[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-valmori-riflessi":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":169},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":164,"matched_pages":165,"match_count":166,"two_pages":167,"show_text":168},19324,"Riflessi","valmori-riflessi","\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F72\u002F25a6992b641ceba69f735d4a226381-28a281fee8.pdf","Valmori",403,"valmori","51.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161],{"image":7,"text":15,"number":16},"Le Gemme\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.2.png","3\ncollection 2019\n04 Introduction\nTRANSLUCENT\n08 Black Cosmic \n09 Black Cosmic Gold\n12 Crystal Cold\n13 Crystal Warm\n16 Deep Sea\n17 Deep Steel\n20 Pinky Winky\n22 Polar\n23 Polar Gold\n26 Purple Rain\n28 Quarzite White\n29 Quarzite White Silver\n32 Red Passion\n33 Rubino Intenso\nSOLID\n38 Amazonite\n39 Ametista\n42 Blue Tiger Eye\n43 Golden Tiger Eye\n46 Imperial Black\n48 Lapis\n49 Malachite\n52 Opus Black\n53 Opus Black Gold\n56 Opus Black Silver\n58 Red Jasper\n60 Rodonite\n62 Sodalite\n63 Turchese\n66 Technical Data\nLE GEMME\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.3.png","5\n4\nNel 2016, “Valmori Ceramica Design \nSrl” si arricchiva del progetto “Le \nGemme”.\nIl programma prevedeva l’inserimento \nnella gamma prodotti, sino ad allora \nesclusivamente ceramici, di una \nnuova linea (Le Gemme) dedicata \na pietre semi-preziose composte \nda pietra naturale e da elementi \nsintetico-artificiali. \nLa finalità del progetto era favorire \nl’introduzione della bellezza della \npietra naturale in specifiche aree \ntecniche non ancora esplorate prima.\nOggi, grazie alla positiva esperienza \nde “Le Gemme”, abbiamo deciso \ndi sviluppare questo progetto di \nsuccesso, \ncreando \n“Riflessi \nby \nValmori”: nuovo brand interamente \ndedicato a lastre in pietra naturale \ne ri-composta, materiale affine alla \nceramica, ma di un livello di bellezza \nestetico dato dalla natura e non dai \nmacchinari industriali. \nIl programma non si compone più \ndi soli 9 articoli, dapprima presenti \nnella collezione “Le Gemme”, ma \ncon l’aggiunta di altre 19 pietre, da \nun totale complessivo di 28 lastre \ndi pietre dalla bellezza unica per \nprogetti esclusivi e lussuosi. \nLastre aventi misura massima di \n310x180 cm . 1 \u002F 2 \u002F 3 cm di spessore \na seconda dell’impiego d’uso.\nDuring 2016, “Valmori Ceramica Design \nSrl“ started to offer to costumers the new \nline “Le Gemme”.\nThis new stunning program has been \nthought to expand the range of the \nfactory, that until this collection has ever \nsold only ceramic \u002F stoneware items. \n“Le Gemme” was a collection in which \nthe products were composed by a \nsophisticate mix of natural stones and \nsynthetic\u002Fartificial elements. \nWe wanted to explore the beauty of the \nnatural stones and mixed them with \ninnovative synthetic products like resins \nand so on. \nToday, thanks to the positive experience \nof our line “Le Gemme”, we have decided \nto launch the new brand “Riflessi by \nValmori”, completely dedicated to this \nkind of materials: natural stones mixed \nwith synthetic components, to give the \nnatural beauty effect and the technical \nfeatures of the porcelain stoneware in \nonly one item. \nOnce the program involved 9 types of \nstones, now we have added 19 different \nstones\u002Fcolors, to create a catalogue \ncomposed by 28 slabs; giving to the \ndesigners the chance to realize unique \nambients and interior projects.\nSlabs available with a maximum size of: \n310x180 cm - 122”x71”. 1 \u002F 2 \u002F 3 cm of \nthickness, according to the use.