[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-venini-artglass-2018":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":137},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":132,"matched_pages":133,"match_count":134,"two_pages":135,"show_text":136},6961,"Artglass 2018","venini-artglass-2018","\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F29\u002F529706f177b317ff117d42a0f07b47.pdf","Venini",925,"venini","5.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129],{"image":7,"text":15,"number":16},"ARTGLASS\nL’ HERITAGE ESCLUSIVO E LA MAESTRIA DI VENINI\nTHE EXCLUSIVE HERITAGE AND SKILLS OF VENINI\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.2.png","2\n3\nVENINI : una storia, un’eccellenza artistica, una passione tutta italiana\n \nFondata nel 1921 dall’avvocato milanese Paolo Venini e dall’antiquario veneziano \nGiacomo Cappellin, la Venini S.p.A., allora Cappellin - Venini & C., è destinata a diventare un \nnome di riferimento nel mondo del vetro artistico, ponendo le basi di quell’identità stilistica \nche ancora oggi la contraddistingue. Nel tempo, VENINI stringe significative collaborazioni \ncon artisti come:  Napoleone Martinuzzi, Carlo Scarpa, Vittorio Zecchin e, nel dopoguerra, con \nGio Ponti e Mimmo Rotella, fino ai contributi di designer e architetti contemporanei del calibro \ndi Alessandro Mendini, Ettore Sottsass, Gae Aulenti,  Tobia Scarpa, Tadao Ando, Massimiliano \nFuksas, Fabio Novembre, Francesco Lucchese, Monica Guggisberg e Philip Baldwin, Emmanuel \nBabled, Ron Arad e Peter Marino.\nCosì l’originale produzione artistica si rinnova nelle forme e nel linguaggio. Fra progetti iconici \ne nuove creazioni, la vetreria presenta le sue opere in due collezioni: Art Glass raccoglie \nstraordinari vasi scultorei e oggetti per il décor; Art Light presenta lampadari e importanti \ninstallazioni luminose destinate a grandi spazi pubblici o privati. Le creazioni firmate Venini \nsono entrate a far parte delle collezioni permanenti di musei della portata del Metropolitan \nMuseum e dell MOMA di New York, della Fondazione Cartier di Parigi, del Victoria and Albert \nMuseum di Londra.\nVenini raccoglie nel suo museo 45.000 disegni, 10.000 foto d'epoca e 4.000 opere d’arte, \nrappresenta il più prezioso archivio storico della vetreria artistica moderna e contemporanea.\nVENINI : a story, an artistic excellence, a typically Italian passion\n \nFounded in 1921 by  Paolo Venini, a Milanese lawyer, and Giacomo Cappellin, a Venetian \nantiques dealer, Venini SpA, then Cappellin - Venini & C., would become a benchmark in the world \nof artistic glass, laying the foundations of that stylistic identity that still distinguishes it today. \nOver the years, VENINI has undertaken significant joint projects with artists such as: Napoleone \nMartinuzzi, Carlo Scarpa, Vittorio Zecchin, and, after the war, with Gio Ponti and Mimmo Rotella, \nnot to mention the contributions of contemporary designers and architects such as : \nAlessandro Mendini, Ettore Sottsass, Gae Aulenti,  Tobia Scarpa, Tadao Ando, Massimiliano Fuksas, \nFabio Novembre, Francesco Lucchese, Monica Guggisberg e Philip Baldwin, Emmanuel Babled, \nRon Arad e Peter Marino.\n The forms and style of the original artistic production are thus continuously refreshed.  \nWith its iconic projects and new creations, the glassworks presents its works in two collections: \nArt Glass brings together a series of extraordinary sculptural vases and objects for interior decoration; \nArt Light features chandeliers and important lighting installations for large public or private spaces. \nCreations bearing the Venini signature have become part of the permanent collections of museums \nof such calibre as the Metropolitan Museum and MoMA in New York, the Fondation Cartier in Paris, \nand the Victoria and Albert Museum in London.\nVenini’s own museum contains 45.000 drawings, 10.000 vintage photos and 4.000 works of art, \nmaking it the most precious historical archive of modern and contemporary glass art in the world.\nphoto: Ivano Mercanzin\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.3.png","4\n5\nphoto: Ivano Mercanzin\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.4.png","6\n7\n \nIl Vetro di VENINI, si caratterizza per  la ricchezza cromatica , tecniche di \nlavorazione e forme. \nIn particolare la nuova collezione si basa su tonalità calde e sensuali che \nvalorizzano la materia nelle sue trasparenze e sfumature.\nLe tecniche accentuano il colore denso e morbido della tonalità Uva quando è \naccoppiato al Rosso o al bianco Lattimo, mentre il Rosato e  l’Uva diventano eterei \ned impalpabili nelle versioni trasparenti.\nSi può definire il loro essere senza tempo, nelle forme e nei colori, come la più \nevidente caratteristica. La collezione 2018 si arricchisce di opere  in edizione \nlimitata come  I TRASPARENTI DI ZECCHIN che omaggiano  la creatività dell’autore.  \nTIARA un disegno lineare eseguito con una nota tecnica vetraria di VENINI come \nil “Balloton”.  