[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-venini-artlight-2022-design":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":388},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":383,"matched_pages":384,"match_count":385,"two_pages":386,"show_text":387},14719,"Artlight 2022 Design","venini-artlight-2022-design","\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F14\u002F426084d554e9b905ef010646e84204-281b00aa1e.pdf","Venini",925,"venini","12.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.2.png","Artlight\nDesign\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.3.png","Artlight\n2\nVENINI\n3\nVENINI\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.4.png","5\n \nVENINI\nArtlight\n4\nVENINI\nAlessandro Mendini, architetto e \ndesigner di fama mondiale , racconta \ncosì la magia del Vetro nella Fornace \nVenini.\nAlessandro Mendini, world-renowned \narchitect and designer, tells about the \nmagic of glass made at Venini’s furnace.\nNella mia memoria, sono da sempre \ndepositati i fantasmi della inconfondibile \nidentità della Venini.\nThe spirits of  Venini’s unmistakable \nidentity have always been imprinted upon \nmy memory.\n“Nella mia memoria, sono da sempre depositati i \nfantasmi della inconfondibile identità della Venini. \nQuando lavoro per questa nobile azienda cerco \nsempre di collegarmi al mistero degli archetipi \nche hanno condotto a un così preciso stile, lungo \nuna così lunga storia, e cerco di provarne una \ninterpretazione.\nMi sembra che il gusto Venini sia frutto di un \nmagico dosaggio creatosi nel tempo, fra alcune \ntecniche esclusive, alcuni eccezionali artisti \ninventori di forme, e la scelta di certi colori.\nQuesta tradizione e questi confini sono la magica \nformula di Venini. L’hortus conclusus Venini fa \nparte delle meraviglie dell’umanità.\nCalma e saggezza di un chiaro artigianato, puro \ne intatto nel tempo, incorruttibile dalla violenza \ndelle mode, un esempio e una testimonianza di \nperfezione”.\n“The spirits of Venini’s unmistakable identity have \nalways been imprinted upon my memory. When I \nwork for this noble company, I always try to connect \nto the mystery of archetypes that led to such a \nprecise style with such a long history, and I seek to \ninterpret that.\nI believe that the Venini taste is the fruit of an \nenchanted mix, created over time, of a few exclusive \ntechniques, a handful of exceptional artists who \nwere inventors of forms, and a predilection for \ncertain colors.\nThis tradition and these boundaries are Venini’s \nmagic formula.\nIts hortus conclusus (enclosed garden) is one of \nhumanity’s wonders. It contains the calmness and \nskill of clear craftsmanship that has remained \npure and intact throughout time, incorruptible by \nthe violence of fashion, an example and proof of \nperfection”.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.5.png","7\n \nVENINI\nArtlight\n6\nVENINI\nFondata nel 1921 a Murano dall’avvocato\nmilanese \nPaolo \nVenini \ne \ndall’antiquario\nveneziano Giacomo Cappellin, VENINI è nota\nin tutto il mondo per l’eccellenza artistica e\nculturale delle proprie creazioni.\nFin dalla sua fondazione, i maestri vetrai\nsono sempre stati il cuore, la memoria e la\nforza della fornace: nel mondo del vetro\nnon \nesistono \nscuole, \nsolo \ninsegnamenti\nche si tramandano a parole, a gesti e con i\nmovimenti. Questi nobili artigiani dedicano\nall’arte del vetro gran parte della propria\nvita, perfezionando sempre di più le proprie\nabilità, \ncompetenze \ne \ncapacità: \nle \nloro\ntecniche esprimono l’anima razionale delle\nopere, \nl’insieme \ndi \nregole \nche \nrendono\npossibile la trasformazione di un’idea o di\nun disegno in realtà. \nUno degli elementi distintivi di VENINI è la sua \nprestigiosa palette cromatica composta da oltre \n125 affascinanti e raffinati colori che sono frutto \ndi studi e riflessioni, prove e ricerche volte a dar \nvita a nuove miscele.\nNel corso di cento anni di storia, VENINI\nè riuscita a far dialogare questa cultura\nmillenaria con l’estro creativo di artisti e\ndesigner come Vittorio Zecchin, Napoleone\nMartinuzzi, \nTomaso \nBuzzi, \nTyra \nLundgren,\nCarlo Scarpa, Gio Ponti, Paolo Venini, Fulvio\nBianconi, Tapio Wirkkala, Timo Sarpaneva,\nThomas \nStearns, \nLudovico \ne \nAlessandro\nDiaz \nde \nSantillana, \nLaura \nde \nSantillana,\nTobia Scarpa, Benjamin Moore, Dan Dailey,\nToots Zinsky, Toni Zuccheri, Gae Aulenti,\nEttore Sottsass, Mimmo Rotella, Alessandro\nMendini, Monica Guggisberg e Philip Baldwin,\nEmmanuel Babled, Doriana e Massimiliano\nFuksas, Cini Boeri, Rodolfo Dordoni, Giorgio\nVigna, Tadao Ando, Fernando e Humberto\nCampana, \nFlo \nPerkins, \nFabio \nNovembre,\nMichela Cattai, Mario Bellini, Studio Job,\nBarber & Osgerby, Ron Arad e Peter Marino\nsolo per citarne alcuni. Come si può ben\ncomprendere, il fascino della fornace ha\nsempre attratto talenti e creativi da tutto il\nmondo dando loro la voglia e la libertà di\nesprimersi \ne \nraccontarsi: \nquesto \nincontro\nd’eccellenza ha dato vita ad una produzione\nartistica \nparticolarmente \nricca \nnello \nstile,\nnelle \nforme \ne \nnei \nlinguaggi \nespressivi.\nDall’esigenza \ndi \nrendere \nomaggio \nalla\nmaestria e al percorso artistico dell’azienda,\noltre \nal \nsorprendente \narchivio \nstorico,\nnel 2008 è nata l’idea del Museo VENINI.\nLocalizzato \na \nMurano, \nnella \nsede \nstorica\ndell’azienda, lo spazio, va oltre la mera\nesposizione cronologica, ma accompagna il\nvisitatore in un cammino libero da strutture\ntemporali e spaziali nel quale immergersi,\nriflettere \ned \nemozionarsi. \nFanno \nparte\ndell’archivio storico, più di 45.000 disegni\noriginali, \n10.000 \nfoto \nd’epoca \nraffiguranti\ninstallazioni \narchitettoniche \ned \nesposizioni\ndel passato ma anche eventi e personaggi\nche \nhanno \ncollaborato \ncon \nl’azienda \ned\noltre 5.000 opere, tra le quali prove d’autore\nmolto rare, spesso prestate con i disegni\nai più importanti musei internazionali per\nFondata nel 1921 \ndall’avvocato milanese \nPaolo Venini  \ne dall’antiquario \nveneziano Giacomo \nCappellin\nmostre dedicate alla storia dell’azienda e\nal vetro di Murano. Proprio grazie a questo\nValore \nstorico \ninestimabile, \nle \ncreazioni\nfirmate Venini sono entrate a far parte\ndelle collezioni di prestigiosi musei come il\nMetropolitan Museum e il MOMA di New York,\nla Fondazione Cartier e il Centre Georges-\nPompidou di Parigi, il Victoria and Albert\nMuseum di Londra, lo Stedelijk Museum di\nAmsterdam, \nl’Österreichisches \nMuseum \nfür\nangewandte Kunst di Viennna, il Musée des\nBeaux Arts di Montréal, l’Eretz Museum di Tel\nAviv il Watari Museum of Contemporary Art\ndi Tokyo e lo Shanghai Museum of Glass ma\nanche la Triennale di Milano e il Museo del\nVetro di Murano.\nDa sempre, VENINI realizza oggetti dal design\nintramontabile che si rivalutano nel tempo.\nGrazie \nall’eccellenza \nqualitativa, \nall’alto\ncontenuto artistico e al valore manifatturiero\nle \ncreazioni VENINI \nvengono \nbattute \nad\naste importanti: appartiene a VENINI, infatti,\nl’opera di vetro di Murano tra le più pagate\ndella storia che con “La Sentinella di Venezia”\nfirmata da Thomas Stearns nel 1962 ha\nraggiunto ben 737mila dollari.\nDal 2016, la storica società è controllata dal\nGruppo DAMIANI, già a capo dell’omonimo\nbrand internazionale di alta gioielleria, che\nha definito una serie di piani di sviluppo volti\na valorizzare a livello internazionale questa\neccellenza del Made in Italy.\nNella pagina a fianco:\nPAOLO VENINI con Maestro Vetraio \nc. 1950\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.6.png","9\n \nVENINI\nArtlight\n8\nVENINI\nFounded in 1921 in Murano by the Milanese\nlawyer \nPaolo \nVenini \nand \nthe \nVenetian\nantique \ndealer \nGiacomo \nCappellin, \nVENINI\nis renowned around the world for its artistic\nand cultural excellence and its fine creations.\nSince the company was founded, the master\nglass-makers have always been the heart and\nstrength of the glass company; in the world\nof glass, there are no schools, only lessons\nthat are passed down with words, gestures\nand \nmovements. \nThese \nnoble \nartisans\ndedicate most of their lives to the art of glass,\nevermore perfecting their abilities and skills.\nTheir techniques express the rational soul of\nthe works, the sum of the rules that make\nthe transformation of an idea or a design into\nreality possible. One of the distinctive elements\nof VENINI is its prestigious chromatic palette\ncomposed of over 125 fascinating and refined\ncolours that are the result of reflections,\nexperiments and detailed research aimed at\ncreating new combinations.\nThrough \nits \none \nhundred \nyear \nhistory,\nVENINI \nhas \nsucceeded \nin \nestablishing \na\ndialogue between this millenary history and\nthe creativity of designers such as Vittorio\nZecchin, \nNapoleone \nMartinuzzi, \nTomaso\nBuzzi, Tyra Lungren, Carlo Scarpa, Gio Ponti,\nPaolo Venini, Fulvio Bianconi, Tapio Wirkkala,\nTimo Sarpaneva, Thomas Stearns, Ludovico\nand Alessandro Diaz de Santillana, Laura de\nSantillana, \nTobia \nScarpa, \nBenjamin \nMoore,\nDan \nDailey, \nToots \nZinsky, \nToni \nZuccheri,\nGae Aulenti, Ettore Sottsass, Mimmo Rotella,\nAlessandro \nMendini, \nMonica \nGuggisberg\nand \nPhilip \nBaldwin, \nEmmanuel \nBabled,\nDoriana and Massimiliano Fuksas, Cini Boeri,\nRodolfo \nDordoni, \nGiorgio \nVigna, \nTadao\nAndo, \nFernando \nand \nHumberto \nCampana,\nFlo Perkins, Fabio Novembre, Michela Cattai,\nMario Bellini, Studio Job, Barber & Osgerby,\nRon Arad and Peter Marino, among others.\nThe company’s appeal has always attracted\ntalents and creative individuals from around\nthe world, giving them the desire and freedom\nto express themselves and tell their stories.\nThis encounter has given life to particularly\nrich artistic production in terms of style,\nshape, and expressive languages.\nPaying homage to the company’s mastery and\nartistic journey, in addition to the surprising\nhistorical archive, in 2008 the idea of the\nVENINI Museum was born. Located in Murano,\nin the company’s historic facilities, the space\ngoes beyond that of a mere chronological\nexposition, to accompany enthusiasts on a\njourney free of temporal and spatial structures,\nwhere visitors can immerse, reflect and feel\nmoved. The historical archive contains more\nthan 45,000 original drawings, 10,000 old\npictures \ndepicting \narchitectural \ninstallations\nand exhibits from the past, but also events\nand figures who have collaborated with the\ncompany, \nand \nover \n5,000 \nworks, \namong\nwhich are very rare drawings by famous\nauthors, often loaned to the most important\ninternational museums for exhibits dedicated\nto the history of the company and Murano\nFounded in 1921\nby the Milanese lawyer\nPaolo Venini and Venetian\nantique dealer\nGiacomo Cappellin\nglass. \nThanks \nto \nthis \npriceless \nhistorical\nvalue, VENINI creations have become a part\nof \nthe \ncollections \nof \nprestigious \nmuseums\nsuch as the Metropolitan Museum and the\nMOMA of New York, the Fondazione Cartier\nand the Centre Georges-Pompidou in Paris,\nthe Victoria and Albert Museum in London,\nthe \nStedelijk \nMuseum \nin \nAmsterdam, \nthe\nÖsterreichisches \nMuseum \nfür \nangewandte\nKunst of Vienna, the Musée des Beaux Arts\nof Montreal, the Eretz Museum of Tel Aviv,\nthe Watari Museum of Contemporary Art of\nTokyo and the Shanghai Museum of Glass,\nbut also the Triennale of Milan and the Museo\ndel Vetro of Murano.\nVENINI has always created objects with a\ntimeless design that increase in value over\ntime. Thanks to their elevated quality, high\nartistic \naesthetic \nand \nmanufacturing \nvalue,\nVENINI \ncreations \nare \nsold \nat \nimportant\nauctions. Indeed, the work of Murano glass\nthat has fetched the highest price in history\nwas created by VENINI: “La Sentinella di\nVenezia” \nby \nThomas \nStearns \nbrought \nthe\nprice of 737,000 dollars in 1962.\nSince 2016, the company has been managed\nby the DAMIANI Group that also controls the\ninternational high jewellery brand of the same\nname. The company has set out a series of\nplans for growth aimed at generating global\nvalue of Made in Italy production.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.7.png","Artlight\n10\nVENINI\n11\n \nVENINI\nphoto:\nIvano Mercanzin\nArte e Colore\nInnumerevoli sono gli artisti e designer che\nstoricamente hanno contribuito e continuano\na consolidare il prestigio di Venini dando vita\nad opere insieme al “soffio” dei maestri vetrai.\n125 \ncolori \n- \nVENINI \nvanta \nuna \npalette\ncromatica \nsenza \neguali \nche, \ninsieme \nalle\ntecniche di lavorazione del vetro fanno parte\ndel patrimonio culturale.\nOgni colore è costruito su una ricetta specifica \ne la gamma VENINI comprende una grande \nvarietà di sfumature in continua espansione e \nricerca. Rosso Sangue di Bue, Pagliesco, Ametista, \nOrizzonte, Acquamare, Viola, Rosa Cipria, Verde\nMela e Ambra sono solo alcuni dei nomi dei colori \ndi  Venini.\nArt and Colour\nCountless artists and designers have historically \ncontributed to Venini’s prestige and continue to \nconsolidate it, helped by the “breath” of the master \nglassmakers, bringing works to life. \n125 colours – VENINI boasts an unmatched colour \npalette that, together with the glassworking \ntechniques make up part of our cultural heritage.\nEvery colour is built on a specific recipe, and the \nVENINI colour range includes a great variety of shades \nin continuous expansion and research Oxblood \nred, Straw yellow, Amethyst, Horizon, Aquamarine, \nViolet, Cipria Pink, Apple Green, and Amber are just \na few of the names of Venini’s colours.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.8.png","13\n \nVENINI\nArtlight\n12\nVENINI\nUnicità e\nArtigianalità\nIn VENINI esiste un “Genius Loci” che permette\ndi evidenziare un diverso modo di vedere il vetro\ne la sua lavorazione, interessante alternativa\nalla consolidata tradizione muranese che fa di\nVENINI un esempio di unicità.\nVENINI dal 1921 realizza oggetti e lampade in\nvetro soffiato e lavorato a mano, creando un\nperfetto equilibrio tra tecniche tradizionali e\ndesign contemporaneo.\nUniqueness and\nCraftsmanship\nThere is a “Genius Loci” in VENINI that spotlights\na different way of seeing glass and how it is\nprocessed, an interesting alternative to the\nconsolidated tradition in Murano that has made\nVENINI a paragon of uniqueness.\nSince 1921, VENINI has made objects and lamps\nin blown glass finished by hand, creating a perfect\nequilibrium between traditional techniques and\ncontemporary design.\nphoto:\nIvano Mercanzin\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.9.png","Lampade da Terra\u002FFloor Lamps\n64\n66\n68\n72\n74\n76\n78\n80\n86\n92\n96\n98\n100\n102\n104\nArtlight\n14\n15\nVENINI\nVENINI\nDesign\n803.00\n803.11\n803.13\n830.00\n830.01\n872.00\n872.01\n847.16\n845.11\n845.13\n895.11\n816.00\n816.01\n816.02\n816.04\n841.10\n841.11\n840.15\n840.16\n865.52\n865.53\n015.24\n015.27\n030.54\n030.85\n016.11\n016.60\n897.91\n803.02\n830.05\n847.10\n816.05\n030.63\n823.00\n823.06\n823.01\n823.07\n823.08\n823.09\n823.03\n830.04\n830.06\n872.03\n845.05\n845.06\n845.07\nAbat-Jour\nVenini, 2004\nAnni Trenta\nVenini, 1997\nArgea\nVenini, 1997\nBelboi\nVenini, 1985\nBalloton Lamp\nVenini, 2014\nFungo\nMassimo Vignelli, 1956\nDarpanah\nEttore Sottsass, 1994\nNopuram\nEttore Sottsass, 1994\nBhusanam\nEttore Sottsass, 1994\nKiritam\nEttore Sottsass, 1994\nSultani\nLeonardo Ranucci, 2010\nTiara Luce\nFrancesco Lucchese, 2018\nZoe\nMassimiliano&Doriana Fuksas, 2014\nSasso\nMimmo Rotella, 2003\nReplicanti\nMimmo Rotella, 2003\nVeliero\nTadao Ando, 2012\nVeliero\nTadao Ando, 2012\nAbat-Jour\nVenini, 2004\nAnni Trenta\nVenini, 1997\nTolboi\nVenini,1985\nRatrih\nEttore Sottsass, 1994\nVeliero\nTadao Ando, 2012\nAbaco\nMonica Guggisberg, Philip Baldwin, 1998\nAnni Trenta\nVenini, 1997\nAnni Trenta\nVenini, 1997\nArgea\nVenini, 1997\nBalloton Lamp\nVenini, 2019\n22 \n26\n28\n32\n36\n38\n40\n42\n44\n44\n48\n50\n54\n56\n58\n60\n62\nIndex\nSospensioni\u002FSupensions Lamp - Plafoniere\u002FCeiling Lamps\nSospensioni\u002FSupensions Lamp - Plafoniere\u002FCeiling Lamps\n845.08\n845.15\n845.14\n895.10\n865.50\n865.51\n866.50\n896.11\n896.10\n893.50\n893.51\n893.52\n893.60\n893.61\n823.09\n893.65\n893.66\n893.67\n893.70\n893.71\n893.72\n893.75\n893.76\n893.77\n893.80\n893.81\n893.82\n904.00\n904.05\n904.01\n904.03\nBalloton Lamp\nVenini, \nBalloton Lamp\nVenini, 2019\nBalloton Lamp\nVenini, 2014\nFungo\nMassimo Vignelli, 1956\nZoe\nMassimiliano&Doriana Fuksas, 2014\nStelle Filanti\nAtelier Oï,2014\nFirenze\nEttore Sottsass, 1993\nFirenze\nEttore Sottsass, 1993\nRotondo\nPeter Marino, 2019\nRotondo\nPeter Marino, 2019\nCilindro\nPeter Marino, 2019\nParallelo\nPeter Marino, 2019\nParallelo\nPeter Marino, 2019\nRhythm\nI M Lab, 2011\n106\n108\n110\n112\n114\n116\n120\n122\n124\n128\n130\n134\n136\n138\nApplique\u002FWall Lamps \n823.02\n830.02\n830.03\n872.02\n847.19\n845.12\n865.54\n028.27\n028.99\nAbaco\nMonica Guggisberg, Philip Baldwin, 1998\nAnni Trenta\nVenini, 1997\nArgea\nVenini, 1997\nStillboi\nVenini, 1985\nBalloton Lamp\nVenini,2014\nZoe\nMassimiliano&Doriana Fuksas, 2014\nFragments\nFernando e Humberto Campana,2010\nFragments\nFernando e Humberto Campana,2010\n144\n146\n148\n150\n154\n156\n158\n162\nLampade da  Tavolo\u002FTable Lamps \nLampade da Tavolo \u002FTable Lamps \nMappamondi\nSandro Chia, 2003\nDonna di Rango\nSandro Chia, 2004\nMuse\nFabio Novembre, 2018\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.10.png","17\n \nVENINI\nArtlight\n16\nVENINI\nAbat-Jour 803.00 - 803.11 - 803.12\nVenini, 2004\nAbaco 823.00 - 06\nGuggisberg,Baldwin 1998\nBalloton Lamp 845.11 - 13\nVenini, 2014\nAbaco 823.01 - 07\nGuggisberg,Baldwin 1998\nAbaco 823.08 \nGuggisberg,Baldwin 2019\nFungo 895.11\nMassimo Vignelli, 1956\nAnni Trenta 803.00 - 01\nVenini, 1997\nAbaco 823.03\nGuggisberg,Baldwin 1998\nAnni Trenta 830.04\nVenini, 1997\n22\n86\n36\n89\n92\n38\n26\n96\n98\nKiritam 816.04\nEttore Sottsass, 1994\nSultani 841.10 - 11\nLeonardo Ranucci, 2010\nTiara Luce 840.15 - 16\nFrancesco Lucchese, 2018\nZoe 865.52 - 53\nD. M. Fuksas, 2014\nSasso 015.24\nMimmo Rotella, 2003\nReplicanti 015.27\nMimmo Rotella, 2003\n44\n48\n50\n54\n56\n58\nSospensioni e Plafoniere\u002FSuspensions and Ceiling lamps\nZoe 865.50 - 51\nD. M. Fuksas, 2014\nStelle FIlanti 866.50\nAtelier Oï, 2014\nFirenze 896.11\nEttore Sottsass, 1993\nFirenze 896.10\nEttore Sottsass, 1993\n114\n116\n120\n122\nAbat-Jour  803.02\nVenini, 2004\nAnni Trenta 830.05\nVenini, 1997\n72\n74\nLampade da Terra\u002FFloor Lamps\nTolboi 847.10\nVenini, 1985\nRatrih  816.05\nEttore Sottsass, 1994\n76\n78\nLampade da Tavolo\u002FTable Lamps \nArgea 872.00 - 01\nVenini, 1997\n28\nBelboi 847.16\nVenini, 1985\n32\nDarpanah 816.00\nEttore Sottsass, 1994\n40\nNopuram 816.01\nEttore Sottsass, 1994\n42\nBhusanam 816.02\nEttore Sottsass, 1994\n44\nVeliero 030.54 \nTadao Ando, 2012\nMappamondi 016.10\nSandro Chia, 2003\nDonna di Rango 016.60\nSandro Chia, 2004\nMuse 897.91\nFabio Novembre, 2018\n60\n64\n66\n68\nVeliero 030.63\nTadao Ando, 2012\n80\nAnni Trenta 830.06\nVenini, 1997\n100\nArgea 872.03\nVenini, 1997\nBalloton Lamp\nVenini, 2019\nBalloton Lamp 845.08\nVenini, 2014\nBalloton Lamp 845.15\nVenini, 2019\n102\n104\n106\n108\nVeliero 030.85\nTadao Ando, 2012\n62\nAbaco 823.09\nGuggisberg,Baldwin 2019\n92\nBalloton Lamp 845.14\nVenini, 2014\nFungo 895.10\nMassimo Vignelli, 1956\n110\n112\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.11.png","Artlight\n18\n19\n \nVENINI\nVENINI\nAbaco 823.02\nGuggiberg, Baldwin, 1998\nAnni Trenta 830.02 - 03\nVenini, 1930\nArgea 872.02\nVenini, 1997\n144\n146\n148\nRhythm 904.01 - 03\nI M Lab, 2011\n138\nSospensioni e Plafoniere\u002FSuspensions and Ceiling lamps\nApplique\u002FWall lamps\nStillboi 847.19\nVenini, 1985\n150\nBalloton Lamp 845.12\nVenini, 2014\n154\nZoe 865.54\nD. M. Fuksas, 2014\n156\nFragments 028.27\nF&H Campana, 2011\n158\nFragments 028.99\nF&H Campana, 2011\n162\nRhythm 904.00 - 05\nI M Lab, 2011\n138\nRotondo 893.50 - 51 - 52\nPeter Marino, 2019\n124\nRotondo 893.55 - 56 - 57\nPeter Marino, 2019\n124\nRotondo 893.60 - 61\nPeter Marino, 2019\n136\nCilindro 893.65 - 66 - 67\nPeter Marino, 2019\nCilindro 893.70 - 71 - 72\nPeter Marino, 2019\n130\n130\nParallelo 893.75 - 76 - 77\nPeter Marino, 2019\n134\nParallelo 893.80 - 81 - 82\nPeter Marino, 2019\n136\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.12.png","Artlight\n20\n21\n \nVENINI\nVENINI\nTable lamps - Luminous Sculpture\nLampade da tavolo e \nSculture luminose\nTable lamps  and \nLuminous sculpture\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.13.png","Artlight\n22\n23\n \nVENINI\nVENINI\nLe sfere dello stelo nelle lampade della collezione \nAbat-Jour catturano la luce con riflessi variati \ngrazie alla texture della superficie, ottenuta con \nl’antica tecnica del “balloton”. \nLo stelo della lampada da tavolo è rivestito da \nuno a tre elementi in vetro soffiato a “balloton”, \ndeclinati in diverse nuances. La base è in metallo \ncromato o nichel nero e il paralume in tessuto \nbianco.