\nintroduction\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.4.png","translucent\ntranslucent\ntranslucent\ntranslucent\nLE GEMME\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.5.png","9\n8\nBlack Cosmic\nBlack Cosmic\nBlack Cosmic\nBlack Cosmic Gold\nBlack Cosmic Gold\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.6.png","11\n10\nBlack Cosmic Gold\nBlack Cosmic Gold\nBlack Cosmic\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.7.png","13\n12\nCrystal Cold\nCrystal Cold\nCrystal Warm\nCrystal Warm\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.8.png","15\n14\nCrystal Warm\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.9.png","17\n16\nDeep SeaDeep Sea\nDeep Steel\nDeep Steel\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.10.png","19\n18\nDeep Sea\nDeep Steel\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.11.png","21\n20\nPinky Winky\nPinky Winky\nPinky Winky\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.12.png","23\n22\nPolar\nPolar\nPolar Gold\nPolar Gold\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.13.png","25\n24\nPolar\nPolar Gold\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.14.png","27\n26\nPurple Rain\nPurple Rain\nPurple Rain\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.15.png","29\n28\n   Q uarzite White\nQuarzite White\nQuarzite White Silver\n Quarzite White\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.16.png","31\n30\nQuarzite White\nQuarzite White Silver\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.17.png","33\n32\nRed Passion\nRed Passion\nRubino Intenso\nRubino Intenso\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.18.png","35\n34\nRed Passion\nRubino Intenso\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.19.png","solid\nLE GEMME\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.20.png","39\n38\nAmetista\nAmazonite\nAmazonite\nAmetista\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.21.png","41\n40\nAmazonite\nAmetista\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.22.png","43\n42\nBlue Tiger Eye\nBlue Tiger Eye\nGolden Tiger Eye\nGolden Tiger Eye\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.23.png","45\n44\nGolden Tiger Eye\nBlue Tiger Eye\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.24.png","47\n46\nImperial Black\nImperial Black\nImperial Black\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.25.png","49\n48\nLapis\nLapis Malachite\nMalachite\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.26.png","51\n50\nLapis\nMalachite\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.27.png","53\n52\nOpus Black\nOpus Black\nOpus Black Gold\nOpus Black Gold\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.28.png","55\n54\nOpus Black Gold\nOpus Black Gold\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.29.png","57\n56\nOpus Black Silver\nOpus Black Silver\nOpus Black Silver\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.30.png","59\n58\nRed Jasper\nRed Jasper\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.31.png","61\n60\nRodonite\nRodonite\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.32.png","63\n62\nSodalite\nSodalite\nTurchese\nTurchese\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.33.png","65\n64\nSodalite\nTurchese\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.34.png","67\n66\nProprietà fisiche\nPhysical properties\nCARATTERISTICHE\nFEATURES\nNORMA\nNORM\nVALORE MEDIO\nAVERAGE VALUE\nRESISTENZA ALL’IMPATTO\nIMPACT RESISTANCE \nTS EN ISO 14617-9\nMIN.2 JOULE FOR 1,2 cm THICKNESS\nMIN.3 JOULE FOR 2 cm THICKNESS\nCARICO DI ROTTURA\nBREAKING OF RUPTURE\nTS EN ISO 14617-2\n40-70 N\u002Fmm2\nRESISTENZA ALL’ABRASIONE\nABRASION RESISTANCE\nTS EN ISO 14617-4\nMAX 3 cm\nRESISTENZA SUPERFICIALE\nSCRATCH HARDNESS (MOHS)\nN 101\n7\u002F8\nRESISTENZA ALL’ACQUA\nWATER RESISTANCE\nUNI EN ISO 10545-3\nRESISTENTE\nRESISTANT\nS.NO\nTEST\nTEST\nRISULTATI\nRESULTS\nLE GEMME 10 mm\nLE GEMME 20 mm\nTRANSLUCENT\nSOLID\n1\nASSORBIMENTO ACQUA\nWATER ABSORPTION\n0,67%\n0,10%\n2\nDENSITÀ\nDENSITY\n2,63 g\u002Fcc\n2,30 g\u002Fcc\n3\nRESISTENZA ALLA COMPRESSIONE\nCOMPRESSIVE STRENGHT\n128,4 N\u002Fmm2\n102,2 N\u002Fmm2\n4\nEFFETTO DI CALORE\nHEAT EFFECT\nSURFACE OF TILE BECOME BLACK HEATING ABOVE 100°C\n5\nRESISTENZA ALL’ACIDO\nACID