[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-pianca-07-progetti-di-design-luciano-marson":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":145},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":140,"matched_pages":141,"match_count":142,"two_pages":143,"show_text":144},15481,"07 Progetti di Design Luciano Marson","pianca-07-progetti-di-design-luciano-marson","\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F32\u002Fa38c29d4c255eb056d1c234512d2c2-285d0c9f96.pdf","Pianca",863,"pianca","12.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137],{"image":7,"text":15,"number":16},"PROGETTI DI DESIGN \n07\nLuciano Marson \nDedalo \nmadia \u002F sideboard\nCorinto, Enea \ntavoli \u002F tables\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.2.png","Thinking, Loving, Living\nLuciano Marson \nDedalo \nCorinto\nEnea\nInfo tecniche \u002F Technical info\n02\n04\n12\n26\n44\n58\nPROGETTI DI DESIGN \n07\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.3.png","PROGETTI DI DESIGN 07\nThinking,\nLoving,\nLiving\nIT\nPianca crea sistemi e complementi \nd’arredo per il residenziale – zona notte e \ngiorno – e per il contract. Il nostro approc-\ncio al design è orientato alla personaliz-\nzazione dei prodotti e degli ambienti, così \nda soddisfare i bisogni di uno stile di vita \nimprontato alla flessibilità, alla mobilità \ne al cambiamento, ma con il desiderio di \n“sentirsi a proprio agio come a casa”.  \nIl rispetto per la storia e i valori identitari \ndel marchio – territorio, italianità, famiglia, \ningegno – e il perseguimento di una reale \nsostenibilità di prodotti e processi, ci \npermettono di valorizzare il lato umano \ndell’azienda: capace di sposare la sua \nparte razionale (thinking) con quella più \nemozionale ed empatica (loving).\n02_Progetti di design 07.indd\n2\n07\u002F08\u002F23\n11:04\n2 — 3\nEN \nPianca creates furniture systems \nand occasional furniture for residential \ncontexts – bedrooms and living rooms \n– and for the contract market. Our ap-\nproach to design aims at customising\nproducts and places to meet the needs\nof people whose lifestyles are based on\nflexibility, mobility and change but who\nstill want to feel at home no matter what.\nOur respect for the history and founding\nvalues of our brand – our territory, our\nItalian culture, family and genius – and our\ndesire to make authentically sustainable\nproducts, make appreciating the human\naspects of our company second nature\nto us, resulting in our ability to blend our\nrational side (thinking) with our more\nemotional and empathic side (loving).\n02_Progetti di design 07.indd\n3\n07\u002F08\u002F23\n11:04\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.4.png","Luciano\nMarson\n4 — 5\nPROGETTI DI DESIGN 07\nIngegnoso ed eclettico, Luciano \nMarson non si può circoscrivere in una \nsola professione. Guidato da un chiaro \nspirito imprenditoriale che l’ha portato \nnella sua carriera a fondare due aziende  \n– Horm e la più ecente Pieces of Venice –\nha sempre cercato il cambiamento\npiuttosto che limitarsi ad adattarsi a esso. \nToyo Ito ha scritto di lui parole bellissime \nparagonando la relazione sviluppata con \nlui nel campo del design a quella costruita \ncon Cecil Balmond per l’architettura: “Io \nfaccio delle domande, ma il feedback e \nle risposte sono molto più profonde di \nquello che io gli chiedo in prima battuta. \nA lavorare con lui imparo moltissimo”. \nLa panca progettata dall’architetto \ngiapponese per l’azienda fondata da \nMarson è passata alla storia grazie a un \nCompasso d’Oro, che, tra l’altro, non è \nstato l’unico. Marson ne ha infatti vinti \naltri tre: uno come grafico, uno come \nprogettista e l’ultimo, ancora una volta, \ncome imprenditore.