[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-astep-collection-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":317},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":312,"matched_pages":313,"match_count":314,"two_pages":315,"show_text":316},11907,"Collection 2021","astep-collection-2021","\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fee\u002Fe5f1a974b2a0d5aaca6456604e0a92-26e488130e.pdf","Astep",2290,"astep","26.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309],{"image":7,"text":15,"number":16},"Collection\n                    Timeless\nInventions\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.2.png","Good design feels eternally contemporary. As familiar as the past, as relevant as the \npresent and as inventive as the future. Because its value taps into more than good looks.\nGood design is timeless. It draws from a relentless effort to fight the status quo and go \nbeyond what is possible. It is an endless drive to excel, create, engineer. It is courage, \nspiced up with a touch of stubbornness.\nGood design moves along the flowless space and time of innovation. And this is exactly \nwhere Astep moves, back and forth bringing to life timeless designs and investing in \ncontemporary inventions.\nThe inventions of the past that are the icons of today meeting the icons of tomorrow that \nare the inventions of today. \n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.3.png","007 \nA Sarfatti Story\n008 \nThe Astep Identity\n \nEvolution Collection\n014 \nIsol\n022 \nPepa\n028 \nNox\n034 \nCandela\n \nTribute Collection\n040 \nVV Cinquanta\n058 \nSB Cinquantotto\n062 \nModel 2050\n \nGino Sarfatti Collection\n068 \nModel 2065\n076 \nLe Sfere Model 237 \u002F 238\n084 \nLe Sfere Model 2042\n090 \nLe Sfere Model 2109\n098 \nModel 537\n104 \nModel 548\n108 \nModel 566\n112 \nModel 1063\n116 \nModel 2129\n120 \nDesigners\n124 \nTypology\n126 \nTechnical Info\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.4.png","Astep was founded in 2014 by Alessandro Sarfatti to create and curate timeless inventions \nwith an innovative approach. Acknowledging the importance of continuously re defining, \nrefining and remembering timeless designs, Astep retains its edge by introducing new \nproducts with advancing technologies in the Evolution Collection.\nIn the Tribute Collection, Astep reissues selected lighting designs as the timeless \nmaster pieces of Gino Sarfatti in the Gino Sarfatti Collection and the works of established \narchitects and designers who worked for the lighting company he founded, Arteluce.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.5.png","The essence of evolution is to capture the best of what has been and let it evolve into the heart \nof what is to come. Thus, Astep continues on the path devised by two great entrepreneurs. \nLike all good Italian tales, mine is also a family affair and draws from father to son.\nIn 1939, Gino Sarfatti took the first step by founding Arteluce, a company that pioneered the use \nof design in the lighting business. In 1978 my father Riccardo went a step further. Together with \nmy mother Sandra Severi and architect Paolo Rizzatto he created Luceplan, a company that \ntied together design and technological research. This two-folds innovative and evolutionary \nlegacy, with the addition of a third pillar, sustainability, is the backbone of Astep. \nAstep is an international company. Based in Denmark, it has its roots and its manu facturing \ncapabilities in Italy. Merging the past and the future, it revisits the most ground-breaking \ndesigns by Italian Masters and introduces new technologies into original ideas, while investing \nin creating the future through partnerships with innovative designers and technologists. \nBecause what made good design in the past is what continues to inspire us every day.\nAlessandro Sarfatti\nFounder of Astep\nA Sarfatti Story\n7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.6.png","The Astep Identity\nDesign\nFor Astep design is about relationships. Behind a good project there is always a good \nrelationship between all the people involved in the process of conception, development, \nmanufacturing, marketing and sale. A relationship of mutual respect, fostered through the \ncontinuous exchange of ideas and visions, working towards a joint goal of developing new \nideas, and relevant for people. A relationship based on trust, honesty and mutual collaboration. \nAhead of a good project there is always a good relationship between objects, people and the \nspaces they inhabit. Because we cherish objects that adds to the quality of our experience of \nuse, and that quality needs to be designed.\nSustainability\nWe are committed to circular design: we create products to last and be loved for a lifetime. \nBut also to be repaired or refurbished if needed and, only as a last resort, be recycled. We \nhave eliminated more than 90% of plastics in our packaging, we use recycled and recyclable \nplastic in our lamps. We are working on a Life Cycle Assessment study to evaluate the carbon \nfootprint of our business and act on it accordingly. We are in the process of becoming a \nB-Corp, to add social and environmental good to profit. We respect people. Those who work \nwith us and for us, and those who select our products. We follow a work ethic that prices clean \nmanufacturing, artisanal quality and social responsibility.\nTechnology\nThere was a time in which technological innovation was a privilege of large companies. In \nthe last 20 years, though, digitalization and miniaturization have progressively changed the \nrules of the game. As the Makers’ culture has demonstrated, innovation is now pervasive, \naffordable, ubiquitous, depending on people’s wits and desire to change. Astep was born \nto merge the agility of new technologies with good design, to turn disruptive innovation into \naesthetically pleasing, and humanly relevant lighting objects. \nTechnology\nDesign\nSustainability\nAstep\n8\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.7.png","",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.8.png","In Astep’s philosophy, design and technology go hand in hand to create products that \nrepresent a real evolution in the world of lighting. The lamps of the Evolution collection \nare designed to bring forward solutions that were not there before: products with a \n prolonged life cycle, with an aesthetic and manufacturing root in Italy.\nEvolution Collection\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.9.png","Isol\nDAVID THULSTRUP\n2021\n15\n14\nEvolution Collection\nEvolution Collection\nISOL\nISOL\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.10.png","Isol by David Thulstrup is a sound-absorbing light that adds architectural qualities to a space.