[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-tacchini-tjournal-15-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":165},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":160,"matched_pages":161,"match_count":162,"two_pages":163,"show_text":164},25924,"TJournal 15 2023","tacchini-tjournal-15-2023","\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F5e\u002F865cde246d20cc2e01e9f82f62b69d-290908553b.pdf","Tacchini",602,"tacchini","43.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157],{"image":7,"text":15,"number":16},"01\nIssue 15, 2023\nFAMILY PORTRAIT\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.2.png","03\n02\nThe house is that space that responds to general functional parameters which then \nbecomes the place of the inhabitant: transforming it into an environment codified on \npersonal characteristics and removing it from the anonymity of a simple plan layout.\n \nTacchini explores and addresses this phase of the home’s evolution and confronts \nthe various environments with furnishing projects based on research, materials, and \ntechnology, but also with an ethical dialogue between the past and present of the \ndesign. In this experiential growth, Tacchini approaches the dining environment \ntoday: starting immediately from the spirit of conviviality, a concept that animates \nprofoundly the whole project. Moreover, a common thread throughout the house \ntells of a history of living that retains all Tacchini’s philosophy: recognizing objects \nand designs, different in content and form, but involved in a sort of constant corre-\nspondence. Therefore, the dining room is a natural development of the living area: \nnaturally for the flow of daily life and for forms and settings. In this way, the organic \nshape of the Orpheus table immediately empathizes with the space and its visitors: \nrevealing the shape of the design in the eyes of the beholder, and the material of the \nsurfaces by their texture. Just like the consoles, also by Lorenzo Bini, which redesign \nthe corners of a room or the linearity of a wall, without a permanent solution of conti-\nnuity; almost integrating themselves geometrically. Since Tacchini’s projects are not \nintrusive, rather you recognize them by the breath with which they envelop the space \nand by the story they bring with them, which speaks to the values  of a project, but \nalso of the people who designed and built it. The theme of the chair thus becomes an \nopportunity to tell and reinterpret the story, looking in the last decades of the twen-\ntieth century for moments of instantaneous iconicity by Tobia Scarpa: as with the \nDialogo and Sempronia chairs, which teach us how the definition of “classic” goes \nhand in hand with to a status of perennial “contemporary”.\n \nMoreover, in a dialogue between present and past, a flair for form and technical \ncompetence become the aesthetic canons in the current interpretation of the table \nconcept: the T-Table, again by Tobia Scarpa. This project is based on the essentiality \nof the definition of the table itself, a top with four legs which is resolved precisely in \nthe spareness of the link between these components and in the discovery of being \nable to disassemble it into all its elements, thus dematerializing the shape and giving \nvalue once again to the idea.\nFEATURING\nDIALOGO, SEMPRONIA and T-TABLE by Tobia Scarpa, ORPHEUS, PARKER, COLOMBO and 1953 by Lorenzo Bini, \nALTAR by EWE Studio, TORII LOVE, EQUINOX and SOLSTICE by Studiopepe, TORUS, TRONO, MANO LIGHT \nand FACKEL LIGHT by Umberto Bellardi Ricci, VERTICAL NEST by Brian Thoreen and KUSCHEL by Salem van der \nSwaagh; and also ROMA NUVOLA and JULEP SOFT by Jonas Wagell, SESANN OTTOMAN by Gianfranco Frattini, \nTOGRUL by Gordon Guillaumier and a new color palette by Formafantasma for LE MURA by Mario Bellini.