\nIT\nEN \nIngenious and eclectic, Luciano Marson cannot be pinned down to one \nsingle profession. Guided by a clear entrepreneurial spirit which has led to him \nsetting up two different companies in his career, Horm and the more recent Pieces \nof Venice, he has always sought change rather than limiting himself to adapting to \nchange. Toyo Ito wrote some beautiful words about him comparing the relationship \nhe developed with Marson in the field of design to the one he constructed with Cecil \nBalmond for architecture: “I ask questions, but the feedback and answers are much \nmore profound than what I asked in the first place. I learn so much from working \nwith him”. The bench designed by the Japanese architect for Marson’s company has \nbecome part of history thanks to a Compasso d’Oro, which is not even actually the \nonly one. Marson has indeed won three others: one as a graphic designer, one as a \ndesigner and the last one, again, as an entrepreneur.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.5.png","Fare sogni \npossibili  \n— Q&A\nLa lunga carriera imprenditoriale \nl’ha portato a conoscere da vicino il \ncomportamento dei materiali e delle \ntecniche di lavorazione industriali. \nAnche come designer, Luciano Marson \nosa sempre, sfidando le leggi fisiche, e \ntrovando soluzioni che rendono i suoi \noggetti essenziali, ma al tempo stesso \nsofisticati dal punto di vista tecnico. Il suo \napproccio è sempre pratico, in linea con \nil suo modo di essere. Per questo, forse, \ngli piace definirsi il designer del pongo \nperché ama modellare l’idea originaria \ne darle forma in prima istanza con le \nproprie mani, come un artigiano. “Non ho \ndimestichezza con il disegno”, spiega, \n“preferisco lavorare in falegnameria, \naccostando pezzetti di legno o di altri \nmateriali, e pensandoli in scala.” In Pianca, \nha portato la sua visione molto concreta \ndel design, che si riassume in una frase: \n“Io faccio sogni possibili”, dice, “se sei \nsicuro che vuoi fare una cosa, devi farla. \nSe invece hai tentennamenti lascia stare.” \nPROGETTI DI DESIGN 07\n02_Progetti di design 07.indd\n6\n07\u002F08\u002F23\n11:04\n6 — 7\n— Cosa la rende felice come progettista? \nFare innovazione. Fare qualcosa che gli \naltri non fanno. \n— Qual è la sua più grande paura?\nNessuna in particolare: cerco sempre di \nimpegnarmi per cose che posso fare e \nobiettivi che posso raggiungere. \n— Quali sono le tre qualità fondamentali \nche deve avere un buon oggetto?\nDeve essere funzionale, deve avere un \nrapporto qualità-prezzo equilibrato e deve \nportare innovazione.\n— C’è un designer che ammira?\nAchille Castiglioni: un grande designer, \nprogettista, allestitore e soprattutto \nUomo. Ricordo di essermi commosso \nquando, in Triennale, in occasione di una \npremiazione per il Compasso d’Oro, si \nalzò per darmi la mano.\n— Cosa avrebbe fatto se non avesse fatto \nil designer?\nDi certo non avrei fatto il contabile \n(perché non mi piacciono i sedentari), \nné l’insegnante (perché non mi piace \nripetermi).\n02_Progetti di design 07.indd\n7\n07\u002F08\u002F23\n11:04\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.6.png","PROGETTI DI DESIGN 07\n02_Progetti di design 07.indd\n8\n07\u002F08\u002F23\n11:04\n8 — 9\n02_Progetti di design 07.indd\n9\n07\u002F08\u002F23\n11:04\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.7.png","His long career in business led him to get \nhands-on knowledge of the behaviour \nof materials and industrial furniture \nproduction techniques. As a designer, \ntoo, Luciano Marson is always daring, \nchallenging the laws of physics and \nfinding solutions that make his objects \nsimple, yet sophisticated in technical \nterms. His approach is always practical, \nin line with the way he is himself. For \nthis reason, perhaps, he