[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bla-station-evolution-no2-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":160},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":155,"matched_pages":156,"match_count":157,"two_pages":158,"show_text":159},8071,"Evolution No.2 2019","bla-station-evolution-no2-2019","\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Faf\u002Fa2689fe23217883d576554afc9fe92.pdf","Bla Station",1996,"bla-station","54.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152],{"image":7,"text":15,"number":16},"EVOLUTION\nNo.2\n2O19\nBOB JOB \nBOB LIGHT \nBOB HOME \nBUCKET \nBUBBLE \nARC \nRÖHSSKA\nPINZO\nBIMBO\nÅHUS\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.2.png","New members in the Bob family\nNew exciting furnitures\nOur Bob family is overwhelmed by all the prestigious awards received and has therefore decided \nto grow into an even larger family of its own. When we launched Bob Job at Orgatec last fall, we \ndeveloped our sofa system, designed by Stefan Borselius and Thomas Bernstrand, into a creative \noffice space with a series of well-crafted add-ons that allow for a relaxed and inspiring setting. In \na world where we live in both real life and in the virtual, there is undoubtedly a need for different \ntypes of spaces. Everybody gets tired of sitting at a desk, and this is where Bob Job step in to \ncreate that special moment, be it with coffee or tea, or for a brainstorming chat on the Internet or \nwith colleagues. \nBob Light joins the family with its distinctive space-shaping lighting solution, produced in close \ncollaboration with the Swedish lighting manufacturer Zero. While Bob Betong thrives outdoors as \nour concrete family member, offering generous seating arrangements for the public domain, we got \nsuch a demand for a more intimate and cosy new family member. Bob Home is both softer and \ndeeper, with slender new armrests and will suit any home or lounge, and is also well adapted to \nsuit bars, cafés and restaurants.\nWe need more tables as well, but not just any table. Bucket, again a design by Stefan Borselius \nand Thomas Bernstrand, is a play on opposites: flat and solid, opaque and transparent, all in \nbasic geometric forms. In the middle there is space craving attention: fill it with flowers, snacks, or \nwhatever takes your fancy.  Another table, Bubble, is a much lighter fellow. Just add bubbles, small, \nlarge and extra-large, and voilà, a sparkling shape that will give life to any space deemed too \nstrict and conservative.\nWe challenged David Ericsson, acclaimed designer and wood master, to use pine to interpret the \nspirit of Blå Station. Pinzo is an almost brutal, raw-hewn new member of our furniture family, and \nalso a loving homage to Enzo Mari and to African seating sculpted directly in giant tree trunks.\n    \nWe have gone all out for wood, since it’s so much in vogue right now. Our new chair Röhsska, is \ncreated in conjunction with artist designer Fredrik Paulsen for his upcoming exhibition at our foremost \ndesign museum (of the same name), on the theme of reclaiming the concept of Democratic Design \nfrom that global furniture giant, IKEA. The chair is of course readily available flat packed, and the \nmuseum versions are each a unique design although industrially produced: no chair looks like the \nother.\nOur range of sound absorbers welcome a new intriguing addition by Stone Designs. Arc is \nreminiscent of Roman architecture, whilst at the same time creating patterns as modern as they \ncome. And finally, but not least, our cherished design team Outofstockdesign has amplified their \ncomfortable and compact easy chair, Åhus, into a generous 3-seater. The play between chunky \nseats and armrests, and the slender frame, is further underscored in the original version by the \nfunctional side table that evoke a welcomed asymmetry.\nJohan & Mimi | April 2O19\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.3.png","RÖHSSKA • 2O19\nBOB HOME • 2O17 – 2O19\nBUBBLE • 2O19\nARC • 2O19\nBOB LIGHT • 2O19\nBUCKET • 2O19\nBOB JOB • 2O17 – 2O19\nPINZO • 2O19\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.4.png","”We have made Bob even more \nuseable,” says Stefan Borselius, \n”the new elements allows for \ngentler curves and freestanding \nseating islands.”\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.5.png","Seat Height 40cm\nSeat Width 26cm\nSeat Depth 58cm\nBackrest Height 72cm\nBackrest Width 26cm\nBackrest Depth 29cm\nTotal Depth 87cm \nRaised Seat Height 46cm \nBOB\nBorselius & Bernstrand | 2O17 – 2O19 \nThe Bob family is growing\nJohan Lindau, CEO and design manager of Blå Station, \nchallenged two of Sweden’s most renowned designers, to \ndevelop a modular sofa that allow for maximum flexibility with \na minimum of components and at a reasonable price. \nStefan Borselius and Thomas Bernstrand worked successfully \ntogether on the design brief and 2017 Bob was introduced \nto the market.\nThe collaboration joined two different temperaments and \nworking methods. ”You can easily get stuck on details when \nyou work alone’, say Thomas Bernstrand and Stefan Borselius \nin unison. ‘We work faster together when we can switch roles, \ntaking turns at leaning back to take in the big picture, \nor immersing ourselves in the details.” \nBob is fast growing into a multifaceted family, a proof that \nrounded forms definitely trump sharp edged design. The \noriginal Bob by Stefan Borselius and Thomas Borselius offers \nan undulating and extremely flexible sofa system, which can \nboth adapt to and shape any space thanks to the cleverly \ndesigned elements. The lush and comfy seating solution snakes \naround pillars and flows along walls, as well as forming free-\nstanding seating islands.  