[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-petite-friture-new-releases-2017":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":145},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":140,"matched_pages":141,"match_count":142,"two_pages":143,"show_text":144},22736,"New Releases 2017","petite-friture-new-releases-2017","\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fcd\u002Feddc2eeb25dbbcb416baebc6b18ddd-28e6f53087.pdf","Petite Friture",1828,"petite-friture","19.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137],{"image":7,"text":15,"number":16},"PETITE FRITURE\nNEW RELEASES\nAPRIL 2017\nFurniture, lighting, accessories\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.2.png","«Entrez… !»\nLa Villa P.F. vous est ouverte.\n«Come in… !»\nVilla P.F.. is for you.\n2\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.3.png","In January, PETITE FRITURE introduced \nyou \nto Villa P.F.: \narchitecture \nwith \nmodernist codes, sketched in exclamations \nand colours by ANA MONTIEL, and \nwhose eminently contemporary identity \nrelies on the vision of its residents, those \ninvited to design the furniture, lighting and \ndecoration. \nTo coincide with Salone del Mobile and \nEuroluce, Villa P.F. welcomes two new \nresidents, SYLVAIN WILLENZ and CELIA \n- HANNES. \nThey are joining the magical alchemy \nof inspiration and creation that is Villa \nP.F., already brought to life in January by \nthe designers CONSTANCE GUISSET, \nMORTEN & JONAS, studio vit, POOL and \nStudio BRICHETZIEGLER, along with the \ngraphic designers TIPHAINE DE BODMAN \nand SHELLEY STEER.\nThe result is a unique space time that gives \nfree rein to the most personal of emotions:  \nlines you want to follow to their vanishing \npoint, flat surfaces with intriguing depth; \nan invitation to live, to laugh, to revel in it \nand to be astonished. At Villa P.F. you are \nat home.\nWelcome to Villa P.F.\nAmélie du Passage\nEn janvier, PETITE FRITURE vous a \nprésenté sa Villa P.F.: une architecture \naux \ncodes \nmodernistes, \ncroquée \nen \nexclamation \net \nen \ncouleurs \npar \nANA \nMONTIEL, \net \ndont \nl’identité \nnéanmoins éminemment contemporaine \ntient à la vision de ses résidents, invités \nà signer le mobilier, les luminaires et les \nrevêtements. \nLa  Villa P.F. accueille à l’occasion du \nSalone del Mobile et de Euroluce deux \nnouveaux résidents, SYLVAIN WILLENZ \net CÉLIA - HANNES. \nIls \nrejoignent \nl’alchimie \nmagique \nd’inspirations \net \nde \ncréations \nde \nla \nVilla P.F., déjà insufflée en janvier par \nles designers CONSTANCE GUISSET, \nMORTEN & JONAS, studio vit, POOL, \nStudio \nBRICHETZIEGLER, \nainsi \nque \ndes \ndesigners \ngraphiques \nTIPHAINE \nDE BODMAN et SHELLEY STEER.\nLe résultat est un espace-temps unique \nqui laisse le champ libre aux émotions les \nplus intimes : des lignes que l’on a envie \nde suivre dans leur fuite; des aplats aux \nreliefs qui intriguent; une invitation à vivre, \nrire, se délecter et s’étonner. Vous êtes à \nla  Villa P.F. chez vous.\n« Bienvenue à la Villa P.F.»,\nAmélie du Passage\nVilla P.F.\n3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.4.png","PETITE FRITURE is an Éditeur de design , founded \nin 2009 and run by Amelie du Passage. Through its \noriginal collaborations with designers coming from \nvarious fields PETITE FRITURE thrives on the need \nto give new life to products, places and moments \nthat are beautiful, light and delicate.\nAll of this is tempered with the same spirit and \ncreated with the same demanding levels of results.\nAt PETITE FRITURE we have a taste for emerging \nand audacious creation that bypasses frontiers and \narouses emotion. And a conviction: creation has no \nworth unless it is shared.\nIn order for you to discover the talents that we are \nso passionate about, PETITE FRITURE invites you \ninto a surprising experience with the will to make you \nsmile.\nPETITE FRITURE. \nMake Good Things Happen.