[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-vitra-your-office-2012":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":401},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":396,"matched_pages":397,"match_count":398,"two_pages":399,"show_text":400},7162,"Your Office 2012","vitra-your-office-2012","\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F75\u002Fc4c5c8b79dde592a912cfb80a92ece.pdf","Vitra",1477,"vitra","20.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393],{"image":7,"text":15,"number":16},"PMS 103   COLORIT 973\nv\nv\nv\nv\nv\nYour Office \nVitra is a Swiss company dedicated to improving the quality  \nof homes, offices and public spaces through the power of design.\nOur products and concepts are developed in a diligent design \nprocess that brings together our engineering excellence with the \ncreative genius of leading international designers. It is our goal  \nto create interiors, furniture and accessories that are functional \nand inspiring. Longevity of materials, construction and aesthetics \nis our leading principle, as demonstrated by our Classics – some  \nin continuous production since the 1950s.\nInitiatives like the Vitra Campus architecture, the Vitra Design \nMuseum, workshops, publications, collections and archives  \nare all integral elements of Vitra. They give us the opportunity  \nto gain perspective and depth in all our activities.\nYour\nOffice\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.2.png","Your Office\nThis is the Vitra Office Overview – featuring new  \nproducts, design classics and office solutions.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.3.png","Office furniture systems 5\nManagement office 39\nSpace layout 47\nOffice chairs 59\nMeeting, conference and  \ncommunication zones 77\nConference and visitors chairs 89\nBusiness Club, lounge and lobby 103\nAccessories 122\nAbout Vitra 125\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.4.png","5\nAd Hoc 8 \nAntonio Citterio  \nJoyn 14 \nRonan & Erwan Bouroullec  \nTyde 20 \nRonan & Erwan Bouroullec  \nLevel 34 26 \nWerner Aisslinger \nWorKit 32 \nArik Levy\nOffice furniture systems\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.5.png","7\nOffice furniture systems\nVitra’s office furniture systems are both functional and \naesthetic. The result of highly developed office design \nexpertise, these systems enhance working conditions, thus \nmotivating employees and contributing towards increased \nproductivity. Moreover, the different products and systems \ncomplement each other and can be effectively mixed  \nand matched. They can also be adapted over the long  \nterm to meet new technical developments and changing \nrequirements.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.6.png","8\n9\nAd Hoc\nAntonio Citterio\nThe Ad Hoc office furniture system was developed  \nin 1994 together with Antonio Citterio, and has  \nbeen continuously developed since then. It is both  \na prototype and a classic. Its versatility, coupled with \nthe high quality of materials and workmanship and \ntimeless, technically elegant design, ensure a long \nservice life and superior efficiency. Ad Hoc is versatile \nand able to fulfil various requirements. For instance,  \nthe Ad Hoc modular system enables configurations \nranging from individual tables through to entire table \nsystems, all of which can be fitted to meet individual \nneeds. Ad Hoc High Work, for instance, is an innovative \npiece that promotes healthy working by allowing the \nuser to stand. And individual Ad Hoc pieces such as \nmeeting and visitors tables can be used to complement \nthe modular system. Ad Hoc Executive offers elegant \nsolutions for management (see Page 41 and 79).\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.7.png","10\n11\nFlexibility \nAd Hoc is flexible and durable. \nWhen needs change, only the \nnecessary modular elements \nhave to be swapped to adapt \nthe configuration. This ensures \nthat the life and efficiency of the \noffice furniture system are longer \nand greater than average. All \ngenerations of Ad Hoc since 1994 \nhave been mutually compatible.\nScreens\nFabric-covered screens offer \nprivacy and possess effective \nnoise reducing characteristics. \nThanks to the integrated \naluminium profile, the screens \ncan be fitted with accessories.\nConfigurations\nAd Hoc offers workstations for \nmany areas of application.  \nThe office furniture system can  \nbe used to create single and  \ndouble workstations as easily  \nas table arrangements for three, \nfour, six or more persons.\nHeights\nThe new aluminium table legs  \nare height adjustable. They  \nmake it possible to configure \ntables for sitting or standing  \nat. Classic table legs made  \nof chromed steel are also still \navailable, bridging the gap \nbetween the new and the first \ngeneration of Ad Hoc products \nfrom 1994.\nStorage\nFile boxes that are open or  \nthat feature lockable sliding doors  \noffer storage space at workstations. \nPerforated side panels and optional \nfabric-covered back panels absorb \nnoise and offer privacy.\nElegance\nThe sculpted table legs made of \npolished aluminium give Ad Hoc \nits technical elegance.\nAccessories\nA large selection of accessories \nmakes it possible to individualise \nworkstations. They enhance the \nversatility of the back end of the \ntable top by providing storage trays \nand integrating lamps and monitors.\nAd Hoc\nThe Ad Hoc modular elements can be used to create \ncountless configurations for both sitting and standing \nwhile working. The office furniture system thus offers \ncustomised solutions for a broad variety of office \nenvironments and types.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.8.png","12\nAd Hoc\nFor Ad Hoc, the functionality of every single detail  \nhas been tried and tested numerous times and, if \nnecessary, improved. The high material quality and \ncareful workmanship combined with an aesthetically \nelegant design guarantee that Ad Hoc pieces can  \nbe enjoyed for a long time.\n“The modern office  \nrequires flexibility and adaptability. \nThe Ad Hoc modular system \nmakes aesthetically sophisticated \nworking environments that  \ncan meet changing requirements.”\n—\nAntonio Citterio\nOFFICE FuRnITuRE sysTEMs\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.9.png","01\n01\n14\n27\n14\n21\n28\n28\n18\n01\n20\n19\n04\n05\n06\n07\n08\n09\n10\n11\n12\n29\n03\n03\n30\n13\n13\n03\n03\n02\n15\n31\n26\n25\n24\n23\n22\n16\n17\nCOMPOnEnTs\nTABLE TOPs\n01  Table \nW1600 × D800, W1800 × D800, \nW2000 × D800, W2400 × D800\n02  Table with e-station \nW1600 × D800, W1800 × D800, \nW2000 × D800, W2400 × D800\n03  Add-on tables and  \nstorage boxes\nLEgs\n04 T-section leg steel\n05 Curved leg steel\n06 single leg steel\n07 Curved bench leg aluminium\n08 straight bench leg aluminium\n09 Curved leg aluminium\n10 single leg aluminium\n11  Curved bench leg aluminium, \nhigh version\n12  Curved leg aluminium,  \nhigh version\nADDITIOnAL ELEMEnTs\n13 storage box \n14 storage box with sliding door\n15  Accessory beam with  \nholder set for single table\n16  Double screen with holder  \nset for single table\n17 single screen\n18 side screen\n19  Double screen with  \nlateral holder set\n20  Double screen with  \nconnection set\n21  side screen for single workstation\n22 utensil tray\n23 Paper tray\n24 File tray\n25  Tray\n26 Insertable screen\n27 CPu holder\n28 MBE mobile pedestal\n29 Electrification\n30  BELuX KOI with lamp  \nbracket for benches\n31  BELuX LIFTOLInO with  \nbeam adapter\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.10.png","13\nAd Hoc High double workstation\nAd Hoc High consultation workstation\nAd Hoc High team workstation\nCOnFIguRATIOn EXAMPLEs\nAd Hoc team workstation\nAd Hoc team workstation\nAd Hoc single workstation\nAd Hoc double workstation\nAd Hoc double workstation  \nwith meeting table\nOFFICE FuRnITuRE sysTEMs\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.11.png","14\n15\nJoyn\nRonan & Erwan Bouroullec \nThe inspiration for Joyn was the place where a family \nlives together. In Brittany, where the designers Ronan \nand Erwan Bouroullec grew up, the kitchen table  \nwas large enough to seat the entire family. It served  \nas the place for social get-togethers, chance meetings \nand discussions, or as a place to retreat to. This \nflexibility also characterises the Joyn furniture system, \nand makes it possible to meet the needs of constantly \nchanging office activities on a daily basis and in a \npractical manner. Joyn not only caters to the individual \nneeds of employees, but also promotes efficient and \ncommunicative work processes.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.12.png","16\n17\nJoyn\nJoyn reflects the dynamics of the modern office. With this \noffice system, the space assigned to each workstation  \nis generally flexible. One and the same configuration \ncan be used in spaces with few employees and in spaces \nwith many employees. The Joyn office system therefore \noffers a practical foundation for today’s changing work \nculture. It brings together a variety of spatial functions \non one single level: the platform. \nLighting\nThe lamps were developed \nsimultaneously with Joyn.  \nThey are therefore functionally \neasy to integrate and match  \nthe office system aesthetically.\nMicro architecture\nJoyn Hut is a roof-like \nconstruction featuring functional \nelements that serve to define and \nstructure a space.\nScreens\nThe screens serve to divide and \nstructure. since they are merely \nclipped on, they can be easily \nmoved at any time.\nFlexible use\nPeople who use Joyn can easily \nreconfigure its components at \nany time.\nCentral console\nThe Joyn platform can be used \nfrom both sides. There is a central \ncable tray for data and power \ncables as well as a console for \ninstalling screens, organisers, \nlamps and special adapters for \nflat screens.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.13.png","18\nJoyn\nuseful accessories and the sophisticated electrification \nconcept and cable management solutions make Joyn  \na highly flexible system which can easily be reconfigured \nwhenever necessary. simple and robust solutions ensure \nthe flexibility that Joyn is known for.