GEODI soffiato e successivamente lavorato con la preziosa tecnica \ndella molatura. TRIO, flessuosi  personaggi in vetro soffiato e lavorati con la \ntecnica dell’incalmo. Le rinnovate cromie valorizzano le collezioni MONOFIORI \nBALLOTON, FAZZOLETTI, OPALINI e CLESSIDRE  che rinascono e si vestono di \nnuove tonalità.\nTHE EXCLUSIVE HERITAGE AND SKILLS OF VENINI\nVENINI glass stands out for its rich colours, manufacturing techniques and shapes.\nIn particular, the new collection is based on warm and sensual tones that enhance \nthe material’s transparency and nuances.\nThe techniques used to make the articles accentuate the dense and soft colour of a \nGrape coloured when paired with Red or Lattimo  (milk-white), while the Light-Pink \nwith Grape becomes ethereal and almost intangible in the versions.\nOne may define their timeless essence in the shapes and colours adopted as being \ntheir most evident characteristic. The 2018 collection is enriched with limited edition \nworks like I TRASPARENTI DI ZECCHIN, which pays tribute to the creativity of Vittorio \nZecchin, TIARA, comprising a linear design given form using a well-known VENINI \nglassmaking technique called balloton. For its part, GEODI  is blown and subsequently \nworked using a highly-skilled milling technique, and  TRIO, consisting of curved \nfigures is made of blown glass and worked with the difficult incalmo technique.\nThe renewed colours enhance the MONOFIORI BALLOTON, FAZZOLETTI, OPALINI \nand CLESSIDRE collections which are here revived and dressed in new shades of \ncolour.\nL’ HERITAGE ESCLUSIVO E LA MAESTRIA DI VENINI\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.5.png","8\n9\nArtGlass\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.6.png","11\n10\nArtGlass | ICONE\nMONOFIORI BALLOTON \nVenini | 1970\n100.36\n100.14\n100.29\n100.18\n100.16\n100.14 Ø 11 H 12,5 cm (4,33” - 4,92”) - Kg: ~ 0,25\n100.16 Ø 14 H 16,5 cm (5,51” - 6,49”) - Kg:   ~ 0,45\n100.18 Ø 18 H 20,5 cm (7” - 8”) - Kg:   ~ 0,77\n100.29 Ø 21,5 H 24,5 cm (8,46” - 9,64”) - Kg:   ~ 0,90\n100.36  Ø 13,5 H 12,5  cm (5,31” - 4,92”) Kg: ~ 0,40\nUVA \u002Ffilo ROSSO SANGUE DI BUE \nGRAPE \u002F OX  BLOOD RED thread\nMONOFIORI BALLOTON, è uno dei \ngrandi classici della tradizione VENINI, \npresentato nel 1970. \nL’opera è realizzata grazie alla tecnica \ndel “Balloton”, che durante la soffiatura \ndel vetro utilizza uno stampo in metallo \nreticolare conferendo effetti ottici e \ndecori particolari.  \nUn filo colorato applicato a caldo \nracchiude il decoro.\nArtGlass | ICONE\nMONOFIORI BALLOTON, is one of the \ngreat classics of the VENINI tradition and \nwas presented for the first time by Venini in \n1970. \nThe work is made using the “Balloton“\ntechnique, which sees the use of a reticular \nmetal mould during the blowing of \nthe glass to confer special optical and \ndecorative effects. \nA coloured thread applied hot en \ncompasses the decoration\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.7.png","12\n13\nArtGlass | ICONE\nArtGlass | ICONE\nCLESSIDRE - FAZZOLETTI OPALINO\nFulvio Bianconi, Paolo Venini \nFulvio Bianconi\nPaolo Venini\nFulvio Bianconi, stabilitosi a Milano, collabora \ncome grafico e illustratore  con le case editrici \nMondadori, Bompiani, Garzanti e affresca i negozi \nGaltrucco e i padiglioni della Fiera Campionaria. \nNel 1946 si reca ripetutamente a Murano per \ndocumentarsi sull’arte vetraria. \nQui incontra Paolo Venini che, intuendo lo \nspirito creativo del giovane Bianconi, lo invita a \ncollaborare nella sua vetreria. \nDalla collaborazione con Venini sono nate le \nFigure della Commedia dell’Arte, i Tiepolo, \nil Fazzoletto, le Sirene, i Pezzati e molti altri. \nNuove tecniche di lavorazione dell’arte vetraria \ne rielaborazioni di quelle antiche sono state \noggetto della ricerca creativa di Fulvio Bianconi. \nPlasmando nei suoi vetri movimento e colore, \nBianconi determina così un legame con la storia \nmuranese di grande modernità.\nFulvio Bianconi moved to Milan and worked as a \ngraphic designer and illustrator with the Mondadori, \nBompiani and Garzanti publishing houses, and frescoed \nthe Galtrucco stores and the pavilions of the Fiera \nCampionaria. In 1946 he went repeatedly to Murano to \nlearn more about glass art. Here, he met Paolo Venini \nwho, sensing the creative spirit of the young Bianconi, \ninvited him to work with him in his glass factory.\nFrom this collaboration with Venini arose the figures of \nthe Commedia dell’Arte, the Tiepolo, Fazzoletto, Sirene \nand Pezzati collections and many others. \nNew techniques of glassmaking and the reworking of \nold ones underlay Fulvio Bianconi’s creative approach \nto the medium. By shaping the movement and colour in \nhis glass, Bianconi established an extremely modern link \nwith the history of Murano.