\nBuilt on the shape of a cylinder, the lamp offers elegant functionality, pared down to its simplest \nexpression. \nUsing patented sound-absorbing and extra-light material produced in Italy, Isol is the result of \nhigh-precision work. Through the application of ultrasound technology, a seamless flow of \ncolour and texture is created, while embracing the die-cast aluminium rings. Its internal details \nare not directly visible from the outside, which allows the lamp to melt into the scenery. Part \nsculpture and part light source, Isol can be used in a variety of combinations and environments. \nAlone, it convinces through quiet authority. In multiples, its distinctive character is enhanced \nby connecting the rings to extend lighting and noise-absorbing power.\nA step forward ...\nIn design: because it offers a sense of privacy while maintaining an elegant and high-quality \ndesign language. Placed in public  environments, it has the potential to fill the room as a \ncontemporary sculpture when multiplied.\nIn  technology: the patented sound-absorbing fabric,  stiched with ultrasonic welding tech-\nnology, turns Isol into a performing and life enhancing piece of design.\nIn sustainability: it comes flatpacked, allowing for a more sustainable way of distribution which \nalso involves the customer in the installation process.\n16\n17\nEvolution Collection\nEvolution Collection\nISOL\nISOL\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.11.png","18\n19\nEvolution Collection\nEvolution Collection\nISOL\nISOL\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.12.png","20\n21\nEvolution Collection\nEvolution Collection\nISOL\nISOL\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.13.png","Pepa\nFRANCESCO FACCIN\n2020\n22\n23\nPEPA\nPEPA\nEvolution Collection\nEvolution Collection\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.14.png","Pepa works like a pepper mill: it is lit by rotating the conical reflector connected to a multi-axis \nmagnetic field sensor (patent pending). Turning it, up to 360°, adjusts the brightness from \nmaximum to off, making the lamp, which is portable, perfect to create a light that is discreet \nor decisive whereas needed. Pepa was born from the intuition of Italian designer Francesco \nFaccin to create a light that needs to be touched in order to be seen. The warmth of solid ash \nwood and the gesture to turn Pepa on represent the happy merging of past and future, of \nartisan sensitivity and industrial approach.\nPepa is a perfect example of sustainable design: powered with USB-C connectivity through \nstandard rechargeable batteries that can be purchased in any grocery store, it is built so \nthat its life cycle is as long as possible. Its parts, assembled with only four screws are all \ndetachable and repairable, the circuit board can be easily substituted as it is not glued. At the \nend of the life cycle, all parts can be dismantled and recycled. \nA step forward ...\nIn design: for the warmth of wood and the quality of Italian manufacturing. Because it is light to \ntouch, even before being seen.\nIn technology: because it turns on and off and it is regulated by simply rotating it up to 360° \nthanking a multi-axis magnetic field sensor (patent pending). Because it does not have any \nwires, except for the charging cable with USB-C connectivity.\nIn sustainability: because all its parts are easy to access, repair and recycle. Pepa charges \nwith a USB-C cable and its batteries, contrary to those of most other portable lamps that use \nLithium, are standard: they can be easily purchased in any grocery store.\n24\n25\nPEPA\nPEPA\nEvolution Collection\nEvolution Collection\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.15.png","26\n27\nPEPA\nPEPA\nEvolution Collection\nEvolution Collection\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.16.png","Nox\nALFREDO HÄBERLI\n2017\n28\nNOX\nNOX\n29\nEvolution Collection\nEvolution Collection\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.17.png","Nox, from the Latin night, is an accomplice and constant presence, thanks to its portability \nand flexibility as well as its wireless induction technology and its incredibly long battery life. \nDesigned by Alfredo Häberli, made and assembled in Italy, Nox perfectly combines the artisan \ntradition of mouth-blown opal glass diffusers with sophisticated technology.\nA full recharge allows Nox to provide light for 20 consecutive hours at full light, which become \n336 hours (2 entire weeks) when the intensity, adjustable with the touch dimmer, is brought \nto a minimum: a performance that makes it a unique case in the panorama of portable lamps. \nNox is simply recharged when set on its induction base or on any other charging base with Qi \ntechnology: a way to limit the excess of ad hoc charging tools.\nA step forward ...\nIn design: a portable lamp with a precious look and feel, unique long duration and excellent \nlighting output.\nIn technology: for the wireless induction charging system and the touch dimmer that make it \nportable, versatile, adaptable to  other charging bases.\nIn sustainability: the rechargeability on any induction base, the kind we use for other devices \nsuch as smartphones, make the purchase (and therefore the making) of an ad hoc charging \nsystem redundant.\nDISTINCTIVE TO NOX IS ITS WIRELESS\nCHARGING SYSTEM WITH INDUCTION TECHNOLOGY.\nNOX PROVIDES UP TO 336 HOURS OF LIGHT\nWHEN FULLY CHARGED\n31\nNOX\nNOX\nEvolution Collection\nEvolution Collection\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.18.png","32\n33\nNOX\nNOX\nEvolution Collection \u002F NOX\nEvolution Collection\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.19.png","Candela\nFRANCISCO GOMEZ PAZ\n2016\n34\n35\nCANDELA\nCANDELA\nEvolution Collection\nEvolution Collection\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.20.png","A contemporary lantern to travel through two centuries of history. Candela is the lamp with \nsurprising and unexpected technology designed by Francisco Gomez Paz, but it is also a time \nmachine that inverts the past with the future by combining the oldest and most modern forms \nof lighting in one piece. Conceived to perpetuate the tradition of Scandinavian oil lanterns, \nCandela (candle in Italian) is a synthesis of technology, sustainability and timeless rituals.\nUsing the intuition of Thomas Johann Seebeck, who in 1821 discovered the way to generate \nelectricity from the heat of a smokeless fire, the lamp works with the flame generated by the \ncombustion of bioethanol which, in turn, ignites the LED light diffused by a lighting body in \nmouth-blown glass entirely made in Italy. The internal battery, charged by the flame, recharges \nsmartphones or other electronic devices.\nCandela overturns the relationship between analogue and digital, because it is an object from \nthe past that infuses energy into a technological one. The fuel tank contains the bioethanol \nneeded for five hours of use. Candela is a visionary project that marries the genius of Gomez \nPaz with Astep’s courage to develop the technology required to reproduce the system tested \nby Seebeck exactly two centuries ago.\nA step forward ... \nIn design: It transforms a discovery 200 years ago in a contemporary object.