[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-paola-lenti-in-scena-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":436},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":431,"matched_pages":432,"match_count":433,"two_pages":434,"show_text":435},18588,"In Scena 2019","paola-lenti-in-scena-2019","\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F0f\u002Fa356dc6be7f9803da149b599877f48-2896232faf.pdf","Paola Lenti",2068,"paola-lenti","24.1 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.3.png","4\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.4.png","6\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.5.png","8\nLa superficie è la scena su cui prende forma l’i-\ndentità, la sostanza delle cose: di oggetti, orga-\nnismi viventi, spazi umani, naturali, urbani, pae- \nsaggi. E della casa, dell’architettura. Una sorta \ndi pellicola su cui possiamo leggere, come in un \nfilm, la varietà del mondo.\nC’è una piccola comunità, composta da fi- \nlosofi, nonché da una manciata di poeti, artisti, \numoristi, scrittori, scienziati, registi e fotografi \nche esalta il valore della superficie. La frase pro-\nbabilmente più nota in questo senso è ascritta  \na Georg Wilhelm Friedrich Hegel e dice: Non c’è \nniente di più profondo di ciò che appare in super-\nficie. A cui fa seguito Oscar Wilde con il celebre \naforisma: Solo le persone superficiali non giudi-\ncano dalle apparenze. Il vero mistero del mondo  \nè il visibile, non l’invisibile.\nA surface is the stage setting where identity, the \nsubstance of things, takes shape: whether those \nthings are objects, living organisms, human, nat- \nural, or urban spaces, or landscapes. Or else the \nthings of the home, the spaces of architecture. \nA sort of film upon which we can view and read,  \nas if in a movie, all the world’s variety.\nThere is a small community made up of phi-\nlosophers and a scattering of poets, artists, hu-\nmorists, writers, scientists, directors, and photo-\ngraphers, that acclaims the value of the surface. \nPerhaps the best known observation in this con-\nnection is ascribed to Georg Wilhelm Friedrich \nHegel, and states: There is nothing deeper than \nwhat appears on the surface. A sentiment sec- \nonded by Oscar Wilde with this renowned apho- \nrism: It is only shallow people who do not judge by  \nappearances. The true mystery of the world is the \nvisible, not the invisible.\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.6.png","10\nPAPIERCOLLÉ surface for architecture, LML365\nWALT sofa, pouf and side table\n11\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.7.png","12\n13\nPAPIERCOLLÉ surface for architecture, LML405\nWALT sofa in Piqué PQA8H, PQAN15, PQA2N87; pouf in Blend BD22; cushions in Piqué PQA8H, PQAN15, Blend BD22, BD01, BD157 and Mood MM740; \nside table in wood LML334  |  EUCLIDE cabinets in wood LE245, LML334  |  GIRO side tables, Tarsìa top LE689, Luce top LVS689, steel base ME002\nCALATINI ceramics side tables CE693  |  MAORI rug in Twitape TTMA001  \n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.8.png","14\n15\nEBANYS surface for architecture in Tarsìa wood LE279\nPAPIERCOLLÉ surface for architecture, LML405  |  EUCLIDE cabinets in wood LE245, LML334 \n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.9.png","16WALT pouf in Blend BD01  |  GIRO side tables, Tarsìa top LE689, Luce top LVS689  |  CALATINI ceramics side table CE693  |  MAORI rug in Twitape TTMA001\n17\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.10.png","18\n19\nRAMINO movable backdrops in oxidized brass RA002  |  TAOL table, Luni marble top PT513, steel base RL702  |  ADELE chairs in Piqué PQA2O5, aluminium base LML342\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.11.png","20\n21\nTAPIO side tables in wood: LE337, LML324; LE258, LML343\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.12.png","22\nPAPIERCOLLÉ surface for architecture, LML365\nWALT sofa in Mood MM53H, cushions in Mood MM53H and Blend BD67, BD68, BD69, BD71  |  SHITO armchair woven with Chain Outdoor CPE0529, steel base