\nThe spheres of the stem in the Abat-Jour collection \nlamps capture the light’s various reflections thanks \nto the surface texture, obtained by means of the \nancient “balloton” technique.\nThe stem of the table lamp is decorated with one \nto three blown glass “balloton” elements , offered \nin various shades of colour. The base in is chrome-\nplated  or black nichel metal with a white fabric.\nØ 33 cm (13”)\nAbat-Jour\n803.00 - 803.11 - 803.12\nAbat-Jour - table lamps\n2004\n803.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 33  H  74 cm\n1 x max 8W 220 - 240V LED G9 - Dimmerabile\nKg ~ 7\n(13” - 29,13”)\n1 X max 8W 110V LED G9 - Dimmerable\nLb ~ 15,44\nColori \u002F Colors\n•Viola\u002FAmetista\u002FGlicine  - Violet\u002FAmethyst\u002FWistaria\n•Rosso\u002FTe’\u002FAmbra - Red\u002FTea\u002FAmber\nMetallo\u002FMetal\nCromato - Chromium plated\n803.11\nCaratteristiche tecniche\u002FTechnical details:\nØ 20  H  37,5 cm\n1 x max 8W 220 - 240V LED G9 - Dimmerabile\nKg ~ 4,5\n(7,87” - 14,76”)\n1 X max 8W 110V LED G9 - Dimmerable\nLb ~ 9,92\nColori \u002F Colors\n•Talpa -  Grey\nMetallo\u002FMetal\nNichel nero - Black Nichel\nH 74 cm (29,13”)\n803.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 33  H 60 cm\n1 x max 8W 220 - 240V LED G9 - Dimmerabile\nKg ~ 7\n(13” - 23,62”)\n1 X max 8W 110V LED G9 - Dimmerable\nLb ~ 15,44\nColori \u002F Colors\n•Talpa -  Grey\nMetallo\u002FMetal\nNichel nero - Black Nichel\nAbat-Jour - table lamps\nØ 20 cm (7,87”)\nH 37,5 cm (14,76”)\nØ 33 cm (13”)\nH 60 cm (23,62”)\nAbat-Jour\n803.12\nTalpa\nGrey\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.14.png","Artlight\n24\n25\nVENINI\nVENINI\nAbat-Jour - table lamps\nAbat-Jour\n803.00\nRosso\u002FTe’\u002FAmbra\nViola\u002FAmetista\u002FGlicine\nRed\u002FTea\u002FAmber\nViolet\u002FAmethyst\u002FWistaria\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.15.png","Artlight\n26\n27\n \nVENINI\nVENINI\nEssenzialità e funzionalità espresse attraverso \nforme sinuose ed equilibrate: la collezione Anni \nTrenta reinterpreta in chiave contemporanea i \nconcetti essenziali del design evidenti già nei \nprimi decenni della storia Venini, quali la purezza \ndella forma e l’evidenza della funzione.\nLampada da tavolo composta da diffusore e \nbase in vetro opalino soffiato e lavorato a mano, \nconnessi da un elemento anulare in metallo.\nEssentiality and functionality expressed through \nsinuous and balanced forms: the Anni Trenta \ncollection reinterprets in a contemporary key \nessential concepts of design already evident in the \nfirst decades of Venini’s history , such as the purity of \nthe form and the clarity of the function.\nTable lamp consisting of a diffuser and base in \nhand-blown, hand-crafted opaline glass joined by a \nmetal ring element.\nAnni Trenta\n830.00 - 830.01\nAnni Trenta - table lamps\n1997\n830.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 16 cm; H. 32 cm\n1 x max 8W 220 - 240V LED E14 - Dimmerabile\nKg~ 3\n(6,30” - 12,6”)\n1 x max 8W 110V LED E12 - Dimmerable\nLb ~ 6,61\nColori\u002FColors\n•Lattimo - Milk-White\nMetallo\u002FMetal\nNichel Nero - Black Nckel\nColori\u002FColors\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\n830.01\nCaratteristiche tecniche\u002FTechnical details:\nØ 24 cm; H. 47 cm\n1 x max 12W 220 - 240V LED E27 -  Dimmerabile\nKg ~ 4\n(9,45” - 18,5”)\n1 x max 12W 110V LED E26 - Dimmerable\nLb ~ 8,81\nColori\u002FColors\n•Lattimo - Milk-White\nMetallo\u002FMetal\nNichel Nero - Black Nckel\nColori\u002FColors\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\nAnni Trenta - table lamps\nAnni Trenta\nLattimo\nMilk-White\nMetallo Nichel nero\nBlack nickel metal\nØ 16 cm (6,30”)\nH 32 cm (12,6”)\nØ 24 cm (9,45”)\nH 47 cm (18,5”)\nLattimo\nMilk-white\nPagliesco\nStraw-yellow\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.16.png","Artlight\n28\n29\n \nVENINI\nVENINI\nPur nella contemporaneità delle forme, questa \ncollezione rievoca l’antica tradizione muranese \nnell’uso della foglia metallica che si frantuma con \nil soffio.\nLampada da tavolo in cui si combinano il vetro\nopalino, di cui è composto il diffusore, ed il vetro \ntrasparente della base con inclusioni di foglia \nd’oro o d’argento. La struttura è realizzata in \nmetallo dorato o cromato.\nThough the shapes are contemporary, this \ncollection recalls the ancient Murano tradition in its \nuse of precious metal leaf that breaks apart during \nthe blowing process. \nTable lamp that combines the opaline glass of \nthe diffuser and the transparent glass of the base \nwith inserts of gold and silver leaf. The structure is \nchrome or gold-plated metal.\nArgea \n872.00 - 872.01\nArgea - table lamps\n1997\n872.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 21 cm; H. 55 cm\n1 X max 100W 220 - 240V LED E27\nKg ~ 10\n(8,27” - 21,66”)\n1 x max 100W 110V LED E26\nLb ~ 22,04\nColore \u002FColor\n•Pagliesco\u002FFoglia Oro - Straw-Yellow\u002FGold Leaf\nMetallo\u002FMetal\nDorato - Gold plated\nColore\u002FColor\n•Lattimo\u002FFoglia Argento - Milk-White\u002FSilver Leaf\nMetallo\u002FMetal\nCromato - Chromium plated\n872.01\nCaratteristiche tecniche\u002FTechnical details:\nØ 15,5 cm; H. 37 cm\n1 X max 100W 220 - 240V LED E27\nKg ~ 5\n(6,11” - 14,57”)\n1 x max 100W 110V LED E26\nLb ~ 11,03\nColore \u002FColor\n•Pagliesco\u002FFoglia Oro - Straw-Yellow\u002FGold Leaf\nMetallo\u002FMetal\nDorato - Gold plated\nColore\u002FColor\n•Lattimo\u002FFoglia Argento - Milk-White\u002FSilver Leaf\nMetallo\u002FMetal\nCromato - Chromium plated\nArgea - table lamps\nArgea Oro\nPagliesco\u002FFoglia Oro\nStraw-Yellow\u002FGold Leaf\nMetallo Dorato\nGold plated metal\nØ 21 cm (8,27”)\nH 55 cm (21,66”)\nØ 15,5 cm (6,11”)\nH 37 cm (14,57”)\nPagliesco\u002FFoglia Oro\nStraw-yellow\u002FGold leaf\nLattimo\u002FFoglia Argento\nMilk-white\u002FSilver leaf\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.17.png","Artlight\n30\n31\n \nVENINI\nVENINI\nPur nella contemporaneità delle forme, questa \ncollezione rievoca l’antica tradizione muranese \nnell’uso della foglia metallica che si frantuma con \nil soffio.\nLampada da tavolo in cui si combinano il vetro\nopalino, di cui è composto il diffusore, ed il vetro \ntrasparente della base con inclusioni di foglia \nd’oro o d’argento.  La struttura è realizzata in \nmetallo dorato o cromato.\nThough the shapes are contemporary, this \ncollection recalls the ancient Murano tradition in its \nuse of precious metal leaf that breaks apart during \nthe blowing process. \nTable lamp that combines the opaline glass of \nthe diffuser and the transparent glass of the base \nwith inserts of gold and silver leaf. The structure is \nchrome- or gold-plated metal.\nArgea\n872.00 - 872.01\nArgea - table lamps\n1997\n872.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 21 cm; H. 55 cm\n1 X max 100W 220 - 240V LED E27\nKg ~ 10\n(8,27” - 21,66”)\n1 x max 100W 110V LED E26\nLb ~ 22,04\nColore \u002FColor\n•Pagliesco\u002FFoglia Oro - Straw-Yellow\u002FGold Leaf\nMetallo\u002FMetal\nDorato - Gold plated\nColore\u002FColor\n•Lattimo\u002FFoglia Argento - Milk-White\u002FSilver Leaf\nMetallo\u002FMetal\nCromato - Chromium plated\n872.01\nCaratteristiche tecniche\u002FTechnical details:\nØ 15,5 cm; H. 37 cm\n1 X max 100W 220 - 240V LED E27\nKg ~ 5\n(6,11” - 14,57”)\n1 x max 100W 110V LED E26\nLb ~ 11,03\nColore \u002FColor\n•Pagliesco\u002FFoglia Oro - Straw-Yellow\u002FGold Leaf\nMetallo\u002FMetal\nDorato - Gold plated\nColore\u002FColor\n•Lattimo\u002FFoglia Argento - Milk-White\u002FSilver Leaf\nMetallo\u002FMetal\nCromato - Chromium plated\nArgea - table lamps\nArgea\nLattimo\u002FFoglia Argento\nMilk-White\u002FSilver Leaf\nMetallo Cromato\nChromium plated metal\nØ 21 cm (8,27”)\nH 55 cm (21,66”)\nØ 15,5 cm (6,11”)\nH 37 cm (14,57”)\nPagliesco\u002FFoglia Oro\nStraw-yellow\u002FGold leaf\nLattimo\u002FFoglia Argento\nMilk-white\u002FSilver leaf\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.18.png","Belboi\n847.16\nArtlight\n32\n33\n \nVENINI\nVENINI\nConsiderati ormai dei classici della modernità, i \nmodelli Belboi, Tolboi e Stillboi, che compongono \nquesta \ncollezione, \nhanno \ngoduto \ndi \nun\n ininterrotto successo fin dall’edizione dei primi \nesemplari. \nQueste \nlampade \nsi \ninseriscono \nperfettamente \nnegli \nambienti \nantichi, \ndi \nmodernariato e contemporanei. Lampada da \ntavolo composta da diffusore in vetro opalino, \nprofilato di vetro colorato ed asta in cristallo con \nanima colorata. La base e i supporti sono realizzati \nin metallo dorato.\nNow considered classics of modernity, the Belboi, \nTolboi and Stillboi models making up this collection \nhave enjoyed uninterrupted success since the first \nedition. These lamps fit perfectly into traditional, \nmodern and contemporary environments.\nTable lamp consisting of an opaline glass diffuser\nwith coloured glass profile and crystal stem with \ncoloured core. The base and structure are in gold-\nplated metal.\nBelboi - table lamps\n1985\n847.16\nCaratteristiche tecniche\u002FTechnical details:\nØ 30 cm, H. 54 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 8\n11,81” - 21,26”)\n1 x max 8W 110V LED E12\nLb ~ 17,63\nColore \u002FColor\n•Lattimo\u002FCristallo\u002F Te’ - Milkwhite\u002FCrystal\u002FTea\n•Lattimo\u002FCristallo\u002FRosso - Milkwhite\u002FCrystal\u002FRed\nMetallo\u002FMetal\nDorato - Gold plated\nBleboi - table lamps\nBelboi\nLattimo\u002FCristallo\u002FRosso\nMilk-White\u002FCrystal\u002FRed\nØ 30 cm (11,81”)\nH 54 cm (21,26”)\nLattimo\u002FCristallo\u002F Tè\nMilk-white\u002FCrystal\u002FTea\nLattimo\u002FCristallo\u002F Rosso\nMilk-white\u002FCrystal\u002FRed\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.19.png","Artlight\n34\n35\n \nVENINI\nVENINI\nBleboi - table lamps\n847.16\nBelboi\nLattimo\u002FCristallo\u002FRosso - Milkwhite\u002FCrystal\u002FRed\nMetallo Dorato  - Gold-plated\n847.16\nBelboi\nLattimo\u002FCristallo\u002FTè - Milkwhite\u002FCrystal\u002FTea\nMetallo Dorato - Gold-plated\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.20.png","Balloton Lamp\n845.11 - 845.13\nArtlight\n36\n37\n \nVENINI\nVENINI\nIl particolare effetto a rilievo incrociato da cui \nprendono il nome i modelli di questa collezione \nè ottenuto con la tecnica del “balloton”. In fase \ndi lavorazione a caldo il maestro soffia il vetro in \nuno stampo di metallo, il cui interno è costellato \ndi punte in forma di piramide: la materia, \nriempiendo il vuoto, si plasma rivestendosi di \nquesta particolare texture. Lampada da tavolo \ndisponibile nella versione  con base in vetro, \nparalume in tessuto e struttura in metallo laccato \noppure con diffusore in vetro e base in metallo \ncromato.\nThe particular cross-relief effect from which this \ncollection’s models take their name is obtained by \nmeans of the “balloton” technique. \nDuring the hot work phase, the glass master blows \nthe glass into a metal mould the interior of which is \nstudded with pyramid-shaped points; as the molten \nglass fills up the void, it takes on this unique texture.\nTable lamp available in the version with a glass base, \nfabric lamp shade and varnished metal structure, or \nwith glass diffuser and chrome-plated metal base.\nBalloton Lamp - table lamps\n2014\n845.11\nCaratteristiche tecniche\u002FTechnical details:\nØ 21,5 cm H. 66 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 4\n(8,46” - 25,98”)\n1 x max 8W 110V LED E12\nLb ~ 8,81\nColore \u002FColor\n•Talpa - Grey\n•Acquamare - Aquamarine\n•Rosso - Red\nMetallo\u002FMetal\nLaccato bianco - White painted\nBalloton Lamp - table lamps\nBalloton lamp\n845.11 -  845.13\nTalpa\nGrey\n845.13\nCaratteristiche tecniche\u002FTechnical details:\nØ 25 cm, H. 26 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 4\n(9,84” -10,23”)\n1 x max 8W 110V LED E12\nLb ~ 8,81\nColore \u002FColor\n•Talpa - Grey\n•Cristallo - Crystal\nMetallo\u002FMetal\nLaccato bianco - White painted\nØ 21,5 cm (8,46”)\nH 66 cm (25,98”)\nØ 25 cm (9,84”)\nH26 cm (10,23”)\n845.11\nTalpa\nGrey\n845.11\nAcquamare\nAquamarine\n845.11\nRosso\nRed\n845.13\nTalpa\nGrey\n845.13\nCristallo\nCrystal\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.21.png","Fungo\n895.11\nArtlight\n38\n39\n \nVENINI\nVENINI\nFrutto \ndelle \nlunghe \nsperimentazioni \ndel \nprogettista Massimo Vignelli con il vetro, questo \nmodello di lampada, chiara espressione della \nfinezza sempre attuale del designer, ha ottenuto \nla segnalazione al “Compasso d’Oro” nel 1956. \nIl vetro ha  delicate linee verticali e costituisce una \nreinterpretazione dei Tessuti di Carlo Scarpa.\nLampada da tavolo realizzata da un unico \nelemento in vetro a Tessuto, formato da canne \ntalpa e lattimo. La montatura che sostiene la \nlampadina al suo interno è in metallo verniciato \nbianco.\nThe fruit of designer Massimo Vignelli’s lengthy \nexperimentation with glass, this lamp model, the \nclear expression of his always up-to-date elegance, \nreceived a “Compasso d’Oro” industrial design \naward special mention in 1956. \nThe glass lamp with delicate vertical lines is a \nreinterpretation of Carlo Scarpa’s Tessuti vases.\nTable lamp made from a single glass element using \nthe “Tessuto” technique with grey and milk white \ncanne (glass rods). The lightbulb socket is painted \nwhite metal.\nFungo - Massimo Vignelli\ntable lamps\n1956\n895.11\nCaratteristiche tecniche\u002FTechnical details:\nØ 26 cm; H. 33 cm\n1 x max 12W 220-240V LED E27 - Dimmerable\nKg ~ 4\n(9,84” - 12,99”)\n1 x max 12W 110V LED E26 - Dimmerable\nLb ~ 8,82\nColore \u002FColor\n•Talpa\u002FLattimo - Grey\u002FMilk-white\nMetallo\u002FMetal\nLaccato bianco - White painted\nFungo, Massimo Vignelli  - table lamps\nFungo\nTalpa\nGrey\nØ 26 cm (9,84”)\nH 33 cm (12,99”)\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.22.png","Darpanah\n816.00\nArtlight\n40\n41\n \nVENINI\nVENINI\nIl sodalizio, tra il designer-architetto Ettore \nSottsass e la materia vitrea, che sussiste fin dal \ndopoguerra, sfociò dagli anni settanta in una \nproduzione d’avanguardia in cui forme eometriche \nelementari, dai forti colori contrastanti, sono \nassemblate in strutture complesse, in sintonia \ncon i suoi progetti architettonici.\nLampada da tavolo con base in metallo laccato \nbianco e diffusore in vetro lattimo che poggia su \nun disco in vetro zaffiro.\nThe connection between the architect-designer\nEttore Sottsass and the glass medium, which \nbegan in the post-war period, by the 1970s had \nevolved into an avantgarde output in which basic \ngeometric shapes in bright contrasting colours were \nassembled in complex structures, in harmony with \nhis architectural projects.\nTable lamp with varnished white metal base and \nmilk glass diffuser resting on a sapphire glass disc.\nDarpanah - Ettore Sottsass\ntable lamps\n1994\n816.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 32 cm; H 47 cm\n1 x max 12W 220 - 240V LED E27 - Dimmerable\nKg ~ 9\n(12,58” -18,50”)\n1 x max 12W 110V LED E27 - Dimmerable\nLb ~ 19,84\nColore \u002FColor\n•Lattimo\u002FZaffiro - Milk-white\u002FSapphire\nMetallo\u002FMetal\nLaccato bianco - White painted\nNumbered Edition for year\nDarpanah, Ettore Sottsass  - table lamps\nØ 32 cm (12,58”)\nH 47 cm (18,50”)\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.23.png","Nopuram\n816.01\nArtlight\n42\n43\n \nVENINI\nVENINI\nLampada da tavolo con base in marmo rosa\ne montatura in metallo dorato. Elementi in\nvetro rosato, lattimo, verde e rosso.\nTable lamp with pink marble base and\ngold-plated metal stem. Elements in pink, milk\nwhite, green, and red glass.\nNopuram - Ettore Sottsass\ntable lamps\n1994\n816.01\nCaratteristiche tecniche\u002FTechnical details:\nØ 40 cm; H 66 cm\n1 x max 12W 220 - 240V LED E27 - Dimmerable\nKg ~ 11,5\n(15,74” - 25,98”)\n1 x max 12W 110V LED E26 - Dimmerable\nLb ~ 25,35\nColore \u002FColor\n•Rosato\u002FVerde\u002FRosso - Light-Pink\u002FGreen\u002FRed\nMetallo\u002FMetal\nDorato, base in marmo - Gold plated, marble base\nNumbered Edition for year\nNopuram, Ettore Sottsass  - table lamps\nRatrih\nNopuram\nØ 40 cm (15,74”)\nH 66 cm (25,98”)\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.24.png","Bhusanam, Kiritam\n816.02 - 816.04\nArtlight\n44\n45\n \nVENINI\nVENINI\n“Bhusanam”, lampada da tavolo composta da\nquattro elementi in vetro soffiato trasparente\ne opalino sostenuti da una montatura in metallo \nlaccato blu.\n“Kiritam”, lampada da tavolo composta da una \nbase in marmo nero, montatura in metallo con \nfinitura in nikel nero ed elementi in vetro lattimo \nsoffiati e lavorati a mano.\n“Bhusanam”, Table lamp consisting of four elements \nin transparent and opaline blown glass supported \nby a varnished blue metal stem.\n“Kiritam”, Table lamp composed of a black marble \nbase , metal stem with black nickel finishing and \nhand-blown and hand-crafted white milk glass \nelements.