With just 7 differently sized elements, \nBob can provide seats facing in every direction. If needed, a \nslightly raised plinth can be added for public spaces. When \nBob ventures outdoors, Bob Betong offers the same rounded \nforms but now cast in concrete to enhance public spaces with \ninviting, yet at the same time, protected seating areas for the \ncommon good. Back indoors again, Bob Job caters for a \ncosy laid-back working spirit. Why not bring out the laptop or \nengage in animated brainstorming? Just add horizontal side \ntables for cups and magazines, vertical spaces for plants and \nflowers, integrated electric outlets for charging appliances, \ntowering lamps, jack-in tables. Add sound absorbing screen \npartitions in various heights and sizes to allow for privacy and \nsecluded spaces, and don’t forget that little knob to hang up \nbags, scarves, coats, and umbrellas. And why not bring Bob \nhome? A little bit deeper and so much softer with its distinctive \narmrests and cosy cushions. Bob thrives both in public spaces, \nin the office, in the city square and now also definitely in the \nhome.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.6.png","Borselius & Bernstrand | 2O17 – 2O19 \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.7.png","Just Jack or Cut it in\nJack table will multiply any wall outlet. Just connect Jack, and you will have USB- as well as \nstandard electric connections on the cone-formed base of the table.  Jack can connect to Bob, \nwhich offer elements with electric outlets, or can be used as a freestanding table. Jack also \ncomes without power outlets, Jackless.\nYou can also use Cut, the add-on steel table that can be attached between the modular \nelements of Bob. Cut is made in aluminium and steel and makes Bob even more versatile.\nDesign Stefan Borselius and Thomas Bernstrand.\nJack | 2018\nCut | 2018\nBOB\nBorselius & Bernstrand | 2O17 – 2O19 \n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.8.png","Let it be (Bob) Light\nA radiant overhead light with an arching form that follows the contours of the Bob sofa system exactly, \nBob Light nevertheless cast its light in a focused direction thanks to an integrated little handle. The form of \nthe Bob Light armature gives shape to the surrounding space, while the dimmable light itself provides a \nsecluded and warmly lit place. Stefan Borselius and Thomas Bernstrand have added Bob Light as a new \nmember of the Bob family. Just insert it into the backrest and it will become an integrated part of the sofa \nsystem. The LED-source can pivot to any chosen angle thanks to the handle that is nicely integrated into \nthe lamp enclosure; a convex diffuser ensures a pleasant light experience. Bob Light is a collaboration \nbetween the renowned Swedish lighting manufacturer Zero and Blå Station. Bob Light is available in \neither off white or black lacquer in the basic version. Blå Station markets and sells all three version made \nfor Bob, while a freestanding floor version and a pendant that can be obtained directly from Zero.\n”Bob Light has the same rounded shapes as Bob, and will shape any room.” Thomas Bernstrand\nBorselius & Bernstrand | 2O17 – 2O19 \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.9.png","BOB LIGHT\nBob | Bob Light | Cut\nBorselius & Bernstrand | 2O17 – 2O19 \nBob Light 1| H200xW82\nBob Light 3 | H222xW140\nBob Light 2 | H182xW132\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.10.png","Small\nMedium\nLarge\nBob Job add-on sections:\nSound absorbing screen partitions\nSmall Single, Small Double\nMedium Single, Medium Double\nLarge Single, Large Double\nBackrest shelf\nSeat shelf\nAdd-on tables\nSmall round: Ø 29cm\nLarge round: Ø 38cm\nAngled square: 38x38\nKnob\nBob Light\nPower outlets\nUSB outlets\nBorselius & Bernstrand | 2O17 – 2O19 \nSmall Single | H72xL86\nSmall Double | H72xL144\nMedium Single | H82xL114\nMedium Double | H82xL200\nLarge Single | H117xL114\nLarge Double | H117xL200\n”Just look at these screen partitions in \ndifferent sizes, Bob Job allows for \n4 people to work together or by \nhemselves in a space as small as 3 \nsquare meters!” Thomas Bernstrand\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.11.png","BOB JOB\nBorselius & Bernstrand | 2O17 – 2O19 \nIntroducing BOB JOB\nBob Job makes the Bob sofa system by Blå Station even more \nflexible with a series of well-crafted add-ons. The horizontal \nside tables displays three open shelves, and an additional \nvertical volume is the perfect container for plants and flowers. \nBoth offer integrated electrical outlets for charging phones \nand computers. Sit down with your laptop, or have a coffee \nbrowsing magazines and books exposed in the shelves. \nFurthermore, there are elegantly shaped add-on tables in \ndifferent sizes to be used for work and leisure. \nThomas Bernstrand and Stefan Borselius has also added \nsound absorbing screen partitions in different heights and \nsizes to allow for privacy and secluded spaces for \nconversations, a perfect solution both in public spaces \nand open offices. No detail has been forgotten among the \nBob Job add-ons: coats, scarfs, umbrellas, and bags can be \nlefton the little knobs, which can be fixed to the partitions. \nBob Job’s add-ons in wood are available in oak, ash, and \nin black stained variations. The sound absorbing partitions \ncan be ordered double or single width, and in three diverse \nheights, all in all six different sizes. \nDo choose from a wide choice of fabrics and colours as with \nthe rest of the Bob sofa system. Place the partitions at the outer \nedge, or in between sections. All tables and knobs can readily \nbe affixed on one or both side of a partition. \nThe Bob sofa system also offers add-on steel tables, which \ncan be affixed between the modular elements, as well as the \nfreestanding Jack table, which can double as a hub connected \nto the electric outlets of Bob. There is a slightly raised version of \nBob for public spaces.