[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-venini-artlight-2022-modulari":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":260},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":255,"matched_pages":256,"match_count":257,"two_pages":258,"show_text":259},14721,"Artlight 2022 Modulari","venini-artlight-2022-modulari","\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F68\u002Fa1ad0b255a82eceb42414134985588-281b00aa28.pdf","Venini",925,"venini","17.8 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.2.png","Artlight\nModulari\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.3.png","Artlight\n2\n3\nVENINI\nVENINI\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.4.png","Artlight\n4\n5\n \nVENINI\nVENINI\n“Nella mia memoria, sono da sempre depositati i \nfantasmi della inconfondibile identità della Venini. \nQuando lavoro per questa nobile azienda cerco \nsempre di collegarmi al mistero degli archetipi \nche hanno condotto a un così preciso stile, lungo \nuna così lunga storia, e cerco di provarne una \ninterpretazione.\nMi sembra che il gusto Venini sia frutto di un \nmagico dosaggio creatosi nel tempo, fra alcune \ntecniche esclusive, alcuni eccezionali artisti \ninventori di forme, e la scelta di certi colori.\nQuesta tradizione e questi confini sono la magica \nformula di Venini. L’hortus conclusus Venini fa \nparte delle meraviglie dell’umanità.\nCalma e saggezza di un chiaro artigianato, puro \ne intatto nel tempo, incorruttibile dalla violenza \ndelle mode, un esempio e una testimonianza di \nperfezione”.\n“The spirits of Venini’s unmistakable identity have \nalways been imprinted upon my memory. When I \nwork for this noble company, I always try to connect \nto the mystery of archetypes that led to such a \nprecise style with such a long history, and I seek to \ninterpret that.\nI believe that the Venini taste is the fruit of an \nenchanted mix, created over time, of a few exclusive \ntechniques, a handful of exceptional artists who \nwere inventors of forms, and a predilection for \ncertain colors.\nThis tradition and these boundaries are Venini’s \nmagic formula.\nIts hortus conclusus (enclosed garden) is one of \nhumanity’s wonders. It contains the calmness and \nskill of clear craftsmanship that has remained \npure and intact throughout time, incorruptible by \nthe violence of fashion, an example and proof of \nperfection”.\nAlessandro Mendini, architetto e \ndesigner di fama mondiale , racconta \ncosì la magia del Vetro nella Fornace \nVenini.\nAlessandro Mendini, world-renowned \narchitect and designer, tells about the \nmagic of glass made at Venini’s furnace.\nNella mia memoria, sono da sempre \ndepositati i fantasmi della inconfondibile \nidentità della Venini.\nThe spirits of  Venini’s unmistakable \nidentity have always been imprinted upon \nmy memory.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.5.png","Artlight\n6\n7\n \nVENINI\nVENINI\nFondata nel 1921 a Murano dall’avvocato\nmilanese \nPaolo \nVenini \ne \ndall’antiquario\nveneziano Giacomo Cappellin, VENINI è nota\nin tutto il mondo per l’eccellenza artistica e\nculturale delle proprie creazioni.\nFin dalla sua fondazione, i maestri vetrai\nsono sempre stati il cuore, la memoria e la\nforza della fornace: nel mondo del vetro\nnon \nesistono \nscuole, \nsolo \ninsegnamenti\nche si tramandano a parole, a gesti e con i\nmovimenti. Questi nobili artigiani dedicano\nall’arte del vetro gran parte della propria\nvita, perfezionando sempre di più le proprie\nabilità, \ncompetenze \ne \ncapacità: \nle \nloro\ntecniche esprimono l’anima razionale delle\nopere, \nl’insieme \ndi \nregole \nche \nrendono\npossibile la trasformazione di un’idea o di\nun disegno in realtà. \nUno degli elementi distintivi di VENINI è la sua \nprestigiosa palette cromatica composta da oltre \n125 affascinanti e raffinati colori che sono frutto \ndi studi e riflessioni, prove e ricerche volte a dar \nvita a nuove miscele.\nNel corso di cento anni di storia, VENINI\nè riuscita a far dialogare questa cultura\nmillenaria con l’estro creativo di artisti e\ndesigner come Vittorio Zecchin, Napoleone\nMartinuzzi, \nTomaso \nBuzzi, \nTyra \nLundgren,\nCarlo Scarpa, Gio Ponti, Paolo Venini, Fulvio\nBianconi, Tapio Wirkkala, Timo Sarpaneva,\nThomas \nStearns, \nLudovico \ne \nAlessandro\nDiaz \nde \nSantillana, \nLaura \nde \nSantillana,\nTobia Scarpa, Benjamin Moore, Dan Dailey,\nToots Zinsky, Toni Zuccheri, Gae Aulenti,\nEttore Sottsass, Mimmo Rotella, Alessandro\nMendini, Monica Guggisberg e Philip Baldwin,\nEmmanuel Babled, Doriana e Massimiliano\nFuksas, Cini Boeri, Rodolfo Dordoni, Giorgio\nVigna, Tadao Ando, Fernando e Humberto\nCampana, \nFlo \nPerkins, \nFabio \nNovembre,\nMichela Cattai, Mario Bellini, Studio Job,\nBarber & Osgerby, Ron Arad e Peter Marino\nsolo per citarne alcuni. Come si può ben\ncomprendere, il fascino della fornace ha\nsempre attratto talenti e creativi da tutto il\nmondo dando loro la voglia e la libertà di\nesprimersi \ne \nraccontarsi: \nquesto \nincontro\nd’eccellenza ha dato vita ad una produzione\nartistica \nparticolarmente \nricca \nnello \nstile,\nnelle \nforme \ne \nnei \nlinguaggi \nespressivi.\nDall’esigenza \ndi \nrendere \nomaggio \nalla\nmaestria e al percorso artistico dell’azienda,\noltre \nal \nsorprendente \narchivio \nstorico,\nnel 2008 è nata l’idea del Museo VENINI.\nLocalizzato \na \nMurano, \nnella \nsede \nstorica\ndell’azienda, lo spazio, va oltre la mera\nesposizione cronologica, ma accompagna il\nvisitatore in un cammino libero da strutture\ntemporali e spaziali nel quale immergersi,\nriflettere \ned \nemozionarsi. \nFanno \nparte\ndell’archivio storico, più di 45.000 disegni\noriginali, \n10.000 \nfoto \nd’epoca \nraffiguranti\ninstallazioni \narchitettoniche \ned \nesposizioni\ndel passato ma anche eventi e personaggi\nche \nhanno \ncollaborato \ncon \nl’azienda \ned\noltre 5.000 opere, tra le quali prove d’autore\nmolto rare, spesso prestate con i disegni\nai più importanti musei internazionali per\nFondata nel 1921 \ndall’avvocato milanese \nPaolo Venini  \ne dall’antiquario \nveneziano Giacomo \nCappellin\nmostre dedicate alla storia dell’azienda e\nal vetro di Murano. Proprio grazie a questo\nValore \nstorico \ninestimabile, \nle \ncreazioni\nfirmate Venini sono entrate a far parte\ndelle collezioni di prestigiosi musei come il\nMetropolitan Museum e il MOMA di New York,\nla Fondazione Cartier e il Centre Georges-\nPompidou di Parigi, il Victoria and Albert\nMuseum di Londra, lo Stedelijk Museum di\nAmsterdam, \nl’Österreichisches \nMuseum \nfür\nangewandte Kunst di Viennna, il Musée des\nBeaux Arts di Montréal, l’Eretz Museum di Tel\nAviv il Watari Museum of Contemporary Art\ndi Tokyo e lo Shanghai Museum of Glass ma\nanche la Triennale di Milano e il Museo del\nVetro di Murano.\nDa sempre, VENINI realizza oggetti dal design\nintramontabile che si rivalutano nel tempo.\nGrazie \nall’eccellenza \nqualitativa, \nall’alto\ncontenuto artistico e al valore manifatturiero\nle \ncreazioni VENINI \nvengono \nbattute \nad\naste importanti: appartiene a VENINI, infatti,\nl’opera di vetro di Murano tra le più pagate\ndella storia che con “La Sentinella di Venezia”\nfirmata da Thomas Stearns nel 1962 ha\nraggiunto ben 737mila dollari.\nDal 2016, la storica società è controllata dal\nGruppo DAMIANI, già a capo dell’omonimo\nbrand internazionale di alta gioielleria, che\nha definito una serie di piani di sviluppo volti\na valorizzare a livello internazionale questa\neccellenza del Made in Italy.\nNella pagina a fianco:\nPAOLO VENINI con Maestro Vetraio \nc. 1950\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.6.png","Artlight\n8\n9\n \nVENINI\nVENINI\nFounded in 1921 in Murano by the Milanese\nlawyer \nPaolo \nVenini \nand \nthe \nVenetian\nantique \ndealer \nGiacomo \nCappellin, \nVENINI\nis renowned around the world for its artistic\nand cultural excellence and its fine creations.\nSince the company was founded, the master\nglass-makers have always been the heart and\nstrength of the glass company; in the world\nof glass, there are no schools, only lessons\nthat are passed down with words, gestures\nand \nmovements. \nThese \nnoble \nartisans\ndedicate most of their lives to the art of glass,\nevermore perfecting their abilities and skills.\nTheir techniques express the rational soul of\nthe works, the sum of the rules that make\nthe transformation of an idea or a design into\nreality possible. One of the distinctive elements\nof VENINI is its prestigious chromatic palette\ncomposed of over 125 fascinating and refined\ncolours that are the result of reflections,\nexperiments and detailed research aimed at\ncreating new combinations.\nThrough \nits \none \nhundred \nyear \nhistory,\nVENINI \nhas \nsucceeded \nin \nestablishing \na\ndialogue between this millenary history and\nthe creativity of designers such as Vittorio\nZecchin, \nNapoleone \nMartinuzzi, \nTomaso\nBuzzi, Tyra Lungren, Carlo Scarpa, Gio Ponti,\nPaolo Venini, Fulvio Bianconi, Tapio Wirkkala,\nTimo Sarpaneva, Thomas Stearns, Ludovico\nand Alessandro Diaz de Santillana, Laura de\nSantillana, \nTobia \nScarpa, \nBenjamin \nMoore,\nDan \nDailey, \nToots \nZinsky, \nToni \nZuccheri,\nGae Aulenti, Ettore Sottsass, Mimmo Rotella,\nAlessandro \nMendini, \nMonica \nGuggisberg\nand \nPhilip \nBaldwin, \nEmmanuel \nBabled,\nDoriana and Massimiliano Fuksas, Cini Boeri,\nRodolfo \nDordoni, \nGiorgio \nVigna, \nTadao\nAndo, \nFernando \nand \nHumberto \nCampana,\nFlo Perkins, Fabio Novembre, Michela Cattai,\nMario Bellini, Studio Job, Barber & Osgerby,\nRon Arad and Peter Marino, among others.\nThe company’s appeal has always attracted\ntalents and creative individuals from around\nthe world, giving them the desire and freedom\nto express themselves and tell their stories.\nThis encounter has given life to particularly\nrich artistic production in terms of style,\nshape, and expressive languages.