\nIssue 15: FAMILY PORTRAIT\nTacchini t’journal\n15th Year, Spring 2023\nTacchini Italia Forniture\nvia Domodossola 19\n20822 Seveso (MB) — Italy\nT: +39 0362 50 41 82\nE–mail: hello@tacchini.it\nwww.tacchini.it\nNew collection\nAltar \np.46\nColombo and 1953 \np.44\nDialogo \np.12\nOrpheus \np.16\nParker \np.22\nSempronia \np.26\nTorii Love \np.42\nTorus \np.50\nTrono \np.52\nT-Table \np.06\nCollection update\nJulep Soft \np.38\nRoma Nuvola \np.32\nSesann Ottoman \np.40\nTogrul \np.30\nComplements\nEquinox \np.62\nFackel Light \np.60 \nKuschel \np.66\nMano Light \np.58\nSolstice \np.64 \nVertical Nest \np.54\nDesigner\nEWE Studio\nLorenzo Bini\nTobia Scarpa\nLorenzo Bini\nLorenzo Bini\nTobia Scarpa\nStudiopepe\nUmberto Bellardi Ricci\nUmberto Bellardi Ricci\nTobia Scarpa\nJonas Wagell\nJonas Wagell\nGianfranco Frattini\nGordon Guillaumier\nStudiopepe\nUmberto Bellardi Ricci\nSalem van der Swaagh\nUmberto Bellardi Ricci\nStudiopepe \nBrian Thoreen\nCategory\nLow Table\nConsole\nChair\nTable\nTable\nChair\nConsole\nOttoman\nStool, Low Table\nTable\nSofa\nSofa \nOttoman\nTable\nLamp\nLamp \nRug \nLamp\nLamp\nLamp\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.3.png","05\n04\nLa casa è quello spazio che risponde a parametri funzionali generali che poi diventa \nluogo dell’abitante: trasformandolo in un ambiente codificato su caratteristiche perso-\nnali, e sottraendolo all’anonimato di un semplice layout in pianta.\n \nTacchini esplora e si sofferma su questa fase di evoluzione della casa, e affronta i vari \nambienti con progetti di arredo fatti di ricerca, per materiali e tecnologia, ma anche \ndialogo etico tra storia e presente del design. In questa crescita esperienziale, Tacchini \naffronta oggi l’ambiente del dining: partendo immediatamente dallo spirito di convivia-\nlità, come concetto che anima tutto il progetto, lasciandone una profonda traccia. Non \nsolo, si svolge lungo tutta la casa un fil rouge che narra di una storia dell’abitare che trat-\ntiene tutta la filosofia Tacchini: riconoscendo oggetti e design, diversi per contenuto e \nforma, ma coinvolti in una sorta di costante rispondenza. Quindi, il dining come natu-\nrale svolgimento della zona living: naturalmente per lo scorrere del tempo dell’abitare, \nma anche per modalità e scenografia. In tal senso, la forma organica del tavolo Orpheus \nempatizza immediatamente con lo spazio e con i suoi visitatori: rivelando la forma del \ndesign negli occhi di chi lo guarda, e la matericità delle superfici nella trama delle stesse. \nCosì come le consolle, sempre di Lorenzo Bini: che ridisegnano gli angoli di una stanza, \no la linearità di una parete, senza soluzione di continuità, quasi integrandosi geometri-\ncamente. Perché i progetti di Tacchini non sono invadenti, piuttosto li riconosci dal \nsoffio con cui avvolgono lo spazio e dal racconto che portano con sé: che parla dei valori \ndi un progetto, ma anche delle persone che lo hanno disegnato e realizzato. Il tema della \nsedia diventa così occasione per raccontare e reinterpretare la storia, andando a cercare \nnelle ultime decadi del novecento, momenti di istantanea iconicità di Tobia Scarpa: \ncome le sedie Dialogo e Sempronia, che ci insegnano come la definizione di “classico” si \naccompagni a uno status di perenne “contemporaneità”.\n \nOppure, in un dialogo tra presente e passato, segno formale e competenza tecnica \ndiventano i canoni estetici nell’attuale interpretazione del concetto di tavolo: il T-Table, \nancora di Tobia Scarpa. Questo progetto si fonda sull’essenzialità della definizione del \ntavolo stesso, un piano con quattro gambe che si risolve proprio nell’asciuttezza del \nnodo tra questi componenti, e nella scoperta di potere smontarlo in ogni suo elemento: \nsmaterializzando così la forma, e valorizzando ancor di più il pensiero.\nRoma Nuvola sofa by Jonas Wagell\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.4.png","07\n06\nT-Table dining table and Dialogo chair by Tobia Scarpa\nT-Table dining table by Tobia Scarpa\nTwo simple elements skilfully fit into each other, a bond studied down to the smallest \ndetail that connects the top and the legs to ensure maximum stability. T-Table \nconfirms the solid understanding between Tacchini and Tobia Scarpa, with a collabo-\nration that gives life to a new project that goes beyond re-editions: from the absolute \nsobriety of past projects to the specific needs of the contemporary world, an essential \nand elegant table, available in different sizes and finishes, which can be placed next to \nany seat.\nDue semplici elementi si incastrano sapientemente l’uno nell’altro, un legame studiato \nnei minimi dettagli che connette piano e gambe per garantire la massima stabilità. \nT-Table conferma la solida intesa tra Tacchini e Tobia Scarpa, con una collaborazione \nche dà vita a un nuovo progetto che va oltre le riedizioni: dall’assoluta sobrietà dei \nprogetti del passato alle specifiche esigenze del mondo contemporaneo nasce un tavolo \nda pranzo essenziale ed elegante, disponibile in diverse misure e finiture, che trova \nposto accanto a qualsiasi seduta.