\nA DAy WITH JOyn\nThe modular structure of Joyn allows the system  \nto spontaneously adapt to changing requirements and technologies. \nOFFICE FuRnITuRE sysTEMs\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.14.png","",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.15.png","01\n18\n04\n02\n05\n10\n14\n13\n12\n11\n15\n16\n20\n21\n22\n23\n24\n25\n17\n06\n07\n08\n09\n03\n19\nCOMPOnEnTs\nPLATFORM\n01  Table top\n02  Table top end unit\n03  End cap\n04  Trestle\n05 Flat cover\n06  Flat rail cover\n07  Beam cover Easy Access\n08  Beam cover \n09 Technical beam\n10  Central screen panel\n11  swivel tray\n12  Binder tray\n13  upright filing box\n14  Wide filing box\n15  Task light\n16  side screen panel\n17  side wall\n18  Flat CPu holder\n19  Tower CPu holder\nsOLITAIREs\n20  Joyn single Desk\n21  Textile screen 45\n22  Textile screen 65\n23  Joyn single Bench 320\n24  Joyn single Bench 240\n25  Hut\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.16.png","19\nFour-person bench\nMeeting bench\nsix-person bench\nCOnFIguRATIOn EXAMPLEs\nLarge bench with various zones\nBench with Joyn Hut\nsingle desk\nsingle bench\nsmall bench with meeting area\nOFFICE FuRnITuRE sysTEMs\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.17.png","20\n21\nTyde\nRonan & Erwan Bouroullec\nWith Tyde, Ronan and Erwan Bouroullec have \ndeveloped a new range of height-adjustable tables. \nThe technology needed for the height adjustment  \nhas been carefully and discreetly integrated, ensuring \nthat Tyde is suitable for use in all kinds of office \nenvironments and in combination with other tables. \nstanding tables are usually only used at single \nworkstations, but Tyde extends the concept to include \ndouble workstations, meeting tables and project \ntables, thus also offering the benefits of working while \nsitting and standing to teams. After all, alternating \nbetween sitting and standing while working is healthy: \nexperts recommend that a person spend about  \n40 per cent of their time standing and 60 per cent \nsitting at their workplace. This prevents damage  \nto health caused by putting monotonous stress on  \nthe body. Blood circulation also increases, boosting \nboth concentration and motivation levels.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\nNew\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.18.png","22\n23\nOFFICE FuRnITuRE sysTEMs\nTyde\ngood open-plan offices are productive spaces filled  \nwith vibrant energy. However, one common criticism  \nis that the noise level often makes concentrating difficult. \nThe aim when developing office furniture is therefore  \nto design products that do not contribute to the noise \nlevel and even serve to reduce it if possible.\n \nTyde meets these requirements effectively: the electric \nmotor of the height adjustment mechanism is very quiet \nand is concealed by a noise-damping cover beneath  \nthe table. In addition, the newly developed screens \nmade of sound-absorbing polyester fleece combined \nwith the cover serve to effectively damp ambient noise.\nHeight adjustment\nThe height adjustment feature  \nis available via an electric motor, \nvia a crank, or by simple manual \nadjustment of the various seat \nheights.\nStability\nThanks to their solid steel frame \nconstruction and cast legs,  \nthe tables are extremely stable \neven when they are in a raised \nposition. This also applies to the \ncluster version.\nScreens\nThe noise-absorbing and \nlightweight screens made of \npressed polyester fleece are \navailable in various colours.\nIndividualisation\nAdditional elements such as \ntechnical beams, various screens, \nCPu holders and accessories \nserve to individualise the \nworkstations.\nOFFICE FuRnITuRE sysTEMs\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.19.png","24\n25\nTyde\nThe screens and the cable tray beneath the table are \nmade of a lightweight polyester fleece that effectively \ndampens noise.\nPractical solutions ensure, for example, that cable \nmanagement is simple and keeps cables organised.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.20.png","26\n27\nLevel 34\nWerner Aisslinger \nLevel 34 is an unconventional office furniture system \nthat looks like it was created for the home. Its main \nelement is a 34 centimetre high bench, which gives  \nthe office furniture system a lightweight and floating \nappearance. It is the platform for various modules such \nas tables, cabinets, shelves, seating arrangements and \nflower boxes, and also includes the cable management \nsystem. A wide range of office types can be created  \nby combining only a few elements. The modules are \neasy to reorganise and thus offer great flexibility when \nit comes to redesigning office spaces to meet new \nrequirements.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.21.png","28\n29\nLevel 34\nThanks to the integrated cable baskets, Level 34 can  \nbe interconnected both horizontally and vertically, \nmaking it possible to plan the layout of office spaces \nirrespective of double floors and of the placement  \nof floor sockets. Level 34 is thus able to meet all kinds  \nof demands, from single and team workstations with \nspace for meetings through to lounge and lobby  \nareas, and reception zones.\nModules\nThe various modules offer a wide \nrange of configuration options \ncatering to different needs and \nenvironments.\nOptions\nThe Level 34 modules make it \npossible to combine a wide range \nof applications in a small space.\nCentral zone\nLevel 34 is also suitable for the \ncentral zone in open-plan offices, \ni.e. as a place to temporarily \nretreat to or to hold meetings.\nStorage\nspacious storage modules \nnot only offer a place to store \npersonal belongings, but can \nalso be used jointly with others.\nElectrification\nCables at central locations in the \nfloor are fed into cable trays from \nwhich power is supplied to the \nmodules.\nHigh Working\nswitching between sitting and \nstanding while working means \nmovement and this promotes \ncirculation. This is healthy and \nincreases concentration.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.22.png","30\nsIDE VIEW\nVIEW FROM ABOVE\nTyPOLOgy\nOFFICE FuRnITuRE sysTEMs\nThe bench serves as a kind of spine, with the modules extending from it like ribs. \nLevel 34 \nThe materials used for Level 34 exude a home-like \natmosphere, in line with the appearance of the entire \nsystem. some modules such as the flower box and  \nthe seat cushions were especially developed to do  \naway with the severely plain look so typical of many \noffice environments. \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.23.png","01\n02\n05\n09\n07\n03\n01\n14\n13\n17\n18\n21\n24\n23\n22\n20\n19\n12\n16\n11\n15\n10\n04\n06\n08\nCOMPOnEnTs\n01  Bench 2–10 modules\n02  Workstation\n03  Meeting Table\n04  stand-up table\nunDER-TABLE ELEMEnTs\n05 under-table module \n06  under-table unit for  \nstand-up table\nADDITIOnAL ELEMEnTs\n07  screen\n08   screen at the side for assembly \non table top\n09  Modesty panel\n½ Hu\n10  Module open\n11  Module with sliding doors\n12  Module with single drawer\n13  Flower box\n14  Cushion\n1 Hu\n15  Module open\n16  Module with double drawer\n17  Module with flap door\n18  Module with sliding doors\n2 Hu\n19  Module open\n20  Module with hinged doors\n21  Module with sliding doors\n3 Hu\n22  Module open\n23  Module with hinged doors\n24 Module with hinged folding door\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.24.png","31\nFour-desk island\nIndividual workstation\nLounge area\nCOnFIguRATIOn EXAMPLEs\nMeeting area where it is possible to stand and sit\nEntire team area\nReception\nDouble workstation\nMeeting area where it is possible to stand \nOFFICE FuRnITuRE sysTEMs\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.25.png","32\n33\nWorKit\nArik Levy \nWorKit is a simple, discreet, logical and extremely \nflexible solution for communicative office areas. WorKit \nconfigurations consist of just a few parts and can be \nspontaneously reconfigured and adapted to new \ndemands, regardless of whether these are caused by \nexpansion, reduction or remodelling. Many different \ndemands and individual wishes can be realised using \nstandard parts.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.26.png","34\n35\nWorKit\nThe options offered by WorKit are made possible  \nby PIn, a cube-shaped connecting element which \nconnects all important parts with each other.  \nBasic tables can be configured to various sizes with  \na wide range of add-on tables and table tops to meet \ndiverse individual requirements.\nStorage\nunder-table boxes and file boxes \nare effective storage solutions  \nfor both beneath and on top  \nof tables. The lockable boxes \nare also available with effective \nnoise-damping front panels.\nScreens\nFabric-covered screens in various \nwidths meet employee needs for \nboundaries, and the adjustable \nscreens make communication \npossible. The screens’ functional \nrail can be fitted with accessories. \nAccessories\nThe useful and decorative WorKit \naccessories such as paper trays \nand file trays, storage trays for \nutensils, magnet boards, mirrors, \nflower vases and business card \nholders all serve to individualise \nworkstations and to improve the \nwork environment. small office \nutensils can be stowed away in  \na utensil tray beneath the table. \nElectrification\nPower to the table is provided \nby the technical unit. Mounting \npoints allow for the integration \nof screens, monitor holders and \nlamp adapters. The slack from \nthe cables are stowed beneath \nthe table in spacious cable \nbaskets.\nEfficiency\nWorKit is easy to understand \nand can therefore easily be \nreconfigured to meet changing \nneeds – it only takes 6 minutes  \nto create a basic set-up.\nOFFICE FuRnITuRE sysTEMs\nOFFICE FuRnITuRE sysTEMs\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.27.png","36\nWorKit\nWorKit’s design is both ingenious and simple:  \nmany different configurations are possible  \nwith the cube-shaped connecting element PIn  \nand a few additional parts. Despite its robust \nconstruction, WorKit is unobtrusive and is suitable  \nfor all kinds of office environments.