ME021, \ncushion in Blend BD69  |  EUCLIDE bookshelves in wood LE257, LML344  |  TAPIO side tables in wood: LE337, LML324; LE258, LML343  |  DEEP rug in wool A02 \n23\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.13.png","24\nPERIGAL detail of wall covering in wood LE262\nDetail of SCIARA side table, lava stone and glass top PV186\nPERIGAL surface for architecture in wood LE262\nSHITO chaise longue woven with Chain Outdoor CPE312805, Ornué steel base ME486, cushion in Piqué PQA8H  |  TAPIO side table in wood LE337, LML324 \n25\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.14.png","26\nSETTEOTTAVI surface for architecture in Luce elements LVS646, LVS688 \nWALT sofa in Blend BD72, cushions in Blend BD70, BD71  |  SHITO chaise longue woven with Chain Outdoor CPE596226, steel base LML342, cushion in Blend BD202 \nGIRO side tables, Luce top LVS696, steel base ME002  |  CALATINI ceramics side tables CE632  |  AIR rug in Rope 37\n27\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.15.png","28\nDa venticinque anni studiamo la superficie, l’a-\nspetto, delle cose, naturali e artificiali. \nOgni superficie, che sia vegetale, minerale, \narchitettonica, cromatica, vista da vicino, tra-\nsforma una realtà che appare ordinaria in un’e-\nsperienza straordinaria, dal punto di vista intel-\nlettuale ed estetico.\nUna corteccia, mentre riassume l’eccezionale \nstrategia vitale di un albero, diventa una geografia \nfantastica; un batterio, capace di rivelare un gene \ndagli effetti sorprendenti, assume l’aspetto di un \nquadro di Rothko; un circuito digitale, che coagu-\nla in pochi millimetri l’intelligenza matematica  \ndi dieci Nobel, materializza una città fantascien-\ntifica; una fibra tessile dalle prestazioni eccellenti \nrichiama un misterioso organismo marino.\nFor twenty-five years we have been studying the \nappearance, the surface of things: both natural \nand manmade. \nEvery surface, whether it is vegetable, mineral, \narchitectural, or chromatic, when glimpsed from \nclose up, transforms a reality that appears ordi-\nnary into an extraordinary experience, from both \nan intellectual and an aesthetic point of view.\nEven as tree bark sums up the tree’s remarka- \nble strategy for living, it becomes a fantastic ge- \nography; a bacterium, capable of revealing a gene \nwith surprising effects, also takes on the appe- \narance of a Rothko canvas; while a digital circu-\nit, which coagulates in a few square millimeters \nthe mathematical intelligence of ten Nobel laure- \nates, embodies the material shape of a city straight  \nout of science fiction; and a textile fiber with out-\nstanding features evokes a mysterious underwa-\nter organism.\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.16.png","30\n31\nGLOW surface for architecture in oxidized brass GLW02\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.17.png","32\n33\nBISSO movable backdrops in oxidized brass BIS02  |  GLOW surface for architecture in oxidized brass GLW02\nAGIO seating elements in Blend BD203, cushions in Blend BD203 and Piqué PQA1A  |  SCIARA side tables, lava stone and glass top PV187\nNESSO side table, Impero marble top PT516, aluminium structure ME002  |  ELLISSI rug in Rope cord T3237, T0729, T107, T117\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.18.png","34\n35\nELLISSI rug in Rope cord T3237, T0729, T107, T117  |  AGIO seating element in Blend BD203, cushion in Piqué PQA1A  |  SCIARA side table, lava stone and glass top PV187\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.19.png","36\n37\nNESSO side table, Impero marble top PT516\nZOE rug in Rope cord T132, T112\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.20.png","38\nNESSO table, Statuario marble top PT512  |  ADELE chairs in Piqué PQA1A, wooden legs LE245  |  ZOE rug in Rope cord T3781\n39\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.21.png","41\n40\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.22.png","42\nCiò che colpisce gli occhi, colpisce la mente, af-\nfermano la biologa e fotografa scientifica Felice \nFrankel e il chimico George M. Whitesides, autori \ndi On the Surface of Things. In ogni porzione an-\nche minima di superficie sono contenute enormi \nquantità di informazioni. Le superfici ci parlano, \ncomunicano fenomeni, stati, movimenti, nutrono \nle nostre conoscenze e la nostra immaginazione, \ncome capacità associativa, inventiva, di intuire \nnessi fra le cose. \nIl modo in cui una superficie si presenta, il \ncomportamento della materia di cui è costituita – \nche poi si traduce in cifra estetica –, è un campo \ncreativo dalle infinite possibilità, che porta a con-\ntinue scoperte.  \nWhat catches the eye, catches the mind, in the \nwords of the biologist and scientific photogra- \npher Felice Frankel and the chemist George M. \nWhitesides, the authors of On the Surface of  \nThings. Even the smallest portion of any surface \ncontains enormous quantities of information. \nSurfaces speak to us, they communicate phenom- \nena, states, and movements, they feed our knowl- \nedge and nourish our imagination, as an asso-\nciative, inventive capacity to intuit links between \nthings.\nThe way a surface presents itself, the behavior \nof the material it’s made of – which then trans- \nlates into an aesthetic motif – is a creative field \noffering boundless possibilities and leading to \ncontinuous discoveries.\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.23.png","44\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.24.png","46\n47\nGEOMETRICA surface for architecture, wood, blue hues; EDEL cabinets and shelves in wood LML362; BUILD panels in Brio BT940422 \nATOLLO NEXT sofa and pouf in Basis CT010, steel base ME021, cushions in Piqué PQAV21 and Mood MM101A, MM101Q  |  TAPIO sofa in Aston SCT079, wooden structure LE254\nBLOOM, SCIARA side tables, lava stone and glass top  |  NESSO side table, Luce top LVS521, aluminium base ME021  |  TWEED rug TWD001\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.25.png","48\n49\nDetail of GEOMETRICA surface for architecture, wood, blue hues  |  BUILD panels in Brio BT940422, shelves in wood LML362\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.26.png","50\nNESSO side table, Luce top LVS521\n51\nDetail of BLOOM side table, lava stone and glass top MLV202\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.27.png","52\n53\nSCIARA side table, lava stone and glass top PV133  |  BLOOM side table, lava stone and glass top MLV202\nDetail of BAMBOU movable backdrop in faience\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.28.png","54\nBAMBOU movable backdrops in faience\nGON steel table LML352  |  AMI chairs woven with Chain Outdoor CPE564311, CPE365655, cushions in Brio BT561555, BT563618, steel base LML392\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.29.png","56\n57\nTAPIO armchairs in Mood MM101A, wooden structure LE254  |  FLIP side table, wooden top LML363\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.30.png","59\n58\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.31.png","60\nOur research began, in 1994, with carpets, perhaps \nthe most human, ritual, domestic, and decorative \nsurface there is: the most abstract and alluring \nconcept of the home because, wherever a carpet \nmay be, it allows us to define a space as person- \nal, from a symbolic and literal point of view, and  \nthus to inhabit it. You need only lay a carpet down \nand sit upon it, exactly as nomads have in fact \nknown for time out of mind. Hence the idea of fea- \nturing the carpet as a full-fledged architectural \nelement of the home.\nNot an accessory, but a mother cell, a sur-\nface capable of establishing spaces, articulating  \nthem, centering itself and dictating a visual gram-\nmar capable of contaminating and constructing \nan environment.