\nT–TABLE by Tobia Scarpa\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.5.png","09\n08\nT-Table dining table and Dialogo chair by Tobia Scarpa, Aqua Regis vase by Studiopepe\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.6.png","11\n10\nT-Table dining table and Sempronia chair by Tobia Scarpa\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.7.png","13\n12\nDIALOGO by Tobia Scarpa\nA rectangular frame with rounded edges, masterful joints, and strictly visible dowels \nand screws reinforces the typical double trestle structure by Tobia Scarpa. A chair with \nenveloping comfort – with attention to the smallest details even in the seat, where a \nsmall opening allows it to be lifted easily in a perfect – synthesis of elegance and ration-\nality. Dialogo celebrates its 50th birthday with this re-edition by Tacchini: a tribute to \nthe timeless lines that define it and to the great master who designed them. \nUn telaio rettangolare dai bordi arrotondati, magistrali incastri, tasselli e viti rigorosa-\nmente a vista rafforzano la tipica struttura a doppio cavalletto di Tobia Scarpa. Una sedia \ndal comfort avvolgente – curata fin nei minimi dettagli anche nel sedile, dove una piccola \napertura permette di alzarla con facilità – in una perfetta sintesi di eleganza e razionalità. \nDialogo celebra il suo 50° compleanno con questa riedizione firmata Tacchini: un tribu-\nto alle intramontabili linee che la definiscono e al grande maestro che le ha progettate. \nDialogo chair by Tobia Scarpa\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.8.png","15\n14\nDialogo chair by Tobia Scarpa\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.9.png","17\n16\nORPHEUS by Lorenzo Bini\nAn indefinite shape, a gesture, a single material. For this original dining table, Lorenzo \nBini is inspired by the work of Cy Twombly and transforms it into a piece of contempo-\nrary design. A marble top – obtained by tracing a portion of the famous “Orpheus” \npainted in 1979 – supported by five legs – obtained by combining slightly staggered \nstrips of the same marble – becomes an invitation to take a seat to pay homage to the \nwork from which it took its shape and the artist who created it.\nUna forma indefinita, un gesto, un solo materiale. Per questo inedito tavolo da pranzo \nLorenzo Bini si ispira dell’opera di Cy Twombly e la trasforma in un pezzo di design \ncontemporaneo. Un piano in marmo – ottenuto ricalcando una porzione del celebre \n“Orpheus” dipinto nel 1979 – sostenuto da cinque gambe – ottenute accostando listelli \ndello stesso marmo leggermente sfalsati – diventa un invito a prendere posto per omag-\ngiare l’opera da cui ha preso forma e l’artista che l’ha creata.\nOrpheus dining table by Lorenzo Bini, Dora vase by Studiopepe\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.10.png","19\n18\nOrpheus dining table by Lorenzo Bini, Sempronia chair by Tobia Scarpa, Dora vase by Studiopepe\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.11.png","21\n20\nOrpheus dining table by Lorenzo Bini\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.12.png","23\n22\nPARKER by Lorenzo Bini\nLike “Orpheus” – the marble table born from the creativity of Lorenzo Bini – Parker \ntakes up the indefinite shape of detail of Cy Twombly’s work but finds its own identity \nin the finishes. Here solid wood becomes the protagonist, suggesting the dimensions \nand offering unprecedented visible grains in the five legs obtained from two slightly \nstaggered slats. Three elegant grooves are hidden under the edge of the top, three \nwaves that are revealed only to the touch.\nCome “Orpheus” – il tavolo in marmo nato dalla creatività di Lorenzo Bini –, Parker \nriprende la forma indefinita di un dettaglio dell’opera di Cy Twombly, ma trova una \npropria identità nelle finiture. Qui il legno massello diventa protagonista, suggerisce le \ndimensioni e regala inedite venature a vista nelle cinque gambe ottenute da due liste \nleggermente sfalsate. Tre eleganti scanalature si nascondono sotto al bordo del piano, \ntre onde che si rivelano solo al tatto percorrendo con le mani l’intero profilo del tavolo.