[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-penta-news":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":356},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":351,"matched_pages":352,"match_count":353,"two_pages":354,"show_text":355},9195,"News","penta-news","\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F1f\u002F3e2a4ae7fa33722559ab30d65ef032.pdf","Penta",200,"penta","211.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,348],{"image":7,"text":15,"number":16},"NEWS\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.3.png","crafting light\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.4.png","L’artigianalità\nincontra \nl’avanguardia\ntecnologica.\nCraftsmanship \nmeets \nthe technological \nvanguard.\nWe at Penta Light design and produce hi-\ngh-quality lamps, with a contemporary design \nwhich are 100% made in Italy. In the course of \nour history we have interpreted the ideas of \nsought-after and never predictable designers, \ntransforming their vision into objects in which \nformal beauty meets functional utility.\nIn everything we do, we are inspired by the art \nof master craftsmen, who put their heart, skill \nand knowledge into the service of their skilled \nhands.\nWhile remaining faithful to our origins, we \nexperiment with new solutions and thanks to \nthe development and use of cutting-edge te-\nchnology we are able to enrich our tradition \nwith new expressive and aesthetic codes.\nNoi di Penta Light progettiamo e producia-\nmo lampade di alta qualità, dal design con-\ntemporaneo e 100% made in Italy. Nel corso \ndi tutta la nostra storia abbiamo tradotto le \nidee di designer ricercati e mai scontati in \noggetti in cui la bellezza formale incontra \nl’utilità funzionale. \nIn tutto quello che facciamo, ci ispiriamo \nall’arte dei maestri artigiani che mettono \ncuore, abilità e conoscenza al servizio del-\nle loro sapienti mani. Pur rimanendo fedeli \nalle nostre origini, sperimentiamo nuove so-\nluzioni e grazie allo sviluppo e all’utilizzo di \ntecnologia all’avanguardia arricchiamo con \nnuovi codici espressivi ed estetici la nostra \ntradizione. \nV E T R O  \u002F  G L A S S\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.5.png","L’innovazione della tradizione ci indica nuo-\nvi linguaggi da esplorare, nuove strade \nda percorrere, nuovi sogni da realizzare: il \nnostro sguardo è inevitabilmente rivolto al \nfuturo, a lampade eleganti che dialogano \ne si relazionano con la contemporaneità \ndell’abitare e con le esigenze di un’attenta \nclientela. Il rigore, la precisione e la cura dei \ndettagli e delle finiture caratterizzano tutti i \nnostri prodotti, così come l’utilizzo di mate-\nriali ricercati, materici come il legno, il vetro, \nil metallo, la stoffa. Mai la plastica. Il nostro \nDNA, le nostre idee e il nostro saper fare \nsono italiani ma i nostri confini non sono al-\ntro che la vastità del mondo. \nThe innovation within our tradition shows us \nnew languages to explore, new avenues to \nfollow, new dreams to realize: inevitably our \nfocus is turned towards the future, with elegant \nlamps that simultaneously relate to the home \nand the needs of a discerning customer. The \nrigor, precision and attention to detail and fin-\nishes characterise all our products, equally the \nuse of refined materials, materials like wood, \nglass, metal, fabric. Never plastic. Our DNA, \nour ideas and our know-how are Italian, but our \nborders encompass the vastness of the world.\nM A R M O  \u002F  M A R B L E\nM E TA L L O  \u002F  M E TA L\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.6.png","(CONTENTS)\nAltura 08 Glifo 22 Valerio Sommella & Anonima Luci \n10 \u002F Sop 34 Umberto Asnago 36 \u002F Ludo 48 Colzani & \nNovati 50 \u002F Vela 62 Hang Out 76 BrogliatoTraverso 64 \n\u002F Tile 90 Sebastiano Tosi 92 \u002F Glo Maxi 104 Morsetto \n120 Carlo Colombo 106 \u002F Yan 132 Marco Piva 134 \u002F \nMira 146 Gaia Ronchetti 148\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.7.png","designed by Valerio Sommella & Anonima Luci\nALTURA\n8\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.8.png","Valerio Sommella, Industrial Designer, van-\nta collaborazioni con marchi come Apple, \nAlessi, Honda e Panasonic. Dopo diversi \nanni trascorsi in prestigiosi studi tra Milano \ne Amsterdam, dal 2009 lavora a progetti \nche spaziano dall’illuminazione all’arredo, \ndall’elettronica di consumo agli accessori.\nValerio Sommella, Industrial Designer, has col-\nlaborated with brands like Apple, Alessi, Honda \nand Panasonic.  After several years spent study-\ning in prestigious institutions in both Milan and \nAmsterdam, in 2009 he started working on pro-\njects that range from lighting and furnishings to \nconsumer electronics and accessories.\nDifferenti\ncompetenze\ndiventano un \nsolo concetto.\nDifferent \nskills become \none concept.\nAnonima Luci, fondato da Alberto Saggia e \nStefania Kalogeropoulos,  è uno studio di li-\nghting design di Milano specializzato in pro-\ngetti legati al retail di lusso, all’hospitality, al \nresidenziale e al mondo delle mostre d’arte. \nParallelamente lo studio sviluppa apparec-\nchi di illuminazione, soluzioni custom made \ne installazioni di light art.\nLa collaborazione tra Sommella e Anonima \nLuci dà origine a progetti trasversali che ri-\nflettono differenti competenze e stili estetici. \nOggetti dall’elegante forza espressiva in cui \nl’approfondita conoscenza della tecnologia \ndella luce si unisce alla purezza e semplicità \nformale delle linee.\nAnonima Luci, founded by Alberto Saggia and \nStefania Kalogeropoulos, is a lighting design \nstudio based in Milan. It specializes in projects \nrelated to luxury retail, hospitality, residential \nand the world of art exhibitions. In parallel, \nthe studio also develops lighting fixtures, cus-\ntom-made solutions and light art installations.\nThe collaboration between Sommella and \nAnonima Luci gives rise to cutting edge pro-\njects that reflect different aesthetic skills \nand styles. Objects of an elegant expressive \nstrength in which the deep knowledge of light-\ning technology are united with the purity and \nstylish simplicity of the lines.\nV A L E R I O  S O M M E L L A\nA N O N I M A  L U C I\n10\n11\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.9.png","Una matita\nsi scioglie nel mare.\nL’orizzonte si piega\nin un cielo\nin equilibrio.\nEd è luce.\nA pencil melts \nin the sea.\nThe horizon folds \ninto perfect equilibrium.\nAnd there was light.\n13\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.10.png","ALTURA\n15\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.11.png","Altura is a projecting floor lamp. Two thin rods, \none vertical and a horizontal one made of steel, \nare connected by a joint that was inspired by \nthe fixing systems of fishing rods. The simplici-\nty of the structure and the clean lines combine \neffortlessly with lightweight materials to speak \nto the essence and sophisticated technology \ncontained within the cone-shaped lampshade. \nThe curl is the defining element of the lamp. \nSimple, light, harmonious, it grounds the struc-\nture. A functional detail more than aesthetic, \nthat allows the lamp to speak with its surround-\ning space.\nAltura è una lampada da terra aggettante. \nDue aste sottili, una verticale e una orizzon-\ntale di acciaio, sono messe in relazione tra \nloro da uno snodo che si ispira ai sistemi di \nfissaggio delle canne da pesca. La sempli-\ncità della struttura e la pulizia delle linee si \nuniscono a materiali leggeri e all’essenzia-\nlità e alla sofisticata tecnologia contenuta \nall’interno del diffusore conico.