\nLa nostra ricerca ha preso il via, nel 1994, dai \ntappeti, forse la superficie più umana, rituale, \ndomestica e decorativa: il concetto più astratto e \nfascinoso di casa poiché, ovunque si sia, consente \ndi definire uno spazio come personale, dal punto \ndi vista simbolico e letterale, e di poterlo abita-\nre. È sufficiente stenderlo e sedervisi sopra, come \ni nomadi, infatti, sanno e fanno da sempre. Da qui \nviene l’idea di proporlo come vero e proprio ele-\nmento architettonico della casa. \nNon un accessorio, ma una cellula madre, \nuna superficie in grado di determinare gli spazi, \ndi articolarli, di farsi centro e dettare una gram-\nmatica visiva capace di contaminare e costruire \nl’ambiente.\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.32.png","62\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.33.png","64\n65\nGRISELLA movable backdrops in Rope cord T1531 \nORBITRY suspended seat woven with Rope cord T2829, cushions in Piqué PQA12M2, Blend BD161 and Aston SCT048  |  ZOE rug in wool cord CL15307\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.34.png","66\n67\nLUMINA movable backdrop in matt and gloss metal  |  EBANYS surface for architecture in Tarsìa wood LE285\nSILENT bed, headboard in Chain Outdoor CPE489154B, CPE912854A, CPE485428A, CPE485428B, bedframe in Aston SCT074  |  WALT side table in wood LML415\nREEL side table, Tarsìa wood top LE337  |  FRAME bench in Rope TRD643  |  SIKA basket in Rope cord T5423  |  ZOE rug in wool cord CL15307\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.35.png","69\nSMILE armchair in Aston STC048  |  ZOE rug in wool cord CL10703A, CL10716A, CL10708, CL10712, CL10713A, CL17521B\n68\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.36.png","70\n71\nDetail of LUMINA movable backdrop in matt and gloss metal\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.37.png","72\nCarpets were only the beginning. We then moved \non to an exploration and reinvention of wall and  \nfloor coverings, boiseries, curtains, cabins, tables, \nsofas, chairs, and much more. What takes us from \none object to another, by way of thrilling adven-\ntures as we explore each and every one, are the \nmaterials of which the surfaces are made: natural \nand synthetic fabrics in every possible transmu-\ntation, wood, ceramics, glass, stone, metals, and \nplastic fibers.\nAnd when we say materials, we mean their \ncomposition and chromatic yield, their process- \ning, their potential applications, their sheer aes- \nthetic value, their possibilities of combination \nand use, their unprecedented, unexplored face.\nI tappeti sono stati solo l’inizio. Siamo passati, \npoi, a esplorare e reinventare rivestimenti, pareti, \npavimenti, boiserie, tende, capanni, tavoli, diva-\nni, sedie e molto altro. Quello che ci fa passare di \ncosa in cosa, transitando per appassionanti av-\nventure, sono i materiali di cui le superfici sono \nfatte: il tessuto naturale e sintetico in ogni sua \ndeclinazione, il legno, la ceramica, il vetro, le pie-\ntre, i metalli, le fibre plastiche.\nE con materiali intendiamo dire la loro com-\nposizione e resa cromatica, le loro lavorazioni, le \nloro possibili applicazioni, la loro estetica, le loro \npossibilità di combinazione e di uso, la loro faccia \ninedita, inesplorata.\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.38.png","74\n75\nMOON surface for architecture, Sciara lava stone and glass elements PV157\nMOVE sofas in Blend BD74, steel base ME021, cushions in Blend BD74, Piqué PQBW6, PQBT22, PQBC6 and Mood MM30G  |  EDEL cabinet in wood LML307  \nADELE armchair in Blend BD72, wooden base LE254  |  OTTO poufs in Rope cord T6859, T6734, T6758  |  NESSO side table, wooden top LE257, aluminium base ME021\nCOCCI side tables, faience top PML032, steel base ME451  |  SAMO rug SAR226\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.39.png","76\n77\nMOON surface for architecture, Sciara lava stone and glass elements PV157\nNESSO side table, wooden top LE257  |  COCCI side tables, faience top PML032  |  SAMO rug SAR226\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.40.png","78\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.41.png","80\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.42.png","82\n83\nMANDALA movable backdrops in Rope cord T9468, T6762  |  BUILD modular panels in Piqué PQAC6 \nPORTOFINO table, wooden top LE259, aluminium base LML307; chairs in Tamil TM43, seat pads in Aston SCT080, aluminium base LML307\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.43.png","84\n85\nTESSERA rug in felt FE001, FE142, FE143, FE144\nDetail of MANDALA movable backdrop  in Rope cord T9468, T6762\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.44.png","87\n86\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.45.png","88\nThis is the work we do: observing what we have \naround us, noticing its most interesting, recon- \ndite, and unprecedented aspects. Studying, ob-\nserving things from another point of view.