\nNel 1921 Paolo Venini, avvocato milanese con \nuna lontana tradizione familiare nella lavorazione \ndel vetro, fonda assieme all’antiquario Giacomo \nCappellin, Venini & C. Paolo Venini lavora sempre \na fianco dei suoi designers e architetti, con il \ncostante obiettivo di anticipare e orientare il \ngusto, controllando ogni modello uscito dalle \nsue fornaci. Le sue sicure scelte estetiche, unite \nalla grande qualità dei prodotti, procurarono \nalla sua vetreria un notevole successo di critica \ne di pubblico. Egli stesso si dedicò al design \nfin dai primi anni trenta: del 1936 sono i vetri \nDiamante e, in collaborazione con Carlo Scarpa, \nle murrine romane. Venini partecipò a tutte le \nTriennali di Milano, alle Biennali di Venezia e \ntenne esposizioni proprie in tutti i paesi d’Europa \ne degli Stati Uniti.\nIn 1921 Paolo Venini, a Milanese lawyer with a distant \nfamily tradition of making glass, founded Venini & \nC. together with an antiques dealer called Giacomo \nCappellin. Paolo Venini always worked alongside his \ndesigners and architects with the constant goal of \nanticipating and guiding taste, checking every model \nas it came out of his furnaces. His confident aesthetic \nchoices, combined with the high quality of the products, \nassured his glass manufactory a remarkable critical and \npublic success. \nHe himself devoted himself to design from the early \n1930s: the Diamante series of glass and the Roman \nmurrine, designed in collaboration with Carlo Scarpa, \ndate from 1936. Venini participated in all the Triennale \nfairs in Milan, at the Biennale in Venice and also \narranged his own exhibitions throughout Europe \nand the United States.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.8.png","15\n14\nArtGlass | ICONE\nCLESSIDRE\nFulvio Bianconi, Paolo Venini | 1957\nCLESSIDRE, soffiate e lavorate a mano \ncon la  complessa tecnica ad “Incalmo” \nche consiste nell’accoppiare a caldo \ndiversi elementi di vetro solitamente di \ndiverso colore così da creare un unico \noggetto.\nSoffi di vetro racchiudono la sabbia, la \nlasciano passare trattenendola, come \nin un perpetuo equilibrio tra ieri oggi e \ndomani.\nArtGlass | ICONE\n420.06 Ø 10 H 25 cm ( 3,93” - 9,84”) - Kg:   ~ 1,08\nUVA\u002FROSSO - UVA\u002FROSATO\nGRAPE\u002FRED  - GRAPE\u002FLIGHT-PINK \nCLESSIDRE, blown and worked by hand \nusing the complex “Incalmo” technique \nwhich consists in welding together hot \nglass elements, usually of different colours, \nto create a single object.\nElements of blown glass enclose the sand, \nletting it pass but holding it back, as in a \nperpetual balance between yesterday, \ntoday and tomorrow.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.9.png","16\n17\n700.00 Ø 23 H 31 cm (9” - 12,20”) - Kg: ~ 1,7\n700.02 Ø 20 H 24 cm (7,87” - 9,44”) - Kg: ~ 1,2\n700.04 Ø 13,5 H 13,5 cm (5,31” - 5,31”) - Kg: ~ 0,25\nUVA\u002FROSSO \nGRAPE\u002FRED\n700.00\n700.02\n700.04\nArtGlass | ICONE\nArtGlass | ICONE\nFAZZOLETTI OPALINO\nFulvio Bianconi, Paolo Venini | 1948\nIl FAZZOLETTO è una delle prime opere \ndisegnate da Fulvio Bianconi per Venini, \ned entra a far parte della collezione \npermanente del  Museum of Modern Art \ndi New York. La tecnica di lavorazione è \nparticolarmente suggestiva: il maestro \nvetraio con le sue gesta plasma l’effetto \ndi un fazzoletto capovolto.\nThe FAZZOLETTO was one of the first \nworks \ndesigned \nby \nFulvio \nBianconi \nfor Venini, and joined the permanent \ncollection of the Museum of Modern Art in \nNew York.\nThe \ntechnique \nused \nis \nparticularly \ninteresting: with his movements, the \nmaster glassmaker shapes the glass to \nimitate the appearance of an upside-down \nhandkerchief.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.10.png","18\n19\n700.00\n700.02\n700.04\nArtGlass | ICONE\nArtGlass | ICONE\nFAZZOLETTI OPALINO\nFulvio Bianconi, Paolo Venini | 1948\n700.00 Ø 23 H 31 cm (9” - 12,20”) - Kg: ~ 1,7\n700.02 Ø 20 H 24 cm (7,87” - 9,44”) - Kg: ~ 1,2\n700.04 Ø 13,5 H 13,5 cm (5,31” - 5,31”) - Kg: ~ 0,25\nUVA\u002FLATTIMO \nGRAPE\u002FMILK-WHITE\nIl FAZZOLETTO è una della prime opere \ndisegnate da Fulvio Bianconi per Venini, \nentrando a far parte nella collezione \npermanente del  Museum of Modern Art \ndi New York. La tecnica di lavorazione è \nparticolarmente suggestiva: il maestro \nvetraio con le sue gesta plasma l’effetto \ndi un fazzoletto capovolto.\nThe FAZZOLETTO was one of the first \nworks \ndesigned \nby \nFulvio \nBianconi \nfor Venini, and joined the permanent \ncollection of the Museum of Modern Art in \nNew York.\nThe \ntechnique \nused \nis \nparticularly \ninteresting: with his movements, the \nmaster glassmaker shapes the glass to \nimitate the appearance of an upside-down \nhandkerchief.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.11.png","20\n21\nArtGlass | ICONE\nFAZZOLETTI OPALINO\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.12.png","22\nArtGlass | ICONE\nIDRIA \n23\nArtGlass | ICONE\nOPALINO\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.13.png","24\n25\n706.24\n706.38\n706.22\nArtGlass | ICONE\nArtGlass | ICONE\nOPALINO\nVenini | 1932\nOPALINO,  vasi in vetro  soffiato e lavorati  \na mano, dalle linee pure ed essenziali, \nadatti per ogni tipo di arredo.