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.12.png","Borselius & Bernstrand | 2O17 – 2O19 \nSmall Single | H72xL86\nSmall Double | H72xL144\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.13.png","BOB JOB\nBorselius & Bernstrand | 2O17 – 2O19 \n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.14.png","Borselius & Bernstrand | 2O17 – 2O19 \nLarge Single | H117xL114\nLarge Double | H117xL200\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.15.png","BOB JOB\nBorselius & Bernstrand | 2O17 – 2O19 \nWherever you are\nBob Job is the perfect solution for lives lived both in the virtual and in the reel world. \nNot just a clever sofa system which can adjust to whatever space and endow it \nwith character, but a seating solution which caters to the needs of the present and \nthe future. And there is a need for cosy laid-back zones along with smart working \nplaces in a world where life and work is done as much on the Internet, by phone, \nas well as in face-to-face real-world meetings. Be it in the airport awaiting the next \nflight, in a library browsing books and magazines, in the office trying to get hold of \nthat very special idea. Bob Job offers a relaxed environment, which is so much more \nthan merely a sofa: an elegant backdrop with a number of clever functions that will \nfacilitate multifaceted lifestyles on the go.\nMedium Single | H82xL114\nMedium Double | H82xL200\n",15,{"image":74,"text":35,"number":75},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.16.png",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.17.png","Bob back home\nBob thrives everywhere and is now after high \ndemand also available for the home. Bob Home \nretains the same design traits as the original Bob: the same \nbackrests, but with deeper and softer seating for a homely \ncomfort. And if the original armrests are deemed too wide, \nthere is a special version, which is elegantly slender and \ngoes well along with the comfy cushions. Bob Home can \nbe configured to form straight or angled sofas as well as \narmchairs. With its rich colour palette, Bob Home is at ease \nin any home, café, hotel, and lounge.\n”Customers have asked us for a Bob Home version, and we \nhave answered with a slightly deeper seating where an even \nsofter foam padding adds comfort.” Stefan Borselius \nBOB HOME\nBorselius & Bernstrand | 2O17 – 2O19 \nJackless | Bob Light | Dundra High Back\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.18.png","Bucket needs flowers\nBucket, by Thomas Bernstrand and Stefan Borselius, is simplicity itself. A marriage \nof basic geometric forms: a cylinder, a sphere or why not a rounded square? \nAnd where do you put the flowers if not at the centre of the table? The cavity is \nalmost craving snacks, drinks, games, toys, or whatever takes your fancy. The \nfreestanding table evokes a stark contrast between closed and open space and \npresents a clear purpose: do fill me with something, which makes everyone happy. \nBucket is available in a choice of colours, which range from earthy terracotta and \nanthracite to sand and clay. \n”The cylindrical form continues through the glass table top. That space in the middle \nis like an exclamation mark: it demands flowers, popcorn, wine, whatever is your \nfancy.” Stefan Borselius\nBUCKET\nBorselius & Bernstrand | 2O19 \n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.19.png","Sparkling Bubble\nSurely tables don’t have to be square? according to Stefan Borselius and Thomas \nBernstrand, they can be bubbly sparkling and just a tad whimsical in order to add a \njoyful character to any space. Just take one drop, then another, and suddenly there \nare three. The bubbles add up to a strikingly graphic table configuration, which will \nenhance any cold and formal space with an expressive vivacity. The table top in \nlaser cut aluminium is supported on a stainless-steel structure. Bucket is available in \na choice of colours, such as sand, terracotta, anthracite, and clay. \n”Bubble is both function and decoration in a straightforward design, which adds \ncharacter to any space.” Thomas Bernstrand\nBUBBLE\nBorselius & Bernstrand | 2O19 \n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.20.png","Arc| H90xW45 | 2019\n”Make your own Arc pattern by  \ncombining the panels vertically,  \nhorizontally, let the arcs point in \ndifferent directions, make it uniquely \nyours by an infinity of possibilities.” \nCutu Mazuelos & Eva Prego\n Stone Designs | 2O19\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.21.png","Capture the sound waves...\nStone Designs new sound absorber Arc evokes mesmerizing architectural motifs with its subtle graphic form language. \nConfigure Arc vertically, horizontally, and let the arrow-like form create patterns reminiscent of Moorish and Gothic facades, \nor an even older origin. ”We started with an arrow, but while combining the pieces in different positions, we realized that we \nhad an arc like in the Coliseum in Rome.” says Cutu Mazuelos and Eva Prego in unison. The 100% hot-moulded polyester \nform felt modules can be combined in many possible combinations that result in three-dimensional figures, which will stand out \nboth as decoration and acoustic control in one and the same product. The reliefs in the surface will rebound the sound, while \nthe elements as a whole acts as sound absorbers. Arc can easily be mounted on walls thanks to magnetic fittings. \nCutu Mazueolos and Eva Prego stress that their designs are finalised by the users’ creativity. Along with Stone Designs former \nsound absorbers Gaia and Gingko, Arc can be combined in a plethora of different ways with the help of Blå Station’s Wall \nPlanner; just enter the wall measurements and select combinations of colours. Furthermore, Acoustic Facts makes it possible to \ncalculate the exact acoustic properties and the number of acoustic absorbers required for any room.\nGinkgo | H42xW50 | 2016\nARC\nStone Desings | 2O19 \nGaia | H65xW65 | 2017\nCutu Mazueolos and Eva Prego started their design studio \nStone Designs more than 20 years ago, and today have \nclients all around the world. Offices are to be found in \nShanghai, Tokyo and Moscow, as well as their home town \nof Madrid. Their designs have earned them great popularity \namong Swedish manufacturers thanks to a Nordic feeling \nwhich surpasses even local designers. Maybe it’s because \nof an aversion to an ever-more artificial world? \n‘We feel a strong affinity with both Nordic and Japanese \nculture and aesthetics. We talk the same language’, says Eva \nPrego. ‘Furthermore, colour is a universal language, which \npeople understand and can interpret on their own, almost like \nabstract art.’ Cutu Mazueolos has a past as a professional \nsnowboarder and is a keen practitioner of extreme sports. \n‘I really find myself at ease with nature; everything else is \nplastic. Worst of all is social media. Where is the taste of life \nin all these plastic products which surround us?’ Stone Design \nworks for many internationally well-known and high-profile \nclients, as well as providing interior design for ski resorts both \nin Spain and Japan. Both Eva and Cutu emphasise that they \nwant to improve people’s lives by creating a new relationship \nwith both object and surroundings. \nWhat are you reading right now?\n”On the Road by Jack Kerouac, I know, I should have read \nit long time ago, but it’s never too late!”\nHow can design save the world?\n”My kids are going to be the ones responsible for saving the \nworld, and through design I can teach them how to take care \nof the environment, our common resources, and explain how \nwe are just one more piece on this beautiful planet.”\nBest music right now?\n”Mandolin Orange!”\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.22.png","A truly unique chair\nFredrik Paulsen didn’t expect one of his art pieces to be turned \ninto an industrial product but with the reopening of Röhsska, \nSweden’s foremost design museum, it seemed the perfect \noccasion. Invited to stage an exhibition with the title Unmaking \nDemocratic Design, Fredrik was more than willing to collaborate \nwith Blå Station’s design manager Johan Lindau. \n”I don’t believe design has to be democratic, if by that we \nimply accessible to everyone,” says Fredrik Paulsen, ”but that \nterm readily applies to my chair which is a people’s chair, truly \nsustainable, flat packed, and sold at a fair price.” The chair \nappears to be as basic as possible, heavy on the raw material. \nBut the first impression is deceptive; there is a great attention to \nclassical geometry with the slightly inclined backrest and not \ntoo flat seating. Or as Fredrik exclaims: ”Comfortable, but not \ntoo comfortable! I want my love for construction to include \neveryone. You should understand the construction, how the \nchair is put together: no surprise moment, no magic, it’s almost \nan anti-design, an engineered product.” \nFredrik Paulsen definitely prefers to work in wood that enables \nhim to experiment. This time it is beech, these days a neglected \nbut nonetheless perfect wood material for furniture, technically \ndense and very hard. The exclusivity lies not in the material itself \nthough but in the work invested in each product. Fredrik has \npre-empted the wood trend now in vogue but sustainability \nissues are of course close at heart for a Swedish designer.  \n”We do have to reclaim the concept of Democratic Design \nfrom IKEA, they try to make us believe it’s all about low cost, \nbut who is paying at the other end? The real costs are \ntransferred elsewhere in the form of appallingly low wages, \nand with mother Earth as a dumping ground.” \nAnd in another jab at the global Swedish furniture giant, Fredrik \ndoes offer a real surprise. Instead of yet another mass-produced \nstandardized chair, all Röhsska chairs are uniquely handcrafted \nobjects whilst at the same time industrially produced. The chair’s \nbackrest and seating in pine or oak plywood will be clear \nlacquered or tinted in different colours. A unique version will be \nmade for the Röhsska Museum with seat and back tinted in two \ndifferent colours, and with a surprising third colour where they \nmeet.\n Fredrik Paulsen | 2O19\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.23.png","It certainly helps being a carpenter working with wood, but \nFredrik Paulsen is not content merely to master the material, \nhe loves to experiment and challenge the very conceptions \nof design. You could almost call his work an anti-design, that \nItalian radical design which questioned the very ethos of a \nModernist restrained functional simplicity with unique colourful \nand decorative pieces. No wonder he is inspired by masters \nlike Ettore Sottsass, Gaetano Pesce, and Gae Aulenti. \nBut if Fredrik is both an artist and a designer at heart, he \nwants to express a thorough logic in how his pieces are put \ntogether. ”I work fast and intuitively, and I do try to trust my gut \nfeeling,” says Fredrik, ”I’m genuinely interested in the practical \nfunction of a design, but I am as intrigued by design as a \ncommunication device and a cultural interface.” With a broad \neducation ranging from the Beckmans College of Design, an \ninternship at IKEA, to his MA at the Royal College of Art in \nLondon, Fredrik is truly interdisciplinary, and wants design to \nreflect our contemporary world, and doesn’t want to draw any \nboundaries to other cultural expressions like art, fashion, and \nmusic.\nAre you a designer or an artist? I work a lot in a gallery \ncontext, which is why many call me an artist. But I have a \ndegree as a designer, and I’m really a furniture guy. I’m \nhooked on material which doesn’t have a high status, and \nmany of my pieces are unique, but all part of a process which \nis continuously developed. And regardless if the final product \nis a chair, a party, or an exhibition, I’m totally into it. It’s what \nI love, and it’s what I do, because it allows me to have fun. I \ndo think it’s time to broaden our view on how you can work \nas a designer! What are you reading and listening to? I just \nfinished Caroline Ringskog Ferrada-Noli’s Rich Boy, amazing \nlanguage, impossible to stop reading. Musicwise I’m into \nSuicide, GG Allin, Spokes H, and Robyn right now, do check \nout the British radio stations Rins.fm and NTS Radio.  \nRÖHSSKA\nFredrik Paulsen | 2O19 \n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.24.png","David doesn’t go for simple slogans like “less is more”; instead \nhe claims design has to be obvious. That might imply a certain \nlove for an Italian master like Enzo Mari, but also for bespoke \nfurniture from all around the world. Since graduating from the \nprestigious Carl Malmsten Furniture School almost 10 years \nago, David has produced quite a roster of designs, many of \nthem aspiring or already fully acclaimed furniture classics. \n“Wood is my favourite material, not only because I hail from \nthe forests of Småland in southern Sweden, but because it \ncould be used a lot more – particularly pine, which has had a \nbad reputation since the terrible 80s yellowish hard-lacquered \npolyurethane versions.” As for creating a little punk of a chair, \nDavid explains that he enjoyed working in a record shop in \nVärnamo when he was younger. “You get hooked. First it was \nthe Clash and all the others in the punk craze, then it was \nvegan punk or whatever.” Extending his education by studying \naesthetics and philosophy in Umeå has enabled him to \ncontribute to a more humanistic design approach as a teacher \nat the Carl Malmsten Furniture School. “You have to let the \ndesign process run its course. Look at Pinzo. The chair might \nlook simple, but the fastening of the back and the precise \ninclination requires quite an advanced solution.”\nHow have your studies in philosophy influenced your work? \nI want objects to have meaning. You should understand why \nmy things look and work in a certain way. As a designer \nyou’re part of something bigger. It’s not just a product, it’s \nabout contributing to the fabric of society.\nWhat are you reading right now? \nAn old book by the Swedish artist Torsten Renqvist describing \nthe people who influenced and shaped his life. You really \nlearn to understand him through these portraits.\nWhat are your music preferences, apart from punk? \nRight now I’m a lot into Felix Kubin. I appreciate electronic \nmusic; it really makes me happy!\n     \nPINZO\nDavid Ericsson | 2O19 \n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.25.png","David Ericsson | 2O19 \nWhat happens when Blå Station challenges acclaimed \ndesigner and accomplished carpenter David Ericsson to \ninterpret the company’s very spirit? David’s first decision is to go \nexclusively for pine, the golden green treasure of the Swedish \nforests, as the sole material. Johan Lindau, CEO and design \nmanager of Blå Station is excited: why not process Swedish \npine instead of just exporting it? \nA pine chair project has been on his mind for years. David’s \ntake on Blå Station is a raw-hewn, sturdy little punk of a chair. \nStubby and with a springy inclination, Pinzo offers an almost \nbrutal simplicity of construction, with a finger jointed backrest                                    \nand a hole as a little handle in the lower part of the seat.   \nPinzo is more than an object; it’s a stubborn little fellow with \nan inviting character. David’s chair, consisting of just six pieces, \npays clear homage to the Italian master Enzo Mari and his \nstraightforward approach to wood. \nAfrican seating shaped directly from tree trunks has also inspired \nthe design. Pinzo is quite obviously the soul mate of the recently \nlaunched Röhsska, because it’s all about taking wood to its \nextreme: hard-core sustainable and truly long-lasting. The chair \nwill be available in natural wood colour, snow, burgundy and \niron sulphate, as well as a black tinted version, all showing off \nthe wood grain.\n“There’s a clear African inspiration, like how massive sturdy \nchairs were sculpted out of giant tree trunks. I’ve given Pinzo \na Swedish touch: square and angular, open at the front and \nmore fleshy at the back where the seat and backrest join.”\n“It’s idiotic to send wood half way around the world for \nprocessing, then back again. Why not deal with our golden \ngreen pine treasure right here?”\nPunky wood aesthetics with Pinzo\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.26.png"," Thomas Bernstrand | 2O15 – 2O17\nHONKEN\nThomas Bernstrand can boast of being both a renowned \nSwedish designer and a singular rebel on the Swedish \ndesign scene. When Thomas presented the two lamps Do \nSwing and Sugar Ray at his exam exhibition at Konstfack, the \nSchool of Arts, Crafts and Design in Stockholm, they were \nimmediately picked up by Droog Design which featured \nthem in their much-praised show during the Milano fair in \n2001. A lamp which allowed you to fly over the bar counter, \nand another in silicon to punch until it lit up. ‘I need to justify \nwhat I create’, says Thomas earnestly. ‘Why make a new \nproduct? Can I do it differently? In a more environmentally \nsound way? Allow for more efficient logistics? Make it easier \nto move? It can almost be anything as long as the product \noffers something new, otherwise it doesn’t count.’ \nThe same desire to challenge prevailing norms with witty \nand meticulously conceived design is mirrored in Thomas’ art \nproject. The Beach, which won the 2008 Siena Landscape \nAward, consists of sun deck furniture and parasols in a year-\nround installation in the centre of Stockholm. Movable Space \nis a slowly revolving light installation that in the new commuter \nrail station Odenplan in Stockholm. Thomas’ education spans \nindustrial design and art, he studied in Stockholm at both \nKonstfack – the University of Arts, Crafts and Design – and \nKonsthögskolan – the University of Fine Arts – as well as at \nDenmark’s Designskole. His work can be found in museums as \nwell as among manufacturer’s collections. Thomas has been \nawarded many design prizes, among them the German \nDesign Award, and the prestigious Bruno Mathsson prize in \nSweden.\nWhich is your favourite place in Stockholm? ‘Having brunch \nat Fotografiska on Stadsgårdskajen.’\nLatest book by the bed? ‘Right now I’m reading ”Utopia For \nRealists” by Rutger Bregman on universal basic income and \nother radical ideas.’