\nThe cube-shaped connecting element PIn. \nOFFICE FuRnITuRE sysTEMs\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.28.png","01\n02\n03\n04\n05\n06\n01 A single table, e.g. for meetings \n02 With a screen, the table turns into a double workstation\n03 An add-on table top creates a space for holding meetings\n04 The personal storage space creates a boundary\n05 Additional workstations can easily be added\n06 The boxes define a four-person team workstation  \n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.29.png","16\n27\n04\n01\n06\n15\n17\n09\n08\n10\n03\n07\n02\n06\n25\n26\n18\n19\n20\n21\n22\n23\n24\n12\n11\n17\n13\n15\n14\n14\n05\nCOMPOnEnTs\nTABLEs\n01 Double workstation\n02 single workstation\n03 Table star-shaped 120°\n04 Return table 51\n05 Return table 35\n06 Return table top\n07 Extension unit single workstation\nADDITIOnAL ELEMEnTs\n08 sliding screen\n09 Fixed screen\n10 Fixed side screen\n11   screen fixed for single \nworkstation\n12  3rd level single workstation\n13  Modesty panel\n14  storage box open\n15  storage box with metal flaps\n16  under-table box\n17  Accessory rail \n18  Business card holder\n19  Mirror\n20 Magnetic board\n21 CD holder\n22 Paper tray A4\n23 utensils tray with dividers\n24 Flower vase\n25 Book end\n26 Tool box\n27 Electrification\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.30.png","37\nCOnFIguRATIOn EXAMPLEs\nIndividual workstation\nDouble workstation\nDouble workstation with meeting area\nstar-shaped table\nTemporary double workstation\nMeeting table\nFour-desk island \nsix-desk island\nOFFICE FuRnITuRE sysTEMs\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.31.png","38\n39\n  Ad Hoc Executive 41 \nAntonio Citterio\nArchiMeda 44 \nAlberto Meda\nSpatio 46 \nAntonio Citterio\nWorKit\nManagement office\nOFFICE FuRnITuRE sysTEMs\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.32.png","41\nAd Hoc Executive \nAntonio Citterio\nA company’s business culture is conveyed through \nits workstations and executive offices in particular. \nAnd within corporate cultures, the role of values such \nas transparency, teamwork and quality is becoming \nincreasingly important. These values were the main \nfocus when developing Ad Hoc Executive – the new \nfurniture range by Antonio Citterio.  \nMAnAgEMEnT OFFICE\nNew\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.33.png","42\n43\nAd Hoc Executive\nThe centrepiece of Ad Hoc Executive is a large  \ntable, which can serve as a workstation or be used  \nfor meetings. The adjustable and leather-covered  \ndesk pad integrated into the fine wood veneered table \ntop conceals the power and multimedia connections, \nand also serves as a useful storage space. sideboards \nof various sizes made of anodised aluminium, oak and \nleather provide space for documents and personal \nbelongings.\nMAnAgEMEnT OFFICE\nMAnAgEMEnT OFFICE\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.34.png","44\n45\nArchiMeda \nAlberto Meda \nThe representative and technically functional  \ntable ArchiMeda brings a healthy mix of sitting and \nstanding options into the executive office. The solid  \nwood veneered table top is height adjustable thanks  \nto the scissor lifting mechanism. ArchiMeda is thus  \nalso suited for use as a dynamic table for meetings \nconducted either seated or standing (the latter is often \nappropriate when reviewing documents and plans).\nMAnAgEMEnT OFFICE\nMAnAgEMEnT OFFICE\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.35.png","46\n47\nSpatio \nAntonio Citterio\nWorkbays 50 \nRonan & Erwan Bouroullec\nSilent Wall 54 \nArik Levy\nStorage 58 \nArik Levy\nAs the demands in the office increase, so do the \nrequirements in terms of furnishing. The executive  \noffice and conference table range spatio is perfect  \nfor an executive work environment. The design  \nin fine wood and exquisitely crafted aluminium has  \na subtle yet prestigious look.\nSpace layout\nMAnAgEMEnT OFFICE\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.36.png","49\nIn the past, offices served as places for concentrating  \non individual work at one’s workstation and for talks in the \nmeeting room. Today, however, in the age of teamwork  \nand short exchanges, most communication takes place  \nat the workplace. To concentrate on individual work and  \nto hold both short and longer scheduled meetings, people \nmeet at designated zones. We refer to this as “meet & retreat”. \nThis modern and productive way of working only functions \nin office space layouts that have been planned and realised \ncorrectly – and feature suitable products. \nSpace layout\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.37.png","50\n51\nWorkbays \nRonan & Erwan Bouroullec\nWith Workbays, Ronan and Erwan Bouroullec have \ndeveloped an organic system which redefines the work \nenvironment and breaks with inflexible office planning \ngrids. Workbays offer employees the freedom to \nretreat to a work environment that best suits the task \nthey are completing. As a multifunctional furniture \nsystem, they are a practical solution for office planners. \nThanks to the innovative, sound-absorbing material of \nWorkbays, distracting noises surrounding the individual \nrooms are absorbed. The Workbays can therefore \nspontaneously be used as a telephone box, as a video \nconference room, as a place to drink coffee together  \nor as a meeting venue – without requiring participants \nto remain behind closed doors. \nsPACE LAyOuT\nsPACE LAyOuT\nNew\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.38.png","52\nWorkbays\nWorkbays are suitable for all kinds of spaces. The system \ncan easily be added to if the need arises or adapted \nif conditions change – it grows organically along with \nthe office. The system is based on four different wall \nelements available in two heights, thus offering a wide \nrange of configurations. Indeed, almost anything is \npossible, from single workstations through to meeting \nareas and even microarchitectural cluster solutions. \nWorkbays do without the heaviness  \nthat most microarchitectural structures have.\nsPACE LAyOuT\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.39.png","Workbays can be combined to create  \n“meet & retreat” zones of different sizes and functions.\nWorkbays are suitable for concentrating on individual work – “retreat”.  \nAnd also for holding meetings with two to four persons – “meet”. \n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.40.png","COnFIguRATIOn OPTIOns\nWorkbays are available in eight different colours with which to create \ndifferent work environments– from calming through to stimulating.\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.41.png","53\nsPACE LAyOuT\nCOnFIguRATIOn OPTIOns\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.42.png","54\n55\nSilent Wall \nArik Levy\nThe mobile and space dividing silent Wall system \nconsists of various elements available in two  \nheights that can easily be connected to each other  \nand configured to create various structures – without  \nthe need for any permanent built-in components.  \nsilent Wall offers numerous application possibilities.\nsPACE LAyOuT\nsPACE LAyOuT\nNew\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.43.png","56\nsPACE LAyOuT\nSilent Wall\nDepending on the configuration, the system serves  \nto divide work areas from each other, assign teams  \nto clearly defined zones, define walkways, divide  \na room or create a room within a room in order  \nto provide places where meetings can be held and \nwhere employees can retreat to. since the silent Wall \nelements exhibit excellent acoustic insulating  \nproperties, they help to reduce distracting noises.\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.44.png","07\n08\n09\n10\n11\n01\n02\n03\n04\n05\n06\nThe system consists of four wall panels, a technical panel for mounting monitors as well as the \nincorporation of tables and two corner columns. These elements are easy to plan with and to install, \nand make it possible to configure all kinds of office spaces with minimal effort.  \n01 u configuration\n02 E configuration\n03 X configuration\n04 H configuration\n05 T configuration\n06 Boxes\n07 WorKit connection\n08  u configuration\n09 Z configuration\n10 L configuration\n11 niche configuration\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.45.png","57\nsPACE LAyOuT\nThe Media Wall makes dynamic and interactive \nmeetings possible, not least thanks to the possibility  \nof incorporating monitors for video conferences  \nor for holding presentations.\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.46.png","58\n59\nStorage \nArik Levy\nOffice chairs\nThe storage cabinet range can be combined  \nwith all Vitra office furniture systems. The cabinets  \nand sideboards of various widths and heights can  \nbe combined and complemented, and offer storage \nspace that can be configured in many different ways,  \nas well as easily set up, repositioned and removed.  \nThe highly effective acoustic front panels have been \nproven to reduce the noise level in a room, which \nfacilitates concentration while working. storage is \navailable as a cabinet and as a sideboard. A locker \nsystem is also available.\nsPACE LAyOuT\nThe evolution  \nof the office chair 61\nID Chair Concept 62 \nAntonio Citterio\nPivot 68 \nAntonio Citterio\nPhysix 70 \nAlberto Meda\nOverview 75\nID Chair Concept  \nskape  \nAC 4  \nPhysix  \nMeda Chair \n MedaPal  \nHeadLine  \nsoft Pad group  \nAluminium group  \nLobby Chair  \nPivot  \nunix Chair  \nsoftshell Chair  \nPsCC  \nPACC  \n.04  \n.03 High\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.47.png","61\nThe evolution  \nof the office chair\n1976 – 2010\nVitra has been dedicated to exploring the topic of sitting \nsince 1957. At the beginning of the 1970s, a structural \ntransformation began taking place in the West – an \nindustrial society started turning into a service society.  \nIt was only a matter of time before more and more people \nworked in offices. It was then that Vitra began to focus \nintently on the office chair and, with its very first design – \nthe Vitramat – even set new industry standards. The goal \nback then of successfully presenting improved solutions \noffering technical quality, ergonomics and comfort with \nevery model has remained the same to this day.\n1994\nKnitted fabric was employed \nfor the first time with the torso \nshaped backrest of the T-Chair.\n1996\nMeda Chair is an office chair \nwhich makes a synchronised \nrange of motion possible and \npays tribute to the Aluminium \nChair by Charles and Ray Eames. \n2005\nHeadLine was developed to \nfacilitate prolonged computer \nwork while leaning back  \nin a chair in a relaxed position.\n2010\nThe ID Chair Concept chairs can \nbe customised in countless ways \nand now, for the first time, are \navailable with weight-dependant \nforward tilt.\n1976\nVitramat redefined the office \nswivel chair with its innovative \nthree-part design, and thanks \nto its synchronous mechanism, \nit paved the way for dynamic \nsitting.\n1984\nPersona was the first office \nswivel chair which automatically \nadjusted the backrest tension  \nto the weight of the user.\n1984\nThe Figura with its colourful and \nexchangeable covers brought a \nhome-like aesthetic to the office.\n1988\nWith the AC 1 and its special \nbackrest mechanism for  \na synchronised range of motion, \nVitra broke new ground both  \non a formal and technical level.