\nIn technology: because it is an unexpected mix of analogue and digital. The seemingly ancient \nobject, the candle, charges the high tech contemporary one, the phone.\nIn sustainability: because it is powered by biofuel and does not consume energy from fossil \nsources, while supplying clean energy to other tools. Rather than using energy, the lamp \nactually harvests it.\nA MODERN LANTERN\nHARVESTING ENERGY FROM THE\nFLAME OF BIOETHANOL\n36\n37\nCANDELA\nCANDELA\nEvolution Collection\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.21.png","Tribute Collection\nProjected into the future and with solid roots in the past, Astep pays homage to the \n tradition from which it draws inspiration to evolve. The lamps of the Tribute Collection \ncelebrate the unrepeatable season of Italian masters who have combined design, \ntechnology and manufacturing in a unique leeway. The lamps by Gino Sarfatti, Vittoriano \nViganò, Carlo Santi & Vittorio Borachia and Franco Albini & Franca Helg are a reference \npoint for lighting design. Their sophisticated, versatile soul and timeless looks is what \nthe Tribute Collection brings back to today’s market, enriched with updated technology.\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.22.png","Born in 1951, the lamps of the VV Cinquanta family are among the greatest examples of time-\nless elegance and versatility of a product with Made in Italy design and manufacturing, a \nfeature that they maintain unchanged in these re-editions.\nDesigned by the architect Vittoriano Viganò, whom Gino Sarfatti trusted for the art direction \nof Arteluce, they are characterized by essential and refined lines and maximum functionality. \nThe light of VV Cinquanta can be direct or indirect. By rotating or tilting the diffuser, the lamp \nmeets the most diverse needs, from work and reading to ambient lighting.\nThe Twin model is an elegant wall lamp with two brass arms: mounted on a bracket of the \nsame material, they extend in opposite directions, defining a sculptural design with multiple \nluminous compositions. The Floor model stands gracefully on a slim black aluminum frame. \nThe spun aluminum reflector is mounted on an articulated stem that can rotate and tilt, allowing \nfor different lighting scenarios. The Wall model is mounted on a brass device that allows the \nreflector to rotate 350° and can be angled 160°.\nIn the Suspension model, the versatility of lighting becomes maximum thanks to a dynamic \nand playful design that invites you to act on the double stem defining infinite compositions, \nlike real domestic architectures that stretch from the ceiling. Each of the two stems culminates \nwith two different turned aluminum reflectors available in the colors designed by Viganò, one \nnarrow and one wide.\nThey can all assume multiple and ever-changing positions, for both downward and upward \nlighting, direct or indirect, finding their own equilibrium.\nVV Cinquanta\nVITTORIANO VIGANÒ\n1951 \u002F 2016\n40\n41\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.23.png","VV Cinquanta Wall\nVITTORIANO VIGANÒ\n1951 \u002F 2016\n42\n43\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.24.png","THE REFLECTOR ITSELF CAN BE ANGLED 160° AND \nROTATED 350°, MAKING THE WALL MODEL AN \nOUTSTANDINGLY FLEXIBLE DESIGN FOR\nVERSATILE USE\n44\n45\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.25.png","VITTORIANO VIGANÒ\n1951 \u002F 2017\nVV Cinquanta Twin\n46\n47\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.26.png","A SCULPTURAL WALL LAMP WITH MULTIPLE\nLIGHTING COMPOSITIONS\n48\n49\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.27.png","VITTORIANO VIGANÒ\n1951 \u002F 2016\nVV Cinquanta Floor\n51\n50\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.28.png","THE FLOOR MODEL BALANCES GRACEFULLY\nON A SLENDER IRON BASE FOR A SOFT\nAND ANGLED LIGHT\n52\n53\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.29.png","VITTORIANO VIGANÒ\n1951 \u002F 2016\nVV Cinquanta Suspension\n54\n55\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.30.png","THE REFLECTOR IS MOUNTED ON AN ARTICULATED \nSTEM THAT ENABLES VARIOUS LIGHTING \nSCENARIOS\nVV CINQUANTA\nVV CINQUANTA\nTribute Collection\nTribute Collection\n56\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.31.png","SB Cinquantotto\nCARLO SANTI & VITTORIO BORACHIA\n1958 \u002F 2019\n58\n59\nSB CINQUANTOTTO\nSB CINQUANTOTTO\nTribute Collection\nTribute Collection\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.32.png","SB Cinquantotto is a design masterpiece that comes from afar and brings the emotion of a \nfamily history into the contemporary world. Designed in 1958 for Arteluce by the architects \nCarlo Santi and Vittorio Borachia, the prototype of this perfect example of the finest Italian \nmanufacturing has for years embellished the Lake Como home of Gino Sarfatti, founder of \nArteluce and grandfather of Alessandro, Astep’s founder.\nRecovered by Alessandro, who knew of its design qualities and its manufacturing of excellence \nsince he was a child, it is re-proposed following the original design, like a suspension in satin \nopal glass hand blown in Italy. The timeless aesthetic of the thin diffuser, perfect for elegantly \nilluminating any environment, meets the mounting system based on the pattern generated \nby a black cable that runs freely next to an almost transparent aluminum wire.\n60\n61\nSB CINQUANTOTTO\nSB CINQUANTOTTO\nTribute Collection\nTribute Collection\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.33.png","Model 2050\nFRANCO ALBINI & FRANCA HELG\n1963 \u002F 2021\n62\n63\n MODEL 2050\nTribute Collection\nTribute Collection\nMODEL 2050\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.34.png","In 1963, Franco Albini and Franca Helg started experimenting with plastics in lighting for \nArteluce. Summoned by Gino Sarfatti to research the possibilities that new technologies and \nmaterials were providing, the two designers came up with a suspension lamp that summed \nup the two souls of the Arteluce brand: the love for glass, which they used for the opal diffuser, \nand the daring use of methacrylate, a (then new) lighter and more resistant material, perfect to \ninterpret modernity by combining craftmanship and industry. \nWith the re-edition of this iconic lamp, Astep continues its work of rediscovery of great Italian \nmasters of light while also pursuing the same pioneering spirit in materials research that \nanimated Albini, Helg and Sarfatti. It does so by bringing environmental sensitivity into the \nequation through using Green Cast, a material that is 100% recycled and recyclable, patented \nand made in Italy, featuring identical properties of classic methacrylate. With its brushed \nfinish, the Green Cast used for the new 2050 diffusor restores a timeless elegance. For Astep \nsustainability is also about guaranteeing performance and aesthetics.