\nParker dining table by Lorenzo Bini and Mantiqueira vase by Domingos Tótora\nParker dining table by Lorenzo Bini, Sempronia chair by Tobia Scarpa and Mantiqueira vase by Domingos Tótora\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.13.png","25\n24\nParker dining table by Lorenzo Bini and Mantiqueira vase by Domingos Tótora\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.14.png","27\n26\nSEMPRONIA by Tobia Scarpa\nCircular elements fit together in a double circle that evokes the signature of the  \ngreat master who designed it. Twin legs, created by the intersection of two cylinders, \nextend up to the backrest, to which they are linked by a thin metal ring that blends \nharmony and functionality. The strong character of the 80s aesthetic does not give up \nthe comfort of soft padding and a completely remodelled seat to be even more \nwelcoming. Sempronia enriches the Tacchini re-editions with its determined and \nversatile presence, able to adapt to every table and situation, today, as yesterday. \nElementi circolari si incastrano in un doppio cerchio che evoca la firma del grande maestro \nche l’ha progettata. Gambe binate, create dall’intersezione di due cilindri, si prolungano \nfino allo schienale, a cui sono legate da un sottile bracciale metallico che fonde armonia e \nfunzionalità. Il carattere deciso dell’estetica degli anni 80 non rinuncia al comfort della \nmorbida imbottitura e di una seduta completamente rimodulata per essere ancora più \naccogliente. Sempronia arricchisce le riedizioni Tacchini con la sua presenza determi-\nnata e versatile, in grado di adattarsi a ogni tavolo e situazione, oggi come ieri. \nSempronia chair by Tobia Scarpa\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.15.png","29\n28\nSempronia chair by Tobia Scarpa\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.16.png","31\n30\nTOGRUL by Gordon Guillaumier\nA totem with a sculptural base, a perfect synthesis of momentum, solidity, and crafts-\nmanship. For Togrul, Gordon Guillaumier goes beyond the limits of matter by com-\nbining original finishes in a table suitable for both domestic environments and con-\ntract spaces. The rigid polyurethane bases, available in different sizes, are covered \nwith hand-trowelled cementitious material for a tactile and visual experience. The \nwooden top, available in a round and oval version, takes up the colour of the leg thanks \nto the painting and treatment with the same cementitious material for a natural mon-\nochrome effect.\nUn totem dalla base scultorea, perfetta sintesi di slancio, solidità e maestria artigiana. \nPer Togrul, Gordon Guillaumier si spinge oltre i limiti della materia unendo inedite \nfiniture in un tavolo adatto sia ad ambienti domestici sia a spazi contract. Le basi in \npoliuretano rigido, disponibili in dimensioni diverse, sono rivestite di materiale ce-\nmentizio spatolato a mano per un’esperienza tattile e visiva. Il piano in legno, disponi-\nbile in versione rotonda e ovale, riprende il colore della gamba grazie alla verniciatura \ne al trattamento con lo stesso materiale cementizio per un naturale effetto mono-\ncromo.\nTogrul dining table by Gordon Guillaumier and Table Mano lamp by Umberto Bellardi Ricci\nTogrul dining table by Gordon Guillaumier and Sempronia chair by Tobia Scarpa\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.17.png","33\n32\nRoma Nuvola sofa by Jonas Wagell\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.18.png","35\n34\nROMA NUVOLA by Jonas Wagell\nPart of the Roma family, the collection of sofas inspired by the soft sign of a hemicycle \ncurve signed by Jonas Wagell – Roma Nuvola makes the “classic” even more comfort-\nable. The generous proportions and the built-in chaise longue, which almost seems to \ninterrupt the linearity of the seat, are designed for absolute comfort, as is the soft \nrounded cushion that invites you to abandon yourself to relaxation. Other cushions of \ndifferent sizes, to be positioned freely for always tailor-made comfort, to be created \nday after day.\nParte della famiglia Roma – la collezione di divani ispirata al morbido segno di una cur-\nva a emiciclo firmata da Jonas Wagell – Roma Nuvola rende il “classico” ancora più \nconfortevole. Le proporzioni generose e la chaise longue incorporata, che sembra qua-\nsi interrompere la linearità della seduta, sono pensate per l’assoluta comodità, così \ncome il soffice cuscino arrotondato che invita ad abbandonarsi al relax. Altri cuscini di \ndiverse dimensioni, da posizionare liberamente per un comfort sempre su misura, da \ncreare giorno dopo giorno.