\nPaying homage to the company’s mastery and\nartistic journey, in addition to the surprising\nhistorical archive, in 2008 the idea of the\nVENINI Museum was born. Located in Murano,\nin the company’s historic facilities, the space\ngoes beyond that of a mere chronological\nexposition, to accompany enthusiasts on a\njourney free of temporal and spatial structures,\nwhere visitors can immerse, reflect and feel\nmoved. The historical archive contains more\nthan 45,000 original drawings, 10,000 old\npictures \ndepicting \narchitectural \ninstallations\nand exhibits from the past, but also events\nand figures who have collaborated with the\ncompany, \nand \nover \n5,000 \nworks, \namong\nwhich are very rare drawings by famous\nauthors, often loaned to the most important\ninternational museums for exhibits dedicated\nto the history of the company and Murano\nFounded in 1921\nby the Milanese lawyer\nPaolo Venini and Venetian\nantique dealer\nGiacomo Cappellin\nglass. \nThanks \nto \nthis \npriceless \nhistorical\nvalue, VENINI creations have become a part\nof \nthe \ncollections \nof \nprestigious \nmuseums\nsuch as the Metropolitan Museum and the\nMOMA of New York, the Fondazione Cartier\nand the Centre Georges-Pompidou in Paris,\nthe Victoria and Albert Museum in London,\nthe \nStedelijk \nMuseum \nin \nAmsterdam, \nthe\nÖsterreichisches \nMuseum \nfür \nangewandte\nKunst of Vienna, the Musée des Beaux Arts\nof Montreal, the Eretz Museum of Tel Aviv,\nthe Watari Museum of Contemporary Art of\nTokyo and the Shanghai Museum of Glass,\nbut also the Triennale of Milan and the Museo\ndel Vetro of Murano.\nVENINI has always created objects with a\ntimeless design that increase in value over\ntime. Thanks to their elevated quality, high\nartistic \naesthetic \nand \nmanufacturing \nvalue,\nVENINI \ncreations \nare \nsold \nat \nimportant\nauctions. Indeed, the work of Murano glass\nthat has fetched the highest price in history\nwas created by VENINI: “La Sentinella di\nVenezia” \nby \nThomas \nStearns \nbrought \nthe\nprice of 737,000 dollars in 1962.\nSince 2016, the company has been managed\nby the DAMIANI Group that also controls the\ninternational high jewellery brand of the same\nname. The company has set out a series of\nplans for growth aimed at generating global\nvalue of Made in Italy production.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.7.png","Artlight\n10\n11\n \nVENINI\nVENINI\nphoto:\nIvano Mercanzin\nArte e Colore\nInnumerevoli sono gli artisti e designer che\nstoricamente hanno contribuito e continuano\na consolidare il prestigio di Venini dando vita\nad opere insieme al “soffio” dei maestri vetrai.\n125 \ncolori \n- \nVENINI \nvanta \nuna \npalette\ncromatica \nsenza \neguali \nche, \ninsieme \nalle\ntecniche di lavorazione del vetro fanno parte\ndel patrimonio culturale.\nOgni colore è costruito su una ricetta specifica \ne la gamma VENINI comprende una grande \nvarietà di sfumature in continua espansione \ne ricerca. Rosso Sangue di Bue, Pagliesco, \nAmetista, Orizzonte, Acquamare, Viola , Verde\nMela e Giallo sono solo alcuni dei nomi dei colori \ndi  Venini.\nArt and Colour\nCountless artists and designers have historically \ncontributed to Venini’s prestige and continue to \nconsolidate it, helped by the “breath” of the master \nglassmakers, bringing works to life. \n125 colours – VENINI boasts an unmatched colour \npalette that, together with the glassworking \ntechniques make up part of our cultural heritage.\nEvery colour is built on a specific recipe, and the \nVENINI colour range includes a great variety of shades \nin continuous expansion and research Oxblood \nred, Straw yellow, Amethyst, Horizon, Aquamarine, \nViolet, Green apple, and Yellow are just a few of the \nnames of Venini’s colours.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.8.png","Artlight\n12\n13\n \nVENINI\nVENINI\nUnicità e\nArtigianalità\nIn VENINI esiste un “Genius Loci” che permette\ndi evidenziare un diverso modo di vedere il vetro\ne la sua lavorazione, interessante alternativa\nalla consolidata tradizione muranese che fa di\nVENINI un esempio di unicità.\nVENINI dal 1921 realizza oggetti e lampade in\nvetro soffiato e lavorato a mano, creando un\nperfetto equilibrio tra tecniche tradizionali e\ndesign contemporaneo.\nUniqueness and\nCraftsmanship\nThere is a “Genius Loci” in VENINI that spotlights\na different way of seeing glass and how it is\nprocessed, an interesting alternative to the\nconsolidated tradition in Murano that has made\nVENINI a paragon of uniqueness.\nSince 1921, VENINI has made objects and lamps\nin blown glass finished by hand, creating a perfect\nequilibrium between traditional techniques and\ncontemporary design.\nphoto:\nIvano Mercanzin\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.9.png","Artlight\n14\n15\n \nVENINI\nVENINI\nI sistemi modulari\nModular system\nNella pagina a fianco, progetti luce \nimmagini storiche\nOpposite page, light projects \nhistorical images\n• \n1958 - Exposition Universelle \nBruxelles , “Poliedri”\n• \nIgnazio Gardella, Paolo Venini\n• \n1963 - Abano Terme,  “Esprit” \nHotel Plaza\n• \n1978 - Parigi - Le Moulin Rouge, \n“Canna Fiore”, Bartoccini\n• \n1983 -  Gulf International Bank, \nBahrein, “Trilobi”\n            Gibb & Petermuller\nDopo aver proposto interessantissimi apparati da \nilluminazione modulari negli anni trenta, Venini \nrivoluzionò il settore, dal 1958, proponendo i sistemi \nmodulari a cascata, spesso declinati in composizioni \nvolutamente irregolari e scenografiche.\nL’intervento degli architetti fu fondamentale in questo \ntipo di progettazioni, più complesse dal punto di vista \nstrutturale e spesso concepite come installazioni site \nspecific. \nPur essendo sempre stato il vetro l’elemento principe \nnel campo dell’illuminazione, in questi lavori i moduli \ncompositivi vennero modellati in forme tali da esaltare \nle qualità di questo materiale nella sua interazione con \nla fonte luminosa: non più solo diffusore, quindi, ma \nanche moltiplicatore dei raggi luminosi. \nCelebri esempi di questo nuovo stile furono Poliedri, \nGocce, Triedri e Trilobi, adottati per arredare importanti \nspazi pubblici in tutto il mondo.\nAfter proposing very interesting modular lighting \nsystems in the 1930s, Venini revolutionized the sector, \nstarting in 1958, by proposing modular cascade systems, \noften offered in deliberately irregular and spectacular \ncompositions.\nThe contribution of the architects was fundamental in \nthese designs, which were more complex from a structural \npoint of view and were often conceived as site-specific \ninstallations.\nThough the glass has always been the prime element in \nthe field of illumination, in these works the compositional \nmodules were shaped in such a way as to exalt the \ninterplay of this material with the light source: thus, it was \nno longer just a diffuser, but also a multiplier of the light \nbeams.\nFamous examples of this new style were the Poliedri, \nGocce, Triedri, and Trilobi, adopted to furnish important \npublic spaces all over the world.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.10.png","Artlight\n16\nVENINI\n17\nVENINI\nIndex\nModulari\n951.32\n951.34\n951.36\n951.51\n951.54\n951.56\n951.06\n951.10\n951.20\n951.42\n951.43\n951.01\n951.02\n951.03\n951.27\n963.52\n963.54\n963.56\n963.22\n963.24\n963.08\n963.12\n963.64\n963.65\n963.27\n964.08\n964.10\n964.50\n964.32\n964.34 \n964.36\n964.12\n964.14\n964.16\n964.45\n964.24 \n920.52\n920.15\n905.03\n903.05\n920.02\n920.27\n930.60\n930.27 \n959.00\n959.05\n959.08\n959.10\n959.20\n959.09\n959.04\n903.20\n903.21\nPOLIEDRI\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nPoliedri\nTRILOBI\nTrilobi\nTrilobi\nTrilobi\nTrilobi\nTrilobi\nTrilobi, Light Shar\nTrilobi, Light Shar\nTrilobi\nTrilobi\nTrilobi\nTRIEDRI\nTriedri\nTriedri\nTriedri\nTriedri\nTriedri\nTriedri\nTriedri \nTriedri \nTriedri \nTriedri\nTriedri\nNASTRI\nNastri\nNastri\nTappeto Volante\nTappeto Volante\nNastri\nNastri\nTUBI TRONCHI\nTubi Tronchi\nTubi Tronchi\nESPRIT\nEsprit\nEsprit\nEsprit\nEsprit\nEsprit\nEsprit\nEsprit\nTAZEBAO - TRIZEBAO\nTazebao\nTrizebao\n20\n22\n22\n22\n24\n24\n24\n26\n26\n26\n28\n28\n32\n32\n32\n34\n38\n40\n40\n40\n42\n42\n44\n44\n46\n46\n48\n50\n52\n52\n52\n58\n58\n58\n61\n61\n61\n64\n66\n68\n70\n72\n74\n78\n82\n84\n86\n88\n88\n90\n92\n92\n92\n94\n94\n98\n100\n102\n104\n108\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.11.png","Artlight\n18\n19\n \nVENINI\nVENINI\nPoliedri 951\n951\n1948\u002F1950\n959\nToni Zuccheri, 1970\n963\n1970\n951\n1948\u002F1950\n959\nToni Zuccheri, 1970\n963\n1970\n951\n1948\u002F1950\n959\nToni Zuccheri, 1970\n963\n1970\n951\n1948\u002F1950\n20 - 23\n90 - 93 - 95\n38 - 41\n20 - 25\n90 - 99\n38 - 43\n20 - 27\n90 - 101\n20 - 49\n20 - 29\nTrilobi - Light Shar - 963\n964\n1960\n964\n1960\n964\n1960\n50 - 53\n50 - 59\n50 - 67\nTriedri 964\n920\n1960\n920\n1960\n920\n1960\n68 - 71\n68 - 73\n68 - 83\nNastri 920\nEsprit 959\nTazebao  - Trizebao 903\n903\nLudovico Diaz De Santillana, 1985\n903\nVenini, 2004\n102 - 105\n102 - 109\n905\n2000\n68 - 75\nTappeto Volante - Nastri 905\n905\n1985\n68 - 79\n951\n1948\u002F1950\n20 - 33\n951\n1948\u002F1950\n20 - 35\n963\n2017\n20 - 45\n905\n2000\n68 - 85\n964\n1960\n50 - 61\n964\n1960\n50 - 65\n963\n1970\n20 - 47\nIndex\nTubi Tronchi 930\n930\n86 - 89\n930\n86 - 89\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.12.png","Artlight\n20\nVENINI\n21\nVENINI\nPOLIEDRI\nPOLIEDRI\n951\n \nI Poliedri furono proposti per la prima volta come elementi compositivi \ndel grande lampadario Venini, su disegno di Ignazio Gardella, Paolo \nVenini ed Enrico Peresutti, presentato all’Expo di Bruxelles nel 1958, \nposto nella sala centrale del Padiglione Italiano. Con tale modulo fu \nrealizzato il famoso lampadario a cascata proposto all’Expo di Torino \n“Italia ‘61” da Venini con Carlo Scarpa. \nQuesti elementi di vetro soffiato permettono di creare apparati \nd’illuminazione di forme e misure sempre diverse.