\nOFFICE CHAIRs\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.48.png","62\n63\nID Chair Concept \nAntonio Citterio \nAntonio Citterio and Vitra applied their more than  \n25 years of experience developing office chairs in \ncreating the ID Chair Concept range of office swivel \nchairs. The modular system enables the configuration  \nof the different models, which bring a discreet and \nelegant design and a wide range of colours into  \nthe office. They also offer countless options to meet \nindividual needs in terms of function, comfort and \naesthetics. However, all of the chairs have a common \ntechnical and visual basis. This has a positive effect  \non the overall aesthetics of an environment, as well  \nas on maintenance and service. The ID Chair Concept \nlets companies and their employees select the chair  \nthat suits their identity.\nHeight-adjustable \nring armrests\nRing armrests\n2D armrests\n3D armrests\nID Trim L backrest\nID Trim backrest\nID Air backrest\nID Mesh backrest\nID soft backrest\nupholstered seat\nProMatic mechanism\nAluminium base\nspring\nCastors\nglides\nConference base\nPlastic base\nFlowMotion mechanism\nID Mesh \ncoat hanger \nID Mesh\nheadrest\nID Trim \u002F ID Trim L \ncoat hanger\nID Trim Cap\nOFFICE CHAIRs\nOFFICE CHAIRs\nNew\nNew\nNew\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.49.png","64\n65\nID Trim\nID Trim L\nID Mesh\nID Air\nID soft\nID Trim  Cap\nID Chair Concept\nOFFICE CHAIRs\nOFFICE CHAIRs\nThe ID Chair Concept consists of the basic types  \nID Mesh, ID soft, ID Trim and ID Air, each of which has  \na different backrest. The pleasantly soft upholstered \nseat and the supportive backrests ensure a high degree \nof comfort. In addition to “FlowMotion”, a newly \ndeveloped “ProMatic” mechanism is now also available, \nwhich automatically adapts to the weight of the user, \nwho thus only needs to adjust the seat height. ProMatic \nis therefore ideal for touchdown workstations as well  \nas all kinds of conference and meeting areas.\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.50.png","66\nID Trim\nThe compact padding of the ID Trim backrest \nconveys a sense of classic elegance and quality \nhandcraftsmanship. The sandwich construction with \nintegrated lumbar support provides the comfort \nof an upholstered backrest while being almost as \nslimline as a mesh backrest – offering an alternative \nto both of these construction types.\nID Air\nThe new ID Air is transparent and discreet, but simultaneously \noffers a high degree of seating comfort. At first glance, its \nperforated plastic backrest looks simple, but it serves several \npurposes: the properties of the material in various zones provides \nthe back with support in varying degrees. It is flexible and ensures \nfreedom of movement, the perforations provide good ventilation \nfor the user’s back, and it is an affordable solution as well.\nID Chair Concept\nID Trim L\nID Trim L with its high backrest offers additional \nsupport for the neck region and can be used  \nas a management chair.\nERgOnOMICs\nA study conducted by the Institute for Biomechanics of the swiss Federal  \nInstitute of Technology Zurich (ETH) confirms that the scope of movement of the ID Chairs  \nis fully used. This ensures healthy and dynamic sitting. \nspecial measurements have shown that using the weight-dependent forward  \ntilt position increases muscle activity in the stomach and back, which serves to stabilise  \nthe lumbar vertebrae. It was also confirmed that forward tilt results in the  \nmovement of the lower spine. This increases the nutrient supply to the ntervertebral discs.\nOFFICE CHAIRs\nNew\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.51.png","67\nID Soft\nThe fully upholstered backrest ensures a high \nlevel of comfort, and its clear lines give ID soft  \na formally discreet, unobtrusive appearance.\nID Mesh\nID Mesh embodies technical transparency and \nlightness. The innovative braided fabric fitted \nover a sleek frame is translucent and open like  \na net – while also being soft like a thin cushion.\nID Trim Cap \nThe new ID Trim Cap sends a clear signal with its hood: \nplease do not disturb! However, ID Trim Cap does not only \ncreate a private space visually. The material used, a new \nkind of fleece, is noise-absorbing. It is on account of these \nfeatures that ID Trim Cap is an excellent choice for micro \nconcentration zones in open-plan offices.\nWith the green user Agreement, a sustainable service offer for project \ncustomers, Vitra discloses the usage costs incurred for service and \nmaintenance. Companies therefore know the purchase price and the  \ncost of usage from the outset and thus the total cost of ownership over  \nthe entire period of usage.\n1 year\nThe customer is obligated to use the product properly and to maintain it. \nIn return, Vitra agrees to replace the ID Chairs free of charge in the case \nof manufacturing or material defects, or to replace any worn parts. \n5 years\nFour years after signing the green user Agreement, a service check  \nis performed on the ID Chairs at the customer’s premises. This serves  \nto extent the agreement for another five years. \n10 years\nThe next service check is conducted. The green user Agreement  \nis extended by another five years. \n15 years\nThe ID Chairs can now be returned to Vitra to be professionally  \nrecycled. \nOFFICE CHAIRs\nNew\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.52.png","68\n69\nPivot \nAntonio Citterio\nOFFICE CHAIRs\nOFFICE CHAIRs\nPivot, the new office chair by Antonio Citterio,  \nis about 30 cm higher than the standard office chair.  \nThis enables the healthy switch between standing and \nsitting in a spontaneous manner. It is not a work table \nthat is raised or lowered, but instead the user works  \nat a tall work table, and sits on a Pivot, or stands at the \ntable using the tall chair to lean on, depending on the \nrequirements. Teamwork, touching base with colleagues \nand holding meetings take place at the table – either \nseated or standing – and always at eye level, facilitating \ncooperation that is both dynamic and efficient.\nNew\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.53.png","70\n71\nPhysix \nAlberto Meda\nOFFICE CHAIRs\nOFFICE CHAIRs\nThe engineer and designer Alberto Meda developed \nPhysix as a universal solution for today’s working world, \nwhere easy to use and comfortable office chairs are \nin demand for workstations, project rooms and many \nother kinds of work situations. Together with both flexible \nand fixed elements, Physix explores the possibilities of \ndynamic sitting in a new way, and the chair functions are \nintelligently integrated into the construction. At the same \ntime, Meda wanted a chair with a light weight and has \ncreated one that with its technical look, lightweight and \ntransparency is easy to “read”. This chair has no secrets.\nNew\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.54.png","72\nDrawings by Alberto Meda, which show the first sketches made of Physix’ construction.\nOFFICE CHAIRs\nPhysix\nThe office chair Physix is the result of taking a very close \nlook at the materials and production possibilities available \ntoday. The flexible plastic frame construction together  \nwith an elastic knitted cover and stable mechanical unit \nmade of aluminium, allow Physix to offer an entirely new \nsitting experience with dynamic freedom of movement \nand precise synchronous adjustment.\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.55.png","73\n“Physix represents the  \nright balance  \nbetween the complex  \nphysical  \nforces of a chair.”\n—\nAlberto Meda\nOFFICE CHAIRs\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.56.png","75\n74\nID Mesh \nAntonio Citterio\nID soft \nAntonio Citterio\nID Trim \nAntonio Citterio\nID Trim L \nAntonio Citterio\nMeda Chair  \nAlberto Meda\nID Air \nAntonio Citterio\nID Trim Cap \nAntonio Citterio\nPhysix \nAlberto Meda\nskape Highback  \nAntonio Citterio\nskape Lowback \nAntonio Citterio\nMedaPal \nAlberto Meda\nAC 4 \nAntonio Citterio\nOverview\nOFFICE CHAIRs\nOFFICE CHAIRs\nPhysix\nNew\nNew\nNew\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.57.png","77\n76\nunix Chair \nAntonio Citterio\nsoftshell Chair \nRonan & Erwan Bouroullec\n.04 \nMaarten Van severen\n.03 High \nMaarten Van severen  \n& Fabian schwärzler\nPsCC \nCharles & Ray Eames\nPACC \nCharles & Ray Eames\nPivot High stool \nAntonio Citterio\nPivot stool \nAntonio Citterio\nLobby Chair (Es 104)  \nCharles & Ray Eames\nsoft Pad group (EA 219) \nCharles & Ray Eames\nAluminium group (EA 117)  \nCharles & Ray Eames\nHeadLine \nMario & Claudio Bellini\nAd Hoc Solitäre 79 \nAntonio Citterio\nMedaMorph 80 \nAlberto Meda\nKuubo 82 \nnaoto Fukasawa\nSegmented Tables 84 \nCharles & Ray Eames\nMap Table 86 \nEdward Barber & Jay Osgerby\nOverview 88\nMedaMorph \nContract Table \nsegmented Tables \nKuubo \nAd Hoc solitäre \nJoyn Conferencing \nMap Table \nClick\nMeeting, conference  \nand communication zones\nOFFICE CHAIRs\nNew\nNew\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.58.png","79\nAd Hoc Solitäre \nAntonio Citterio\nThe Ad Hoc office system also offers freestanding meeting \nand visitors tables. Discreet and elegant in appearance, \nthey can easily be combined with other pieces of furniture. \nAd Hoc meeting tables are available in sitting and \nstanding heights in four designs and sizes, with table tops \nin melamine, veneer or a high quality mineral cast.  \nFlaps in the table top provide access to power and data \nconnections. And the visitors tables serve as a practical \nsupplement – whether used as a side table in individual \noffices or to furnish entire forum rooms. Fitted with castors, \nthey become mobile and can be utilised in environments \nthat require flexibility.\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\nNew\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.59.png","80\nMedaMorph \nAlberto Meda\nEVERy sHAPE In EVERy sIZE\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.60.png","81\nØ 1000 mm, Ø 1200 mm, Ø 1400 mm, Ø 1600 mm\nØ 1400 mm, Ø 1600 mm\n1600 × 800 mm, 1800 × 900 mm, 2400 × 900 mm\n2000 × 1000 mm, 2600 × 1200 mm, 3200 × 1300 mm\n3800 × 1300 mm, 4400 × 1400 mm, 5000 × 1400 mm\nThe representative conference table system \nMedaMorph offers a basic selection of round and \nrectangular individual tables as well as round  \nand boat-shaped conference tables which feature  \nan intelligently designed system base. This base \nembodies the basic concept behind the range and \nconsists of four elements: two types of legs, a star \nconnector and crossbars of variable length. These \nelements create a modular system, making conference \ntables of all sizes and shapes possible. Customer \npreferences in terms of leg room and appearance  \nof the legs can thus be largely accommodated.\nsTAnDARD sHAPEs In sTAnDARD sIZEs\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.61.png","82\nKuubo\nnaoto Fukasawa\nKuubo is simply a platform.