\nRoma Nuvola sofa by Jonas Wagell\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.19.png","37\n36\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.20.png","39\n38\nSimple and imposing shapes, inspired by the Avant-garde of the 50s and made more \ngraceful by contemporary traits. Proportions and volumes are in perfect balance, \nenhanced by meticulous attention to detail, the choice of materials, and the mastery of \ncraftsmanship. With its welcoming lines, which find new expression in the fuller \npadding, redesigned to embrace the most absolute relaxation, Julep Soft joins the \nfamily of chairs designed by Jonas Wagell. \nForme semplici e imponenti, ispirate all’Avant-garde degli anni 50 e rese più aggra-\nziate da tratti contemporanei. Proporzioni e volumi in perfetto equilibrio, esaltati \ndalla minuziosa cura dei dettagli, dalla scelta dei materiali e dalla maestria delle lavo-\nrazioni artigianali. Con le sue linee accoglienti, che trovano nuova espressione nelle \nimbottiture più piene, ripensate per abbracciare il relax più assoluto, Julep Soft si \nunisce alla famiglia di sedute disegnata da Jonas Wagell.\nJULEP SOFT by Jonas Wagell\nJulep Soft sofa by Jonas Wagell\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.21.png","41\n40\nSESANN OTTOMAN by Gianfranco Frattini\nTogether with the armchair and sofa already featured in a Tacchini re-edition in 2015, \nthe Sesann ottoman continues the story of a vision of contemporary living that invites \nyou to appreciate the beauty and welcoming of the most authentic comfort. A visible \nstructure in metal tubing contains, envelops, and enhances the padding in a large, soft, \nand continuous embrace. The sensual and harmonious shapes born from Frattini’s in-\ngenious planning become unique in each piece thanks to the entirely handmade uphol-\nstery, available in a wide choice of colours and finishes.\nAssieme alla poltrona e al divano già protagonisti di una riedizione Tacchini nel 2015, il \npouf Sesann continua la storia di una visione del vivere contemporaneo che invita ad \napprezzare la bellezza e l’accoglienza del comfort più autentico. Una struttura a vista in \ntubolare metallico contiene, avvolge ed esalta l’imbottitura come in un grande abbrac-\ncio, morbido e continuo. Le forme sensuali e armoniose nate dalla progettualità geniale \ndi Frattini diventano uniche in ogni pezzo grazie al rivestimento realizzato interamente \na mano, disponibile in un’ampia scelta di colori e finiture.\nSesann Armchair and Ottoman by Gianfranco Frattini\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.22.png","43\n42\nTORII LOVE by Studiopepe\nIn the console designed by Studiopepe, the torii, the traditional Japanese portals, are re-\ndiscovered through new functions and meanings. In a succession of distant visions and \nemotions, essential elements combine in an imposing physicality given by a very thick \ntop – which acts as an architrave with two legs that recall supporting columns.\nNella consolle firmata Studiopepe, i torii, i tradizionali portali giapponesi, si riscoprono \nattraverso nuove funzioni e significati. In un susseguirsi di visioni ed emozioni lontane, \nelementi essenziali si combinano in una fisicità imponente – data da un piano di notevo-\nle spessore che funge da architrave a due gambe che ricordano delle colonne portanti.\nTorii Love console by Studiopepe, Table Mano lamp by Umberto Bellardi Ricci\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.23.png","45\n44\nCOLOMBO and 1953 by Lorenzo Bini \nIn these consoles designed by Lorenzo Bini, modern and contemporary works are cap-\ntured by a marble slab in an irregularly shaped plane. A few details are enough, and the \ndesigns already defined in the lines traced by Jean Arp and Gianni Colombo take on a \nnew expression. Three legs, created through the juxtaposition of four slightly offset \nstrips of the same marble, support the tops and are a great homage to the art of these \nartists.\nIn queste consolle firmate da Lorenzo Bini, opere moderne e contemporanee vengono \ncatturate da una lastra di marmo in un piano dalla forma irregolare. Bastano pochi, \nscarni dettagli e i disegni già definiti nelle linee tracciate da Jean Arp e Gianni Colom-\nbo assumono nuova espressione. Tre gambe, realizzate attraverso la giustapposizione \ndi quattro listelli leggermente sfalsati dello stesso marmo, sostengono i piani e un gran-\nde omaggio all’arte di questi artisti.