[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-pedrali-the-best-of-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":501},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":496,"matched_pages":497,"match_count":498,"two_pages":499,"show_text":500},25558,"The Best Of 2022","pedrali-the-best-of-2022","\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F77\u002F3b179e2dcde596eacb79c996b96c60-29036bdeee.pdf","Pedrali",872,"pedrali","8.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493],{"image":7,"text":15,"number":16},"Pedrali SpA\nSp 122 Mornico Al Serio  \n24050 Bergamo - Italy\nExport Dept. Tel: +39 035 8358840\nUfficio Commerciale Italia Tel: +39 035 8358810\ninfo@pedrali.it          www.pedrali.com\nTHEBESTOF_22_01 \nTHE BEST OF\nthe best of\nchairs\nmodular seatings \nlounge chairs\nbarstools\ntables\ntable bases\ntable tops\nlighting\ncomplements\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.2.png","Index\nBeauty, tradition and innovation\n004\nArki-Table\n168\nBabila\n110\nBabila XL\n132\nBuddy\n232\nEster\n072\nFrida\n066\nMalmÖ\n084\nNemea\n158\nNolita\n200\nRemind\n190\nSocial\n100\nTweet\n140\nVolt\n220\nYpsilon\n180\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.3.png","4  PEDRALI\n  5\n4  PEDRALI\n“Our problem is that the objects we make age \ngracefully”. \nThis may seem paradoxical in an age when \neverything is dedicated to ageing rapidly in order\nto be replaced by new products. However, this is \none of the intimate, sincere guidelines provided \nin our short chat with Mario Pedrali at the offices \nof the company he set up in 1963 at Palazzolo \nsull’Oglio, and now moved to Mornico al Serio. \nA firm handshake, a strong gaze, simple but \nprecise words, and a sincere smile.\nOver the past century, these plains have created \na powerful metamorphosis which transformed \nthe inhabitants of these lands, along with their \nwinter downtime, first of all into mechanical \nexperimenters and then sharp inventors, able\nto generate new forms of industry and creations\nfor a new world.\nPedrali is also all of these, a company tied to an \nartisan past with its roots in a land that boasts\na strong industrial and entrepreneurial vocation. \nTogether with Monica and Giuseppe Pedrali, \nthe second generation now at the helm of the \ncompany, you see right away that a series of \nhealthy paternal obsessions have matured over \nthe decades, showing a path undertaken with \ncoherency and calm authority.\nFrom the first garden furniture metal workshop \nto a factory sizing 104,000 square metres, \nwith a second premises dedicated solely to \nmanufacturing wooden components, it seems \nthat the lead elements have remained the \nsame, despite being further metabolised and \ntransformed into strongholds of a genuine \nproduction philosophy, which raises its head\nin every piece of design furniture produced.\nAttention to quality spreading throughout \nthe production process, selecting high range \nmaterials, true passion for the most\ntop-of-the-range machinery, expert research\ninto technology and Italian raw materials, \nplanning in every phase with the typical \nmeticulousness of a craftsman, fighting waste and \nredundancy, and a sense of community are the \nmain aspects that identify Pedrali as an excellent \ninterpreter of contemporary industrial design. \nStrolling with Giuseppe Pedrali through \nthe towering shelves of the new automated \nwarehouse designed by architect Cino Zucchi \nand already a green, friendly icon of the region, \nseems like a journey into a future that becomes \nthe present. \n“Sometimes I come here in the evening, with \nthe lights turned off, and I look mesmerised at \nthe perfect choreography of these machines \nwhich tirelessly bring or fetch goods. Not even a \nmillimetre of space is left unused and every last \nminute is used intelligently. Everything has been \ndesigned to be sustainable and to best contribute \nto optimising the making of our products and the \nlives of those who work here”.\nWalking through the metal, wood, and plastic \nmaterials production areas, you understand how \nmuch a carefully-chosen machine is not just a \npowerful industrial investment, but, above all,\nit represents a choice to finally materialise a chair \nthat was dreamed for years, but not yet fully \nmatured to its production potential. \nThe pieces manufactured are designed to last \nover time. The materials used are selected \nto age well. The forms and lines of each new \nproduct follow along a line of continuity with the \nprevious product families, innovating gracefully. \nThe machines used to make the products are \nincorporated into the chain by considering the \nright time to insert them into the production \nprocess. \nThe result – 100% made in Italy – which comes \nfrom this meticulous care to the production \nprocess throughout all its stages then tackles \nthe international market. Indeed, Pedrali began \nexporting at the end of the 1970s, distributing\nin Switzerland, Germany, the United States,\nand Australia. \nBeauty,\ntradition\nand innovation\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.4.png","  7\n6  PEDRALI\n “Il nostro problema è che gli oggetti che \nproduciamo invecchiano bene”. \nSembra un paradosso per un tempo in cui ogni \ncosa è votata a invecchiare in fretta per essere \nsostituita da un nuovo prodotto, ma questa \nè invece una delle guide intime e sincere che \naccompagnano la breve chiacchierata con Mario \nPedrali all’ingresso dell’azienda da lui fondata \nnel 1963, a Palazzolo sull’Oglio e ora trasferita a \nMornico al Serio. \nUna bella stretta di mano, sguardo limpido, \nparole semplici ma chiare e un sorriso sincero. \nQueste pianure hanno prodotto nell’ultimo secolo \nuna metamorfosi potente che ha trasformato \ngli abitanti di queste terre e i loro tempi morti \ninvernali prima in sperimentatori meccanici, quindi \nin inventori arguti, capaci di generare nuove forme \nd’industria e creazioni per un mondo nuovo.\nE Pedrali è anche tutto questo, un’azienda legata \na un passato artigianale che affonda le sue radici \nin un territorio a forte vocazione industriale e \nimprenditoriale. \nInsieme a Monica e Giuseppe Pedrali, seconda \ngenerazione al comando dell’azienda, capisci \nsubito che una serie di sane ossessioni paterne \nsono maturate con il passare dei decenni e \nraccontano di un percorso svolto con coerenza e \ncalma autorevolezza.\nDalla prima officina di fabbro per mobili da giardino \na un’azienda di 104.000 metri quadrati, con una \nseconda sede per la sola produzione dei componenti \nin legno, sembra che gli elementi portanti non siano \ncambiati, quanto piuttosto siano stati ulteriormente \nmetabolizzati e trasformati nei capisaldi di una vera \ne propria filosofia produttiva, che si materializza in \nogni pezzo di design realizzato.\nAttenzione alla qualità diffusa del processo \nproduttivo, selezione di materiali di alta gamma, \npassione assoluta per i macchinari più avanzati, \nricerca consapevole di tecnologie e materie \nprime italiane, progettualità in ogni fase con la \nmeticolosità tipica dell’artigiano, lotta agli sprechi \ne al superfluo, senso di comunità sono i principali \naspetti che identificano Pedrali come un interprete \neccellente del disegno industriale contemporaneo. \nPasseggiare con Giuseppe Pedrali tra gli scaffali \nvertiginosi del nuovo magazzino automatico \nprogettato dall’architetto Cino Zucchi e già \ndiventato un’icona verde e amichevole nel territorio, \nsembra un viaggio nel futuro che si fa presente. \n“A volte vengo qui la sera. A luci spente. E guardo \nincantato il balletto perfetto di questi robot che \ninstancabilmente portano o recuperano le merci. \nNon esiste millimetro sprecato, né un tempo usato \nsenza intelligenza. Tutto è stato pensato per essere \nsostenibile e per contribuire al miglioramento della \nproduzione dei nostri prodotti e della vita\ndi chi lavora qua”.\nCamminare attraverso le aree produttive\nper i metalli, il legno e le materie plastiche vuol dire \ncomprendere quanto un macchinario selezionato \ncon cura non sia solamente un poderoso \ninvestimento industriale, ma sia soprattutto una \nscelta per materializzare finalmente una sedia \nsognata da anni, ma non ancora maturata nelle sue \npotenzialità realizzative. \nI pezzi prodotti sono pensati per resistere al \ntempo; i materiali usati sono scelti per invecchiare \nbene; le forme e le linee di ogni nuovo prodotto \nseguono una linea di continuità con le famiglie \nprecedenti, innovando con grazia; le macchine per \nprodurle sono incorporate alla filiera ponderando \nil momento adatto in cui inserirle nel processo \nproduttivo. \nIl risultato - 100% made in Italy - che viene dalla \ncura del processo di produzione in tutte le sue fasi \nsi confronta poi con il mercato internazionale. \nPedrali infatti inizia a esportare già dalla fine degli \nanni ’70, distribuendo in Svizzera, Germania, Stati \nBellezza, \ntradizione \ne innovazione\nLuca Molinari\nThe positive contrast between remaining Italian \nand opening up to the global market is a conviction \nwhich has enabled the enterprise to confidently \nstay on course and remain true to itself.