\nBy investigating the material of surfaces, \nfurniture, and objects, by experimenting with it, \nwe follow the path that it blazes, the direction it \npoints, and we thereby grasp its teachings, we re-\nnew the relationship that ties it to things. We can \nthen codify this new relationship in a process of \ncreative research capable of infusing beauty into \nwhat surrounds us, inside and outside the home, \nand with respect for those who buy our products, \nthose who work with us and for us, the sites of \nproduction, the people who inhabit those sites, \nnature and the environment, both near and far.\nÈ questo il nostro lavoro: osservare quello che ab-\nbiamo intorno, coglierne gli aspetti più interes-\nsanti, riposti, inediti. Studiare, guardare le cose \nda un altro punto di vista. \nIndagando la materia di superfici, arredi  \ne oggetti, sperimentandola, seguiamo la traccia  \nche essa ci indica, ne comprendiamo gli insegna- \nmenti, rinnoviamo la relazione che la lega alle \ncose, e possiamo codificare questa nuova rela-\nzione in una ricerca creativa capace di infondere  \nbellezza a quello che ci circonda, dentro e fuo-\nri dalla casa, nel rispetto di chi acquista, di chi  \nlavora con noi e per noi, dei luoghi di produzio- \nne, delle persone che li abitano, della natura e  \ndell’ambiente, vicino e lontano.\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.46.png","90\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.47.png","92\n93\nMANDALA movable backdrops in Rope cord T9468, T6762\nTAPIO sofas in Blend BD64, BD63, wooden structure LE285  |  HARVEY side table, glass top, wooden structure LE279, LML358\nLEVER side tables, Ornué steel top ME429, ME486  |  TWEED rug TWD003   \n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.48.png","94\n95\nLOTO screen woven with Rope cord T9142, marble base PT511 \nKANJI table in wood LE279  |  ELSIE chairs in Piqué PQB2M3, PQB2M62, wooden legs LE279  |  EUCLIDE cabinet in wood LE257, LML358\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.49.png","96\n97\nDetail of LOTO screen woven with Rope cord T9142\nEUCLIDE cabinet in wood LE257, wooden tray LML358\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.50.png","98\n99\nEUCLIDE cabinet in wood LE257, LML358, wooden trays LML358\nHARVEY side table, glass top, wooden structure LE279, LML358  |  LEVER side tables, Ornué steel top ME429, ME486  |  TWEED rug TWD003\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.51.png","100\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.52.png","102\n103\nNUBILA surface for architecture in Tela, Foliage finish\nALL-TIME sofa in Piqué PQA2P79, cushions in Piqué PQA2P79 and Blend BD58, BD59, BD64  |  HARVEY side table, glass top, wooden structure LE279, LML358\nLEVER side tables, Ornué steel top ME429, ME486, ME479  |  IVY side tables, wooden top LML314  |  TWEED rug TWD003\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.53.png","104\nThe sense of color is a gift, an intuition, but also a \npractice that is fueled by observation, attention, \nand experience. The study of chromatic harmon- \nies and color fields is a fundamental element a- \nround which research projects, design work, and \nphysical objects have taken form.