\nnAOTO FuKAsAWA On KuuBO\nIts surface becomes a conference table.\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.62.png","83\nA large, empty space equipped with technology.\nA large surface for projects.\nThe table system Kuubo exudes simple elegance and  \nis suitable for many different kinds of work processes, \nparticularly in teams where open communication  \nis practised. Because it has no predefined purposes,  \nit offers many options and presents no obstacles. Kuubo \nis ideal as a team centre table, since files can also be \nstored away in the integrated box compartments and \naccessed at any time without interrupting the workflow. \nWith these qualities, Kuubo is ideal for project work  \nin team rooms or business centres where a clear desk \npolicy is in place. It can be used as a workstation with  \na meeting function, a team table, a conference table,  \na temporary workplace, a project table, a space for \nhosting a drinks reception, and much more besides.\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.63.png","2400 × 1200 × 725 mm\nØ1100 × 725 mm\nØ1300 × 725 mm\nØ1830 × 725 mm\nØ2100 × 725 mm\n1830 × 1070 × 725 mm\n2130 × 1070 × 725 mm\n2740 × 1370 × 725 mm\n4270 × 1370 × 725 mm\n4400 × 1400 × 725 mm\nBEsPRECHungs-, KOnFEREnZ- unD KOMMunIKATIOnsZOnEn\n2400 × 1200 × 725 mm\nØ1100 × 725 mm\nØ1300 × 725 mm\nØ1830 × 725 mm\nØ2100 × 725 mm\n1830 × 1070 × 725 mm\n2130 × 1070 × 725 mm\n2740 × 1370 × 725 mm\n4270 × 1370 × 725 mm\n4400 × 1400 × 725 mm\n84\n85\nSegmented Tables \nCharles & Ray Eames\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\nMeetings and conferences play a central role in  \nthe modern work world, making teamwork and \ncommunication indispensable for many activities.  \nVitra can meet these needs with classic designs  \nthat have stood the test of time for decades: the \nsegmented Tables by Charles and Ray Eames.  \nThe segmented Tables are large and extremely  \ndurable conference table arrangements made  \nof high-quality materials. \n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.64.png","86\nMap Table\nEdward Barber & Jay Osgerby \nOPTIOns\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.65.png","87\nMap Table is a universal table range for all situations \nwhich require flexible arrangements and optimum  \nspace utilisation, whose tables are quickly and easily \nrearranged and can be stacked if necessary. Map Table \nis ideal for flexible use in training, congress and \nconference rooms, where the table system with  \nits discreet and straightforward design can be perfectly \nintegrated into any architecture. There is also a place  \nfor them in the home office as an elegant desk or table.\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\nsingle table\nstackable tables\nLinked tables\nLEg POsITIOns\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.66.png","89\n88\nOverview\nAluminium Chair & \nSoft Pad Chair 91 \nCharles & Ray Eames\nTip Ton 97 \nEdward Barber & Jay Osgerby\nOverview 100\nsoft Pad group \nAluminium group \nLobby Chair \nOrganic Chair  \nEames Plastic Armchair \nEames Plastic sidechair \nPivot \nID Chair Concept \nskape \nAC 4 \nVisasoft \nunix Chair  \nVisavis \nMeda Conference \nMedaslim \n.03 \n.05 \nHAL \nBasel Chair \nsIM \nTip Ton \nsoftshell Chair \nnelson Perch \nPanton Chair \nClick \nAlberto Meda\nJoyn Conferencing \nRonan & Erwan Bouroullec\nsegmented Tables \nCharles & Ray Eames\nKuubo \nnaoto Fukasawa\nMedaMorph \nAlberto Meda\nMap Table \nE. Barber & J. Osgerby\nAd Hoc solitäre \nAntonio Citterio\nContract Table \nCharles & Ray Eames\nConference and \nvisitors chairs\nMEETIng, COnFEREnCE AnD COMMunICATIOn ZOnEs\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.67.png","91\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.68.png","92\n93\nSoft Pad Chair \nDark Chrome \nCharles & Ray Eames\nAluminium Chair \nDark Chrome\nCharles & Ray Eames\nCOnFEREnCE AnD VIsITORs CHAIRs\nCOnFEREnCE AnD VIsITORs CHAIRs\nNew\nNew\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.69.png","3\n0\n \nY\nE\nA\nR\nS\n \nG\nU\nA\nR\nA\nN\nT\nE\nE\nAluminium Chair &\nSoft Pad Chair\nThe Aluminium Chair is one of the most important \nfurniture designs of the 20th century. It was originally \ncreated for a private home in Columbus, Indiana  \nin the US, built by the architects Eero Saarinen and \nAlexander Girard in the middle of the 1950s. When \nconstructing the chair, Charles and Ray Eames opted \nnot to incorporate a seat shell and, instead, stretched \nfabric or leather between two side pieces made  \nof aluminium. The pieces of fabric or leather were \nstretched so as to be taut yet resilient.\nSome of the chairs from the Aluminium and Soft Pad \nGroup which are ideal for office environments are  \nnow available in dark chrome with dark chromed \naluminium parts. The seat cover comes in Premium \nleather on both sides and the armrests are also \nupholstered in high-grade leather. These carefully \nworked materials present the well-known silhouette  \nof this iconic classic design in a new, contemporary \nlight: the Aluminium Chair Dark Chrome is discreet  \nand looks exceptionally elegant.\nIn addition to Aluminium Chairs EA 105, 107, 108, 117 \nand 119, the Soft Pad Chairs EA 205, 207, 208, 217  \nand 219 as well as the Eames Segmented Tables are \nalso available in dark chrome. Together, they create  \na representative product range for offices and \nconference rooms.\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.70.png","Charles & Ray Eames\nCharles and Ray Eames are both a point of departure \nand a fixed star. In 1953, Willi Fehlbaum saw an Eames \nchair in New York and decided to become a furniture \nmanufacturer and to acquire the licence to launch \nproduction of the designs in Europe. Since then, the \ndesigner couple is ubiquitous at Vitra. Even today,  \nwe often ask ourselves, “What would Charles and Ray \nsay?” – be this in connection with products, re-editions, \nexhibitions, anecdotes, memories, acquiring collector’s \nitems, legal disputes with copyists, research or simply \nwhen making important design decisions. It comes as \nno surprise that the Vitra Design Museum is on Eames-\nStrasse and that the original Eames office was \nreconstructed at Vitra.\nDesigners and partners Charles and Ray Eames \nexploited the possibilities of industrialisation in \nconnection with new materials and technologies like \nno one before or since. But they were more than just \nengineers. Ray was a painter and Charles was an \narchitect. They were artists who did not see themselves \nas artists. They solved problems using technical means, \naccepted material constraints and worked patiently  \nby trial and error until they found a satisfactory solution, \nand they improved the products over time when use \nrevealed faults. However, all of this does not explain \nwhy their products are still so appealing today: the \nsolutions that the Eames found were always artistic \nand a stroke of genius (although Charles Eames \nrejected the idea of the genius artist), which made  \nthe designs distinguished and inexplicably magical. \nEven today, decades after they were created, the \ndesigns are just as cutting-edge as they were then.\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.71.png","What is a classic?\n“A classic is not a classic from the very beginning. It starts \nby breaking the mould. It doesn’t become a classic  \nby conforming to established norms; instead, it questions \nthese established norms. A classic becomes a classic \nbecause it wins the battle: first against the products that \nalready exist and then against all of the new products \nthat it must beat out. A classic comes from a different era \nand yet is contemporary and current. It is iconic without \ntrying to be iconic. It has the qualities of a piece of art \nwithout trying to be art. It is forever fresh. When it was \npresented for the first time, it was new – and it will stay \nnew until another product breaks the mould and \nchallenges it and questions the established norms. It is \nimportant to Vitra to produce these outstanding products \nfrom the past until they are no longer relevant. At the \nsame time, we develop products together with the most \ntalented people of our age – in the hope that one  \nof them will one day become a classic.” \nRolf Fehlbaum\nVitra Chairman \nCharles and Ray Eames working on the design of the Aluminium Chair \nin their workshop in santa Monica, California around 1958.\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.72.png","97\nTip Ton\nEdward Barber & Jay Osgerby \nTip Ton is a tilting chair fully made of plastic. From  \nthe normal position, users can tilt the chair forwards  \nby shifting their weight. This forward tilt sitting position \nstraightens the pelvis and spine. Tip Ton is made \nentirely of polypropylene. This ensures the longevity  \nof the chair and makes it 100 per cent recyclable.  \nTip Ton is stackable up to four chairs and comes in  \neight different colours.\nCOnFEREnCE AnD VIsITORs CHAIRs\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.73.png","98\nTip Ton\nCOnFEREnCE AnD VIsITORs CHAIRs\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.74.png","99\nCOnFEREnCE AnD VIsITORs CHAIRs\nIn 2010, the swiss Federal Institute of Technology  \nZurich (ETH) conducted a study on the degree to which \npressure to the spine can be relieved by alternating \nsitting positions. The results show that shifting between \nthe various sitting positions – i.e. between an upright,  \na reclining and a forward-tilting position – sets all \nsegments of the lower spine in motion. This both relieves \npressure on and increases the nutrient supply  \nto the intervertebral discs. Tip Ton’s special geometry \nencourages the user to alternate between the above \nsitting positions. Moreover, whereas in the past the \nhealth benefits of relieving the intervertebral discs \nwhere reserved for office chairs, Tip Ton allows users  \nto profit from these benefits in an array of different \nenvironments.