\n64\n65\nMODEL 2050\n MODEL 2050\nTribute Collection\nTribute Collection\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.35.png","66\n67\nMODEL 2050\n MODEL 2050\nTribute Collection\nTribute Collection\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.36.png","Model 2065\nGINO SARFATTI\n1950 \u002F 2016\n69\n68\nMODEL 2065\nMODEL 2065\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.37.png","A timeless masterpiece of lightness and elegance, Model 2065 is the result of Gino Sarfatti’s \ndesire to experiment with materials. Gino Sarfatti came across methacrylate samples between \n1949 and 1950. This convinced him to create a suspension lamp with this plastic polymer \nwhich is much lighter and more resistant than glass. The 2021 version adds to these features \nin terms of sustainability: it is made of Green Cast®, a 100% recycled and recyclable PMMA \n(polymethyl methacrylate) — patented and made in Italy — that has exactly the same aesthetic \nand functional quality of original methacrylate. \nModel 2065 consists of a diffuser made up of two opalescent plates joined and suspended \nfrom the ceiling with a black painted aluminum rosette. A simple design played on the elliptical \nshape and the lightness of the materials which, together, seem to give life to a weightless \ncreation. The lamp was relaunched by Astep in 2016 also in a second black version, in which \nthe upper plate is finished with a soft-touch coating with a strong graphic expression. Five \nE14LED bulbs provide illumination in all versions of the lamp.\nThe ceiling Model 2065 was already an innovative statement in the world of lighting of the \n50s. The Wall Model added to this the extraordinary capacity to re-write the formal status quo \nfor its category: with the cables fitting inside its tube, it was stuck to the wall yet also nomadic \nand required no architectural or electrical intervention.\n70\n71\nMODEL 2065\nMODEL 2065\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.38.png","72\n73\nMODEL 2065\nMODEL 2065\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.39.png","Model 2065 Wall\nGINO SARFATTI\n1955 \u002F 2021\n74\n75\n MODEL 2065\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\nMODEL 2065\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.40.png","Le Sfere\nThroughout his life, Gino Sarfatti has always been fascinated by the sky, especially by the \nperfect light emanating from the moon. Le Sfere is a testament to this special attraction of his. \nConceived from 1959, it is a family of opal glass lamps, the largest designed by the master, \nwhich includes a single sphere model up to a composition of twenty-four arranged in a circular \nmanner to form a chandelier.\nEach blown opal glass sphere is held in place by a painted steel ring that embraces it and helps \nto define its refined aesthetics. From Model 237, consisting of a single sphere, to Model 2109, \nthat of the iconic chandelier, Le Sfere is a family that has grown over the years also used on \ninterior projects curated by Gino Sarfatti, for example at the Teatro di Regio di Torino designed \nby the architect Carlo Mollino, where they can still be admired in a variety of compositions. But, \nabove all, it is a multifaceted and open lighting system, suitable for all types of spaces. \n76\n77\nLE SFERE\nLE SFERE\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.41.png","Model 237 \u002F 238\nGINO SARFATTI\n1959 \u002F 2018\n78\n79\nMODEL 237 \u002F 238\nMODEL 237 \u002F 238\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.42.png","80\n81\nMODEL 237 \u002F 238\nMODEL 237 \u002F 238\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.43.png","82\n83\nMODEL 237 \u002F 238\nMODEL 237 \u002F 238\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.44.png","Model 2042\nGINO SARFATTI\n1963 \u002F 2019\n84\n85\nMODEL 2042\nMODEL 2042\nTribute \u002F Gino Sarfatti Collection \nTribute \u002F Gino Sarfatti Collection \n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.45.png","86\n87\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\nMODEL 2042\nMODEL 2042\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.46.png","88\n89\nMODEL 2042\nMODEL 2042\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.47.png","Model 2109\nGINO SARFATTI\n1959 \u002F 2018\n90\n91\nMODEL 2109\nMODEL 2109\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.48.png","92\n93\nMODEL 2109\nMODEL 2109\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.49.png","95\nMODEL 2109\nMODEL 2109\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.50.png","97\nMODEL 2109\nMODEL 2109\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.51.png","Model 537\nGINO SARFATTI\n1950 \u002F 2019\n98\n99\nMODEL 537\nMODEL 537\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.52.png","At the origin of any model of portable lamp, there is this exceptional creation which reflects \nthe genius and mastery of Gino Sarfatti, well ahead of his time. Model 537, designed around \n1950, is a masterpiece reintroduced by Astep. In its simplicity, this lamp stands out for the \ncombination of fine materials and its ingenious and ironic design.\nThe large aluminum reflector is mounted asymmetrically on a burnished or polished brass \nstem, which is carefully twisted, coming to rest on the marble base. The stem extends through \nthe reflector and beyond with a backward movement, giving the upper part of the stem a \ndual function of playful element and practical handle that anticipates the integrated handle of \ncontemporary portable lights by years.\nModel 537 is easily carried by hand from the desk to the living room, to the bedroom to any \nother environment, illuminating it with genius and design.\nA LAMP THAT ANTICIPATES\nAND SUGGESTS THE IDEA OF\nPORTABILITY\n100\n101\nMODEL 537\nMODEL 537\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.53.png","102\n103\nMODEL 537\nMODEL 537\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.54.png","Model 548\nGINO SARFATTI\n1951 \u002F 2013\n104\n105\nMODEL 548\nMODEL 548\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.55.png","Lighting conceived as a sophisticated game of screens, in perfect balance between direct and \nindirect light. Gino Sarfatti designed the Model 548 in 1951 giving vent to one of the themes \nthat were most dear and congenial to him.\nFor this table lamp, the designer uses a spotlight that can be oriented towards a reflective \nscreen formed by the large diffuser in orange, blue or grey white methacrylate. The interaction \nbetween spotlight and screen defines a sophisticated effect, poised between lighting and \nperception. The spotlight in white painted aluminum is mounted on a tubular stem in polished \nor burnished brass, while a small brass bar at the base acts as a counterweight in the beautiful \nbalancing of the individual elements.\nIn the re-edition, the original incandescent bulb was replaced by an LED source and an optical \ndimmer switch was discretely integrated into the original design.\n106\n107\nMODEL 548\nMODEL 548\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.56.png","Model 566\nGINO SARFATTI\n1956 \u002F 2020\n108\n109\nMODEL 566\nMODEL 566\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.57.png","A simple and iconic task lamp. Designed in 1956, Model 566 by Gino Sarfatti is a masterpiece \nof minimalism and refinement, a tribute to the simplicity of the light bulb. The classic Cornalux \nbulb (no longer in production) has been replaced for this re-edition with a special and modern \nlow energy consumption and long lasting LED technology.