\nBhusanam,Kiritam - Ettore Sottsass\ntable lamps\n1994\n816.02\nCaratteristiche tecniche\u002FTechnical details:\nØ 27 cm; H 60 cm\n1 x max 12W 220 - 240V LED\nKg ~ 8\n(10,62” - 23,62”)\n1 x max 12W 110V LED\nLb ~ 17,63\nColore \u002FColor\n•Rosato\u002FLattimo\u002FAcquamare\u002FVerde Mela\n•Light-Pink\u002FMilk-White\u002FAquamarine\u002FApple Green\nMetallo\u002FMetal\nLaccato Blu - Blue painted\nNumbered Edition for year\nBhusanam, Kiritam, Ettore Sottsass  - table lamps\n816.04\nCaratteristiche tecniche\u002FTechnical details:\nØ 39 cm; H 48 cm \n1 x max 12W 220- 240V LED E27 \n+ 3 x max 8W 220 - 240VLED E14 - Dimmerable\nKg ~ 12\n(15,35” - 18,89”)\n1 x max 12W 110V LED E26\n+ 3 x max 8W 110V LED E12 - Dimmerable\nLb ~ 26,45\nColore \u002FColor\n•Lattimo\u002FAcquamare - Milk-White\u002FAquamarine\nMetallo\u002FMetal\nBase in marmo - Marble base\nNumbered Edition for year\nBhusanam\nKiritam\nØ 27 cm (10,62”)\nH 60 cm (23,62”)\nH 48 cm (18,89”)\nØ 39 cm (15,35”)\n816.02\n816.04\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.25.png","Artlight\n46\n47\n \nVENINI\nVENINI\nBhusanam, Kiritam, Ettore Sottsass  - table lamps\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.26.png","Sultani\n841.10 - 841.11\nArtlight\n48\n49\n \nVENINI\nVENINI\n“Figure emblematiche, sontuose, imponenti, \nreinterpretate \nin \nchiave \ncontemporanea, \npropongono un equilibrio perfetto tra le pulite\ngeometrie grafiche e la pura espressione di colore \ne di luce del vetro soffiato a mano”.\nLampada da tavolo in vetro soffiato opalino, \nparalume in tessuto a sezione rettangolare e base \nin metallo nero.\n“Emblematic figures, sumptuous and imposing, \nreinterpreted in a contemporary key, propose \na perfect equilibrium between clean graphic \ngeometries and the pure expression of the colour \nand the light of hand-blown glass. \nTable lamp in opaline blown glass, rectangular\nfabric lamp shade, and black metal base.\nSultani - Leonardo Ranucci\ntable lamps\n2010\n841.10\nCaratteristiche tecniche\u002FTechnical details:\n20 x 28,5 H 58 cm\n1 x max 8W 220 - 240V LED G9\nKg ~ 7\n(7” 7\u002F8 - 11” 7\u002F32 - 1’ 10” 53\u002F64)\n1 x max 8W 110V LED G9\nLb ~ 15,43\nColore \u002FColor\n•Lattimo - Milk-White\n•Talpa - Grey\nParalume Tessuto marrone\nFabric shade brown\nMetallo\u002FMetal\nNichel nero - Black nickel\nSultani, Leonardo Ranucci  - table lamps\n841.11\nCaratteristiche tecniche\u002FTechnical details:\n24,5 x 40 H 90 cm\n2 x max 8W 220 - 240V LED G9\nKg ~ 12\n(9” 41\u002F64 - 1’ 3” 3\u002F4 - 2’ 11” 7\u002F16)\n2 x max 8W 110V LED G9\nLb ~ 26,45\nColore \u002FColor\n•Lattimo - Milk-White\n•Talpa - Grey\nParalume Tessuto marrone\nFabric shade brown\nMetallo\u002FMetal\nNichel nero - Black nickel\nSultani\n841.11\nTalpa - Grey\n20 cm (7” 7\u002F8)\nH 58 cm (10”53\u002F64)\n28,5 cm (11”7\u002F32)\n24,5 cm (9” 41\u002F64)\n40 cm (1’ 3” 3\u002F4)\nH 90 cm (2’ 11” 7\u002F16)\nLattimo\nMilk-white\nTalpa\nGrey\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.27.png","Tiara Luce\n840.15 - 840.16\nArtlight\n50\n51\n \nVENINI\nTiara Luce, lampada da tavolo disegnata nel \n2018 dal designer Francesco Lucchese. È \nstata completamente ripensata nella parte \nilluminotecnica, mantenendo intatto il suo design\noriginale, dove prende forma il connubio tra \nl’antica tradizione vetraria muranese e una \nmoderna linearità formale.\nLampada da tavolo in vetro soffiato lavorato con\nla tecnica “balloton”. La struttura è realizzata in\nmetallo e disponibile in diverse finiture.\nTiara Luce, table lamp designed in 2018 by designer \nFrancesco Lucchese. It has been completely \nredesigned using the latest developments in lighting \ntechnology while maintaining intact the original \ndesign, which embodies the marriage of the antique \nMurano glasswork tradition and a modern formal\nlinearity. \nBlown glass table lamp handcrafted using the \n”balloton technique”. The structure is metal and is \navailable in various finishes.\nTiara Luce - Francesco Lucchese\ntable lamps\n2018 - 2021\n840.15\nCaratteristiche tecniche\u002FTechnical details:\nØ  18 H 34 cm\nModulo LED Integrato Warm white 2700K - CRI: 90\nPotenza Totale\u002FTotale Power: 6.8w\nFlusso Installato\u002FInstalled Flux: 850lm\nDimmererabilita’\u002FDimmability: Touch Dimmer\n(7” 3\u002F32 - 1’ 1” 25\u002F64)\nColore e Metallo\u002FColor and Metal\n•Ambra, Metallo Dorato\n•Uva, Metallo Blu fumé\n•Talpa, Metallo finitura Bronzo\n•Amber with gold metal finishing\n•Grape with metallic blue finishing\n•Grey with bronze metal finishing\nTiara Luce, Francesco Lucchese - table lamps\n840.16\nCaratteristiche tecniche\u002FTechnical details:\nØ cm 19 H 48 \nModulo LED Integrato Warm white 2700K - CRI: 90\nPotenza Totale\u002FTotale Power: 6.8w\nFlusso Installato\u002FInstalled Flux: 850lm\nDimmererabilita’\u002FDimmability: Touch Dimmer\n(7” 31\u002F64 - 1’ 6” 57\u002F64)\nColore e Metallo\u002FColor and Metal\n•Ambra, Metallo Dorato\n•Uva, Metallo Blu fumé\n•Talpa, Metallo finitura Bronzo\n•Amber with gold metal finishing\n•Grape with metallic blue finishing\n•Grey with bronze metal finishing\nTiara Luce\n840.15 \nTalpa - Grey\n840.16\nAmbra - Amber\nØ 18 cm (7” 3\u002F32)\nH 34 cm (1’ 1” 25\u002F64)\nØ 19 cm (7” 31\u002F64)\nH 48 cm (1’ 6” 57\u002F64)\n840.15\nAmbra - Amber\n840.15\nUva - Grape\n840.15\nTalpa - Grey\n840.16\n840.16\n840.16\nVENINI\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.28.png","Artlight\n52\n53\n \nVENINI\nVENINI\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.29.png","Zoe\n865.52 - 865.53\nArtlight\n54\n55\n \nVENINI\nVENINI\nZoe è la collezione di lampade a sospensione e\nda tavolo ideata da Doriana e Massimiliano \nFuksas. La forma, che ricorda una lanterna cinese,\nottenuta dalla soffiatura e lavorazione artigianale\ndel vetro opalino rivestito di vetro colorato, \nrievoca il dialogo millenario tra Venezia e l’Oriente.\nLa struttura è realizzata in metallo dorato.\nZoe is the collection of pendant and table lamps \nconceived by the designer duo Doriana and \nMassimiliano Fuksas. The form, reminiscent of a \nChinese lantern and obtained through the skilful \ncrafting of blown opaline glass with an overcoat \nof coloured glass, recalls the millenary dialogue \nbetween Venice and the Orient.\nThe structure is gold-plated metal.\nZoe - Doriana e Massimiliano Fuksas \ntable lamps\n2014\n865.52\nCaratteristiche tecniche\u002FTechnical details:\nØ 20 H 36 cm\n1 x max 12W 220 - 240V LED E27 - Dimmerable\nKg ~ 5\n(7” 7\u002F8 - 1’ 2” 11\u002F64)\n1 x max 12W 110V LED E26 - Dimmerable\nLb ~ 11,02\nColore\u002FColor\n•Viola - Violet\n•Talpa - Grey\nMetallo\u002FMetal\nDorato - Gold plated\nZoe, Doriana e Massimiliano Fuksas  - table lamps\n865.53\nCaratteristiche tecniche\u002FTechnical details:\nØ 30 H 53 cm\n1 x max 12W 220 - 240V LED E27 - Dimmerable\nKg ~ 7\n(11” 13\u002F16 - 1’ 8” 55\u002F64)\n1 x max 12W 110V LED E26 - Dimmerable\nLb  ~ 15,43\nColore\u002FColor\n•Viola - Violet\n•Talpa - Grey\nMetallo\u002FMetal\nDorato - Gold plated\nZoe\n865.52 \nTalpa - Grey\n865.53\nViola - Violet\nØ 20 cm (7” 3\u002F32)\nH 34 cm (1’ 1” 25\u002F64)\nØ 30 cm (11” 13\u002F16)\nH 53 cm (1’ 8” 55\u002F64)\nViola\nViolet\nTalpa\nGrey\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.30.png","Sasso\n01524\nArtlight\n56\n57\n \nVENINI\nVENINI\nUna scultura luminosa, caratterizzata da un \nparticolare gioco di riflessi. La massa vetrosa \nviene modellata a caldo fino ad ottenere una \nforma che ricorda quella di un grande sasso.\nThis luminous sculpture is characterised by its \nunique reflections. The glass is shaped while hot to \ncreate a form reminescent of a large stone.\nSasso - Mimmo Rotella table lamps\n2003\n015.24\nCaratteristiche tecniche\u002FTechnical details:\n36 x 17  H 32 cm\n1 x max 8W 220 - 240V LED G9 - Dimmerable\nKg ~ 5\n(1’ 2” 11\u002F64 - 6” 11\u002F16 - 1’ 19\u002F32)\n1 x max 8W  110 - 120V LED G9 - Dimmerable\nLb ~ 11,02\nColore\u002FColor\n•Pagliesco con macchie Talpa\u002FGrigio - Straw-Yellow with Grey spots Grey\nMetallo\u002FMetal\nBrunito - Burnished\nSasso, Mimmo Rotella  - table lamps\n36 cm (1’ 2” 11\u002F64)\nH 32 cm (1’ 19\u002F32)\n17 cm (6” 11\u002F16)\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.31.png","Replicanti\n01527\nArtlight\n58\n59\n \nVENINI\nVENINI\nI Replicanti di Rotella sono “figure” luminose che \npreferiscono abitare le case piuttosto che i musei. \nLe teste diventano un catalogo tridimensionale \ndi tipologie umane, arricchite da elementi \ntecnologici: occhiali, maschere, fari e antenne.\nReplicanti lamps by Rotella are luminous “figures” \nthat prefer to inhabit houses rather than museums. \nThese heads, complemented by elements of \ntechnology like goggles, masks, lights and \nantennae, form a three-dimensional catalogue of \nhuman types.\nReplicanti - Mimmo Rotella \ntable lamps - luminous sculpture\n2003\n015.27\nCaratteristiche tecniche\u002FTechnical details:\n15 x 12  H 34 cm\n1 x max 8W 220 - 240V LED E14 - Dimmerable\nKg ~ 6\n(5” 29\u002F32 - 4” 23\u002F32 - 1’ 1” 25\u002F64)\n1 x max 8W  110 - 120V LED E14 - Dimmerable\nLb ~ 13,22\nColore\u002FColor\n•Rosso - Red\n•Zaffiro - Sapphire\nMetallo\u002FMetal\nCromato - Chromium plated\nEdizione limitata in 99 opere ciascuna\nLimited edition of 99 artworks each\nReplicanti, Mimmo Rotella  - table lamps - luminous sculpture\n15 cm (5” 29\u002F32)\nH 32 cm (1’ 1” 25\u002F64)\n12 cm (4” 23\u002F32)\nRosso\nRed\nZaffiro\nSapphire\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.32.png","Veliero\n030.54 \nArtlight\n60\n61\n \nVENINI\nVENINI\n“Una semplice figura piana rettangolare si fonde \ncon la geometria di una sequenza di curve \nsinusoidali. Il frammento liberamente curvato in \nsuperficie ottenuto da operazioni geometriche \nè riprodotto utilizzando il Vetro Venini. La \ngeometria rigidamente applicata diventa un \n“Onda con l’Anima” che assume complessità in \nrelazione alla luce. Tuttavia, la semplicità del \nquadrato originale rimane immutata. \n“L’ Onda con l’Anima” permette una combinazione \nlibera tra le parti e le onde sovrapposte creano \nun’ampia varietà di prodotti”.\nTadao Ando\n“A simple rectangular planar figure is infused \nwith the geometry of a sine-curve sequence. The \nfreely curved surface fragment obtained from the \ngeometric operation is reproduced using Venetian \nglass. The strictly ruled geometry becomes a “Wave \nwith Soul” that gains complexity in response to \nlight. However, the simplicity of the original square \nremains unchanged. \n“The Wave with Soul” allows the free combination \nof the pieces and the overlapping waves create a \nvariety of products”.\nTadao Ando\nVeliero - Tadao Ando - table lamps\n2012\n030.54\nCaratteristiche tecniche\u002FTechnical details:\n30 x 30  H 52 cm\n6 x max 1,2W  LED 24V\n(11” 13\u002F16 - 11” 13\u002F16 - 1’ 8” 15\u002F32)\n6 x max 1,2W  LED 24V\nColore\u002FColor\n•Cristallo\u002FLattimo - Crystal\u002FMilk-white\nFormella\u002FTile: A o B\nMetallo\u002FMetal\nCromato, base con murrine - Chromium plated, “murrine” base\nEdizione limitata in 29 opere in numero arabo + 5 in numero romano.\nLimited edition in 29 artworks arabic number + 5 in roman number\nVeliero, Tadao Ando  - table lamps\nVeliero\n030.54\ndettaglio: base con murrine\ndettails: murrine base\n15 cm (11” 13\u002F16)\nH 52 cm (1’ 8” 15\u002F32)\nFormella - Tile :  A\nFormella - Tile : B\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.33.png","Veliero\n 030.85\nArtlight\n62\n63\n \nVENINI\nVENINI\n“Una semplice figura piana rettangolare si fonde \ncon la geometria di una sequenza di curve \nsinusoidali. Il frammento liberamente curvato in \nsuperficie ottenuto da operazioni geometriche è \nriprodotto utilizzando il Vetro Venini. \nLa geometria rigidamente applicata diventa un \n“Onda con l’Anima” che assume complessità in \nrelazione alla luce. Tuttavia, la semplicità del \nquadrato originale rimane immutata. \n“L’ Onda con l’Anima” permette una combinazione \nlibera tra le parti e le onde sovrapposte creano \nun’ampia varietà di prodotti”.\nTadao Ando\n“A simple rectangular planar figure is infused with \nthe geometry of a sine-curve sequence. \nThe freely curved surface fragment obtained from \nthe geometric operation is reproduced using \nVenetian glass. \nThe strictly ruled geometry becomes a “Wave with \nSoul” that gains complexity in response to light. \nHowever, the simplicity of the original square \nremains unchanged. \n“The Wave with Soul” allows the free combination \nof the pieces and the overlapping waves create a \nvariety of products”.\nVeliero - Tadao Ando - table lamps\n2012\nVeliero, Tadao Ando  - table lamps\nVeliero\n030.85\n030.85\nCaratteristiche tecniche\u002FTechnical details:\n30 x 30  H 78 cm\n9 x max 1,2W  LED 24V\n(11” 13\u002F16 - 11” 13\u002F16 - 2’ 6” 45\u002F64)\n9 x max 1,2W  LED 24V\nColore\u002FColor\n•Cristallo\u002FLattimo - Crystal\u002FMilk-white\nFormella\u002FTile: A o B\nMetallo\u002FMetal\nCromato, base con murrine - Chromium plated, “murrine” base\nEdizione limitata in 29 opere in numero arabo + 5 in numero romano.\nLimited edition in 29 artworks arabic number + 5 in roman number.\n30 cm (11” 13\u002F16)\nH 78 cm (2’ 6” 45\u002F64)\ndettaglio: base con murrine\ndettails: murrine base\nFormella - Tile :  A\nFormella - Tile : B\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.34.png","Mappamondi\n016. 10\nArtlight\n64\n65\n \nVENINI\nVENINI\n“Nei \nMappamondi \nbronzo \ne \nvetro \nsi \ncontrappongono. \nSul bronzo si fissa il lavoro manuale e plastico \ncompiuto dallo scultore, il vetro acquista forma \ngrazie ai movimenti nello spazio e al soffio del \nmaestro vetraio. \nIl bronzo più terreno, il vetro più aereo, insieme \nsimboleggiano l’opera creativa e primordiale \nall’origine della materia, della luce e del mondo”.\nSandro Chia\n“Mappamondi lamps focus on the contrast between \nbronze and glass. \nThe bronze embodies the manual, plastic work \nof the sculptor, while the glass acquires its form \nthrough the movement and breath of the master \nglass blower. \nThe terrestrial bronze and ethereal glass combine \nto symbolise the primordial creation at the origin of \nmatter, light and the world.”\nSandro Chia\nMappamondi - Sandro Chia\ntable lamps - luminous sculpture\n2003\n016.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 30  H 36 cm\n1 x max 8W 220 - 240V LED E14 - Dimmerable\nKg ~12\n(11” 13\u002F16 - 1’ 2” 11\u002F64)\n1 x max 8W  110 - 120V LED E14 - Dimmerable\nLb ~ 26,45\nMetallo\u002FMetal\nBronzo - Bronze\nEdizione limitata in 99 opere \nLimited edition of 99 artworks\nMappamondi, Sandro Chia  - table lamps\nØ 30 cm (11” 13\u002F16)\nH 36 cm (1’ 2” 11\u002F64)\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.35.png","Donna di Rango\n016.60\nArtlight\n66\n67\n \nVENINI\nVENINI\n“In Donna di Rango bronzo e vetro dialogano. \nLa trasparenza del vetro, il colore, la luce \ncompongono il corpo etereo da cui sorge la testa \nfemminile, omaggio ideale alla bellezza e alla\ndonna ”.\nSandro Chia\n“Bronze and glass enter into a dialogue in Donna \ndi Rango. The transparency, colour and light of the \nglass form an ethereal body from which a female \nhead rises to pay an ideal homage to beauty and \nwomankind.”\nSandro Chia\nDonna di Rango - Sandro Chia\ntable lamps - luminous sculpture\n2003\n016.60\nCaratteristiche tecniche\u002FTechnical details:\nØ 28  H 61 cm\n1 x max 8W 220 - 240V LED G9 \nKg ~15\n(11” 1\u002F32 - 2’ 1\u002F64)\n1 x max 8W  110 - 120V LED G9\nLb ~ 33,06\nMetallo\u002FMetal\nBronzo - Bronze\nEdizione limitata in 49 opere \nLimited edition of 49 artworks\nDonna di Rango, Sandro Chia  - table lamps - luminous  sculpture\nØ 28 cm (11” 1\u002F32)\nH 61 cm (2’ 1\u002F64)\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.36.png","Muse\n897.91\nArtlight\n68\n69\n \nVENINI\nVENINI\n“Nel 1916, per sfuggire all’atroce follia della \nguerra, un gruppo di ragazzi si fece ricoverare \nnel centro medico militare di Villa Seminario a \nFerrara. Quei ragazzi si chiamavano:\nGiorgio De Chirico, Carlo Carrà, Alberto Savinio \ne Filippo De Pisis. Il rifiuto della realtà li portò ad \nelaborare una realtà alternativa che chiamarono \nMetafisica. Un mondo fatto di muse e di enigmi, \ndi inquietudini e di incanti. \nMuse è il mio omaggio a quei ragazzi”.\nFabio Novembre\n“In 1916, to escape from the atrocious folly of war, \na group of young men pretend to be sick in the \nmilitary medical center of Villa Seminario in Ferrara. \nThose guys were called: Giorgio De Chirico, Carlo \nCarrà, Alberto Savinio and Filippo De Pisis. \nThe denial of reality led them to create an alternative\nreality that they called Metaphysics. \nA world of muses and enigma, of concerns and \ncharms. Muse is my tribute to those guys”.\nFabio Novembre\nMuse - Fabio Novembre\ntable lamps - luminous sculpture\n2018\n897.91\nCaratteristiche tecniche\u002FTechnical details:\n56 x 31  H 46 cm\n1 x max 12W 220 - 240V LED E27 \nKg ~17\n(1’ 10” 3\u002F64 - 1’ 13\u002F64 - 1’ 6” 7\u002F64)\n1 x max 8W  110 - 120V LED E27\nLb ~ 37,47\nColore \u002FColor\n•Verde erba - Grass green\n•Lattimo - Milk-white\nMetallo\u002FMetal\nCromato - Chromium plated\nEdizione limitata in 9 opere ciascuna\nLimited edition of 9 artworks each\nMuse, Fabio Novembre  - table lamps - luminous  sculpture\nH 46 cm (1’ 6” 7\u002F64)\n31 cm (1’ 13\u002F64)\n56 cm (1’ 10” 3\u002F64)\nVerde erba   \nGrass-green\nLattimo\nMilk-white\nRosso\nRed\nSOLD - OUT\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.37.png","Artlight\n70\n71\n \nVENINI\nVENINI\nLampade da terra  - Floor Lamp\nLampade da Terra\nFloor lamps\n \n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.38.png","Abat-Jour\n803.02\nArtlight\n72\n73\n \nVENINI\nVENINI\nLampada da terra con lo stelo in metallo cromato \nparzialmente rivestito da tre elementi in vetro \nsoffiato, declinati in diverse nuances e ottenuti \nutilizzando la tecnica “balloton”. Il paralume è \nrealizzato in tessuto bianco.\nFloor lamp with the chrome-plated metal shaft \ndecorated with three blown glass elements, offered \nin various shades of colour and obtained using the “ \nBalloton” technique.\nThe lampshade is made of white fabric.\nAbat-Jour - floor lamps \n2004\n803.02\nCaratteristiche tecniche\u002FTechnical details:\nØ 33  H 165 cm\n1 x max 8W 220 - 240V LED G9 - Dimmerabile\nKg ~ 12\n(1’ 63\u002F64 - 5’ 4” 61\u002F64)\n1 x max 8W 110V LED G9 - Dimmerable\nLb ~ 26,45\nColore \u002FColor\n•Rosso\u002FTè\u002FGiallo \u002FAmbra - Red\u002FTea\u002FAmber-Yellow\n•Viola\u002FAmetista\u002FGlicine - Violet\u002FAmethyst\u002FWistaria\nMetallo\u002FMetal\nCromato - Chromium plated\nAbat-Jour - floor lamps\nØ 33 cm (1’ 63\u002F64)\nH 165 cm (5’ 4” 61\u002F64)\nRosso\u002FTè\u002FGiallo \u002FAmbra\nRed\u002FTea\u002FAmber-Yellow\nViola\u002FGlicine\u002FAmetista\nViolet\u002FAmethyst\u002FWistaria\nAba-Jour\n803.02\nRosso\u002FTè\u002FGiallo \u002FAmbra \nRed\u002FTea\u002FAmber-Yellow\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.39.png","Anni Trenta\n830.05\nArtlight\n74\n75\n \nVENINI\nVENINI\nLampada da terra con base in metallo con\nfinitura in goffrato grigio antracite. \nL’astain vetro, costituita da una canna rigata è\nlavorata e tirata a mano. Monta un diffusore\nin vetro soffiato e lavorato a mano.