\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.75.png","100\n101\nID Trim L Conference \nAntonio Citterio\nAC 4 Conference \nAntonio Citterio\nMeda Conference \nAlberto Meda\nLobby Chair (Es 108) \nCharles & Ray Eames\nskape Conference \nAntonio Citterio\nunix Chair \nAntonio Citterio\nunix Chair \nAntonio Citterio\nunix Chair \nAntonio Citterio\nVisaroll 3 \nAntonio Citterio\nVisavis 3 \nAntonio Citterio\nVisavis 2 \nAntonio Citterio\nVisasoft \nAntonio Citterio\nOrganic Conference \nC. Eames & E. saarinen\nEames Plastic Armchair (DAR) \nCharles & Ray Eames\nEames Plastic Armchair (DAW) \nCharles & Ray Eames\nEames Plastic Armchair (DAX) \nCharles & Ray Eames\nEames Plastic side Chair (DsR) \nCharles & Ray Eames\nEames Plastic side Chair (DsW) \nCharles & Ray Eames\nEames Plastic side Chair (DsX) \nCharles & Ray Eames\nsoft Pad group (EA 208)  \nCharles & Ray Eames\nAluminium group (EA 107)  \nCharles & Ray Eames\nEames Plastic Armchair (DAL) \nCharles & Ray Eames\nOrganic Chair \nC. Eames & E. saarinen\nPivot stool \nAntonio Citterio\nOverview\nCOnFEREnCE AnD VIsITORs CHAIRs\nCOnFEREnCE AnD VIsITORs CHAIRs\nNew\nNew\nNew\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.76.png","103\n102\nsoftshell Chair \nRonan & Erwan Bouroullec\nTip Ton \nE. Barber & J. Osgerby\nHAL Cantilever \nJasper Morrison\nHAL Ply Tube \nJasper Morrison\nHAL sledge\nJasper Morrison\nHAL Tube stackable \nJasper Morrison\nnelson Perch \ngeorge nelson\nPanton Chair \nVerner Panton\n.03 \nMaarten Van severen\n.05 \nMaarten Van severen\nsIM \nJasper Morrison\nBasel Chair\nJasper Morrison\nMedaslim \nAlberto Meda\nRepos & Grand Repos 105 \nAntonio Citterio\nAlcove 106 \nRonan & Erwan Bouroullec\nHAL 110 \nJasper Morrison\nOverview 112\ngrand Repos, Repos,  \nsuita Fauteuil, \nsuita Club Armchair, \nslow Chair, softshell Chair, \nPark Armchair,  \nMonopod, Waver, Lounge Chair, \nAluminium group, \nsoft Pad group, Organic Chair, \nLobby Chair, Plywood group, \nCoconut Chair, suita, \nPark sofa, Alcove, \nEames Plastic Armchair, \nEames Plastic sidechair, \nPlywood group,  \nHAL, Basel Chair, sIM, Jill,  \n.03, .05, softshell Chair, \nVegetal, standard, \nTabouret Haut, Panton Chair, \nTom Vac, Meda gate, \nAIRLInE, .04 on stretcher, \nETs, EPC on stretcher, \nContract Table, Bistro Table, \nHAL Table, Map Table, \nEM Table, Trapèze, nesTable, \nPlate Table, Metal side Table, \nAlbula Table, nelson Tables, \nElliptical Table ETR, CTM,  \nOccasional Table LTR, \nguéridon Bas, Flower, \nCork Family, \nstools, Prismatic Table, \nElephant stool\nBusiness Club, lounge  \nand lobby\nCOnFEREnCE AnD VIsITORs CHAIRs\nHAL Tube with armrests \nJasper Morrison\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.77.png","105\nRepos & \nGrand Repos\nAntonio Citterio\nRepos and grand Repos offer a new quality of  \ncomfort and motion: with their generous padding, \ninviting armrests and high back, the elegant swivel \nlounge chairs exude exceptional comfort. Thanks  \nto the synchronised mechanism concealed within the \npadding, the chairs can go from an upright to  \na reclining position and be locked in any position.  \nThe spring tension adjusts to the user’s weight,  \nresulting in unsurpassed sitting comfort for the entire \nrange of motion and optimum back support back.\nBusInEss CLuB, LOungE AnD LOBBy\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.78.png","106\n107\nAlcove\nRonan & Erwan Bouroullec\nThe Alcove Highback sofas all have high side and  \nback panels and are more than just pieces of furniture: \nsitting in one of these sofas is like being in a space  \nof one’s own, hardly visible to others and protected \nfrom surrounding office noises. This makes them  \nideal as islands to retreat to or hold meetings at in \nopen-plan offices. Two new products join Alcove sofa,  \nAlcove Work and Alcove system, both of which  \noffer new possibilities to create vibrant and open  \noffice environments: Alcove Meet and Alcove Cabin.\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.79.png","108\n109\nAlcove Meet\nAlcove Meet is a meeting table, seating up to four, \nframed to the side by two upholstered walls. In open-\nplan offices it creates the perfect conditions for holding \nmeetings. Complete meeting zones can be created  \nby connecting several tables in a row without the need \nfor elaborate installations.\nAlcove Cabin\nAlcove Cabin is a completely closed refuge area with \none entrance. It offers a screened-off area for four to  \nsix persons, especially the version with extra-high walls.  \nThe interior of the Alcove Cabin is a complete working \nspace with two upholstered seats opposite each other,  \na table and mains connection and lighting.\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\nNew\nNew\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.80.png","110\n111\nHAL\nJasper Morrison \nCantilever  \nwith armrests\nseat cover\nTube\nstackable\nPly stool\nMedium\nTube \nwith armrests\nsledge\nstool Medium\nPly Wood\nTube\nPly Tube\nWood\nTube\nstool High\n“special is generally less useful than normal” is Jasper \nMorrison’s guiding principle for a design that is not \nextraordinary, but rather ‘supernormal’ in appearance \nand – just like HAL – shows deference to the laws that \ngovern daily life. With HAL, Jasper Morrison has created \na new interpretation of the multifunctional shell chair,  \nas well as a broad chair range with a distinct, contem- \nporary look. The shape of the seat shell provides plenty \nof freedom of movement and permits a number of \nseating positions – including sideways and astride.  \nHAL is available with a plastic seat shell, or as HAL Ply \nmade of plywood.\nHAL PLY\nThe elegant HAL Ply plywood \nseat shell is also slightly yielding \nand provides comfortable \nseating. It can be combined with \na large selection of bases. \nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\nNew\nNew\nNew\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.81.png","112\n113\nLounge Chair & Ottoman \nCharles & Ray Eames\nslow Chair \nRonan & Erwan Bouroullec\nsoftshell Chair \nRonan & Erwan Bouroullec\ngrand Repos & Ottoman \nAntonio Citterio\nRepos & Panchina \nAntonio Citterio\nsuita Fauteuil \nAntonio Citterio\nsuita Club Armchair \nAntonio Citterio\nAluminium group (EA 116) \nCharles & Ray Eames\nsoft Pad group (EA 216) \nCharles & Ray Eames\nLobby Chair (Es 105) \nCharles & Ray Eames\nCoconut Chair \ngeorge nelson\nMonopod \nJasper Morrison\nWaver \nKonstantin grcic\nPark swivel Armchair \nJasper Morrison\nPark Armchair \nJasper Morrison\nOrganic Chair \nC. Eames & E. saarinen\nOrganic Highback \nC. Eames & E. saarinen\nPlywood group (LCM) \nCharles & Ray Eames\nPlywood group (LCW) \nCharles & Ray Eames\nOverview\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.82.png","114\n115\nsuita Club sofa \nAntonio Citterio\nsuita sofa Three-seater\nAntonio Citterio\nPark sofa \nJasper Morrison\nAlcove Highback system\nRonan & Erwan Bouroullec\nAlcove Meet\nRonan & Erwan Bouroullec\nAlcove Cabin Highback Two-seater\nRonan & Erwan Bouroullec\nAlcove Highback Three-seater \nRonan & Erwan Bouroullec\nAlcove Two-seater \nRonan & Erwan Bouroullec\nAlcove Highback Two-seater\nRonan & Erwan Bouroullec\nAlcove Highback Love seat \nRonan & Erwan Bouroullec\nAlcove Work \nRonan & Erwan Bouroullec\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\nsuita sofa Two-seater with head section\nAntonio Citterio\nNew\nNew\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.83.png","116\n117\nEames Plastic side Chair (DsR) \nCharles & Ray Eames\nEames Plastic side Chair (DsW) \nCharles & Ray Eames\nEames Plastic side Chair (DsX) \nCharles & Ray Eames\nEames Plastic side Chair (Dss) \nCharles & Ray Eames\nEames Plastic side Chair (Dss-n) \nCharles & Ray Eames\nWire Chair (DKR-2) \nCharles & Ray Eames\nPlywood group (DCW) \nCharles & Ray Eames\nPlywood group (DCM) \nCharles & Ray Eames\nEames Plastic Armchair (DAL) \nCharles & Ray Eames\nEames Plastic Armchair (DAR) \nCharles & Ray Eames\nEames Plastic Armchair (DAW) \nCharles & Ray Eames\nEames Plastic Armchair (DAX) \nCharles & Ray Eames\nBasel Chair \nJasper Morrison\nsIM \nJasper Morrison\nHAL Tube \nJasper Morrison\nHAL Tube stackable \nJasper Morrison\nHAL Wood \nJasper Morrison\nHAL Ply Tube \nJasper Morrison\nHAL Ply Wood \nJasper Morrison\nHAL Ply stool High \nJasper Morrison\nHAL Ply stool Medium \nJasper Morrison\nHAL sledge \nJasper Morrison\nHAL Cantilever \nJasper Morrison\nHAL stool Medium \nJasper Morrison\nHAL stool High \nJasper Morrison\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\nHAL Tube with armrests \nJasper Morrison\nseat cover \nJasper Morrison\nHAL Cantilever with armrests \nJasper Morrison\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.84.png","118\n119\nTom Vac \nRon Arad\nPanton Chair \nVerner Panton\nAIRLInE\nnorman Foster\nETs \nCharles & Ray Eames\nEPC on stretcher \nCharles & Ray Eames\n.04 on stretcher \nMaarten Van severen\nMeda gate \nAlberto Meda\nstandard \nJean Prouvé\nTabouret Haut \nJean Prouvé\nJill Fourstar \nAlfredo Häberli\nJill Tube \nAlfredo Häberli\nJill Wood \nAlfredo Häberli\n.03 \nMaarten Van severen\n.05 \nMaarten Van severen\nsoftshell Chair \nRonan & Erwan Bouroullec\nVegetal \nRonan & Erwan Bouroullec\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.85.png","120\n121\nMap Table \nE. Barber & J. Osgerby\nHAL Table \nJasper Morrison\nBistro Table \nRonan & Erwan Bouroullec\nBistro standup Table \nRonan & Erwan Bouroullec\nContract Table \nCharles & Ray Eames\nTrapèze\nJean Prouvé\nEM Table \nJean Prouvé\nAlbula Table \nAntonio Citterio\nnelson Tables \ngeorge nelson\nElliptical Table ETR \nCharles & Ray Eames\nnesTable \nJasper Morrison\nCork Family \nJasper Morrison\nCTM \nCharles & Ray Eames\nFlower \nsAnAA\nstools \nCharles & Ray Eames\nPrismatic Table \nIsamu noguchi\nguéridon Bas \nJean Prouvé\nOccasional Table LTR \nCharles & Ray Eames\nElephant stool \nsori yanagi\nPlate Table \nJasper Morrison\nMetal side Table \nRonan & Erwan Bouroullec\nBusInEss CLuB, LOungE AnD LOBBy\nBusInEss CLuB, LOungE AnD LOBBy\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.86.png","122\nClassic Trays\nCharles & Ray Eames,  \nAlexander girard, george nelson\nElephant Pad\nHella Jongerius\nEames House Bird\nL’Oiseau\nRonan & Erwan Bouroullec\nAlgues\nRonan & Erwan Bouroullec\nCorniches\nRonan & Erwan Bouroullec\nAccessories\nsome Vitra products are very much like accessories and \nare especially suitable for complementing the interiors \nof private living areas, offices and public spaces. \n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.87.png","Desk Clocks\ngeorge nelson\nWall Clocks\ngeorge nelson\nIn 1950, the us was marked by the firm  \nbelief in progress and by the economic boom. \nWith the aim of bringing modern design into \nAmerican homes, george nelson designed  \na range of everyday objects: lamps, clocks  \nand other accessories for the home. up until \nthe 1970s, nelson’s design office designed \nmany different models including the “Bubble \nLamp” and the “Ball Clock”, which became \ndesign icons in the 1950s.\nAkari Light sculptures\nIsamu noguchi\nThe American Japanese artist and  \ndesigner Isamu noguchi started creating \nthe Akari Light sculptures in 1951. He made \na total of 100 models out of shoji paper  \nby hand, designed as table, floor or ceiling \nlamps. The name he chose for the lamps \nwas “akari”, which in Japanese means \nbrightness and light, and also includes  \nthe word for lightness.