\nPlaying on the geometry designed by the inclined stem and the tube that mounts the bulb, the \nModel 566 generates a perfect light for work, studying or relaxing reading.\nThe tube is supported by a rubber ring that allows it to be oriented in infinite positions. The \nswitch positioned on the base, faithful to the original model, is a further note from the past that \nreturns in a contemporary key.\n110\n111\nMODEL 566\nMODEL 566\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.58.png","Model 1063\nGINO SARFATTI\n1954 \u002F 2013\n112\n113\nMODEL 1063\nMODEL 1063\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.59.png","A perfect example of an avant-garde approach with a still very current design, the 1063 floor \nlamp designed by Gino Sarfatti in 1954 is the masterpiece that first revealed how to generate \naesthetics by simply showing a light source. With its minimalist silhouette and a design that \nillustrates how it works, Model 1063 anticipated insights that came in the years to come.\nThe floor lamp emits direct or reflected light and is composed of a thin black or white painted \naluminum tube, which houses the light source. The aluminum base is balanced by a box, \nalso made of aluminum, a rounded rectangular section that contains the power supply. The \ntwo parts are connected by two steel rods arranged in an unusual off-center position that \nseems to move them away from each other and at the same time give the luminaire a sense \nof balance in an apparently magical way.\nIn the re-edition, the original fluorescent tube was replaced with an LED module with variable \ntemperature regulation and light dimming function.\n114\n115\nMODEL 1063\nMODEL 1063\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.60.png","Model 2129\nGINO SARFATTI\n1954 \u002F 2013\n116\n117\n MODEL 2129\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\nMODEL 2129\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.61.png","Lightness becomes an icon in the shapes of a lamp sculpted like a work of art.The droplight \ndesign of the Model 2129 designed by Gino Sarfatti in 1969 is a beautiful example of the \nvisionary nature of the founder of Arteluce. This lamp is a versatile and functional creation, with \nan elegant and assertive presence, giving strength to the elements on which its light rests, \ndefining a warm atmosphere.\nModel 2129 is formed by a large arched arm in transparent methacrylate fixed to the ceiling \nand able to rotate 360° horizontally, and by a counterweight. The cup reflector consists of \ntwo pieces of turned aluminum painted in white and caviar gray. Both the plug for the ceiling \nattachment and the counterweight are in painted brass. In the re-edition, the original light \nsource, an incandescent bulb, is replaced with LED lighting.\n118\n119\nMODEL 2129\n MODEL 2129\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.62.png","Designers\nBorn in Venice in 1912, Gino Sarfatti studied to become an aeronautical engineer until family \ncircumstances compelled him to relocate to Milan where he had his first encounter with \nlighting, an engineering project to transform a glass vase into a lamp. This encounter with \nlighting design and engineering shaped the path of his life. In 1939 Gino Sarfatti founded his \ncompany Arteluce, which brought lighting into the 20th century combining innovative ideas \nwith groundbreaking design.\nThroughout his career, Gino Sarfatti explored and was inspired by new product typologies, \ninnovative materials, lighting technologies, and production techniques. His hybrid talent as a \ndesigner and engineer enabled him to created refined products in both aesthetics and function.\nGino Sarfatti was a significant figure in the history of Italian industrial design, developing more \nthan 700 luminaires. In 1973 he retired on Lake Como, with Flos acquiring Arteluce and their \nexpansive catalog. Gino Sarfatti passed away at Gravedona in 1985.\nGino Sarfatti\nDESIGNER\n(1912-1985)\nDESIGNERS\nTribute \u002F Gino Sarfatti Collection\n121\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.63.png","Vittoriano Viganò \nARCHITECT AND DESIGNER (1919-1996) \nSon of the painter and engraver Vico Viganò, he graduated in Achitecture at \nthe Polytechnic School of Milan in 1944.\nA main figure of the architectural debate in the post war period and an original \ninterpreter of European Rationalism, he was unanimously considered by critics \nthe most important Italian exponent of the ‘Brutalism’ current.\nA multidisciplinary talent, a tenured professor in Interior Architecture and \nUrban Planning during all his life for the Milan Faculty, Vittoriano worked at \nvarious scales: from industrial design to architecture, from interior design to \nurban and landscape planning.\nVittoriano Viganò was Art Director of Arteluce, the company founded by Gino \nSarfatti, for some years and for Arteluce he designed numerous luminaires \nas well as the flagship store in Via della Spiga in Milan.\nIn 1991 the San Luca Academy awarded him the Italian Republic President \nPrize for Architecture. Vittoriano Viganò passed away in Milan in 1996.\nAlfredo Häberli\nDESIGNER (1964) \nFor many years, Zurich has been home to Alfredo Häberli and his playful \ndesign developments. Before resettling in Switzerland with his family in 1977, \nAlfredo grew up in Argentina, and his work is strongly influenced by his child-\nhood experiences and native country.\nHe works with great emotion, energy and curiosity and benefits from having \na visionary mindset, a serious attitude and a keen sense of details. The result \nis a collected work imbued with a strong expression and inherent emotion-\nality and beauty.\nAlfredo Häberli graduated, with distinction, as an industrial designer in 1991 \nand effortlessly combines tradition and innovation in every aspect of his \nwork. He has been granted numerous awards and honours, including ‘Guest \nof Honour’ at the 20th Biennale of Design in Kortrijk (2006) and the ‘Swiss \nGrand Prix of Design’ (2014) by the Swiss Federal Office of Culture.\nFrancesco Faccin\nDESIGNER (1977)\nConstantly shifting the area of application between industrial production, \nindependent production, community design and gallery work, Francesco \nFaccin, believes in design without boundaries or limits: “I am interested in \ndesign that sparks connections, thought and debate, above all those that are \na product of in-depth studies beyond the object itself. Design is a fantastic \nopportunity to deepen our relationship with the world around us.”\nBorn in Milan in 1977. In 2004, after a collaboration lasting almost 2 years \nwith Enzo Mari, he began to work with the lute-maker Francesco Rivolta. In \n2007 started his own studio in Milan. From 2009 to 2015 he was consultant \nfor Michele De Lucchi. \nStudio Francesco Faccin collaborates on a regular basis with Italian and \ninter national clients such as design galleries (Rossana Orlandi, Nilufar), \n private companies, public institutions, and NGOs.