\n4\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.5.png","5\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.6.png","At PETITE FRITURE, we defend design \nthat is challenging and cheerful: design \nenvisaged \nas \na \ncross-cutting \nfield \nthat irrigates the art de vivre of which \nour country is assuredly a jewel. Our \ninspirations are multiple and limitless, from \ndesign products, graphic art, architecture \nand any other field of creativity.\nFurthermore, we believe that this creativity \nis of no value unless it is shared, \nWith the strength of this vision, we \nbreathe into all our projects a spirit in \nwhich our clients find the promise of \nambitious and quality design, nourished \nby our interdisciplinary inspirations; but \nalso design that raises a smile, told with \ndistinctive expression and in constant \nrenewal. Each project becomes a story \nthat is singular and surprising, led with \nthe same coherence from initial design \nto \ncommunication. \nThis \ncoherence, \npaired with boundless creativity, are the \nmainstays of our approach, and they give \nour projects meaning.\nChez PETITE FRITURE, nous défendons \nun design exigent et souriant ; un design \nenvisagé comme discipline transversale \nqui irrigue un art de vivre dont notre pays \nest assurément un fleuron. Nos inspirations \nsont multiples, sans limites, entre le design \nproduit, le graphisme, l’architecture et tout \nautre discipline de création.\nEt par ailleurs, nous pensons que cette \ncréation n’a de valeur que si elle est \npartagée. \nForts de cette vision, nous insufflons dans \ntous nos projets un esprit où nos clients \ntrouvent \nla \npromesse \nd’une \ncréation \nambitieuse et de qualité, nourrie de nos \ninspirations transversales; mais également \nune création qui fait sourire, racontée dans \nune expression distincte et sans cesse \nrenouvelée. Chaque projet devient une \nhistoire, singulière et surprenante, menée \navec la même cohérence de sa conception \nà sa communication. Cette cohérence \ndoublée d’une créativité débordante sont \nles constantes de notre démarche, et \ndonnent à nos projets un sens.\nPETITE FRITURE\n6\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.7.png","7\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.8.png","8\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.9.png","KLING is a lamp that stands out both by \nits simplicity and its poetry; a standing or \nhanging glass bell jar whose soft colours \nemit light that is warm and powdery. \nNevertheless, the graphite handle is a \nreminder of its eminently bold and confident \nnature.\nAvailable as a table lamp and as a pendant \nlamp, individually or combined; in the \nlater case, the hanging lamp adopts the \nappearance of a mobile. \nKLING  est une lampe qui tranche à la fois \npas sa simplicité et sa poésie ; cloche en \nverre posée ou suspendue, ses couleurs \ndouces offrent une lumière chaleureuse \net poudrée. Pour autant, l’anse graphite \nrappelle son caractère éminemment affirmé \net graphique. \nExiste en lampe à poser, mais également \nen suspension, à l’unité ou combinés ; dans \nce dernier cas, la suspension reprend le \nlangage du mobile.\nN E W\nKLING\nPENDANT LAMPS \u002F TABLE LAMPS\n9\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.10.png","«KLING is an enigmatic object. This gem is \nmade from the delicate airiness of powdered \nglass and the warmth of the bold lines of \nanthracite brass.»