\nFloor lamp with metal base with anthracite\ngrey embossed finish. The glass stand, made\nfrom a fluted rod is crafted and pulled by hand.\nIt has a hand-blown, hand-crafted diffuser.\nAnni Trenta - floor lamps \n1997\n830.05\nCaratteristiche tecniche\u002FTechnical details:\nØ 32 H 183 cm\n1 x max 12W 220 - 240V E27\nKg ~ 12\n(1’ 19\u002F32 - 6’ 3\u002F64 )\n1 x max 12W 110V E26\nLb ~ 26,45\nColore \u002FColor\n•Lattimo - Milk-white\nMetallo\u002FMetal\nCromo nero - Black chromium\nColore \u002FColor\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\nAnni Trenta - floor lamps\nAnni Trenta\n830.05\nLattimo - Milk-White\nPagliesco - Straw-Yellow\nØ 32 cm (1’ 19\u002F32)\nH 183 cm (6’ 3\u002F64)\nLattimo\nMilk-white\nPagliesco\nStraw-yellow\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.40.png","Tolboi\n847.10\nArtlight\n76\n77\n \nVENINI\nVENINI\nLampada da terra composta da diffusore in vetro \nopalino, profilato di vetro colorato ed asta in \ncristallo con anima colorata. La base e i supporti \nsono realizzati in metallo dorato.\nFloor lamp composed of an opaline glass diffuser \nwith coloured glass profile and crystal stem with \ncoloured core. The base and structure are in gold-\nplated metal.\nTolboi - floor lamps \n1985\n874.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 30 cm H 184 cm\n1 x max 8W 220 - 240V LED E14 – Dimmerabile\nKg ~ 15\n(11” 13\u002F16 - 6’ 7\u002F16)\n1 x max 8W 110V LED E12 - Dimmerable\nLb ~ 33,06\nColore \u002FColor\n•Lattimo\u002FCristallo\u002FTè - Milk-white\u002FCrystal\u002FTea\n•Lattimo\u002FCristallo\u002FRosso - Milk-white\u002FCrystal\u002FRed\nMetallo\u002FMetal\nDorato - Gold plated\nTolboi - floor lamps\nTolboi \n847.10\nLattimo\u002FCristallo\u002FTè\nMilk-white\u002FCrystal\u002FTea\nStillboi\n847.19\nLattimo\u002FCristallo\u002FTè\nMilk-white\u002FCrystal\u002FTea\nLattimo\u002FCristallo\u002FTè\nMilk-white\u002FCrystal\u002FTea\nLattimo\u002FCristallo\u002FRosso\nMilk-white\u002FCrystal\u002FRed\nØ 30 cm (11” 13\u002F16)\nH 184 cm (6’ 7\u002F16)\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.41.png","Ratrih\n816.05\nArtlight\n78\n79\n \nVENINI\nVENINI\nLampada da terra con base in marmo nero,\nstruttura in metallo con finitura in nichel\nnero, sulla quale si alternano gli elementi in\nvetro e in metallo.\nFloor lamp with black marble base, and metal\nstructure with black nickel finishing on which\nglass and metal elements are alternated.\nRatrih - Ettore Sottsass\nfloor lamps \n1994\n816.05\nCaratteristiche tecniche\u002FTechnical details:\nØ 46  H 170 cm\n1 x max 12W 220 - 240V LED E27 + 3 max 8W 220 - 240V LED E14\nKg  ~ 22\n(1’ 6” 7\u002F64 - 5’ 6” 59\u002F64)\n1 x max 12W 110V LED E26 + 3 max 8W 110V LED E12\nLb ~ 48,50\nColore \u002FColor\n•Lattimo\u002FNero - Milk-white\u002FBlack\nMetallo\u002FMetal\nbase in Marmo - Marble base\nNumbered Edition for year\nRatrih, Ettore Sottsass  - floor lamps\nØ 46 cm (11” 13\u002F16)\nH 170 cm (5’ 6” 59\u002F64)\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.42.png","Veliero\n030.63\nArtlight\n80\n81\n \nVENINI\nVENINI\n“Una semplice figura piana rettangolare si fonde \ncon la geometria di una sequenza di curve \nsinusoidali. Il frammento liberamente curvato in \nsuperficie ottenuto da operazioni geometriche \nè riprodotto utilizzando il Vetro Venini. La \ngeometria rigidamente applicata diventa un\n“Onda con l’Anima” che assume complessità in \nrelazione alla luce. Tuttavia, la semplicità del \nquadrato originale rimane immutata. \n“L’ Onda con l’Anima” permette una combinazione \nlibera tra le parti e le onde sovrapposte creano \nun’ampia varietà di prodotti”.\nTadao Ando\n“A simple rectangular planar figure is infused \nwith the geometry of a sine-curve sequence. The \nfreely curved surface fragment obtained from the \ngeometric operation is reproduced using Venetian \nglass. The strictly ruled geometry becomes a “Wave \nwith Soul” that gains complexity in response to \nlight. However, the simplicity of the original square \nremains unchanged. \n“The Wave with Soul” allows the free combination \nof the pieces and the overlapping waves create a \nvariety of products”.\nTadao Ando\nVeliero - Tadao Ando\nfloor lamps \n2012\n030.63\nCaratteristiche tecniche\u002FTechnical details:\n47 x 47 H 160 cm\n1 x max 8W 220 - 240V LED G9 – Dimmerabile\nKg ~ 25\n(1’ 6” 1\u002F2 - 1’ 6” 1\u002F2 - 5’ 2” 63\u002F64)\n1 x max 8W 110V LED G9 - Dimmerable\nLb ~ 55,11\nColore \u002FColor\n•Cristallo\u002FLattimo - Crystal\u002FMilk-white\nFormella\u002FTile: A o B\nMetallo\u002FMetal\nCromato - Chromium plated\nEdizione limitata in 29 opere in numero arabo + 5 in numero romano.\nLimited edition in 29 artworks arabic number + 5 in roman number\nVeliero, Tadao Ando - floor lamps\ndettaglio: base con murrine\ndettails: murrine base\n47 cm (1’ 6” 1\u002F2)\nH 160 cm (5’ 2” 63\u002F64)\nFormella - Tile :  A\nFormella - Tile : B\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.43.png","Artlight\n82\n83\n \nVENINI\nVENINI\nVeliero, Tadao Ando - floor lamps\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.44.png","Artlight\n84\n85\n \nVENINI\nVENINI\nSopensioni e Plafoniere  - Suspensions and Ceiling Lamp\nSospensioni e \nPlafoniere\nSuspensions and\nCeiling lamps \n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.45.png","Abaco\n823.00 - 823.06 \n823.01 - 823.01\nArtlight\n86\n87\n \nVENINI\nVENINI\nGli artisti-designer Monica Guggisberg e Philip\nBaldwin firmano il design di questa collezione le\ncui varianti si configurano al tempo stesso come\ninstallazioni artistiche ed elementi funzionali\nd’arredo. Lampada composta da tre a cinque sfere \ncaratterizzate da differenti lavorazioni manuali e \nattraversate da aste in metallo spazzolato.\nThe designer-artists Monica Guggisberg and \nPhilip Baldwin are the creators of the concept for \nthis collection, the different versions of which can \nbe seen as both art installations and functional \nfurnishing components. Lamp consisting of three \nto five spheres characterised by different manual \nprocesses and threaded onto brushed metal rods.\nAbaco  \nMonica Guggisberg, Philip Baldwin\nsuspensions\n1998\n823.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 19  H 589 cm\n5 x max 8W 220 - 240V LED E14 - Dimmerabile\nKg ~ 8\n(7” 31\u002F64 - 19’ 3” 57\u002F64)\n5 x max 8W 110V LED E12 - Dimmerable\nLb ~ 17,637\nColore \u002FColor\n•Cristallo Filigrana Lattimo\u002FCristallo Rigadin Dritto\u002FTalpa Spirale Lattimo \nCristallo\u002FCristallo Satinato\u002FCristallo Balloton -\n•Bluino Filigrana\u002FAmetista Rigadin Dritto\u002FTalpaSpirale Lattimo Cristallo\u002F\nCristallo Satinato\u002FAmbra Balloton\nMetallo\u002FMetal\nNichel spazzolato - Satin nichel\nAbaco, Monica Guggisberg, Philip Baldwin   - suspensions\n823.06\nCaratteristiche tecniche\u002FTechnical details:\nElettrificato dall’alto -Electrification from the ceiling\nØ 19  H 589 cm\n5 x max 8W 220 - 240V LED E14 \nKg ~ 8\n(7” 31\u002F64 - 19’ 3” 57\u002F64)\n5 x max 8W 110V LED E12 \nLb ~ 17,637\nColore \u002FColor\n•Cristallo Filigrana Lattimo\u002FCristallo Rigadin Dritto\u002FTalpa Spirale \nLattimo Cristallo\u002FCristallo Satinato\u002FCristallo Balloton -\n•Bluino Filigrana\u002FAmetista Rigadin Dritto\u002FTalpaSpirale Lattimo \nCristallo\u002FCristallo Satinato\u002FAmbra Balloton\nMetallo\u002FMetal\nNichel spazzolato - Satin nichel\nØ 19 cm (7” 31\u002F64)\nH 589 cm (19’ 3” 57\u002F64)\nØ 19 cm (7” 31\u002F64)\nH 589 cm (19’ 3” 57\u002F64)\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.46.png","Abaco\n823.00 - 823.06\n823.01 - 823.01\nArtlight\n88\n89\n \nVENINI\nVENINI\nAbaco  \nMonica Guggisberg, Philip Baldwin\nsuspensions\n1998\n823.01\nCaratteristiche tecniche\u002FTechnical details:\nØ 19 cm H 553 cm\n3 x max 8W 220 - 240V LED E14 - Dimmerabile\nKg ~ 6\n(7” 31\u002F64 - 18’ 1” 23\u002F32)\n3 x max 8W 110V LED E12 - DImmerable\n Lb ~ 13,22\nColore \u002FColor\n• Bluino Filigrana\u002FAmetista Rigadin\u002FAmbra Balloton\n• Cristallo Filigrana Lattimo\u002FCristallo Satinato\u002FCristallo Balloton\nMetallo\u002FMetal\nNichel spazzolato - Satin nichel\nAbaco, Monica Guggisberg, Philip Baldwin   - suspensions\n823.07\nCaratteristiche tecniche\u002FTechnical details:\nElettrificato dall’alto -Electrification from the ceiling\nØ 19 cm H 553 cm\n3 x max 8W 220 - 240V LED E14 - Dimmerabile\nKg ~ 6\n(7” 31\u002F64 - 18’ 1” 23\u002F32)\n3 x max 8W 110V LED E12 - DImmerable\n Lb ~ 13,22\nColore \u002FColor\n• Bluino Filigrana\u002FAmetista Rigadin\u002FAmbra Balloton\n• Cristallo Filigrana Lattimo\u002FCristallo Satinato\u002FCristallo Balloton\nMetallo\u002FMetal\nNichel spazzolato - Satin nichel\nØ 19 cm (7” 31\u002F64)\nH 553 cm  (18’ 1” 23\u002F32)\nØ 19 cm (7” 31\u002F64)\nH 553 cm (19’ 3” 57\u002F64)\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.47.png","Artlight\n90\n91\n \nVENINI\nVENINI\nAbaco  \nMonica Guggisberg, Philip Baldwin\nsuspensions\n1998\nAbaco, Monica Guggisberg, Philip Baldwin   - suspensions\n823.01\n823.00\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.48.png","Abaco\n823.08 - 823.09 \nArtlight\n92\n93\n \nVENINI\nVENINI\nAbaco  \nMonica Guggisberg, Philip Baldwin\nsuspensions\n1998 - 2019\n823.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 19 L. 176 cm\n5 x max 12W 220 - 240V LED R7S\nKg ~ 8\n(7” 31\u002F64 - 5’ 9” 19\u002F64)\n5 x max 12W 110V LED R7S\nLb ~ 17,63\nColore \u002FColor\n•Cristallo Filigrana Lattimo\u002FCristallo Rigadin Dritto\u002FTalpa Spirale Lattimo Cristallo\u002F\nCristallo Satinato\u002FCristallo Balloton \n•Bluino Filigrana\u002FAmetista Rigadin Dritto\u002FTalpaSpirale Lattimo Cristallo\u002FCristallo \nSatinato\u002FAmbra Balloton\nMetallo\u002FMetal\nNichel spazzolato - Satin nichel\nAbaco, Monica Guggisberg, Philip Baldwin   - suspensions\n823.09\nCaratteristiche tecniche\u002FTechnical details:\nØ 19  L. 138,6 cm\n3 x max 12W 220 - 240V LED R7S\nKg ~ 6\n(7” 31\u002F64 - 6’ 9\u002F32)\n3 x max 12W 110V LED R7S\nLb ~ 13,22\nColore \u002FColor\n• Bluino Filigrana\u002FAmetista Rigadin\u002FAmbra Balloton\n• Cristallo Filigrana Lattimo\u002FCristallo Satinato\u002FCristallo Balloton\nMetallo\u002FMetal\nNichel spazzolato  - Satin nichel\nLampada a sospensione composta da tre a cinque\nsfere caratterizzate da differenti lavorazioni \nmanuali e attraversate da un’asta orizzontale in \nmetallo spazzolato.\nPendant lamp consisting of three to five\nspheres characterised by different manual\nprocesses and threaded onto brushed metal\nrods.\n176  cm (5’ 9” 19\u002F64)\n138,6  cm (6’ 9\u002F32)\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.49.png","Artlight\n94\n95\n \nVENINI\nVENINI\nAbaco  \nMonica Guggisberg, Philip Baldwin\nsuspensions\n1998 - 2019\nAbaco, Monica Guggisberg, Philip Baldwin   - suspensions\n823.08\n823.09\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.50.png","Abaco\n823.03\nArtlight\n96\n97\n \nVENINI\nVENINI\nLampada a plafone composta da diffusore in vetro \nlattimo ed elementi sferici in vetro soffiato, che si \ncontraddistinguono per le differenti lavorazioni\nmanuali, attraversate da un’asta in metallo \ncromato.\nCeiling lamp composed of a milk white glass\ndiffusor and spherical elements in blown glass\nthat are distinguished by different manual\nprocesses and threaded onto chrome-plated\nmetal rods.\nAbaco \nMonica Guggisberg, Philip Baldwin\nceiling lamp \n1998\n823.03\nCaratteristiche tecniche\u002FTechnical details:\nØ 53  H 43 cm\n6 x max 8W 220 - 240V E14\nKg 6 ~\n(1’ 8” 55\u002F64 - 1’ 4” 59\u002F64)\n6 x max 8W 110V E12\nLb ~13,22 \nColore \u002FColor\n• Latttimo - Sfere: Cristallo “Filigrana” \u002FLattimo Cristallo Spirale Lattimo\u002FCristallo “Rigadin” dritto\n•Milk-White - Sphere: Crystal “Filigrana” Milk-White\u002FCrystal Milk-White Spiral Milk-White\u002FCrystal “Rigadin”Diritto\nMetallo\u002FMetal\nCromato - Chromium plated\nAbaco, Monica Guggisberg , Philip Baldwin   -ceiling lamp\nØ 53 cm (1’ 8” 55\u002F64)\nH 43 cm  (1’ 4” 59\u002F64)\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.51.png","Anni Trenta\n830.04\nArtlight\n98\n99\n \nVENINI\nVENINI\nLampada a sospensione composta da due\nelementi in vetro opalino soffiato e lavorato\na mano, connessi da un elemento anulare di\nmetallo dorato o nichel nero.\nPendant lamp composed of two elements\nin hand-blown, hand-crafted opaline glass,\njoined by a gold-plated or black nickel ring\nelement.\nAnni Trenta - suspension lamps\n1997\n830.04\nCaratteristiche tecniche\u002FTechnical details:\nØ 24 H 47 -  H  max 200 cm\n1 x max 12W 220 - 240V LED E27\nKg ~ 5\n(9” 29\u002F64 - 1’ 6” 1\u002F2 - 6’ 6” 47\u002F64)\n1 x max 12W 110V LED E12\nLb ~ 11\nColore \u002FColor\n• Lattimo - Milk-White\nMetallo\u002FMetal\nCromato nero - Black Chromium plated\nColore \u002FColor\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\nAnni Trenta - suspension lamps\nØ 24 cm (9” 29\u002F64)\nH 200 cm  (6’ 6” 47\u002F64)\nH 47 cm  (1’ 6” 1\u002F2)\nLattimo\nMilk-white\nPagliesco\nStraw-yellow\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.52.png","Anni Trenta\n830.06\nArtlight\n100\n101\n \nVENINI\nVENINI\nPlafoniera composta da due elementi in vetro\nopalino connessi da un anello in metallo\ndorato o cromo nero.\nCeiling lamp consisting of two elements in\nopaline glass joined by a gold-plated ring or\none in black chromium.\nAnni Trenta - ceiling lamps\n1997\n830.06\nCaratteristiche tecniche\u002FTechnical details:\nØ 51  H 27 cm\n6 x max 8W 220 - 240V LED E14\nKg ~ 5\n(1’ 8” 5\u002F64 - 10” 5\u002F8)\n6 x max 8W 110V LED E12\nLb ~ 11,02\nColore \u002FColor\n• Lattimo - Milk-White\nMetallo\u002FMetal\nCromato nero - Black Chromium plated\nColore \u002FColor\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\nAnni Trenta - suspensions\nØ 51 cm (1’ 8” 5\u002F64)\nH 27 cm  (10” 5\u002F8)\nLattimo\nMilk-white\nPagliesco\nStraw-yellow\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.53.png","Argea\n872.03\nArtlight\n102\n103\n \nVENINI\nVENINI\nLampada a plafone con diffusore in vetro\npagliesco o lattimo e vetro cristallo con\ninclusioni di foglia d’oro o d’argento. \nLa struttura è realizzata in metallo dorato o\ncromato.\nCeiling lamp with diffuser in straw-coloured\nor milk-white glass and cristallo glass with\ngold- or silver-leaf inserts. \nThe structure is chrome- or gold-plated metal.\nArgea - ceiling lamps\n2003\n872.03\nCaratteristiche tecniche\u002FTechnical details:\nØ 48  H 30 cm\n6 x max 8W 220 - 240V LED E14\nKg ~ 6\n(1’ 6” 57\u002F64 - 11” 13\u002F16)\n6 x max 8W 110V LED E12\nLb ~ 11\nColore \u002FColor\n•Pagliesco\u002FFoglia Oro - Straw-Yellow\u002FGold Leaf\nMetallo\u002FMetal\nDorato - Gold plated\nColore\u002FColor\n•Lattimo\u002FFoglia Argento - Milk-White\u002FSilver Leaf\nMetallo\u002FMetal\nCromato - Chromium plated\nArgea - ceiling lamps\nØ 48 cm (1’ 6” 57\u002F64)\nH 30 cm  (11” 13\u002F16)\nPagliesco\u002FFoglia Oro\nStraw-yellow\u002FGold leaf\nLattimo\u002FFoglia Argento\nMilk-white\u002FSilver leaf\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.54.png","Balloton Lamp\n845.05 - 845.06 - 845.07\nArtlight\n104\n105\n \nVENINI\nVENINI\nLampade a sospensione in vetro soffiato,\nlavorato con la tecnica “balloton”. \nLa struttura è realizzata in metallo cromato.\nPendant light in blown glass, hand-crafted using\nthe “balloton” technique. \nThe structure is chrome-plated metal.\nBalloton lamp - suspensions\n2019\n845.05\nCaratteristiche tecniche\u002FTechnical details:\nØ 15  H 22 H max 200 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 1,4\n(5” 29\u002F32 - 8” 21\u002F32 - 6’ 6” 47\u002F64)\n1 x max 8W 110V LED E12\nLb  ~ 3,08\nColore \u002FColor\n•Indaco - Indigo\n•Te - Tea\n•Talpa - Grey\nMetallo\u002FMetal\nCromato - Chromium plated\nBalloton Lamp  - suspensions\n845.06\n845.07\nCaratteristiche tecniche\u002FTechnical details:\nØ 24 H 25 H max 200 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 1,9\n(9” 29\u002F64 - 9” 27\u002F32 - 6’ 6” 47\u002F64)\n1 x max 8W 110V LED E12\nLb ~ 4,18\nColore \u002FColor\n•Indaco - Indigo\n•Te - Tea\n•Talpa - Grey\nMetallo\u002FMetal\nCromato - Chromium plated\nCaratteristiche tecniche\u002FTechnical details:\nØ 35 H 12 H max 200 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 1,6\n(1’ 1” 25\u002F32 - 4” 23\u002F32 - 6’ 6” 47\u002F64)\n1 x max 8W 110V LED E12\nLb ~ 3,52\nColore \u002FColor\n•Indaco - Indigo\n•Te - Tea\n•Talpa - Grey\nMetallo\u002FMetal\nCromato - Chromium plated\nBalloton Lamp\n845.05 - 06 - 07\nTalpa - Indaco - Tè\nGrey - Indigo - Tea\nØ 15 cm (5” 29\u002F32)\nH 200 cm  (6’ 6” 47\u002F64)\nH 22 cm  (8” 21\u002F32)\nØ 24 cm (9” 29\u002F64)\nH 200 cm  (6’ 6” 47\u002F64)\nH 25 cm  (9” 27\u002F32)\nØ 35 cm (1’ 1” 25\u002F32)\nH 200 cm  (6’ 6” 47\u002F64)\nH 12 cm  (4” 23\u002F32)\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.55.png","Balloton Lamp\n845.08 \nArtlight\n106\n107\n \nVENINI\nVENINI\nLampada a sospensione composta da molteplici \nelementi sferici in vetro soffiato di dimensioni e \ncolore variabili, lavorati con la tecnica “balloton” e \nattraversati da aste in metallo cromato.\nI moduli verticali si riflettono sulla superficie\ndell’attacco circolare a soffitto in metallo cromato, \ncreando un gioco di rimandi di forme e colori.\nPendant lamp consisting of multiple spherical\nelements in blown glass, of various sizes and colours, \nhand-crafted using the “balloton” technique, and \nthreaded on chrome-plated rods. \nThe vertical modules are mirrored in the surface of \nthe circular ceiling attachment in chrome-plated \nmetal, creating a play of the reflection of forms and \ncolours.\nBalloton lamp - suspensions\n2014\n845.08\nBalloton Lamp  - suspensions\nBalloton Lamp\n845.08\nCristallo\u002FTalpa\u002FViola\u002FAmetista\nCrystal\u002FGrey\u002FViolet\u002FAmethyst\nØ 80 cm (2’ 7” 1\u002F2)\nH 84 cm  (2’ 9” 5\u002F64)\nCristallo\u002FTalpa\u002FViola\u002FAmetista\nCrystal\u002FGrey\u002FViolet\u002FAmethyst\nCristallo\u002FOrizzonte\u002FAcquamare\u002FBamboo\nCrystal\u002FHorizon\u002FAquamarine\u002FBamboo\nCaratteristiche tecniche\u002FTechnical details:\nØ 80 H 84 cm\n12 x max 8W 220 - 240V LED GU10\nKg ~60\n(2’ 7” 1\u002F2 - 2’ 9” 5\u002F64)\n12 x max 8W 110V LED GU10\nLb ~ 132,27\nSfere\u002FSphere : Ø cm 7 \u002F Ø cm 10 \u002F Ø cm 16 \u002F Ø cm 19\nColore \u002FColor\n•Cristallo \u002FTalpa\u002FViola\u002FAmetista - Crystal\u002FGrey\u002FViolet\u002FAmethyst\n•Cristallo\u002FOrizzonte\u002FAcquamare\u002FBamboo - Crystal\u002FHorizon\u002FAquamarine\u002FBamboo\nMetallo\u002FMetal\nCromato - Chromium plated\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.56.png","Balloton Lamp\n845.15 \nArtlight\n108\n109\n \nVENINI\nVENINI\nLampada a sospensione composta da molteplici \naste in metallo a cui sono fissati gli elementi \nsferici lavorati con la tecnica “balloton”. \nL’attacco circolare a soffitto è realizzato in nichel \nspazzolato.\nPendant lamp composed of many metal rods to \nwhich are attached the spherical elements hand-\ncrafted using the “balloton” technique.  \nThe round canopy is made in brushed nickel.