\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.88.png","123\nATM Container\nJasper Morrison\nCaddy \nChristoph Ingenhoven\nMBE Container \nAntonio Citterio\nPick up \nAntonio Citterio\nFollow Me 2 \nAntonio Citterio\nFollow Me \nAntonio Citterio\nWooden Dolls\nAlexander girard\nToolbox\nArik Levy\nuten.silo\nDorothee Becker\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.89.png","124\n125\nAbout Vitra\nVitra and the office 127\nDesigners 128\nLongevity 130\nVitra Campus 132\nWelcome to Vitra 134\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.90.png","127\nVitra has been dedicated to the topic of office environ- \nments and office work for decades. Today, in our digital \nage, work is done everywhere. Offices are increasingly \nbecoming a meeting point – for teamwork, touching base \nwith colleagues, working on projects and for socialising. \nAnd this is why individual workstations are no longer only \nplaces for focusing on work tasks in silence as they have \nbeen in the past. Instead, they are places for spontaneous \ncommunication – other suitable places are used for  \nworking individually and for holding meetings. We call  \nthis “meet & retreat”, or exchange and withdraw. \nOffices that want to leverage the opportunities this \ntransformation brings must therefore provide appropriate \ninfrastructures. Vibrant and efficient work environments  \ncan be implemented with Vitra. We draw on decades of \ninternational experience to continuously set new standards \nin office concepts. Our innovative products fulfil all demands \nin terms of ergonomics, durability and flexibility. \nABOuT VITRA\nVitra and the office\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.91.png","128\n129\nAlberto Meda\nJean Prouvé\nMaarten Van severen\nAntonio Citterio\nRonan & Erwan Bouroullec\nCharles & Ray Eames\nArik Levy\nJasper Morrison\nWerner Aisslinger\ngeorge nelson\nVerner Panton\nMario Bellini\nnaoto Fukasawa\nEdward Barber & Jay Osgerby\nAlfredo Häberli\nKonstantin grcic\nChristoph Ingenhoven\nHella Jongerius\nABOuT VITRA\nDesigners\nVitra does not see designers simply as contractors, but  \nas authors. The relationship that authors from around  \nthe world have with an employer who shares their passion \nshould be based on trust – and this is of essence for product \ndevelopment at Vitra: a synthesis of design freedom, \nmanufacturing know-how and market knowledge. since  \nthe very beginning, when designers such as Eames  \nand nelson set the benchmarks, this appreciation for \ncooperation has not changed.\nABOuT VITRA\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.92.png","130\n131\nABOuT VITRA\nABOuT VITRA\nLongevity of materials, construction and aesthetics is our \nleading principle, as demonstrated by our Classics – some \nin continuous production since the 1950s.\nLongevity\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.93.png","132\nABOuT VITRA\nVitra Campus\nLOungE CHAIR ATELIER\nThe Lounge Chair Atelier is located on the ground floor  \nof the VitraHaus. Experience in the Lounge Chair Atelier how the high-\nquality leather, the shells made of different types of wood and the \ndurable die-cast aluminium components all come together to produce \nthe finished Lounge Chair & Ottoman from Charles and Ray Eames.\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.94.png","133\nstarting in the 1950s, various manufacturing facilities \nwere built on the Vitra site, most of which were destroyed \nin a fire in 1981. since then, a heterogeneous ensemble  \nof contemporary architecture has emerged to form \ntoday’s Vitra Campus. The architecture critic Philip \nJohnson once wrote: “Ever since the Weissenhofsiedlung \nwas established in stuttgart in 1927, nowhere else in  \nthe world has seen the erection of so many structures \nfrom such prominent architects in the Western \nHemisphere.” And, indeed, what came about was  \nABOuT VITRA\nFire station, Zaha Hadid\nVitraHaus, Herzog & de Meuron\nVitra Design Museum, Frank O. gehry\nFactory building, nicholas grimshaw\nFactory building, Álvaro siza\nConference Pavilion, Tadao Ando\na collection of purpose-built constructions, the  \nincredible density and quality of which have made the \nVitra Campus an attraction for fans of architecture from  \nall over the world. Buildings by Tadao Ando, Richard \nBuckminster Fuller, Frank O. gehry, nicholas grimshaw,  \nZaha Hadid, Herzog & de Meuron, Jean Prouvé, sAnAA \nand Álvaro siza attract thousands of visitors every  \nyear and can be experienced on architectural tours. \nwww.vitra.com\u002Fcampus\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.95.png","134\n135\nWelcome to Vitra\nVitra uses its own offices as a testing ground:  \nat different locations and in different-sized rooms  \nwith 30 to 180 employees. The needs of management  \nare very different from those of the IT and communi- \ncation technology team, for example, and their  \nneeds are very different from those of marketing,  \nor the various operational departments that plan  \nand control the logistics and production processes.  \nso new ideas and new concepts for work and interior \ndesign and associated products are developed  \nhere and then tested, analysed and developed  \nfurther – or not. \nCome and see for yourself: we cordially invite you  \nto visit our offices and conference rooms in Weil am \nRhein and in Birsfelden just outside of Basel, so that  \nyou can get a clear idea of what Vitra has to offer. \nPlease arrange an appointment for a visit with your  \nlocal Vitra retailer. For further information, please  \nsend an email to campusevents@vitra.com\nABOuT VITRA\nABOuT VITRA\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F5b\u002F80e112e6477ca7f5ac3a3c9c889241.96.png","136\nVitra\nVitra can be found around the globe.\nTo find a Vitra partner in your area, go to  \nwww.vitra.com\u002Fdealers\nDistribution rights\nAll the designs shown here are protected under law.  \nVitra and the Vitra Design Museum have been awarded  \nthe intangible property rights to manufacture and sell these \nproducts by the owners in question and hold the exclusive \nmanufacturing and distribution rights worldwide. However, \nthe following restrictions apply:\nCharles & Ray Eames → Worldwide distribution rights \nfor Organic Chair, La Chaise, the Eames Elephant and \nthe Miniatures Collection. Otherwise, distribution rights \nfor furniture in Europe and the Middle East only. For other \nregions, please contact Herman Miller Inc.\nEames House Bird → Worldwide distribution rights.\ngeorge nelson → Worldwide distribution rights for all the \nclocks and the Miniatures Collection. Otherwise, distribution \nrights for furniture in Europe and the Middle East only. \nFor other regions, please contact Herman Miller Inc.\nIsamu noguchi → Distribution rights for the Akari Light \nsculptures are restricted to Europe (apart from France) and \nAustralia. The distribution rights for the Coffee Table in north \nAmerica are held by Herman Miller Inc.; the distribution rights \nfor the Dining Table in north America are held by Knoll Inc.\nsori yanagi → Worldwide distribution rights for Elephant stool; \ndistribution rights for the Butterfly stool are limited to Europe, \nnorth and south America as well as to Africa.\nClassic Pillows & Repeat Pillows → Distribution rights for \nEurope and Japan. For other regions, please contact Maharam \nInc., new york.\n \n The design of the Eames Aluminium Chair and the Eames \nname are registered trademarks.\n \n The design of the Eames Lounge Chair and the Eames \nname are registered trademarks.\n \n The design of the Panton Chair and the Panton name are \nregistered trademarks.\nv ® All intellectual property rights, such as trademarks, \npatents and copyrights are reserved.\nnothing contained in this brochure may be reproduced \nwithout written permission.\nEdition notice\nConcept & Art Direction  graphic Thought Facility, London\nPhotography  Louise Billgert, Florian Böhm, Tibor Bozi,  \nCentre Pompidou, Mnam, Eames Office, Marc Eggimann,  \ngeoffroy Cottenceau, gitty Darugar, Patrick Hani &  \nCat Tuong nguyen, Hans Hansen, I&I Fotografie Zürich, \nJulien Lanoo, Lorne Liesenfeld, Momoko Japan,  \nAngela Moore, Jaqueline nelson, Wanja schnurpel,  \nAndreas sütterlin, Kang Taeuk, Paul Tahon,  \nBart van Leuven, Miro Zagnoli\nlllustration  Ronan & Erwan Bouroullec,  \nAlan Levett, Alberto Meda, Annabel Milne\nRenderings  goodbye Limits; Lichtmaschine\nTranslations  wordinc gmbH, Hamburg\nLithography  gZD, Ditzingen\nPrinting  gZD, Ditzingen\nProduction  netzwerk P, stuttgart\n2012, Art. no. 09146302\nVitra Ag \nKlünenfeldstrasse 22 \nCH-4127 Birsfelden \n0041 (0)61 377 0000\ninfo@vitra.com\nwww.vitra.com\n",96,[],0,false,true,{"success":400,"data":402,"meta":615,"count":616,"next":617,"previous":618,"results":650,"brand_chips":711},[403,416,425,434,443,452,462,472,482,494,506,519,529,542,554,564,574,583,593,605],{"id":404,"title":405,"slug":406,"image":407,"source":408,"brand_name":409,"brand":410,"brand_slug":411,"file_size":412,"pages":413,"pages_count":414,"matched_pages":415,"match_count":398,"two_pages":399,"show_text":400},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":417,"title":418,"slug":419,"image":420,"source":421,"brand_name":409,"brand":410,"brand_slug":411,"file_size":422,"pages":423,"pages_count":288,"matched_pages":424,"match_count":398,"two_pages":399,"show_text":400},26606,"Architectural Systems  2024","leds-c4-architectural-systems-2024","\u002Fmedia\u002Fimages\u002F51\u002F09aeb60ab959f350ec981e0505723e-29704a6b8a.1.png","\u002Fprivate\u002Ffiles\u002F83\u002F262b965f0abfc6d48b82d634f2e274-29704a691b.pdf","18.2 MB",[],[],{"id":426,"title":427,"slug":428,"image":429,"source":430,"brand_name":409,"brand":410,"brand_slug":411,"file_size":431,"pages":432,"pages_count":260,"matched_pages":433,"match_count":398,"two_pages":399,"show_text":400},26605,"Retail lighting 2022","leds-c4-retail-lighting-2022","\u002Fmedia\u002Fimages\u002Ff3\u002Fc24fa5a9058975063fe2d2d796e342-29704a6938.1.png","\u002Fprivate\u002Ffiles\u002F16\u002F6eb9b9377eb47e68ed8020f49667e4-29704a6761.pdf","11.3 MB",[],[],{"id":435,"title":436,"slug":437,"image":438,"source":439,"brand_name":409,"brand":410,"brand_slug":411,"file_size":440,"pages":441,"pages_count":284,"matched_pages":442,"match_count":398,"two_pages":399,"show_text":400},26603,"News 2026","leds-c4-news-2026","\u002Fmedia\u002Fimages\u002Ffd\u002F08ef85e9ab5f20b8e36d39db23903e-29704a66c9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002F3d18f95b3c5bf1476f17e79ade1c39-29704a6417.pdf","9.7 