RESISTANCE\nNO EFFECT OBSERVED ON SURFACE WHEN DIPPED IN 3% HCL SOLUTION\nImballi\nPacking\nFORMATO LASTRA\nSLAB SIZE\n315X180X2cm\n124”X70”X0,78”\n120X120X1cm\n48”X48”X0,39”\n60X60X2cm\n24”X24”X0,78”\n60X60X1cm\n24”X24”X0,39”\nFORMATO CASSA\nCASE SIZE\n320X198X99cm approx\n126”X78”X39” \n137X153X40cm approx\n54”X60”X19”\n76X76X68cm\n30”X30”X26”\n76X76X68cm\n302X30”X26”\nPESO CASSA\nCASE WEIGHT\n1500 kg approx\n600 kg approx\n400 kg approx\n400 kg approx\nLASTRE PER CASSA\nSLABS PER CASE\n5 \n12\n18\n26\nCASSE PER CONTAINER\nCASES PER CONTAINER\n5\n32\n63\n63\nLASTRE TOTALI\nTOTAL SLABS\n25\n384\n1134\n1638\nPESO TOTALE\nTOTAL WEIGHT\n8 tons approx\n20 tons approx\n26 tons approx.\n26 tons approx\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.35.png","69\n68\nDo your prepwork\n• \nSemi Precious stone cut only wet \n(with water). In either case, it’s a \nmess, so set up a work area, with \ntables or flat surface on floor that \ncan support the stone, where the \nwork won’t affect other areas of \nthe home.\n• \nCutting wet (which will pro-\nbably require buying or renting \na wet-cutting saw) will create a \nslurry that needs to be hosed off. \nCutting dry creates a dust cloud \nthat will travel.\n• \nEar, eye, and dust protection are \nessential.\n• \nThe primary cutting tools for sto-\nne are a circular saw or an angle \ngrinder. (same use of granite\u002F\nmarble stone)\nProcedure of cutting handing and installation\nMaterials needed\nSeam setter, 4’ level, angle grinder \nwith diamond blade, caulk gun, acrylic  \ncaulk, shims, painter’s tape, measu-\nring tape, two-part epoxy for nonpo-\nrous applications, cardboard or similar \nmaterial for template (optional), proper \nprotective equipment, utility knife, jab \nsaw, pencil, granite sealer, granite cle-\naner, soft cloth.\nHow to cut a semi precious stone slab\n1. \nSet up stone on a stable work sur-\nface and clamp it down.\n2. \nMeasure and mark the cut line. To \nminimize chip-out, cover the cut \nline with blue tape. Remeasure \nand mark the tape.\n3. \nIf using a circular saw, blue-tape \nthe shoe of the saw to minimize \nthe risk of metalon-slab scra-\ntching.\n4. \nIf using a grinder DO NOT remove \nthe guard. A face shield is recom-\nmended.\n5. \nSet up a straightedge guide like a \nshoot board.\n6. \nUsing an angle grinder is a fre-\nehand-cut method.\n7. \nWhichever tool you use, keep the \ntool moving, but do not force the \ntool. This will minimize chip-out \nand deliver the cleanest cut. If the \ntool is really laboring, make the \ncut in two passes.\n8. \nSome installers back-cut the slab. \nIn other words, they make a 2-inch \nkerf at the finished end of the cut, \nso the slab doesn’t significantly \nchip or break upon completion of \nthe cut.\n9. \nUse an angle grinder with poli-\nshing pads to clean up the saw \nmarks on the cut edge and to \n“break” or micro-bevel the 90-de-\ngree cut edge to soften it. Pads \nstart at 50- grit and go up to 3000 \nor more depending on the smo-\nothness and sheen desired.\n10. The process is mainly the same \nto cut granite\u002Fmarble countertop \nfor a sink. To transition directions, \nholes are drilled in each corner of \nthe slab at the sink location and \nplunge cuts are necessary to en-\nter the slab surface.\nGeneral recommendations\nEmployers who are engaged in the \nhandling and storage of slabs must \nprevent caught-by, struckby, and\u002For \ncrushed-by hazards in their workplace. \nThe following are general recommen-\ndations:\n1. \nPre-plan work to identify the ha-\nzards, safe work practices, and \nthe equipment that will be used to \nperform the work safely.\n2. \nDevelop and implement safe sto-\nne slab handling procedures for \ntransporting, loading and unlo-\nading slabs from containers and \nstorage areas.\n3. \nProvide \nmechanical \nhandling \nequipment appropriate to the \ntask.\n4. \nInspect material handling equi-\npment before use to assure that \nit is in good condition. Defective \nequipment must be immediately \nreported and repaired or replaced \nbefore use.