nLUKA\nunderstand and can interpret on their own, almost \nlike abstract art.’ Cutu Mazueolos has a past as a \nprofessional snowboarder and is a keen practitioner \nof extreme sports. ‘I really find myself at ease with \nnature; everything else is plastic. Worst of all \nis social media. Where is the taste of life in all these \nplastic products which surround us?’ Stone Design \nworks for many internationally well-known and \nhigh-profile clients, as well as providing interior \ndesign for ski resorts both in Spain and Japan. Both \nEva and Cutu emphasise that they want to improve \npeople’s lives by creating a new relationship with \nboth object and surroundings. \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.9.png","Sound absorbers can be so much more than just \ntechnology; Stone Designs succeeds in offering \nemotional functionality as well. Gaia, which was \npresented at the 2016 Milan Furniture Fair, consists \nof four asymmetrical pieces representing Mother \nEarth’s four elements: fire, earth, wind and water. \nThe 100% hot-moulded polyester form felt modules \ncan be combined in an infinite range of possible \ncombinations that result in three-dimensional figures, \nwhich will stand out both as decoration and \nacoustic control in one and the same product. \n‘Gingko has a different take and builds visual \ncompositions’, says Cutu Mazueolos, who runs \nStone Designs together with Eva Prego. ‘It’s not just \nan acoustic panel that you build square by square; \nit’s a landscape generator which can be a cloudy \nsky in winter, a lush mountain slope in the spring, a \nforest ablaze with colour during the autumn. With \nthis simple shape inspired by Japanese Gingko \nleaves the user can provide new inspirational \nlandscapes simply by changing the colours!’ \nJapanese tradition meets Nordic design in an \nacoustic product which reduces ambient noise and \nechoes in any room. Gingko can easily be mounted \non walls thanks to magnetic fittings. Cutu Mazueolos \nand Eva Prego stress that their designs are finalised \nby the users’ creativity. Both Gaia and Gingko can \nbe combined in a plethora of different ways with the \nhelp of Blå Station’s Wall Planner; just enter the wall \nmeasurements and select combinations of colours. \nFurthermore, Acoustic Facts makes it possible to \ncalculate the exact acoustic properties and the \nnumber of acoustic absorbers required for any room. \nLook out for new surprises from Stone Designs and \nBlå Station at the upcoming Milan Furniture Fair!\nGAIA\nPLANNER\n -The GAIA Wall Planner is our latest addition. You can find our planner tool \nunder downloads, and under each product that has a planner. And of course \nthere are also CAD drawings for use if you work with other software.\n-Keep an eye out for BOB Planner – it’s coming soon!\nIt will help you create all of the formations and variants you could \npossibly want. You can choose fabric or leather, select the colour, \nsave an image and send a price inquiry direct to us.\n-You can find the GINKGO Wall Planner on our website. You don’t need to \ndownload any software to be able to use it. It’s intuitive and easy to under-\nstand. Try it out or look at the instruction video. And please contact us if you \nneed help.\nGAIA | Eva Prego & Cutu Mazueolos 2016\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.10.png","On the southeast coast of Sweden in a former \nsewing factory, Blå Station is as restless as the \nBaltic Sea. The quest for designs that interpret the \npresent and point to the future requires an intense \ncombat with technology and materials, which has \nbeen a constant battle for more than 30 years. Still \nremaining a family business, the Blå Station team \nlove to immerse themselves in innovative technology \nand sustainable development while looking for both \nrecognised and new design talents in Sweden and \nabroad. ‘I don’t care for selling thousands of chairs \nat a cheap price’, says Johan Lindau, CEO and \ndesign manager at Blå Station. ‘Look at Lucky, our \nnew chair by Luka Stepan. Isn’t the shape almost as \nwelcoming and spot on as the Panton chair once \nwas?’ Blå Station is driven by a desire to produce \nfurniture that deserves a place in the market and \nwhich thrills Johan and his sister Mimi Lindau. \n‘I love to observe the younger generation: how they \ncommunicate, how they conquer and use space and \nobjects, and how they move together and on their \nown. What are their demands and desires? Here’s \nthe key to the future!’\nThe design philosophy of Blå Station is to offer an \nalternative to what is already available. It’s about \nresearching the potential of future design here and \nnow. So it’s no wonder that Blå Station takes on \nseemingly impossible challenges both technically \nand commercially, like with the acclaimed Dent chair \nwhere, against all odds Blå Station succeeded in \n3D-forming ordinary veneer into a double-curved \nseat shell. ‘We break steel and we crumple wood’, \nsays CMO and export manager Mimi Lindau \nRikardsson. ‘We don’t hesitate to experiment and \nventure into unknown territory. Our design philosophy \nis to make a difference, or as our father Börge used \nto say: an idea is never better than its result.’\nIn the 1970s and 1980s, Börge Lindau \nand Bo Lindekrantz were two of Sweden’s \nmost renowned designers. But Börge almost \nabandoned his career and his colleague \nBo Lindekrantz. He had various ideas about \nwhat else he could do. Why not retire? \nMaybe open a restaurant? What about \ncalling it Herring & Design? His plans were \ndiscarded when the design team of Lindau \n& Lindekrantz won the Forsnäs Award 1984 \nwith their Duett furniture collection. Börge \nLindau wanted to continue his work as a \ndesigner, but now on his own and in charge \nof the whole process. So in 1986 the family \nbusiness of Blå Station was launched, along \nwith the new Oblado furniture collection. \nSince that time, the siblings Mimi and Johan \nhave been completely immersed in creating \nand producing designs that are always \nsomething out of the ordinary.\nBörge Lindau\nBLÅ STATION\nJohan & Mimi\nWHAT INSPIRES US?\nThe world is in a constant flux. \nWe want to change and improve.\n \nPeace, Love & Good Design!\nText: Leo Gullbring\nPhoto:\nKimme Persson page 1,2,7,8,9,10\nCarl Hjelte page 18\n Erik Karlsson page 19,20\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F9e\u002Fc89abd2d71beb53829b186a3ae1464.11.png","BLÅ STATION AB \nBox 100. 296 22 Åhus. Sweden\nTel: +46 (O)44 24 9O 7O\ninfo@blastation.se\nShowroom:\nSandvaktaregatan 17. Åhus\nSödermalmsallén 36. Stockholm\nVia Osti 3. Milano\nwww.blastation.com\nAUSTRALIA\nProducts for people\nTel +61 3 9429 3388\nhello@productsforpeople.com.au\nAUSTRIA\nDesign4Architects\nTel +43 664\u002F9116177\nfranz.steiner@design4architects.com\nFRANCE\nPPCM\nTel +33 (0)381 403 600\nppcm@ppcmsarl.fr\nGERMANY 0-6\nObjektagentur van Laar\nTel +49 (0)421 69667600\nberatung@objektagentur.de\nGERMANY 7-9\nOne11, Rainer Schäfer\nTel +49 (0)177 6429268\nrs@one11.co\nHOLLAND\nBOL Interieur Agenturen BV\nTel +31 653 26 33 15\nzoltan@mooiwerken.nl\nITALY\nGiovanni Aita - Agente\nTel +39 339 666 5959\ngiovanni.aita@blastation.it\nJAPAN\nBevel Corporation\nTel +81 3 53 41 42 43\nlt@bevel.co.jp\nNORWAY\nCanvas\nTel +47 994 24 050\ninfo@canvas.no\nPOLAND\nMarro Sp. Zo.o.\ntel. +48 500 206 221\njolanta.szczypiorska@\nmarro.com.pl\nRUSSIA\nAversia Oy\nTel +358 40 737 0871\nelena.airas@phnet.fi\nSPAIN\nDauco Design S.L\nTel +34 934 322 103\njegras@grasshc.com\nUNITED KINGDOM\nInform Furniture Ltd\nTel +44 (0) 20 7228 3335\ninfo@informfurniture.co.uk\nUSA\nScandinavian Spaces USA \nTel +1 (855) 811 9676\ninfo@scandinavianspaces.com\n",11,[],0,false,true,{"success":60,"data":62,"meta":283,"count":284,"next":285,"previous":286,"results":324,"brand_chips":385},[63,76,86,96,106,116,126,136,146,158,171,184,194,207,220,230,240,250,260,273],{"id":64,"title":65,"slug":66,"image":67,"source":68,"brand_name":69,"brand":70,"brand_slug":71,"file_size":72,"pages":73,"pages_count":74,"matched_pages":75,"match_count":58,"two_pages":59,"show_text":60},26607,"Working 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