\nWe have developed hundreds of colors. Each \ncolor is sparked by an idea, inspired by specific \nevocations: not just any old color, then, but that \nexact color, obtained by activating a process made \nup of trial and error, and inevitable compromises. \nCapturing the right color requires a base element \ncapable of working with others, which allows in-\ntertwinings, accords, and equilibriums both within \nthe objects themselves and their environments. \n A harmony of tonal correspondences, exchanges \nof timbre, contrasts and assonances.\nThrough this rich and varied spectrum, we \nhave developed and calibrated a sort of library of \ncolor, a chromatic alphabet to deploy in the di- \nverse components of space, capable of determin- \ning their soul. Color, therefore, as an architectural \nmaterial in its own right.\nIl senso del colore è un dono, un’intuizione, ma \nanche una pratica che si nutre di osservazione, at-\ntenzione, esperienza. Lo studio di accordi e campi \ncromatici è un elemento fondamentale intorno a \ncui hanno preso forma ricerche, progetti, oggetti. \nSono centinaia i colori che abbiamo messo a \npunto. Ogni colore scaturisce da un’idea, sem-\npre ispirata da precise suggestioni: non un colore \nqualunque, ma quel colore, per ottenere il quale \nsi attiva un processo fatto di prove, errori e com-\npromessi. Catturare il colore giusto significa di-\nsporre di un elemento base capace di lavorare con \ngli altri, che consenta intrecci, accordi, equilibri \nall’interno sia degli stessi oggetti sia degli am-\nbienti. Un’armonia di corrispondenze tonali, \nscambi timbrici, contrasti, assonanze.\nGrazie a questa gamma ricca e varia, abbia-\nmo costruito una sorta di biblioteca del colore, \nun alfabeto cromatico da declinare sulle diverse \ncomponenti dello spazio, capace di determinarne \nl’anima. Colore, perciò, come vero e proprio ma-\nteriale architettonico.  \n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.54.png","107\n106\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.55.png","108\n108\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.56.png","110\n111\nDONNA COSTANZA rug embroidered with Rope cord T0759, T2807, T2859, T5423, T5977\nNAVAJO rug in Rope NV786\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.57.png","112\n113\nORIGAMI rug in felt FE001, FE065\nJALI rug in Twitape TTYA005\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.58.png","114\n115\nACCORDI rug in felt FE142, FE143, FE144\nGRAFFITO rug in felt FE035, FE065, FC075, FE085\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.59.png","116\n117\nZOE rug in Rope cord T1531, T1529  |  ECHO rug in Rope EHR632  |  PARALLELO rug in wool cord CL06009, CL06014, CL06015, CL10719, CL10707\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.60.png","118\n119\nDetail of COUTURE movable backdrop in fabric\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.61.png","121\n120\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.62.png","122\nThe consistency of Paola Lenti exteriors and inte-\nriors bespeaks an idea of the environment as or- \nganic context, a habitat where exteriors and inte-\nriors are an integral part: spaces speaking a com-\nmon language and constructing the richness of the \ncontext, each with its own timbre.\nFor exteriors and interiors to be read as con- \ntinuum where nature, architecture, and design \nintersect, we must conceive and create products  \nwith features aligning with a diverse array of en- \nvironmental functions and parameters. This proc- \ness has transformed how we think about the  \nhouse, inside and the out, liberating into the out-\ndoor space domestic objects traditionally used in- \ndoors, reinterpreted through new forms and ma- \nterials; and by inserting into the interior the free-\ndom of nature.\nThis unconventional vision, in which indi- \nvidual objects form part of a broader wdesign, has  \nbecome an aesthetic quality that is propagated \nthroughout the interior spaces of the home, trans- \nforming its essence, its substance, and its design,  \nbringing to it freedom and an en plein air taste. \nHere, what matters most is not the individual  \npiece of design, but the quality of the living space, \nthe atmosphere, the domestic landscape.