\nIl ricciolo è l’elemento caratterizzante della \nlampada. Essenziale, leggero, non impat-\ntante, rende statica la struttura. Un dettaglio \nfunzionale e non estetico che fa dialogare la \nlampada con lo spazio circostante. \nL’ispirazione\nè l’osservazione \ndel quotidiano.\nInspiration is \nthe observation \nof the everyday.\n17\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.12.png","Il design di Altura si adatta perfettamente in \ncontesti sia residenziali sia contract. La ver-\nsione a sospensione di grande personalità e \ngusto, permette con l’utilizzo del solo para-\nlume una massima flessibilità d’uso in qua-\nlunque spazio. \nAltura’s design fits perfectly in both residential \nand commercial contexts. The suspension ver-\nsion offers an impactful and tasteful addition, \nwith the use of just the lampshade it provides \nmaximum flexibility for use in any space.\n18\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.13.png","Base, stelo e asta  in acciaio ver-\nniciato. Paralume in alluminio ver-\nniciato. Possibilità di regolare l’al-\ntezza dell’asta facendola scorrere \nattraverso il “nodo”.\nBase, stem and rod in painted steel. Lamp-\nshade in painted aluminium. Possibility to \nadjust the height of the rod  by sliding it \nthrough “the knot”.\n1907-10 Altura floor\n1907-20 Altura suspension\nValerio Sommella\nAnonima Luci\nDesigned by\nNero opaco\nMatt black\nArgento satinato\nSatin silver\nFiniture \u002F Finishes\nBase, stelo, paralume\nBase, stem and lampshade\nAsta \nRod\n1907-10 Altura floor\n1907-20 Altura suspension\n226\n20\n212\nØ40\n226\nØ40\nØ40\nALTURA\nfloor \u002F suspension\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIP20\nIP20\n14W\n3000K\n1500lm\n90\n14W\n3000K\n1500lm\n90\n0-10V\n21\n20\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.14.png","designed by Valerio Sommella & Anonima Luci\nGLIFO\n22\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.15.png","Un segno fende l’aria,\nimmobile una bandiera, \nla notte si illumina. \nA line slices the air, \na flag is still, \nthe night lights up.\n25\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.16.png","GLIFO\n27\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.17.png","Lorem Ipsum è considerato il testo segna-\nposto standard sin dal sedicesimo secolo, \nquando un anonimo tipografo prese una \ncassetta di caratteri e li assemblò per pre-\nparare un testo campione. \ngrafo prese una cassetta di caratteri e li \nassemblò per caratteri e li assemblò per \npreparare un testo campione. grafo prese \nuna cassetta di caratteri e li assemblò per \ncaratteri e li assemblò per preparare un te-\nsto campione. grafo testo campione. \nGlifo è una lampada da parete aggettante. Il \nrigore e minimalismo della lampada è ispi-\nrato dal carattere tipografico, per l’appunto \nil glifo, che per sua natura simbolica è sti-\nlizzato ed essenziale. Due linee di metallo \ndefiniscono lo spazio: un elemento verti-\ncale, fulcro della rotazione, e un elemento \nobliquo che circoscrive l’angolo di apertura \ndel diffusore offrendo un punto di presa per \nmuovere la lampada. \nUn segno\ndiventa\nmateria.\nGlifo is a projecting wall lamp. The precision \nand minimalism of the lamp are inspired by \ntypographic characters, in this case glyphs, \nwhich by their symbolic nature are stylish and \nsimple. Two metal lines define the space: a ver-\ntical element, the fulcrum of the rotation, and \nan oblique element that surrounds the open-\ning angle of the lampshade, offering a point to \nmove the lamp.\nA line becomes \nmatter.\n29\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.18.png","All’estremità dell’asta obliqua di metallo su \ncui poggia il diffusore conico è presente \nl’interruttore dimmerabile. Un elemento il \ncui rivestimento può essere customizzato e \nrealizzato con diversi materiali come il legno \nwengè. Un dettaglio funzionale che al suo \ninterno nasconde un elevato contenuto tec-\nnologico.\nAt the end of the oblique metal rod where the \nconical lampshade is located is the dimmer \nswitch. An element whose coating can be cus-\ntomized with different materials such as wood \nwengè. A functional detail that hides the ad-\nvanced technological content.\n30\n31\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.19.png","Attacco a parete, stelo e diffu-\nsore in acciaio verniciato. Glifo \nnasce dal disegno di due linee \nche, come un carattere tipogra-\nfico, definiscono lo spazio. Un \nelemento verticale che è anche \nfulcro della rotazione di tutta la \nlampada e un elemento obliquo \nche si allontana dalla parete de-\nfinendo l’angolo di apertura del \ndiffusore e offrendo un punto di \npresa, con finitura in legno, per \nmuovere la lampada nello spazio \ne per dimmerarne la luce. \nWall mount, stem and lampshade in \npainted steel. Glifo comes from a drawing \nof two lines that, like a typeface, define its \nspace. A vertical element that is also the \nfulcrum of the whole rotation of the lamp \nand an oblique element that moves away \nfrom the wall defining the opening angle \nof the lampshade and offering a hold \npoint, with a wooden finish, to reposition \nthe lamp and to dim the light.\nValerio Sommella\nAnonima Luci\nDesigned by\n1908-33 Glifo large\n1908-31 Glifo medium\nNero opaco\nMatt black\nMassello di ebano \nSolid ebony\nFiniture \u002F Finishes\nAttacco a parete, stelo e diffusore\nWall mount, stem and lampshade\nManiglia \nHandle\nØ40\nØ40\nmedium 123 - large163\nmedium 67 - large 80\n0-60°\n0-60°\nGLIFO\nwall\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\nIP20\n14W\n3000K\n1500lm\n90\nTouch\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\n14W\n3000K\n1500lm\n90\nTouch\nIP20\n33\n32\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.20.png","designed by Umberto Asnago\nSOP\n34\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.21.png","U M B E R T O  A S N A G O\nUmberto Asnago ha consacrato la propria \nvita lavorativa al mondo del design e della \nprogettazione. Asnago, dopo aver ricoperto \nimportanti ruoli in Giorgetti Spa, nel 2006 \nsi dedica completamente all’attività di desi-\ngner, diventando una delle firme storiche di \nPenta. Grazie alla sua grande esperienza e \nal suo raffinato bagaglio creativo, Umberto \nAsnago è stato autore di numerose collezio-\nni iconiche di Penta.\nUmberto Asnago has dedicated his working \nlife to the world of design and planning. In \n2006 Asnago, after having held important po-\nsitions in Giorgetti Spa, completely committed \nhimself to his role as a designer, becoming one \nof Penta’s historic names. Thanks to his vast \nexperience and his refined creative toolbox, \nUmberto Asnago has been the creator of nu-\nmerous iconic Penta collections.\nEsperienza \ne creatività \ndi una firma \nstorica di Penta.\nExperience \nand creativity \nfrom a historic \nPenta designer.\n36\n37\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.22.png","Suddenly,\nan idea \ncements itself \nin the ray of a light \nfalling from above.\nAll’improvviso,\nun’idea\nsi cementa\nnel riflesso\ndi una luce\nche cade dall’alto. \n39\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.23.png","SOP\n40\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.24.png","Sop is a suspension lamp. The shape, which \nrecalls the elegance of the vases and vials of \nthe Greek and Roman period, is hexagonal. \nSop is a unique and tapered block of cement, \nthat is completed at the base by an LED which \nis reminiscent of the shape and elegance of a \nflower’s pistil. The use of cement, an extremely \ncontemporary material, allows Sop to combine \nperfectly with the environment and the context \nin which it is inserted. The lamp is a very dis-\ncrete element in its monochromatic form, when \ncoloured it gives a strong contrast.