\n«KLING est un objet énigmatique. Ce bijou \nfait se rencontrer la délicatesse aérienne \ndu verre poudré aux lignes graphiques et \nchaudes du laiton anthracite. »\n10\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.11.png","CÉLIA - HANNES\nCELIA-HANNES \nwas \nfounded \nin \n2013. \nThe duo takes part in various \ninternational exhibitions and has been \ninvited to several artistic residences in \nNew York, Chongqing, Cape Town, Paris, \nStrasbourg, Nancy and recently at the art \nand design centre La cuisine in Nègrepelisse. \nIn 2015 Celia-Hannes won the Talents à la \ncarte prize at Maison & Objet in Paris and the \ncontemporary art talent prize in Upper Austria. \nTheir research into manual tools has been \nsupported by the Prefecture of the Occitanie \nRegion in France – Regional management \nof cultural affairs (Individual support for \ncreativity). \nA French-Austrian duo, Célia Picard and \nHannes \nSchreckensberger \nwork \nat \nthe \ncrossroads between art and design. They are \nfascinated by objects, their significance and \nthe simplicity towards which they can be drawn. \nAs part of their research, they seek to reduce \nand refocus, while developing the satisfaction \nthat we can draw from items. Conscious of \nthe impact of production on the quality of life, \nthey consistently take into account the social, \nsymbolic and environmental context in which \nthey are operating before designing. \nThe enigmatic shapes that they create invite \neach one of us to invent new uses and new \nrituals.\nCÉLIA-HANNES  \na \nété \nfondé \nen \n2013.  \nLe duo a participé à différentes \nexpositions internationales et a été \ninvité à plusieurs résidences artistiques \nà New York, à Chongqing, au Cap, à \nParis, à Strasbourg, à Nancy et récemment \nau centre d’art et de design La cuisine à \n Nègrepelisse. \nEn 2015 Celia-Hannes a reçu le prix Talents \nà la carte de Maison & Objet à Paris, le \nprix des talents de l’art contemporain en \nHaute - Autriche. Leur recherche sur les outils \nmanuels a reçu l’aide de la Préfecture de la \nRégion Occitanie - Direction Régionale des \nAffaires Culturelles (Aide Individuelle à la \nCréation). \nLe duo franco-autrichien Célia Picard et Hannes \nSchreckensberger travaille à la croisée de l'art \net du design. Ils sont fascinés par les objets, \nleur signifiance  et la simplicité vers laquelle ils \npeuvent être amenés. Dans leurs recherches, \nils cherchent à réduire, à recentrer tout en \ndéveloppant la satisfaction que les choses \npeuvent nous procurer. Conscients de l’impact \nde la production sur notre qualité de vie, ils \nprennent constamment en compte le contexte \nsocial, symbolique et environnemental où ils \ninterviennent avant de concevoir. \nLes formes énigmatiques qu’ils créent invitent \nchacun à inventer de nouveaux usages et de \nnouveaux rituels. \n11\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.12.png","12\nBlown glass and graphite finish brass\nN E W\nKLING\nCELIA-HANNES\nPENDANT LAMPS \u002F TABLE LAMPS\n19 cm\n11.5 cm\n11.5 cm\n28 cm\n31 cm\n14 cm\n14 cm\n14 cm\nØ : 19 cm ; Ø : 14 cm ( ring ); H : 31 cm \nW : 0.7 kg \nC o l o u r s  :   White \u002F Pink\nC a b l e  l e n g t h  L : 3 m\nC e i l i n g  :  W : 11.5 cm ; H : 2.5 cm\nSMALL\nPENDANT LAMPS\nL : 57 cm ; W : 19 cm ; H : 62 cm ; Ø : 14 cm ( ring ); \nW : 2.5 kg\nC o l o u r s  :   White \u002F Pink-Amber\nC a b l e  l e n g t h  L : 3 m\nC e i l i n g  :  W : 28 cm ; H : 4 cm ; L : 5.5 cm\nMOBILE\n57 cm\n62 cm\nMEDIUM\nØ : 16 cm ; Ø : 14 cm ( ring ); H : 42 cm \nW : 0.9 kg \nC o l o u r s  :   White \u002F Amber\nC a b l e  l e n g t h  L : 3 m\nC e i l i n g  :  W : 11.5 cm ; H : 2.5 cm\n16 cm\n42 cm\n2.5 cm\n2.5 cm\n4 cm\n12\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.13.png","13\n14 cm\n14 cm\n16 cm\nTABLE LAMPS\n19 cm\n31 cm\nØ : 19 cm ; Ø : 14 cm ( ring ); H : 31 cm\nW : 0.7 kg\nC o l o u r s  :   White \u002F Pink\nC a b l e  l e n g t h  L : 1.8 m  \n( with dimmer )\nSMALL\n19 cm\n57 cm\nØ : 19 cm ; Ø : 16 cm ( ring ); H : 57 cm\nW : 1.4 kg \nC o l o u r s  :   White \u002F Pink \u002F Amber\nC a b l e  l e n g t h  L : 1.8 m \n( with dimmer )\nLARGE\nMEDIUM\nØ : 16 cm ; Ø : 14 cm ( ring ); H : 42 cm \nW : 0.9 kg \nC o l o u r s  :   White \u002F Amber\nC a b l e  l e n g t h  L : 1.8 m \n( with dimmer )\n42 cm\n16 cm\nS t a n d a r d s  :  \n \n \n \n \n \n220-240 V 50-60 Hz\n40\n14\n13\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.14.png","14\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.15.png","CHAINS is a versatile lighting system \ninfused with nature; its shape is reminiscent \nof a ribbed shell. No matter the position of \nthe electrical outlet, CHAINS can freely \noccupy any space and in doing so, adopts \nthe appearance of a cascade of lights.