\nCarlo Santi and Vittorio Borachia \nARCHITECTS AND DESIGNERS (1925-2004 \u002F 1920-2015) \nCarlo Santi (1925-2004)  and Vittorio Borachia (1920-2015), who make up the \narchitectural duo Santi Borachia, met while they were both students at the \nPolytechnic School in Milan during the 1940s and found common ground for \nexploring the world of architecture and design.\nAmong other collaborations, the duo was involved in the lighting company\nArteluce, which at the time attracted the most talented architects and \n designers due to the visionary and experimental approach of its founder, \nGino Sarfatti.\nLater, Carlo Santi’s and Vittorio Borachia’s spheres of interest moved on to \nurban planning, but from time to time they continued the exploration of light-\ning and furniture design, both as a duo and under their own names. Carlo \nSanti and Vittorio Borachia were guided by the logical and formal principles of \nthe most recent industrial techniques and materials and aimed for an essen-\ntial elegance in their design, whether in plastic, wood or glass.\nFrancisco Gomez Paz\nDESIGNER (1975) \nBorn in Salta in Argentina in 1975, Francisco Gomez Paz moved to Milan \n after completing studies in Industrial Design at the Universidad Nacional de \n Cordoba. In 2004 he opened his design studio in Milan.\nDriven by a curiosity and knowledge of technology and materials, and com-\nplimented by his highly experimental hands-on creative process, Francisco \nGomez Paz has developed products for a wide range of leading design \n companies.\nHis work has received several international recognitions including the Good \nDesign Award and the Red Dot Award, both in 2010. Together with  Alberto \nMeda, Francisco Gomez Paz was awarded the First Prize of the Index Award \nfor the Solar Bottle, which has also been selected for the Study Collection at \nMOMA. In 2011 he won the Prize of Prizes to Innovation in  Design for the \nHope chandelier, followed by the prestigious Compasso d’Oro 2011. Works \nand lives between Milan and Salta.\nFranco Albini & Franca Helg\nARCHITECTS (1905-1977 \u002F 1920-1989)\nFranco Albini (1905-1977) was a great Italian architect, a leading figure of \nRationalism, one of the undisputed fathers of industrial design. His projects, \nthe result of the partnership with Franca Helg (1920-1989), range from large \nto small scale, from the arrangement of the stations of the Milan Metro line 1 \ntogether with graphic designer Bob Noorda to the realization of urban, \n building and museum interventions all Italy. In design, Albini and Helg have \nlinked their name to timeless furnishings and accessories, innovative in their \ndesign approach and in the choice of materials. Their production re presents \nan internationally recognized cornerstone of the innovation of  design culture \nat the beginning of the twentieth century.\nDavid Thulstrup \nARCHITECT AND DESIGNER (1978) \nDavid Thulstrup brings his extensive experience as an architect and interior \ndesigner to furniture and lighting design. Using architecture and context as \na starting point he creates simple well-crafted pieces that are distinctive in \ntheir form but work harmoniously in the overall space. Honest use of materials \nand clarity of purpose are paramount. Applying a holistic approach to his \npractice, David often creates furniture and lighting for specific projects but \nalways with the intention that they can belong anywhere. Although contem-\nporary in their expression they are designs that will stand the test of time.\n122\n123\nTribute Collection\nEvolution Collection\nDESIGNERS\nDESIGNERS\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.64.png","Typology\nSuspension\nPepa\nNox\nCandela\nModel 548\nModel 566\nModel 1063\nModel 2065\nModel 2129\nModel 237\u002F238 \u002F 1\nModel 237\u002F238 \u002F 2\nModel 2065  Wall\nModel 2042 \u002F 3\nModel 2042 \u002F 6\nModel 537\nVV Cinquanta Floor\nVV Cinquanta Susp.\nVV Cinquanta Twin\nVV Cinquanta Wall\nPortable\nTable\nFloor\nCeiling\nWall\nModel 2109\nModel 2050\nIsol\nSB Quintanotto\n125\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.65.png","TECHNICAL\nINFO\nTechnical Info\nIsol 30\nDavid Thulstrup, 2021\nSuspension\nAcoustic Absorbent Fabric Diffuser,\nAluminium Structure\nø 300 x 760mm \u002F ø 300mm x 1260mm\nø 300mm\n3000mm\n2 x S14d (6W Max) \u002F 2 x S14s (13W Max)\nTypology\nMaterials\nDimensions\nDiffuser Diameter\nCable Length\nLight source\nItem Code\nDescription\nWeight\nA04-S51-S00B\n30\u002F76 Black\n2.00kg\nA04-S51-S00C\n30\u002F76 Cream\n2.00kg\nA04-S61-S00B\n30\u002F126 Black\n2.50kg\nA04-S61-C00C\n30\u002F126 Cream\n2.50kg\nIsol 45\nDavid Thulstrup, 2021\nSuspension\nAcoustic Absorbent Fabric Diffuser,\nAluminium Structure\nø 450 x 760mm \u002F ø 450mm x 1260mm\nø 450mm\n3000mm\n2 x S14d (6W Max) \u002F 2 x S14s (13W Max)\nTypology\nMaterials\nDimensions\nDiffuser Diameter\nCable Length\nLight source\nItem Code\nDescription\nWeight\nA04-S51-M00B\n45\u002F76 Black\n2.80kg\nA04-S51-M00C\n45\u002F76 Cream\n2.80kg\nA04-S61-M00B\n45\u002F126 Black\n3.30kg\nA04-S61-M00C\n45\u002F126 Cream\n3.30kg\n127\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.66.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nNox Charging Base\nOptional accessory\nItem Code\nDescription\nA02-A01-000B\nBlack\nA02-A01-000G\nSilver\n+\n=\nNox\nAlfredo Häberli, 2017\nItem Code\nDescription\nBattery Capacity\nA02-T12-000B\nBlack\n16000mAh\nA02-T12-000G\nSilver\n16000mAh\nTable\nOpaline Glass Diffuser, Aluminium Body\nø 224 x 305mm \nø 224mm\n2.50kg\nTouch dimmer\nIntegrated LED 5W, 400lm, 2200K\nWireless Induction\nRequires Charging Base\n20hrs\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nControl\nLight source\nCharging system\nDuration\nPepa\nFrancesco Faccin, 2020\nTable \nSolid Ash Wood, Stainless Steel\nø 206 x 273mm\n1500mm \n1.40kg \nRotary Dimmer\nIntegrated LED 5W, 400Im , 2200K \nUSB Cable\nUSB Type C\n7hrs\nTypology\nMaterials\nDimensions\nCable length\nWeight\nControl\nLight source\nCharging System\nConnector\nDuration\nItem Code\nDescription\nA03-T12-00T0 \nNatural Ash Wood\n128\n129\nCandela\nFrancisco Gomez Paz, 2016\nItem Code\nDescription\nBattery Capacity\nA01-T10-200W\nLight & USB Charge\n3400mAh\nTable\nOpaline Glass Diffuser, Aluminium Body\nø 186 x 241mm \nø 186mm\n2.70kg\nIntegrated LED 1.5W, 2200K\nBioethanol Fuel\n260 ml\n5hrs\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nCharging system\nFuel Capacity\nDuration\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.67.