\nProposto nel 1932, è ancora oggi \nrealizzato con la lavorazione “opalino” \nche impiega il vetro Lattimo, un vetro \nbianco creato a Murano nel XV secolo \ncon lo scopo di imitare la porcellana. \nQuesta tecnica consiste nel sovrapporre \nal Lattimo uno o più strati di vetro sottili: \ntrasparenti o colorati. \nIl risultato è un effetto laccato di grande \nintensità cromatica.\n706.22 Ø 17 H 36 cm (6,69” - 14,17”) - Kg: ~ 2,7\n706.24 Ø 20 H 42 cm (7,87” - 16,53”) - Kg: ~ 3,5\n706.38 Ø 14 H 30 cm (5,51” - 11,81”) - Kg: ~ 1,5\nUVA\u002FLATTIMO\nGRAPE\u002FMILK-WHITE\nOPALINO is a series of blown and hand-\nshaped glass vases of pure and essential \nlines, suitable for any type of furnishing. \nFirst proposed in 1932, it is still made today \nusing the opalino technique that employs \nLattimo glass, a Milk-white glass created \nin Murano in the fifteenth century with the \naim of imitating porcelain. \nThe process consists in superimposing \none or more layers of thin, transparent or \ncoloured glass on the Lattimo. \nThe result is a lacquered effect of great \nchromatic intensity.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.14.png","ArtGlass | ICONE\nIDRIA\nVenini | 2016\nIDRIA, vaso  in vetro opalino soffiato e \nlavorato a mano, reinterpreta l’antica \nfunzione contenitrice del vaso. \nLe forme morbide della base incontrano \nl’elemento conico che definisce l’altezza \ndell’opera, in un’armonia di grande \nequilibrio. \n27\n26\n706.41 Ø 30 H 27 cm (11,81” - 10,62”) -  Kg: ~ 4,092\n706.42 Ø 26 H 36 cm (10,23” - 14,96”) -  Kg: ~ 3,586\n706.43 Ø 16,5 H 23 cm (6,49” - 9”) -  Kg: ~ 1,158\nUVA\u002FLATTIMO\nGRAPE\u002FMILK-WHITE\n706.41\n706.42\n706.43\nArtGlass | ICONE\nIDRIA, \na \nblown \nand \nhand-shaped \nopaline glass  vase, reinterprets the ancient \nfunction of the vase as container.\nThe soft shapes of the base meet the \nconical element that defines the height of \nthe work, in a harmony of great balance.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.15.png","28\n29\nArtGlass | AUTHOR COLLECTIONS\nOMAGGIO A VITTORIO ZECCHIN\nI TRASPARENTI DI ZECCHIN\nVittorio Zecchin, frequenta l’Accademia di \nBelle Arti a Venezia.\nNel 1914 presenta alla Biennale, assieme \nal pittore Teodoro Wolf Ferrari, una serie di \nvetri realizzati presso la vetreria Barovier.\nDurante la Prima Guerra Mondiale allestisce \nun laboratorio d’arazzi in un ex convento di \nMurano. \nEspone le sue opere – vetri artistici, arazzi, \nricami e dipinti  - alle Biennali di  Venezia, \nMilano, Roma, Monza, Torino, Parigi.\nInsegna alla scuola Abate Zanetti di Murano \ne alla scuola professionale Vendramin Corner \nDal 1921 al 1925 è direttore artistico della \nsocietà Vetri Soffiati Muranesi Cappellin \nVenini & C. È stato uno dei massimi \nprotagonisti ed innovatori dell’arte vetraria \nmuranese.\nVittorio Zecchin\nVittorio Zecchin attended the Accademia di \nBelle Arti in Venice.\nIn 1914 at the Biennale, together with the \npainter Teodoro Wolf Ferrari, he presented \na series of glass works of art made at the \nBarovier glassworks. During the First World \nWar, he opened a tapestry workshop in a \nformer convent of Murano. \nHe exhibited his works - artistic glass, \ntapestries, embroidery and paintings - at the \nVenice Biennale, in Milan, Rome, Monza, Turin \nand Paris. \nHe taught at the Abate Zanetti school in \nMurano and the Vendramin Corner technical \nschool. From 1921 to 1925 he was artistic \ndirector of Vetri Soffiati Muranesi Cappellin \nVenini & C. \nHe was one of the leading figures and \ninnovators of Murano glass art.\nArtGlass | AUTHOR COLLECTIONS\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.16.png","30\n31\n600.25 Ø 27 H 32  cm (10,62” - 12,59”) - Kg: ~ 1,250\n600.26 Ø 12,5 H 39 cm (4,92” - 15,3”) - Kg:   ~ 0,834\nUVA decoro BLU MARE \nGRAPE  MARINE BLUE decoration\nLIMITED EDITION OF 49 EXAMPLES EACH\nArtGlass | AUTHOR COLLECTIONS\n600.25\n600.26\nArtGlass | AUTHOR COLLECTIONS\nOMAGGIO A VITTORIO ZECCHIN\nI TRASPARENTI DI ZECCHIN\nI TRASPARENTI DI ZECCHIN è la collezione \nche rende omaggio all’opera di Vittorio \nZecchin e alla collaborazione dell’artista \ncon VENINI. \nNascono così due vasi dalle forme iconiche \nche rivelano, nell’affascinate trasparenza \ndel vetro color Uva, le applicazioni \ndecorative  in colore Blu Mare rendono \nancora più elegante la forma.\nIn edizione limitata a 49 pezzi per ognuna \ndelle due proposte.\nI TRASPARENTI DI ZECCHIN is the collection \nthat pays tribute to the work of Vittorio \nZecchin and the collaboration of the artist \nwith VENINI.\nThis is how two vases with iconic shapes \nwere born, revealing the decorative \ntransparency of Grape-coloured glass. \nThe \ndecorative \napplications \nin \nthe \nBluemarine make the shape even more \nelegant.\nLimited edition of 49 pieces for each of the \ntwo models.