likes to define \nhimself as a clay model designer because \nhe loves to model the original idea and \nshape it initially with his own hands, like a \ncraftsman. “I’m not that good at drawing”, \nhe explains, “I prefer working in carpentry, \nputting pieces of wood or other materials \ntogether, and then designing them to \nscale.” He has brought his extremely \nsolid design vision to Pianca, which he \nsums up in one sentence: “I make dreams \npossible”, he says, “if you are sure you \nwant to do something, you have to do it. If \nyou have hesitations, then you should just \nlet it be.”\nMake \ndreams \npossible  \n— Q&A\nPROGETTI DI DESIGN 07\n02_Progetti di design 07.indd\n10\n07\u002F08\u002F23\n11:04\n10 — 11\n— What makes you happy as a designer?\nCreating innovation. Doing something that \nother people don’t do. \n— What is your biggest fear?\nNothing in particular. I always try to \nstrive for things I can do and goals I can \nachieve. \n— What essential qualities must a good \nobject possess?\nIt has to be functional. It has to have a \nbalanced quality to price ratio and it has \nto be innovative.\n— Is there a designer who you admire?\nAchille Castiglioni: a great designer, \ndesign expert, exhibition designer and \nabove all, a great man. I remember being \ndeeply moved at the Triennale, when \nhe got up to shake my hand as I was \nreceiving the Compasso d’Oro award.\n— If you hadn’t become a designer, what \nwould you have done in life?\nI definitely would not have been an \naccountant (because I don’t like sedentary \noccupations) or a teacher (because I don’t \nlike having to repeat myself).\n02_Progetti di design 07.indd\n11\n07\u002F08\u002F23\n11:04\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.8.png","Dedalo by Luciano Marson\nPROGETTI DI DESIGN 07\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.9.png","PROGETTI DI DESIGN 07\nDedalo by Luciano Marson\nIT\nIspirata all’essenzialità geometrica del cilindro, la \nmadia Dedalo si caratterizza per le due spalle curve \nstrutturali collegate da una schiena dello stesso, \ndelicato, spessore. Come in un abbraccio, gli elementi \nverticali racchiudono i piani orizzontali, creando \nnella parte superiore un effetto vassoio contenitivo e \noffrendo frontalmente una comoda presa integrata. \nIl vano interno, privo di divisioni verticali, può essere \npersonalizzato con ripiani fissi o differenti moduli - \nda quelli a ribalta ai vassoi contenitori, dai cassetti al \nmodulo bar - per organizzare gli spazi con la massima \nlibertà. Opzionale, l’illuminazione interna che esalta i \nprofili e le geometrie della struttura.\nLa madia, autoportante, è disponibile con apertura a \nbattente e può essere personalizzata nelle finiture.\nEN \nInspired by the simple sleek geometric form of the cylinder, the Dedalo \nsideboard has two structured curved ends connected by a back section of the same \nslim panel thickness. The vertical sections wrap their embrace around horizontal \nelements, creating a recessed tray on top and a smart integrated handle at the \nfront. The inside compartment, free of vertical dividers, can be customized with \nfixed shelves or different modules - including drop-down front modules, shallow \ntrays, drawers and a bar module, for total freedom over space organization. Optional \ninterior lighting shows off the contours and geometry of the sideboard. The self-\nstanding sideboard is available with hinged doors and custom finishes.