\nThe hexagonal shape is the defining element \nof Sop. The use of this geometric figure allows \nthe viewer to perceive the design differently \ndepending on the perspective from which the \nlamp is observed. \nUn pistillo \nnel cemento \nfa fiorire \nla luce.\nSop è una lampada a sospensione.  La for-\nma, che richiama l’eleganza dei vasi e delle \nampolle del periodo greco e romano, è esa-\ngonale. Sop è un unico e affusolato blocco \ndi cemento chiuso all’estremità inferiore da \nun LED che richiama la forma e l’eleganza di \nun pistillo di un fiore.  L’utilizzo del cemento, \nmateriale estremamente contemporaneo, \nconsente un abbinamento perfetto di Sop \ncon l’ambiente e il contesto in cui viene in-\nserita. La lampada risulta essere un elemen-\nto discreto tono su tono, di contrasto quan-\ndo è colorata. \nLa forma esagonale è l’elemento caratte-\nrizzante di Sop. L’utilizzo di questa figura \ngeometrica permette allo spettatore di per-\ncepire il disegno in maniera differente a se-\nconda della prospettiva con cui si osserva la \nlampada.\nA pistil \nin the cement \nmakes the light \nbloom.\n42\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.25.png","La luce calda e soffusa è irradiata dal LED \nposto all’estremità inferiore della struttura. \nUn pistillo dalla forma elegante diventa un \ndettaglio decorativo oltre che funzionale. \nThe warm and soft light is radiated by the LED \nlocated at the lower end of the structure. An el-\negantly shaped pistil becomes a decorative as \nwell as functional detail.\n44\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.26.png","Diffusore \nin \nPMMA \nsatinato. \nCorpo \nlampada \nin \ncemento \ncolorato grafite, verde salvia, \nsenape, bianco.\nSatin PMMA diffuser. Lamp body in ce-\nment colored graphite, sage green, mus-\ntard, white.\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nIP20\nIP20\nIP20\nIP20\n4W\n3000K\n500lm\n90\n4W\n3000K\n500lm\n90\n4W\n3000K\n500lm\n90\n1913-23 Sop large\n1913-20 Sop small\n1913-90 Sop canopy\n1913-22 Sop medium\nSOP\nUmberto Asnago\nDesigned by\nGrafite\nGraphite\nBianco opaco\nMatt white\nVerde salvia\nSage green\nSenape\nMustard\nBianco\nWhite\nFiniture \u002F Finishes\n1913-23 Sop large\n1913-20 Sop small\n1913-90 Sop canopy\n1913-22 Sop medium\n8,5\n42,5\n58\n7,5\n10,5\n12\n10\n33,5\n49\n5,2\n7\nØ11,5\n8\n3\n38,5\n54,5\n6\nCorpo lampada\nLamp body\nRosone\nCanopy\nsuspension\n47\n46\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.27.png","designed by Colzani&Novati\nLUDO\n48\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.28.png","C O L Z A N I & N O V AT I\nEdoardo Colzani è un Industrial Designer e \nArt Director. Negli anni ha collaborato con \nEmmanuel Babled e con diverse aziende \nche spaziano dalla cosmesi alla meccanica \nindustriale e all’arredamento. Dal 2013 è Art \nDirector di Laurameroni Design Collection. \nNel 2016 ha ricevuto un prestigioso rico-\nnoscimento durante la Biennale di Venezia. \nDisegna e produce giocattoli per bambini.\n \nLuca Novati è un architetto dal 2006. Un at-\ntento studio delle tradizioni culturali del co-\nmasco e l’amore per i viaggi hanno influen-\nzato la sua ricerca estetica. I suoi progetti \nspaziano dalla realizzazione di scenografie \nper eventi al recupero di edifici industriali, \ndalla progettazione di allestimenti, all’inte-\nrior design fino al prodotto industriale.\nDue stili differenti, due eclettiche e diverse \npersonalità unite dall’amore per la propria \nterra di origine e dalla passione per il de-\nsign. Da anni sviluppano idee in cui la cura \ndel dettaglio e l’integrazione tra forma e \nfunzionalità sono gli elementi centrali del \nloro approccio ed estetica progettuale.\nEdoardo Colzani is an Industrial Designer and \nArt Director. Over the years he has collaborat-\ned with Emmanuel Babled and with various \ncompanies ranging from cosmetics to industrial \nengineering and interior design. Since 2013 he \nhas been the Art Director of Laurameroni De-\nsign Collection. In 2016 he received prestigious \nrecognition during the Venice Biennale. He also \ndesigns and produces toys for children.\nLuca Novati has been an architect since 2006. \nA careful study of the cultural traditions of the \nComo area and a love for travel have influenced \nhis aesthetic research. His projects range from \nthe realization of scenographies for events to \nthe restoration of industrial buildings, from in-\nterior design staging to industrial products.\nTwo different styles, two eclectic and distinct \npersonalities united by a love for their birth-\nplace and a passion for design. For years they \nhave been developing ideas in which attention \nto detail and the integration between form and \nfunctionality are the central elements of their \napproach and design aesthetic. \nLa cura \ndel dettaglio \ntra forma e \nfunzionalità.\nAttention \nto detail \nbetween form \nand functionality.\n50\n51\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.29.png","La matericità \ndi una luce \nnascosta.\nThe materiality \nof a hidden light.\n53\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.30.png","LUDO\n55\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.31.png","Ludo is a table lamp inspired by Eclisse, the \niconic lamp designed by Vico Magistretti. A \ncylinder, interrupted by a slit with an adjustable \nopening, that conceals a band of light inside. \nThe dimming is mechanical and is obtained \nthrough a rotation gesture: the luminous por-\ntion of the lamp increases as the upper part \nmoves away from the lower section. \nThe switch recalls the shape of a YO-YO. The \npower button is located in the center of a spool \naround which the power cord is wound. A de-\ntail that is not only functional but also aesthetic.\nLudo è una lampada da tavolo che si ispira \na Eclisse, la iconica lampada firmata da Vico \nMagistretti. Un cilindro, interrotto da una \nfessura dall’apertura regolabile, nasconde \nal suo interno un fascio di luce. La dimmera-\nzione è meccanica ed è ottenuta attraverso \nun gesto di rotazione: la porzione luminosa \ndella lampada aumenta quanto più la parte \nsuperiore si allontana da quella inferiore.\nL’interruttore ricorda la forma di uno YO-YO. \nIl pulsante di accensione è collocato al cen-\ntro di un rocchetto attorno al quale è avvolto \nil cavo di alimentazione. Un particolare non \nsolo funzionale ma anche estetico.\nVariazioni luminose: \nluce calante, \nluce crescente\nLighting variations: \nfading light, \nrising light\n57\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.32.png","Materiality is a significant element of the lamp. \nThe design gives an elegance and a formal \nsimplicity, it is embellished by the use of classic \nfinishes such as painted metal and two other \nmore particular and material finishes: marble \ndust, taken from the same quarry as the marble \nused in the construction of Il Duomo, Milan’s \ncathedral, and lava dust, derived from volca-\nnoes of Sicily.\nLa matericità è un elemento caratterizzan-\nte della lampada. Il design, dall’eleganza \ne semplicità formale, è impreziosito dall’u-\ntilizzo di finiture classiche come quella in \nmetallo verniciato e da altre due molto più \nparticolari e materiche: la polvere di mar-\nmo, ricavata dalla cava in cui è stato estratto \nil marmo adoperato nella costruzione del \nDuomo di Milano, e la polvere lavica, ricava-\nta dai vulcani di Sicilia.