\nThe “Poliedri” were first proposed as components making up the large \nVenini chandelier, designed by Ignazio Gardella, Paolo Venini and Enrico \nPeresutti, presented at the 1958 Brussels World’s Fair, installed in the central \nhall of the Italian Pavilion. \nThe same module was used for the famous cascade chandelier created by \nVenini with Carlo Scarpa and proposed at the Turin “Italia ‘61” Expo.\nThese blown glass elements make it possible to create an ever-changing \narray of lighting fixtures of different shapes and sizes.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.13.png","Artlight\n22\n23\n \nVENINI\nVENINI\nSospensione composta dagli elementi Poliedri, \nrealizzati in vetro soffiato cristallo e disposti su \npiù livelli. La forma di questo lampadario ricorda \nquella del diamante. La struttura, con catena, è in \nmetallo cromato.\nChandelier composed of “Poliedri” modules in \nblown cristallo glass and arranged in several tiers. \nThe shape of this chandelier recalls that of the \ndiamond. The structure, complete with chain, is \nchrome-plated metal.\nØ 81 cm (2’ 7” 57\u002F64)\nH 38 cm (1’ 2” 61\u002F64)\nPoliedri\n951.32 - 951.34 - 951.36\nPoliedri - suspension lamp\n1958 - 1960\n951.34\nCaratteristiche tecniche\u002FTechnical details:\nØ 81 x H 38 cm - H max 122 cm\n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 38\n(2’ 7” 57\u002F64 - 1’ 2” 61\u002F64 - 4’ 1\u002F32)\n9 x max 8W  LED DIM 110V (E12)\nLb ~ 83,77\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 122 cm (4’ 1\u002F32)\nPoliedri 951.34\nPoliedri 951.27\nCristallo\nCrystal\n951.32\nCaratteristiche tecniche\u002FTechnical details:\nØ 60 x H 31 cm - H max 117 cm\n6 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 30\n(1’ 11” 5\u002F8 - 1’ 13\u002F64  - 3’ 10” 1\u002F16 )\n9 x max 8W  LED DIM 110V (E12)\nLb ~ 66,14\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\n951.36\nCaratteristiche tecniche\u002FTechnical details:\nØ 102 x H 43 cm - H max 130 cm\n11 x max 8W LED DIM 220 - 240V (E14)\n(3’ 4” 5\u002F32 - 1’ 4” 59\u002F64 - 4’ 3” 3\u002F16)\n9 x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nØ 60 cm (1’ 11” 5\u002F8)\nH31 cm (1’ 13\u002F64)\nH 117 cm (3’ 10” 1\u002F16)\nØ 102 cm (3’ 4” 5\u002F32)\nH43 cm (1’ 4” 59\u002F64)\nH 130 cm (4’ 3” 3\u002F16)\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.14.png","Artlight\n24\n25\n \nVENINI\nVENINI\nLampada a sospensione di forma circolare\ncomposta da elementi poliedrici in vetro\nsoffiato cristallo disposti su più livelli.\nLa struttura è in metallo cromato.\nCircular chandelier composed of “Poliedri” modules \nin blown cristallo glass arranged in several tiers.\nThe structure is chrome-plated metal.\nØ 60 cm (1’ 11” 5\u002F8)\nH 39 cm (1’ 3” 23\u002F64)\nPoliedri\n951.51 - 951.54 - 951.56\nPoliedri - suspension lamp\n1958 - 1960\n951.54\nCaratteristiche tecniche\u002FTechnical details:\nØ 82 x H 52 cm - H max 130 cm\n9 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 38\n(2’ 8” 9\u002F32 - 1’ 8” 15\u002F32 - 4’ 3” 3\u002F16)\n9 x max 12W  LED DIM 110V (E26)\nLb ~ 83,77\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nH 126 cm (4’ 1” 39\u002F64)\nPoliedri 951.54\nCristallo\nCrystal\n951.51\nCaratteristiche tecniche\u002FTechnical details:\nØ 60 x H 39 cm - H max 126 cm\n5 x max 12W LED DIM 220 - 240V (E27)\n(1’ 11” 5\u002F8 - 1’ 3” 23\u002F64 - 4’ 1” 39\u002F64)\n5 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\n951.56\nCaratteristiche tecniche\u002FTechnical details:\nØ 104 x H 64 cm - H max 141 cm\n12 x max 12W LED DIM 220 - 240V (E27)\n(3’ 4” 15\u002F16 - 2’ 1” 13\u002F64 - 4’ 7” 33\u002F64)\n12 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nØ 82 cm (2’ 8” 9\u002F32)\nH 52 cm (1’ 8” 15\u002F32)\nH 130 cm (4’ 3” 3\u002F16)\nØ 104 cm (3’ 4” 15\u002F16)\nH  64  cm (2’ 1” 13\u002F64)\nH 141 cm (4’ 7” 33\u002F64)\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.15.png","Artlight\n26\n27\n \nVENINI\nVENINI\nLampadario, di forma sferica, composto dagli\nelementi Poliedri, realizzati in vetro soffiato\ncristallo e disposti su più livelli. La struttura di \nquesta sospensione dalle dimensioni importanti \nè realizzata in metallo cromato.\nSpherical chandelier composed of “Poliedri”\nmodules in blown cristallo glass arranged in\nseveral tiers. The structure of this magnificent\nchandelier is made of chrome-plated metal.\nPoliedri\n951.06 - 951.10 - 951.20\nPoliedri - suspension lamp\n1958 - 1960\nPoliedri 951.10\nCristallo\nCrystal\n951.20\nCaratteristiche tecniche\u002FTechnical details:\nØ 200 x H 320 cm \n45 x max 12W LED DIM 220 - 240V (E27)\nKg ~550\n(6’ 6” 47\u002F64 - 10’ 5” 63\u002F64)\n45 x max 12W  LED DIM 110V (E26)\nLb ~ 1212\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=100 cm - Chain L=100 cm.\nØ 200 cm (6’ 6” 47\u002F64)\nH  cm  320  (10’ 5” 63\u002F64)\nØ 100 cm (3’ 3” 3\u002F8)\n951.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x  H max 218\n20 x max 12W LED DIM 220 - 240V (E27)\nKg ~180\n(3’ 3” 3\u002F8 - 7’ 1” 53\u002F64 )\n20 x max 12W  LED DIM 110V (E26)\nLb ~ 396,83\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=100 cm - Chain L=100 cm.\nH  218  cm (7’ 1” 53\u002F64)\n951.06\nCaratteristiche tecniche\u002FTechnical details:\nØ 60 x H 58 -  H max 135\n8 x max 12W LED DIM 220 - 240V (E27)\n(1’ 11” 5\u002F8 - 1’ 10” 53\u002F64 - 4’ 5” 5\u002F32)\n8 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nØ 60 cm (1’ 11” 5\u002F8)\nH 135  cm (4’ 5” 5\u002F32)\nH 58  cm (1’ 10” 53\u002F64)\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.16.png","Artlight\n28\n29\n \nVENINI\nVENINI\nØ 55 cm (1’ 9” 21\u002F32)\nH178  cm (5’ 10” 5\u002F64)\n951.42\nCaratteristiche tecniche\u002FTechnical details:\nØ 55 x H 102  -  H max 178\n9 x max 12W LED DIM 220 - 240V (E27)\nKg ~\n(1’ 9” 21\u002F32 - 3’ 4” 5\u002F32 - 5’ 10” 5\u002F64)\n9 x max 12W  LED DIM 110V (E26)\nLb ~ \nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nH 102  cm (3’ 4” 5\u002F32)\nØ 67 cm (2’ 2” 3\u002F8)\n951.43\nCaratteristiche tecniche\u002FTechnical details:\nØ 67 x H 132 -  H max 206\n15 x max 12W LED DIM 220 - 240V (E27)\nKg ~\n(2’ 2” 3\u002F8 - 4’ 3” 31\u002F32 - 6’ 9” 7\u002F64)\n15 x max 12W  LED DIM 110V (E26)\nLb ~ \nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nH206  cm (6’ 9” 7\u002F64)\nH 132  cm (4’ 3” 31\u002F32)\nPoliedri - suspension lamp\n1958 - 1960\nPoliedri\n951.42 - 951.43 \nLampadario a Poliedri\nMinistero degli Affari Esteri - Farnesina \nRoma\nArch. Enrico Del Debbio\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.17.png","Artlight\n30\n31\n \nVENINI\nVENINI\n1958 - 1960\nLampadari a Poliedri\nMinistero degli Affari Esteri - Farnesina \nRoma\nArch. Enrico Del Debbio\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.18.png","Artlight\n32\n33\n \nVENINI\nVENINI\n951.01\nCaratteristiche tecniche\u002FTechnical details:\nØ 63 x H 25 \n5 x max 8W LED DIM 220 - 240V (E14)\nKg ~\n(2’ 51\u002F64 - 9” 27\u002F32)\n5 x max 8W  LED DIM 110V (E12)\nLb ~ \nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\n951.02\nCaratteristiche tecniche\u002FTechnical details:\nØ 83 x H 27\n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~\n(2’ 8” 43\u002F64 - 10” 5\u002F8)\n9  x max 8W  LED DIM 110V (E12)\nLb ~ \nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\n951.03\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x H 32\n18 x max 8W LED DIM 220 - 240V (E14)\nKg ~\n(3’ 3” 3\u002F8 - 1’ 19\u002F32)\n18 x max 8W  LED DIM 110V (E12)\nLb ~ \nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - wChromium-plated\nØ 63 cm (2’ 51\u002F64)\nH 25  cm (9” 27\u002F32)\nØ 83 cm (2’ 8” 43\u002F64)\nH 27  cm (10” 5\u002F8)\nØ 100 cm (3’ 3” 3\u002F8)\nH 32  cm (1’ 19\u002F32)\nPoliedri - suspension lamp\n1958 - 1960\nPoliedri\n951.01 - 951.02 - 951.03 \nLampadario a Poliedri\nMinistero degli Affari Esteri - Farnesina \nRoma\nArch. Enrico Del Debbio\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.19.png","Artlight\n34\n35\n \nVENINI\nVENINI\nApplique composta da elementi poliedrici in \nvetro soffiato cristallo disposti su più livelli. \nLa struttura è realizzata in metallo cromato.\nWall light consisting of polyhedric modules in blown \ncristallo glass arranged on several levels. \nThe structure is chrome-plated metal.\n27 cm (10” 5\u002F8)\nPoliedri\n951.27\nPoliedri - wall lamps\n1958 - 1960\n951.27\nCaratteristiche tecniche\u002FTechnical details:\n27  x 19  H 39 cm\n2  x max 8W LED DIM 220 - 240V (E14)\nKg ~ 6\n(10” 5\u002F8 - 7” 31\u002F64  - 1’ 3” 23\u002F64)\n2  x max 8W  LED DIM 110V (E12)\nLb ~ 13,22\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium - plated\nPoliedri 951.27\nCristallo\nCrystal\nH  39  cm (1’ 3” 23\u002F64)\n19 cm (7” 31\u002F64)\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.20.png","Artlight\n36\nVENINI\n37\nVENINI\nPOLIEDRI - TRILOBI\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.21.png","Artlight\n38\nVENINI\n39\nVENINI\nTRILOBI\nTRILOBI\n963\n \nCaratterizzati da una forma che ricorda, in sezione, i tre lobi del\ntrifoglio, i Trilobi sono realizzati in vetro cristallo massiccio. \nSimili a lunghe stalattiti che, agganciate alla struttura metallica, \nscendono a livelli differenti creando un insieme luminoso dinamico.\nCharacterised by a shape the section of which recalls the three lobes\nof the cloverleaf, the “Trilobi” are made of solid cristallo glass.\nThey are like long stalactites that, hanging from the metal structure,\ndrop down to different levels, creating a dynamic, luminous overall\nlook.\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.22.png","Artlight\n40\n41\n \nVENINI\nVENINI\nSospensione composta da moduli in\nvetro cristallo massiccio, lavorati a mano,\ncaratterizzati da sezione trilobata, agganciati\nalla struttura in metallo cromato.\nChandelier consisting of handcrafted modules\nin solid cristallo glass, characterised by their\ntrilobate section, hung from a chrome-plated\nmetal structure.