[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-paola-lenti-quaderni-mottainai":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":92},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":87,"matched_pages":88,"match_count":89,"two_pages":90,"show_text":91},18592,"Quaderni Mottainai","paola-lenti-quaderni-mottainai","\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F51\u002F4174d3b3c2db567b9874202903dcbf-289625ef1c.pdf","Paola Lenti",2068,"paola-lenti","9.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,76,80,84],{"image":7,"text":15,"number":16},"m o t t a i n a i\nq u a d e r n i p a o l a l e n t i\n#3\n20\n22\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.2.png","m o t t a i n a i\nq u a d e r n i  p a o l a l e n t i\n#3\n20\n22\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.3.png","Presso il tempio Tōdaiji di Nara, in \nGiappone, nel deposito imperiale dello \nShōsōin, è custodita una raccolta di \ncirca centomila frammenti di stoffe \nrisalenti al periodo Asuka e Nara (VII e \nVIII sec.). Alcuni sono minuscoli, a volte \nnon più grandi di un francobollo, altri \nsono aggrovigliati, usurati, sfilacciati. \nTutti sono considerati preziosi tesori \nda tramandare alle generazioni future. \nGià nell’antichità, con questi frammenti \nvenivano create composizioni la cui \nbellezza nasceva dall’arte di saper \ncreare con ciò che si ha. \nThe imperial repository of Shōsōin at the \nTōdaiji Temple in Nara, Japan is home \nto a collection of about one hundred \nthousand pieces of fabric dating back \nto the Asuka and Nara periods (VII and \nVIII centuries). Some are tiny, at times no \nbigger than a postage stamp, others are \ntangled, worn or frayed, but all are thought \nof as valuable treasures to pass on to \nfuture generations. Since ancient times, \nvarious compositions have been made \nfrom these fragments, their beauty lying \nin the ability to create from whatever \nis at hand. \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.4.png","pl#4\n5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.5.png","L’origine di questa abilità, in Giappone \nha un nome: Mottainai. Nasce da due \nparole – l’essenza delle cose e il rimpianto \ndi vederle andare sprecate. Potrebbe \ntradursi con “Non sprecare!”. \nNel 2006, la biologa e attivista kenyota \nWangari Maathai, premio Nobel per la \nPace 2004, in un discorso alle Nazioni \nUnite fece conoscere al mondo questa \nparola, scoperta in un viaggio \nin Giappone.\nThis ability has been given a name \nin Japan: Mottainai. Mottainai comes \nfrom two words relating to the essence \nof things and regret at seeing them \nwasted. It can be translated as “What a \nwaste!”, an idea given global recognition \nby Kenyan biologist and activist and 2004 \nNobel Peace Prize winner Wangari Maathai \nafter discovering it on a trip to Japan. \npl#4\n6\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.6.png","La filosofia del Mottainai aveva il merito \ndi aggiungere alla prassi ecologica delle \n3R – riduci, riusa, ricicla – un quarto, \nfondamentale concetto: rispetta.\nThis concept of Mottainai added the fourth \nfundamental concept of respect to the \n3Rs of waste management – reduce, reuse \nand recycle.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.7.png","Lo spirito del Mottainai ha origine \nnelle culture contadine giapponesi \ne nel pensiero buddhista, e invita \nalla parsimonia, alla frugalità, alla \nriconoscenza per la Terra e le sue \nrisorse, all’apprezzamento e \nal rispetto per le cose e per coloro \nche le hanno fatte. \nOriginating from rural culture in Japan \nand Buddhist teachings, the spirit of \nMottainai calls for parsimony, frugality, \ngratitude for the earth and its resources \nand appreciation and respect for \nobjects and their creators. \n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.8.png","Nei concetti espressi da questa parola \nabbiamo trovato una profonda sintonia \ne riconosciuto idee e pensieri che \naccompagnano da tempo il nostro \nlavoro: l’esigenza che avvertiamo sia \ndi realizzare prodotti rispettando le \nrisorse e l’ambiente, sia di onorare quel \nche abbiamo, trattandolo con cura e \nattribuendogli valore. \nDue motivazioni forti che ci hanno spinto \na intraprendere una ricerca sui materiali, \nnon solo su quelli con cui realizziamo \ni nostri prodotti, ma anche su ciò che \nresta dopo le lavorazioni.