\nBalloton lamp - suspensions\n2019\n845.15\nCaratteristiche tecniche\u002FTechnical details:\nØ 40 H max 200 cm\n6 x max 6W 220-240V LED G9\nKg ~ 4\n(1’ 3” 3\u002F4 - 6’ 6” 47\u002F64)\n6 x max 6W 110V LED G9\nLb ~ 8,81\nColore \u002FColor\n•Talpa\u002FIndaco\u002FCristallo - Grey\u002FIndigo\u002FCrystal\nMetallo\u002FMetal\nNichel spazzolato - Brushed nickel \nBalloton Lamp  - suspensions\nBalloton Lamp\n845.15\nTalpa\u002FIndaco\u002FCristallo\nGrey\u002FIndigo\u002FCrystal\nØ 40 cm (1’ 3” 3\u002F4)\nH 200 cm  (6’ 6” 47\u002F64)\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.57.png","Balloton Lamp\n845.14 \nArtlight\n110\n111\n \nVENINI\nVENINI\nLampada a sospensione in vetro soffiato,\nlavorato con la tecnica “balloton”.\nLa struttura è realizzata in metallo cromato.\nPendant lamp in blown glass, hand-crafted\nusing the “balloton” technique. The structure\nis chrome-plated metal.\nBalloton lamp - suspensions\n2014\n845.14\nCaratteristiche tecniche\u002FTechnical details:\nØ 25  H 27  H max 200\n1 x max 12W 220 - 240V LED E27\nKg ~ 5\n(9” 27\u002F32 - 10” 5\u002F8 - 6’ 6” 47\u002F64)\n1 x max 12W 110V LED E26\nLb  ~ 11\nColore \u002FColor\n•Talpa - Grey\n•Cristallo - Crystal\nMetallo\u002FMetal\nNichel spazzolato - Brushed nickel \nBalloton Lamp  - suspensions\nBalloton Lamp\n845.14\nTalpa\nGrey\nØ 25 cm (9” 27\u002F32)\nH 200 cm  (6’ 6” 47\u002F64)\nH 27 cm  (10” 5\u002F8)\nTalpa\nGrey\nCristallo\nCrystal\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.58.png","Fungo\n895.10\nArtlight\n112\n113\n \nVENINI\nVENINI\nSospensione realizzata da un unico elemento\nin vetro a Tessuto, formato da canne talpa e\nlattimo. La struttura è realizzata in metallo\nverniciato bianco.\nPendant lamp made from a single glass\nelement using the “Tessuto” technique with\ngrey and milk white canne (glass rods).\nThe structure is painted white metal.\nFungo - Massimo Vignelli\nsuspensions\n1956\n895.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 26  H 33 cm\n1 x max 12W 220-240V LED E27\nKg ~ 6\n(10” 15\u002F64 - 1’ 63\u002F64)\n1 x max 12W 110V E26\nLb ~ 13,22\nColore \u002FColor\n•Talpa\u002FLattimo - Grey\u002FMilk-white\nMetallo\u002FMetal\nLaccato bianco - White painted\nFungo, Massimo Vignelli  - suspensions\nFungo\nTalpa\nGrey\nØ 26 cm (10” 15\u002F64)\nH 33 cm  (1’ 63\u002F64)\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.59.png","Zoe\n865.50 - 865.51\nArtlight\n114\n115\n \nVENINI\nVENINI\nLampada a sospensione in vetro opalino rivestito\ndi vetro viola o talpa, soffiato e lavorato a mano.\nL’attaccatura e i supporti sono realizzati in metallo\nlaccato e dorato.\nPendant lamp in opaline glass coated with\nviolet or grey glass, hand-blown and handcrafted.\nThe canopy and the supports are in varnished and \ngold-plated metal.\nZoe - Doriana e Massimiliano Fuksas\nsuspensions\n2014\n865.50\nCaratteristiche tecniche\u002FTechnical details:\nØ 20 H 35,5 H max 200 cm\n1 x max 12W 220 - 240V LED E27\nKg ~ 4\n(7” 7\u002F8 - 1’ 1” 31\u002F32 - 6’ 6” 47\u002F64)\n1 x max 12W 110V LED E26\nLb ~ 8,81\nColore \u002FColor\n•Talpa - Grey\n•Viola - Violet\nMetallo\u002FMetal\nLaccato bianco e dorato\nWhite painted and gold plated\nZoe, Doriana e Massimigliano Fuksas  - suspensions\nZoe\n865.50 - 865.51\nTalpa - Viola\nGrey - Violet\n865.51\nCaratteristiche tecniche\u002FTechnical details:\nØ 30  H 52,5 H max 200 cm\n1 x max 12W 220 - 240V LED E27\nKg ~ 6\n(11” 13\u002F16 - 1’ 8” 43\u002F64 - 6’ 6” 47\u002F64)\n1 x max 12W 110V LED E26\nLb  ~ 13,22\nColore \u002FColor\n•Talpa - Grey\n•Viola - Violet\nMetallo\u002FMetal\nLaccato bianco e dorato\nWhite painted and gold plated\nØ 20 cm (7” 7\u002F8)\nH 35,5 cm  (1’ 1” 31\u002F32)\nH 200 cm  (6’ 6” 47\u002F64)\nØ 30 cm (11” 13\u002F16)\nH 52,5 cm  (1’ 8” 43\u002F64)\nH 200 cm  (6’ 6” 47\u002F64)\nTalpa\nGrey\nViola\nViolet\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.60.png","Stelle Filanti\n866.50\nArtlight\n116\n117\n \nVENINI\nVENINI\n“ La luce scorre fluida verso il basso e verso l’alto,\nilluminando la scultura di cuoio: il colore del \ndiffusore di vetro, rischiarato, interagisce con i \nnastri che lo avvolgono, e la luce si propaga in una\ndanza di sfumati progressivi, che fanno pensare \nalle strie luminose che tracciano il percorso delle \nstelle filanti quando attraversano il cielo …”\nAtelier OÏ\n“ The light makes a fluid passage from top to \nbottom, illuminating the leather sculpture: hen lit \nup, the colour of the glass diffuser interacts with \nthe leather strips surrounding it so that the light \nis propagated in a dance of waning intensity and \nprogressive fading away, reminding one of the trails \nof light that follow shooting stars as they cross the \nsky ... ”\nAtelier OÏ\nStelle Filanti - Atelier Oï\nsuspensions\n2013\n866.50\nCaratteristiche tecniche\u002FTechnical details:\nØ 30  H max ~ 220 cm\n1 x max 12W 220 - 240V LED E27\nKg ~ 6\n(11” 13\u002F16 - 7’ 2” 39\u002F64)\n1 x max 12W 110V LED E26\nLb ~ 13,22\nColore \u002FColor\n•Lattimo - Milk-white\n•Talpa - Grey\n•Viola - Violet\nStruttura\u002FStructure\nStruttura in pelle  - Leather structure\nStelle Filanti, Atelier Oï  - suspensions\nStelle Filanti\nLattimo\nMilk-White\nØ 30 cm (11” 13\u002F16)\nH 220 cm  (7’ 2” 39\u002F64)\nLattimo\nMilk-white\nTalpa\nGrey\nViola\nViolet\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.61.png","Artlight\n118\n119\n \nVENINI\nVENINI\nStelle Filanti - Atelier Oï\nsuspensions\n2013\nStelle Filanti, Atelier Oï  - suspensions\nLattimo - Milk-white\nTalpa - Grey\nViola - Violet\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.62.png","Firenze\n896.11\nArtlight\n120\n121\n \nVENINI\nVENINI\nL’accostamento di forme geometriche semplici,\ncombinate al fine di creare strutture complesse,\ne la consuetudine di utilizzare colori dalle tonalità\nvivaci è una peculiarità propria delle opere di\nEttore Sottsass, peculiarità che ritroviamo nelle\nsorprendenti strutture delle sospensioni della\ncollezione Firenze.\nSospensione composta da elementi circolari in\nvetro soffiato, differenti nelle proporzioni e nelle\nnuaces, e da dischi in cristallo. La struttura è in\nmetallo laccato bianco.\nThe juxtaposition of simple geometric forms,\ncombined to create complex structures, and the \nhabit of using bright colours is a characteristic of \nEttore Sottsass’s works, a characteristic that also \nturns up in the surprising structures of the Firenze \ncollection pendant lamps .\nPendant lamp consisting of circular elements\nof blown glass, different in size and nuances,\nand cristallo discs. The structure is varnished\nwhite metal.\nFirenze - Ettore Sottsass\nsuspensions\n1993\n896.11\nCaratteristiche tecniche\u002FTechnical details:\nØ 40  H 102 cm\n1 x max 12W 220 - 240V E27 Globolux\nKg ~ 10\n(1’ 3” 3\u002F4 - 3’ 4” 5\u002F32 )\n1 x max 12W 110V E26\nLb ~ 22\nColore \u002FColor\n• Te\u002FCristallo\u002FAmbra\u002F Giallo Zolfo\u002FPagliesco\n•Tea\u002FCrystal\u002FAmber\u002FSulphur-Yellow\u002FStraw-yellow\nMetallo\u002FMetal\nLaccato bianco\nWhite painted\nNumbered Edition for year\nFirenze, Ettore Sottsass  - tsuspensions\nØ 40 cm (1’ 3” 3\u002F4)\nH 102 cm  (3’ 4” 5\u002F32)\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.63.png","Firenze\n896.10\nArtlight\n122\n123\n \nVENINI\nVENINI\n“A immaginare cose di vetro si prova un’emozione\nmolto speciale: si immagina luce e colori che non\nsi possono toccare e poi - di colpo - c’è la luce e\nci sono i colori e, ancora, non si possono toccare,\nancora continuano a non avere peso, non hanno\ntemperatura, continuano a vivere soltanto nella\nfantasia. Tutto questo produce un’emozione\nspeciale”.\nEttore Sottsass\nPlafoniera composta da un elemento circolare\nin vetro soffiato di colore zaffiro e da un disco in\ncristallo. La struttura è in metallo laccato bianco.\n“When we imagine glass objects, we experience a \nvery special emotion: we imagine light and colours \nthat cannot be touched, and then – all of a sudden \n– there is light and there are colours, yet we still \ncannot touch them; they remain weightless, they \nare neither cool nor warm, they live only in our\nimagination. “All this gives rise to a special emotion.”\nEttore Sottsass\nPendant lamp composed of a sapphirecoloured\nblown glass circular element and a cristallo disc. \nThe structure is varnished white metal.\nFirenze - Ettore Sottsass\nceiling lamp\n1993\n896.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 40  H 26 cm\n1 x max 12W 220 - 240V E27 Globolux\nKg ~ 3\n(1’ 3” 3\u002F4 - 10” 15\u002F64)\n1 x max 12W 110V E26\nLb  ~ 6,61\nColore \u002FColor\n• Cristallo\u002FZaffiro\n•Crystal\u002FSapphire\nMetallo\u002FMetal\nLaccato bianco\nWhite painted\nFirenze, Ettore Sottsass  - tsuspensions\nØ 40 cm (1’ 3” 3\u002F4)\nH 26 cm  (10” 15\u002F64)\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.64.png","Rotondo\n893.50 - 893.51 - 893.52\nArtlight\n124\n125\n \nVENINI\nVENINI\nL’opera \ndi \nPeter \nMarino \nè \nnotoriamente \nprovocatoria. Le lampade Rotondo, Cilindro \ne Parallelo non fanno eccezione: mediante la \ntecnica delle “Fasce”, il maestro cola a caldo, \namalgamandoli, dei nastri colorati che avvolgono \ni volumi geometrici di vetro cristallo, creando \ndei vortici luminosi dalla bellezza drammatica. \nSi ottiene così una contrapposizione di grande \neffetto tra la trasparenza del cristallo e il peso \ndel materiale. Lampada a sospensione in vetro \nsoffiato con struttura in nichel nero lucido.\nPeter Marino’s work is notoriously provocative.\nThe Rotondo, Cilindro, and Parallelo lamps are \nno exception: using the “Fasce” technique, the \nartist hot-works coloured strips wrapped around \nthe geometric volumes of cristallo glass, creating \nluminous vortices of dramatic beauty. A striking \ncontrast is thus obtained between the transparency \nof the cristallo and the weight of the material. Blown \nglass pendant lamp with glossy black ickel structure\nRotondo - Peter Marino\nsuspensions\n2019\n893.50\nCaratteristiche tecniche\u002FTechnical details:\nØ 20 H 65 cm \n1 x max 8W 220 - 240V LED E14\nKg ~5\n(7” 7\u002F8 - 2’ 1” 19\u002F32) \n1 x max 8W 110V LED E12\nLb ~11\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nRotondo, Peter Marino  - suspensions\n893.51\nCaratteristiche tecniche\u002FTechnical details:\nØ 20 H 85 cm\n1 x max 8W 220 - 240V LED E14\nKg ~5\n(7” 7\u002F8 -2’ 9” 15\u002F32 ) \n1 x max 8W 110V LED E12\nLb ~11\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n893.52\nCaratteristiche tecniche\u002FTechnical details:\nØ 20 H 100 cm\n1 x max 8W 220 - 240V LED E14\nKg ~5\n(7” 7\u002F8 - 3’ 3” 3\u002F8) \n1 x max 8W 110V LED E12\nLb ~11\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nØ 20 cm (7” 7\u002F8)\nH 65  cm  (2’ 1” 19\u002F32)\nØ 20 cm (7” 7\u002F8)\nØ 20 cm (7” 7\u002F8)\nH 85  cm  (2’ 9” 15\u002F32)\nH100  cm  (3’ 3” 3\u002F8)\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.65.png","Rotondo\n893.55 - 893.56 - 893.57\nArtlight\n126\n127\n \nVENINI\nVENINI\nRotondo - Peter Marino\nsuspensions\n2019\n893.55\nCaratteristiche tecniche\u002FTechnical details:\nØ 36 H 81 cm \n1 x max 12W 220 - 240V LED E27\nKg ~11\n(1’ 2” 11\u002F64 - 2’ 7” 57\u002F64) \n1 x max 12W 110V LED E26\nLb ~ 24\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nRotondo, Peter Marino  - suspensions\n893.56\nCaratteristiche tecniche\u002FTechnical details:\nØ 36 H 96 cm \n1 x max 12W 220 - 240V LED E27\nKg ~11\n(1’ 2” 11\u002F64 - 3’ 1” 51\u002F64) \n1 x max 12W 110V LED E26\nLb ~ 24\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n893.57\nCaratteristiche tecniche\u002FTechnical details:\nØ 36 H 111 cm \n1 x max 12W 220 - 240V LED E27\nKg ~11\n(1’ 2” 11\u002F64 - 3’ 7” 45\u002F64) \n1 x max 12W 110V LED E26\nLb ~ 24\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nØ 36 cm (1’ 2” 11\u002F64)\nH 81  cm  (2’ 7” 57\u002F64) \nØ 36 cm (1’ 2” 11\u002F64)\nH 96  cm  (3’ 1” 51\u002F64) \nØ 36 cm (1’ 2” 11\u002F64)\nH 111   cm  (3’ 7” 45\u002F64) \n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.66.png","Rotondo\n893.60 - 893.61\nArtlight\n128\n129\n \nVENINI\nVENINI\nLampada a plafone in vetro soffiato, lavorato\nmediante la tecnica delle “fasce”. Struttura \nrealizzata\nin nichel nero lucido.\nLampada a plafone in vetro soffiato, lavorato\nmediante la tecnica delle “ fasce”.\nStructure made in glossy black nickel.\nRotondo - Peter Marino\nceiling lamps\n2019\n893.60\nCaratteristiche tecniche\u002FTechnical details:\nØ 20 cm\n1 x max E14 220 - 240V white 2700K - dimmerabile\nKg ~3,0\n(7” 7\u002F8)\n1 x max E12 110V  - dimmerable\nLb ~ 6,6\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nRotondo, Peter Marino  - ceiling lamps\n893.61\nCaratteristiche tecniche\u002FTechnical details:\nØ 36 cm\n1 x max E27 220 - 240V white 2700K - dimmerabile\nKg ~10,0\n(1’ 2” 11\u002F64)\n1 x max E26 110V  - dimmerable\nLb ~ 22\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nØ 36 cm (1’ 2” 11\u002F64)\nØ 20 cm (7” 7\u002F8)\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.67.png","Cilindro\n893.65 - 893.66 - 893.67\nArtlight\n130\n131\n \nVENINI\nVENINI\nLampada a sospensione in vetro soffiato, lavorato\nmediante la tecnica delle “fasce”. \nStruttura realizzata in nichel nero lucido.\nBlown glass pendant lamp, handcrafted using\nthe “Fasce” technique. \nStructure made in glossy black nickel.\nCilindro - Peter Marino\nsuspensions\n2019\n893.65\nCaratteristiche tecniche\u002FTechnical details:\nØ 12,5 H max 73 cm\n1 x max E14 220 - 240V\nKg ~ 4,6\n(4” 59\u002F64 - 2’ 4” 47\u002F64)\n1 x max E12 110V transparent 2700K dimmerabile\nLb ~10\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nCilindro, Peter Marino  - suspensions\n893.66\nCaratteristiche tecniche\u002FTechnical details:\nØ 12,5 H max 88 cm\n1 x max E27 220 - 240V dimmerabile\nKg ~ 4,6\n(4” 59\u002F64 - 2’ 10” 41\u002F64)\n1 x max E26 110V transparent 2700K dimmerabile\nLb ~ 10\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n893.67\nCaratteristiche tecniche\u002FTechnical details:\nØ 12,5 H max 103 cm\n1 x max E27 220 - 240V dimmerabile\nKg ~ 4,6\n(4” 59\u002F64 - 3’ 4” 35\u002F64)\n1 x max E26 110V transparent 2700K dimmerabile\nLb ~ 10\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nØ 12,5 cm (1’ 2” 11\u002F64)\nH 73  cm  (2’ 4” 47\u002F64) \nØ 12,5 cm (1’ 2” 11\u002F64)\nØ 12,5 cm (1’ 2” 11\u002F64)\nH 88  cm  (2’ 10” 41\u002F64) \nH103  cm  (3’ 4” 35\u002F64) \n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.68.png","Cilindro\n893.70 - 893.71 - 893.72\nArtlight\n132\n133\n \nVENINI\nVENINI\nCilindro - Peter Marino\nsuspensions\n2019\n893.70\nCaratteristiche tecniche\u002FTechnical details:\nØ 15 H max 77 cm\n1 x max E14 220 - 240V\nKg ~ 6,0\n(5” 29\u002F32 - 2’ 6” 5\u002F16)\n1 x max E12 110V transparent 2700K dimmerabile\nLb ~ 13\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nCilindro, Peter Marino  - suspensions\n893.71\nCaratteristiche tecniche\u002FTechnical details:\nØ 15 H max 92 cm\n1 x max E27 220 - 240V\nKg ~ 6,0\n(5” 29\u002F32 - 3’ 7\u002F32)\n1 x max E26 110V transparent 2700K dimmerabile\nLb ~ 13\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n893.72\nCaratteristiche tecniche\u002FTechnical details:\nØ 15 H max 107 cm\n1 x max E27 220 - 240V\nKg ~ 6,0\n(5” 29\u002F32 - 3’ 6” 1\u002F8)\n1 x max E26 110V transparent 2700K dimmerabile\nLb ~ 13\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nØ 15 cm (1’ 2” 11\u002F64)\nH  77  cm  (2’ 4” 47\u002F64) \nØ 15 cm (1’ 2” 11\u002F64)\nØ 15 cm (1’ 2” 11\u002F64)\nH  92   cm  (3’ 7\u002F32) \nH  107   cm  (3’ 6” 1\u002F8) \n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.69.png","Parallelo\n893.75 - 893.76 - 893.77\nArtlight\n134\n135\n \nVENINI\nVENINI\nLampada a sospensione in vetro soffiato, a \nsezione romboidale, lavorato mediante la tecnica \ndelle “fasce”. La Struttura è realizzata in nichel \nnero lucido.\nLosenge-shaped blown glass pendant lamp,\nhand-crafted using the “Fasce” technique.\nThe structure is made in glossy black nickel.\nParallelo - Peter Marino\nsuspensions\n2019\n893.75\nCaratteristiche tecniche\u002FTechnical details:\n26 x 16  H max 62,5 cm\n1 x max 220 - 240V E14 dimmerabile\nKg ~ 4,0\n(10” 15\u002F64 - 6” 19\u002F64 - 2’ 39\u002F64)\n1 x max 110V E12 transparent 2700K dimmerabile\nLb ~8,8\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nParallelo, Peter Marino  - suspensions\n893.76\nCaratteristiche tecniche\u002FTechnical details:\n26 x 16  H max 77,5 cm\n1 x max 220 - 240V E14\nKg ~ 4,0\n(10” 15\u002F64 - 6” 19\u002F64 - 2’ 6” 33\u002F64)\n1 x max 110V E12 transparent 2700K dimmerabile\nLb ~8,8\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n893.77\nCaratteristiche tecniche\u002FTechnical details:\n26 x 16 H max 92,5 cm\n1 x max 220 - 240V E14\nKg ~ 4,0\n(10” 15\u002F64 - 6” 19\u002F64 - 3’ 27\u002F64)\n1 x max 110V E12 transparent 2700K dimmerabile\nLb ~ 8,8\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n26 x 16 cm (10” 15\u002F64 - 6” 19\u002F64)\nH  62,5  cm  (2’ 39\u002F64) \n26 x 16 cm (10” 15\u002F64 - 6” 19\u002F64)\n26 x 16 cm (10” 15\u002F64 - 6” 19\u002F64)\nH  77,5  cm  (2’ 6” 33\u002F64) \nH 92,5  cm  (3’ 27\u002F64) \n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.70.png","Parallelo\n893.80 - 893.81 - 893.82\nArtlight\n136\n137\n \nVENINI\nVENINI\nParallelo - Peter Marino\nsuspensions\n2019\n893.80\nCaratteristiche tecniche\u002FTechnical details:\n14 x 39 H max 63,5 cm\n1 x max 220 - 240V E14\nKg ~ 8,0\n(5” 33\u002F64 - 1’ 3” 23\u002F64 - 2’ 1”)\n1 x max 110V E12 transparent 2700K dimmerabile\nLb ~ 18\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\nParallelo, Peter Marino  - suspensions\n893.81\nCaratteristiche tecniche\u002FTechnical details:\n14 x 39 H max 78,5 cm\n1 x max 220 - 240V E14\nKg ~ 8,0\n(5” 33\u002F64 - 1’ 3” 23\u002F64 - 2’ 6” 29\u002F32)\n1 x max 110V E12 transparent 2700K dimmerabile\nLb ~18\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n893.82\nCaratteristiche tecniche\u002FTechnical details:\n14 x 39  H max 93,5 cm\n1 x max 220 - 240V E14\nKg ~ 8,0\n(5” 33\u002F64 - 1’ 3” 23\u002F64 - 3’ 13\u002F16)\n1 x max 110V E12 transparent 2700K dimmerabile\nLb ~18\nColore \u002FColor\n•Cristallo\u002FTè\u002FNero - Crystal\u002FTea\u002FBlack\n•Cristallo\u002FNero - Crystal\u002FBlack\nMetallo\u002FMetal\nNichel nero - Black nickel\n14 x 39 cm (5” 33\u002F64 - 1’ 3” 23\u002F64)\nH  63,5  cm  (2’ 1”) \n14 x 39 cm (5” 33\u002F64 - 1’ 3” 23\u002F64)\nH 78,5  cm  (2’ 6” 29\u002F32) \n14 x 39 cm (5” 33\u002F64 - 1’ 3” 23\u002F64)\nH 93,5  cm  (3’ 13\u002F16) \n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.71.png","Rhythm\n904.00 - 904.05\nArtlight\n138\n139\n \nVENINI\nVENINI\n“Rhythm non è una semplice lampada ma un \nvero sistema di illuminazione. L’idea è nata dal \ndesiderio di creare un elemento modulare, \nda poter combinare in vari modi dando \nvita ad installazioni esclusive e specifiche in \nbase all’ambiente e alla funzione. È stata poi \ninterpretata con la tecnica, tipica della tradizione \nmuranese, di soffiatura del vetro all’interno di \nstrutture metalliche, per farne lanterne. I M Lab \nha ideato una forma che può essere riprodotta \ne variamente combinata, andando ogni volta a \ncreare configurazioni uniche.”