\nØ 58 cm (1’ 10” 53\u002F64)\nTrilobi\n963.52 - 963.54 - 963.56\nTrilobi - suspension lamp\n1970 \n963.52\nCaratteristiche tecniche\u002FTechnical details:\nØ 58 x H 38 -  H max 117 cm\n8 x max 8W LED DIM 220 - 240V (E14)\nKg ~62\n(1’ 10” 53\u002F64 - 1’ 2” 61\u002F64 - 3’ 10” 1\u002F16)\n2  x max 8W  LED DIM 110V (E12)\nLb ~ 136,68\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nTrilobi 963.52\nCristallo\nCrystal\nH  117  cm (3’ 10” 1\u002F16)\n963.54\nCaratteristiche tecniche\u002FTechnical details:\nØ 78 x H 41 -  H max 120 cm\n12 x max 8W LED DIM 220 - 240V (E14)\n(2’ 6” 45\u002F64 - 1’ 4” 9\u002F64 - 3’ 11” 1\u002F4)\n12  x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\n963.56\nCaratteristiche tecniche\u002FTechnical details:\nØ 99 x H 46 -  H max 124 cm\n15 x max 8W LED DIM 220 - 240V (E14)\n(3’ 2” 31\u002F32 - 1’ 6” 7\u002F64  - 4’ 13\u002F16)\n15  x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nH 38  cm (1’ 2” 61\u002F64)\nØ 78 cm (2’ 6” 45\u002F64)\nH  120  cm (3’ 11” 1\u002F4)\nH 41  cm (1’ 4” 9\u002F64)\nØ 99 cm (3’ 2” 31\u002F32)\nH  124  cm (4’ 13\u002F16)\nH 46  cm (1’ 6” 7\u002F64)\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.23.png","Ø 56 cm (1’ 10” 3\u002F64)\nArtlight\n42\n43\n \nVENINI\nVENINI\nSospensione composta da moduli in vetro\ncristallo massiccio, lavorati a mano, a sezione\ntrilobata, disposti su tre livelli.\nQuesto lampadario si adatta perfettamente\nad ambienti dall’eleganza signorile e raffinata.\nChandelier consisting of handcrafted modules\nin solid cristallo glass, characterised by their\ntrilobate section, arranged on three levels.\nThis chandelier is perfectly suited to upscale,\nelegant settings.\nTrilobi\n963.22 - 963.24\nTrilobi - suspension lamp\n1970 \n963.22\nCaratteristiche tecniche\u002FTechnical details:\nØ 56 x  H 69 max 149 cm\n5 x max 12W LED DIM 220 - 240V (E27)\n(1’ 10” 3\u002F64 - 2’ 3” 11\u002F64 - 4’ 10” 21\u002F32)\n5 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nTrilobi 963.22\nCristallo\nCrystal\nH  69  cm (2’ 3” 11\u002F64)\nH 149  cm (4’ 10” 21\u002F32)\nØ 81 cm (2’ 7” 57\u002F64)\n963.24\nCaratteristiche tecniche\u002FTechnical details:\nØ 81 x  H 91 max 170 cm\n12 x max 12W LED DIM 220 - 240V (E27)\n(2’ 7” 57\u002F64 - 2’ 11” 53\u002F64 - 5’ 6” 59\u002F64)\n12 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nH 170  cm (5’ 6” 59\u002F64)\nH  91  cm (2’ 11” 53\u002F64)\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.24.png","Artlight\n44\n45\n \nVENINI\nVENINI\nLampadario di forma circolare composto\ndai moduli Trilobi, in vetro cristallo massicio,\nlavorati a mano e agganciati alla struttura\nrealizzata in metallo cromato e sostenuta da\ncavi in acciaio.\nCircular chandelier composed of handcrafted\n“Trilobi” modules in solid cristallo glass, hung\nfrom a chrome-plated structure suspended\nfrom steel cables.\nØ 80 cm (2’ 7” 1\u002F2)\nTrilobi - Light Shar\n963.08 - 963.12\nLight Shar Trilobi - suspension lamp 2017 \n963.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 80 x  H 34\n12 x max 8W LED DIM 220 - 240V (G9)\nKg ~ 150\n(2’ 7” 1\u002F2 - 1’ 1” 25\u002F64 )\n12  x max 8W  LED DIM 110V (G9)\nLb ~ 330\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCavi acciaio - Steel cables\nLight Shar\n“Trilobi” modular\nCristallo\nCrystal\nH 34  cm (1’ 1” 25\u002F64)\n963.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 120 x  H 34\n12 x max 8W LED DIM 220 - 240V (G9)\nKg ~ 270\n(3’ 11” 1\u002F4 - 1’ 1” 25\u002F64 )\n12  x max 8W  LED DIM 110V (G9)\nLb ~ 595,24\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCavi acciaio - Steel cables\nØ 120 cm (3’ 11” 1\u002F4)\nH 34  cm (1’ 1” 25\u002F64)\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.25.png","Artlight\n46\n47\n \nVENINI\nVENINI\nLampadario di forma circolare composto\ndai moduli Trilobi, in vetro cristallo massicio,\nlavorati a mano e agganciati alla struttura\nrealizzata in metallo cromato. \nCircular chandelier composed of handcrafted\n“Trilobi“ modules in solid cristallo glass, hung\nfrom a chrome-plated structure.\nTrilobi\n963.64 - 963.65\nTrilobi - suspension lamp lamp\n1970 \n963.64\nCaratteristiche tecniche\u002FTechnical details:\n74  x  44  H 41 H max 63 cm\n6 x max 8W LED DIM 220 - 240V (E14)\n(2’ 5” 9\u002F64 - 1’ 5” 21\u002F64  - 1’ 4” 9\u002F64  - 2’ 51\u002F64)\n6 x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nTrilobi\nCristallo\nCrystal\n963.65\nCaratteristiche tecniche\u002FTechnical details:\n95 x 65  H 49 H max 85 cm \n12 x max 12W LED DIM 220 - 240V (E27)\n(3’ 1” 13\u002F32 - 2’ 1” 19\u002F32  - 1’ 7” 19\u002F64 - 2’ 9” 15\u002F32)\n12 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated \n74 x 44  cm (2’ 5” 9\u002F64 - 1’ 5” 21\u002F64)\nH 41  cm (1’ 4” 9\u002F64)\nH 63  cm (2’ 51\u002F64)\n95 x 65 cm (3’ 1” 13\u002F32 - 2’ 1” 19\u002F32)\nH 85  cm (2’ 9” 15\u002F32)\nH  49  cm (1’ 7” 19\u002F64)\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.26.png","Artlight\n48\n49\n \nVENINI\nVENINI\nApplique composta da elementi in vetro\ncristallo massiccio, a sezione trilobata,\nlavorati a mano e agganciati alla struttura in\nmetallo cromato.\nWall light consisting of handcrafted modules\nin solid cristallo glass, characterised by their\ntrilobate section, hung from a chrome-plated\nmetal structure.\n24 cm (9” 29\u002F64)\nTrilobi\n963.27\nTrilobi - wall lamp\n1970 \n963.27\nCaratteristiche tecniche\u002FTechnical details:\n24  x  15 H 35 cm\n2 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 8\n(9” 29\u002F64 - 5” 29\u002F32 -  1’ 1” 25\u002F32)\n2 x max 8W  LED DIM 110V (E12)\nLb ~ 17,63\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nTrilobi 963.27\nCristallo\nCrystal\nH 35  cm (1’ 1” 25\u002F32)\n15 cm (5” 29\u002F32)\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.27.png","Artlight\n50\nVENINI\n51\nVENINI\nTRIEDRI\nTRIEDRI\n964\n \nI Triedri, ideati tra il 1958 e il 1960, sono elementi in vetro cristallo\nmassiccio che, usati come moduli verticali per apparati di illuminazione, \npossono essere assemblati così da comporre svariate forme.\nIl triedro, in quanto prisma cristallino a sezione triangolare, riflette la\nluce in diverse direzioni con effetto spettacolare.\nThe Triedri, conceived between 1958 and 1960, are solid cristallo\nglass elements that, used as vertical modules for lighting fixtures, can\nbe assembled to form various shapes. The trihedron, as a crystalline\nprism with a triangular section, reflects light in different directions to\nspectacular effect.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.28.png","Ø 100 cm (3’ 3” 3\u002F8)\nArtlight\n52\n53\n \nVENINI\nVENINI\nLampada a sospensione composta dagli\nelementi Triedri, in vetro massiccio cristallo\ne ambra, che, curvati, vanno a costituire\nuna forma emisferica. Struttura e catena\nsono in metallo cromato. \nChandelier composed of  “Triedri“ elements in\nsolid cristallo- and amber-coloured glass that\nwhen curved take on a hemispherical shape.\nThe structure and chain are in chrome-plated\nmetal. \nØ 76 cm (2’ 5” 59\u002F64)\nTriedri\n964.08 - 964.10 - 964.50\nTriedri - suspension lamp\n1960 \n964.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 76 x  H max 135 cm\n6 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 50\n(2’ 5” 59\u002F64 - 4’ 5” 5\u002F32 )\n6  x max 12W  LED DIM 110V (E26)\nLb ~ 110.23\nColori\u002FColors\n•Cristallo\u002FAmbra - Crystal\u002FAmber\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nTriedri\n964.50\nCristallo\u002FAmbra\nCrystal\u002FAmber\nH 135  cm (4’ 5” 5\u002F32)\n964.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x  H max 145\n8 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 85\n(3’ 3” 3\u002F8 - 4’ 9” 3\u002F32)\n8  x max 8W  LED DIM 110V (E26)\nLb ~ 187,39\nColori\u002FColors\n•Cristallo\u002FAmbra - Crystal\u002FAmber\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 115  cm (3’ 9” 9\u002F32)\n964.50\nCaratteristiche tecniche\u002FTechnical details:\nØ 55 x  H max 115\n5 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 30\n(1’ 9” 21\u002F32 - 3’ 9” 9\u002F32)\n5  x max 8W  LED DIM 110V (E26)\nLb ~ 66,13\nColori\u002FColors\n•Cristallo\u002FAmbra -Crystal\u002FAmber\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 145  cm (4’ 9” 3\u002F32)\nØ 55 cm (1’ 9” 21\u002F32)\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.29.png","Artlight\n54\nVENINI\n55\nVENINI\nTRIEDRI\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.30.png","Artlight\n56\nVENINI\n57\nVENINI\nTRIEDRI\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.31.png","Artlight\n58\n59\n \nVENINI\nVENINI\nLampada a plafone composta da elementi\na sezione triangolare in vetro massiccio\ncristallo o cristallo e ambra, lavorati a mano e\ndisposti su più livelli. La struttura è in metallo\ncromato.\nCeiling light composed of hand-crafted\n“Triedri “ elements in solid cristallo glass or\ncristallo- and amber-coloured glass, arranged\non several levels. The structure is chromeplated\nmetal.\nØ 59 cm (1’ 11” 15\u002F64)\nTriedri\n964.32 - 964.34 - 964.36\nTriedri - ceiling lamp\n1960 \n964.32\nCaratteristiche tecniche\u002FTechnical details:\nØ 59  x  H 40 cm\n6 x max  8W LED DIM 220 - 240V (E14)\n(1’ 11” 15\u002F64  - 1’ 3” 3\u002F4 )\n6  x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nTriedri\n964.34\nCristallo\nCrystal\nH 40  cm (1’ 3” 3\u002F4)\n964.34\nCaratteristiche tecniche\u002FTechnical details:\nØ 81 x  H 45 cm\n12 x max  8W LED DIM 220 - 240V (E14)\n(2’ 7” 57\u002F64  - 1’ 5” 23\u002F32 )\n12 x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\n964.36\nCaratteristiche tecniche\u002FTechnical details:\nØ 103 x  H 45 cm\n24 x max  8W LED DIM 220 - 240V (E14)\n(3’ 4” 35\u002F64  - 1’ 5” 23\u002F32 )\n24 x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nØ 81 cm (2’ 7” 57\u002F64)\nH 45  cm (1’ 5” 23\u002F32)\nH 45  cm (1’ 5” 23\u002F32)\nØ 103 cm (3’ 4” 35\u002F64)\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.32.png","Artlight\n60\n61\n \nVENINI\nVENINI\nLampada composta da elementi a sezione \ntriangolare “Triedri” in vetro massiccio cristallo, \nlavorati a mano edisposti su più livelli. \nLa struttura è in metallo cromato.\nSupension light composed of hand-crafted\n“Triedri “ elements in solid cristallo glass, arranged\non several levels. \nThe structure is chromeplated metal.