\nHonken XL | 2017                                  \nHonken S | 2017\nHonken | 2015\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.27.png","Stefan Borselius | 2O11 - 2O18 \nDUNDRA\nStefan Borselius is one of Sweden’s most prominent \ncontemporary designers. He has trained as a carpenter \nat the Steneby School, as a designer at the Carl Malmsten \nSchool, and holds a master’s degree from Konstfack, the \nUniversity College of Arts, Crafts and Design in Stockholm. \nWith a keen interest in historic designs, he creates furniture, \nlights and textiles inspired by new lifestyles and new working \nenvironments. All of his work is marked by an attention \nto proportions and details, and he methodically and \nwhole-heartedly pushes the boundaries of what can \nbe produced, without leaving anything to chance. \n‘I presented my journeyman piece exactly 100 years after \nmy grandfather’s father did the same, but although I felt at \nease with carpentry, I wanted to learn how to create and \ndraw my own forms.’\nThe Oppo chair for Blå Station, 2009, fuses technical and \nemotional functionality in a soft, cushy friendly form. \nStefan has received numerous awards including the Red Dot: \nBest of the Best Award, 2004. He is represented in the \ndesign collection at the National Museum, Stockholm. \nMany Swedish design companies in lighting, textile, and \nacoustic products are among his clients, and most of all Blå \nStation, for whom he has created modern design icons such \nas Peekaboo, Wilmer and Oppo as well as Sting, designed \nwith Fredrik Mattson.\nWhere and how do you work? ’I really enjoy working \nin my studio by the sea, which I share with my wife, an \nemployee, and the office dog Sickan. I like drawing on \npaper or building models in clay, but most of my time is \ndedicated to make the ideas become real.’\nWhat is your preferred reading at night? ‘Lots of children \nbooks, but lately I’ve managed to read Jan Guillou’s epos \nfrom the 20th century.”’\nDundra | 2011                                   \nDundra | 2011                                   \n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.28.png"," Osko + Deichmann | 2O18 \nGAP\nOlli Deichmann and Blasius Osko began working together \nafter taking their degrees in industrial design in Berlin where \nthey operate their design office. Back then, they used to \ncall themselves Wunchsforscher, literally Wish Researchers, \nsince everything seemed possible in the late ‘90s. The \nbreakthrough for this Polish-German design duo came with \nPebbles, a bulky yet precisely proportioned sofa, which they \npresented at the Milan Furniture Fair 2005. Good reviews \nare one thing, but only Blå Station were persistent enough to \nbring it to market. Even more successful is their Straw series, \nwhich has now been updated with Superstraw, a high-back \nchair with their signature kinked steel tubes reminiscent of \ndrinking straws. “Our mission?” Blasius waits for the right \nresponse. “We like to ask ourselves questions; there are \nso many assumptions regarding the materials, aesthetics \nand functions one is supposed to have. What if you could \nimagine a world that’s a little bit different?” The Straw and \nSuperkink furniture prove the point with their playful take on \nthe early century modernist iconic tubular design that is now \nbent and folded at sharp angles. “We make the impossible \npossible!” says Olli Deichmann. Apart from Blå Station, they \nwork for renowned companies like Lignet Roset and Brunner. \nTheir extensive portfolio is included in the book ”Best of \nGerman Interior Design”, and apart from numerous prizes, \ntheir Straw chairs and tables enliven the Bauhaus Archive \ncafeteria in Berlin.\nHow do you find new ideas? “Taking extended walks,” says \nBlasius Osko. “We should really do so more often! Walking \nand thinking goes very well together, it brings out new \nideas.”\nDo you work with the music turned up or not? “Not really, \nwe’re often engrossed in a never-ending dialogue finding the \nright solution,” says Blasius Osko. “But lately I’ve rediscovered \nFat Boy Slim; he’s the perfect companion in the prototype \nworkshop.”\nGap | 2018                                   \nGap Table | 2018\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.29.png","Bimbo turns 25!\nBimbo has been a bestseller and a classic in the Blå Station collection since Peter Brandt came up with his easy-going yet \nperfectly exact design 1994. The light stool can be used everywhere, just use the cut-out in the middle to grab Bimbo and shuffle \nit around for a temporary seating place or as an aid to stretch for out of reach places. Bimbo is as much a part of the interior \ndesign in use or stacked away in graphically intriguing little towers. The original Bimbo was made of compression moulded birch \nwood with veneer in birch and oak. Our 25 years celebration adds two more finishes: walnut and ash. Bimbo was awarded the \nForsnäspriset in the year of its launch, a joint award from the Swedish Institute for Furniture and the Forsnäs factory.  It has also won \nGuldstolen 2005, the Golden Chair, by the Swedish Association of Architects, for best classic.and so much softer with distinctive \narmrests and cosy cushions. \nPeter Brandt | 1994\nDesign is hardly about simplicity for Peter Brandt, the best \nsolution has to work in many different ways. At first glance, \nBimbo is a practical well-designed stool, and obviously the \nresult of a careful study of how to bend the raw material \nproperly. But Bimbo also radiates its own lightness, just grab \nme and carry me around for whatever purpose. And while \nstacked up, it’s almost a sculpture in its own right. ”I’m no \nmathematician, but I’m striving for a certain grammar in my \ncreations, Bimbo is cut out to almost resemble individuals \nwhich you can stack together. It’s sturdy, and it’s smart, and \nthe mix of colours create stunning effects.” Peter Brandt, who \nis Danish by birth but has been living in Stockholm for a long \ntime, originally studied architecture in Copenhagen, and \ndesign at Konstfack University of Arts, Crafts and Design in \nStockholm. For 15 years he has worked worked mainly as \nan architect at the office of Thomas Ericsson. He nevertheless \ncontributes with outdoor furniture in both wood and cast iron \nfor municipalities, as well as for private semi-public gardens.