\n02_Progetti di design 07.indd\n14\n07\u002F08\u002F23\n11:04\n02_Progetti di design 07.indd\n15\n07\u002F08\u002F23\n11:04\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.10.png","PROGETTI DI DESIGN 07\nDedalo by Luciano Marson\n02_Progetti di design 07.indd\n16\n07\u002F08\u002F23\n11:04\n16 — 17\n02_Progetti di design 07.indd\n17\n07\u002F08\u002F23\n11:04\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.11.png","PROGETTI DI DESIGN 07\nDedalo by Luciano Marson\n02_Progetti di design 07.indd\n18\n07\u002F08\u002F23\n11:04\n18 — 19\n02_Progetti di design 07.indd\n19\n07\u002F08\u002F23\n11:04\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.12.png","PROGETTI DI DESIGN 07\nDedalo by Luciano Marson\n02_Progetti di design 07.indd\n20\n07\u002F08\u002F23\n11:04\n20 — 21\n02_Progetti di design 07.indd\n21\n07\u002F08\u002F23\n11:04\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.13.png","PROGETTI DI DESIGN 07\nDedalo by Luciano Marson\n02_Progetti di design 07.indd\n22\n07\u002F08\u002F23\n11:04\n22 — 23\n02_Progetti di design 07.indd\n23\n07\u002F08\u002F23\n11:04\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.14.png","IT\nIl design essenziale della madia Dedalo può essere\nvalorizzato con contrasti materici e di colore, ottenuti\npersonalizzando struttura, top e finiture interne. La\nstruttura e le ante sono disponibili in tutte le essenze e\nnei laccati opachi e lucidi; il piano orizzontale superiore\npuò essere scelto in tinta o a contrasto e realizzato in\nun’ampia gamma di materiali, come la collezione vetri\nmarmo. Il basamento, opzionale, è disponibile laccato in\ntinta o nelle finiture metalliche.\nEN\nThe simple design of the Dedalo sideboard can be\nenhanced with contrasting texture and colour, achieved\nby customizing the structure, top and interior finishes.\nThe structure and doors are available in all wood finishes\nand matt and gloss lacquers. The upper horizontal\ntop can be chosen in a matching or contrasting finish\nand made in a range of materials, like the glass marble\ncollection. The optional base is available in matching\nlacquer or metal finishes.\nDedalo by Luciano Marson\nPROGETTI DI DESIGN 07\n02_Progetti di design 07.indd\n24\n07\u002F08\u002F23\n11:04\n24 — 25\n1 — Laccato lucido Onice \u002F Onice high gloss lacquer\n2 —  Frassino Castano \u002F Frassino Castano wood\n3 — Laccato opaco Bosco \u002F Bosco matt lacquer\n4 — Frassino Lino \u002F Frassino Lino wood\n5 — Vetro marmo Calacatta opaco \u002F Matt Calacatta\n marble glass\n6 — Canaletto \u002F Canaletto wood\n7 — Laccato opaco Lavagna \u002F Bosco matt lacquer\n8 — Laccato lucido Mattone \u002F Mattone high gloss lacquer\n9 — Laccato opaco Mattone \u002F Mattone matt lacquer\n6\n7\n1\n3\n4\n6\n2\n5\n8\n9\n2\n4\n8\n02_Progetti di design 07.indd\n25\n07\u002F08\u002F23\n11:04\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.15.png","Corinto by Luciano Marson\nPROGETTI DI DESIGN 07\n02_Progetti di design 07.indd\n26\n07\u002F08\u002F23\n11:04\n02_Progetti di design 07.indd\n27\n07\u002F08\u002F23\n11:04\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.16.png","PROGETTI DI DESIGN 07\nIT \nElegante e scultoreo, il tavolo Corinto, interamente \nrealizzato in marmo, racchiude in sé un fascino unico, \nfrutto di rinnovati equilibri tra materia e geometria. \nIl ripiano e le gambe sono realizzati a partire \ndall’accostamento di lastre in marmo lavorate lungo \ngli spessori: sottili sbalzi di 9,5 mm, direzionati verso \nl’interno, conferiscono ai volumi slancio e dinamismo. \nLe gambe vengono raccordate a terra per esaltare \nl’effetto di leggerezza della materia e gli scalini verticali \nsi innestano con quelli orizzontali del piano in un incastro \nperfetto e delicato. A garanzia della stabilità strutturale, \nun’anima in ferro, che ne permette anche un facile e \ncorretto assemblaggio.