\nØ 59 cm (1’ 11” 15\u002F64)\nTriedri\n964.12 - 964.14 - 964.16\nTriedri - suspension lamp\n1960 \n964.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 59 x H 41 max 120 cm\n9 x max  8W LED DIM 220 - 240V (E14)\n(1’ 11” 15\u002F64 - 1’ 4” 9\u002F64 - 3’ 11” 1\u002F4)\n6  x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 41  cm (1’ 4” 9\u002F64)\n964.14\nCaratteristiche tecniche\u002FTechnical details:\nØ 81 x H 46 max 125 cm\n9 x max 12W LED DIM 220 - 240V (E27)\n(2’ 7” 57\u002F64 - 1’ 6” 7\u002F64 - 4’ 1” 7\u002F32)\n9 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\n964.16\nCaratteristiche tecniche\u002FTechnical details:\nØ 103 x H 55 max 134 cm\n18 x max 12W LED DIM 220 - 240V (E27)\n(3’ 4” 35\u002F64 - 1’ 9” 21\u002F32 - 4’ 4” 3\u002F4)\n18 x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 120  cm (3’ 11” 1\u002F4)\nØ 81 cm (2’ 7” 57\u002F64)\nH 46  cm (1’ 6” 7\u002F64)\nH 125  cm (4’ 1” 7\u002F32)\nØ 103 cm (3’ 4” 35\u002F64)\nH55  cm (1’ 9” 21\u002F32)\nH 134  cm (4’ 4” 3\u002F4)\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.33.png","63\n \nVENINI\nArtlight\n62\nVENINI\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.34.png","Artlight\n64\n65\n \nVENINI\nVENINI\nLampada composta da elementi a sezione \ntriangolare “Triedri” in vetro massiccio cristallo, \nlavorati a mano edisposti su più livelli. \nLa struttura è in metallo cromato.\nSupension light composed of hand-crafted\n“Triedri” elements in solid cristallo glass, arranged\non several levels. \nThe structure is chromeplated metal.\nØ 100 cm (3’ 3” 3\u002F8)\nTriedri\n964.45 \nTriedri - suspension lamp\n1960 \n964.45\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x H 91 max 170 cm\n15 x max 12W LED DIM 220 - 240V (E27)\n(3’ 3” 3\u002F8 - 2’ 11” 53\u002F64 - 5’ 6” 59\u002F64)\n15   x max 12W  LED DIM 110V (E26)\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nTriedri\n964.\nCristallo\nCrystal\nH 91  cm (2’ 11” 53\u002F64)\nH 170  cm (5’ 6” 59\u002F64)\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.35.png","Artlight\n66\n67\n \nVENINI\nVENINI\nApplique composta dai Triedri in vetro\nmassiccio cristallo e ambra, lavorati a mano\ne ancorati alla struttura in metallo cromato\nattraverso supporti di forma triangolare.\nWall light consisting of hand-crafted “Triedri”\nelements in solid cristallo and ambercoloured\nglass, anchored to the chromeplated\nmetal structure by means of triangularshaped\nsupports.\n19 cm (7” 31\u002F64)\nTriedri\n964.24\nTriedri - wall lamp\n1960 \n964.24\nCaratteristiche tecniche\u002FTechnical details:\n19 x  11,5 H 60 cm\n2 x max  8W LED DIM 220 - 240V (E14)\nKg ~ 8\n(7” 31\u002F64 -  4” 17\u002F32 - 1’ 11” 5\u002F8)\n2 x max 8W  LED DIM 110V (E12)\nLb ~ 17,63\nColori\u002FColors\n•Cristallo\u002FAmbra - Crystal\u002FAmber\nMetallo\u002FMetal\nCromato - Chromium-plated\nTriedri\n964.24\nCristallo\u002FAmbra\nCrystal\u002FAmber\nH 60  cm (1’ 11” 5\u002F8)\n11,5 cm (4” 17\u002F32)\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.36.png","Artlight\n68\nVENINI\n69\nVENINI\nNASTRI\nNASTRI\n920\n \nDi un’eleganza sobria ed essenziale, il Nastro è un elemento piatto\nrealizzato a mano, mediante tiratura a caldo, la cui superficie è\ncaratterizzata da leggere scanalature, così da mascherare la fonte\nluminosa.\nOf an understated and essential elegance, the “Nastro” is a flat element\ndrawn by hand; its surface is lightly grooved, thus concealing the light\nsource.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.37.png","Artlight\n70\n71\n \nVENINI\nVENINI\nLampadario composto dagli elementi Nastro,\nrealizzati a mano, in vetro cristallo agganciati\nalla struttura, con catena, in metallo cromato.\nChandelier composed of hand-crafted “Nastro”\nelements in crystal glass, attached to the chrome-\nplated metal structure hanging from a chain.\nØ 55 cm (1’ 9” 21\u002F32)\nNastri\n920.52\nNastri - suspension lamp\n1960 \n920.52\nCaratteristiche tecniche\u002FTechnical details:\nØ 55 x  H 37,5 - H max  119 cm\n8 x max  8W LED DIM 220 - 240V (E14)\nKg ~ 49\n(1’ 9” 21\u002F32  - 1’ 2” 49\u002F64 - 3’ 10” 27\u002F32 )\n8  x max 8W  LED DIM 110V (E12)\nLb ~ 108\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nNastri\n920.52\nCristallo\nCrystal\nH 37,5  cm (1’ 2” 49\u002F64)\nH 119  cm (3’ 10” 27\u002F32)\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.38.png","Artlight\n72\n73\n \nVENINI\nVENINI\nPlafoniera dalla forma circolare composta\nda elementi Nastro, realizzati a mano, in vetro\ncristallo. La struttura è in metallo cromato.\nCircular ceiling light composed of hand-crafted \n“Nastro” elements in crystal glass.\nThe structure is chrome-plated metal.\nØ 84 cm (2’ 9” 5\u002F64)\nNastri\n920.15\nNastri - ceiling lamp\n1960 \n920.15\nCaratteristiche tecniche\u002FTechnical details:\nØ 84 H 50 cm\n9 x max  8W LED DIM 220 - 240V (E14)\nKg ~ \n(2’ 9” 5\u002F64 - 1’ 7” 11\u002F16)\n9  x max 8W  LED DIM 110V (E12)\nLb ~ \nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNastri\n920.15\nCristallo\nCrystal\nH 50  cm (1’ 7” 11\u002F16)\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.39.png","Artlight\n74\n75\n \nVENINI\nVENINI\nTappeto Volante è concepito per poter realizzare \nsuperfici luminose sospese mediante l’uso di \nvetri a Nastro. I vetri sono fissati su una struttura \nmetallica flessibile, ancorata al soffitto mediante \ncavi d’acciaio. Le varianti quanto a forma, \ncurvatura e lunghezza sono potenzialmente \ninfinite. Tappeto Volante è declinato nelle \nversioni con modulo rigido, dove la curvatura \nè predefinita, e con struttura flessibile, in cui le \ncurvature sono invece modulabili.\nTappeto Volante was conceived to create suspended \nluminous surfaces using the glass “Nastro” elements. \nThe glass elements are fastened to a flexible metal \nstructure, anchored to the ceiling by means of steel \ncables . There are infinite possibilities for varying the \nshape, curvature, and length. Tappeto Volante is \navailable in versions with a rigid module, where the \ncurvature is predefined, and with a flexible structure, \nin which the curvatures are adjustable.\n60 cm (1’ 11” 5\u002F8)\nTappeto Volante\n905.03\nTappeto Volante - suspension lamp\n2000 \n905.03 Modulo Rigido\u002FHard Module\nCaratteristiche tecniche\u002FTechnical details:\n60 H 35 H max 170 cm\n3 x max  12W LED DIM 220 - 240V (R7s)\nKg ~ 19\n(1’ 11” 5\u002F8 - 1’ 1” 25\u002F32 - 5’ 6” 59\u002F64 )\n3 x max 12W  LED DIM 110V (R7s)\nLb ~ 41,88\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nTappeto Volante\n905.03\nModulo Rigido\u002FHard Module\nCristallo\nCrystal\nH 35  cm (1’ 1” 25\u002F32)\nH 170 cm (5’ 6” 59\u002F64)\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.40.png","Artlight\n76\n77\n \nVENINI\nVENINI\nTappeto Volante\n905.03\nModulo Rigido\u002FHard Module\nCristallo\nCrystal\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.41.png","Artlight\n78\n79\n \nVENINI\nVENINI\nTappeto Volante è concepito per poter realizzare \nsuperfici luminose sospese mediante l’uso di \nvetri a nastro. I vetri sono fissati su una struttura \nmetallica flessibile, ancorata al soffitto mediante \ncavi d’acciaio. Le varianti quanto a forma, \ncurvatura e lunghezza sono potenzialmente \ninfinite. Un esempio di questa sospensione, \ndi notevole impatto grazie alla sua originalità \nnonostante l’effetto di inusuale leggerezza, \nè conservato al Museo Venini a Murano.  \nTappeto Volante è declinato nelle versioni con \nmodulo rigido, dove la curvatura è predefinita, \ne con struttura flessibile, in cui le curvature sono \ninvece modulabili\nTappeto \nVolante \nwas \nconceived \nto \ncreate \nsuspended luminous surfaces using the glass \n“Nastro” elements. The glass elements are fas-\ntened to a flexible metal structure, anchored to the \nceiling by means of steel cables There are infinite \npossibilities for varying the shape, curvature, and \nlength. An example of this sort of lighting fixture, \nstriking in appearance thanks to its originality, and \ndespite the effect of uncommon weightlessness, \nis conserved at the Museo Venini in Murano.  \nTappeto Volante is available in versions with a rigid \nmodule, where the curvature is prede-fined, and \nwith a flexible structure, in which the curvatures are \nadjustable.\n60 cm (1’ 11” 5\u002F8)\nTappeto Volante\n905.05\nTappeto Volante - suspension lamp\n1984\n905.05 Struttura Flessibile\u002FFlexible structure\nCaratteristiche tecniche\u002FTechnical details:\n200 x 60  H 35 H max 160 cm\n4 x max  12W LED DIM 220 - 240V (R7s)\nKg ~ 30\n(6’ 6” 47\u002F64 - 1’ 11” 5\u002F8 - 5’ 2” 63\u002F64)\n4  x max 12W  LED DIM 110V (R7s)\nLb ~ 66,13\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nTappeto Volante\n905.03\nStruttura Flessibile\u002FFlexible structure\nCristallo\nCrystal\nH 35  cm (1’ 1” 25\u002F32)\nH 160 cm (5’ 2” 63\u002F64)\n200 cm (6’ 6” 47\u002F64)\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.42.png","Artlight\n80\n81\n \nVENINI\nVENINI\nTappeto Volante\n905.05\nStruttura Flessibile\nFlexible structure\nGeorge Centre Pompidou - Paris\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.43.png","Artlight\n82\n83\n \nVENINI\nVENINI\nApplique composta dagli elementi Nastro,\nrealizzati a mano, in vetro cristallo, agganciati\nalla struttura in metallo cromato.\nWall light consisting of hand-crafted “Nastro”\nelements in cristallo or amber-coloured glass,\nhung from the chrome-plated metal structure.\n21,5 cm (8” 17\u002F64)\nNastri\n920.27\nNastri - wall lamp\n1960 \n920.27\nCaratteristiche tecniche\u002FTechnical details:\n21,5 x 13,5 H  35 cm\n2 x max  8W LED DIM 220 - 240V (E14)\nKg ~ 7\n(8” 17\u002F64 - 5” 5\u002F16 - 1’ 1” 25\u002F32)\n2  x max 8W  LED DIM 110V (E12)\nLb ~ 15,43\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nNastri\n920.27\nCristallo\nCrystal\nH 35  cm (1’ 1” 25\u002F32)\n13,5 cm (5” 5\u002F16)\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.44.png","Artlight\n84\n85\n \nVENINI\nVENINI\nApplique composta dagli elementi Nastro,\nrealizzati a mano, in vetro cristallo.