\nColombo and 1953 consoles by Lorenzo Bini and Venus vase by Studiopepe\nColombo and 1953 consoles by Lorenzo Bini and Mantiqueira vase by Domingos Tótora\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.24.png","47\n46\nALTAR by EWE Studio\nSculpture and functionality come together to rediscover the rich Mexican artisan herit-\nage through innovative means and languages. Meticulous craftsmanship leaves marks \nand trajectories in the flat and pristine surfaces, while the senses are attracted by the re-\ncovery of natural materials and the unprecedented sensory contrasts that derive from \nthem. Inspired by pre-Hispanic altars, these low tables, which are declinable in a wide \nrange of finishes: ceramic, concrete and cedar wood, mark the first collaboration be-\ntween Tacchini and EWE Studio, a project in which tradition is reflected in design to \nforge ideas that have substance and meaning.\nScultura e funzionalità si fondono per riscoprire il ricco patrimonio artigianale messica-\nno attraverso mezzi e linguaggi innovativi. Una meticolosa lavorazione artigianale la-\nscia segni e traiettorie nelle superfici piatte e incontaminate, mentre i sensi vengono at-\ntratti dal recupero di materiali naturali e dagli inediti contrasti sensoriali che ne \nderivano. Ispirati agli altari preispanici, questi tavolini, declinabili in diverse finiture: ce-\nramica, cemento e legno di cedro, siglano la prima collaborazione tra Tacchini e EWE \nStudio, un progetto in cui la tradizione si riflette nel design per forgiare idee che hanno \nsostanza e significato.\nAltar low table by EWE Studio\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.25.png","49\n48\nAltar low table by EWE Studio\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.26.png","51\n50\nTORUS by Umberto Bellardi Ricci\nIn the factory that produces his prototypes, Umberto Bellardi Ricci sees for the first time \nthe elbows of the ventilation ducts, joined in groups of four and wrapped in crossed \nropes. They have a curious shape, similar to that of a donut, and become a source of \ngreat inspiration for him. He calls them torus and reinterprets them as the basis for these \nsingular poufs with overlapping volumes, in which industrial materials find a new aes-\nthetic and function alongside soft and refined finishes.\nNella fabbrica che produce i suoi prototipi, Umberto Bellardi Ricci vede per la prima vol-\nta i gomiti dei condotti di areazione, uniti in gruppi di quattro e avvolti da funi incrocia-\nte. Hanno una forma curiosa, simile a quella di una ciambella, e diventano per lui fonte \ndi grande ispirazione. Li chiama torus e li reinterpreta come base di questi singolari pouf \ndai volumi sovrapposti, in cui materiali industriali trovano una nuova estetica e funzio-\nne accanto a finiture morbide e ricercate.\nTorus ottoman by Umberto Bellardi Ricci\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.27.png","53\n52\nTRONO by Umberto Bellardi Ricci\nExploring the dialogue between different materials, Umberto Bellardi Ricci gives life to \na collection that stimulates the interaction between architecture and design. In Trono \nPixel and Trono Pill two simple geometries, such as the cube and the circle, become \nthe support – the throne – of the person who sits down on it. The generous shapes of the \nseat contrast with the essentiality of the leg in a clean structure that enhances the con-\ntrast between raw materials and refined textures and fabrics. A low table completes the \nfamily: supported by the same essential leg as the stools, it takes up the material con-\ntrast in the elegant round marble top. \nEsplorando il dialogo tra materiali diversi, Umberto Bellardi Ricci dà vita a un’inedita \ncollezione che stimola l’interazione tra architettura e design. In Trono Pixel e Trono \nPill due semplici geometrie, come il cubo e il cerchio, diventano il supporto – il trono – \ndella persona che vi si accomoda. Le forme generose della seduta si contrappongono \nall’essenzialità della gamba in una struttura pulita che esalta il contrasto tra materie \ngrezze e trame e tessuti raffinati. Un tavolo basso completa la famiglia: sostenuto dalla \nstessa gamba essenziale degli sgabelli, riprende il contrasto materico nell’elegante pia-\nno rotondo in marmo.\nTrono stools by Umberto Bellardi Ricci\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.28.png","55\n54\nVERTICAL NEST by Brian Thoreen\nSoft folds become luminous sculptures that seem to grow naturally. The light diffuses \ncalmly, and blurs perceptions and contours creating an atmosphere of peace and seduc-\ntive mystery. Defying any definition of space, these creations in white polycarbonate – \ncorner lamp and floor lamp born from the imagination of – Brian Thoreen, recover the \nsuggestive Déco lines of the past in a form made possible only by the manipulation of \ncontemporary materials.