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.17.png","32\n33\nFrancesco Lucchese\nArtGlass | AUTHOR COLLECTIONS\nTIARA\nFrancesco Lucchese | 2018\nFrancesco Lucchese, architect and designer, \nis the founder of the Lucchesedesign studio, \na \nmultidisciplinary \nteam \nof \narchitects \nand designers that coordinates company \npositioning projects, events, exhibitions and \nproduct strategies (Dupont, Kodak). Products \nfor Italian and international companies have \nreceived awards such as the Design Plus and \nthe Red Dot Design Award (Toto Indonesia, \nVilleroy&Boch, Venini, Panasonic, Antrax, \nMosaico+, Swan, Fir Italia). \nThe architectural activity is represented by \nmajor projects such as hotels (Zidong Design \nHotel in Nanjing, Hotel Les Fleurs in Sofia), \npublic spaces (Industrial design Service Center \nin Nanjing), projects for showrooms (Kodak \nin Shanghai, INTERNI in Shanghai, The Nail \nSpa in Dubai, showroom of stone materials in \nSão Paulo) and exclusive private residences. \nThe firm’s headquarters in Milan is a \nmultifunctional space that can be transformed \nfor events and educational activities. At the \nsame time, Lucchese teaches at the Politecnico \ndi Milano’s Faculty of Design. \nFrancesco Lucchese has worked with Venini \nsince 1992.\nArtGlass | AUTHOR COLLECTIONS\nFrancesco Lucchese, architetto e designer è \nfondatore dello studio Lucchesedesign, team \nmultidisciplinare di architetti  e designers, \ncoordina \nprogetti \ndi \nposizionamento \naziendale, eventi, exhibitions e strategie di \nprodotto (Dupont, Kodak). I prodotti per \naziende italiane e internazionali ricevono \nriconoscimenti come il Design Plus e il \nRed Dot Design Award (Toto Indonesia, \nVilleroy&Boch, Venini, Panasonic, Antrax, \nMosaico+, Swan, Fir Italia). \nL’attività di architettura è rappresentata da \nprogetti rilevanti come hotel (Zidong Design \nHotel a Nanjing, Hotel Les Fleurs a Sofia), spazi \npubblici (Industrial design Service Center \na Nanjing), progetti per showroom (Kodak \na Shanghai, INTERNI a Shanghai, The Nail \nSpa a Dubai, showroom di materiali lapidei \na San Paolo) e residenze private esclusive. \nLa sede dello studio a Milano è uno spazio \npolifunzionale in grado di trasformarsi per \neventi e attività didattiche. Parallelamente \nprocede l’attività di docenza al Politecnico \nDi Milano presso la Facoltà del Design. \nFrancesco Lucchese collabora con Venini dal \n1992.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.18.png","ArtGlass | AUTHOR COLLECTIONS\nTIARA\nFrancesco Lucchese | 2018\n34\nArtGlass | AUTHOR COLLECTIONS\n35\n706.65 Ø 18 H 32 cm (7” - 12,59”) - Kg: ~ 1,54\n706.66 Ø 19 H 46 cm (7,48” - 18,11”) - Kg:   ~ 2,98\nUVA decoro ROSSO \nGRAPE \u002F RED decoration\nROSATO\u002FUVA\nLIGHT-PINK\u002FGRAPE\n706.66\n706.65\n“The precious adornment, symbol of elegance \nand power, of solidity and perfection, \nrepresents the perfect match between matter \nand mastery, which gives shapes to eternal \nworks of art.  \nThe sophistication of what comes from the \nexcellent manufacturing of glass, together \nwith the endless potentialities of light, brings \nto the creation of an element that features \nmany faceting,  while the synergy between \nan ancient tradition and a modern linearity \nsparks geometrical optical effects that make \nthe atmosphere bright and dynamic, the \natmosphere bright and dynamic”.\nFrancesco Lucchese\nTIARA revives the traditional “Balloton” \ntechnique and proposes it in a collection of \nvases of a contemporary design. \nThe reticular motif impressed on the glass \ncreates a refined movement over the whole \nsurface and softens the shapes of this \ncreation, which is adorned by a ring that is \nwelded hot to the vase.\n“Il gioiello, emblema di eleganza e di potere, di \nsolidità e di perfezione, è simbolo del perfetto \nincontro tra materia e maestria, che genera \nopere destinate ad essere senza tempo.\nLa preziosità di ciò che risulta dalla sapiente \nlavorazione del vetro, unita alle infinite \npotenzialità della luce, garantisce la creazione \ndi un’opera che presenta mille sfaccettature, \nmentre il connubio tra un'antica tradizione \ne una moderna linearità genera effetti ottici \ngeometrici capaci di rendere un’atmosfera \nbrillante e sempre mutevole.”\nFrancesco Lucchese\nTIARA recupera la tradizionale tecnica\ndel “Balloton” e la ripropone in una\ncollezione di vasi dal design contemporaneo\nIl motivo reticolare impresso al vetro crea \nun raffinato movimento a tutta la superficie \ne ingentilisce le forme di questa creazione \narricchita da un anello applicato a caldo. \n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.19.png","36\n37\nArtGlass | AUTHOR COLLECTIONS\nTRIO\nMONICA GUGGISBERG, PHILIP BALDWIN  | 2018\nMonica Guggisberg\nPhilip Baldwin\nMonica Guggisberg e Philip Baldwin \nlavorano insieme da molti anni.