\nDo you dream about a special design project? I’d really like \nto work with new light solutions now that LED really works. \nThere are so many possibilities with such a small light source, \nnot least the possibility to integrate lights directly in the \narchitecture of the office without any armatures.\nWhat are you reading just now? I just finished Yuval Noah \nHarari’s Sapiens: A Brief History of Humankind, and Hans \nRosling’s Factfullness, right now I really enjoy the Swedish \ncartoonist Nina Hemmingsson’s På A svarar jag hej då.\nBIMBO\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.30.png","Outofstock design | 2O16 – 2O19\nThe multi-cultural design collective was born out of a fortuitous \nmeeting in Stockholm, hence the name Outofstock.\nWendy Chua, Gabriel Tan, Gustavo Maggio and Sebastian \nAlberdi met at Electrolux Design Lab 2005. They decided to \ncollaborate in 2006 and have since been working together \nacross three cities and continents, sharing values of simplicity \nand poetry, sustainability and craftsmanship.\nBased in Singapore, Barcelona and Buenos Aires, Outofstock \ndesigns products, furniture, lighting and spaces for international \nclients such as Ligne Roset, Bolia, Environment, Industry+, Biobu \nby Ekobo and the Sori Yanagi Foundation.\nOutofstock has received several accolades for their work, \nincluding the Maison & Objet Rising Asian Talents Award \n2015, Concurso de Diseño Interior Buenos Aires 2013, the \nPresident´s Design Award 2010, and the Elle Decoration \nSpain´s Young Talent of the Year 2009.\nThe comfortable and compact easy chair Åhus is now \navailable as a generous 3-seater. The graphic play between \nthe chunky seats and armrests, and the slender frame, is further \nunderscored by the functional side tables that creates an \ninviting asymmetry.\nÅHUS\nÅhus | 2017                                   \nÅhus-3 | 2019\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.31.png","Stylish safe keeping\nTote bags, backpacks, scarfs, satchels, jackets, sling bags, clutches, books, laptops... Too many \nthings to keep track of while out-and-about in town? How about an extra pocket? Pocket offers \nan elegant solution to a hitherto unmet need, a compartment for storing your treasures. Like the \nkangaroo’s pouch or a secret hiding place, Pocket is your own island of privacy in the midst of \nthe metropolis. Pocket offers perfect extra-storage for busy public spaces such as hotel lobbies, \nwaiting areas, bars and restaurants and why not at your office or home?\n“Pocket is neither too soft nor too hard. Our chair has a stiff outside and a softer inside to \nenhance the comfort. Nowadays everyone walks around with laptops, handbags, and lots of \nother things. Personally, we hate to leave our stuff on the floor! Pocket is perfect for keeping all \nyour gear safe and clean in a public space.” says Cutu Mazuelos & Eva Prego, Stone Designs.\nStone Designs | 2O17\nPOCKET\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.32.png","Henrik Kjellberg and Jon Lindström founded their design studio \no4i (office for ideas) in 2005, almost a decade after they \nearned their MFA degrees at Konstfack, the University College \nof Arts, Craft and Design in Stockholm, Sweden. They work \nwith numerous clients all over the world offering colourful and \ninspired design that often challenges the status quo of the de-\nsign world. Their Dent chair was born as an experiment trying \nto mould a double-curved 3D surface out of regular material \ninstead of expensive 3D veneer. The result using layer-glued \ncompression-moulded ash wood, challenges the modernist idea \nof perfection while also offering welcoming comfort. “Your eyes \ntell you that you can’t possibly sit  \ncomfortably in this chair,” says Henrik Kjellberg, “but it’s like \na bed of nails; your body is supported by the knuckles, and \nit’s all flat in the middle of the seat and at the lumbar support \nwhere you need it.” Jon Lindström stresses the importance of \nthe comfortable curvature which cradles your back, and which \nis made possible by the double-curved 3D surface.\nTheir ongoing research in workplace furniture is focused on \nflexibility and agility, with the user in focus. A changing work \nculture requires new designs, which integrate technology in \nfurniture solutions, while also protecting the private sphere in \nan ever-more open workspace. But the individual pieces by \no4i are the most striking; take Zesty, a superlight stackable \nchair with a very different character, but based on the same \nplayful approach as Dent. During the past ten years or so, \no4i has received numerous awards, among them Red Dot \nAward (Germany), IDA, International Design Award and \nADEX Platinum Award, the last two in the US.\nO4i | 2O13 – 2O18\nDENT\nDent Wood | 2014\nDent Wood Dressed | 2015\nDent Wood | 2018                                   \n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.33.png","Luka’s design has a distinctly Nordic air along with a keen \ninterest in smart solutions for new lifestyles. Luka Stepan con-\ntinued his studies at the Royal Collage of Art in London, after \ngraduating from the Academy of Fine Arts and Design in \nLjubljana. Under the guidance of professor Ron Arad at RCA, \nand working as a freelance designers in the UK for several \nrenowned London studios among them Tangerine, Luka is \nnow based with his own design studio in Ljubljana. ‘Why \nmaking yet another chair? Yes, that’s a good question! There \nare really way too many chairs in the world, and lots of \nthem really bad since they don’t last long, not even culturally. \nLucky is made without any compromises and short-cuts, and \nwhile not a cheap chair, it’s actually an investment where \nyou count on using it for a long time.’