\nAlessandro Isola, Supriya Mankad\n“Rhythm is not a simple lamp but a real lighting \nsystem. The idea was born from the idea of creating \na modular element that could be combined in \nvarious ways to generate exclusive and specific \ninstallations based on the setting and the function. \nThen it was interpreted using the technique, typical \nof the Murano tradition, of blowing the glass inside\nmetal structures, in order to make lanterns. \nI M Lab has devised a form that can be reproduced \nand combined in various ways, each time creating \nunique configurations.\nAlessandro Isola, Supriya Mankad\nRhythm - IM Lab\nsuspensions\n2011\n904.00 \nCaratteristiche tecniche\u002FTechnical details:\n11 elementi \n335 x 27 H 42 cm\n11 x 12W 220 - 240V LED E27\nKg ~120\n11 elements\n(10’ 11” 57\u002F64 - 10” 5\u002F8 - 1’ 4” 17\u002F32)\n11 x max 110V LED E26\nLb ~  264\nColore \u002FColor\n• Lattimo - Milk-white\nMetallo\u002FMetal\nCromato nero - Black Chromium\nRhythm, I M Lab  - suspensions\n904.05\nCaratteristiche tecniche\u002FTechnical details:\n5 elementi\n158 x 27  H  42 cm\n5 x max 12W 220 - 240V LED E27\nKg ~ 49\n5 elements\n(5’ 2” 13\u002F64 - 10” 5\u002F8 - 1’ 4” 17\u002F32)\n5 x max 12W 110V LED E26\nLb ~ 108\nColore \u002FColor\n• Lattimo - Milk-white\nMetallo\u002FMetal\nCromato nero - Black Chromium\n335 cm (10’ 11” 57\u002F64)\n27 cm (10” 5\u002F8)\n158 cm (5’ 2” 13\u002F64)\n27 cm (10” 5\u002F8)\nH 42  cm  (1’ 4” 17\u002F32) \nH 42  cm  (1’ 4” 17\u002F32) \nRhythm\n904.00\nLattimo\nMilk-White\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.72.png","Artlight\n140\n141\n \nVENINI\nVENINI\nRhythm - IM Lab\nsuspensions\n2011\n904.01 \nCaratteristiche tecniche\u002FTechnical details:\n1elemento\n40,5 x 27 H 42 cm\n1 x max 12W 220 - 240V LED E27\nKg ~13\n1 element\n(1’ 3” 15\u002F16 - 10” 5\u002F8 - 1’ 4” 17\u002F32)\n1 x  max 12W 110V LED E26\nLb ~ 28\nColore \u002FColor\n• Lattimo - Milk-white\nMetallo\u002FMetal\nCromato nero - Black Chromium\nRhythm, I M Lab  - suspensions\n904.03\nCaratteristiche tecniche\u002FTechnical details:\n3 elementi \n100 x 27 H 42 cm\n3 x max 12W 220 - 240V LED E27\nKg ~ 36\n3 elements\n(3’ 3” 3\u002F8 - 10” 5\u002F8 - 1’ 4” 17\u002F32)\n3 x max 12W 110V LED E26\nLb ~ 79\nColore \u002FColor\n• Lattimo - Milk-white\nMetallo\u002FMetal\nCromato nero - Black Chromium\n27 cm \n(10” 5\u002F8)\n40,5 cm \n(1’ 3” 15\u002F16)\nH 42  cm  (1’ 4” 17\u002F32) \n27 cm \n(10” 5\u002F8)\n100 cm \n(3’ 3” 3\u002F8)\nH 42  cm  (1’ 4” 17\u002F32) \n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.73.png","Artlight\n142\n143\n \nVENINI\nVENINI\nApplique - Wall Lamps\nApplique\nWall lamps  \n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.74.png","Abaco\n823.02\nArtlight\n144\n145\n \nVENINI\nVENINI\nAbaco - wall lamps\nMonica Guggisberg, Philip Baldwin\n1998\n823.02\nCaratteristiche tecniche\u002FTechnical details:\n40 x 21 H 35 cm\n3 x max 8W 220 - 240V LED E14\nKg ~ 3\n(1’ 3” 3\u002F4 - 8” 17\u002F64 - 1’ 1” 25\u002F32)\n3 x max 8W 110V LED E12\nLb ~ 6,6\nColore \u002FColor\n•Lattimo\u002FTalpa\u002FLattimo\n•Milk-white\u002FGrey\u002FMilk-white\nMetallo\u002FMetal\nLaccato bianco - White painted\nParallelo, Peter Marino  - suspensions\nApplique costituita da diffusore in vetro opalino \ned elemento sferico in vetro soffiato talpa \ntrasparente con applicazioni a caldo di fasce di \nvetro lattimo.\nWall light made up of opaline glass diffuser and a \nspherical element in transparent grey blown glass \nwith hot-work application of bands of milk white \nglass.\n21 cm (8” 17\u002F64)\n40 cm (1’ 3” 3\u002F4)\nH 35  cm  (1’ 1” 25\u002F32) \n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.75.png","Anni Trenta\n830.02 - 830.03\nArtlight\n146\n147\n \nVENINI\nVENINI\nAnni Trenta - wall lamps\n1997\n830.02\nCaratteristiche tecniche\u002FTechnical details:\n16 x 12 H 34 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 1,5\n(6” 19\u002F64 - 4” 23\u002F32 - 1’ 1” 25\u002F64)\n1 x max 8W 110V LED E12\nLb ~ 3\nColore \u002FColor\n•Lattimo - Milk-white\nMetallo\u002FMetal\nNichel nero - Black nickel\nColore \u002FColor\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\nAnni Trenta,  - wall lamps\nApplique con diffusore in vetro opalino soffiato e \nlavorato a mano con dettaglio in metallo dorato \no nichel nero.\nWall light with hand-blown, hand-crafted opaline \nglass diffuser with detail in gold-plated metal or \nblack nickel.\n830.03\nCaratteristiche tecniche\u002FTechnical details:\n24 x 17  H 47 cm\n1 x max 12W 220 - 240V LED E27\nKg ~ 2\n(9” 29\u002F64 - 6” 11\u002F16 - 1’ 6” 1\u002F2)\n1 x max 12W 110V LED E26\nLb ~ 4\nColore \u002FColor\n•Lattimo - Milk-white\nMetallo\u002FMetal\nNichel nero - Black nickel\nColore \u002FColor\n•Pagliesco - Straw-Yellow\nMetallo\u002FMetal\nDorato - Gold plated\n12 cm \n(4” 23\u002F32)\n16 cm \n(6” 19\u002F64)\nH 34  cm  (1’ 1” 25\u002F64) \n17 cm \n(6” 11\u002F16)\n24 cm \n(9” 29\u002F64)\nH 47  cm  (1’ 6” 1\u002F2) \nPagliesco\nStraw-yellow\nLattimo\nMilk-white\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.76.png","Argea\n872.02 \nArtlight\n148\n149\n \nVENINI\nVENINI\nArgea - wall lamps\n1997\n872.02\nCaratteristiche tecniche\u002FTechnical details:\n23 x 11,5 H 30 cm\n1 x max 12W 220 - 240V LED E27\nKg ~ 5\n(9” 1\u002F16 - 4” 17\u002F32 - 11” 13\u002F16)\n1 x max 12W 110V LED E26\nLb ~ 11\nColore \u002FColor\n•Lattimo\u002FSfera Cristallo Foglia Argento - Milk-White\u002FSphere Crystal Silver Leaves\nMetallo\u002FMetal\nCromato - Chromium plated\nColore \u002FColor\n•Pagliesco\u002FSfera Cristallo Foglia Oro - Straw Yellow\u002FSphere Crystal Gold Leaves\nMetallo\u002FMetal\nDorato - Gold plated\nArgea,  - wall lamps\nApplique composta da due elementi soffiati\ne lavorati a mano, l’uno in vetro pagliesco o\nlattimo e l’altro in vetro cristallo con inclusioni\ndi foglia d’oro o d’argento. La struttura è\nrealizzata in metallo dorato o cromato.\nWall light consisting of two elements, both\nhand-blown and hand-crafted, one in strawcoloured\nor milk-white glass and the other in cristallo glass \nwith gold- or silver-leaf inserts.\nThe structure is chrome- or gold-plated metal.\n11,5 cm (4” 17\u002F32)\n23 cm (9” 1\u002F16)\nH 30  cm  (11” 13\u002F16) \nLattimo\u002FSfera Cristallo Foglia Argento\nMilk-White\u002FSphere Crystal Silver Leaves\nPagliesco\u002FSfera Cristallo Foglia Oro\nStraw Yellow\u002FSphere Crystal Gold Leaves\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.77.png","Stillboi\n847.19 \nArtlight\n150\n151\n \nVENINI\nVENINI\nStillboi - wall lamps\n1985\n847.19\nCaratteristiche tecniche\u002FTechnical details:\n30 x 15 H. 15 cm\nKg ~ 4\n(11” 13\u002F16 - 5” 29\u002F32 - 5” 29\u002F32)\nLb ~ 8\nColore \u002FColor\n•Lattimo\u002FCristallo\u002FTè - Milk-White\u002FCrystal\u002FTea\n•Lattimo\u002FCristallo\u002FRosso - Milk-White\u002FCrystal\u002FRed\nMetallo\u002FMetal\nDorato - Gold plated\nStillboi,  -  wall lamps\nApplique composta da due elementi soffiati e \nlavorati a mano, l’uno in vetro pagliesco o lattimo \ne l’altro in vetro cristallo con inclusioni di foglia \nd’oro o d’argento. \nLa struttura è realizzata in metallo dorato o \ncromato.\nWall light consisting of two elements, both\nhand-blown and hand-crafted, one in strawcoloured\nor milk-white glass and the other in cristallo glass \nwith gold- or silver-leaf inserts.\nThe structure is chrome- or gold-plated metal.\n15 cm (4” 17\u002F32)\n30 cm  (11” 13\u002F16)\nH 15  cm  (4” 17\u002F32) \nLattimo\u002FCristallo\u002FTè\nMilk-White\u002FCrystal\u002FTea\nLattimo\u002FCristallo\u002FRosso\nMilk-White\u002FCrystal\u002FRed\nStillboi\n847.19\nLattimo\u002FCristallo\u002FRosso \nMilk-White\u002FCrystal\u002FRed\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.78.png","Artlight\n152\n153\n \nVENINI\nVENINI\nStillboi,  -  wall lamps\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.79.png","Balloton Lamp\n845.12 \nArtlight\n154\n155\n \nVENINI\nVENINI\nBalloton Lamp - wall lamps\n2014\n845.12\nCaratteristiche tecniche\u002FTechnical details:\n25 x 12 H 26 cm\n1 x max 8W 220 - 240V LED E14\nKg ~ 2\n(9” 27\u002F32  - 4” 23\u002F32 - 10” 15\u002F64)\n1 x max 8W 110V LED E12\nLb ~ 4\nColore \u002FColor\n•Cristallo - Crystal\n•Talpa  - Grey\nMetallo\u002FMetal\nCromato - Chromium plated\nBalloton Lamp  - wall lamps\nApplique in vetro soffiato, lavorato con la\ntecnica “balloton”. La struttura è realizzata in\nmetallo cromato..\nWall light in blown glass, hand-crafted using\nthe “balloton” technique. The structure is\nchrome-plated metal.\n25 cm (9” 27\u002F32)\nH 26  cm  (10” 15\u002F64) \nCristallo\nCrystal\nTalpa\nGrey\nBalloton Lamp\n845.12\nTalpa\nGrey\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.80.png","Zoe\n865.54 \nArtlight\n156\n157\n \nVENINI\nVENINI\nApplique in vetro opalino rivestito di vetro viola\no talpa, soffiato e lavorato a mano. La struttura è\nrealizzata in metallo laccato bianco e dorato.\nWall light in opaline glass coated with a layer\nof violet or grey glass, hand-blown and handcrafted.\nThe structure is varnished white and\ngold-plated metal.\nZoe - Doriana e Massimiliano Fuksas \nwall lamps\n2014\n865.54\nCaratteristiche tecniche\u002FTechnical details:\n20 x 10 H 36 cm\n2 x max 8W 220 - 240V LED E14\nKg ~ 4\n(7” 7\u002F8 - 3” 15\u002F16 - 1’ 2” 11\u002F64)\n2 x max 8W 110V LED E12\nLb ~ 8\nColore\u002FColor\n•Viola - Violet\n•Talpa - Grey\nMetallo\u002FMetal\nDorato e laccato bianco - Gold plated and white painted\nZoe, Doriana e Massimiliano Fuksas  - wall lamps\nZoe\n865.54 \nTalpa \nGrey\n20 cm  (7” 7\u002F8)\n10 cm  (3” 15\u002F16)\nH 36  cm  (1’ 2” 11\u002F64) \nTalpa\nGrey\nViola\nViolet\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.81.png","Fragments\n028.27 \nArtlight\n158\n159\n \nVENINI\nVENINI\nLe lampade della collezione Fragments sono\nemblema della straordinaria sensibilità dei \ndesigner Humberto e Fernando Campana \nverso temi quali la sostenibilità e il recupero dei \nmateriali. Lo stile irriverente ed allegro dei due \ndesigner, unito alla volontà di trasformare residui \ndi lavorazione, altrimenti ritenuti irrecuperabili, \ndandogli una nuova finalità ed una nuova \neleganza, ha portato alla creazione di opere \nuniche e non riproducibili, ottenute assemblando \nin modo volutamente caotico frammenti di vetro \ne di pezzi storici della fornace muranese.\nApplique in vetro multicolore, composta da\n“frammenti” lavorati con diverse tecniche della\ntradizione veneziana e assemblati così da ottenere \nun manufatto non riproducibile in serie quanto ai \ndettagli. La struttura è in metallo verniciato. \nQuesto modello è concepito nelle versioni a \nquattro e a nove luci.\nThe lamps of the Fragments collection are \nemblematic of the extraordinary sensitivity of \ndesigners Humberto and Fernando Campana with \nrespect to issues like sustainability and recycling. \nThe cheeky and playful style of the two designers, \ntogether with their aim to transform manufacturing \nresidue otherwise considered non-recyclable, giving \nit a new purpose and a new elegance, has led to \nthe creation of unique and unreproducible works, \nobtained by deliberately assembling fragments of \nglass and historical pieces of the Murano fornace.\nWall lamp in multicoloured glass, composed of \n“fragments” processed using different traditional \nVenetian techniques and assembled to obtain an \nartefact the details of which cannot be reproduced \nin series. The hardware is in painted metal. This \nmodel is conceived in versions with four and nine \nlights.\nFragments  \nFernando e Humberto Campana\nwall lamps\n2011\n028.27\nCaratteristiche tecniche\u002FTechnical details:\n90 x 55  H 115 cm\n70 x 40 H 100 cm  - solo struttura metallo \n9 x max 8W  220 - 240V G9\nKg ~ 80\n(2’ 11” 7\u002F16 - 1’ 9” 21\u002F32 - 3’ 9” 9\u002F32)\n(2’ 3” 9\u002F16 - 1’ 3” 3\u002F4 - 3’ 3” 3\u002F8)  - only metal structure\n9 x max 8W  110V G9\nLb  ~ 176,37\nMetallo \u002F Metal:\nVerniciato  - Painted\nOGNI FRAGMENTS È UN OPERA UNICA PER COLORE\nEACH FRAGMENTS IS A UNIQUE ARTPIECE FOR COLOUR\nFragments , Fernando e Humberto Campana  - wall lamps\n90 cm (2’ 11” 7\u002F16)\nH 115  cm  (3’ 9” 9\u002F32) \nFragments \n028.27\nExhibition \nLa Triennale di Milano\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.82.png","161\n \nVENINI\nArtlight\n160\nVENINI\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.83.png","Fragments\n028.99 \nArtlight\n162\n163\n \nVENINI\nVENINI\nLe lampade della collezione Fragments sono\nemblema della straordinaria sensibilità dei \ndesigner Humberto e Fernando Campana \nverso temi quali la sostenibilità e il recupero dei \nmateriali. Lo stile irriverente ed allegro dei due \ndesigner, unito alla volontà di trasformare residui \ndi lavorazione, altrimenti ritenuti irrecuperabili, \ndandogli una nuova finalità ed una nuova \neleganza, ha portato alla creazione di opere \nuniche e non riproducibili, ottenute assemblando \nin modo volutamente caotico frammenti di vetro \ne di pezzi storici della fornace muranese.\nApplique in vetro multicolore, composta da\n“frammenti” lavorati con diverse tecniche della\ntradizione veneziana e assemblati così da ottenere \nun manufatto non riproducibile in serie quanto ai \ndettagli. La struttura è in metallo verniciato. \nQuesto modello è concepito nelle versioni a \nquattro e a nove luci.\nThe lamps of the Fragments collection are \nemblematic of the extraordinary sensitivity of \ndesigners Humberto and Fernando Campana with \nrespect to issues like sustainability and recycling. \nLo stile irriverente ed allegro dei due designer, unito \nalla volontà di trasformare residui di lavorazione, \naltrimenti ritenuti  irrecuperabili, dandogli una \nnuova finalità ed una nuova eleganza, ha portato \nalla creazione di opere uniche e non riproducibili, \nottenute ssemblando in modo volutamente caotico\nframmenti di vetro e di pezzi storici della fornace \nmuranese.\nWall lamp in multicoloured glass, composed of \n“fragments” processed using different traditional \nVenetian techniques and assembled to obtain an \nartefact the details of which cannot be reproduced \nin series. The hardware is in painted metal. \nThis model is conceived in versions with four and \nnine lights.\nFragments  \nFernando e Humberto Campana\nwall lamps\n2011\n028.99\nCaratteristiche tecniche\u002FTechnical details:\n65 x 35 H 80 cm\n40 x 23 H 60 cm - solo struttura metallo\n4 x max 8W - 220 - 240V G9\nKg ~35\n(2’ 1” 19\u002F32 - 1’ 1” 25\u002F32 - 2’ 7” 1\u002F2)\n(1’ 3” 3\u002F4 - 9” 1\u002F16 - 1’ 11” 5\u002F8) -  only metal structure\n4 x max 8W 110V G9\nLb ~ 77,16\nMetallo \u002F Metal:\nVerniciato - Painted\nOGNI FRAGMENTS È UN OPERA UNICA PER COLORE\nEACH FRAGMENTS IS A UNIQUE ARTPIECE FOR COLOUR\nFragments , Fernando e Humberto Campana  - wall lamps\n65 cm (2’ 1” 19\u002F32)\nH 80  cm  (2’ 7” 1\u002F2) \n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.84.png","Artlight\n164\n165\nVENINI\nVENINI\nVENINI \nvanta \nuna \npalette \ncromatica \nsenza eguali che, insieme alle tecniche \ndi lavorazione del vetro, è parte di un \npatrimonio \nculturale \ntramandato \ndi \ngenerazione in generazione.  \nLa fornace di VENINI è infatti l’unica in grado \ndi realizzare 125 colorazioni di vetro, frutto di \nuna lunga e appassionata formulazione alla \nricerca di nuove combinazioni. La struttura \nè organizzata inoltre per lavorare con una \ntavolozza di 12 colori, attraverso 12 forni \nattivi nello stesso momento. \nQuesta tavola riepilogativa è solo una \npiccola parte della vasta palette di colori \nVENINI. L’unicità dei prodotti VENINI è data \ndai procedimenti artigianali seguiti per tutte \nle fasi della lavorazione.\nVENINI boasts an unmatched colour palette \nthat, \ntogether \nwith \nthe \nglassworking \ntechniques, is part of a cultural heritage \nhanded down from generation to generation. \nThe VENINI furnace is, in fact, the only one \ncapable of producing 125 colours of glass, \nthe fruit of a long and passionate search \nfor formulae yielding new combinations. \nFurthermore, the structure is organized to \nwork with a palette of 12 colours, using 12 \novens simultaneously fired up. \nThis colour chart shows just a small portion of \nVENINI’s vast palette of colours. \nThe uniqueness of VENINI’s products springs \nfrom the craftsmanship required at every \nphase of the process.\nColore - Colour\nColore\u002FColour\nCR\nCristallo\nCrystal\nRS\nRosato\nLight- Pink\nUV\nUva\nGrape\nTP\nTalpa\nGrey\nAM\nAmetista\nAmethyst\nVT\nVerde Menta\nMint Green\nNE\nNero\nBlack\nLA\nLattimo\nMilk-white\nIN\nIndaco\nIndigo\nAQ\nAcquamare\nAquamarine\nVB\nVerde Erba\nGrass- Green\nZA\nZaffiro\nSapphire\nPG\nPagliesco\nStraw-yellow\nBL\nBluino\nLight-Blue\nVE\nVerde\nGreen\nVI\nViola\nViolet\nOZ\nOrizzonte\nHorizon\nVM\nVerde Mela\nApple Green\nBM\nBlu Mare\nMarine  Blue\nAA\nAmbra\nAmber\nAR\nArancio\nOrange\nTE\nTè\nTea\nRV\nRosso\nRed\nRB\nRosso Sangue di Bue\nOx  Blood Red\nTavola colori indicativa\nIndicative colour chart\nVR\nVerde Rio\nRio Green\nRC\nRosa Cipria\nCipria Pink\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.85.png","167\n \nVENINI\nArtlight\n166\nVENINI\nTadao Ando \nAtelier Oï\nTadao Ando, l’architetto autodidatta famoso in tutto il \nmondo, già vincitore nel 1996 del premio Pritzker Prize, \nconsiderato il nobel dell’architettura, ha ricevuto il 22 aprile \n2002 la laurea ad honorem dalla Facoltà di architettura \ndell’Università di Roma “La Sapienza”.\nAndo attribuisce il suo sviluppo all’intensa lettura e ad \nun elevato numero di viaggi in Europa e negli Stati Uniti \nintrapresi per studiare le architetture contemporanee e \nstoriche. \nNato a Osaka nel 1941, Tadao Ando realizza il suo primo \nprogetto di abitazioni familiari nel 1972, mostrandosi \nsulla scena nazionale nel 1976 con le realizzazioni di casa \nAzuma a Osaka, vincendo il Premio annuale assegnato \ndall’Architectural Institute of Japan. Tra le opere più \nimportanti si ricordano il Children’s Museum, il Naoshima \nContemporary Art Museum, il Suntory Museum, la Chiesa \ndella luce ad Osaka, la Cappella sull’acqua a Tomamu, il \nTempio sull’acqua alle isole Awajishima, in Giappone, \nl’edificio Fabrica per Benetton a Treviso, il teatro di Giorgio \nArmani a Milano nel 2001, la Pulitzer Foundation, 2001, negli \nUsa, il Japan Pavilion at Expo ‘92 a Siviglia.\nLa sua collaborazione con Venini inizia nel 2011. \nLa sua prima collezione “Ando for Venini” viene presentata \nnel maggio del 2011 a Punta della Dogana, spazio espositivo \nprogettato dallo stesso Ando e realizzato nel 2009.\nTadao Ando, the world-famous self-taught architect, winner in \n1996 of the Pritzker Prize, considered the Nobel of architecture, \nreceived an honorary degree from Rome’s “La Sapienza” university \nfaculty of architecture on 22 April 2002.\nAndo attributes his evolution to his extensive reading and many \ntrips through Europe and the United States, undertaken to study \ntheir architecture, both contemporary and historical.  \nBorn in Osaka in 1941, Tadao Ando’s first design for family \nhousing dates from 1972, and he made his debut on the Japanese \narchitectural scene in 1976 with the completion of Azuma House \nin Osaka, winning the annual prize awarded by the Architecture \nInstitute of Japan.  