\n58\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.33.png","Corpo \nlampada \nin \nmetallo \nrivestito in polvere di marmo \ndi Candoglia, polvere di pietra \nlavica o verniciato. Diffusore \nin PMMA satinato con cariche \ndiffondenti. \nRiflettore \ninterno \ntermoformato in tecnopolimero \nriflettente. Corpo interruttore in \ntecnopolimero verniciato.\nLamp body in metal covered with Can-\ndoglia marble powder, lava stone powder \nor painted. Satin PMMA diffuser with dif-\nfusing charges. Internal thermoformed re-\nflector in reflective technopolymer. Switch \nbody in painted technopolymer.\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nMechanical dimming\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\n4,5W\n3000K\n500lm\n90\n4,5W\n3000K\n500lm\n90\n1901-00 Ludo table\n1901-01 Ludo table with spool\n1901-30 Ludo wall\nColzani&Novati\nDesigned by\nIP20\nIP20\nBianco opaco\nMatt white\nFiniture \u002F Finishes\nGrafite opaco\nMatt graphite\nOro opaco\nMatt gold\nOro rosa opaco\nMatt rose gold\nPolvere di pietra lavica\nLava stone powder\nPolvere di marmo di Candoglia\nCandoglia marble powder\n1901-01 Ludo table with spool\nØ12,4\n7\nmin 8,7 - max 13,5 \nØ12,4\nØ12,4\nSpool\n1901-30 Ludo wall\n13,5\n8,7\nLUDO\ntable \u002F wall\n61\n60\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.34.png","designed by BrogliatoTraverso\nVELA\n62\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.35.png","Una visione \n“No time, \nno space”.\nA vision \n“No time, \nno space”.\nAlberto Brogliato e Federico Traverso han-\nno fondato il loro studio di design nel 2014 \ndopo aver studiato architettura e approfon-\ndito l’arte della soffiatura del vetro e del-\nla lavorazione della tradizionale ceramica \ngiapponese. “No time, no space” è il claim \nche riassume l’anima e la visione dello stu-\ndio: la creazione di oggetti dal design senza \ntempo e che si adattano a diversi contesti. \nBrogliatoTraverso vanta collaborazioni con \naziende come Magis, Cappellini, Guzzini, In-\nfiniti. Lo studio ha vinto numerosi premi in-\nternazionali, tra cui il Red Dot Design Award, \nGerman Design Award, iF Design Award \nand Good Design Award.\nAlberto Brogliato and Federico Traverso found-\ned their design studio in 2014 after studying ar-\nchitecture and deepening their knowledge of \nthe art of glass blowing and working with tradi-\ntional Japanese ceramics. “No time, no space” \nis the claim that summarizes the soul and the \nvision of the studio: the creation of objects with \na timeless design that adapt to different con-\ntexts. BrogliatoTraverso boasts collaborations \nwith companies such as Magis, Cappellini, \nGuzzini, Infiniti. The studio has won numerous \ninternational awards, including the Red Dot \nDesign Award, the German Design Award, the \nIF Design Award and Good Design Award.\nB R O G L I AT O  T R A V E R S O\n64\n65\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.36.png","La curvatura \ndi un’emozione\nè una luce che divampa \nnel silenzio \ndi un gesto elegante. \nThe curvature of an emotion\nit is a light that blazes\nin the silence\nof an elegant gesture.\n67\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.37.png","VELA\n68\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.38.png","Vela is a wall light. The simplicity and formal \nelegance of the lamp hide the lighting fixture. \nAn elegant and timeless geometry that recalls \na brushstroke, a plastic representation of an in-\nstinctive gesture. Vela, which emanates an indi-\nrect and refined light, can live alone or can be \ncombined in groups of several lamps, to obtain \ndifferent compositions.\nThe contrast between the formal simplicity of \nthe lamp and the complexity of the light effect \nis one of the main characteristics of Vela. The \nlight beam, hidden by the structure, reveals \nitself and propagates behind the object itself.  \nVela è un’applique da parete. La semplicità \ned eleganza formale della lampada nascon-\ndono il corpo illuminante. Una geometria \nelegante e senza tempo che ricorda una \npennellata, una rappresentazione plastica di \nun gesto istintivo. Vela, che emana una luce \nindiretta e raffinata, può vivere da sola o può \nessere combinata in gruppi di più lampade, \nin modo da ottenere composizioni sempre \ndifferenti.\nIl contrasto tra la semplicità formale della \nlampada e la complessità dell’effetto della \nluce è una delle principali caratteristiche di \nVela. Il fascio luminoso, nascosto dalla strut-\ntura, si svela e si propaga dietro all’oggetto \nstesso.\nL’eleganza \nindiretta di \nuna geometria \nistintiva.\nThe indirect \nelegance of \nan instinctive \ngeometry.\n70\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.39.png","L’attento studio dei materiali utilizzati è \nevidenziato dalle scrupolose finiture della \nlampada. Il corpo curvilineo della struttura, \nche alla vista sembra essere realizzato con \nun materiale morbido al tatto, è di alluminio \npressofuso verniciato.\nThe careful study of the materials used is high-\nlighted by the scrupulous finish of the lamp. \nThe curved body of the structure, which ap-\npears to be made of a soft tactile material, is \nactually painted die-cast aluminium. \n73\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.40.png","Corpo lampada in alluminio pres-\nsofuso verniciato. Una vela dal \ndesign senza tempo nasconde le \nfonti luminose e disegna una luce \nindiretta raffinata ed eterea.\nThe lamp body is made in painted die-\ncast aluminum. A sail with a timeless de-\nsign hides the light source and draws a \nrefined, ethereal and  indirect light.\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\n25W\n3000K\n1700lm\n90\nTriac \u002F 0-10V\n1905-30 Vela wall\nBrogliatoTraverso\nDesigned by\nIP20\nBianco opaco\nMatt white\nGrafite opaco\nMatt graphite\nFiniture \u002F Finishes\n40,5 \n17,5\n17,5\n12\n10\n40,5\n10\nVELA\nwall\n75\n74\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.41.png","designed by BrogliatoTraverso\nHANG \nOUT\n76\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.42.png","Il tempo è sospeso \nnello spazio infinito.\nIl silenzio è interrotto\ndal suono di un anello \nche cinge un nuovo \npianeta.\nTime is suspended \nin infinite space. \nThe silence is interrupted \nby the sound of a ring\nencircling a new planet.\n79\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.43.png","HANG OUT\n80\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.44.png","Hang Out is a suspension and wall lamp. On \nthe bar a double LED light source of oval and \ncircular panels of different materials, sizes and \ncolours are freely inserted, these become not \nonly decorative elements but also architectur-\nal elements. The design of Hang Out is simple \nand contemporary, suitable for any type of en-\nvironment.\nHang Out è una lampada a sospensione e \na parete. Sulla barra a doppia sorgente lu-\nminosa LED sono inseriti in maniera libera \npannelli ovali e circolari di materiali, dimen-\nsioni e cromie diverse che diventano ele-\nmenti non solo decorativi ma anche archi-\ntettonici. Il design di Hang Out è essenziale \ne contemporaneo adatto a ogni tipologia di \nambiente. \nLa libertà \ndecorativa \ndiventa \narchitettura.\nDecorative \nfreedom \nbecomes \narchitecture.