\n“Knowing how to wait is a necessary challenge”, \nI am told by both Giuseppe and Monica, almost \nlike a mantra, and this phrase starts to resonate \nwith me more and more, because the “right time” \nseems to be the magic potion that gives meaning \nand form to all that this company manufactures \nand imagines.\nIn order to be “always one step ahead”, a company \nneeds to intelligently stay on course with the \ntimes, searching for objects that make our lives \neasier, warmer, and more comfortable.\nSubtle and respected excellence is the \noutcome of a desire reiterated over time and in \neveryday decisions, which does not accept easy \ncompromises, but instead raises the bar every \ntime. This is also the premise of the company’s \ndesign approach. The Pedrali family collaborates \nwith a team of designers chosen for the quality \nof their work and their ability to share a common \nvision, never aggressive or consumerist.\nWhen I ask Monica Pedrali what manufacturing \nItalian goods means to her, she replies with ease: \n“Know-how, a region of reference, and quality”. \nSo, I throw back at her: “What about beauty?”. \nShe looks at me and, almost shyly, adds: “Beauty \nis the end result of this entire process. It is a \nnatural consequence, not a goal”.\nThis is the deep meaning of Italian-style \ninnovation, thanks to a civilisation which, over \nthe centuries, has managed to harness time, \nproducing excellence which seems to have always \nexisted, but that no one had recognised before.\nAs soon as you leave Pedrali’s facilities, you are \nstruck by the surrounding green landscape.  \nThen you see the beautiful land we are tied to and \nrealise that it continues to instil solid thoughts, \nseasonal rhythms, expert manual skills, love for \nnature, and the silent search for everything that \ncan improve our lives in the minds and hands of \nthe people you just spoke to.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.5.png","  9\n8  PEDRALI\nLuca Molinari\nUniti e Australia. \nLa contrapposizione positiva tra il restare italiani e \naprirsi al mercato internazionale\nè una convinzione che ha permesso di mantenere la \nrotta e restare fedeli a se stessi con fiducia.\n“Saper aspettare è una sfida necessaria” mi \nripetono come in un mantra sia Giuseppe che \nMonica e questa frase mi colpisce sempre di più, \nperché il “tempo giusto” sembra essere la pozione \nmagica che dà senso e forma a tutto quello che \nquest’azienda produce e immagina.\nPer “essere sempre un passo avanti” bisogna \naccompagnare con intelligenza il tempo che passa, \ncercando oggetti che rendano la nostra vita più \ncomoda, calda e accogliente.\nL’ eccellenza discreta e autorevole è il prodotto \ndi una volontà reiterata nel tempo e nelle scelte \ndi tutti i giorni, che non accettano compromessi \naccomodanti ma che amano, invece, alzare ogni \nvolta l’asticella. Sono queste le premesse anche \nnell’approccio alla progettazione, per la quale i \nfratelli Pedrali si avvalgono della collaborazione di \nuna rosa di designer selezionati per la qualità delle \nproposte e per la capacità di condividere la stessa \nvisione, mai aggressiva o consumistica.\nQuando chiedo a Monica Pedrali cosa vuol dire \nprodurre italiano, lei mi risponde con semplicità: \n“Saper fare, un territorio di riferimento e la qualità”. \nAllora io rilancio: “e la bellezza?”. Lei mi guarda un \nattimo e, quasi con pudore, aggiunge: “la bellezza \nè il risultato finale di tutto questo processo. È una \nconseguenza naturale, non un fine”.\nQuesto è il senso profondo dell’innovazione in salsa \nitaliana, grazie a una civiltà che nei secoli ha saputo \nimbrigliare il tempo producendo eccellenze che \nsembrano essere sempre esistite, ma che nessuno \nprima aveva mai riconosciuto.\nAppena esci dagli stabilimenti di Pedrali ti accoglie \nnegli occhi il paesaggio ancora verde che circonda \nogni cosa. Allora osservi la terra a cui siamo legati e \npensi che questa bella signora continua a nutrire nelle \nmenti e nella mani di chi hai appena salutato pensieri \nconcreti, ritmi stagionali, manualità consapevole, \namore per la Natura e una ricerca silente per tutto \nquello che può migliorare la nostra vita.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.6.png","  11\n10  PEDRALI\nThe company was \nfounded in 1963 at \nPalazzolo sull’Oglio, \nwhere the first \ncollections of metal \nchairs for outdoor\nwere produced using \nartisan care\nL’azienda nasce nel \n1963 a Palazzolo \nsull’Oglio, dove \nvenivano prodotte \ncon cura artigianale \nle prime collezioni \ndi sedute outdoor in \nmetallo\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.7.png","  13\n12  PEDRALI\nThe Pedrali collection, \ncomprised of seatings, \ntables, complements \nand lighting designed \nfor the contract market,\nis the result of rigorous \nresearch to create \nindustrial design \nproducts in metal, \nplastic material, wood \nas well as upholstery\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.8.png","14  PEDRALI\n  15\nLa collezione Pedrali, \ncomposta da sedute, \ntavoli, complementi \nd’arredo e lampade \nprogettati per il \ncontract, è il risultato \ndi una ricerca rigorosa \nper creare prodotti \ndi disegno industriale \nin metallo, materiale \nplastico, legno e \nimbottito\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.9.png","16  PEDRALI\nMETAL \u002F METALLO\nFrom laser-cut\nand bending to \nwelding and varnishing: \nnowadays all production \nprocesses are \nperformed internally\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.10.png","18  PEDRALI\nMETAL \u002F METALLO  19\n18  PEDRALI\nDal taglio laser alla \npiegatura, dalla saldatura \nfino alla verniciatura: \ntutte le lavorazioni \nvengono oggi effettuate \ninternamente\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.11.png","20  PEDRALI\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.12.png","22  PEDRALI\nEvery year Pedrali \nallocates a consistent \npart of its turnover \nto investments \nin technological \ninnovation and plants\nOgni anno Pedrali \ndestina una parte \nconsistente del \nfatturato investendo \nin innovazione \ntecnologica e impianti\n23\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.13.png","PLASTIC MATERIAL \u002F MATERIALE PLASTICO \nThe enterprise uses\nstate-of-the-art \ntechnology for plastic \nmaterials, including\ngas-air moulding \ninjection and  \nbi-injection\nPLASTIC MATERIAL \u002F MATERIALE PLASTICO  25\nL’ azienda utilizza \ntecnologie d’avanguardia,  \ntra cui lo stampaggio delle \nmaterie plastiche con gas \nair moulding e a bi-iniezione \n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.14.png","26  PEDRALI\nPLASTIC MATERIAL \u002F MATERIALE PLASTICO  27\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.15.png","  29\n28  PEDRALI\nSUSTAINABILITY \u002F SOSTENIBILITÀ \nThink green: \na focus on \nenvironmental \nsustainability\nThink green: \nl’attenzione alla \nsostenibilità \nambientale\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.16.png","30  PEDRALI\nSUSTAINABILITY \u002F SOSTENIBILITÀ \nPedrali inaugurates \n“recycled grey”, its \nfirst chairs made from \nrecycled plastic\nPedrali inaugura \n“recycled grey”,  \nle prime sedie realizzate \nin materiale plastico \nriciclato\nSUSTAINABILITY \u002F SOSTENIBILITÀ  31\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.17.png","Pedrali has launched its first \ncollections made entirely \nfrom recycled plastic \nmaterial: a new material \nmade 50% from plastic \nmaterial post-consumer \nwaste and 50% from plastic \nmaterial industrial waste\nPedrali presenta le sue prime \ncollezioni completamente \nrealizzate in materiale plastico \nriciclato: un nuovo materiale \ncomposto per il 50% da scarto \ndi materiale plastico post \nconsumo e per il 50% da scarto \ndi materiale plastico industriale\n32  PEDRALI\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.18.png","Gli scarti di materiale plastico post \nconsumo derivano da prodotti \nprecedentemente utilizzati dai \nconsumatori, e sono il frutto di \nuna corretta raccolta differenziata \nporta a porta. La componente \nindustriale proviene da scarti di \nmaterie plastiche\nPlastic material  \npost-consumer waste \ncomes from products \nthat have been used by \nconsumers. \nThe industrial element \ncomes from plastic waste \n“This blend allows us to \nmanufacture high quality \nproducts with excellent \nmechanical performance. \nInstead,  \nby conducting precise tests \nand analyses, we can create \nthe ideal raw material  \nfor use in furniture”  \nGiuseppe Pedrali, CEO\n“Questo mix consente di avere \nun prodotto qualitativamente \navanzato, capace di garantire \nperformance meccaniche di alto \nlivello.  \nSono necessari test e analisi \naccurate per far sì che questo \ndiventi una materia prima con \nla quale realizzare un arredo”  \nGiuseppe Pedrali, CEO\n  35\n34  PEDRALI\nSUSTAINABILITY \u002F SOSTENIBILITÀ  35\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.19.png","During the production \nprocess, particular \nattention is paid to \ncutting back on the \nusage of raw materials \nand streamlining \nresources\nDurante il processo \nproduttivo viene prestata \nparticolare attenzione alla \nriduzione del consumo \ndi materie prime e alla \nrazionalizzazione delle \nrisorse \nAs evidenced by the \nbrand “Energia A2A \nRinnovabile 100%” \n(100% Renewable A2A \nEnergy), Pedrali’s energy \nis entirely obtained \nfrom plants powered by \nrenewable sources\nCome testimoniato  \ndal marchio “Energia \nA2A Rinnovabile 100%”, \nPedrali garantisce che \nl’energia della quale si \napprovvigiona derivi  \nda impianti alimentati  \nda fonti rinnovabili\n36  PEDRALI\n \n37\nSUSTAINABILITY \u002F SOSTENIBILITÀ\nCorporate Carbon \nFootprint  \nPedrali assesses it and \nobtains the UNI EN \nISO 14064-1:2019 \ncertification\nCorporate Carbon \nFootprint  \nPedrali effettua lo studio e \nne ottiene la certificazione \nUNI EN ISO 14064-1:2019\nSUSTAINABILITY \u002F SOSTENIBILITÀ  37\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.20.png","  39\n38  PEDRALI\nNel 2005 viene \ninaugurata la divisione \nlegno di Manzano, \nUdine, nel cuore del \nDistretto Italiano  \ndella Sedia\nWOOD \u002F LEGNO\nThe Manzano\nwood division\nwas inaugurated in \n2005 in Udine,\nin the heart of the\nItalian Chair District\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.21.png","40  PEDRALI\nThe factory is \nalso equipped \nwith cutting-edge \ncomputer numerical \ncontrol machines \nfor milling and \ncontouring, as well \nas moulds for gluing \nplywood, solid wood \nand sandwich panels\nNello stabilimento sono \npresenti macchine a \ncontrollo numerico di \nultima generazione \nper la fresatura e la \ncontornatura, oltre a \npresse per l’incollaggio \ndel massello, del \nmultistrato e di \ntamburatura\nWOOD \u002F LEGNO  41\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.22.png","42  PEDRALI\nThe stain process is \nperformed via an automated \nplant made principally from \nplant-derived resins which \nuses water-based paints, \nensuring excellent chemical \nand physical-resistant \nperformances and curbing \nthe emission of volatile \norganic substances harmful \nto humans and environment\nPedrali’s products realized \nin wood are FSC™ C114358 \ncertified, which guarantees \nthat raw materials are \nsourced from legally, \nresponsibly-managed \nforests adhering to strict \nenvironmental, social and \neconomic standards\nLa verniciatura avviene \nmediante un impianto \nrobotizzato che utilizza \nvernici all’acqua composte \nper lo più da resine di origine \nvegetale, garantendo ottime \nperformance di resistenza \nchimica e fisica e limitando \nl’emissione di sostanze \nvolatili nocive per l’uomo \ne l’ambiente\nI prodotti realizzati  \nin legno sono certificati \nFSC™ C114358, garantendo \nla provenienza della \nmateria prima da foreste \ngestite in maniera corretta \ne responsabile secondo \nrigorosi standard ambientali, \nsociali ed economici\nWOOD \u002F LEGNO  43\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.23.png","44  PEDRALI\nWOOD \u002F LEGNO  45\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.24.png","  47\n46  PEDRALI\nBellezza, tradizione e innovazione\nMade in Pedrali  \nBeauty, tradition\nand innovation\ninauguration  \nof the \nheadquarters \nin Mornico \nal Serio \n(Bergamo)\nInaugurazione \ndella sede di \nMornico al Serio \n(Bergamo)\nfirst \nlighting \ncollection\nPrima \ncollezione \ndi lampade\nFrida chair \ndesigned \nby Odo \nFioravanti \nwins \nthe XXII \nCompasso \nd’Oro ADI\nLa sedia Frida \ndisegnata\nda Odo \nFioravanti  \nsi aggiudica  \nil  XXII \nCompasso \nd’Oro ADI\n2011\n—\nISO \n14001:2015 \ncertification\nCertificazione  \nISO  \n14001:2015\nthe first \ncollections \nmade from \n100%  \nrecycled \nplastic \nPrime \ncollezioni \nin plastica \n100% \nriciclata\nPedrali counts  \n300 employees\n2017\n—\n2020\n—\ninauguration  \nof the new  \nManzano \nproductive  \nsite and  \nFSC®C114358 \ncertification\nInaugurazione \nnuova sede \ndi Manzano e \ncertificazione \nFSC®C114358\n2015\n—\nthe \nautomated \nwarehouse -  \nproject by  \nCZA -  \nCino Zucchi \nArchitetti. \nISO \n9001:2015 \ncertification \nIl magazzino \nautomatico - \nprogetto di  \nCZA - Cino \nZucchi \nArchitetti.\nCertificazione  \nISO 9001:2015\nplant-\nderived \nwater-\nbased \npaints \nVernici \nall’acqua \ndi origine  \nvegetale \ncorporate  \ncarbon \nfootprint\n2016\n—\n2018\n—\n2021\n—\ntoday —\nMario Pedrali starts his \nentrepreneurial activity as \ncraftsman manufacturing \nmetal chairs, tables and \ncomplements\nfirst \ncontract \nproject\nPrimo \nprogetto \ncontract\nMonica \nand  \nGiuseppe\nPedrali \njoin the \ncompany\nMonica e  \nGiuseppe \nPedrali  \nfanno il loro \ningresso in \nazienda\n— \n1963\n1974 \n—\n1987\n—\nstart of the \ncollaboration \nwith \ninternational \ndesigners\nInizia la \ncollaborazione \ncon designer \ninternazionali\n2000\n—\n2005\n—\n2006\n—\n2009\n—\nthe new  \nwood \ndivision in \nManzano \n(Udine)\nLa nuova \nsede di \nManzano \n(Udine) \nper le \ncollezioni \nin legno\nstarting  \nof plastic\nmaterials \nmanufacturing\nIntroduzione \ndella \nlavorazione \ndelle materie \nplastiche\n90’s\n—\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.25.png","High quality and respect for \nthe environment are settled \npractices. This is proved by \nthe certifications \nISO 9001:2015 for quality \nmanagement system, ISO \n14001:2015 for environmental \nmanagement system and \nGreenguard for low emissions \nof toxic substances.\nThe products of the \ncollection comply with \nUNI-EN 16139:2013 \nEuropean Standards which \ndetermine the resistance, \ndurability and safety \nrequirements of chairs for \ncontract use\nL’elevata qualità e il rispetto \ndell’ambiente rappresentano \nprassi consolidate,  \ncome dimostrano le \ncertificazioni ISO 9001:2015 \nper la qualità dei processi \naziendali, ISO 14001:2015  \nper una produzione basata \nsu una politica ambientale \nsostenibile e Greenguard  \nper la bassa emissione di \nsostanze nocive. \nI prodotti della collezione \nrispondono alle normative \neuropee UNI-EN 16139:2013 \ndi resistenza, durabilità e \nsicurezza per sedute destinate \nalla collettività\nTESTS AND CERTIFICATIONS \u002F TEST E CERTIFICAZIONI\n49\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.26.png","51\n  51\n50  PEDRALI\nThe prestigious awards \nand prizes represent \nthe culmination of all \nbusiness processes\nI prestigiosi \nriconoscimenti e premi \nricevuti rappresentano \nil coronamento di tutti \ni processi aziendali\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.27.png","  53\n52  PEDRALI\nFrida chair embraces a \nref ined technology and \nrepresents a landmark \nin woodworking.\nIn 2011 it was awarded\nwith the XXII Compasso \nd’Oro ADI, the highest \naward of global design\nFrida è una sedia che \nracchiude una tecnologia \nraffinata e rappresenta un \npunto di riferimento nella \nlavorazione del legno. \nNel 2011 si è aggiudicata il \nXXII Compasso d’Oro ADI, \nil massimo riconoscimento \ndi design a livello mondiale\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.28.png","54  PEDRALI\nFili d’erba,  \nthe Pedrali  \nautomated \nwarehouse\nFili d’erba,  \nil magazzino \nautomatico di \nPedrali\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.29.png","  57\n56  PEDRALI\nTwo rhetorical figures constantly reappear in \nthe architecture of the first machine age: the \nexposed structural frame’s one and the curtain \nwall’s one. However, the wall that protects \nPedrali’s new automated warehouse designed \nby CZA in Mornico al Serio does not aim to be the \nrepresentation of its inner content - a perfect \nmechanism, where the path for the robot carts \ncuts through the shelving structures like a canyon \n- but rather to be a visual screen that responds \nto the diverse conditions of the surrounding \nlandscape.