\nThe concepts expressed by this term \nresonated deeply with us, expressing \nthoughts and ideas that have long \ninformed our work: the profound need \nwe feel to both create products that \nrespect resources and the environment \nand to take pride in what we have, \nrespecting it and giving it value. \nThese two compelling reasons \nencouraged us to investigate both the \nmaterials we use to make our products \nand what remains after finishing \nour work.\nCura, rispetto, consapevolezza: \ntre parole che insegnano ad \nattribuire alle risorse il giusto \nvalore.\nCare, respect and awareness are three words that teach us \nto value resources properly.\npl#4\n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.9.png","Anche il nostro mestiere attinge \na una cultura antica e a una tradizione \nartigianale che fa della parsimonia e \ndel rispetto delle risorse una necessità \nvitale e una forma di gratitudine verso \nciò che ci è dato dalla natura e \ndall’ambiente. \nI tessuti di pregio che realizziamo, \nstudiati sotto ogni aspetto, per qualità \ndi filati, combinazioni di colori e trame, \nhanno un valore fatto di competenza, \npassione e impegno, dunque non solo \neconomico. \nOur craft is also one that draws on age-\nold heritage and craft-making traditions \nthat place high value on parsimony, the \nrespect for resources and gratitude for \nthe gifts bestowed on us by nature and \nthe environment. Since all aspects of our \nhigh-quality fabrics have been subject to \ncareful study including yarn quality and \nthe colour and weave combinations, they \nhave added value made of skill, passion \nand commitment, not just monetary. \npl#4\n14\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.10.png","Guardare le cose con occhi \nnuovi, imparare a portarne alla \nluce la ricchezza inespressa.\nLook afresh at things, learn how to bring forth their hidden riches.\nDurante le lavorazioni, parte di \nquesto valore rimane inutilizzato. \nÈ ciò che resta: frammenti \ndi diverse dimensioni, filati, corde… \nNon scarti, ma una miniera di \nricchezza e di nuove possibilità.\nNot all of this value is exploited during the \nwork processes, and that is what is left \nover: different sizes of fragments, yarns \nor strands which should not be considered \nas leftovers, but a treasure trove of riches \nand new possibilities. \npl#4\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.11.png","Da questo punto di vista sul valore \ndelle cose, che affonda le sue radici \nnel passato, viene l’idea di riportarli \na nuova vita, studiando il modo di \nvalorizzarne la bellezza, a partire \nproprio dalla loro natura ‘imperfetta’, \nalla ricerca delle potenziali forme \nche già contengono.\nWe got the idea of bringing things back \nto life from considering the actual value \nof things, with roots dipped in the past, \nexamining how we could bring out their \nbeauty by taking cue from their ‘imperfect’ \nnature to find the potential that already \nlies within.\nDall’arte di saper creare con ciò \nche si ha nascono forme inedite. \nDall’imperfezione, la bellezza.\nOriginality arises from the art of knowing how to create from what \nwe have at hand. Beauty from imperfection.\npl#4\n18\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.12.png","",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.13.png","La filosofia del Mottainai coniuga aspetti \nimportanti: quello etico ed estetico, mai \ndisgiunto da quello pragmatico. Non si \ntratta solo di aderire a principi di valore, \nma di realizzarli nella vita quotidiana, \nrenderli una pratica. \nMottainai philosophy encompasses \nimportant aspects that include ethics and \naesthetics, while never lacking a healthy \ndose of practical sense. It is not just \nsticking to principles of value, but creating \nthem in our daily lives so that they become \nhabits. \npl#4\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.14.png","Per questo la creatività è intimamente \nlegata a questa filosofia con cui sentiamo \nuna profonda risonanza: per non sprecare, \nper utilizzare al meglio ogni cosa e nel \nmiglior modo possibile, è necessario \ningegnarsi, aguzzare l’immaginazione, \ntrovare soluzioni. \nErgo, creativity has to be closely