\n82\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.45.png","The mix between decorative and architectural \nelements is one of the characteristics of Hang \nOut. The lamp, in fact, can also be assembled \nwith sound-absorbing technical panels.\nIl mix tra elemento decorativo e architetto-\nnico è una delle caratteristiche di Hang Out. \nLa lampada, infatti, può essere composta \nanche con pannelli fonoassorbenti tecnici. \n84\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.46.png","Versatility, flexibility and the possibility for cus-\ntomization are the main features of this lamp. \nThe different solutions proposed by the studio \nadapt to the most diverse design requirements.\nLa versatilità, la flessibilità e la possibilità \ndi personalizzazione sono le caratteristiche \nprincipali di questa lampada. Le differenti \nsoluzioni proposte dallo studio si adattano \nalle più diverse esigenze progettuali. \n86\n87\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.47.png","Corpo lampada in alluminio ver-\nniciato. Pannelli in legno laccato, \nfrassino tinto, materiale fonoas-\nsorbente in fibra di PET rivestito \nin tessuto colorato. Sono dispo-\nnibili pannelli in diverse forme e \ndimensioni: tre cerchi (small, me-\ndium, large) e due ovali (small, \nmedium). \nLamp body in painted aluminum. Panels in \nlacquered wood, stained ash, sound-ab-\nsorbing material in PET fiber covered in \ncoloured fabric. Panels are available in \ndifferent shapes and sizes: three circles \n(small, medium, large) and two ovals \n(small, medium).\nBrogliatoTraverso\nACOUSTIC SOLUTION\nDesigned by\n1906-31 Hang Out wall (single)\n1906-33 Hang Out wall (single)\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIP20\nIP20\n48W\n3000K\n2200lm (DIR)\n2200lm (INDIR)\n90\nPush-DALI \n\u002F 0-10V\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\n48W\n3000K\n2200lm (DIR)\n2200lm (INDIR)\n90\nPush-DALI \n\u002F 0-10V\n1906-20 Hang Out suspension (single) \n1906-21 Hang Out suspension (double) \n1906-22 Hang Out suspension (naked) \n1906-31 Hang Out wall (single)\n1906-33 Hang Out wall (single)\n1906-20 Hang Out suspension (single) \n1906-21 Hang Out suspension (double)  \n1906-22 Hang Out suspension (naked) \n1906-90 \n1906-91 \n1906-92\n106\u002F4,8\n2,6\nØ50\nØ36\nØ80\n1906-93 \n1906-95\n1906-94\n80\n50\n50\n80\n36\n60\n106\u002F9,5\n2,6\n*1906-90; 1906-95 only\nFiniture dei pannelli: frassino\nPanel finishes: ash\nFrassino sbiancato\nBleached ash\nFrassino ingrigito\nGreyish ash\nFiniture dei pannelli: MDF laccato opaco \u002F tessuto fonoassorbente*\nPanel finishes: matt laquered MDF \u002F fabric sound*\nGiallo \u002F 58 \nYellow \u002F 58\nSalmone \u002F 164\nSalmon \u002F 164\nRosso \u002F 222\nRed \u002F 222\nGrigio \u002F 623\nGrey \u002F 623\nAvorio \u002F 509\nIvory \u002F 509\nTortora \u002F 625\nDove-grey \u002F 625\nAzzurro \u002F 352\nLight blue 352\nBlu \u002F 311\nBlue \u002F 311\nBlu oceano \u002F 307\nOcean blue \u002F 307\nFiniture del corpo lampada \nLamp body finishes\nBianco opaco\nMatt white\nNero opaco\nMatt black\nHang Out suspension configurations\nHang Out wall configurations\n1906-20 + 1906-90\n1906-21 + 1906-91\n+ 1906-92\n1906-22\n1906-31 + 1906-91\n1906-33 + 1906-93\n1906-21 + 1906-94 \n+ 1906-95\n1906-20 + 1906-93\n1906-33 + 1906-90\n2,6\n66\u002F9,5\n200\n1906-90\u002F91\u002F92\u002F93\u002F94\u002F95 \nHang Out panels\nHANG OUT\nsuspension \u002F wall\n89\n88\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.48.png","designed by Sebastiano Tosi\nTILE\n90\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.49.png","I linguaggi \ncreativi \ndi un designer. \nThe creative \nlanguages \nof a designer.\nSebastiano Tosi, designer e creativo, ha col-\nlaborato con marchi come Ideal Standard, \nErnesto Meda, Caimi Brevetti, Alessi, Ferrero \ne Levis. Tosi, specializzato in Computer Ge-\nnerated Imagery e in rendering 3D, è partner \ndi Bombol, brand di prodotti per l’infanzia \ned è responsabile dello sviluppo del prodot-\nto in Estremo Oriente per A-Style. Collabora \ninoltre con lo Studio Cirasa specializzato nel-\nla produzione di immagini per la pubblicità \nvisiva e commerciale. \nSebastiano Tosi, designer and creative, has col-\nlaborated with brands such as Ideal Standard, \nErnesto Meda, Caimi Brevetti, Alessi, Ferrero \nand Levis. Tosi, who specialized in Comput-\ner Generated Imagery and 3D rendering, is a \npartner of Bombol, a brand making products \nfor children, and is responsible for product de-\nvelopment in the Far East for A-Style.\nHe also collaborates with Cirasa Studio, which \nspecializes in the production of images for \nvisual and commercial advertising. \nS E B A S T I A N O  T O S I\n92\n93\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.50.png","I lati \ndi un pentagono\nsono una geometrica \ncomposizione\ndi combinazioni \ninfinite.\nThe sides \nof a pentagon\nare a geometrical\ncomposition of\ninfinite combinations.\n95\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.51.png","TILE\n97\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.52.png","Tile is a wall and ceiling lamp. The modularity \nof the pentagonal structure allows it to create \ninfinite patterns and infinite color combinations \ndepending on the arrangement of each single \nelement within a space. An object with a strong \nvisual impact in which the decorative and aes-\nthetic function fits perfectly with the technical \nand functional one.\nThe dual nature of each individual element is \none of Tile’s peculiarities. The panel, in paint-\ned metal, can be a light point or an acoustic \ncorrector. In the most sophisticated version of \nthe lamp, panels with differing functions can be \nplaced next to each other.\nTile è una lampada da parete e soffitto. La \nmodularità della struttura pentagonale per-\nmette di creare infiniti pattern e infinite com-\nbinazioni di colore a seconda della disposi-\nzione nello spazio di ogni singolo elemento. \nUn oggetto dal forte impatto visivo in cui la \nfunzione decorativa ed estetica si sposa per-\nfettamente con quella tecnica e funzionale. \nLa duplice natura di ogni singolo elemen-\nto è una delle peculiarità di Tile. Il pannello, \nin metallo verniciato, può essere un punto \nluce o un correttore acustico. Nella versione \npiù sofisticata della lampada, i pannelli con \nle due differenti funzioni possono essere ac-\ncostati tra loro.\nLa modularità \nillumina \ninfinite \ncombinazioni.\nModularity \nilluminates \ninfinite \ncombinations.\n99\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.53.png","Modularity is the soul of Tile. A flexibility that \nallows the creation of infinite shapes and ge-\nometries depending on the combination of the \npanels used. Flexibility that can also be found \nin the possibility of alternating between gloss, \nopaque or textured panels and in the choice of \ndifferent colours. Tile’s decorative ductility also \nmanifests itself in the possibility of creating a \ncomposition on different spatial planes, using \nthe panels across the corners created by adja-\ncent walls or between walls and ceilings.\nLa modularità è l’anima di Tile. Una flessibi-\nlità che permette di creare infinite forme e \ngeometrie a seconda della combinazione \ndei pannelli utilizzati. Flessibilità che si ri-\nscontra anche nella possibilità di una libe-\nra alternanza tra pannelli luminosi, pannelli \nopachi o materici e nella scelta di differenti \ncromie. La duttilità decorativa di Tile si ma-\nnifesta anche nella possibilità di creare una \ncomposizione su differenti piani spaziali, \nutilizzando i pannelli sull’angolo creato da \npareti adiacenti o tra parete e soffitto.  \n100\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.54.png","Diffusore in PMMA da lastra co-\nlata bianco opalino. Struttura in \nalluminio verniciato. Pannello fo-\nnoassorbente in fibra di PET rive-\nstito in tessuto colorato. Possibili-\ntà di combinare il singolo modulo \nin differenti composizioni.\nPMMA diffuser from opal white. Painted \naluminum structure. Sound absorbing \npanel in PET fiber covered in coloured \nfabric. Possibility of combining the single \nmodule in different compositions.\nSebastiano Tosi\nDesigned by\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIP20\n15W\n3000K\n1300lm\n90\nPush \u002F 0-10V\n1903-40 Tile light element\n1903-90 Tile decorative element\nACOUSTIC SOLUTION\nGrafite opaco\nMatt graphite\nFiniture \u002F Finishes\nStruttura\nStructure\nTessuto \nFabric\nBordeaux 234\nBordeaux 234\nPetrolio 411\nPetroleum 411\nSenape 53\nMustard 53\nGrigio chiaro 643\nLight grey 643\nAntracite 607\nAnthracite 607\nVerde chiaro 426\nLight green 426\nBlu scuro 333\nDark blue 333\nTILE\nwall \u002F ceiling\n36\n46\n1903-40 Light element\nCompositions\n+\n1903-90 Decorative element\nSound absorbing\n46\n4,2\n1903-90 Decorative  element\n46\n3,9\n1903-40 Light element\n103\n102\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.55.png","designed by Carlo Colombo\nGLO\nMAXI\n104\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.56.png","C A R L O  C O L O M B O\nUn successo \ninternazionale \ndi una firma \nautorevole.\nAn international \nsuccess from an \nauthoritative \ndesigner.\nCarlo Colombo is considered one of the most \nimportant Italian architects and designers. In \naddition to Penta, he boasts collaborations with \nprestigious Made in Italy brands including An-\ntoniolupi, Cappellini, Giorgetti, Flou, Poliform, \nFlexform and many others. Named designer of \nthe year in 2004 and in 2019, he works all over \nthe world on large-scale architectural and inte-\nrior projects with the brand A++. He has won \nnumerous awards and in 2016 he was named \none of the \"100 Italian excellences\". Among \nthe various projects designed for Penta, he also \ndesigned Glo, one of the most iconic lamp col-\nlections on the market.\nCarlo Colombo è considerato uno dei più \nimportanti architetti e designer italiani. Ol-\ntre a Penta, vanta collaborazioni con presti-\ngiosi marchi del made in Italy tra cui Anto-\nniolupi, Cappellini, Giorgetti, Flou, Poliform, \nFlexform e molti altri. Designer dell’anno nel \n2004 e nel 2019, si occupa di progetti di ar-\nchitettura e interior con il brand A++  su lar-\nga scala in tutto il mondo. Ha vinto numerosi \nriconoscimenti e nel 2016 è stato nominato \nuna delle “100 eccellenze italiane”. Tra i vari \nprogetti disegnati per Penta, anche Glo, una \ndelle collezioni di lampade più iconiche del \nmercato.\n106\n107\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.57.png","Una sfera aliena\nappare e scompare \nnello spazio\nmeravigliando\nun sogno.\nRivelazioni \na occhi aperti. \nAn alien sphere \nappears and disappears \nin the space \nastounding a dream. \nRevelations \nwith open eyes.\n109\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.58.png","GLO MAXI\n111\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.59.png","113\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.60.png","Glo is an icon of our collection, a glass sphere \nenhancing the glare of light, in a game of re-\nflections back and forth between the lamp and \nthe space or among the very lamps.\nGlo è un’icona della nostra collezione, una \nsfera di vetro che esalta il riverbero della \nluce, in un gioco di riflessioni e rimandi tra \nla lampada e lo spazio o fra le lampade tra \nloro.\nUna sfera \ndi vetro\nche esalta \nil riverbero \ndella luce.\nA glass sphere\nenhancing \nthe glare \nof light.\n115\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.61.png","117\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.62.png","Diffusore in vetro borosilicato. \nDiffusore esterno: trasparente, \noro, argento, oro rosa, nero, \n4ever, blu, verde, viola. Diffusore \ninterno sabbiato. Rosone a soffitto \nin titanio e bianco.\nShade in borosilicate glass. Outer shade \ntransparent, gold, silver, rose gold, black, \n4ever, blue, green, violet. Inner shade \nsandblasted. Canopy in titanium and \nwhite.\nCarlo Colombo\nDesigned by\nFiniture \u002F Finishes\nTrasparente\nTransparent\n4ever\n4ever\nArgento\nSilver\nBlu\nBlue\nOro\nGold\nVerde\nGreen\nOro rosa\nRose gold\nViola\nViolet\nNero\nBlack\nIndoor\nLED Total power\nIP20\n1 x MAX 20W E27\n0811-24 Glo Maxi suspension\nGLO MAXI\nsuspension\nØ55\nØ33,5\nØ4,6\n80,9\n33,5\n4,6\nGlo Maxi off\nGlo Maxi on\nØ55\nMini \nØ13\nMedium \nØ25\nLarge\nØ38\nMaxi \nØ55\n119\n118\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.63.png","designed by Carlo Colombo\nMORSETTO\n120\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.64.png","Stretta \nin una morsa,\nla luce riflette\nla leggerezza \ndi un istante \nin equilibrio.\nClamped \nin a vice,\nthe light reflects\nthe lightness of\na moment in balance.\n123\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.65.png","MORSETTO\n124\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.66.png","Morsetto is a collection of wall, table and floor \nlamps with standing or horizontal orientations. \nWith a simple and elegant design, Morsetto is \na parallelepiped void of glossy white or black \nmetal, inside which an illuminating sphere lives \nas if it were suspended in equilibrium and held \ntight in a vice. An iconic object with simple and \nclean shapes that make it timeless. A product \nthat is delicately balanced between the nature \nof a technical device and a work of art. \nThe design of the lamp captures the attention \nof the viewer. The two geometric shapes, the \nblown glass sphere of the light beam and the \nparallelepiped of the structure, relate to each \nother by creating an object with simple and \nelegant lines that express a sense of lightness \nand visual balance.\nMorsetto è una collezione di lampade da \nparete, da tavolo e da terra con orientamen-\nto in piedi o sdraiata. Dal design essenziale \ned elegante, Morsetto è un parallelepipedo \nvuoto di metallo verniciato lucido bianco o \nnero, al cui interno vive, come se fosse so-\nspesa in equilibrio e stretta in una morsa, \nuna sfera illuminante. Un oggetto iconico \ndalle forme semplici e pulite, che lo rendo-\nno senza tempo. Un prodotto in bilico tra \nla natura di apparecchio tecnico e di opera \nd’arte. \nA catturare l’attenzione dello spettatore è il \ndesign della lampada. Due forme geometri-\nche, la sfera in vetro soffiato del fascio lumi-\nnoso e il parallelepipedo della struttura, si \nrelazionano tra loro disegnando un oggetto \ndalle linee essenziali ed eleganti che espri-\nmono un senso di leggerezza e di equilibrio \nvisivo.\nL’essenzialità \nè senza tempo.\nEssentiality \nis timeless.\n126\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.67.png","Il fascio luminoso della lampada è regola-\nbile tramite un dimmer mentre l’elegante \ndiffusore sferico è realizzato in vetro soffiato \nbianco. \nThe light beam of the lamp is adjustable via a \ndimmer, while the elegant spherical diffuser is \nmade of white blown glass. \n129\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.68.png","Struttura in alluminio verniciato \nlucido bianco o nero. Diffusore in \nvetro soffiato bianco.\nAluminum structure with white gloss paint \nor black gloss paint. White blown glass\ndiffuser.