\nEN \nThe elegant sculpted form of the Corinto table, entirely crafted in marble, \nis stunningly unique with its modern balance of material and geometry. Made \nentirely of marble, it is uniquely appealing with its fresh new balance of material \nand geometric design. The top and legs are made of marble slabs finished along \nthe entire thickness. Subtle 9.5 mm overhangs, facing inwards, add movement and \ndynamism. The legs stand firmly on the ground to enhance the effect of material \nlightness and the vertical sections interlock softly and perfectly with the horizontal \nsections. An iron support frame that also allows quick, easy, correct assembly \nguarantees structural stability.\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   28\n07\u002F08\u002F23   11:04\n02_Progetti di design 07.indd   29\n07\u002F08\u002F23   11:04\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.17.png","PROGETTI DI DESIGN 07\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   30\n07\u002F08\u002F23   11:04\n30 — 31\n02_Progetti di design 07.indd   31\n07\u002F08\u002F23   11:04\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.18.png","PROGETTI DI DESIGN 07\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   32\n07\u002F08\u002F23   11:04\n32 — 33\n02_Progetti di design 07.indd   33\n07\u002F08\u002F23   11:04\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.19.png","PROGETTI DI DESIGN 07\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   34\n07\u002F08\u002F23   11:04\n34 — 35\n02_Progetti di design 07.indd   35\n07\u002F08\u002F23   11:05\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.20.png","PROGETTI DI DESIGN 07\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   36\n07\u002F08\u002F23   11:05\n36 — 37\n02_Progetti di design 07.indd   37\n07\u002F08\u002F23   11:05\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.21.png","PROGETTI DI DESIGN 07\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   38\n07\u002F08\u002F23   11:05\n38 — 39\n02_Progetti di design 07.indd   39\n07\u002F08\u002F23   11:05\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.22.png","PROGETTI DI DESIGN 07\nCorinto by Luciano Marson\n02_Progetti di design 07.indd   40\n07\u002F08\u002F23   11:05\n40 — 41\n02_Progetti di design 07.indd   41\n07\u002F08\u002F23   11:05\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.23.png","IT\nLo scultoreo tavolo Corinto, che si distingue per la\nraffinata lavorazione a scalini del piano e delle gambe, è\nrealizzabile con tutti i marmi della collezione Pianca, sia\nnelle varianti opache sia in quelle lucide. Ogni marmo\nè in grado di conferire al tavolo un carattere unico,\nrendendolo adatto a diversi stili, da quelli più opulenti ai\npiù delicati.\nEN\nThe sculptural Corinto table, with distinctive elegant\ncarved stepping on the top and legs, can be made from\nall the marbles available in the Pianca collection, in both\nmatt and gloss finish. Each marble gives the table a\nunique character, allowing it to fit different styles ranging\nfrom extremely opulent to the most muted.\nCorinto by Luciano Marson\nPROGETTI DI DESIGN 07\n02_Progetti di design 07.indd   42\n07\u002F08\u002F23   11:05\n42 — 43\n1 — Marmo Gioia di Carrara opaco \u002F\n Gioia di Carrara matt marble\n2 — Marmo Emperador lucido \u002F\n Emperador glossy marble\n2\n1\n2\n02_Progetti di design 07.indd   43\n07\u002F08\u002F23   11:05\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.24.png","Enea by Luciano Marson\nPROGETTI DI DESIGN 07\n02_Progetti di design 07.indd   44\n07\u002F08\u002F23   11:05\n02_Progetti di design 07.indd   45\n07\u002F08\u002F23   11:05\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.25.png","PROGETTI DI DESIGN 07\nEnea by Luciano Marson\nIT \nDinamismo e tensione. Interamente realizzato in \nessenza, il tavolo Enea si distingue per le particolari \ngeometrie che ne valorizzano il design e la materia. Il \npiano è caratterizzato da un bordo sagomato smussato \na 45°: la peculiare lavorazione del rivestimento \npermette alla venatura del legno di avvolgere ogni \nlato, in una continuità materica e visiva che sottolinea \ned esalta l’effetto piega e l’apparente plasticità delle \nsuperfici. Le gambe, realizzate a partire da una figura \nsagomata rivestita in tranciato di legno, nascono da una \nlavorazione simile al folding: il risultato è una gamba \niconica e caratterizzante, enfatizzata dalle venature \nlignee.