\nAvailable as a single unit (individually or \ngrouped by three on the same outlet) or \nin triple version (individually or grouped \nby three on the same outlet). Whether in \ngroups of singles or triples, the CHAINS can \nbe installed in long vertical arrangement, \nshort groups at the same level, or randomly \nspread across the room using extra fixing \npoints. The possibilities are numerous.\nCHAINS est un système luminaire versatile \nà la forme empreinte de nature avec sa \ncoque nervurée. En simple suspension ou \nen multiples, elle permet de jouer plusieurs \ncombinaisons \n– \nen \ngrappe, \nen \nligne \nverticales ou réparties dans la pièce de façon \naléatoire au gré des envies, grâce à des \npoints d’attaches intermédiaires développés \npour le système ; ainsi, où que soit placée la \nsortie électrique, CHAINS peut venir occuper \nlibrement l’espace, et reprend en cela le \nlangage des guirlandes lumineuses.\nExiste en version simple ou triple (à l’unité ou 3 \nunités sur le même point). Simple ou multiple, \nCHAINS s’installe en ligne, en grappe. Il est \npossible de faire des points déportés grâce \nà des points d’attaches intermédiaires. Les \npossibilités sont nombreuses.\nN E W\nCHAINS\nPENDANT LAMPS\n15\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.16.png","«The CHAINS collection is inspired both by \nnature and the magic of the lighting garland. \nFrom a single lamp, to grouped multiples \nlamps, CHAINS responds to a variety \nof applications, from residential to more \narchitectural usages.»\n«La \nsérie \nde \nluminaire \nCHAINS \nest \ninspirée à la fois par la nature et la \nmagie des guirlandes lumineuses. De \nla simple suspension à des grappes en \nmultiples, CHAINS répond à une multitude \nd’applications, du résidentiel aux usages  \nen collectivité.»\n16\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.17.png","SYLVAIN WILLENZ\nBorn in Brussels in 1978, SYLVAIN WILLENZ \nhas lived consecutively in the US, Belgium \nand in the UK. Sylvain studied MA Design \nProducts at the Royal College of Art in London, \ngraduating in 2003. In 2004, Sylvain opened his \nDesign Office, based in Brussels, Belgium. In \n2009, leading press and institutions nominated \nSylvain as Belgian Designer of the Year.\nSylvain Willenz runs his office as an international \nmulti-disciplinary \ndesign \noffice \nbased \nin \nBrussels, Belgium. Focus is given to product \nand furniture, as well as installation \nand exhibition design and creative \ndirection. \nThe \noffice \ntargets \nthe development of powerful \nproducts, with timeless and \nmass appeal. Function and \naesthetic are given particular \nattention \nthrough \nsubtle, \nyet \ndistinctive \ndecisions.  \nSylvain aims at making things \nthat are new yet familiar, \nstraightforward yet better. \nNé à Bruxelles, en 1978, SYLVAIN WILLENZ \nà vécu consécutivement aux Etats-Unis, en \nBelgique et au Royaume-Uni. Diplômé en \n2003 du Royal College of Art de Londres, MA \nDesign de Produit. Sylvain ouvre son bureau \nà Bruxelles en 2004. En 2009, il est nommé \nDesigner Belge de l’Année par la presse et des \ninstitutions spécialisées.\nSylvain Willenz dirige son propre bureau \ninterdisciplinaire et international à Bruxelles \nen Belgique. L’attention porte sur le design \nde produit et le mobilier, le design \nintérieur, et la direction créative. \nLe bureau vise à développer \ndes produits forts, intemporels \net accessibles. La fonction \net \nl’esthétique \nfont \nl’objet \nd’un regard particulier, au \ntravers de décisions subtiles, \ninnovante \net \nélégantes. \nSylvain vise à faire des objets \nnouveaux mais familiers, à la \nfois simples et supérieurs.