\nMorbide pieghe diventano sculture luminose che sembrano crescere naturalmente. \nLa luce si diffonde con calma, offusca le percezioni e i contorni creando un’atmosfera di \npace e seducente mistero. Sfidando qualsiasi definizione di spazio, queste creazioni in \npolicarbonato bianco – lampada ad angolo e lampada da terra – nate dalla fantasia di \nBrian Thoreen, recuperano le suggestive linee Déco del passato in una forma resa possi-\nbile solo dalla manipolazione di materiali contemporanei. \nVertical Nest corner lamp by Brian Thoreen\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.29.png","57\n56\nVertical Nest floor lamp by Brian Thoreen\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.30.png","59\n58\nA metal sheet, simple and precise folds, a light. Inspired by the gesture of the hand \nprotecting a candle flame, the Mano Light collection is designed as abstract sketches \nwhose proportions can be adapted to different scales. Standing Mano is one of the \nprotagonists of the series, a two-meter luminous sculpture, with a distinctive design and \nplanning, which gives off a warm and enveloping light. Table Mano is an elegant and \nrefined table lamp, of contained dimensions, which diffuses a discreet and delicate \nglow. Designed by Umberto Bellardi Ricci, Mano Light is available in two finishes, \nboth with a polished stainless steel base.\nUna lamiera metallica, delle pieghe semplici e precise, una luce. Ispirata al gesto della \nmano mentre protegge la fiamma di una candela, la collezione Mano Light è disegnata \ncome bozzetti astratti le cui proporzioni possono essere adattate a scale diverse. \nStanding Mano è una delle protagoniste della serie, una scultura luminosa di due \nmetri, dal design distintivo e progettuale, che emana una luce calda e avvolgente. Table \nMano è una lampada da tavolo elegante e raffinata, di dimensioni contenute, che \ndiffonde un bagliore discreto e delicato. Firmata da Umberto Bellardi Ricci, Mano \nLight è disponibile in due finiture, entrambe con base lucida in acciaio inox.\nMANO LIGHT by Umberto Bellardi Ricci\nStanding Mano and Table Mano lamps by Umberto Bellardi Ricci\nStanding Mano lamp by Umberto Bellardi Ricci\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.31.png","61\n60\nFACKEL LIGHT by Umberto Bellardi Ricci\nFackel is the German word for the medieval wall torches that released naked flames on \nthe walls of castles and convents. Inspired by these ancient lamps, Umberto Bellardi \nRicci bends a metal bar in two points and lets it run parallel to the wall, onto which he \nprojects a warm and suggestive glow, similar to the light of sunset, thanks to the LED \nstrip positioned on the back of the bar.\nFackel è la parola tedesca per indicare le torce da parete medievali che sprigionavano \nfiamme nude sulle mura di castelli e conventi. Ispirato da queste antiche lampade, \nUmberto Bellardi Ricci piega una barra metallica in due punti e la lascia correre paral-\nlela alla parete, sulla quale proietta un bagliore caldo e suggestivo, simile alla luce del \ntramonto, grazie alla striscia led posizionata sul retro della barra. \nFackel Light lamp by Umberto Bellardi Ricci\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.32.png","63\n62\n EQUINOX and SOLSTICE by Studiopepe \nA dense, almost mysterious light is filtered through soft and enveloping materials. Lumi-\nnosity and transparencies fluctuate, creating repetitions of lights and shadows, solids, \nand voids. Inspired by Object Art and in particular by the works of Enrico Castellani, \nthese elegant fiberglass sculptures – Solstice applique – and Equinox cocoon-suspen-\nsion lamp – reinforce the strong understanding between Tacchini and Studiopepe. \nUn chiarore denso, quasi misterioso, viene filtrato da materie morbide e avvolgenti. \nLuminosità e trasparenze fluttuano, creando ripetizioni di luci e ombre, pieni e vuoti. \nIspirate all’Arte Oggettuale e in particolare alle opere di Enrico Castellani, queste \neleganti sculture in vetroresina – applique Solstice – e cocoon – lampada a sospensione \nEquinox – rafforzano la forte intesa tra Tacchini e Studiopepe.