Among his most important works are: in Japan, \nthe Children’s Museum (1989), the Naoshima Contemporary Art \nMuseum (1995), the Suntory Museum (1994) and the Church of \nthe Light (1989) in Ibaraku-Osaka, the Chapel on the Water (1988) \nin Tomamu, Hokkaido, and the Water Temple (1991) on Awaji \nIsland; in Italy, Benetton’s Fabrica building in Villorba (Treviso) \nand the Teatro Armani–Armani World Headquarters in Milan; in \nthe USA, the Pulitzer Arts Foundation in St. Louis, Missouri; and in \nSpain, the Japan Pavilion for Expo ’92 in Seville.\nHis partnership with Venini was launched in 2011. \nHis first collection “Ando for Venini” was presented in May 2011 \nat Punta della Dogana, an exhibition space designed by Ando \nhimself and built in 2009\nFondato \nnel \n1991 \na \nLa \nNeuveville, \nSvizzera, \nda \nAurel \nAebi, \nArmand \nLouis \ne \nPatrick \nReymond. \nDa oltre venticinque anni il trio è legato da un fil rouge \nche riunisce menti aperte e creative. Il nome Öi deriva dal \nrusso “tröika”, una squadra di tre, ne definisce l’identità \ndinamica, la quale vede fondersi assieme architettura, \ndesign e costruzione navale. L’atelier è inteso come \nambiente nel quale si combinano queste diverse \ndiscipline e, proprio il know-how che contraddistingue \nAtelier Öi è quello di pluralità e interdisciplinarietà. \nAnche \nla \nsperimentazione \ndei \nmateriali \nricopre \nun ruolo fondamentale nel processo creativo, che \navviene in uno spazio polifunzionale, il Möitel, che \nospita al suo interno gli atelier, una biblioteca dei \nmateriali, gli uffici ed una galleria dedicata alle mostre. \nDal 2013 collaborano con Venini. Nascono Stelle filanti, \nlampade a sospensione che combinano il vetro soffiato \ndel diffusore, alla pelle della struttura che lo sostiene. \nAtelier Oï was founded in 1991 by Aurel Aebi, Armand Louis and \nPatrick Reymond. The three designers, who collaborated with\nVenini for over twenty-five years, are originally from La \nNeuveville, a small town in Canton Bern, near the border \nbetween Frenchspeaking and German-speaking Switzerland.\nAebi and Reymond attended the École Cantonale d’Art in \nLausanne (ECAL), where they currently teach design.\nThe name Öi, which derives from the Russian tröika, a team of \nthree, the firm’s dynamic identity, which combines architecture, \ndesign and naval engineering.\nThe atelier is envisioned as an environment where these different \ndisciplines are combined and, in fact, interdisciplinarity is\none of its most compelling characteristics.\nExperimentation with materials also plays a fundamental \nrole in the creative process of Atelier Oï and takes place \nin a multifunctional space, the Möitel, which houses the \nlaboratories, a library of materials, the offices, and a gallery \ndedicated to exhibitions. The studio has received numerous \nawards and acknowledgments, and has carried out projects \nfor Louis Vuitton, Bulgari Parfums, an Cleef & Arpels, Swarovski, \nSmirnoff, Nestlé, IKEA and Danese.\nSince 2013 Aebi, Louis and Reymond have partnered with \nVenini, for whom they have designed Stelle Filanti, pendant \nlamps that combine the blown glass of the diffuser with the \nleather of the structure supporting it.\nAuthors biographical notes \nAuthors biographical notes \n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.86.png","Artlight\n168\n169\n \nVENINI\nVENINI\nMonica Guggisberg \nPhilip Baldwin \nMonica Guggisberg (1955) e Philip Balwdin (1947) lavorano \ninsieme dal 1980. Entrambi hanno studiato in Svezia presso \nla Orrefors Factory Glass School, diventando assistenti\ndi Ann Wolff e Wilke Adolfsson. Nel 1982 aprono il loro studio \na Nonfoux in Svizzera, dove rimarranno fino al 2001, anno \ndel loro trasferimento a Parigi.\nNel 2015 spostano nuovamente il loro studio, questa volta \nin Galles. Le loro opere sono state esposte in alcuni dei più \nimportanti musei e in mostre temporanee d’Europa, Stati \nUniti e Giappone. La loro collaborazione con la Venini inizia \nnel 1995. Gli artisti hanno iniziato ad esplorare la ricchezza \ne la profondità della tradizione e delle tecniche vetrarie \nitaliane. Nel tempo hanno sviluppato una propria firma \ndistintiva, basata sulla tipica incisione veneziana, il “battuto”, \ncombinata con il processo di sovrapposizione di più strati di \nvetro diversamente colorati, appreso in Svezia. Adattando \nqueste tecniche hanno creato un proprio peculiare \nlinguaggio espressivo.\nDa queste sperimentazioni nascono collezioni, sia di \nlampade che di oggetti, caratterizzate dalla purezza delle \nforme e dalla vivacità dei colori.\nNegli ultimi anni hanno progettato installazioni di grandi \ndimensioni ed esposto le loro opere in importanti mostre \nin spazi pubblici, come la Cattedrale di Canterbury nel 2018 \ne, più recentemente, il Glasmuseum Ebeltoft in Danimarca \n2020-2021.\nMonica Guggisberg (1955) and Philip Baldwin (1947) have worked \ntogether since 1980.\nBoth studied in Sweden at Orrefors Factory Glass School, \nbecoming assistants to Ann Wolff and Wilke Adolfsson.\nIn 1982 they opened their studio in Nonfoux in Switzerland, where \nthey remained until 2001, the year of their move to Paris.\nIn 2015 they moved their studio again, this time to Wales.\nTheir works have been displayed in some of the most important \nmuseums and in temporary exhibitions in Europe, the United\nStates and Japan. Their collaboration with Venini began in 1995. \nThe artists began to explore the richness and  depth of the Italian \nglassmaking tradition and techniques.\nOver time they have developed their own distinctive signature, \nbased on a typical Venetian engraving technique, the “Battuto”,\ncombined with the process of overlapping several layers of \ndifferent-coloured glass, learned in Sweden Adapting these \ntechniques, they have created their own unique expressive \nlanguage. These experiments gave rise to collections of both \nlamps and objects, characterised by the purity of their lines and \nthe vivacity of their colours.\nIn recent years, they have designed largescale installations and \nshown their works in major exhibitions in public spaces, such\nas Canterbury Cathedral in 2018 and, most recently, the \nGlasmuseum Ebeltoft in Denmark 2020-2021.\nAuthors biographical notes \nFernando e Humberto \nCampana \nI fratelli Campana (Humberto 1953, Fernando 1961) nascono \nentrambi a Brotas, città brasiliana a 250 chilometri da São \nPaulo. Humberto, avvocato, e Fernando, architetto, fondano \nEstudio Campana nel 1984.\nStraordinariamente attenti alla sostenibilità ambientale, \nhanno espresso fin da subito una fortissima e consapevole \nsensibilità in tema di materiali integrando nei loro progetti la\npratica di recupero e riuso di scarti produttivi ed elementi \nindustriali dismessi, al fine di donare loro nuova vita. \nIl processo creativo dei due fratelli è teso a far dialogare le \npeculiarità della cultura brasiliana, ricca delle texture e\ndei colori vibranti del Carnevale e dei caotici contrasti creati \ndal crogiolo di razze presenti nel paese, con soluzioni di \ndesign semplici e dal carettere immaginifico e poetico.\nNel 1989 creano la loro prima collezione: Desconfortável, \nuna serie di tavoli e sedie realizzati con lastre di metallo \nsaldato. \nNel 1997 disegnano diverse lampade per O Luce e nel 1998 \ncollaborano con Edra, creando la “Vermehla Chair”, esposta \nal MoMA di New York in una mostra dedicata ai due designer \nbrasiliani e ad Ingo Maurer. Nel 2008 viene consegnato ai \nCampana il premio “Designer of the Year” dal Design Miami. \nNel 2009 presentano una grande retrospettiva al Vitra Design \nMuseum e nello stesso anno fondano l’Istituto Campana, al \nfine di preservare le loro collezioni e promuovere il design \ncome strumento di trasformazione attraverso iniziative \nsociali ed educative. Nel 2020 il Museum of Modern Art di \nRio de Janeiro ha dedicato ai fratelli Campana una vasta \nesposizione per ripercorrere i trentacinque anni del loro \nlavoro condiviso. Collaborano\ncon importanti aziende nel mondo, tra cui Artemide, Louis \nVuitton, Alessi, Lacoste, Fendi e Baccarat. Le opere dei due \ndesigner sono parte delle collezioni permanenti di alcune\ntra le istituzioni culturali più importanti al mondo, tra cui il \nCentre Pompidou e il Musée Des Arts Décoratifs di Parigi, il \nMoMa di New York e il Museum of Modern Art di São Paulo.\nCollaborano con Venini dal 2005.\nThe Campana brothers (Humberto 1953, Fernando 1961) were \nboth born in Brotas,a Brazilian city 250 kilometers from São Paulo. \nHumberto, lawyer, and Fernando, architect, founded Estudio \nCampana in 1984.\nExtraordinarily attentive to environmental sustainability, they \nimmediately expressed a very strong and informed awareness of\nmaterials by integrating in their projects the practice of recovery \nand recycling of production waste and obsolete industrial \nelements, in order to give them new life. \nThe creative process of the two brothers aims to bring together \nthe features of Brazilian culture, rich in the textures and vibrant \ncolours of Carnival and the chaotic contrasts created by the \nmelting pot of races in the country, with simple design solutions \nthat are imaginative and poetic in character. \nThey created their first collection in 1989. Desconfortável, a series \nof tables and chairs made with welded metal plates. \nIn 1997 they designed several lamps or O Luce and in 1998 they \ncollaborated with Edra, creating the “Vermehla Chair”, shown \nat the MoMA in New York in an exhibition dedicated to the two \nBrazilian designers and Ingo Maurer In 2008, the Campana \nbrothers received the “Designers of the Year” award from Design \nMiami. \nIn 2009 they held a sweeping retrospective at the Vitra Design \nMuseum, and that same year they founded the Istituto Campana, \nin order to preserve their collections and to promote design as a \ntool of transformation through social and educational initiatives. \nIn 2020, the Museum of Modern Art in Rio de Janeiro dedicated a \nvast exhibition to the Campana brothers to retrace their thirty-five \nyears of shared work. \nThey have collaborated with leading international companies, \nsuch as Artemide, Louis Vuitton, Alessi, Lacoste, Fendi, and \naccarat. The works of the two designers are part of the permanent \ncollections of some of the most important cultural institutions in \nthe world, including Centre Pompidou and the Musée des Arts \nDécoratifs in Paris, the MoMa. \nin New York, and the Museum of Modern Art in São Paulo. \nThey have collaborated with Venini since 2005.\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.87.png","Artlight\n170\n171\n \nVENINI\nVENINI\nSandro Chia \n \nNato a Firenze il 20 Aprile 1946, esponente di spicco della\nTransavanguardia ha uno stile inconfondibile, sospeso \ntra la forza dei segni e l’irruenza dei colori. Le sue opere \nnormalmente descrivono non tanto le realtà, quanto un \nmondo immaginario.\nLe due opere “Mappamondi” per Venini esprimono \nchiaramente l’identità dell’artista; prodotti di un disegno \nconcettuale, dove il vetro, quasi un globo, sembra girare \nvorticosamente pervaso da luce misteriosa che penetra \ndal fondo. le magiche radiazioni policrome splendono \ntutt’intorno ed irradiano anche le strutture di base in bronzo \nfuso. \nLe tecniche di lavorazione del vetro prevedono strati vitrei \ndi diverso colore e degradanti verso l’alto su una massa in \nvetro trasparente.\nBorn in Florence the April 20 1946, prominent member of the\nTransavanguardia movement, he has a unique style suspended \nbetween the strength of the signs and the vehemence of colors. \nHis works normally describe not so much the reality, but an \nimaginary world.\nHis two works “Mappamondi” for Venini express clearly the artist \nidentity: produced from a conceptual design where the glass, \nalmost a globe, seems to whirl filled with mysterious light which \npenetrates from the bottom.\nPolychromatic radiation shine around the magical glow and \nradiate also the basic building blocks of cast bronze.\nThe glass processing techniques involving glass layers of different \ncolors and degrading to the top of a mass of transparent glass.\nAuthors biographical notes \nDoriana e Massimiliano\nFuksas \nMassimiliano (1944) e Doriana Fuksas (1955) lavorano \ninsieme fin dal 1985 e nel 1989 fondano lo Studio Fuksas, \ncon sede a Parigi.\nMassimiliano Fuksas si laurea in Architettura presso \nl’Università degli Studi di Roma La Sapienza nel 1969. Sin dagli \nanni Ottanta è tra i protagonisti della scena architettonica \ncontemporanea. Ha diretto la VII Mostra Internazionale di \nArchitettura di Venezia, “Meno Estetica, Più Etica”. \nNel 1999 ha ricevuto il Grand Prix National d’Architecture \nFrançaise e successivamente è stato nominato Accademico \ndi San Luca e Commandeur de l’Ordre des Arts et des Lettres \nde la Republique Française. Dal 2000 al 2015 è stato autore \ndella rubrica di architettura del settimanale L’Espresso.\nDoriana Fuksas si laurea in Storia dell’Architettura Moderna \ne Contemporanea presso La Sapienza di Roma nel 1979 e,\nsuccessivamente, in Architettura all’ESA – École Spéciale \nd’Architecture di Parigi. Dal 1997 è responsabile di Fuksas \nDesign. Nel 2013 le è stato conferito il titolo di Commandeur \nde L’Ordre des Arts et des Lettres de la République Française \ne nel 2002 di Officier de l’Ordre des Arts et des Lettres de la \nRépublique Française. Negli ultimi quarant’anni lo studio ha\nsviluppato un approccio innovativo all’architettura e al \ndesign attraverso una straordinaria varietà di progetti, che \nvanno dagli interventi urbani agli aeroporti, dai musei ai \ncentri culturali e agli spazi per la musica, dai centri congressi \nagli uffici, dagli interni alle collezioni di design. \nHanno ideato per Venini “Zoe”, una collezione di lampade\nin vetro opalino, disponibili nelle versioni applique e \nsospensione, la cui forma ricorda quella delle lanterne \norientali.\nMassimiliano (1944) and Doriana Fuksas (1955) have worked \ntogether since 1985, and in 1989 founded Studio Fuksas, based \nin Paris. Massimiliano Fuksas graduated in Architecture from the \nUniversity of Rome La Sapienza in 1969.\nSince the 1980s he has been a leading figure on the contemporary \narchitectural scene In the year 2000, he directed the Venice\nBiennale’s 7th International Architecture Exhibition, “Less \nAesthetics, More Ethics”. In 1999, he was awarded the Grand Prix\nNational d’Architecture Française and was subsequently \nappointed Academician of San Luca and Commandeur de l’Ordre \ndes Arts et des Lettres de la Republique Française From 2000 to \n2015 he wrote the architecture column of the weekly L’Espresso.\nDoriana Fuksas graduated in History of Modern and Contemporary \nArchitecture at La Sapienza in Rome in 1979 and, subsequently,\nin Architecture at ESA - École Spéciale d’Architecture in Paris\nSince 1997 she has been Managing Director of Fuksas Design.\nIn 2013 she was awarded the title of Commandeur de L’Ordre des \nArts et des Lettres de la République Française and in 2002 of Officier \nde l’Ordre des Arts et des Lettres de la République Française.\nOver the past forty years the studio has developed an innovative \napproach to architecture and design through an extraordinary \nvariety of projects, ranging from urban interventions to airports, \nmuseums, cultural centres and spaces for music, as well as \ncongressional centres, offices, interior decoration, and design \ncollections They created “Zoe” for Venini, a collection of opaline \nglass lamps, available in table, wall, and pendant versions, whose \nshape is reminiscent of that of oriental lanterns.\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.88.png","Artlight\n172\n173\n \nVENINI\nVENINI\nFrancesco Lucchese\n \nSupriya Mankad e Alessandro Isola, fondatori dello studio \nI M Lab, si sono laureati nel 2003 presso la Architectural \nAssociation di Londra e hanno collaborato con il famoso\nstudio di architettura Foster + Partners, prima di avviare la \nloro attività nel 2008. La loro esperienza spazia dal design di\nprodotto e di mobili di piccole dimensioni alla progettazione \ndi edifici su larga scala. I due architetti condividono l’interesse \nper la ricerca e la sperimentazione con tecniche e materiali, \nreinventandosi sempre nello sviluppo di prodotti e spazi.\nNel 2011 hanno collaborato con Venini progettando \nRhythm, lampadari modulari in vetro soffiato dentro una \ngabbia metallica.\nSupriya Mankad and Alessandro Isola, founders of I M Lab, \ngraduated in 2003 from the Architectural Association in London\nand then collaborated with the famous architectural firm Foster + \nPartners, before starting their own business in 2008.\nTheir experience ranges from the design of small products and \nfurniture to large scale building plans.\nThe two architects share an interest in research and \nexperimentation with techniques and materials, ever reinventing \nthemselves in the development of new products and spaces.\nIn 2011 they partnered with Venini to design the “Rhythm”, \nmodular ceiling lighting fixtures in blown glass inside a metal \ncage.\nAuthors biographical notes \nFrancesco Lucchese (1960), consegue la laurea in \nArchitettura presso il Politecnico di Milano nel 1985 e riceve, \nad inizio carriera, il primo premio ADI con il progetto di sedia \npieghevole “Traslazione”, presentato per il Gruppo Industriale \nBusnelli. Nel 1985 fonda lo studio Lucchese Design che si \noccupa di progetti di architettura, interior e product design \nin tutto il mondo. Ha realizzato numerosi progetti di arredo \nurbano, la ristrutturazione di un museo agricolo, il progetto \ndi un asilo, numerosi interventi di arredo urbano, il multisala \nCineplex e l’Hotel Les Fleurs a Sofia in Bulgaria. Numerosi i\nprogetti di residenze private esclusive e di showroom in Italia \ne all’estero, tra cui quelli a Mosca, San Paolo e recentemente\na Shanghai. All’attività di docenza presso l’Accademia di \nBrera segue quella presso la Facoltà di Design al Politecnico \ndi Milano. Nell’ambito del design collabora con aziende\ncome Cappellini, Foscarini, Swan, Fontana Arte, Egoluce, Fir \nItalia, Hatria, Rapsel, Fabbian, Molteni, Antrax, Mosaico+.\nNel 2020 ha ricevuto il premio Compasso d’Oro e la Menzione \nd’Onore. Dal 1992 collabora con Venini disegnando oggetti\ne lampade e proprio l’illuminazione è diventata, negli anni, il \nfulcro della sua attività di designer.\nFrancesco Lucchese (1960), graduated in Architecture at the \nPolitecnico di Milano in 1985 and received, at the beginning of his\ncareer, the first ADI prize with the “Traslazione” folding chair \nproject, presented for the Busnelli Industrial Group. \nIn 1985 he founded the Lucchese Design studio which deals \nwith architecture, interior and product design projects all over \nthe world He has carried out numerous street furniture projects, \nthe renovation of an agricultural museum, the design for a \nkindergarten, and the Cineplex movie theatre and the Hotel Les\nFleurs in Sofia, Bulgaria.