\n17\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.18.png","18\nN E W\nCHAINS\nSYLVAIN WILLENZ\nPENDANT LAMPS\nPVC\nØ : 15 cm ; H : 19.5 cm\nW : 0.7 kg \nC o l o u r s  :  Black\nC a b l e  l e n g t h  L : 4 m\nC e i l i n g  :  Ø : 10 cm ; H : 7.5 cm\nSINGLE PENDANT\nADDITIONAL CEILING\nSINGLE PENDANT 3 CABLES \nØ : 15 cm ; H : 19.5 cm\nW : 2.1 kg \nC o l o u r s  :  Black\nC a b l e  l e n g t h  L : 4 m\nC e i l i n g  :  Ø : 12 cm ; H : 7.5 cm\nØ : 12 cm ; H : 7.5 cm\n15 cm\n15 cm\n19.5 cm\n19.5 cm\n12 cm\n7.5 cm\n18\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.19.png","19\nØ : 15 cm ; W : 40 cm ; H : 45 cm\nW : 2.5 kg \nC o l o u r s  :  Black\nC a b l e  l e n g t h  L : 4 m\nC e i l i n g  :  Ø : 10 cm ; H : 7.5 cm\nTRIPLE PENDANT\nTRIPLE PENDANT 3 CABLES  \nØ : 15 cm ; W : 40 cm ; H : 45 cm\nW : 6.5 kg \nC o l o u r s  :  Black\nC a b l e  l e n g t h  L : 4 m\nC e i l i n g  :  Ø : 12 cm ; H : 7.5 cm\n15 cm\n15 cm\n40 cm\n40 cm\n45 cm\n45 cm\nS t a n d a r d s  :   \n \n \n \n \n \n220-240 V 50-60 Hz\n9\n14\n19\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.20.png","20\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.21.png","The WEEK-END collection includes seats \n- a chair, a bridge, an armchair, a bench - \ntables - a coffee table, a square table for 2-4 \npeople, a large dining table for 6-8 people \nand one for 8-10 people - and finally a high \ntable and a high stool (in 2 heights).\nLa collection WEEK-END comprend des \nsièges - chaise, bridge, fauteuil, banc, des \ntables – table basse d’appoint, table carrée \n2-4 personnes, grande table 6-8 personnes, \ngrande table 8-10 personnes, et enfin une \ntable mange-debout et un tabouret haut  \n(en deux hauteurs).\nWEEK-END\nOUTDOOR\nCOLLECTION\n21\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.22.png","«The WEEK-END collection is a full range of \noutdoor furniture. Designed with practicality \nin mind, all of the seats are stackable. The \nWeek-End collection is a complete range \nof outdoor furniture. The oval and circular \nshape drawn by the backrests makes them \na graphic statement. The impact of the \nhorizontal and vertical slats, so similar to \nstripes, highlights the full and empty spaces, \nasserting the identity of the collection.»\"\n« La collection WEEK-END est une gamme \nde mobilier outdoor complète. Pensée pour \nune utilisation pratique, toutes les assises \nsont empilables. La forme ovale et cernée \ndessine les dossiers pour qu’ils deviennent \nun signe graphique. Le travail des lattes \nhorizontales \net \nverticales \ncomme \ndes \nrayures, souligne les pleins et les vides, \naffirmant l’identité de la collection. »\n22\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F21\u002Fee04da82ad71aac53e174106a50cc7-28e7145152.23.png","STUDIO BRICHETZIEGLER\nCAROLINE ZIEGLER and \nPIERRE \nBRICHET \nfounded \nSTUDIO \nBRICHETZIEGLER \nin \n2010. As part of their search to place \nexchange and dialogue at the centre \nof their research, it is an open think tank \nworkshop in which poetry,materials and \nforms express themselves with sensitivity.\nThey collaborate with several furniture and \nlighting companies, and work on industrial \nand interior design projects. \nIn 2015, they launched a self made collection \nwhen they created the By Hands brand. \nWorking on all scales, with a preference for \nfurniture and design objects, their projects \ntake shape through the people they \nmeet.Colourful and expressive, with a \ngraphic touch, they design evocative \nand generous objects in which the \nmaterial is as outstanding as \nthe uses.\nCAROLINE \nZIEGLER \net \nPIERRE BRICHET ont créé le \nSTUDIO \nBRICHETZIEGLER \nen \n2010. Cherchant à mettre l’échange \net la discussion au centre de leurs \nrecherches, c’est un atelier de réflexion \nouvert où poésie, matières et formes \ndialoguent avec sensibilité. 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