\nQuesto modello può essere posizionato in\nverticale o in orizzontale. La struttura è in\nmetallo cromato.\nWall light consisting of hand-crafted “Nastro”\nelements in cristallo glass. This model can be\npositioned vertically or horizontally.\nThe structure is chrome-plated metal.\n36 cm (1’ 2” 11\u002F64)\nNastri\n905.02\nNastri - wall lamp\n1960 \n905.02\nCaratteristiche tecniche\u002FTechnical details:\n36 x 14 H 60 cm\n2 x max  12W LED DIM 220 - 240V (E27)\nKg ~ 10\n(1’ 2” 11\u002F64 - 5” 33\u002F64 - 1’ 11” 5\u002F8)\n2  x max 12W  LED DIM 110V (E26)\nLb ~ 22\nColori\u002FColors\n•Cristallo\n•Crystal\nMetallo\u002FMetal\nCromato \nChromium-plated\nNastri\n905.02\nCristallo\nCrystal\nH 60  cm (1’ 11” 5\u002F8)\nH 14  cm (5” 33\u002F64)\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.45.png","Artlight\n86\nVENINI\n87\nVENINI\nTUBI TRONCHI\nTUBI TRONCHI\n930\n \nI Tubi Tronchi sono elementi in vetro soffiato disposti verticalmente, \nla cui superficie in vetro è dotata di una texture unica che esalta le \nqualità del vetro e la forma del lampadario stesso, che, una volta acceso, \nconferisce all’ambiente un fascino suggestivo.\nThe “Tubi Tronchi” are blown glass elements arranged vertically, their glass \nsurface endowed with a unique texture that brings out the qualities of the \nglass and the shape of the chandelier itself, which, when lighted, imbues \nthe setting with a evocative charm.\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.46.png","Artlight\n88\n89\n \nVENINI\nVENINI\n154 cm (5’ 5\u002F8)\nTubi Tronchi\n930.60 - 930.27\nTubi Tronchi \nsuspensions - wall lamp\n1975 - 1985\n930.60\nCaratteristiche tecniche\u002FTechnical details:\n154 x 68  H 80 cm\n16 x max  G9 LED \n(5’ 5\u002F8 - 2’ 2” 49\u002F64 - 2’ 7” 1\u002F2)\n16  x max G9 LED\nColori\u002FColors\n•Cristallo - Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\nTubi Tronchi\nPrivate Residence\nMoscow \nArch. Katya Fedorchenko\n2015\n68 cm (2’ 2” 49\u002F64)\nH 80 cm (2’ 7” 1\u002F2)\nH 52 cm (1’ 8” 15\u002F32)\n930.27\nCaratteristiche tecniche\u002FTechnical details:\n34 x 22  H 44 cm\n2 x max  8W LED DIM 220 - 240V (E14)\n(1’ 1” 25\u002F64 - 8” 21\u002F32 - 1’ 5” 21\u002F64)\n2  x max 8W  LED DIM 110V (E12)\nColori\u002FColors\n•Cristallo - •Crystal\nMetallo\u002FMetal\nCromato - Chromium-plated\n34 cm (1’ 1” 25\u002F64)\nH 44 cm (8” 21\u002F32)\n22 cm (8” 21\u002F32)\nLampadario e applique composto da elementi a \nTubi Tronchi in vetro cristallo, lavorati a mano e \ndisposti su più livelli. \nLa struttura è in metallo cromato.\nChandelier and applique composed of “Tubi \nTronchi” elements in cristallo glass, hand-crafted \nand arranged on several levels. The structure is \nchrome-plated metal.\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.47.png","Artlight\n90\nVENINI\n91\nVENINI\nESPRIT\nESPRIT\n959\n \nIl modello Esprit, in tutte le sue varianti, si configura come una\ncomposizione di moduli in forma di fiori, in vetro cristallo o cristallo e\nambra, lavorati a mano.\nSono stati realizzati per la prima volta nel 1970 su disegno di Toni\nZuccheri il quale, come sempre nel suo lavoro progettuale, ha tratto\nispirazione da organismi, ora vegetali, ora animali, della natura.\nThe “Esprit” model, in all its versions, appears as a composition of  flower-\nshaped modules, hand-crafted in cristallo glass or cristallo and amber-\ncoloured glass. \nThey were made for the first time in 1960 to a design by Toni Zuccheri who, \nas always in his work, drew inspiration from natural organisms, whether \nplants or animals.\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.48.png","Artlight\n92\n93\n \nVENINI\nVENINI\nSospensione di forma sferica composta dai\nmoduli Esprit, in vetro cristallo o cristallo\ne ambra, che sbocciano dal centro della\nstruttura realizzata in metallo cromato.\nSpherical pendant lamp consisting of “Esprit”\nmodules, in cristallo glass or cristallo and amber-\ncoloured glass, that blossom from the centre of the \nchrome-plated structure. \nØ 60 cm (1’ 11” 5\u002F8)\nEsprit\n959\nEsprit - Toni Zuccheri - suspension lamp\n1970 \n959.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 60 H 60  - H max 130 cm\n25 x max  8W LED DIM 220 - 240V (E14)\nKg ~ 60\n(1’ 11” 5\u002F8 - 1’ 11” 5\u002F8 - 4’ 3” 3\u002F16)\n25 x max 8W  LED DIM 110V (E12)\nLb ~  132,27\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nEsprit\n959\nCristallo\u002FAmbra\nCrystal\u002FAmber\nH 60  cm (1’ 11” 5\u002F8)\n959.05\nCaratteristiche tecniche\u002FTechnical details:\nØ 150 H 150  - H max 220 cm\n24 x max  12W LED DIM 220 - 240V (E27)\nKg ~ 250\n(4’ 11” 1\u002F16 - 4’ 11” 1\u002F16 - 7’ 2” 39\u002F64)\n24 x max 12W  LED DIM 110V (E26)\nLb ~  552\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\n959.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 80 H 80  - H max 150 cm\n14 x max  12W LED DIM 220 - 240V (E27)\nKg ~ 95\n(2’ 7” 1\u002F2 - 2’ 7” 1\u002F2 - 4’ 11” 1\u002F16)\n14 x max 12W  LED DIM 110V (E26)\nLb ~  209,43\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 130  cm (4’ 3” 3\u002F16)\nH 150 cm (4’ 11” 1\u002F16)\nH 220  cm (7’ 2” 39\u002F64)\nØ 150 cm (4’ 11” 1\u002F16)\nH 80 cm (2’ 7” 1\u002F2)\nH 150  cm (4’ 11” 1\u002F16)\nØ 80 cm (2’ 7” 1\u002F2)\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.49.png","Artlight\n94\n95\n \nVENINI\nVENINI\nSospensione di forma sferica composta dai\nmoduli Esprit, in vetro cristallo o cristallo\ne ambra, che sbocciano dal centro della\nstruttura realizzata in metallo cromato.\nSpherical pendant lamp consisting of “Esprit” \nmodules, in cristallo glass or cristallo and amber-\ncoloured glass, that blossom from the centre of the \nchrome-plated structure. \nØ 100 cm (3’ 3” 3\u002F8)\nEsprit\n959\nEsprit - Toni Zuccheri - suspension lamp\n1970 \n959.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 H 100  - H max 170 cm\n14 x max  12W LED DIM 220 - 240V (E27)\nKg ~ 140\n(3’ 3” 3\u002F8 - 3’ 3” 3\u002F8 - 5’ 6” 59\u002F64)\n14  x max 12W  LED DIM 110V (E26)\nLb ~  308,64\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nEsprit\n959\nCristallo\u002FAmbra\nCrystal\u002FAmber\nH 100  cm (3’ 3” 3\u002F8)\n959.20\nCaratteristiche tecniche\u002FTechnical details:\nØ 200 H 200  - H max 290 cm\n24 x max  12W LED DIM 220 - 240V (E27)\nKg ~ 650\n(6’ 6” 47\u002F64 - 6’ 6” 47\u002F64 - 9’ 6” 11\u002F64)\n24 x max 12W  LED DIM 110V (E26)\nLb ~  1433\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 170  cm (5’ 6” 59\u002F64)\nH 200 cm (6’ 6” 47\u002F64)\nH 290  cm (9’ 6” 11\u002F64)\nØ 200 cm (6’ 6” 47\u002F64)\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.50.png","Artlight\n96\n97\n \nVENINI\nVENINI\nEsprit\nShanghai Museum of Glass -SMOGH\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.51.png","Artlight\n98\n99\n \nVENINI\nVENINI\nLampada a plafone, di forma emisferica,\ncomposta dai moduli Esprit, in vetro cristallo\no cristallo e ambra, lavorati a mano.\nLa struttura è realizzata in metallo cromato.\nHemispherical ceiling lamp made up of “Esprit” \nmodules, hand-crafted in cristallo glass or\ncristallo and amber-coloured glass. \nThe structure is chrome-plated metal.\n60 cm (1’ 11” 5\u002F8)\nEsprit\n959\nEsprit - Toni Zuccheri - ceiling lamp\n1970 \n959.09\nCaratteristiche tecniche\u002FTechnical details:\n60 H 35 cm\n10 x max  28W LED DIM 220 - 240V (E14)\nKg ~ 35\n(1’ 11” 5\u002F8 - 1’ 1” 25\u002F32)\n10  x max 28W  LED DIM 110V (E12)\nLb ~ 77,16\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nEsprit\n959.09\nCristallo\u002FAmbra\nCrystal\u002FAmber\nH 35  cm (1’ 1” 25\u002F32)\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.52.png","Artlight\n100\n101\n \nVENINI\nVENINI\nApplique composta dai moduli Esprit, in vetro\ncristallo o cristallo e ambra, lavorati a mano.\nLa struttura è realizzata in metallo cromato.\nWall light consisting of “Esprit” modules, hand-\ncrafted in cristallo glass or cristallo and amber-\ncoloured glass. The structure is chrome-plated \nmetal.\n67 cm (2’ 2” 3\u002F8)\nEsprit\n959\nEsprit - Toni Zuccheri - wall lamp\n1970 \n959.04\nCaratteristiche tecniche\u002FTechnical details:\n67 x 34  H 34 cm\n8 x max  28W LED DIM 220 - 240V (E14)\nKg ~ 20\n(2’ 2” 3\u002F8 - 1’ 1” 25\u002F64 - 1’ 1” 25\u002F64)\n8  x max 28W  LED DIM 110V (E12)\nLb ~ 44\nColori\u002FColors\n•Cristallo - Crystal\n•Cristallo\u002FGiallo Ambra - Crystal\u002FAmber Yellow\nMetallo\u002FMetal\nCromato - Chromium-plated\nEsprit\n959.04\nCristallo\nCrystal\n34 cm (1’ 1” 25\u002F64)\n34 cm (1’ 1” 25\u002F64)\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.53.png","Artlight\n102\nVENINI\n103\nVENINI\nTAZEBAO\nTAZEBAO\nTRIZEBAO\n903\n \nApparato di illuminazione a sviluppo esclusivamente verticale\ncomposto da piastre rettangolari piegate ad angolo di vetro color\ncristallo con decoro blu e a superficie volutamente irregolare, con\nelettrificazione nel corpo centrale. Il Tazebao, nella sua struttura\nessenziale, ha un’indiscutibile valenza architettonica.\nLighting fixture with an exclusively vertical development consisting of\nbent rectangular tiles of cristallo-coloured glass with blue decoration\nand an intentionally irregular surface; the electrical wiring is lodged\nin its core. The essential structure of the Tazebao has an indisputable\narchitectural quality.\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.54.png","Artlight\n104\n105\n \nVENINI\nVENINI\nSospensione slanciata in verticale, composta\ndai moduli Tazebao, in vetro cristallo con decoro \nblu, lavorati a mano. La struttura è realizzata \nin metallo verniciato nero e l’elettrificazione \nè posizionata nel corpo centrale. Questo \nlampadario si adatta perfettamente ad ambienti \nparticolarmente sviluppati in altezza.\nSlender vertical pendant composed of  Tazebao\nmodules, in hand-crafted cristallo glass with blue \ndecoration. The structure is painted black metal and \nthe electrical wiring is lodged in the core. \nThis lighting fixture is perfectly suited to settings \nwith high ceilings.