\n5. \nInstruct and train employees on \nthe proper material handling pro-\ncedures.\n6. \nEnsure that employees follow safe \nstone slab handing procedures.\nRecommendations for storage \nThe following recommendations will \nminimize the potential hazards asso-\nciated with “stone racks” and other \nstorage racks for storing stone slabs:\n1. \nDesign storage racks to withstand \nthe loads and forces imposed on \nthem.\n2. \nDesign a storage rack system to \nsecure slabs from shifting, sliding \nand collapsing, or provide secon-\ndary bracing or a restraint system \nto secure slabs from shifting, sli-\nding and collapsing.\n3. \nEnsure that the “slab racks” are \nproperly installed. Inspect each \ncomponent to ensure that poles \ncan be inserted into the holes.\n4. \nMaintain the rack, ensuring that \nno debris or other objects interfe-\nre with the insertion of the poles \nused with “slab racks.”\n5. \nDevelop and implement procedu-\nres for the placement and removal \nof slabs from the racks, keeping \nemployees out of danger zones.\n6. \nDo not allow employees to use \ndamaged storage racks.\n7. \nInspect the storage racks prior to \nloading. Ensure that the racks are \nproperly installed. Look for:\n• \nCracked welds;\n• \nCracked structural members;\n• \nDeformed \nor \nbent \nstructural \nmembers;\n• \nSplits in wooden supports;\n• \nAreas that show that the rack has \nbeen damaged or overloaded; \nand\n• \nPoles or other uprights not seated \nproperly in sockets or holes.\nThe following recommendations will \nminimize the potential hazards asso-\nciated with handling and transporting \nstone slabs:\n1. \nAvoid manual lifting of stone slabs \nwhere possible. Use mechani-\ncal aids (slab dollies, suction li-\nfts, scissor clamps, etc.). Lift only  \nloads that can be safely handled.\n2. \nUse the proper material handling \nequipment, such as an overhead \ncrane with appropriate approved \nattachments, or a forklift truck \nequipped with appropriate and \napproved boom attachments and \nlifting devices, or other equipment \nto assist with the unloading and \nloading of slabs.\n3. \nPlace the clamp on the secure \narea of the stone when moving \nand\u002For lifting a slab with a scis-\nsor clamp. Placing the clamp over \na weak vein can cause the stone \nto break and fall. Clamps should \nbe used only on grade “A” marble \nand other solid stones without \nflaws, open seams, or cracks.\n4. \nAssure that a suction cup is rated \nto lift these types of finishes when \nmoving unpolished slabs with a \nsuction cup lifter.\n5. \nDo not use scissor clamps on \nequipment operating on uneven \nsurfaces.\n6. \nNever stand under, near or in the \nfall shadow of a slab when mo-\nving it with an overhead crane. \nUse a tag line to control slabs \nbeing supported or moved while \nsuspended from a crane cable to \nprevent them from falling or top-\npling.\n7. \nAlways walk at the end of the slab. \nNever walk in the “fall shadow” \nof a slab. The “fall shadow” is the \narea on both sides of the slab \nwhere the slab could land and \ntopple if it were to fall.\n8. \nAssure that dollies used to move \nstone slabs are designed to sup-\nport the weight of the slab.\n9. \nHave employees walk on either \nend of the dolly to support the \nslab.\n10. Raise the load only as far as ne-\ncessary to clear the road surface \nor obstacles when using powered \nindustrial trucks\n11. Only handle loads within the rated \ncapacity of the truck when using \npowered industrial trucks.\n12. Remove the supports and bracing \nfrom the stone slab bundles insi-\nde shipping\u002Fstorage containers \nusing a sequence that does not \nallow for the other slabs to shift or \ncollapse.\nRecommendations for handling and in-house transport of stone slabs\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F42\u002Fb0d980239837ff686a1e1b6d76b563-28a2835e52.36.png","71\n70\nTile Installation Procedure\nA successful tile installation guarantees years of trouble-free performance and increases your home’s value and beauty.