MB",[],[],{"id":444,"title":445,"slug":446,"image":447,"source":448,"brand_name":409,"brand":410,"brand_slug":411,"file_size":449,"pages":450,"pages_count":144,"matched_pages":451,"match_count":398,"two_pages":399,"show_text":400},26604,"Play Super Comfort","leds-c4-play-super-comfort","\u002Fmedia\u002Fimages\u002Fb0\u002Fca782a57ca8c5561108856c084a962-29704a677d.1.png","\u002Fprivate\u002Ffiles\u002F98\u002F33f678484c91d595e9119acf1423df-29704a66ac.pdf","16.3 MB",[],[],{"id":453,"title":454,"slug":455,"image":456,"source":457,"brand_name":409,"brand":410,"brand_slug":411,"file_size":458,"pages":459,"pages_count":460,"matched_pages":461,"match_count":398,"two_pages":399,"show_text":400},26602,"New offices","leds-c4-new-offices","\u002Fmedia\u002Fimages\u002F9a\u002F46aad607ed8b7215cb0b320b2ef927-29704a5a00.1.png","\u002Fprivate\u002Ffiles\u002Fc5\u002F29e40b9906e7faa25be87c0ea8b1f2-29704a59e1.pdf","45.7 MB",[],110,[],{"id":463,"title":464,"slug":465,"image":466,"source":467,"brand_name":409,"brand":410,"brand_slug":411,"file_size":468,"pages":469,"pages_count":470,"matched_pages":471,"match_count":398,"two_pages":399,"show_text":400},26600,"Architectural Outdoor 2026","leds-c4-architectural-outdoor-2026","\u002Fmedia\u002Fimages\u002Ff2\u002Fcfbdb393ada4c94d6166515df0f816-29704a2b35.1.png","\u002Fprivate\u002Ffiles\u002F08\u002Fb85660b3a873b3edddf6e44c5dbab0-29704a2b01.pdf","45.4 MB",[],772,[],{"id":473,"title":474,"slug":475,"image":476,"source":477,"brand_name":409,"brand":410,"brand_slug":411,"file_size":478,"pages":479,"pages_count":480,"matched_pages":481,"match_count":398,"two_pages":399,"show_text":400},26601,"Decorative Fans 2026","leds-c4-decorative-fans-2026","\u002Fmedia\u002Fimages\u002F1a\u002Fc77cfd6dbd7c92c0df3eb82941c547-29704a2b2b.1.png","\u002Fprivate\u002Ffiles\u002F93\u002F11c88fe4138c754832a3484128207f-29704a2b01.pdf","41.5 MB",[],450,[],{"id":483,"title":436,"slug":484,"image":485,"source":486,"brand_name":487,"brand":488,"brand_slug":489,"file_size":490,"pages":491,"pages_count":492,"matched_pages":493,"match_count":398,"two_pages":399,"show_text":400},26599,"porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],100,[],{"id":495,"title":496,"slug":497,"image":498,"source":499,"brand_name":500,"brand":501,"brand_slug":502,"file_size":503,"pages":504,"pages_count":200,"matched_pages":505,"match_count":398,"two_pages":399,"show_text":400},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":507,"title":508,"slug":509,"image":510,"source":511,"brand_name":512,"brand":513,"brand_slug":514,"file_size":515,"pages":516,"pages_count":517,"matched_pages":518,"match_count":398,"two_pages":399,"show_text":400},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":520,"title":521,"slug":522,"image":523,"source":524,"brand_name":512,"brand":513,"brand_slug":514,"file_size":525,"pages":526,"pages_count":527,"matched_pages":528,"match_count":398,"two_pages":399,"show_text":400},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],109,[],{"id":530,"title":531,"slug":532,"image":533,"source":534,"brand_name":535,"brand":536,"brand_slug":537,"file_size":538,"pages":539,"pages_count":540,"matched_pages":541,"match_count":398,"two_pages":399,"show_text":400},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":543,"title":544,"slug":545,"image":546,"source":547,"brand_name":548,"brand":549,"brand_slug":550,"file_size":551,"pages":552,"pages_count":264,"matched_pages":553,"match_count":398,"two_pages":399,"show_text":400},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],[],{"id":555,"title":556,"slug":557,"image":558,"source":559,"brand_name":548,"brand":549,"brand_slug":550,"file_size":560,"pages":561,"pages_count":562,"matched_pages":563,"match_count":398,"two_pages":399,"show_text":400},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":565,"title":566,"slug":567,"image":568,"source":569,"brand_name":548,"brand":549,"brand_slug":550,"file_size":570,"pages":571,"pages_count":572,"matched_pages":573,"match_count":398,"two_pages":399,"show_text":400},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":575,"title":576,"slug":577,"image":578,"source":579,"brand_name":548,"brand":549,"brand_slug":550,"file_size":580,"pages":581,"pages_count":184,"matched_pages":582,"match_count":398,"two_pages":399,"show_text":400},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":584,"title":585,"slug":586,"image":587,"source":588,"brand_name":548,"brand":549,"brand_slug":550,"file_size":589,"pages":590,"pages_count":591,"matched_pages":592,"match_count":398,"two_pages":399,"show_text":400},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],146,[],{"id":594,"title":595,"slug":596,"image":597,"source":598,"brand_name":599,"brand":600,"brand_slug":601,"file_size":602,"pages":603,"pages_count":80,"matched_pages":604,"match_count":398,"two_pages":399,"show_text":400},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":606,"title":607,"slug":608,"image":609,"source":610,"brand_name":548,"brand":549,"brand_slug":550,"file_size":611,"pages":612,"pages_count":613,"matched_pages":614,"match_count":398,"two_pages":399,"show_text":400},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],101,[],{"count":616,"next":617,"previous":618,"brand_chips":619},14125,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[620,623,626,629,632,635,638,641,644,647],{"title":621,"slug":622,"count":380},"SICIS","sicis",{"title":624,"slug":625,"count":320},"La Fabbrica AVA","la-fabbrica-ava",{"title":627,"slug":628,"count":320},"Terratinta","terratinta",{"title":630,"slug":631,"count":320},"Magis","magis",{"title":633,"slug":634,"count":268},"True Design","true-design",{"title":636,"slug":637,"count":256},"Covet House","covet-house",{"title":639,"slug":640,"count":244},"Ares Line","ares-line",{"title":642,"slug":643,"count":244},"Poltrona Frau","poltrona-frau",{"title":645,"slug":646,"count":236},"Karpenter","karpenter",{"title":648,"slug":649,"count":236},"Visionnaire","visionnaire",[651,654,657,660,663,666,669,672,675,678,681,684,687,690,693,696,699,702,705,708],{"id":404,"title":405,"slug":406,"image":407,"source":408,"brand_name":409,"brand":410,"brand_slug":411,"file_size":412,"pages":652,"pages_count":414,"matched_pages":653,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":417,"title":418,"slug":419,"image":420,"source":421,"brand_name":409,"brand":410,"brand_slug":411,"file_size":422,"pages":655,"pages_count":288,"matched_pages":656,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":426,"title":427,"slug":428,"image":429,"source":430,"brand_name":409,"brand":410,"brand_slug":411,"file_size":431,"pages":658,"pages_count":260,"matched_pages":659,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":435,"title":436,"slug":437,"image":438,"source":439,"brand_name":409,"brand":410,"brand_slug":411,"file_size":440,"pages":661,"pages_count":284,"matched_pages":662,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":444,"title":445,"slug":446,"image":447,"source":448,"brand_name":409,"brand":410,"brand_slug":411,"file_size":449,"pages":664,"pages_count":144,"matched_pages":665,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":453,"title":454,"slug":455,"image":456,"source":457,"brand_name":409,"brand":410,"brand_slug":411,"file_size":458,"pages":667,"pages_count":460,"matched_pages":668,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":463,"title":464,"slug":465,"image":466,"source":467,"brand_name":409,"brand":410,"brand_slug":411,"file_size":468,"pages":670,"pages_count":470,"matched_pages":671,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":473,"title":474,"slug":475,"image":476,"source":477,"brand_name":409,"brand":410,"brand_slug":411,"file_size":478,"pages":673,"pages_count":480,"matched_pages":674,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":483,"title":436,"slug":484,"image":485,"source":486,"brand_name":487,"brand":488,"brand_slug":489,"file_size":490,"pages":676,"pages_count":492,"matched_pages":677,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":495,"title":496,"slug":497,"image":498,"source":499,"brand_name":500,"brand":501,"brand_slug":502,"file_size":503,"pages":679,"pages_count":200,"matched_pages":680,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":507,"title":508,"slug":509,"image":510,"source":511,"brand_name":512,"brand":513,"brand_slug":514,"file_size":515,"pages":682,"pages_count":517,"matched_pages":683,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":520,"title":521,"slug":522,"image":523,"source":524,"brand_name":512,"brand":513,"brand_slug":514,"file_size":525,"pages":685,"pages_count":527,"matched_pages":686,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":530,"title":531,"slug":532,"image":533,"source":534,"brand_name":535,"brand":536,"brand_slug":537,"file_size":538,"pages":688,"pages_count":540,"matched_pages":689,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":543,"title":544,"slug":545,"image":546,"source":547,"brand_name":548,"brand":549,"brand_slug":550,"file_size":551,"pages":691,"pages_count":264,"matched_pages":692,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":555,"title":556,"slug":557,"image":558,"source":559,"brand_name":548,"brand":549,"brand_slug":550,"file_size":560,"pages":694,"pages_count":562,"matched_pages":695,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":565,"title":566,"slug":567,"image":568,"source":569,"brand_name":548,"brand":549,"brand_slug":550,"file_size":570,"pages":697,"pages_count":572,"matched_pages":698,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":575,"title":576,"slug":577,"image":578,"source":579,"brand_name":548,"brand":549,"brand_slug":550,"file_size":580,"pages":700,"pages_count":184,"matched_pages":701,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":584,"title":585,"slug":586,"image":587,"source":588,"brand_name":548,"brand":549,"brand_slug":550,"file_size":589,"pages":703,"pages_count":591,"matched_pages":704,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":594,"title":595,"slug":596,"image":597,"source":598,"brand_name":599,"brand":600,"brand_slug":601,"file_size":602,"pages":706,"pages_count":80,"matched_pages":707,"match_count":398,"two_pages":399,"show_text":400},[],[],{"id":606,"title":607,"slug":608,"image":609,"source":610,"brand_name":548,"brand":549,"brand_slug":550,"file_size":611,"pages":709,"pages_count":613,"matched_pages":710,"match_count":398,"two_pages":399,"show_text":400},[],[],[712,713,714,715,716,717,718,719,720,721],{"title":621,"slug":622,"count":380},{"title":624,"slug":625,"count":320},{"title":627,"slug":628,"count":320},{"title":630,"slug":631,"count":320},{"title":633,"slug":634,"count":268},{"title":636,"slug":637,"count":256},{"title":639,"slug":640,"count":244},{"title":642,"slug":643,"count":244},{"title":645,"slug":646,"count":236},{"title":648,"slug":649,"count":236}]