\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIP20\nIP20\nIP20\n9W\n3000K\n1000lm\n90\n12W\n3000K\n1500lm\n90\n6W\n3000K\n800lm\n90\nTriac \u002F 0-10V\n1904-00 Morsetto table\n1904-30 Morsetto wall\n1904-10 Morsetto floor\nCarlo Colombo\nDesigned by\nFiniture \u002F Finishes\nBianco lucido\nGlossy white\nNero lucido\nGlossy black\nMORSETTO\ntable \u002F floor \u002F wall\n12\n16\n18\nØ16\n40\n30\n22\n20\n140\n130\nØ20\n1904-00 Morsetto table\n1904-10 Morsetto floor\n1904-30 Morsetto wall\n16\n12\n17\nØ12\n24\n131\n130\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.69.png","designed by Marco Piva\nYAN\n132\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.70.png","M A R C O  P I V A\nMarco Piva is considered one of the most im-\nportant Italian architects and designers. Excit-\ning, fluid and functional, this is the language \nthat distinguishes the architectural creations \nof product and interior designer Marco Piva. \nAmong the best-known exponents of the peri-\nod called Radical Design, in 1980 he founded \nthe studio that bears its name. The Marco Piva \nStudio has projected and designed for brands \nsuch as Poltrona Frau, Colombo Design, La \nMurrina, Mandelli 1953 and many others. A uni-\nversity professor for prestigious institutes, Piva, \nthanks to his many years of experience, is the \nauthor of many fundamental works on architec-\nture, interior and industrial design both in Italy \nand abroad.\nMarco Piva è considerato uno dei più impor-\ntanti architetti e designer italiani. Emoziona-\nle, fluido, funzionale, questo è il linguaggio \nche contraddistingue le creazioni architetto-\nniche, di product e di interior design di Mar-\nco Piva. Tra i più noti esponenti del periodo \ndenominato Radical Design, nel 1980 fonda \nlo studio che porta il suo nome. Lo Studio \nMarco Piva ha progettato e disegnato per \nmarchi come Poltrona Frau, Colombo Desi-\ngn, La Murrina, Mandelli 1953 e molti altri. \nDocente universitario di prestigiosi istituti, \nPiva, grazie alla sua esperienza pluriennale, \nè autore di molte opere fondamentali di ar-\nchitettura, interior e industrial design in Ita-\nlia e all’estero. \nDal Radical Design \nai grandi progetti \ninternazionali.\nFrom Radical \nDesign to major \ninternational \nprojects.\n134\n135\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.71.png","I colori protetti \ne trattenuti\nda un bocciolo\nsono la fantasia\ndi un nuovo mondo\nracchiuso in un fiore.\nThe colors protected\nand held\nby a bud\nare the fantasy\nof a new world\nenclosed in a flower.\n137\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.72.png","YAN\n139\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.73.png","Yan is a collection of wall, table, floor and sus-\npension lamps. The name is a tribute and a \nreminder of traditional Chinese culture - the \nancient state of Yan with capital Ji, today's Bei-\njing. The structure encloses and holds in bal-\nance the spherical or oval glass diffuser. The \ndesign, which draws inspiration from the shape \nof a bud, is simple and harmonious. An iconic \nproduct with a strong aesthetic impact and a \ncontemporary flavour.\nThe diffuser, in both the spherical and oval \nversions, can be in white opal or transparent \nblown glass. The light sources are LED and \nradiate a captivating, romantic and emotional \nlight. The structure of Yan is painted matt tita-\nnium or black.\nYan è una collezione di lampade da pare-\nte, da tavolo, da terra e da sospensione. Il \nnome è un omaggio e un richiamo alla cul-\ntura tradizionale cinese – l’antico stato di \nYan con capitale Ji, l’odierna Pechino. La \nstruttura racchiude e trattiene in equilibrio \nil diffusore di vetro a forma sferica od ova-\nle. Il design, che trae ispirazione dalla forma \ndi un bocciolo, è essenziale e armonico. Un \nprodotto iconico dal forte impatto estetico e \ndal gusto contemporaneo.  \nIl diffusore, nella versione sia sferica sia \novale, può essere in vetro soffiato bianco \nopalino oppure trasparente. Le sorgenti \nluminose sono a LED e irradiano una luce \ncoinvolgente, romantica ed emozionale. La \nstruttura di Yan è verniciata titanio o nero \nopaco.\nUn iconico \nbocciolo omaggia \nla cultura cinese.\nAn iconic \nbud pays homage \nto Chinese culture.\n141\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.74.png","Yan is a tribute to Chinese aesthet-\nics, the history of blown glass and its \nthousand-year old craft. A design with \nan ancient charm but surprising for its \nsimple and contemporary lines.\nYan è un omaggio all’estetica cinese, \nalla storia del vetro soffiato e alla sua \nmillenaria lavorazione. Un design dal \nfascino antico ma che sorprende per le \nlinee essenziali e contemporanee. \n142\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.75.png","Diffusore in vetro soffiato bianco \nlucido o trasparente. Struttura in \ntecnopolimero verniciato titanio \nopaco o nero opaco. \nDiffuser in white gloss or transparent \nblown glass. Structure in technopolymer \nwith matt titanium or matt black paint.\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmable\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\nDimmer\n7W\n3000K\n800lm\n90 \nTouch\n12W\n3000K\n1500lm\n90\n0-10V\n12W\n3000K\n1500lm\n90\n0-10V\n7W\n3000K\n800lm\n90\n0-10V\n12W\n3000K\n1500lm\n90\n1910-01 Yan table round\n1910-23 Yan suspension round\n1910-24 Yan suspension oval\n1910-32 Yan wall oval\n1910-11 Yan floor round\n1910-12 Yan floor oval\n1910-02 Yan table oval\n1910-21 Yan suspension round\n1910-22 Yan suspension oval\nMarco Piva\nDesigned by\nIP20\nIP20\nIP20\nIP20\nIP20\nTitanio opaco\nMatt titanium\nNero opaco\nMatt black\nFiniture \u002F Finishes\nYAN\ntable \u002F floor \u002F suspension \u002F wall\n1910-32 Yan wall oval\n1910-11 Yan floor round\n1910-12 Yan floor oval\n1910-01 Yan table round\n1910-02 Yan table oval\n1910-21 Yan suspension round\n1910-22 Yan suspension oval\nØ20\n32\nØ20\n22\nØ42\n170\nØ42\n170\nØ17\n41\nØ17\n45\n16\n20\n1910-23 Yan suspension round\n1910-24 Yan suspension oval\nØ40\n63\nØ40\n44\n145\n144\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.76.png","designed by Gaia Ronchetti\nMIRA\n146\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.77.png","G A I A  R O N C H E T T I\nIl lusso personale \ndi uno spirito \nlibero.\nThe personal \nluxury of a \nfree spirit.\nGaia Ronchetti è un architetto, designer e \nspirito libero. Ha creato il brand di lampade \ndi lusso Nonso del gruppo di progettazione \ne illuminotecnica È Luce. Lo stile di ogni cre-\nazione artigianale di Ronchetti si presenta \ninconfondibile, un’interpretazione persona-\nle del concetto di lusso in cui l’istinto e la ra-\nzionalità, il sogno e la geometria si uniscono \nalla leggerezza e concretezza materica.\nGaia Ronchetti is an architect, designer and \nfree spirit. She created the luxury lamp brand \nNonso for the design and lighting group È \nLuce. The style of every one of Ronchetti’s \nhandcrafted creations is unmistakable, a per-\nsonal interpretation of the concept of luxury in \nwhich instinct and rationality, dreams and ge-\nometry are combined with lightness and mate-\nrial concreteness.\n148\n149\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.78.png","Libera posizione\ndi una stella\nche appare e scompare\nnel buio di una notte\nceleste.\nFree position\nof a star\nthat appears and disappears\nin the darkness of a\nheavenly night.