\nTazebao\n903.20\nTazebao - suspension lamp\nLudovico Diaz de Santillana\n1985 \n903.20\nCaratteristiche tecniche\u002FTechnical details:\n50 x 50  - H 615 H  max 760  cm\n28 x max 8W LED DIM 220 - 240V (G9)\nKg ~ 300\n(1’ 7” 11\u002F16 - 1’ 7” 11\u002F16 -  20’ 2” 1\u002F8  - 24’ 11” 7\u002F32)\n28  x max 8W LED DIM 220 - 240V (G9)\nLb ~  661\nColori\u002FColors\n•Cristallo decoro Zaffiro - Crystal with Sapphire decoration\nMetallo\u002FMetal\nVerniciato nero - Black painted\nTazebao\n903.20\nCristallo decoro Zaffiro\nCrystal with Sapphire decoration\nH 760 cm (24’ 11” 7\u002F32)\n50  x 50 cm (1’ 7” 11\u002F16 - 1’ 7” 11\u002F16)\nH 615 cm (20’ 2” 1\u002F8)\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.55.png","Artlight\n106\n107\n \nVENINI\nVENINI\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.56.png","Artlight\n108\n109\n \nVENINI\nVENINI\nLampada a soffitto composta da piastre\nrettangolari piegate ad angolo di vetro\ncolor cristallo con decoro blu e a superficie\nvolutamente irregolare. L’elettrificazione è\nposizionata nel corpo centrale e la struttura\nè realizzata in nichel perlato.\nCeiling lamp consisting of bent rectangular\ntiles of cristallo-glass with blue decoration and\nan intentionally irregular surface. \nThe wiring is lodged in the central core and the \nstructure is pearlescent nickel.\nTrizebao\n903.21\nTrizebao - suspension lamp\n2004\n903.21\nCaratteristiche tecniche\u002FTechnical details:\n58 H 115  cm\n4 x max  8W LED DIM 220 - 240V (G9)\n(1’ 10” 53\u002F64 - 3’ 9” 9\u002F32)\n4 x max  8W LED DIM 110V (G9)\nColori\u002FColors\n•Cristallo decoro Acquamare - Crystal with Aquamarine decoration\nMetallo\u002FMetal\nNichel perlato - Pearl nickel\nTrizebao\n903.21\nCristallo decoro Acquamare\nCrystal with Aquamarine  decoration\nH 115  cm (3’ 9” 9\u002F32)\n58 cm (1’ 10” 53\u002F64)\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.57.png","Artlight\n110\n111\nVENINI\nVENINI\nVENINI \nvanta \nuna \npalette \ncromatica \nsenza eguali che, insieme alle tecniche \ndi lavorazione del vetro, è parte di un \npatrimonio \nculturale \ntramandato \ndi \ngenerazione in generazione.  \nLa fornace di VENINI è infatti l’unica in grado \ndi realizzare 125 colorazioni di vetro, frutto di \nuna lunga e appassionata formulazione alla \nricerca di nuove combinazioni. La struttura \nè organizzata inoltre per lavorare con una \ntavolozza di 12 colori, attraverso 12 forni \nattivi nello stesso momento. \nQuesta tavola riepilogativa è solo una piccola \nparte della vasta palette di colori VENINI. \nL’unicità dei prodotti VENINI è data dai \nprocedimenti artigianali seguiti per tutte le \nfasi della lavorazione.\nVENINI boasts an unmatched colour palette \nthat, \ntogether \nwith \nthe \nglassworking \ntechniques, is part of a cultural heritage \nhanded down from generation to generation. \nThe VENINI furnace is, in fact, the only one \ncapable of producing 125 colours of glass, \nthe fruit of a long and passionate search \nfor formulae yielding new combinations. \nFurthermore, the structure is organized to \nwork with a palette of 12 colours, using 12 \novens simultaneously fired up. \nThis colour chart shows just a small portion of \nVENINI’s vast palette of colours. \nThe uniqueness of VENINI’s products springs \nfrom the craftsmanship required at every \nphase of the process.\nCR\nCristallo\nCrystal\nRS\nRosato\nLight- Pink\nUV\nUva\nGrape\nTP\nTalpa\nGrey\nAM\nAmetista\nAmethyst\nVT\nVerde Menta\nMint Green\nNE\nNero\nBlack\nLA\nLattimo\nMilk-white\nIN\nIndaco\nIndigo\nAQ\nAcquamare\nAquamarine\nVB\nVerde Erba\nGrass- Green\nZA\nZaffiro\nSapphire\nPG\nPagliesco\nStraw-yellow\nBL\nBluino\nLight-Blue\nVE\nVerde\nGreen\nVI\nViola\nViolet\nOZ\nOrizzonte\nHorizon\nVM\nVerde Mela\nApple Green\nBM\nBlu Mare\nMarine  Blue\nAA\nAmbra\nAmber\nAR\nArancio\nOrange\nTE\nTè\nTea\nRV\nRosso\nRed\nColore - Colour\nColore\u002FColour\nRB\nRosso Sangue di Bue\nOx  Blood Red\nTavola colori indicativa\nIndicative colour chart\nVR\nVerde Rio\nRio Green\nRC\nRosa Cipria\nCipria Pink\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.58.png","Artlight\n112\n113\n \nVENINI\nVENINI\nLudovico Diaz de Santillana \nToni Zuccheri\nLudovico Diaz de Santillana (Roma 1931– Terranuova \nBracciolini 1989) si laureò alla Scuola di Architettura a \nVenezia e si dedicò alla docenza come assistente di\nIgnazio Gardella.\nNel 1953 sposò Anna Venini, la figlia di Paolo. Alla morte di \nPaolo Venini, nel 1959, assunse la direzione dell’azienda\nfino al 1985. Significativa la sua direzione che mantenne gli \nintenti di Paolo Venini ospitando giovani artisti americani\nvenuti per scoprire e studiare le tecniche vetrarie dell’isola. \nFigura di spicco presente in Venini fu lo scultore Thomas\nStearns che lasciò un segno indelebile con l’opera la \nSentinella di Venezia. Ludovico Diaz de Santillana si espresse\nanche come designer, disegnò insieme a Tobia Scarpa la \ncelebre collezione dei “Battuti”, e anche i Colletti e le Murrine\ntrasparenti. Grande successo ebbe anche la creazione \nluminosa Tappeto Volante, e Tazebao. Nei primi anni\nOttanta creò con Laura de Santillana le nuove vetrate, che \nottennero la segnalazione al “Compasso d’Oro” del 1983, \ncomposte di piastre realizzate con l’uso preminente delle \nmurrine.\nLudovico Diaz de Santillana (Rome 1931 – Terranuova \nBracciolini 1989) graduated from the Venice school of \narchitecture and embarked on a teaching career as assistant \nto Ignazio Gardella.\nIn 1953 he married Anna Venini, Paolo’s daughter. After Paolo \nVenini’s death in 1959, he took over the management of the \ncompany until 1985. His tenure as manager was decisive: \nfollowing through on Paolo Venini’s vision, he hosted at Venini \nyoung American artists who came to discover and study \nMurano glassmaking techniques. Prominent among them was \nthe sculptor Thomas Stearns, who left an indelible mark with\nhis work “Sentinella di Venezia”.\nLudovico Diaz de Santillano also found expression as a \ndesigner: together with Tobia Scarpa he created the highly\npraised “Battuti” collection, as well as the “Colletti” and the \ntransparent “Murrine”.\nThe luminous creation Tappeto Volante enjoyed great success, \nas did Tazebao. In the early 1980s, together with Laura\nde Santillana, he made the new Vetrate, tiles made primarily \nwith Murrine, which received a special mention from the\n“Compasso d’Oro” industrial design award in 1983.\nToni Zuccheri (1936-2008), figlio del pittore animalista Luigi \nZuccheri, frequentò la facoltà di architettura di Venezia sotto \nla guida di alcuni tra i più grandi nomi dell’epoca come \nFranco Albini e Carlo Scarpa. Artista, architetto, designer e \nscultore, Zuccheri si avvicinò al vetro nel 1960 quando,\ngiovanissimo, entrò alla Venini dove trovò terreno fertile per \nle sue sperimentazioni, esplorando le tecniche di lavorazione \ndella fornace. Ebbe l’opportunità di lavorare con personaggi \ndi spicco del mondo dell’arte e del design come Giò Ponti, \nLucio Fontana e Gaetano Pesce. Concepì “Il Bestiario”, i suoi\nprimi animali in vetro, talora su basi in bronzo, per il quale \ntrasse ispirazione dalla campagna del suo nativo Friuli e che \nvenne presentato alla Biennale di Venezia del 1964. Propose\nanche i primi vasi, presentati alla Biennale quattro anni più \ntardi. Sperimentò con Venini l’uso degli stampi “a fermo”, \nutilizzati nelle opere Ninfee e Tronchi, che ebbe lungo\nsuccesso grazie all’effetto antidecorativo, in linea con il gusto \nminimalista di quegli anni. \nSempre negli anni sessanta, assieme a Giò Ponti, Zuccheri \ndisegnò per Venini le celebri “Vetrate Grosse”. Nel 1972 \nespose a Milano le lampade ideate per VeArt e partecipò alla\nTriennale presentando i Vasoni. Progettò, nel 1989, la \nReggiani Light Gallery in 800 Fifth Avenue a New York, \ndove espose le sue opere nell’anno seguente. Alcune sue \nopere vennero presentate, nel 1996, al Kunstmuseum di \nDüsseldorf, nella mostra “Italienisches Glas. Murano Miland, \n1930- 1970”. Nel 1999 espose il suo Albero delle stagioni \nnella sala del maggior consiglio di palazzo Ducale a Venezia, \nin occasione della rassegna internazionale “Aperto Vetro.\nPeculiari sono le sue sculture in forma di animali, nelle più \nsvariate espressioni composte da lavorazioni vitree. Le sue \nopere sono esposte in alcuni tra i più importanti musei \ninternazionali.\nToni Zuccheri, son of the wildlife painter Luigi Zuccheri, \nfrequented the Venice Faculty of Architecture under the \nguidance of some of the greatest names of the time, such as \nFranco Albini and Carlo Scarpa. Artist, architect, designer and \nsculptor, Zuccheri approached the glass medium in 1960 when, \nat a very young age, he entered Venini, where he found fertile \nground for his experiments, exploring glass manufacturing \ntechniques. He had the opportunity to work with leading \nfigures from the world of art and design such as Giò Ponti, \nLucio Fontana and Gaetano Pesce. Drawing his inspiration \nfrom the countryside around his native Friuli, he conceived \nthe “Bestiary”, his first glass animals, sometimes mounted on \nbronze bases, which he presented at the Venice Biennale in \n1964. He also proposed his first vases, presented at the Biennale \nfour years later. With Venini he experimented with the use \nof “a fermo” moulds, used in the Ninfee and Tronchi works, \nwhich enjoyed enduring success thanks to the anti-decorative \neffect, in line with the minimalist aesthetic of those years. Also \nin the 1960s, together with Giò Ponti, Zuccheri designed the \ncelebrated “Vetrate Grosse” for Venini. In 1972 he exhibited the \nlamps conceived for VeArt and took part in the Triennale with \nthe Vasoni. In 1989, he designed the Reggiani Light Gallery at \n800 Fifth Avenue in New York, where he exhibited his works the \nfollowing year. In 1996, some of his works were presented at the \nDüsseldorf Kunstmuseum in the “Italienisches Glas. Murano \nMiland, 1930-1970” exhibition. In 1999, he exhibited his Tree \nof the Seasons in the Chamber of the Great Council in the \nDoge’s Palace in Venice, on the occasion of the “Venezia Aperto \nVetro” international exhibition. His later works are idiosyncratic \nsculptures in the form of animals, which he created by collecting \nresidues of glass and other materials and setting them on a \nmetal structure: this procedure always resulted in unique and \nunreproducible pieces. His works are exhibited in some of the \nmost important international museums.