\nLa loro carriera inizia dai loro studi prima \nin Svezia, dove assistono Ann Wolf e Wilke \nAdolfsson (1979-1981), seguiti da 20 anni di \nattività in Svizzera, dove aprono il loro studio \nnel 1982, e successivamente a Parigi, dove si \ntrasferiscono nel 2001. \nLa loro fama è dovuta alla purezza delle \nforme e alla vivacità dei colori delle loro \nopere. Le loro creazioni sono presenti in \nmostre di tutta Europa, America e Giappone \ne in numerosi musei. \nOriginariamente \nformatisi \nalla \nscuola \nscandinava del vetro, negli ultimi anni \ngli artisti hanno iniziato ad esplorare la \nricchezza e la profondità della tradizione e \ndelle tecniche vetraie italiane. \nIniziano la collaborazione con Venini nel \n1996 e disegnano vasi e lampade.\nMonica Guggisberg and Philip Baldwin have \nbeen working together for many years.\nTheir career began during their studies first \nin Sweden, where they assisted Ann Wolf and \nWilke Adolfsson (1979-1981), and continued in \n20 years of activity in Switzerland, where they \nopened their studio in 1982, and later in Paris, \nto which they moved to 2001. \nTheir fame results from the purity of the shapes \nand the vivacity of the colours of their works. \nTheir creations are present in exhibitions \nthroughout Europe, America and Japan and in \nmany museums. \nOriginally trained in the Scandinavian school \nof glass, in recent years the artists have begun \nto explore the richness and depth of Italian \nglassmaking traditions and techniques. \nTheir collaboration with Venini began in 1996, \nfor which they design vases and lamps.\nArtGlass | AUTHOR COLLECTIONS\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.20.png","38\n39\nBaritono  793.30 Ø 14,5 H 36 cm (5,7”” - 14,17”) \nACQUAMARE\u002FROSSO - AQUAMARINE\u002FRED\nTenore 793.31 Ø 15 H 41 cm (5,9” - 33,60”)\nTALPA\u002FROSSO - GREY\u002FRED \nSoprano 793.32 Ø 19 H 51 cm (15,57” - 41,80”) \nAMBRA\u002FROSSO - AMBER\u002FRED\n793.32\nSOPRANO\n793.31\nTENORE\n793.30\nBARITONO\nArtGlass | AUTHOR COLLECTIONS\nArtGlass | AUTHOR COLLECTIONS\nTRIO\nMONICA GUGGISBERG, PHILIP BALDWIN  | 2018\n“TRIO, un gruppo di tre componenti, un \nensamble musicale: Soprano, Baritono e Tenore \ne infinite combinazioni trovate nell’universo \ndei sistemi numerici. \nUna nuova interpretazione, contemporanea \ne poetica che allo stesso tempo omaggia le \ntecniche storiche dell’arte vetraria soffiata”.\nMonica Guggisberg\nPhilip Baldwin\nTRIO, nell’incontro fra due elementi \nin vetro trasparente e vetro opalino, \nsi svela la complessità dell’esecuzione \nartigianale \nottenuta \nattraverso \nla \nlavorazione a “Incalmo”. Tecnica che \nconsiste nell’accoppiare a caldo due \nforme soffiate, così da ottenere nello \nstesso oggetto coloriture differenti.\n“TRIO, a team of three, a musical ensemble;  \nSoprano, Baritono, and Tenore and an infinite \nvariety of combinations found in the basis of \nuniversal numerical systems. \nA new interpretation, both contemporary and \npoetic, while honouring age-old techniques in \nblown glass”.\nMonica Guggisberg\nPhilip Baldwin\nTRIO reveals itself in the meeting between \ntwo elements of transparent and opaline \nglass, laying bare the complexity of \nthe craftsmanship employed using the \n“Incalmo” \ntechnique, \nwhich \nconsists \nin welding together two hot glass \nelements, to create different colours in a \nsingle object.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.21.png","40\n41\nArtGlass | AUTHOR COLLECTIONS\nGEODI\nSONIA PEDRAZZINI | 2018\nSonia Predrazzini\nSonia Pedrazzini, designer panteista, cerca \nl’anima delle  cose e crea narrazioni in forma \ndi oggetti. Eclettica e versatile per natura, \nama sconfinare dal prodotto di serie alla \nlimited edition dal packaging alla grafica, \ndall’insegnamento alla direzione artistica. \nCrea prodotti per l’industria, per il settore \ncosmetico e l’alta profumeria e allo stesso \ntempo sviluppa lavori più sperimentali e di \nricerca. Esplora le possibilità dell’artigianato \nattraverso \nun \napproccio \numanistico \ne \npoetico.  Trova i suoi riferimenti nel mondo \ndell’arte, della natura e nella cultura popolare \ne contemporanea. \nAma i contrasti, le sottolineature, le ombre e \nle luci.  Nei suoi progetti congiunge elementi \ncontrapposti e crea sottili cortocircuiti\nestetici e funzionali.\nSonia Pedrazzini, a pantheist designer, looks \nfor the soul of things and creates narratives in \nthe form of objects. Eclectic and versatile by \nnature, she loves to go beyond mass-produced \nproducts to create limited editions, from \npackaging to graphic design, from teaching \nto artistic direction. She creates products for \nindustry, for the cosmetics industry and high \nperfumery and at the same time develops more \nexperimental and research works. \nShe explores the possibilities of craftsmanship \nthrough a humanistic and poetic approach. \nShe sources her references in the worlds of art, \nnature and popular and contemporary culture \nand loves contrasts, underlinings, shadows and \nlights. In her projects, she combines opposing \nelements and creates subtle aesthetic and \nfunctional innovations.