\nLa coerenza che connota gli esterni e gli inter-\nni Paola Lenti si sviluppa da un’idea di ambiente \ncome progetto organico, un habitat di cui esterni \ne interni sono parte integrante: luoghi capaci di \nparlare una lingua comune e di costruire la ric-\nchezza del contesto ognuno con il proprio timbro. \nPerché interno ed esterno possano intendersi \ncome continuum dove natura, design e architet-\ntura si incrociano è necessario studiare prodotti \ncon caratteristiche adeguate a funzioni e a pa-\nrametri ambientali diversi. Questa ricerca ci ha \nconsentito di trasformare il modo di pensare il \ndentro e il fuori della casa, liberando nello spa-\nzio esterno oggetti domestici tradizionalmente \ndestinati agli interni, reinterpretati da forme e \nmaterie nuove, e immettendo in quello interno la \nlibertà della natura. \nQuesta visione non convenzionale, in cui i sin-\ngoli oggetti sono parte di un disegno più ampio, è \ndiventata una qualità estetica che si è trasmessa \nagli spazi interni della casa, cambiandone l’es-\nsenza, la sostanza, il disegno, portandovi il gu-\nsto en plein air. Dove a essere importante non è \nil singolo pezzo, ma la qualità dello spazio vitale, \ndell’atmosfera, del paesaggio domestico.\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.63.png","125\n124\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.64.png","126\n127\nDetail of TELAR lounge chair woven with Rope braids 2066, 1466, 2811, steel structure LML325\nFILICUDI cement and paste flooring\nTELAR lounge chairs woven with Rope braids, colour combinations: 2066, 1466, 2811 | 0335, 2803, 2835 | 0314, 1835, 2803, steel structure LML325\nAGADIR lanterns in Rope cord T2803, T2811 \n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.65.png","129\nFLOAT easy chair in Wara WA139\nDetail of FILICUDI cement and paste flooring\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.66.png","131\nSABI armchair woven with Rope cord T7858, T126, T5977, cushions in Brio BT345906\nDetail of weave in Rope cord T0528, T5935, T1328\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.67.png","132\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.68.png","134\n135\nORIGAMI lava stone flooring\nTOKU shading structures in wood LE003, curtains and tops in Thuia TH1334, seating panels in Wara WA275, seat pads and cushions in Brio BT340712\nORLANDO backrests in Brio BT340712  |  NOSHI plaid in plissé fabric NH006\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.69.png","137\nTOKU sun beds in wood LE003, seating panels in Wara WA275, seat pads in Brio BT340712\nTOKU bench in wood LE003, seating panel in Wara WA062  \n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.70.png","138\nIt all begins with a thread: a raw material that we \nhave first researched to explore new applications, \nand which has allowed us to carry out a revolution \nin outdoor textiles.\nA thread is very much like a thought: the way \nit intertwines allows it to create links, harmonies, \npatterns, sequences, and images, in an unbroken \nprocess that generates meaning. Threads, yarns, \nand fabrics are at the foundation of our research \ninto color, weaving, and process. A study that \nmixes science, technology, and craftsmanship, \nand which draws its inspiration from a diverse  \narray of cultures, customs, traditions, experien-\nces, and eras.\nThis work has led to the creation of the textile \ndesigns that denote our production. The unique  \nquality of the design that distinguishes them re- \nsults from an idea of fabric that transcends its con- \nventional uses, and is meant to create environ- \nments and architecture which are close to those \nwho live in them, capable of translating tastes, \nneeds, and expectations into personalized objects.