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nVV Cinquanta \u002F Floor\nVittoriano Viganò, 1951\u002F2016\nItem Code\nDescription\nWeight\nT02-F21-00BB\nBlack Frame, Black Reflector\n2.30kg\nT02-F21-00BW\nBlack Frame, White Reflector\n2.30kg\nT02-F21-00BR\nBlack Frame, Red Reflector\n2.30kg\nT02-F21-00BY\nBlack Frame, Yellow Reflector\n2.30kg\nT02-F21-01BY\nMondrian Frame, Yellow Reflector\n2.30kg\nT02-F21-001B\nBrass Frame, Black Reflector\n1.80kg\nT02-F21-001W\nBrass Frame, White Reflector\n1.80kg\nVV Cinquanta \u002F Twin\nVittoriano Viganò, 1951\u002F2016\nVV Cinquanta \u002F Wall\nVittoriano Viganò, 1951\u002F2016\nWall\nSpun Aluminium Reflector, Brass Mount\nW256 x D364 x H183mm\nø 274mm\n0.70kg\nAvailable with On\u002FOff Switch\n1 x E27 LED 7W (53W Max), 806lm, 2700K\nDimmable Bulb lncluded\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nControl\nLight source\nFloor\nSpun Aluminium Reflector, Steel or Brass Frame\nW487 x D1035 x H1470mm\nø 274mm\n2000mm\nOn\u002FOff Switch\n1 x E27 LED 7W (53W Max), 806lm, 2700K \nDimmable Bulb lncluded\nTypology\nMaterials\nDimensions\nReflector diameter\nCable Length\nControl\nLight source\nItem Code\nDescription\nControl\nT02-W21-00BB\nBlack Mount, Black Reflector\nNone\nT02-W21-00BW\nBlack Mount, White Reflector\nNone\nT02-W21-00BR\nBlack Mount, Red Reflector\nNone\nT02-W21-00BY\nBlack Mount, Yellow Reflector\nNone\nT02-W21-0018\nBrass Mount, Black Reflector\nNone\nT02-W21-001W\nBrass Mount, White Reflector\nNone\nT02-W21-S0BB\nBlack Mount, Black Reflector\nOn\u002FOff Switch\nT02-W21-S018\nBrass Mount, Black Reflector\nOn\u002FOff Switch\nT02-W21-S01W\nBrass Mount, White Reflector\nOn\u002FOff Switch\nItem Code\nDescription\nT02-W21-1BBB\nBlack Mount, Black Reflectors\nT02-W21-11BB\nBrass Mount, Black Reflectors\nT02-W21-11WW\nBrass Mount, White Reflectors\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nLight source\nWall\nSpun Aluminium Reflectors, Brass Structure \nW1130 x D538 x H524mm\nø 274mm\n5.80kg\n2 x E27 LED 7W (53W Max, 806Im (1612Im Total), \n2700K\nDimmable Bulbs lncluded\nVV Cinquanta \u002F Suspension\nVittoriano Viganò, 1951\u002F2016\nItem Code\nDescription\nT02-S21-00BB\nBlack Structure, Black Reflectors\nT02-S21-00WB\nBlack Structure, White and Black Reflectors\nT02-S21-00BR\nBlack Structure, Black and Red Reflectors\nT02-S21-01LY\nMondrian Structure, Blue and Yellow Reflectors\nT02-S21-01BB\nBrass Structure, Black Reflectors\nT02- S21-01BW\nBrass Structure, Black and White Reflectors\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nControl\nLight source\nSuspension\nSpun Aluminium Reflectors,\nSteel or Brass Structure\nW256 x D1900 x H1800mm\nø 274mm\n3.00kg\nOn\u002FOff Switch\n2 x E27 LED 7W (53W Max, 806Im (1612Im Total), \n2700K\nDimmable Bulbs lncluded\n130\n131\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.68.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nModel 237\u002F1\nGino Sarfatti, 1959\u002F2018\nWall\nOpaline Glass Diffuser, Steel Structure\nW140 x D203 x H150mm \nø 140mm\nAvailable with On\u002FOff Switch\n1 x E14 LED 4.5W (60W Max), 470Im, 2700K\nDimmable Bulb Included\nTypology\nMaterials\nDimensions\nDiffuser diameter\nControl\nLight source\nModel 237\u002F2\nGino Sarfatti, 1959\u002F2018\nItem Code\nDescription\nT08-W31-S2B0\n2 Opaline Spheres, Black Mount\nT08-W31-S2D0\n2 Opaline Spheres, Champagne Mount\nWall\nOpaline Glass Diffuser, Steel Structure\nW310 x D230 x H150mm \nø 140mm\n1.60kg\n2 x E14 LED 4.5W (60W Max)\n470Im (940Im Total), 2700K\nDimmable Bulbs Included\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nModel 238\u002F1\nGino Sarfatti, 1959\u002F2018\nItem Code\nDescription\nWeight\nT08-W21-M1B0\n1 Opaline Sphere, Black Mount\n1.55kg\nT08-W21-M1D0\n1 Opaline Sphere, Champagne Mount\n1.55kg\nT08-W2S-M1B0\n1 Opaline Sphere, Black Mount with Switch\n1.75kg\nT08-W2S-M1D0\n1 Opaline Sphere, Champagne Mount with Switch\n1.75kg\nWall\nOpaline Glass Diffuser, Steel Structure\nW200 x D300 x H210mm \nø 200mm\nAvailable with On\u002FOff Switch\n1 x E27 LED 7W (60W Max), 806Im, 2700K\nDimmable Bulb lncluded\nTypology\nMaterials\nDimensions\nDiffuser diameter\nControl\nLight source\nModel 238\u002F2\nGino Sarfatti, 1959\u002F2018\nItem Code\nDescription\nT08-W21-M2B0\n2 Opaline Spheres, Black Mount\nT08-W21-M2D0\n2 Opaline Spheres, Champagne Mount\nWall\nOpaline Glass Diffuser, Steel Structure\nW450 x D320 x H210mm \nø 200mm\n3.00kg\n2 x E27 LED 7W (60W Max), 806Im (1612Im Total), \n2700K\nDimmable Bulbs lncluded\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nItem Code\nDescription\nWeight\nT08-W31-S1B0\n1 Opaline Sphere, Black Mount\n0.85kg\nT08-W31-S1D0\n1 Opaline Sphere, Champagne Mount\n0.85kg\nT08-W3S-S1B0\n1 Opaline Sphere, Black Mount with Switch\n1.02kg\nT08-W3S-S1D0\n1 Opaline Sphere, Champagne Mount with Switch\n1.02kg\n132\n133\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.69.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nModel 2109\u002F24\u002F14\nGino Sarfatti, 1959\u002F2018\nSuspension\nOpaline Glass Diffuser, Steel Structure\nø 1340 x H70-1800mm \nø 140mm\n21.20kg\n1800mm\n24 x E14 LED 4.5 W (60W Max),\n470lm (11280lm Total), 2700K\nDimmable Bulbs Included\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nCable Length\nLight source\nItem Code\nDescription\nT08-S31-SOB0 \n24 Opaline Sphere, Black Structure\nT08-S31-S0D0\n24 Opaline Spheres, Champagne Structure\nModel 2109\u002F16\u002F14\nGino Sarfatti, 1959\u002F2018\nModel 2109\u002F12\u002F14\nGino Sarfatti, 1959\u002F2021\nSuspension\nOpaline Glass Diffuser, Steel Structure\nø 950 x H700-1800mm \nø 140mm\n14.80kg\n1800mm\n16 x E14 LED 4.5W (60W Max),\n470lm (7520lm Total), 2700K\nDimmable Bulbs Included\nSuspension\nOpaline Glass Diffuser, Steel Structure\nø 740 x H700-1600mm \nø 140mm\n11.40kg\n1800mm\n12 x E14 4.5W (60W Max),\n470lm (5640lm Total), 2700K\nDimmable Bulbs Included\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nCable Length\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nCable Length \nLight source\nItem Code\nDescription\nT08-S31-SGB0\n16 Opaline Spheres, Black Structure\nT08-S31-SGD0\n16 Opaline Spheres, Champagne Structure\nItem Code\nDescription\nT08-S31-SCB0\n12 Opaline Spheres, Black Structure\nT08-S31-SCD0\n12 Opaline Spheres, Champagne Structure\nModel 2109\u002F16\u002F20\nGino Sarfatti, 1959\u002F2018\nSuspension\nOpaline Glass Diffuser, Steel Structure\nø 1400 x H70-1800mm \nø 200mm\n26.20kg\n1800mm\n16 x E27 LED 7W (60W Max),\n806lm (12896lm Total), 2700K\nDimmable Bulbs Included\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nCable Length\nLight source\nItem Code\nDescription\nT08-S21-MGB0\n16 Opaline Spheres, Black Structure\nT08-S21-MGD0\n16 Opaline Spheres, Champagne Structure\n134\n135\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.70.