\nOver time, Pedrali’s success as a business and \nits awareness in the field of production cycle \nsustainability has generated a building complex of \ngreat environmental quality, within a landscape \nwhere the agricultural matrices are still strongly \npresent. The mass of the new automated \nwarehouse, whose height and volume are \ntotally determined by its inner technical devices, \ncompletes the southern side of the complex and \nflanks the path of the ancient Via Francesca.\nThe architectural response of the new warehouse \nreacts to the abstract theme of “wrapping” the \nmachines it contains with a specific response \nthat is strongly related to the context, to solar \norientation and to the industrial complex it \nbelongs to. Its primary solid mass is articulated by \ntwo volumetric projections. The first, in its south-\nwest corner, concludes the visitors’ path inside the \ncomplex and picks up the direction of the canal \nthat forms the western boundary of the perimeter. \nThe second projects out from the north-east \ncorner with a daring cantilever, stripping back \na part of the warehouse wall to reveal its inner \nmechanisms through a large glass plate, giving \nform to the missing side of the large loading \nyard and providing a visual target point from the \nentrance to the offices on the northern margin. \nA lower body connects the new warehouse to the \nexisting ones, and hosts the long green ribbon of \nthe suspended visitors’ path.\nAll four sides of the new warehouse are faced by \npanels in natural aluminum colour. On these, a \nseries of simple elements made with extruded \naluminum profiles generates a visual pattern \nformed by a combination of vertical and oblique \nlines, like gigantic “blades of grass” that give \nrhythm, scale and measure to the blind and \nunarticulated surface of the facades, especially \nthe large surface to the south. These elements \nhave been left in their natural aluminum colour \non the side oriented to the east, looking towards \nthe urban core of Mornico, while the western side, \nwhich faces the fields and the artificial canal, has \nbeen enameled in three different shades of green.\nThe interplay of the length, direction and intensity \nof the shadows of these “blades” over the course \nof the day, combined with the mix of their colour \nand the diversity of point of view they can be \nseen from, generates a true “optical spectacle” \nof great beauty. The reflection of the tones of the \ncoloured sides on the opposite ones left in natural \naluminum colour generates a very peculiar \niridescent effect - similar to the one of the wings \nof a butterfly or the elytra of a beetle - for those \ntravelling on the road from east to west.\nThe dull and uniform volume of new warehouse \nis thus transformed into a visual phenomenon \nrich in variations, a kind of natural “amplifier” of \nthe time of the day and the seasons. In certain \nmoments it dissolves into the misty sky, reflecting \nits grey-blue tones, and in others it becomes \nimbued with the bright green of the agricultural \nfields in spring. The architectural design of the\nwarehouse and its related spaces goes beyond \nthe concept of pure “environmental mitigation” \napplied to many industrial facilities. Instead, \nit becomes an important signal of the roots of \nPedrali and the people who work there in their \nspecific territory, as well as testifies their ability \nto dialogue with the increasingly globalized \nbusinesses and markets.\nCino Zucchi\nA visual pattern formed \nby a combination of \nvertical and oblique lines \nlike gigantic “blades of \ngrass” that give rhythm, \nscale and measure to the \nblind and unarticulated \nsurface of the facades, \nrethinking the concept of \nenvironmental insertion \nin an innovative way\nUn pattern visivo formato \nda una combinazione di \nlinee verticali ed oblique, \nquasi dei giganteschi \n“fili d’erba” che ritmano \ne danno misura alla \nsuperficie delle facciate, \nripensando in modo \ninnovativo e propositivo \nil concetto di mitigazione \nambientale\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.30.png","  59\n58  PEDRALI\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.31.png","  61\n60  PEDRALI\nFili d’erba, \nil magazzino \nautomatico di Pedrali\nDue figure retoriche riappaiono continuamente \nnell’architettura della prima età della macchina: \nquella del telaio strutturale a vista e quella della \nvetrata continua. Ma la parete che protegge il \nnuovo magazzino automatico di Pedrali a Mornico \nal Serio disegnata da CZA non vuole tanto essere la \nrappresentazione del suo contenuto interno - un \nmeccanismo perfetto, dove il percorso dei carrelli \nrobot solca come un canyon la struttura degli scaffali \n– quanto piuttosto una quinta visiva che risponde \nalle diverse condizioni del paesaggio circostante. Il \nsuccesso aziendale di Pedrali e la sua coscienza nel \ncampo della sostenibilità dei cicli di produzione ha \ninfatti generato nel tempo un complesso edilizio di \ngrande qualità ambientale all’interno di un paesaggio \ndove le matrici agricole sono ancora fortemente \npresenti; la mole del nuovo magazzino automatico - \nla cui altezza e volume sono totalmente determinati \ndal suo funzionamento interno - ne costituisce il \ncompletamento sul lato sud, e lambisce il tracciato \ndell’antica via Francesca. La risoluzione architettonica \ndel nuovo magazzino vuole quindi rispondere al tema \nastratto della “carterizzazione” di una macchina \nindustriale con una risposta specifica, fortemente \nrelazionata al proprio contesto, all’orientamento \nsolare, e all’insediamento produttivo al quale \nappartiene. Il parallelepipedo primario è così inflesso \nda due aggetti volumetrici: il primo, in corrispondenza \ndel suo angolo sud-ovest, raccoglie il percorso \nvisitatori all’interno del complesso e riprende il \ntracciato della roggia che costituisce il confine ovest \ndel perimetro; il secondo - che esce con un ardito \nsbalzo dall’angolo nord-est, spelando una parte della \nparete del magazzino per svelarne il funzionamento \ninterno attraverso una grande lastra di vetro - forma \nil lato mancante del grande piazzale di carico e \nscarico e si dà come traguardo visivo dall’ingresso \nagli uffici sul margine nord. Un corpo di raccordo, \nche ospita il lungo nastro verde del percorso sospeso \nper i visitatori, connette il magazzino ai capannoni \nesistenti. Tutte le quattro pareti d’ambito del nuovo \nmagazzino sono rivestite in pannelli coibentati lisci \nfiniti in color alluminio naturale; sopra questi, una \nserie di elementi semplici realizzati con profilati di \nalluminio estrusi generano un pattern visivo formato \nda una combinazione di linee verticali ed oblique, \nquasi dei giganteschi “fili d’erba” che ritmano e \ndanno misura alla superficie cieca e inarticolata delle \nfacciate, in particolare la grande superficie a sud. \nQuesti elementi sono lasciati nel colore naturale \ndell’alluminio sulla loro faccia orientata ad est \n- quella verso il nucleo urbano di Mornico - e invece \ncolorati in tre diverse tonalità di verde sul lato ovest, \nquello rivolto verso i campi e la roggia. Il gioco della \nlunghezza, direzione e intensità delle ombre di \nqueste “lamelle” al cambiare delle ore, combinato \ncon il loro mix cromatico e con la diversità delle viste \nfrontali e di scorcio al quale il nuovo magazzino è \nsoggetto da punti di vista diversi, genera un vero \n“spettacolo ottico” di grande suggestione. Un \neffetto particolare è quello della riflessione dei \ntoni cromatici dei lati colorati sulla faccia opposta \ndi quelli lasciati color alluminio per chi percorre \nla strada da est verso ovest, che genera una sorta \ndi effetto cangiante, simile a quello delle ali di una \nfarfalla o delle elitre di un coleottero.\nIl volume sordo e uniforme del nuovo magazzino \nè così trasformato in un fenomeno visivo ricco di \nvariazioni, una sorta di “amplificatore” naturale delle \nore del giorno e delle stagioni, che in alcuni momenti \ndissolve il volume nel cielo nebbioso, riflettendone i \ntoni grigio-azzurri, e in altri si carica del verde acceso \ndei campi agricoli primaverili.\nIl disegno architettonico del magazzino e dei suoi \nspazi di pertinenza supera così il concetto di pura \n“mitigazione ambientale” con cui molte strutture \nindustriali sono trattate, diventando un segnale \nimportante del radicamento di Pedrali e delle persone \nche vi lavorano in un territorio specifico come quello \ndella Bergamasca e al contempo della loro capacità di \ndialogo con mercati e realtà sempre più globali.