\nDesign that can be improved? Car design obviously; it can’t \njust be about styling, can it? It’s not enough that Tesla\nchallenges the other manufacturers, there’s lot to do: how do \nyou improve on the interior and how do you interact with all\nthe electronics at your command? And being in charge of \nso much deadly power in the street, how do you develop \nthe automatic system keeping everything in check? If we will \nhave driverless cars in a sharing economy, what will they \nlook like? What kind of sociological and cultural challenges\nare we facing?\nOn your bedside table? In Praise of Shadows by Junichiro \nTanizaki. His essay from 1933 gives a completely different \nperspective on the aesthetic of the West and the Far East, \nand it’s also a lot about architecture. A chair is a chair, but \nhow is it used in space, how does objects makes us think \nabout space? I believe that with all these high-tec digital \nsolutions we are still extremely connected to the physical \nmateriality of life, and furniture design carries a lot of culture \nwith it, it’s really fascinating how much you can put into a \nchair like Lucky.\nLucky | 2017\nLuka Stepan | 2O17 - 2O18 \nLucky Lounge | 2018                                   \nLUCKY\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.34.png","Dundra\nDundra\nStraw\nSting\nDent\nBimbo\nKaffe\nBoo\nB25\nB26\nSparta\nBeplus\nLucky Lounge\nB2\nB4\nSuperstraw\nSuperkink\nPoppe 46\nPoppe 40\nHonken\nInnovation C\nPocket\nWilmer\nOppo\nPuppa\nPucca\npm\nÅhus\nMorris jr\nPeekaboo\nMini-Oppo\nStove\nHonken S\nHonken XL\nLucky\nDent Wood\nDent Lounge\nGap\nDundra HB\nDunder\nRöhsska\nÅhus 3-seater\nDundra\nHövding\nCOLLECTION\nDent Dressed\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.35.png","Ally\nPolstergeist\nCode 27\nQvarto\nUnit\nBob\nKoja\nJack\nBob\nL1\nLevel\nHonken\nKaffe\nMono\nMika\nCouronne\nPing-Pong\nSize\nBit\nBauta\nGap\nGate\nGinkgo\nGaia\nVisp\nblastation.se\nBob Job\nBob Home\nBubble\nBucket\nCOLLECTION\nArc\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F00\u002F4017c2d6e57870d601179ed4b27e0f.36.png","A safer and more inviting city with Bob Betong\nThe free-flowing sofa  Bob for indoor use has now been adapted to all kind of seasons in a close collaboration between \nBlå Station and Starka, which has 80 years of experience in the manufacture of concrete for special applications. \nThe heavy-duty version of Stefan Borselius and Thomas Bernstrand’s meticulously designed modular sofa system can furnish public \nspace all around the city with generous seatings for everyone. Have a break, eat your lunch, read a book, wait for a friend. \nBob Betong offers comfortable meeting places in parks, town squares and along sidewalks. The seating elements can be built in \nstraight lines, placed at an angle or in zigzag-patterns which will allow for a major upgrade of the public sphere. Bob Betong’s \nrounded soft forms will break up monotonous and anonymous surroundings, at the same time acting as a sturdy physical barrier \nprotecting citizens on foot from invasive and stressful traffic. Bob Betong can be used to enrich new public spaces or give older \nones a new life, while at the same time securing the city from all kind of threats. Bob Betong is at ease around entrances to \ncompanies as well as public institutions where the city as a place for growing together is enhanced. Bob Betong contributes to a \nreborn public space where citizens will have the opportunity to conquer the city anew and create places for debate, meetings, \nand of course life itself. \nBob Betong is cast in seating sections, which weigh in at 250 kilogram. Up to 9 Bob Betong sections can be attached together, \nand they can also be fixed into the ground or to concrete slabs. Bob Betong offers a solution that will furnish public space with \naccommodating seatings, which also acts as safety barriers with impact resistance. The concrete is impregnated to give a resistant \nand maintenance free surface. Optional anti-graffiti coating is available. The same goes for Oppo Betong also seen in this picture.\nBLÅ STATION AB \nBox 100. 296 22 Åhus. Sweden\nTel: +46 (O)44 24 9O 7O\ninfo@blastation.se\nShowroom:\nSandvaktaregatan 17. Åhus\nSödermalmsallén 36. Stockholm\nwww.blastation.com\nAUSTRALIA\nP4 | Products for people\nTel +61 3 9429 3388\nhello@p4.design\nAUSTRIA\nDesign4Architects\nTel +43 664\u002F9116177\nfranz.steiner@design4architects.com\nFRANCE\nPPCM\nTel +33 (0)381 403 600\nppcm@ppcmsarl.fr\nGERMANY 0-6\nObjektagentur van Laar\nTel +49 (0)421 69667600\nberatung@objektagentur.de\nGERMANY 7-9\nOne11, Rainer Schäfer\nTel +49 (0)177 6429268\nrs@one11.co\nHOLLAND\nBOL Interieur Agenturen BV\nTel +31 653 26 33 15\nzoltan@mooiwerken.nl\nITALY\nGiovanni Aita - Agente\nTel +39 339 666 5959\ngiovanni.aita@blastation.it\nJAPAN\nBevel Corporation\nTel +81 3 53 41 42 43\nlt@bevel.co.jp\nNORWAY\nCanvas\nTel +47 994 24 050\ninfo@canvas.no\nPOLAND\nMarro Sp.zo.o.\ntel. +48 (0) 22 832 35 35 \nkatarzyna.wodzynska@marro.com.pl\nRUSSIA\nAversia Oy\nTel +358 40 737 0871\nelena.airas@phnet.fi\nSPAIN\nDauco Designs, S.L. \n+34 607 940 866\njegras@daucodesigns.com\nUNITED KINGDOM\nInform Furniture Ltd\nTel +44 (0) 20 7228 3335\ninfo@informfurniture.co.uk\nUSA\nScandinavian Spaces \nTel +1 (855) 811 9676\ninfo@scandinavianspaces.com\n",36,[],0,false,true,{"success":159,"data":161,"meta":380,"count":381,"next":382,"previous":383,"results":421,"brand_chips":482},[162,175,185,195,205,214,224,234,244,256,269,282,292,305,318,328,338,348,358,370],{"id":163,"title":164,"slug":165,"image":166,"source":167,"brand_name":168,"brand":169,"brand_slug":170,"file_size":171,"pages":172,"pages_count":173,"matched_pages":174,"match_count":157,"two_pages":158,"show_text":159},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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