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nModel 2042\u002F3\nGino Sarfatti, 1963\u002F2020\nCeiling\nOpaline Glass Diffuser, Steel Structure\nø 550 x H290mm\nø 200mm\n3 x E27 LED 7W (60W Max) \n806Im (2418lm Total) , 2700K \nDimmable Bulbs Included\nTypology\nMaterials\nDimensions\nDiffuser Diameter\nLight source\nModel 2042\u002F6\nGino Sarfatti, 1959\u002F2019\nModel 2050\nFranco Albini & Franca Helg, 1963\u002F2021\nCeiling\nOpaline Glass Diffuser, Steel Structure\nø 650 x H290mm\nø 200mm\n9.40kg\n6 x E27 LED 6W, 806Im (4836Im Total), 2700K\nDimmable Bulbs Included\nSuspension\nOpaline Glass Diffuser, Methacrylate\nDiffuser, Steel Stucture\nø 590 × 296mm \nø 590mm\n1 x E27 LED 11W, 1521Im, 2700K\nDimmable Bulb Included\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nLight source\nItem Code\nDescription\nT08-C21-M3B0 \n3 Opaline Spheres, Black Mount\nT08-C21-M3D0\n3 Opaline Spheres, Champagne Mount\nItem Code\nDescription\nT08-C21-M6B0 \n6 Opaline Spheres, Black Mount\nT08-C21-M6B0\n6 Opaline Spheres, Champagne Mount\nSB Cinquantotto \nCarlo Santi & Vittorio Borachia, 1958\u002F2019\nItem Code\nDescription\nWattage Max\nSocket\nT10-S21-00BW\n32cm Diameter\n60W\nE27\nT10-S31-S0BW\n20cm Diameter\n40W\nE14\nSuspension\nOpaline Glass Diffuser, Steel Structure\nø 320 x H410mm \u002F ø 200 x H260mm\n4.10kg \u002F 1.30kg\n1 x LED Bulb\nDimmable Bulb Included\nTypology\nMaterials\nDimensions\nWeight\nLight source\nItem Code \nDescription \nInstalled Height \nCable Length \nWeight\nT12-S21-000E \nRod Suspension, Jade Diffuser \n1250mm \n \n7.70kg\nT12-S21-000N \nRod Suspension, Smoke Diffuser \n1250mm \n \n7.70kg\nT12-S21-W00E \nWire Suspension, Jade Diffuser \n450–3400mm \n3000mm \n7.60kg\nT12-S21-W00N \nWire Suspension, Smoke Diffuser \n450–3400mm \n3000mm \n7.60kg\n136\n137\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.71.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nModel 537\nGino Sarfatti, 1950\u002F2019\nItem Code\nDescription\nT09-T21-001B\nBrass Structure, Black Reflector, White Marble Base\nT09-T21-001W\nBrass Structure, White Reflector, White Marble Base\nT09-T21-00BB\nBlack Structure, Black Reflector, Black Marble Base\nTable\nSpun Aluminium reflector, Brass Structure,  \nMarble Base\nø 400 x H360mm\nø 400mm\n2.45kg\nOn\u002FOff Switch\n1 x E27 LED 4.5W (60W Max)\nNon-dimmable Bulb lncluded\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nControl\nLight source\nModel 2065\nGino Sarfatti, 1950\u002F2016\nModel 2065 Wall\nGino Sarfatti, 1955\u002F2021\nItem Code\nDescription\nT01-S31-0BBW\nBlack & White Diffuser, Black Hardware, Black Cable\nT01-S31-0BWW\nWhite Diffuser, Black Hardware, Black Cable\nT01-S31-0WWW\nWhite Diffuser, Black Hardware, White Cable\nItem Code\nDescription\nT01-W31-0BWW\nWhite Diffuser, Black Structure\nT01-W31-P0WW\nWhite Diffuser, Black Structure with plug\nSuspension\nOpaline Methacrylate Diffusers,\nAluminium Hardware\nø 538 x 546mm\nø 538mm\n2.70kg\n3000mm\n5 x E14 LED 4.5W (12W Max), 470Im (2350Im \nTotal), 2700K\nDimmable Bulbs lncluded\nWall\nOpaline Methacrylate Diffusers,\nSteel Structure\nW538 x D680 x H1900mm\nø 538mm\n5 x E14 LED 4.5W (12W Max),\n470Im (2350Im Total), 2700K\nDimmable Bulbs lncluded\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nCable Length\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nLight source\nModel 548\nGino Sarfatti, 1951\u002F2013\nTable\nBrass Structure, Opaline Methacrylate Diffuser\nø 500 x 500mm\nø 500mm\n3.10kg\nTouch Dimmer\nIntegrated LED 11W, 730Im, 2700K\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nControl\nLight source\nWeight \nCable Length\n5.10kg\n5.30kg \n2400mm\nItem Code \nDescription\nT03-T12-00BG \nDark Burnished Brass with Grey Diffuser\nT03-T12-00BO \nDark Burnished Brass with Orange Diffuser\nT03-T12-001A \nPolished Brass with Azure Diffuser\nT03-T12-001G \nPolished Brass with Grey Diffuser\n138\n139\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.72.png","TECHNICAL\nTECHNICAL\nINFO\nINFO\nModel 1063\nGino Sarfatti, 1954\u002F2013\nItem Code\nDescription\nT05-F12-000B\nBlack with White Base\nFloor\nAluminium Structure, Steel Counterweight \nW350 x D460 x H2150mm \n10.0kg\nRotary Dimmer\nIntegrated LED 57W, 2500Im, 2700-5000K\nTypology\nMaterials\nDimensions\nWeight\nControl\nLight source\nModel 2129\nGino Sarfatti, 1969\u002F2013\nItem Code\nDescription\nT07-S12-00BW\nWhite & Grey Shade, Methacrylite Structure\nSuspension\nAluminium Reflectors,\nMethacrylate and Brass Structure\nW400 x D1450 x H1000-2400mm \nø 400mm\n4.60kg\nFoot Switch\nIntegrated LED 25W, 1600Im, 2700K\nTypology\nMaterials\nDimensions\nReflector Diameter\nWeight\nControl\nLight source\nModel 566\nGino Sarfatti, 1956\u002F2020\nItem Code\nDescription\nTll-T41-000B \nBlack\nTll-T41-000G \nPolished\nTable \nAluminum Body, Steel Stand, Cast Alloy Base\nW140 x D374 x H506mm\n1500mm \n2.10kg \nOn\u002FOff Switch\n1 x B22 LED 8W (8W Max), 700Im, 2700K \nDimmable Bulb Included\nTypology\nMaterials\nDimensions\nCable length\nWeight\nControl\nLight source\n140\n141\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.73.png","Astep is a lighting company built on design, innovation and sustainability carefully \n balancing purpose and profits. With an eye firmly focused on minimizing its impact on \nthe environment and on caring for its stakeholders, Astep brings back to life timeless, \nrevolutionary lamps of the past while envisaging new classics of today.\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.74.png","PHOTOGRAPHY\nHeidi Lerkenfeldt\nJonas Bjerre-Poulsen (p. 106, 114, 118)\nSistema Manifesto (p. 24, 25)\nHasse Nielsen (p. 6)\nMikkel Vigholt (p. 27, 31, 32, 100)\nSTYLING\nPernille Vest \nSofie Brünner (p. 106, 114, 118)\nPROJECT  DIRECTOR\nYasmin Edgecombe\nGRAPHIC DESIGN\nSigrid Gry Laursen\nCopyright Astep 2021\nAstep ApS\nEsplanaden 6\n1263 Copenhagen\nDenmark\n+45 70 70 50 01\nwww.astep.design\nAstep reserves the right to introduce any\nchanges to its own models without prior notice\nFor sales inquiries please contact \nsales@astep.design\nSPECIAL THANKS\n101 cph, Aytm, Anna C. N. Meyer, Anne Brandhøj, Anne Bystrup, Birute Si, C\u002FRO Copenhagen, Doriana De Petris, Birgitte Due Madsen, Fjord Interior, Frama, \nJonas Trampedach, Josefine Winding, Karakter, Karen Bennicke, Lerkenfeldt Gallery, Linnea Ek Blæhr, Louise Roe, Massproductions, Maria Enæs, Menu, \n Vang Stensgaard, Montana, Munk Collective, New Works, Ole Mynster Herold, Patrizia Cassina, Paustian, Robynn Storgaard, Room by Sarah, Rue Verte, Sacre \nCoeur Design Shop, Salvatori, Society Limonta, Stine Mikkelsen, Søren Jacobsen, Thonet, The Posterclub, Thora Finnsdóttir, Tine K Home.\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fb6\u002Fd2264a050973471708ff26003f7dcf-26e4888834.75.png","Collection\nGino Sarfatti\nVittoriano Viganò\nCarlo Santi\nVittorio Borachia\nFranco Albini\nFranca Helg\nAlfredo Häberli\nFrancisco Gomez Paz\nFrancesco Faccin\nDavid Thulstrup\n",75,[],0,false,true,{"success":316,"data":318,"meta":531,"count":532,"next":533,"previous":534,"results":568,"brand_chips":629},[319,332,341,350,359,368,378,388,398,410,422,435,445,458,470,480,490,499,509,521],{"id":320,"title":321,"slug":322,"image":323,"source":324,"brand_name":325,"brand":326,"brand_slug":327,"file_size":328,"pages":329,"pages_count":330,"matched_pages":331,"match_count":314,"two_pages":315,"show_text":316},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":333,"title":334,"slug":335,"image":336,"source":337,"brand_name":325,"brand":326,"brand_slug":327,"file_size":338,"pages":339,"pages_count":288,"matched_pages":340,"match_count":314,"two_pages":315,"show_text":316},26606,"Architectural Systems  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