\n151\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.79.png","MIRA\n152\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.80.png","Mira è collezione di lampade da tavolo o da \nterra. L’oggetto è formato da una base e da \nuno stelo elettrificato in metallo verniciato \nsul quale sono posizionati a piacimento su \ntutta la lunghezza i diffusori. I punti luce, che \npossono variare da uno a due per la lampa-\nda da tavolo e da uno a tre per quella da \nterra, possono essere orientati liberamente \nattraverso una maniglia dall’elegante detta-\nglio in cuoio: un concept che permette una \nmassima flessibilità nella scelta di distribu-\nzione della luce. La semplicità formale del \ndesign della lampada nasconde un sofisti-\ncato contenuto tecnologico.\nL’elettricità \nin un libero \norientamento \ndi luci.\nMira is a collection of table and floor lamps. The \nobject is formed by a base and an electrified \npainted metal stem on which the diffusers are \npositioned at will along the entire length. The \nlighting points, which can vary from one to two \nfor the table lamp and from one to three for the \nfloor lamp, can be freely positioned using an el-\negantly detailed leather handle: a concept that \nallows maximum flexibility in choosing how the \nlight is distributed. The formal simplicity of the \nlamp design hides a sophisticated technologi-\ncal content.\nElectricity \nin a free \nflow of lights.\n154\n155\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.81.png","The dimmable light diffusers can be freely ori-\nented. Once positioned on the rod, they can ro-\ntate in two different directions at 360 degrees \naround the stem or on themselves in order to \norient the cone either upwards or downwards.\nThanks to the use of advanced technology, the \nelectrified stem allows maximum flexibility and \nfreedom when arranging the light heads. When \nthe lamp is on, the diffusers continue to give \noff light even when they are moved along the \nentire length of the rod.\nGrazie all’utilizzo di un’avanzata tecnologia, \nlo stelo elettrificato permette una massima \nflessibilità e libertà nella distribuzione dei \ncorpi luce. Quando la lampada è accesa, i \ndiffusori continuano a emanare luce anche \nquando sono spostati su tutta la lunghezza \ndell’asta. \nI diffusori luminosi dimmerabili possono \nessere orientati in maniera libera. Una volta \nposizionati sull’asta possono ruotare in due \ndifferenti direzioni a 360 gradi attorno allo \nstelo oppure su se stessi in modo da orien-\ntare il cono o verso il basso o verso l’alto.\n156\n157\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.82.png","Struttura e diffusori in metallo \nverniciato. Maniglia in cuoio testa \ndi moro. Possibilità di aggiungere \nfino ad un massimo di due corpi \nlampada sullo stelo per la lam-\npada da tavolo e tre corpi lam-\npada sullo stelo per la lampada \nda terra grazie ad un dispositivo \ndi connessione elettrica flessibile \ned innovativo che permette il tra-\nsporto della corrente attraverso il \nsolo contatto dello stelo con il\u002Fi \ncorpo\u002Fi lampada. \nIndoor\nDimmer\nIndoor\nDimmer\n1902-00 Mira structure table\n1902-10 Mira structure floor\nGaia Ronchetti\nDesigned by\nIP20\nIP20\nStructure and diffuser in painted metal. \nDark brown leather handle. There is the \npossibility of adding up to a maximum of \ntwo light points on the stem for the table \nlamp and three light points on the stem \nfor the floor lamp thanks to a flexible and \ninnovative electrical connection device \nthat allows the current to travel through-\nout simply by the stem having contact \nwith the lamp head(s).\nIndoor\nLED Total power\nColor temperature\nLighting output\nCRI\n8W\n3000K\n500lm\n90\nTouch\nTouch\n1902-90 Mira light element\nIP20\nOro spazzolato\nBrushed gold\nCuoio testa di moro\nDark brown leather\nCromo nero lucido\nGlossy black chrome\nFiniture \u002F Finishes\nStruttura e diffusori\nStructure and diffusers\nManiglia \nHandle\nMIRA\ntable \u002F floor \n1902-00 Mira structure table\n1902-10 Mira structure floor\n1902-90 Mira light element\nØ16,5\n28,4\n12,4\n16\n16\n63\nØ16,5\n180\nØ30\nØ30\n1-2 light elements\n1-3 light elements\n0-360°\n0-180°\n159\n158\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fd0\u002F8832d706d2303896fe01ae9715cc41.83.png","PENTA is part of PENTA Group\nEdition\nFebruary 2020 © 2020 All rights reserved \nCopywriting\nLuca Mottaran\nEnglish translation\nLydia Jane Shaw\n3D visualization\nGianluca Busetti Studio\nImage editing\nGM Studio 1\nPrint\nImoco Group\nCREDITS\nPENTA\nvia Trieste · 20821 Meda · MB · Italy \nT +39 0362 1869300\npentalight.it · pentalightgroup.it · info@pentalight.it\nMADE IN ITALY 100%\nLEGENDA \u002F KEY\nLa tensione s’intende 230V, 50\u002F60HZ o 120V, 60HZ a seconda dei paesi.\nVoltage: 230V, 50\u002F60HZ or 120V, 60 HZ according to the country. \nPenta si riserva il diritto di apportare ai propri modelli, senza alcun preavviso, modifiche e miglio-\nrie che potrebbero variare l’estetica delle soluzioni pensate.\nPenta reserves the right to change, better and improve its models without notice, even if these \nimprovements might change the aesthetic appearance of the proposed solutions.\nI vetri realizzati rigorosamente a mano dal maestro vetraio rispettano le antiche e tradizionali \ntecniche di soffiatura. Ogni articolo è sottoposto a meticolosi controlli di qualità, pertanto appa-\nrenti difetti come bolle o variazioni dei toni di colore del vetro, sono riconosciuti come pregi e \nconferma della lavorazione artigianale.\nThe glass is hand made and mouth-blown by the master glass blower, according to the traditio-\nnal blowing techniques. Each item is carefully checked, therefore apparent imperfections, such as \nbubbles or nuances in the glass colour, have to be recognised as merits and signs of the artisan’s \ncraftsmanship.\nLa carta utilizzata è completamente biodegradabile e riciclabile.\nThe paper used is completely biodegradable and recyclable.\nLampadina esclusa \u002F bulb not included\n LED integrato \u002F integrated LED\n Dimmer incluso \u002F Dimmer included\nClasse I: lampada la cui protezione contro la scarica elettrica non si basa solo sull’isolamento di \nbase dell’apparecchio, ma su un ulteriore sistema di sicurezza che consiste nel collegamento \ndei componenti conduttivi accessibili a un conduttore di sicurezza (messa a terra) facente parte \ndell’impianto elettrico fisso.\nClass I: Luminaire in which protection against electrical shocks is not just based on the basic insu-\nlation of the appliance but on an additional safety system that consists in connecting the conducti-\nve components accessible to a safety conductor (earthed) that is part of the fixed electrical system.\nClasse II: Lampada la cui protezione contro la scarica elettrica non si basa solo sull’isolamento di \nbase dell’apparecchio, ma su un ulteriore misura di sicurezza che consiste in un doppio isolamen-\nto rinforzato senza dispositivi per la messa a terra. \nClass II: Luminaire in which protection against electrical shocks is not just based on the basic insu-\nlation but also on additional safety precautions consisting of double reinforced insulation without \nconductive parts to a safety conductor (earth).\nClasse III: Lampada la cui protezione contro la scarica elettrica si basa su un sistema a bassissima \ntensione, che non viene mai superata. Una lampada di Classe III non deve mai essere fornita con \nla messa a terra\nClass III: Luminaire in which protection against electrical shocks is based on a safety system with a \nvery low voltage supply, that is never exceeded. 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