\nCino Zucchi\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.32.png","62  PEDRALI\nThe warehouse volume \nis the result of the study \nof the productive f lows, \nhandling and storage, \ncurrent and future\nIl volume del magazzino \nè il risultato dello studio \ndei flussi produttivi,\ndi movimentazione e \ndi immagazzinamento, \nattuali e futuri\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.33.png","chairs\nmodular seatings \nlounge chairs\nbarstools\ntables\ntable bases\ntable tops\nlighting\ncomplements\nTHE BEST OF\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.34.png","Frida\nSimple sculptural beauty\ndesign \nOdo Fioravanti, 2008\nEN — Frida is a seating that combines beauty, technology  \nand love of detail. It won the ADI XXII Compasso d’Oro Award,  \nin the Design for Living category, “for its simple, sculptural beauty”.\nIT — Frida è una seduta che coniuga bellezza, tecnologia e amore per \ni dettagli. Si è aggiudicata il XXII Compasso d’Oro ADI nella categoria \nDesign per l’Abitare “per la semplice bellezza scultorea”.\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.35.png","FRIDA 69\n68 PEDRALI Seatings \u002F Sedute\nChair\nSedia\nThree-dimensional\ncurved plywood shell \nthickness 3 mm\nScocca in multistrato \ncurvato tridimensionale \nspessore 3 mm\nSolid oak \ntapered legs \nenhance a form \ngreat lightness\nGambe rastremate \nin massello \ndi rovere che \ndonano grande \nleggerezza\ndi forma\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.36.png","FRIDA 71\n70 PEDRALI Seatings \u002F Sedute\nHouse \non the lake\nLugano, Switzerland\nProject: Private house\nProduct: Frida chair\nOlivo\nLondon, United Kingdom\nProject: Restaurant\nProduct: Frida chair\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.37.png","Ester\nL’élégance de première classe\ndesign \nPatrick Jouin, 2013\nEN — Ester is a mix of elegance, ergonomics and \nfunctionality: a precious monolith made of leather \ncomplemented by refined die-cast aluminum legs.\nIT — Ester rappresenta la sintesi perfetta di eleganza, \nergonomia e funzionalità: un prezioso monolito di pelle, \ncompletato dalla raffinata gamba in pressofusione \nd'alluminio.\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.38.png","ESTER 75\n74 PEDRALI Seatings \u002F Sedute\nLIVING\nLIVING\nSide chair sedia Ester \nTable tavolo Aero \nCoffee table tavolino Code\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.39.png","ESTER 77\n76 PEDRALI Seatings \u002F Sedute\nArmchair\nPoltrona \nSeat made of \npolyurethane foam\nwith elastic belts\nSeduta in schiumato \npoliuretanico con\ncinghie elastiche\nDie-cast \naluminium legs\nGambe in \npressofusione\ndi alluminio\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.40.png","ESTER 79\n78 PEDRALI Seatings \u002F Sedute\nThe Dorchester \nHotel\nLondon, United Kingdom\nChef: Alain Ducasse \nProject: Restaurant\nProduct: Ester armchair\nLa Mamounia\nMarrakech, Morocco\nProject: Hotel & Restaurant\nProducts: Ester armchair and barstool, \nStep table\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.41.png","ESTER 81\n80 PEDRALI Seatings \u002F Sedute\nore\nDucasse au Château de \nVersailles\nVersailles, France\nChef: Alain Ducasse\nProject: Restaurant\nProducts: Ester armchair\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.42.png","ESTER 83\n82 PEDRALI Seatings \u002F Sedute\nMaison\nVan Cleef & Arpels \nPlace VendÔme Paris, France\nProject: Haute Joaillerie\nProducts: Ester armchair, \nEster armchair with swivel seat, \nEster bag-rest pouf\nMextizo\nBarcelona, Spain\nChef: Adrián Marín\nProject: Restaurant\nProducts: Ester armchair, \nInox table\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.43.png","Malmö\nNordic essence\ndesign \nCMP Design, 2012\nEN — The Malmö collection was born from an imaginary \njourney along the sides of a Scandinavian lake. It recalls the \nexperience of a come back home with the cosiness of wood \nthat warms up the environment.\nIT — La collezione Malmö nasce da un’escursione immaginaria \nlungo le rive di un lago in Scandinavia. Di quell’esperienza \nconserva il tepore di un ritorno al rifugio, il sapore domestico  \ndel legno che scalda ogni tipo di ambiente.\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.44.png","MALMÖ 87\n86 PEDRALI Seatings \u002F Sedute\nLounge armchair poltrona lounge MalmÖ Lounge, MalmÖ Relax \nCoffee table tavolino MalmÖ \nLighting lampada L001\nWAITING\nWAITING  \n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.45.png","MALMÖ 89\n88 PEDRALI Seatings \u002F Sedute\nSolid ash wood\nframe and armrests\nStruttura e braccioli\nin massello di frassino\nArmchair\nPoltrona\nAsh veneered\nplywood shell\nScocca in multistrato\ndi frassino \nimpiallacciato\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.46.png","MALMÖ 91\n90 PEDRALI Seatings \u002F Sedute\nBarstool\nSgabello\nSeat height\nAltezza seduta\n650 mm, 750 mm\nSolid ash frame\nand stainless\nsteel footrest\nStruttura in \nmassello di frassino \ne poggiapiedi in \nacciaio inox\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.47.png","MALMÖ 93\n92 PEDRALI Seatings \u002F Sedute\nLounge armchair\nPoltrona lounge\nSeat height\nAltezza seduta\n410 mm\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.48.png","MALMÖ 95\n94 PEDRALI Tables \u002F Tavoli\nTable\nTavolo\nExtensible table\nup to 2900 mm\nTavolo allungabile\nfino a 2900 mm\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.49.png","MALMÖ 97\n96 PEDRALI Seatings \u002F Sedute\nBronda\nHelsinki, Finland\nProject: Restaurant\nProducts: MalmÖ side chair\nand armchair, Quadra table\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.50.png","MALMÖ 99\n98 PEDRALI Seatings \u002F Sedute\nFort McMurray \nInternational \nAirport\nAlberta, Canada\nProject: Waiting area\nProduct: MalmÖ barstool\nMicrosoft Office\nLisbon, Portugal\nProject: Office\nProduct: MalmÖ lounge armchair, \nBuddy pouf, Nolita armchair, Intrigo \narmchair, Arki-Table \n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.51.png","Social\nCreate your community\ndesign \nPatrick Jouin, 2015\nEN — Social is a modular system of linear, corner, curvy seatings \nand poufs, an endlessly replicable sofa ready to host social \naggregations. Steel frame with die-cast aluminium legs.\nIT — Social è un sistema modulare componibile di sedute lineari, \nangolari, curve e pouf che creano un divanetto replicabile\nall’infinito e pronto ad ospitare momenti di socialità.\nTelaio in acciaio con gambe in pressofusione di alluminio.\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.52.png","Social\nSocial Plus\n102 PEDRALI Seatings \u002F Sedute\nSOCIAL 103\nLIVING \nLIVING \nSofa divano Social, Social Plus\nPouf Social\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.53.png","104 PEDRALI Seatings \u002F Sedute\nSOCIAL 105\nPolyurethane injected foam seats\nsystem with elastic belts on the backrest\nSistema di sedute in schiumato poliuretanico\ncon cinghie elastiche sullo schienale\nDie-cast aluminium leg,\npolished or powder \ncoated finish\nGamba in pressofusione \ndi alluminio, finitura \nlucida oppure verniciata\nMODULAR SEATING \u002F SEDUTA MODULARE\nSeat height \nAltezza seduta\n410 mm\nModular seating\nSeduta modulare\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.54.png","106 PEDRALI Seatings \u002F Sedute\nSOCIAL 107\nMODULAR SEATING \u002F SEDUTA MODULARE\nMODULAR SEATING \u002F SEDUTA MODULARE\nUpholstered pillows\nCuscini imbottiti\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.55.png","108 PEDRALI Seatings \u002F Sedute\nSOCIAL 109\nSeat depth \nProfondità seduta\n770 mm\nSeat height \nAltezza seduta\n420 mm\nMODULAR SEATING \u002F SEDUTA MODULARE\nMODULAR SEATING \u002F SEDUTA MODULARE\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.56.png","Babila\nReloaded memory\ndesign  \nOdo Fioravanti, 2013\nEN — Babila collection is able to move along tradition and \ninnovation with great agility. A family of seatings and tables \nwhose strength is its simplicity and directness, to recall a \ntimeless shape. \nIT — La collezione Babila si muove con grande agilità tra tradizione \ne innovazione. Una famiglia di sedute e tavoli la cui forza è nella \nsemplicità e immediatezza, a ricordare una forma senza tempo.