\nThere have been numerous projects for exclusive private residences \nand showrooms in Italy and abroad, including those in Moscow, \nSão Paulo, and recently in Shanghai.\nHis teaching activity at the Brera Academy was followed by that at \nthe Faculty of Design at the Milan Polytechnic.\nIn the field of design, he collaborates with such companies as \nCappellini, Foscarini, Swan, Fontana Arte, Egoluce, Fir Italia, \nHatria, Rapsel, Fabbian, Molteni, Antrax, Mosaico.\nIn 2020 he received the Compasso d’Oro award and an Honourable \nMention. Since 1992 he has collaborated with Venini designing \nobjects and lamps, and over the years lighting has become the \nfocus of his activity as a designer.\nI M Lab\n \n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.89.png","Artlight\n174\n175\n \nVENINI\nVENINI\nPeter Marino\n \nPeter Marino (1949) è un architetto e designer newyorkese \ntra i più famosi e richiesti al mondo. Consegue la laurea al \nCornell’s College of Architecture, Art and Planning nel 1971. \nLavora per Skidmore Owings & Merill, George Nelson, I.M. \nPei e Cossutta & Ponte prima di avviare il suo studio nel 1978, \nPeter Marino Architect PLLC, con sede a New York. Amico \ndi Andy Warhol, gli vengono commissionati dei progetti \nresidenziali per le famiglie Rothschild e Agnelli. Nel 1985\nviene contattato dalla famiglia Pressman, la quale gli \ncommissiona la riprogettazione del flagship store di Barney’s \na New York. In seguito all’enorme successo del lavoro,\nMarino disegnò boutique per i più famosi brand del \nlusso come Calvin Klein, Donna Karan, Giorgio Armani, \nErmenegildo Zegna, Fendi, Chanel, Dior e Louis Vuitton.\nHa ricevuto numerosi riconoscimenti, oltre ad essere stato \nnominato Chevalier de l’Ordre des Arts et des Lettres de \nla République Française. Marino inoltre è presidente della \n“Venetian Heritage”, organizzazione internazionale non \nprofit che sostiene iniziative culturali attraverso restauri, \nmostre e pubblicazioni al fine di salvaguardare l’antica\narte veneziana in Venezia e nei territori della Repubblica \nSerenissima . Collabora con Venini dal 2017 e nel 2019 ha \ndisegnato per l’azienda le lampade Cilindro, Parallelo e\nRotondo.\nPeter Marino (1949) is one of the most famous and sought-after \nNew York architects and designers in the world.\nHe graduated from Cornell’s College of Architecture, Art and \nPlanning in 1971 He worked for Skidmore Owings & Merill,\nGeorge Nelson, I.M. Pei, and Cossutta & Ponte before launching\nhis own studio in 1978, Peter Marino Architect PLLC, with home \noffice in New York. A friend of Andy Warhol, he was commissioned\nfor residential projects for the Rothschild and Agnelli families.\nIn 1985 he was contacted by the Pressman family, who \ncommissioned him to redesign the Barney’s flagship store in \nNew York. Following the enormous success of that work, Marino \ndesigned boutiques for the most famous luxury brands such as \nCalvin Klein, Donna Karan, Giorgio Armani, Ermenegildo\nZegna, Fendi, Chanel, Dior, and Louis Vuitton.\nHe has received numerous awards, as well as being named \nChevalier de l’Ordre des Arts et des Lettres de la République \nFrançaise. Marino is also president of the “Venetian Heritage”, \nan international non-profit organization that supports cultural \ninitiatives through restoration, exhibitions, and publications in \norder to safeguard the legacy of Venetian art in Venice and in the \nterritories of the Serenissima Republic.\nHe has collaborated with Venini since 2017, and in 2019 he \ndesigned the Cilindro, Parallelo, and Rotondo lamps for the \ncompany.\nAuthors biographical notes \nFabio Novembre\n \nFabio Novembre (Lecce 1966) è un architetto e designer \nitaliano. Nel 1992 si laurea in architettura al Politecnico \ndi Milano, l’anno successivo si trasferisce a New York dove \nfrequenta un corso di cinematografia. \nDue anni dopo apre il suo Studio a Milano. Il primo lavoro \nche gli viene commissionato prevede la progettazione \ndegli interni del negozio Blumarine di Londra. Fin da subito \nil suo stile espressivo ed iconico colpisce il mondo del \ndesign a livello internazionale e lo porterà a collaborare \ncon importanti aziende come Cappellini, Driade, Meritalia, \nFlaminia e Casamania. \nDal 2019 Fabio Novembre è direttore artistico di Driade, \nDirettore Scientifico di Domus Academy (2018) e membro \ndel comitato scientifico del Museo del Design della Triennale \ndi Milano. \nÈ direttore artistico di Bisazza dal 2000 al 2003. \nNel 2012 inizia la collaborazione con Venini progettando \noggetti e lampade.\nFabio Novembre (Lecce 1966) is an Italian architect and designer. \nIn 1992 he graduated in architecture from the Milan Polytechnic, \nand the following year he moved to New York where he attended \na course in filmmaking.\nTwo years later, he opened his Studio in Milan. \nThe first work commissioned to him involved the interior design of \nthe Blumarine store in London. His expressive and iconic style won \nover the world of design internationally and led to partnerships \nwith important brands, such as Cappellini, Driade, Meritalia, \nFlaminia, and Casamania. \nSince 2019 Fabio Novembre has been artistic director at Driade, \nScientific Director of Domus Academy (2018), and a member of \nthe scientific committee of the Milan Triennale Design Museum.\nHe was the artistic director of Bisazza from 2000 to 2003.\nHis partnership with Venini started in 2012, with his designs for \nobjects and lamps. \n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.90.png","Artlight\n176\n177\n \nVENINI\nVENINI\nLeonardo Ranucci\n \nLeonardo Ranucci (1964) è un designer italiano di gioielli e \noggetti di lusso. \nIl suo studio di consulenza, fondato nel 1989 assieme a Marco \nVinicio Cenzi, si occupa dello sviluppo di alcuni importanti\nmarchi di gioielleria e di moda. Negli anni infatti ha collaborato \ncon prestigiosi brand tra i quali Bulgari, Diesel, Roberto Coin \ne Just Cavalli. I suoi continui viaggi sono fonte d’ispirazione \nper le sue collezioni, stimolando sperimentazione ed \ninnovazioni tecnologiche e determinando sottili suggestioni \netniche nell’ambito di un design contemporaneo.\nInizia a collaborare con Venini nel 2003, per la quale progetta \nvasi e lampade.\nLeonardo Ranucci (1964) is an Italian designer of jewellery and \nluxury items.\nHis consulting firm, founded in 1989 together with Marco Vinicio \nCenzi, deals with the development of some important jewellery\nand fashion brands. In fact, over the years he has collaborated\nwith prestigious brands including Bulgari, Diesel, Roberto Coin, \nand Just Cavalli His continuous travels are a source of inspiration \nfor his collections, stimulating experimentation and technological\ninnovations, as well as determining subtle ethnic suggestions in \nthe context of contemporary design.\nHe began collaborating with Venini in 2003, designing vases and \nlamps.\nAuthors biographical notes \nMimmo Rotella\n \nDomenico Rotella (Catanzaro 1918 – Milano 2006) studiò \narte a Napoli, successivamente si trasferì a Roma, dove \nsperimentò varie arti come la fotografia, fotomontaggi, \ndecollages, poesia fonetica e le musiche primitive. \nRicevette una borsa di studio dalla “Fullbright Foundation” di \nKansas City nel 1951, che frequentò prima come studente, \npoi come artista. \nNel 1954 fu invitato da Emilio Villa ad esporre in una mostra \ncollettiva i suoi manifesti lacerati, opere che ottennero \nampia risonanza. \nNel 1961, su invito del critico francese Pierre Reastany, \npartecipò al gruppo Noveaux Rèealistes e nel 1963 realizzò \nle sue prime opere realizzate con un procedimento che \nchiama Mec-Art. \nSeguirono le opere della serie Artypo e le Plastiforme. \nEspone al Centre Pompidou di Parigi e al MoMA di New York \nnel 1990 e al Museo Solomon R. Guggenheim nel 1994. La \nFondazione Mimmo Rotella nasce nel 2000 con l’obiettivo \ndi favorire l’arte contemporanea e preservare le opere \ndell’artista. \nDalla collaborazione con Venini nel 2003, nasce una serie \ndi lampade da tavolo “Replicanti”, figure luminose che \npreferiscono abitare le case piuttosto che i musei. \nDomenico Rotella (Catanzaro 1918 – Milan 2006) studied art in \nNaples, and then moved to Rome, where he experimented with \nvarious arts such as photography, photomontage, décollage, \nphonetic poetry, and primitive music\nIn 1951, he won a scholarship under the Fulbright program and \nattended Kansas City University, first as a student, then as “Artist \nin Residence”.  In 1954 he was invited by Emilio Villa to exhibit \nhis torn posters in a collective exhibition, works that garnered \nwidespread interest. \nIn 1961, he accepted the French critic Pierre Restany’s invitation \nto join the Nouveau Réalisme movement, and in 1963 he created \nhis first works made according to the procedure he called Mec-Art. \nThe works of the Artypo series and the Plastiforms followed.\nHe exhibited at the Centre Pompidou in Paris and at the MoMA in \nNew York in 1990 and at the Solomon R. Guggenheim Museum in \n1994. The Fondazione Mimmo Rotella was established in the year \n2000 for the purpose of promoting contemporary art, as well as \nconserving the artist’s works.\n The partnership with Venini in 2003 gave rise to the “Replicanti” \nseries of table lamps, luminous figures that prefer to inhabit \nhomes rather than museums.\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.91.png","Artlight\n178\n179\n \nVENINI\nVENINI\nEttore Sottsass\n \nEttore Sottsass nacque ad Innsbruck nel 1917, da padre, \ntrentino, architetto e madre austriaca. Conseguì la laurea \nnel 1939 presso la facoltà di architettura del Politecnico di \nTorino. Dopo la guerra, durante la quale venne imprigionato \noltre confine, tornò in Italia e fondò il suo studio di design \na Milano. Nel 1948 aderì al MAC, il Movimento di Arte \nConcreta, e partecipò alla prima collettiva dedicata a questa \ncorrente. Divenne nel 1957 direttore creativo di Poltronova, \nper la quale progettò arredi e complementi innovativi. Nel\n1958 iniziò la sua lunga collaborazione con Olivetti in qualità \ndi consulente per il design: il rapporto durò oltre trent’anni e \nfruttò a Sottsass numerosi premi, tra cui tre Compassi d’oro. \nPer Olivetti disegnò, tra le altre cose, il primo calcolatore \nelettronico italiano, “Elea 9003”, diverse macchine da scrivere, \ntra cui la “Praxis” e, insieme a Perry King, la celebre “Valentine”. \nNel 1972 fu selezionato per rappresentare il design italiano \nall’epocale mostra del MoMA intitolata “Italy. \nThe new domestic landscape”. Nel 1980 fondò il collettivo \nMemphis”, il cui scopo era quello di conferire agli oggetti “uno \nspessore simbolico, emotivo e rituale”, di porre “l’emozione \nprima della funzione”. Fondò in seguito lo studio Ettore \nSottsass Associati che firmò elaborati progetti di negozi e\nshowroom, d’identità visiva per aziende e mostre, di interni \ne mobili di ogni genere.\nLa sua collaborazione con Venini iniziò nel 1989 con la nascita \ndi tre lampade a sospensione: Formosa, Gloriosa e Giocosa. \nNel 1994 disegnò una collezione composta da oggetti e \nlampade tutt’ora in produzione. Nel 2003 ideò “Marito e \nMoglie”, simbolica scultura con base in marmo dalla quale si\nelevano due cilindri in vetro soffiato, prodotta in novantanove \nesemplari. Seguirono altre collaborazioni con l’azienda fino \nalla metà degli anni Novanta.\nSottsass ha ricevuto moltissimi premi e riconoscimenti e le \nsue opere sono esposte nelle collezioni permanenti di alcuni \ndei più importanti musei del mondo.\nEttore Sottsass was born in Innsbruck in 1917 to an Austrian father \nwho was an architect and a mother from Trentino.\nHe graduated in 1939 from the Faculty of Architecture at the Turin \nPolitecnico. After the war, during which he had been imprisoned \n\\abroad \\in former Yugoslavia\\, he returned to Italy and founded \nhis design studio in Milan. In 1948 he joined MAC (the Concrete \nArt Movement, and took part in the first collective exhibition \ndedicated to this trend. He became creative director of Poltronova \nin 1957, for which he designed innovative furnishings and \naccessories.\nIn 1958 he began his long collaboration with Olivetti as a design \nconsultant: the relationship lasted over thirty years and earned \nSottsass numerous awards, including three Golden Compasses. \nFor Olivetti he designed, among other things, the first Italian \nelectronic calculator, “Elea 9003”, several typewriters, including \nthe “Praxis”, and, together with Perry King, the famous “Valentine”.\nIn 1972 he was selected to represent Italian design at the historic \nMoMA exhibition entitled “Italy: “The new domestic landscape”.\nIn 1980 he founded the Memphis Group, whose purpose was to \ngive objects “a symbolic, emotional, and ritual depth”, to place \n“emotion before function”. He later founded the Ettore Sottsass \nAssociati studio which designed elaborate projects for shops\nand showrooms, for visual identities for companies and \nexhibitions, and for interiors and furniture of all kinds.\nHis collaboration with Venini began in 1989 with the creation of \nthree pendant lamps: Formosa, Gloriosa, and Giocosa.\nIn 1994 he designed a collection made up of objects and lamps still \ntoday in production. In 2003 he conceived “Husband and Wife”,\na symbolic sculpture with a marble base from which two blown \nglass cylinders rise, produced in and edition of ninety-nine pieces.\nOther collaborations with the company continued until the mid-\nnineties. Sottsass received many awards and acknowledgments, \nand his works are exhibited in the permanent collections of some \nof the most important museums in the world.\nAuthors biographical notes \nMassimo Vignelli\n \nMassimo Vignelli (1931 - 2014) fu esponente di punta della \ngrafica modernista, ambasciatore del design italiano negli \nStati Uniti, ma anche progettista con la moglie Lella di arredi,\nprodotti e allestimenti che hanno segnato indelebilmente la \ncultura del design mondiale.\nDopo una prima esperienza nello studio dei fratelli \nCastiglioni, \ndivenne \napprendista, \ndurante \ngli \nanni \nuniversitari, in importanti studi di architettura di Milan    ra \nin produzione, per cui ottenne la segnalazione al Compasso \nd’Oro. Il designer progettò anche la serie Christofle, che si \ncomponeva di vetri incisi Venini e argenti di Christofle.\nTrasferitosi negli Stati Uniti, costituì nel 1960, insieme alla \nmoglie Lella, lo studio Vignelli Associates, esperienza che si \nconcluse nel 2010 con l’apertura del Vignelli Center\nof Design Studies a New York. Nel 1965 fondò la Unimark \nInternational e nel 1967 firmò la nuova identità visiva \ndi American Airlines. Sino alla fine degli anni ‘80 curò la \ncomunicazione di Knoll. Il suo portfolio include clienti come \nFord, IBM, Lancia, Rai, Benetton, Ducati e Ferrovie dello Stato,\nma ideò anche allestimenti, showroom e persino gli interni \ndi una chiesa di New York. Progettò per Heller collezioni di \ntableware, aggiudicandosi un Compasso d’oro ed entrando \nnella collezione del MOMA di New York. Il lavoro più noto, \nma anche dibattuto, del designer è probabilmente la mappa \ndella metropolitana di New York realizzata nel 1972. Nel 1982 \nVignelli disegnò anche il logo multicolore di Venini. L’opera \ndi Massimo Vignelli fu concepita per essere “visivamente\npotente, intellettualmente elegante e soprattutto senza \ntempo”.\nMassimo Vignelli (1931 - 2014) was a leading exponent of \nmodernist graphics, an ambassador of Italian design in the United\nStates, as well as, together with his wife Lella, a creator of \nfurnishings, products and fittings that have indelibly marked the \nculture of world design. After a first experience in the studio of\nthe Castiglioni brothers, during his university years, he became an \napprentice in important architectural firms in Milan and Venice,\nLater, thanks to his meeting with Paolo Venini, Vignelli had an \nopportunity to design lamps  and objects for the table, which \nmarked the beginning of a long investigation of the potential of \nglass.\nIn 1956 he designed pendant lamps with coloured bands which \nenjoyed great success, and the Fungo table lamps in “Tessuto” \nglass, still in production, for which he received a nomination for \nthe Compasso d’Oro award. \nThe designer also conceived the Christofle series, which consisted \nof engraved Venini glass and Christofle silver.\nWhen he moved to the United States, he established Vignelli \nAssociates in 1960, together with his wife Lella, an experience\nthat ended in 2010 with the opening of the Vignelli Center of \nDesign Studies in New York.\nIn 1965 he founded Unimark International and in 1967 he \ndesigned the new American Airlines corporate identity.\nUntil the end of the 1980s, he was responsible for Knoll’s \ncommunications.\nHis portfolio included clients such as Ford, IBM, Lancia, Rai, \nBenetton, Ducati and Ferrovie dello Stato, but he also designed\ndisplays, showrooms and even the interiors of a New York church \nHe designed tableware collections for Heller, winning a Compasso\nd’Oro and entering the collection of the MOMA in New York.\nThe designer’s best known, but also much debated, work is \nprobably the New York subway map he made in 1972.\nIn 1982 Vignelli also designed Venini’s new graphic multicoloured \nlogo. Massimo Vignelli’s work was conceived to be “visually \npowerful, intellectually elegant, and  above all, timeless”\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F63\u002F6278ca13f1bb200a5dc5725d806387-281b0209ce.92.png","Artlight\n180\nVENINI\nConcept and project:\nVENINI S.p.A.\nPhoto:\nIvano Mercanzin\nArchivio Fotografico Venini\nDisegni storici - historical drawings:\nMUSEO VENINI\n(45.000 disegni d’autore)\n(45.000 author drawings)\ncopyright notice\nIl presente catalogo è tutelato dalla legge sui diritti d’autore di esso è quindi proibi-\nta ogni riproduzione, totale o anche parziale. Qualora venga concessa la preventiva \nautorizzazione alla riproduzione è d’obbligo citarne la fonte.\ncopyright notice\nNo part of this catalogue may be reproduced in any form or by any means. When prior \nauthorisation for reproduction has been given, the source must be clearly stated.\nVENINI - ARTLIGHT\nMasterpieces in glass since 1921\nARTLIGHT _ DESIGN\n2022\nL’unicità della produzione VENINI è data dai procedimenti artigianali seguiti per \ntutte le fasi della lavorazione. \nOgni Opera è realizzata a mano, si possono quindi riscontrare\nalcune sfumature di colore, bollicine o dettagli produttivi che sono la caratteristica \ndell’originalità.\nThe uniqueness of VENINI’s production is given by handcraft\nprocedures followed during all working processes.\nSome shades or bubbles, that might be found on the glass, underline that every single \npiece is entirely handmade and even if similar to the others, each single piece is unique.\nFollow VENINI at:\nwww.venini.com\nVenini S.p.A. 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