\nArtGlass | AUTHOR COLLECTIONS\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.22.png","42\n43\nArtGlass | AUTHOR COLLECTIONS\n793.60 Ø 25 H 42  cm (9,84” - 16.53”) - Kg: ~ 8,088\nVERDE MENTA\u002FLATTIMO\u002FACQUAMARE\nMINT GREEN\u002FMILK-WHITE\u002FAQUAMARINE\n793.61 Ø 28 H 36,5 cm (11” - 15,3”)  - Kg: ~ 8,514\nROSSO\u002FLATTIMO\u002FAMBRA\nRED\u002FMILK-WHITE\u002FAMBER\nLIMITED EDITION OF 99 EXAMPLES\n793.61\n793.60\nArtGlass | AUTHOR COLLECTIONS\nGEODI\nSONIA PEDRAZZINI | 2018\n“GEODI , Collezione di vasi di grande spessore \nispirati al mondo minerale, ai cristalli, alle \ngemme grezze.  Come un geode che racchiude \nal suo interno meravigliose conformazioni \ncristalline, così questi vasi tondeggianti, dalla \nsuperficie liscia e opaca, sono sbozzati alla base \ncon profondi tagli e molature svelando lucide \nstratificazioni di vetro colorato e sfrangiature \npolicrome.  \nLa collezione prevede vasi di diverse forme \ne altezze e le cromie riprendono quelle della \ncristalloterapia; ogni vaso ha un significato \nmagico, un potere taumaturgico. \nI Geodi, per la loro complessità tecnica, esaltano \nl’eccellenza dei maestri vetrai e riprendono \nla tradizione muranese e l’eredità artistica \ndi Venini, rendendola più contemporanea e \nattuale nel segno del design.”\nSonia Pedrazzini\nGEODI, progetto in edizione limitata a \n99 esemplari. Soffiati e lavorati a mano \nsuccessivamente molati a mano o in un gioco \ndi sottrazioni, così da ottenere lo straordinario \neffetto decorativo.\n“GEODI, a collection of very thick vases \ninspired by the mineral world, by crystals \nand uncut gems. Like a geode that encloses \nwonderful crystalline conformations within, \nso these rounded vases with their smooth and \nopaque surface, are rough-hewn at the base with \ndeep cuts and grinding revealing smooth layers \nof coloured glass and polychrome fringe effects. \nThe collection includes vases of different\nshapes and heights, and their colours reflect \nthose of crystal therapy; each vase has a \nmagical meaning, a thaumaturgical power. \nAs a result of their technical complexity, the \nGeodi stress the excellence of the master \nglassmakers and revive the Muranese tradition \nand the artistic heritage of Venini, making \nthem more contemporary and topical in their \nexemplification of design.”\nSonia Pedrazzini \nGEODI, project limited to an edition of \n99 pieces. Blown and subsequently hand-\nworked, these vases are milled by hand in \na game of removal in order to obtain the \nextraordinary decorative effects they reveal.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.23.png","44\n45\nArtGlass\nSUGGESTIVE COMBINAZIONI  CROMATICHE\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.24.png","47\n46\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.25.png","48\n49\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.26.png","50\n51\nArte, Colore, Qualità, Unicità e Artigianalità \nsono i cardini di tutte le creazioni di vetro \nVENINI.\nMa Venini è anche il brand in grado di \nsoddisfare con soluzioni d’eccellenza idee \nregalo, monofiori, coppette, oggetti per \nogni occasione: ricorrenze, Natale, adatti \nanche alle molteplici esigenze. Preziose \nemozioni attraverso lo stile e design.\nGEMME\nOggetti in Il vetro soffiato e lavorato a \nmano con diverse tecniche, dal Balloton \nal Rigadin, si trasforma in piccole gemme \ndalle forme più diverse e valorizzate dai \nvivaci colori di tendenza.\nMONOFIORI CARNEVALE \nCOPPETTA CARNEVALE \nLa linea Carnevale si arricchisce dei vasi \nMonofiori e della Coppetta realizzati con il \ntipico decoro Balloton, dai particolari effetti \nottici a rilievo incrociato.\nFAZZOLETTO \nSoffiato e lavorato a mano con una tecnica \ndi lavorazione particolarmente suggestiva: \nil maestro vetraio con le sue gesta plasma \nl’effetto di un fazzoletto capovolto\nArtGlass | GIFT\nGEMME - MONOFIORI CARNEVALE \nCOPPETTA CARNEVALE - FAZZOLETTI\nVenini | 2017\n100.30\n100.34\n100.33\nGEMME  - Venini | 2017\n100.30 Ø 9 H 10 cm (3,54” - 3,93”) \n“Balloton” VIOLA - “Balloton” VERDE ERBA\n“Balloton” VIOLET - “Balloton” GRASS GREEN\n100.33 Ø 7 H 13 cm (2,75” - 5,11”) \n“Balloton”  TALPA - “Balloton” VERDE\n“Balloton” GREY - “Balloton” GREEN\n100.34 Ø 7,5 H 11,5 cm (2,95” - 4,52”) \n“Rigadin” TÈ - “Rigadin” ZAFFIRO\n“Rigadin” TEA - “Rigadin” SAPPHIRE\n100.35 Ø 8 H 15 cm (3,14” - 5,9”) \n“Rigadin” ACQUAMARE - Rigadin” ROSSO\n“Rigadin” AQUAMARINE - “Rigadin” RED\nArt, \nColour, \nQuality, \nUniqueness \nand \nCraftsmanship are the cornerstones of all \nVENINI glass creations.\nBut Venini is also the brand able to offer gift \nideas, single-flower vases, cups, objects for \nevery occasion, birthdays, Christmas, items \nsuitable for multiple purposes, with excellent \nsolutions. Precious emotions through style \nand design.\nGEMME\nObjects in blown and hand-shaped glass \nusing different techniques, from balloton to \nrigadin, these articles become small gems \nof different shapes enhanced by bright \nfashionable colours.\nMONOFIORI CARNEVALE \nCOPPETTA CARNEVALE\nThe Carnevale line is joined by single-flower \nvases and a small cup made with the typical \nballoton decoration, with special optical \neffects in crossed relief.