\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.57.png","BABILA 113\n112 PEDRALI Seatings \u002F Sedute\nArmchair poltrona Babila\nTable tavolo Babila \nLighting lampada L001 \nPouf  Wow\nWORKING  \nWORKING\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.58.png","BABILA 115\n114 PEDRALI Seatings \u002F Sedute\nVeneered ash plywood\nshell, variable thickness\nImpiallacciata in frassino\na spessore variabile\nUpholstered seat \nversion\nVersione con seduta \nimbottita\nSolid ash wood legs\nGambe in massello \nin frassino\nSide chair\nSedia\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.59.png","BABILA 117\n116 PEDRALI Seatings \u002F Sedute\nTechnopolymer \nshell\nScocca in \ntecnopolimero \nSIDE CHAIR  \u002F SEDIA\nSIDE CHAIR  \u002F SEDIA\nSteel tube frame \nStruttura in\ntubo d’acciaio\nØ 16 mm\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.60.png","BABILA 119\n118 PEDRALI Seatings \u002F Sedute\nDie-cast\naluminium frame\nTelaio in pressofusione \ndi alluminio\nArmchair\nPoltrona\nPolypropylene shell\nScocca in polipropilene\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.61.png","BABILA 121\n120 PEDRALI Seatings \u002F Sedute\nUpholstered shell, fabric \nor simil-leather covering\nScocca imbottita rivestita \nin tessuto o finta pelle\nSolid ash wood legs\nGambe in massello \ndi frassino\nARMCHAIR  \u002F POLTRONA\nARMCHAIR  \u002F POLTRONA\nDie-cast four-star\naluminium base\nBase a quattro razze in \npressofusione di alluminio\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.62.png","BABILA 123\n122 PEDRALI Seatings \u002F Sedute\nBarstool\nSgabello\nDie-cast\naluminium footrest\nPoggiapiedi in\npressofusione\ndi alluminio\nUpholstered seat\nSeduta imbottita\nAsh plywood seat\nSedile in multistrato\ndi frassino\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.63.png","Solid ash tapered \nlegs and extruded \naluminium frame\nGambe rastremate in \nmassello di frassino e \nstruttura in alluminio\nTable\nTavolo\nUltra-thin Fenix® top,\nanti-fingerprint\nRipiano ultrasottile\nin Fenix® anti-impronta\nBABILA 125\n124 PEDRALI Tables \u002F Tavoli\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.64.png","BABILA 127\n126 PEDRALI Seatings \u002F Sedute\nKerk Roo\nKerkwegel, Belgium\nProject: Church\nProduct: Babila side chair\nRaamfood\nLokeren, Belgium\nProject: Restaurant\nProducts: Babila side chair \nand barstool, Arki-Table Wood\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.65.png","BABILA 129\n128 PEDRALI Seatings \u002F Sedute\nSpazio Te\nMantova, Italia\nProject: Coffee bar\nProducts: Babila side chair and barstool\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.66.png","BABILA 131\n130 PEDRALI Seatings \u002F Sedute\nBlackwood \nPantry\nCronulla, Australia\nProject: Cafè & Restaurant\nProducts: Babila barstool \nand side chair, Inox table\nKoen\nParatico, Italy\nProject: Restaurant\nProducts: Babila armchair, \nInox table\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.67.png","132 PEDRALI Seatings \u002F Sedute\nLIVING\nBabila XL\nReloaded memory\ndesign  \nOdo Fioravanti, 2020\nEN — The Babila XL armchair with a polypropylene shell \nstands out for the large dimension of its seat and armrests. \nThe aim is to offer greater seating comfort, also through the \npadded lining recalling a woman’s dress. Babila XL recycled \ngrey version in one of the first products made from recycled \npolypropylene: 50% from plastic material post-consumer \nwaste and 50% from plastic material industrial waste.\nIT — Babila XL è una poltrona con la scocca stampata in \npolipropilene che si connota per le dimensioni ampie della \nseduta e del bracciolo. L’obiettivo è quello di offrire un comfort \ngeneroso di seduta, grazie anche al rivestimento imbottito, \nquasi a ricordare un abito femminile. La versione Babila XL \nrecycled grey rappresenta uno dei primi prodotti realizzati \nin polipropilene riciclato: da scarto di materiale plastico post \nconsumo e 50% da scarto di materiale plastico industriale.\nArmchair poltrona Babila XL recycled grey\nBABILA XL 133\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.68.png","134 PEDRALI Seatings \u002F Sedute\nBABILA XL 135\nArmchair poltrona Babila XL\nTable tavolo Arki-Desk \nStorage system sistema contenitore Boxie \nWORKING\nArmchair\nPoltrona\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.69.png","136 PEDRALI Seatings \u002F Sedute\nBABILA XL 137\nUpholstered \nshell version\nVersione con \nscocca imbottita\nARMCHAIR  \u002F POLTRONA\nPadded lining \nmade in fabric\nRivestimento \nimbottito realizzato \nin tessuto\nARMCHAIR  \u002F POLTRONA\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.70.png","138 PEDRALI Seatings \u002F Sedute\nSteel rod sled \nframe \nStruttura a slitta in \ntondino d’acciaio\nØ 11 mm  \nARMCHAIR  \u002F POLTRONA\nARMCHAIR  \u002F POLTRONA\nBABILA XL 139\nBabila XL recycled grey \nwith 100% recycled \npolypropylene shell\nBabila XL recycled grey \ncon scocca in polipropilene \n100% riciclato \n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.71.png","Tweet\nEclectic by choice\ndesign \nMarc Sadler, 2013\nEN — Tweet is a collection of seatings which combines the rational, \nclean design of the shell with a wide selection of frames and finishes, \nto guarantee the best adaptability in contract projects and domestic \nsettings.\nIT — Tweet è una collezione di sedute che combina il disegno razionale e pulito \ndella scocca ad un’ampia scelta di telai e finiture, per garantire la massima \nadattabilità negli ambienti contract e domestici.\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.72.png","",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.73.png","TWEET 145\n144 PEDRALI Seatings \u002F Sedute\nSide chair sedia Tweet \nSpace divider pannello divisorio Ypsilon Connect \nWORKING\nWORKING\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.74.png","TWEET 147\n146 PEDRALI Seatings \u002F Sedute\nBi-injection moulded\npolypropylene shell\nScocca in polipropilene\nstampato a bi-iniezione\nSide chair\nSedia\nMatt and scratch-resistant\nfinish on the front part  \nof the shell\nScocca con superficie \nfrontale opaca antigraffio \nGlossy finish on the back \nsurface of the shell\nScocca con superficie \nposteriore lucida\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.75.png","TWEET 149\n148 PEDRALI Seatings \u002F Sedute\nSIDE CHAIR  \u002F SEDIA\nSIDE CHAIR  \u002F SEDIA\nSwivel shell,\nspring back device\nScocca girevole con\nmeccanismo di ritorno\nautomatico\nUpholstered shell, fabric\nor simil-leather covering\nScocca imbottita rivestita\nin tessuto o finta-pelle\nStackable \nImpilabile\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.76.png","TWEET 151\n150 PEDRALI Seatings \u002F Sedute\nArmchair\nPoltrona\nStackable \nImpilabile\nSteel tube frame \nStruttura in tubo\nd’acciaio \nØ 14 mm\nUpholstered shell \nand armrests\nScocca e braccioli \nimbottiti\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.77.png","Side chair with optional tablet\nSedia con predisposizione tavoletta\nTWEET 153\n152 PEDRALI Seatings \u002F Sedute\nBlack Fenix® tablet, thickness 6 mm\nTavoletta in Fenix® nero spessore 6 mm\nSteel rod sled frame\nStruttura a slitta  \nin tondino d’acciaio\nØ 11 mm\nStackable\nImpilabile\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.78.png","TWEET 155\n154 PEDRALI Seatings \u002F Sedute\nBohem \nLa Stazione\nParatico, Italy\nProject: Florist, Cafè & Restaurant \nProducts: Tweet armchair, Inox table,\nLog armchair, Nolita armchair and table\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.79.png","TWEET 157\n156 PEDRALI Seatings \u002F Sedute\nGoogle Campus\nMadrid, Spain\nProject: Conference room\nArchitect: Jump Studios\nProduct: Tweet side chair\nTouchpoint \nCo-Design \nexperiments\nLa Triennale di Milano, Italy\nProject: Temporary conference room \nProducts: Tweet side chair, Babila \narmchair, Ikon poseur table, MalmÖ \ncoffee table, Happy Apple lighting\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.80.png","Nemea\nAthletic agility\ndesign \nCMP Design, 2015\nEN — Nemea is a collection of classically-shaped seatings, whose \nvisible, light structural elements seem to be smoothed by time, like \nfindings from the Ancient Greece. The side chair seems to extend \ninto an athletic pose, with its sinuous legs in solid ash grafted to the \ndie-cast aluminium frame placed under the plywood seat.\nThe version with arms can be leant on the table.\nIT — Nemea è una collezione di sedute dalle forme classiche, i cui \nelementi strutturali, visibili e leggeri, sembrano essere levigati dal tempo, \ncome reperti dell’antica civiltà ellenica. La sedia sembra protesa in uno \nscatto atletico, con le sinuose gambe in massello di frassino innestate \nal nudo telaio in pressofusione di alluminio posto sotto il sedile in \nmultistrato. La versione con braccioli può essere appoggiata al piano\ndel tavolo sollevandosi dal pavimento.