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Today, they run together Moinard Bétaille Studio, \nan interior design agency based in Paris. Over the years, they have \ndesigned over 400 Cartier boutiques around the world, fitted out \nthe Château Latour cellars for Kering, and renovated the Marc \nVeuve Clicquot hotel for LVMH. Their partnership has resulted \nin the creation of innumerous private residencies, luxury restau-\nrants and boutiques, and many of the world’s most famous hotels, \nincluding the renovation of Cala di Volpe: the legendary hotel by \nFrench “sculptor of houses”, Jacques Couëlle. Far from a simple \nmakeover, Cala di Volpe’s renovation has succeeded in embracing \nthe original concept of its creator, staying true to his radical vision \nwhilst adapting it to fit contemporary society. \nYou recently renovated Hotel Cala di Volpe, a masterpiece \nalong Sardinia’s Costa Smeralda. Had you heard of this hotel \nbefore? \nYes, it’s a legendary hotel for us as French architects. Jacques \nCouëlle represents a certain interpretation of simplicity in life – \nand I say interpretation because he wasn’t simple, even at the time. \nActually, he was quite sophisticated, even back then.\nWhat was your approach to the renovation? \nWhen Bruno and I went there for the first time, we were quite \nshocked; the hotel was actually very damaged by time, and no  \nlonger portrayed the ideas of comfort and luxury. Things hadn’t \nbeen changed since the Sixties - it felt almost like an old lady \nsleeping, living in the myth of the past. There was nothing which \nexpressed any sort of magic. Our approach was to change every-\nthing without changing anything: a concept that reflects a quote \nfrom a famous Italian novel, The Leopard by Giuseppe Tomasi \ndi Lampedusa. This is a concept we practice regularly: we pay \nenormous respect to existing buildings, to their spirit and their soul, \nand we treated Cala di Volpe the same way. Our work was almost \nsurgical: in some areas, we touched nearly nothing, whilst in others \nwe performed a sort of invisible revolution. We didn’t behave as if \nwe were in a museum: we believed that everything could benefit \nfrom a second look and deserved to reborn. But we also created, \nas if past and present were part of a whole story.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F52\u002F7f9e26c48247c9215045b1a11c353c-285d68a25b.26.png","46\n47\nDid you consider the guests when renovating Cala di Volpe? \nYes. This hotel is unusual in that it has welcomed families from \nthree generations; people have been staying in the same bedroom \nevery year for 20, even 30 years. We were renovating their holiday \nhome - not just a hotel room, but something much more personal.\nHow did you transform a hotel from the 1960s into a contem-\nporary hotel?\nWe made quite a few changes. Primarily, there are technical dif-\nferences: now we are able to provide guests with air conditioning \nand any other creature comforts, both in the bedroom and in the \nbathroom. We integrated a lot of technology; the principle was \nthat it had to be invisible - fully invisible - and this is something we \ncan do today thanks to the progress made in that field. We also \nworked on adapting our proposal to fit those who are much more \nfamiliar with diversity and extreme luxury: in the Sixties, people \ndidn’t travel as much as they do now.\nWhat was the concept behind the hotel rooms? \nEvery detail was reconsidered, from the positioning of the bed \nto the size of the wardrobe, from the lighting to the bathroom.  \nIn Cala di Volpe, people stay outside all day, and it’s extremely  \nimportant that the dream continues within the hotel. We made sure \nthat the technology was invisible. The lighting is very smooth and \nsoft, so that people can better enjoy their time spent in beautiful \nsurroundings.\nWhat about the furniture? \nWe design bespoke furniture for every hotel we work on. This ren-\nders our work whole, a complete approximation of our vision. For \nCala di Volpe, we imagined the furniture to somehow be both ele-\nmentary and one-of-a-kind works of art, like the coffee table with \na bronze stand and a top in poured glass, resembling a private pool.\nWhat was Poliform’s contribution to the overall project? \nWe want to mention something that may sound insignificant, but \nwhich was very important for us. We had a vision of seaweed:  \na vegetable element emerging from the sea and becoming a solid \nelement, like a rock. So we made some sketches and, hand-in-hand \nwith Poliform, we developed bronze elements that represent sea-\nweed; not flat, not twisted, but with an interesting shape. With this, \nwe created metal legs for the coffee tables and chest of drawers, \ntable lamps, curtain stands and handles. We actually moulded \nthe handles on our own hands, so they are very comfortable to \nthe touch. This kind of creation seemed obvious to us, because \nJacques Couëlle too used to work a lot with iron and metal sculp-\ntures. We simply created a modern interpretation of this. Poliform \nwas able to integrate our vision with technology and make it hap-\npen. All bronze elements are 3D printed: they look handmade, but \nare also high-quality in terms of performance.\nA lot of your designs are related to luxury. How do you express \nthis idea and what is luxury today? \nYes, it’s true, a lot of our designs are related to luxury. We just com-\npleted the first ever Cartier flagship store in Paris, in Rue de la Paix. \nIt’s not exactly comparable, but somehow there are some parallels: \nluxury today is mainly about comfort and making things invisible \nfor guests. We believe that people are able to feel, even without \nany architectural or design knowledge, that their surroundings are \ntreating them well. Even if people can’t consciously pinpoint it, at \nthe end of a stay, they feel well-treated. In Cala di Volpe, comfort \nstems from the invisible: the softness of the lighting, the attenuated \nsound in the corridor, the gentle angles of almost every element. \nAll your senses tell you that you are welcomed, and that you feel \ngood. We believe that this, in itself, is luxury.\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F52\u002F7f9e26c48247c9215045b1a11c353c-285d68a25b.27.png","Poliform Spa\nContract Division\nvia Trento 2 - ang. via Magni\nCasella postale n. 1\n22044 Inverigo (CO) Italy\nt +39 031 695601\nf +39 031 695354\ninfo.contract@poliform.it\npoliform.it\nAll the Poliform collections are  \nmanufactured 100% in Italy  \nusing top-class components  \nand materials. \nCreative Direction\nApartamento Studios\nGraphic Design\nApartamento Studios\nText\nLisa Cadamuro\nPortrait Photography\nJacques Pépion\n1st edition January 2024\ncod. 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