\nEN \nDynamism and tension. The distinctive, unusual geometric details of the \nsolid wood Enea table enhance its design and material. The top has a bevelled \nedge. The unusual design of the covering allows wood grain to wrap around every \nsurface with textural and visual continuity to enhance and highlight the folded effect \nand apparent plasticity of the surfaces.\nCreated from a shape clad in wood veneer, the table legs are produced using a \ntechnique similar to folding, resulting in a distinctively iconic leg shape, enhanced by \nthe wood grain.\n02_Progetti di design 07.indd   46\n07\u002F08\u002F23   11:05\n02_Progetti di design 07.indd   47\n07\u002F08\u002F23   11:05\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.26.png","PROGETTI DI DESIGN 07\nEnea by Luciano Marson\n02_Progetti di design 07.indd   48\n07\u002F08\u002F23   11:05\n48 — 49\n02_Progetti di design 07.indd   49\n07\u002F08\u002F23   11:05\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.27.png","PROGETTI DI DESIGN 07\nEnea by Luciano Marson\n02_Progetti di design 07.indd   50\n07\u002F08\u002F23   11:05\n50 — 51\n02_Progetti di design 07.indd   51\n07\u002F08\u002F23   11:05\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.28.png","PROGETTI DI DESIGN 07\nEnea by Luciano Marson\n02_Progetti di design 07.indd   52\n07\u002F08\u002F23   11:05\n52 — 53\n02_Progetti di design 07.indd   53\n07\u002F08\u002F23   11:05\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.29.png","PROGETTI DI DESIGN 07\nEnea by Luciano Marson\n02_Progetti di design 07.indd   54\n07\u002F08\u002F23   11:05\n54 — 55\n02_Progetti di design 07.indd   55\n07\u002F08\u002F23   11:05\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.30.png","IT\nMateria e geometria diventano un tutt’uno in questo\ntavolo interamente realizzato in essenza, in cui le\nvenature del legno esaltano la curvatura e la particolare\nlavorazione delle gambe. A seconda dell’essenza scelta,\nil tavolo si riveste di una diversa estetica, rispecchiando\ndifferenti stili: da quello nordico e minimale evocato dal\nFrassino Lino, fino a quello più deciso e formale del\nFrassino Nero.\nEN\nTexture and geometry come together to create\nthis table, entirely made of solid wood, whose veining\nemphasizes the curved form and quirky design of the\nlegs. The look of the table changes according to the\nwood chosen, reflecting different styles: from the Nordic\nminimalism of Frassino Ash to the bolder, more formal\nFrassino Nero.\nPROGETTI DI DESIGN 07\nEnea by Luciano Marson\n02_Progetti di design 07.indd   56\n07\u002F08\u002F23   11:05\n56 — 57\n1 — Frassino Lino \u002F Frassino Lino wood\n2 — Frassino Nero \u002F Frassino Nero wood\n2\n1\n2\n02_Progetti di design 07.indd   57\n07\u002F08\u002F23   11:05\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F57\u002Fdb85f86224a99404365010008d9dcf-285d0fd3d4.31.png","Info tecniche \u002F Technical info\n02_Progetti di design 07.indd   58\n07\u002F08\u002F23   11:05\n58 — 59\nDedalo\nCorinto\nEnea\nL 180 - 200 - 220 - 240\n- 260 cm\nP 90 - 100 - 110 - 120 cm\nH 72 cm\nL 190 - 220 - 250 \n- 280 cm\nP 100, H 72 cm\nL 95 - 140 cm \nH 160**, P 56 cm\nL 140 - 170 - 200 cm\nH 105, P 56 cm\nL 140 - 170 - 200 - 230 \n- 260 - 290 cm\nH 72, P 56 cm\nL 230 - 260 - 290 cm \nH 45, 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