\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.81.png","NEMEA 161\n160 PEDRALI Seatings \u002F Sedute\nSide chair\nSedia\nSolid ash  \nwood legs\nGambe in \nmassello \ndi frassino\nDie-cast \naluminium frame\nStruttura in \npressofusione\n di alluminio\nAsh veneered \nplywood seat\nSeduta in multistrato \ndi frassino\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.82.png","NEMEA 163\n162 PEDRALI Seatings \u002F Sedute\nArmchair\nPoltrona\nLacquered  \nash wood\nFrassino laccato\nUpholstered\nseat version\nVersione con\nseduta imbottita\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.83.png","NEMEA 165\n164 PEDRALI Seatings \u002F Sedute\nMoleskine Café\nMilan, Italy\nProject: Contemporary literary café\nProducts: Nemea side chair and armchair, \nLaja table, MalmÖ barstool, lounge \narmchair and coffee table, Nolita side chair \nand barstool, Ypsilon table\nBuhres Fisk\nKivik, Sweden\nProject: Restaurant\nProducts: Nemea side chair, \nQuadra table\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.84.png","NEMEA 167\n166 PEDRALI Seatings \u002F Sedute\nKane World  \nFood Studio\nBucarest, Romania\nProject: Cafè & Restaurant\nProduct: Nemea side chair\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.85.png","Arki-Table\nA perfect balance\ndesign \nPedrali R&D, 2012\nEN — Clean and rigorous in the design project but versatile \nin its different applications. Arki-Table has an ultra-thin top \nsupported by an extruded aluminium frame that remains \nhidden while the trestle steel ensure stability and excellent \ngrip on the ground.\nIT — Lineare e rigoroso nel progetto, versatile nell’adattamento \nalle diverse situazioni. Il tavolo Arki-Table ha un ripiano ultrasottile \nsostenuto da una cornice in estruso di alluminio che rimane \nnascosta, mentre le gambe a cavalletto in acciaio garantiscono \nstabilità e un’ottima presa sul suolo.\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.86.png","170 PEDRALI Tables \u002F Tavoli\nARKI - TABLE 171\nTavolo\nTable\nUltra-thin compact\ntop, thickness 6 mm \nRipiano ultrasottile\nin compact spessore 6 mm\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.87.png","172 PEDRALI Tables \u002F Tavoli\nARKI - TABLE 173\nTABLE  \u002F TAVOLO\nTABLE  \u002F TAVOLO\nUltra-thin Fenix® top with  \nanti-fingerprint finish and plywood core\nRipiano ultrasottile in Fenix® con finitura \nanti-impronta, anima in multistrato\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.88.png","174 PEDRALI Tables \u002F Tavoli\nARKI - TABLE 175\nTABLE  \u002F TAVOLO\nExtruded aluminium frame \nStruttura in estruso di alluminio\nTABLE  \u002F TAVOLO\nSteel tube legs\nGambe in acciaio\nOutdoor version \nVersione outdoor\nUltra-thin compact\ntop, thickness 6 mm \nRipiano ultrasottile\nin compact spessore 6 mm\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.89.png","176 PEDRALI Tables \u002F Tavoli\nARKI - TABLE 177\nTABLE  \u002F TAVOLO\nSolid oak legs\nGambe in massello\ndi rovere\nTABLE  \u002F TAVOLO\nTABLE  \u002F TAVOLO\n“Stone effect” solid laminate top\nRipiano in stratificato “effetto stone”\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.90.png","178 PEDRALI Tables \u002F Tavoli\nARKI - TABLE 179\nSky Italia\nMilan, Italy\nProject: Office \nProducts: Arki-Table, Arki-Table \nWood, Inox table base, Babila side \nchair, Grace armchair, Day Dream \nchair, Modus modular seating\nChromavis Fareva\nCremona, Italy\nProject: Company Canteen & Office\nProducts: Arki-Table, Inga side chair, \nBabila side chair, Héra armchair,  \nEster armchair, Inox table,  \nArki-Base, L001 lighting\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.91.png","Ypsilon \nFinest aluminium details\ndesign \nJorge Pensi Design Studio, 2008\nEN — The tables of Ypsilon collection are, thanks to aluminium \nuse, light, easy to move and ideal to resist to high temperatures. \nThe aluminium extruded tube that extends itself towards the \nlegs of its casted base, in the same material, giving to the whole \nshape coherence.\nIT — I tavoli della collezione Ypsilon, grazie all’utilizzo dell’alluminio, \nrisultano leggeri e quindi facili da movimentare e ideali per resistere \nalle alte temperature. La colonna in estruso si prolunga nelle razze in \npressofusione, donando all’insieme coerenza formale.\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.92.png","YPSILON 183\n182 PEDRALI Tables \u002F Tavoli\nDie-cast aluminium \nbase and extruded \naluminium column\nBase in pressofusione di \nalluminio e colonna in \nestruso di alluminio\nTable\nTavolo\nPoseur table\nTavolo alto\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.93.png","YPSILON 185\n184 PEDRALI Tables \u002F Tavoli\nTABLE  \u002F TAVOLO\nTABLE  \u002F TAVOLO\nPowder coated version \nfor outdoor use\nVersione verniciata \nper outdoor\nFour feet base\nBase a quattro razze\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.94.png","YPSILON 187\n186 PEDRALI Tables \u002F Tavoli\nSupermercato \ndel Futuro\nBicocca - Milan, Italy\nProject: Future Food District by Carlo \nRatti Associati for Expo Milano 2015\nArchitects: INRES and Area-17 \nArchitecture & Interiors\nProducts: Ypsilon table, Nemea side \nchair and armchair, Babila barstool\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.95.png","YPSILON 189\n188 PEDRALI Tables \u002F Tavoli\nLabirinto\ndella Masone\ndi Franco Maria \nRicci\nFontanellato - Parma, Italy\nChef: Fratelli Spigaroli\nProject: Bistrò\nProducts: Ypsilon table, Tivoli side chair \nand armchair, Modus modular seating, \nVolt side chair\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.96.png","Remind\nBetween mind & heart\ndesign \nEugeni Quitllet, 2018\nEN — While evoking the soft sinuous curves of wooden chairs from the \nlate nineteenth century, Remind is an innovative polypropylene seating, \nin which each element is conceived to ensure total comfort and cosiness. \nRemind recycled grey version is one of the first products made from \nrecycled polypropylene: 50% from plastic material post-consumer \nwaste and 50% from plastic material industrial waste.\nIT — Remind riprende la memoria delle curve morbide e sinuose delle \nsedie in legno della seconda metà del XIX Secolo. Una seduta innovativa \nin polipropilene in cui ogni elemento è pensato per conferire comfort e \navvolgenza. La versione Remind recycled grey è uno dei primi prodotti \nrealizzati in polipropilene riciclato: 50% da scarto di materiale plastico post \nconsumo e 50% da scarto di materiale plastico industriale.\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.97.png","Armchair poltrona Remind\nTable tavolo Fluxo\nREMIND 193\n192 PEDRALI Seating \u002F Sedute\nLIVING\nSide chair sedia Remind \nTable tavolo Elliot \nLIVING\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.98.png"," \n \n⋅\n \nr\ne\nc\ny\nc\nl\ne\nd\n \np\no\nl\ny\np\nr\no\np\ny\nl\ne\nn\ne\n \n⋅\n \n1\n0\n0\n%\n \np\no\nl\ni\np\nr\no\np\ni\nl\ne\nn\ne\n \nr\ni\nc\ni\nc\nl\na\nt\no\n \n⋅\nREMIND 195\n194 PEDRALI Seating \u002F Sedute\nSide chair\nSedia\nArmchair\nPoltrona\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.99.png","REMIND 197\n196 PEDRALI Seating \u002F Sedute\nARMCHAIR  \u002F POLTRONA\nPetit Palace \nSuites \nSantorini, Greece\nProject: Hotel\nProducts: Remind armchair, \nIntrigo armchair, Concrete table\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.100.png","REMIND 199\n198 PEDRALI Seating \u002F Sedute\nMaregio Suites\nSantorini, Greece\nProject: Hotel\nProducts: Remind armchair,  \nIkon table\nBohem \nLa Stazione\nParatico, Italy\nProject: Florist, Café & Restaurant\nProducts: Elliot table, Remind armchair\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.101.png","Nolita\nVintage chic\ndesign \nCMP Design, 2015\nEN — Nolita is a family of seatings that recalls the origins \nof a historic course, started by Mario Pedrali in 1963 \nwith his first metal garden chairs. Completely made of \nsteel, it is designed specifically for outdoor use.\nIT — Nolita è una famiglia di sedute che rievoca le origini di \nun percorso storico, iniziato da Mario Pedrali nel 1963 con \nle sue prime sedie da giardino in metallo. Interamente in \nacciaio è studiata specificatamente per utilizzo outdoor.