linked to \nthis philosophy that we relate to at visceral \nlevel: if we want to adopt a waste-free \nethos that exploits maximum potential for \nuse, we have to use ingenuity, sharpen our \nwits and find the best solutions. \npl#4\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.15.png","Saper vedere e creare bellezza attraverso \nquel che si possiede, e si ha disposizione, \nsenza eccessi e dispendio inutile di \nrisorse, è anche il nostro fine legato alla \nconsapevolezza del posto che occupiamo: \nun concetto importante, oggi, proprio in \nrelazione alle grandi tematiche ambientali \ne sociali che ci chiamano a cambiare \nil nostro sguardo sulle cose.\nWe want to be able to recognise and create \nbeauty from the resources available to us, \nwithout going overboard or squandering \nthem, and linked to our awareness of \nwhere we are; this is important nowadays, \nespecially with regard to the pressing \nenvironmental and social issues that are \nforcing us to rethink our values.\npl#4\n26\n",15,{"image":74,"text":59,"number":75},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.16.png",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.17.png","Il rispetto per le risorse e il loro \nvalore è inscindibile da quello per \nle persone e il lavoro.\nRespect for resources and their value is the same thing as respect \nfor people and work.\nA tale proposito, accompagna questo \nprogetto di recupero e ri-attribuzione di \nvalore a pratiche e materiali, un percorso \ndi formazione lavorativa di persone \nstraniere in condizioni di difficoltà. \nSi tratta di lavoratrici e lavoratori che, \nper periodi variabili di tempo, in \nbase alle loro necessità, vengono \naccolti nelle nostre sedi e supportati \nnell’apprendimento di competenze \nmanifatturiere al termine dei quali, \ninfine, si rendono autonomi. \nIn this respect, a work-training course \nfor foreigners experiencing difficulties \nwill go hand-in-hand with this project \ninvolving recycling and restoring value \nto practices and materials. Both male \nand female workers, with the time it takes \ndependant on their individual needs, \nare welcomed to our facilities and given \nsupport to learn manufacturing skills, \nbecoming autonomous upon completion.\npl#4\n31\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.18.png","Le immagini di questo Quaderno sono \nstate affidate a Mook, una coppia di artisti, \nFrancesca Crisafulli e Carlo Nannetti, specializzati \nnella realizzazione di oggetti visivi con materiali di \nrecupero di diversa provenienza. Queste \nillustrazioni sono nate dall’incontro fra sfridi di \ntessuti, trame, intrecci, filati Paola Lenti con il \ntorchio calcografico e diverse tecniche di stampa.\nq u a d e r n i p a o l a l e n t i #3\nm o t t a i n a i\np r o g e t t o e r e a l i z z a z i o n e : c a l a m u s\ni m m a g i n i : m o o k\np r o g e t t o g r a f i c o : a n n a m a r t i n u c c i\nt e s t i i n i n g l e s e : p at r i c i a c r o t t y\np r e s ta m p a : c i a n o m a g e n ta\ns ta m p a e c o n f e z i o n e : n a v a p r e s s - m i l a n o \ns ta m p at o i n i ta l i a n e l m e s e d i S E T T E M B R E 2 0 2 2 \ns u c a r ta f e d r i g o n i a r e n a s m o o t h w h i t e 1 4 0 g \n© 2 0 2 2 p a o l a l e n t i - a l l r i g h t s r e s e r v e d\nPictures in this notebook were created\nby Francesca Crisafulli and Carlo Nannetti, \notherwise known as Mook, who create \nvisuals using all manner of recycled \nmaterials. The illustrations were inspired \nby scraps of Paola Lenti fabrics, weaves, \nbraids and yarns with an etching press \nand the use of various printing techniques.\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F17\u002F5c8269be424a96123c55345f6fa616-28964006a3.19.png","m o t t a i n a i\nq u a d e r n i p a o l a l e n t i\n#4\n20\n22\n",19,[],0,false,true,{"success":91,"data":93,"meta":311,"count":312,"next":313,"previous":314,"results":351,"brand_chips":412},[94,106,119,132,142,155,168,178,188,198,208,220,230,240,249,259,272,282,292,302],{"id":95,"title":96,"slug":97,"image":98,"source":99,"brand_name":100,"brand":101,"brand_slug":102,"file_size":12,"pages":103,"pages_count":104,"matched_pages":105,"match_count":89,"two_pages":90,"show_text":91},26599,"News 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