\nTo properly install tile follow the steps below:\n• Surface Preparation\nTile may be installed over most structurally-sound substrates. Make sure all surfaces to be tiled are cle-\nan, smooth, dry and free of wax, soap scum and grease. Any damaged, loose or uneven areas must be repai-\nred, patched, and leveled. Remove all moldings, trims, appliances, etc. which may interfere with the installation.  \nDoor jambs may be undercut for tiles to slip under.\n• \nLayout: When tiling walls, tubs, or shower areas, begin by finding the center point of the wall. Use a level to draw a \nplumb line in the center of the wall. Align a row of loose tiles across the bottom of the wall from the center line, leaving \nuniform joints between tiles.\n• \nSetting Tile: Variation of shade and texture is an inherent characteristic of tiles\u002Fslabs. For a blended effect, mix tiles \nfrom several cartons as you set. It is important to use the correct adhesive for a particular substrate (surface) in order \nto ensure a proper bond. Before setting your tiles, select the correct adhesive. Once you have chosen the proper adhe-\nsive or mortar, read all instructions and precautions on the package before using. Mix thin set or mortar according to \nthe directions on the package. Mix only enough to be used within 30 minutes. Pre-mixed wall tile adhesives can be ap-\nplied directly from the can without mixing. Determine the appropriate type of trowel (V or square-notch) and the right \nsize (depth of notches) for the type of tile you are setting. Refer to the setting material package for recommendations.\n• \nGrouting Joints: Before grouting joints, the tile should be well-set to prevent breaking the bond. Refer to the adhesive \npackage for specific time. Generally, you should wait about 24 hours before grouting. Remove all the spacers used \nfor setting. Determine the grout color of your choice. For best results, choose on the color-coordinates with the tile. \nRemove excess grout from the surface immediately with edge of float. Tilt float at a 90 degree angle and scrape it \ndiagonally across the tiles. Continue the process of compacting, then scraping off excess, until you have grouted for \napproximately 30 minutes or when the mixture begins to stiffen.\nFloor tiles adhesives are heavier and thicker than the wall tiles but you can use same adhesives for wall 1cm or 2cm slabs. \nThey are also more resilient to vertical pressure. It is therefore important that you go for a strong floor tile adhesive when \nbuying your flooring supplies. Tile adhesives are either in powder form or in the form of ready-mixed pastes. Powdered \nadhesives require mixing with water. They turn into a slurry, which provides a strong bond. They are suitable for floor tiles. \nOn the other hand, ready-mixed pastes are usable without any prior preparations. They serve best in securing wall tiles.\nProcedure of fixing tiles and slabs\nImportance of tile adhesives\nOptimum setting time of tile adhesive allows tiles to be easily adjusted within a certain period. It makes tiles being laid in \nline and gives the aesthetic final look. Applying tile adhesive with notched trowel provides full spread on the back of tiles \nand will reduce many problems like broken tiles esp. on the corner, water seeping, and stain or efflorescent. Full con-\ntact of the adhesive on tiles’ back and substrate provides strong bonding strength and long-lasting tiling work. A white \ncement mixture (for flooring) for tile installation requires many different things that need to be in a perfect ratio. It is not \nvery easy and also takes a lot of time. But Tile Adhesive, which is made especially for this purpose, comes completely \nprepared. Everything that needs to be mixed comes already mixed in the bag. This saves a lot of time and effort. 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