\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.102.png","NOLITA 203\n202 PEDRALI Seatings \u002F Sedute\nSide chair\nSedia\nRemovable waterproof \ncushion for side chair \nand armchair \nCuscino waterproof \nremovibile per sedia\ne poltrona\nSteel tube frame \npowder coated for \noutdoor use\nStruttura in tubo \nd'acciaio verniciato \nper outdoor\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.103.png","NOLITA 205\n204 PEDRALI Seatings \u002F Sedute\nArmchair\nPoltrona\nHigh backrest \nversion\nVersione con \nschienale alto\nSeat height\nAltezza seduta \n465 mm\nLow backrest \nversion\nVersione con \nschienale basso\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.104.png","NOLITA 207\n206 PEDRALI Seatings \u002F Sedute\nSeat height\nAltezza seduta \n400 mm\nLounge armchair\nPoltrona lounge\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.105.png","NOLITA 209\n208 PEDRALI Seatings \u002F Sedute\nSeat height\nAltezza seduta \n750 mm\nBarstool\nSgabello\nSeat height\nAltezza seduta \n650 mm\nStackable\nImpilabile\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.106.png","NOLITA 211\n210 PEDRALI Seatings \u002F Sedute\nChaise longue\nOne armrest\nUn bracciolo\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.107.png","NOLITA 213\n212 PEDRALI  Tables \u002F Tavoli\nTable\nTavolo\nFolding top version\nVersione con \nripiano reclinabile\nSteel tube base powder \ncoated for outdoor use\nBase in tubo d’acciaio \nverniciato per outdoor \nCoffee table\nTavolino basso\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.108.png","Bassa Maina  \nVillas & Suites\nAreopoli, Greece\nProject: Hotel\nProducts: Nolita armchair and table\nNOLITA 215\n214 PEDRALI Seatings \u002F Sedute\nFresco \nBanco & Cucina\nMilan, Italy\nArchitect: MARG Studio\nProject: Cafè & Restaurant\nProducts: Nolita side chair and table, \nTatami armchair, Laja table\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.109.png","Les Ombres at le Musée du \nquai Branly - Jacques Chirac\nParis, France\nProject: Restaurant\nProducts: Nolita chair and armchair, Ypsilon table\nNOLITA 217\n216 PEDRALI Seatings \u002F Sedute\nNatu Restaurant\nAthens, Greece\nProject: Restaurant\nProducts: Nolita side chair, lounge armchair, \nbarstool and table, Ikon coffee table,  \nConcrete table\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.110.png","NOLITA 219\n218 PEDRALI Seatings \u002F Sedute\nMoleskine Café\nMilan, Italy \nProject: Contemporary literary cafè\nProducts: Nolita side chair and \nbarstool, Ypsilon table, Nemea side \nchair and armchair, Laja table, \nMalmö barstool, lounge armchair \nand coffee table\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.111.png","Volt\nInjection of dynamism\ndesign \nClaudio Dondoli - Marco Pocci, 2013\nEN — The thin sections, the attention to details and the production \ntechnology make Volt a reference of the polypropylene seatings. \nSide chairs and armchairs are available with an upholstered seat \nand a backrest in two different heights to offer great comfort.\nIT —Il tratto sottile, la cura dei dettagli e la tecnologia produttiva \nhanno reso la collezione Volt un punto di riferimento delle sedute \nin polipropilene. Le sedie e poltroncine sono disponibili con sedile \nimbottito e in due diverse altezze di schienale per offrire il massimo \ncomfort. \n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.112.png","VOLT 223\n222 PEDRALI Seatings \u002F Sedute\nHigh backrest \nSchienale alto\n835 mm\nSide chair\nSedia\nPolypropylene glass fiber \ncharged, gas assisted \ninjection moulding\nPolipropilene caricato fibra \ndi vetro, iniettato con il \nsupporto del gas\nUpholstered\nseat version\nVersione con\nseduta imbottita\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.113.png","224 PEDRALI Seatings \u002F Sedute\nVOLT 225\nArmchair\nPoltrona\nStackable\nImpilabile\nUpholstered\nseat version\nVersione con\nseduta imbottita\nUpholstered frontal\nshell version\nVersione con scocca \nfrontale imbottita\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.114.png","VOLT 227\n226 PEDRALI Seatings \u002F Sedute\nBarstool\nSgabello\nSeat height \nAltezza seduta \n660 mm\nSeat height\nAltezza seduta \n765 mm\nUpholstered \nseat version\nVersione con \nseduta imbottita\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.115.png","VOLT 229\n228 PEDRALI Seatings \u002F Sedute\nSkyway \nMontebianco\nCourmayeur, Italy\nProject: Cafè & Restaurant\nProducts: Volt side chair and \narmchair, Malmö side chair \nand armchair\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.116.png","VOLT 231\n230 PEDRALI Seatings \u002F Sedute\n21 Grammi\nBrescia, Italy\nProject: Multipurpose social \nspace, cafè & restaurant \nProducts: Volt barstool, side chair \nand armchair, Ikon table, Arki-Table\nInGalera\nMilan, Italy\nProject: Restaurant\nProducts: Volt side chair \nand armchair, Inox table\n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.117.png","Buddy\nFriendly spirit\ndesign \nBusetti Garuti Redaelli, 2017\nen — The Buddy collection is featured by a contrast between the \nbold volumes of the seat and a slender lightweight frame. A family of \ncomfortable seating, poufs in different sizes with or without backrest \nand a sofa. In order to create temporary workstations there is Buddyhub, \ncharacterized by a wrap-around, sound absorbing panel which envelops the \nseat. It is available as an armchair, sofa or box.\nit — La collezione Buddy è caratterizzata da un contrasto tra i volumi \npieni della seduta e la leggerezza dell’esile telaio. Una famiglia di sedute \nconfortevoli, pouf in diverse dimensioni con o senza schienale e un divano.\nPer creare postazioni di lavoro temporanee c’è Buddyhub, caratterizzato \nda un pannello fonoassorbente perimetrale che abbraccia l’imbottito. \nDisponibile nella versione poltrona, divanetto o box.\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.118.png","234 PEDRALI Seating \u002F Sedute\nBUDDYHUB 235\nSofa divano Buddyhub \nPouf Buddy \nTable tavolo Stylus \nWORKING\nBox\nBuddyhub is available as an \narmchair, a two-seater sofa, and a \ntwo- or four-seater box with table \nBuddyhub è disponibile nella versione \npoltrona, divanetto a due posti e box \na due o quattro posti con tavolo a \npenisola\nSound absorbing panel\nPannello fonoassorbente\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.119.png","236 PEDRALI Seating \u002F Sedute\nBUDDY 237\nSeat height\nAltezza seduta\n400 mm\nPouf\nChaise longue \nwith cushion\nChaise longue \ncon cuscino\nSofa\nDivano\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.120.png","238 PEDRALI Seating \u002F Sedute\nBUDDY 239\n#pedralitales \nAntwerp, Belgium\nProject: 2021 ADV campaign\nProducts: Buddy sofa and pouf, Blume \nlounge armchair and coffee table, L002 \nlighting\nThree-seats sofa \nDivano a tre posti \n2480x900x735 mm\nSeats with four different \ndensities of polyurethane foam \nsupported by elastic belts\nSeduta con quattro diverse \ndensità di schiumato poliuretanico \nsupportato da cinghie elastiche\nSOFA  \u002F DIVANO\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F4d\u002F3d0d8b15261a6e6252fb829872f52c-29036d3ea7.121.png","Creative & design direction Leftloft\nPrint Intese Grafiche\nCopyright © 2022, Pedrali S.p.A. All rights reserved\nPhoto credits\nBHM Studio\nBeppe Brancato\nAndrea Garuti\nMattia Pagani\nFilippo Romano\nOttavio Tomasini \nMauro Angelantoni\nMeritxell Argelaguer\nVincent Bourdon\nJosé Campos\nDaniele Domenicali\nDavide Forica\nDavide Galli\nGareth Gardner\nAndrea Guermani\nEric Laignel\nSara Magni\nAndrei Margulescu\nPierre Monetta\nMichele Morosi\nEma Peter\nPietro Savorelli\nGeorge Sfakianakis\nRafael Vargas\nMichael Wee\nThanks to\nMarazzi\nCC-Tapis\nBohem fiori\nPedrali THE BEST OF | Edition 2022\nAD RANDOM\nAgence Jouin Manku pour la Maison Van Cleef & Arpels\nAlain Ducasse\nBarabild Sverige AB\nBogdan Ciocodeica\nCalviBrambilla\nCapella Garcia Arquitectura\nCZA Cino Zucchi Architetti\nDEGW - Lombardini 22\nDominique Perrault, Frédéric Didier\nDotdotdot\nINRES and Area-17 Architecture & Interiors\nJump Studios\nLab11\nLuchetti Krelle\nMARG Studio\nMcfarlane Biggar Architects + Designers (omb)\nMigliore+Servetto Architects\nPierluigi Piu\nSmart Interiors\nStones and Walls\nTarruella Trenchs Studio\nStyling\nElena Caponi\nSissi Valassina\nGiovanna Baseggio\nVeronica Leali\nStudio Salaris\nCerca i prodotti certificati FSC™\nLook for FSC™ certified products\nWeights, measurements and colours are indicative. Pedrali \nreserves the right to modify or upgrade the products without \nprior notice. Pesi, dimensioni e colori sono indicativi. Pedrali si \nriserva la facoltà di apportare modifiche o migliorie senza alcun \npreavviso.\nIndustrial property right | Diritto di proprietà industriale\nThe contents of the present catalogue such as, by way of \nexample, the works, the images, the pictures, the documents, \nthe drawings, the forms, the logos and all other materials, \npublished in any format, are worldwide protected by copyrights \nand any other industrial intellectual property right of Pedrali.\nI contenuti del presente catalogo, quali, a titolo esemplificativo, le \nopere, le immagini, le fotografie, i documenti, i disegni, le figure, \ni loghi ed ogni altro materiale, in qualsiasi formato, pubblicato \nsono protetti a livello mondiale dal diritto d’autore e da ogni altro \ndiritto di proprietà intellettuale di 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