MOROSO catalogo 224 pagine 6 BIANCA (1 sedicesimo + 1 quartino e ottavo accavallato) USOMANO
161
The chorus in the “theater of lost
sovereignty”
Salmonoftendefinesthemedialandscape
asa"theateroflostsovereignty,"wherecon-
temporarypolitics,alreadydeprivedofits
powerbyinternationaleconomicpowers,is
stilltryingtoestablishitsrolethrougha
continuousnarrative.
Inherwork,Senatoreinsteadconstructsa
differentkindof‘theater’whereanotherkind
ofstatementispossibleandshecanrecon-
structadifferentsovereignty:thatofthe
choir,likeinoriginalGreektheater,which
playedthepartoftheonlyactoronstage,
anddancedandsang,recountingtotheci-
tizensandpoliticiansthedesires,frustra-
tions,andmoodofthecity.
Emanuele Guidi
The School of Narrative Dance wasopenedinRome,
Cagliari,Rivoli,St.Gallen,Berlin,Ecuador,andSweden.
The School of Narrative Dance: Ongoing Documentary,
2013
still da video, canale singolo, video HD,
suono, durata variabile /
videostill, single channel HD video, sound,
variable length
Courtesy of the artist, Peres Projects, Berlin e /
and MOTInternational, London-Brussels
VOLUMETTO 17 marzo corretto.qxp_Layout 1 20/03/15 12:24 Pagina 161
176
Group show,
2014, argilla, olio su tela, acrilico su tela, dimensioni variabili /
clay, oil on canvas, acrlilic on canvas, variable dimensions
Courtesy of the artist
La mia collezione di quadri dipinti da animali assieme
a delle mie sculture. Capire le dinamiche con cui l’animale
imita l’uomo e di quando invece è l’uomo a ritornare ad essere
animale. Le sculture di argilla, materia primaria per
eccellenza, evidenziano il rapporto ancestrale tra la terra
e l’uomo. Far regredire l’uomo, riportandolo attraverso
un’esperienza fisiologica alle proprie origini.
Addentando la materia l’uomo plasma, nutrendosi
delle proprie radici. La capacità dell’argilla di mutare
cromaticamente, mimetizzandosi lentamente come un
animale. L’argilla muta nel colore fino a giungere alla
tonalità del cemento su cui è poggiata / My collection
of paintings painted by animals along with my sculptures.
Understanding the dynamics in which the animal imitates the
man and those in which instead is the man to go back to
being animal. The clay sculptures, clay being an
exemplary prime matter, highlight the ancestral relationship
between the earth and man. It makes man regress, bringing
him back to his origins through a physiological experience.
Biting into that primary matter man models and feeds
on his own roots. The ability of the clay to change
chromatically, blending slowly like some camuflaged
animal. The clay color changes until it develos into
that shade of the cement on which it is resting.
VOLUMETTO 17 marzo corretto.qxp_Layout 1 20/03/15 12:24 Pagina 176
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