\nEquinox lamp by Studiopepe\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.33.png","65\n64\nSolstice lamp by Studiopepe\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.34.png","67\n66\nKUSCHEL by Salem van der Swaagh\nKuschel writes a love letter to wool. It says that weaving can become a means of \ncommunicating and connecting with the surrounding environment, a practical and \npoetic, ancient and sustainable means, thanks to which the human spirit finds one of its \npurest and most genuine expressions. The texture comprises of intertwined and hand-\nknotted threads and fringes in warm or cold shades reflected in the wool and silk yarns \nfor a tactile and visual experience rich in nuances and craftsmanship. With this precious \nwool rug available in two versions, Salem van der Swaagh signs her first collaboration \nwith Tacchini.\nKuschel scrive una lettera d’amore alla lana. Racconta che la tessitura può diventare \nun mezzo per comunicare e connettersi con l’ambiente circostante, un mezzo pratico e \npoetico, antico e sostenibile, grazie al quale lo spirito umano trova una delle sue espres-\nsioni più pure e genuine. La trama si compone di fili intrecciati e annodati a mano e di \nfrange dalle tonalità calde o fredde che si riflettono fra filati di lana e seta per un’espe-\nrienza tattile e visiva ricca di sfumature e artigianalità. Con questo prezioso tappeto in \nlana disponibile in due versioni, Salem van der Swaagh firma la sua prima collabora-\nzione con Tacchini.\nKuschel rug by Salem van der Swaagh\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.35.png","68\n69\nLE MURA new color palette by Formafantasma\nAfter the launch in 2022 of Mario Bellini’s iconic design, reissued with the brand, Le \nMura is back in the spotlight at Milan Design Week 2023. The collaboration between \nTacchini, Formafantasma and Rubelli, a company renowned for its fabric manufactur-\ning expertise, confirms the timeless character of the sofa, with a contemporary twist. \nThe two designers explore the concept of modularity of the sofa by selecting 9 colours \nin 3 shades of the Ombra fabric, a pure cotton velvet. A distinctive palette that perfect-\nly enhances the design of the product, conceived to colour the entire composition in a \nsingle tone or build a stylistic dialogue between the modules dressed in the different \ncolours. The proposal celebrates Le Mura modular sofa and confirms the care for up-\nholstery that Tacchini has been pursuing for long time.\nDopo il lancio nel 2022 dell’iconico design di Mario Bellini, rieditato a quattro mani in-\nsieme al brand, Le Mura torna protagonista con la Milano Design Week 2023. Una col-\nlaborazione quella tra Tacchini, Formafantasma e Rubelli, azienda d’eccellenza nel \nsettore dei tessuti, che conferma l’iconicità senza tempo del divano, con uno sguardo al \ncontemporaneo. Giocando sul concetto di modularità, i due designer hanno seleziona-\nto 9 colori articolati per 3 tonalità del tessuto Ombra, un velluto in puro cotone. Una pa-\nlette raffinata che esalta perfettamente il design del prodotto, pensata per colorare in \nun unico tono l’intera composizione o costruire un dialogo stilistico tra i moduli vestiti \ncon i diversi colori. La proposta celebra il divano modulare Le Mura e conferma l’at-\ntenzione ai rivestimenti che Tacchini porta avanti da tempo.\nLE \nMURA\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.36.png","70\nTacchini t’journal\n15th Year, Spring 2023\nTacchini Italia Forniture\nvia Domodossola 19\n20822 Seveso (MB) — Italy\nT: +39 0362 50 41 82\nE–mail: hello@tacchini.it\nwww.tacchini.it\nFEATURING\nDIALOGO, SEMPRONIA and T-TABLE by Tobia Scarpa, ORPHEUS, PARKER, COLOMBO and 1953 by Lorenzo Bini, \nALTAR by EWE Studio, TORII LOVE, EQUINOX and SOLSTICE by Studiopepe, TORUS, TRONO, MANO LIGHT \nand FACKEL LIGHT by Umberto Bellardi Ricci, VERTICAL NEST by Brian Thoreen and KUSCHEL by Salem van der \nSwaagh; and also ROMA NUVOLA and JULEP SOFT by Jonas Wagell, SESANN OTTOMAN by Gianfranco Frattini, \nTOGRUL by Gordon Guillaumier and a new color palette by Formafantasma for LE MURA by Mario Bellini.\nIssue 15: FAMILY PORTRAIT\nArt Direction and concept\nGiusi Tacchini\nPhotography\nAndrea Ferrari\nPost production\nErica Fadini\nProduct images (38\u002F39, 68\u002F69)\nOperavisual\nStyling\nSara Dassi\nCopywriting\nMassimiliano DiBartolomeo\nLaura Rysman\nValentina Tonon\nGraphic design \nMulti Form\nAlberto Moreu\nPrinting\nLuce Group\nPrinted on Fedrigoni \nrecycled papers\nFreelife Vellum White\nFreelife Kendo\nThanks to Aspesi \n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fd8\u002F1fa63531982d55bb70ef6ac331d400-290908ca93.37.png","Tacchini T’Journal, published by Tacchini Italia Forniture — milan design week, Spring 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