\nAuthors biographical notes \n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.59.png","Artlight\n114\n115\n \nVENINI\nVENINI\nIgnazio Gardella \nCarlo Scarpa\nIgnazio Gardella (Milano 1905- Oleggio1999) laureatosi in \narchitettura  nel 1939 allo IUAV, divenne uno dei maestri \ndell’ingegneria e dell’architettura italiana. \nGrazie alla collaborazione con Peressutti e Venini realizzò \nil primo lampadario componibile in poliedri cristallo, \nesposto alla all’Expo di Bruxelles del 1958. Il lampadario \ndi dimensioni monumentali, alto 460 cm e largo 260 cm, \nriscosse tanto successo da coronare il proficuo sodalizio \ncon Paolo Venini e successivamente con il genero Ludovico \nDiaz de Santillana. Nel 1961 si occuparono dell’illuminazione \ndel negozio Olivetti di Düsseldorf e negli anni successivi \nprogettarono il restauro del bar dell’Hotel Excelsior al Lido \ndi Venezia, l’illuminazione del residence Gritti a Venezia \ninsieme all’architetto Menghi e l’illuminazione dell’Hotel \nCavalieri Hilton Roma.\nLa figura di Gardella rimase ai vertici dell’architettura italiana \nper tutti gli anni Sessanta e Settanta, testimoniata dalla \npresenza sulle maggiori riviste internazionali. All’architetto \nappartiene anche il progetto del Palazzo di Giustizia della \nSpezia, completato nel 1994 dopo molti anni di lavoro, che \nmediante la sua solidità e compattezza trasmette la stabilità \nistituzionale simbolo della città moderna.\nIgnazio Gardella (Milan 1905 - Oleggio1999), took his degree \nin architecture from IUAV in 1939 and went on to become a\nleading light of Italian engineering and architecture. In \ncollaboration with Peressutti and Venini, he created the \nfirst modular chandelier using cristallo glass polyhedrons, \npresented at the 1958 Brussels World’s Fair. \nThe monumental chandelier, 460 cm high and 260 cm wide, \nwas such a success that it kick-started a prolific partnership \nwith Paolo Venini and later with the latter’s son-in-law Ludovico \nDiaz de Santillana. In 1961, they designed the lighting for the \nOlivetti store in Düsseldorf, and in the following years they \nconceived the restoration of the Hotel Excelsior’s American bar \non the Venice Lido, the lighting of the Gritti residence in Venice \ntogether with the architect Menghi, and the lighting of the \nHotel Cavalieri Hilton in Rome .  \nGardella remained a top name in Italian architecture \nthroughout the sixties and seventies, evidenced by his presence \nin leading international magazines. The architect was also \nresponsible for the design of the Palace of Justice in La Spezia, \ncompleted in 1994 after many years of work, which through its \nsolidity and compactness conveys the institutional stability, \nsymbol of the modern city.\nCarlo Scarpa (Venezia 1906 - Sendai 1978) è stato autore di \nun’architettura dalla lunga gestazione, fuori dagli standard \nsia per costruzione che per materiali, e di conseguenza \nelitaria. Nacque nella città lagunare ma passò l’infanzia \na Vicenza. Studiò presso l’Accademia di Belle Arti, dove \nconobbe l’architetto Guido Cirilli, per il quale lavorò sino \nal 1931 e che successivamente affiancò come assistente \nuniversitario presso l’Istituto Superiore di Architettura di \nVenezia. Da Cirilli, Scarpa ereditò l’attenzione per i dettagli e \nla qualità dei materiali costruttivi. Nel 1927 iniziò a lavorare \npresso la vetreria artistica MVM Cappellin & Co., fondata \ndall’antiquario veneziano dopo la separazione da Paolo \nVenini e, successivamente, nel 1932 Scarpa divenne direttore \nartistico proprio della vetreria fondata dal visionario \navvocato milanese. Nel 1932 espose alla Biennale di Venezia \ne due anni dopo alla Triennale di Milano. Celebre è la coppa \nin vetro sommerso foglia oro, realizzata per la XIX Biennale \ndi Venezia. Ricordiamo il piatto “Serpente”, disegnato nel \n1940 e presentato alla XXII Biennale di Venezia, definito \nuno degli oggetti di arte vetraria di rilievo del dopoguerra. \nNonostante la fine del rapporto lavorativo, avvenuta nel \n1946, la collaborazione Scarpa – Venini si protrasse anche \nsuccessivamente.\n Nel 1956 ottenne il Premio Nazionale Olivetti per l’architettura \ne la stessa azienda gli commissionò la sistemazione dello \nspazio espositivo Olivetti in Piazza San Marco; ma nello \nstesso anno venne accusato dall’Ordine degli Architetti di \nesercitare la professione illegalmente. \nNel 1961 all’Expo di Torino, per il padiglione del Veneto \ncon il tema “Il senso del colore - il governo delle acque”, \nCarlo Scarpa progettò un’architettura luminosa di poliedri a \ncascata, istallata al di sopra di una vasca in legno calafato, \ncosì da raddoppiare la modularità della luce.\nNel 1972 divenne direttore dell’Istituto Universitario di \nArchitettura di Venezia, dal quale nel 1978 ricevette la laurea \nhonoris causa in architettura; non poté tuttavia partecipare \nalla cerimonia di consegna in quanto lo stesso anno morì in \nGiappone in seguito ad una caduta. \nAfter graduating in architecture in 1926 at the Academy of \nFine Arts in Venice, his hometown, in the years that followed \nthe career of Carlo Scarpa (1906 - 1978) was split between \nteaching at the University of Architecture in Venice and his \nactivity as designer. The partnership with Paolo Venini’s glass \nfactory began in 1932 and continued with his appointment \nas artistic director, a role he held until 1947. Thanks to his \ncreativity and expertise in glass, the architect determined the \ncompany’s artistic vision, reaching far into the future. In 1934 \nhe designed the first “Sommersi” vases and in 1936 the “Murrine \nRomane” were presented to the public, developed from an idea \nof Paolo Venini and inspired by the glass of antiquity. Later he \nconceived the “Tessuto” glass vases and in 1940, together with \nPaolo Venini, he presented at the Venice Biennale and the Milan \nTriennale an absolute innovation in the field of production: the \nnew techniques of the Battuti, the Tessuti, the Granulari, and \nthe new Murrine. At the same time, he continued his career \nas architect with projects carried out at Ca’ Foscari university, \nthe Gallerie dell’Accademia, and, in the postwar period, at the \nCastelvecchio museum in Verona and Fondazione Querini \nStampalia. Among the architectural projects, his extension of \nthe Gipsoteca Canoviana in Possagno stands out, a design that \nlaunched an exhibition style placing the artwork centre stage, \nin the limelight.  In 1956 he won the Olivetti national prize for \narchitecture, and the company commissioned him to create the \nfamous exhibition space in Piazza San Marco. \nIn 1969 he realised one of his best-known projects: the Brion \nTomb. He distinguished himself for a brilliant attention to detail \nand a keen sense of the materials and craftsmanship.\n He also made contributions to the Biennale, for which he \ncreated ground-breaking installations for solo exhibitions, \namong which was the one on Paul Klee’s work.  When he was \nfar from the glassworks’ activity, Carlo Scarpa presented at \nthe Turin “Italy ‘61” Expo a large luminous cascade of modular \npolyhedra produced by Venini, making it a symbol of Italian \nglass art. \nAuthors biographical notes \n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.60.png","Artlight\n116\nVENINI\nConcept and project:\nVENINI S.p.A.\nPhoto:\nIvano Mercanzin\nOrch. Orsenigo, Chemollo\nMTCommunication\nVitaliano Lopez\nArchivio Fotografico Venini\nDisegni storici - historical drawings:\nMUSEO VENINI\n(45.000 disegni d’autore)\n(45.000 author drawings)\ncopyright notice\nIl presente catalogo è tutelato dalla legge sui diritti d’autore di esso è quindi proibita ogni \nriproduzione, totale o anche parziale. \nQualora venga concessa la preventiva autorizzazione alla riproduzione è d’obbligo citarne la \nfonte.\ncopyright notice\nNo part of this catalogue may be reproduced in any form or by any means. \nWhen prior authorisation for reproduction has been given, the source must be clearly stated.\nVENINI - ARTLIGHT\nMasterpieces in glass since 1921\nARTLIGHT _ MODULARI\n2022\nVenini si riserva di apportare ai propri prodotti ogni modifica estetica e tecnica a suo \ninsidacabile giudizio ritenga necessaria.\nL’unicità della produzione VENINI è data dai procedimenti artigianali seguiti per tutte le fasi \ndella lavorazione. Ogni Opera è realizzata a mano, si possono quindi riscontrare\nalcune sfumature di colore, bollicine o dettagli produttivi che sono la caratteristica \ndell’originalità.\nVenini reserves the right to modify parts of its collection range whenever necessary without \nprevious notice to the  customer.\nThe uniqueness of VENINI’s production is given by handcraft procedures followed during all \nworking processes. Some shades or bubbles, that might be found on the glass, underline that every \nsingle piece is entirely handmade and even if similar to the others, each single piece is unique.\nFollow VENINI at:\nwww.venini.com\nVenini S.p.A. Fondamenta Vetrai, 50 - 30141 Murano Venezia - Italia\n",60,{"image":254,"text":15,"number":255},"\u002Fmedia\u002Fimages\u002F43\u002Fd63cde1f251eb1c33b57160fbdd0f6-281b011f6c.61.png",61,[],0,false,true,{"success":259,"data":261,"meta":478,"count":479,"next":480,"previous":481,"results":516,"brand_chips":577},[262,275,285,295,305,314,324,334,344,356,368,381,391,404,417,427,437,446,456,468],{"id":263,"title":264,"slug":265,"image":266,"source":267,"brand_name":268,"brand":269,"brand_slug":270,"file_size":271,"pages":272,"pages_count":273,"matched_pages":274,"match_count":257,"two_pages":258,"show_text":259},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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