\nFAZZOLETTO\nBlown and worked by hand with a particularly \nevocative processing technique: with his \nmovements, the master glassmaker shapes \nthe glass to imitate the appearance of an \nupside-down handkerchief.\n100.35\nArtGlass | GIFT\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.27.png","52\n53\n100.35\n100.30\n100.34\n100.33\nGEMME  - Venini | 2017\n100.30 Ø 9 H 10 cm (3,54” - 3,93”) \n“Balloton” VIOLA - “Balloton” VERDE ERBA\n“Balloton” VIOLET - “Balloton” GRASS GREEN\n100.33 Ø 7 H 13 cm (2,75” - 5,11”) \n“Balloton”  TALPA - “Balloton” VERDE\n“Balloton” GREY - “Balloton” GREEN\n100.34 Ø 7,5 H 11,5 cm (2,95” - 4,52”) \n“Rigadin” TÈ - “Rigadin” ZAFFIRO\n“Rigadin” TEA - “Rigadin” SAPPHIRE\n100.35 Ø 8 H 15 cm (3,14” - 5,9”) \n“Rigadin” ACQUAMARE - Rigadin” ROSSO\n“Rigadin” AQUAMARINE - “Rigadin” RED\nMONOFIORI CARNEVALE - Venini | 2017 \n110.05 Ø 13 H 12 cm (5,11” - 4,72”) \n“Balloton”  TÈ - “Balloton” ACQUAMARE\n“Balloton” TEA - “Balloton” AQUAMARINE\n110.06 Ø 9 H 16 cm (3,54” - 6,30”) \n“Balloton” ROSSO - “Balloton” ZAFFIRO\n“Balloton” RED - “Balloton” SAPPHIRE\nCOPPETTA CARNEVALE\n342.10 Ø 12 H 7 cm (4,72”  - 2,75”)\n“Balloton”  TALPA - “Balloton”  VERDE\n“Balloton” GREY - “Balloton” GREEN\n342.10\n110.05\n110.06\nArtGlass | GIFT\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.28.png","54\n55\nFAZZOLETTO - Venini | 2017\n700.07 Ø 18 H 7,5 cm (7”  - 2,95”)\nLATTIMO \u002FBAMBOO - LATTIMO\u002FROSSO \nLATTIMO\u002FVERDE MELA - LATTIMO\u002F LATTIMO\nLATTIMO \u002FTALPA - LATTIMO \u002FACQUAMARE\nLATTIMO\u002F ORIZZONTE\nMILK-WHITE \u002FBAMBOO - MILK-WHITE\u002FRED \nMILK-WHITE\u002FAPPLE GREEN - MILK-WHITE\u002F MILK-WHITE\nMILK-WHITE \u002FGREY  - MILK-WHITE\u002FAQUAMARINE\nMILK-WHITE\u002F HORIZON\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F1f\u002Fd71363287f4820dbe5ae920e1b781e.29.png","56\nCARATTERISTICHE PRODOTTI\nL’unicità della produzione VENINI è data dai procedimenti artigianali \nseguiti per tutte le fasi della lavorazione. Ogni Opera è realizzata \na mano, si possono quindi riscontrare alcune sfumature di colore, \nbollicine o dettagli produttivi che sono la caratteristica dell’originalità. \nTutti i prodotti VENINI sono firmati, alcune collezioni sono prodotte in \nnumero limitato.\nMARCHIO REGISTRATO\nVENINI è un marchio registrato\nAVVISO IMPORTANTE\nVenini non risponde per eventuali danni a persone o cose causati da \nuna non corretta installazione dei propri prodotti.\n• Richieste di modifiche colore e dimensioni sui prodotti a catalogo \nsono possibili, verranno valutate per fattibilità e valorizzate di volta in \nvolta.\n• Eventuali modifiche sui materiali e a livello di design possono essere \nattuate dall’azienda VENINI anche senza preavviso.\n• VENINI S.p.A. invita ad acquistare i propri prodotti solo ed \nesclusivamente attraverso canali di vendita autorizzati e selezionati in \ngrado di offrire un servizio di progettazione, vendita,  e post vendita.\n• VENINI S.p.A. ha la facoltà di sospendere le forniture quando le \ncondizioni economiche dell’acquirente risultassero tali da porre in \nevidente pericolo il conseguimento del pagamento.\nMAIN FEATURES OF THE PRODUCTS\nThe uniqueness of VENINI’s production is given by handcraft procedures \nfollowed during all working processes. Some shades or bubbles, that might \nbe found on the glass, underline that every single piece is entirely handmade \nand even if similar to the others, each single piece is unique.\nEach product is signed, some collections are limited editions. \nREGISTERED TRADE-MARK\nVENINI is a registered trade-mark\nIMPORTANT NOTICE\nVenini is not liable for injuries or damages due to incorrect installation of \nits objects.\n• It is possible to carry out alterations on colours or dimensions. \nThis possibilities will be considered and evaluated one by one.\n• Any alteration on materials and design can be carried out by VENINI S.p.A.\n without notice.\n• Customers are kindly requested by VENINI S.p.A. to buy products solely \nthrough authorized and selected commercial channels, able to offer \ncertain services such as interior designing, retail, installation (if required) \nand after sales.\n• VENINI S.p.A has the right to suspend any supply if the purchaser’s \neconomical means can cause the risk of a nonpayment.\nconcept and project: \nVenini S.p.A.\nphoto: \nIvano Mercanzin\nVenini S.p.A.\ncopyright notice\nIl presente catalogo è tutelato dalla legge sui diritti d’autore di esso è \nquindi proibita ogni riproduzione, totale o anche parziale. \nQualora venga concessa la preventiva autorizzazione alla riproduzione \nè d’obbligo citarne la fonte.\nNo part of catalogue may be reproduced in any form or by any means.\nWhen the reproduction has been previously authorized,the use is permitted \nonly if the source for the material has been cleary stated.\nVENINI ArtGlass |  2018  \nHand - MADE IN ITALY - Murano\nVenini S.p.A. 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