\nTutto comincia da un filo: una materia prima da \nnoi ricercata per sperimentare nuove applicazio-\nni, che ha rivoluzionato il tessile per outdoor. \nUn filo è simile a un pensiero: attraverso il \nsuo intreccio si creano nessi, accordi, fantasie, \nsequenze, immagini, in un ininterrotto procede-\nre da cui si genera senso. Filati e tessuti sono alla \nbase della nostra ricerca sul colore, la tessitura, le \nlavorazioni. Uno studio che mescola scienza, tec-\nnologia, artigianato e trae ispirazione da culture, \nabitudini, tradizioni, esperienze, epoche diverse. \nDa questo lavoro hanno avuto origine i pro-\ngetti tessili che contrassegnano la nostra pro-\nduzione. L’unicità del design che li contraddi-\nstingue è il risultato di un’idea di tessuto che \ntravalica i suoi usi convenzionali ed è mirata a \nrealizzare ambienti e architetture vicini a chi li \nabita, capaci di tradurre gusti, esigenze, attese in \noggetti personalizzati. \n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.71.png","140\n141\nSIKA baskets in Rope cord\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.72.png","142\nDetail of SCIARA table, lava stone and glass top PV157\n143\nMAROSTICA cement flooring \nBISTRÒ parasols in Tamil TM40, steel base RL721\nSCIARA table, lava stone and glass top PV157, steel base ME451\nAMI chairs woven with Rope cord, T5867, T5731, T5707, T6757, \ncushions in Brio BT585767, BT985875, BT585707, BT586857, Ornué steel base ME442\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.73.png","144\n145\nSCIARA side tables, lava stone and glass top PV163  |  JALI rug in Twiggy TYJA132  |  SIKA basket in Rope cord T2375\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.74.png","146\n147\nINCONTRI lava stone flooring \nRESORT shading structure in Thuia TH075926, aluminium frame ME021  |  OASI sofas in Diade DIT03031, cushions in Brio BT900536, BT592819\nGIUNCO armchair in Twiggy TTY001, cushions in Brio BT050535, BT592819, steel structure LML405  |  SCIARA side tables, lava stone and glass top PV163, steel base ME451\nCALATINI ceramics side tables CE663  |  JALI rug in Twiggy TYJA132  |  SIKA basket in Rope cord T2375\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.75.png","149\n148\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.76.png","150\n151\nGIUNCO armchairs in Twiggy TTY001, cushions in Brio BT050535, steel structure LML405\nDetail of GIUNCO armchair in Twiggy TTY001\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.77.png","152\n153\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.78.png","154\n155\nSCIARA console, lava stone and glass top PV163, steel base ME451\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.79.png","156\n157\nDetail of SALINA cement tiles flooring\nNESSO table, Luce top LVS523, aluminium base ME021  |  IOLE chairs in Diade DIT01003, steel base LML337\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.80.png","158\n159\nDetail of IOLE chair in Diade DIT01003\nDetail of NESSO table, Luce top LVS523\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.81.png","160\nOur love of materials and our boundless curiosi-\nty about them have given rise in recent years to \ncreative wanderings and explorations in a diverse \nset of research settings. We imagine an inhabited \nenvironment as an ecosystem where objects with \ndifferent souls coexist and interact, not just the \nsoul of the fabric.\nEach research project into a given material is \nprompted by a new look at its innermost nature, \na nature that is capable of revealing to us original \nuses, characteristics, potentials, and techniques.\nAnd so metals become fabrics with shimmer- \ning color, wood blossoms into boiseries inspired \nby the art of intarsia, ancient abandoned mar-\nblework once again enchants the eye with its re-\nfined grain, the beauty of lava manifests itself in \ntextured surfaces of great power, the luminosity \nof ceramics, and the brilliance of glass enliven \nevery domestic surface with color and light.\nAt the base of this way of proceeding lies the \nidea that every material can and must express it-\nself for what it is.\nL’amore e una sconfinata curiosità per i materiali \nhanno dato luogo in questi anni a vagabondaggi \ncreativi nei più diversi ambiti della ricerca. Im-\nmaginiamo un ambiente abitativo come un eco-\nsistema in cui convivono e interagiscono oggetti \ncon anime diverse, non solo quella del tessuto. \nOgni ricerca su un materiale prende avvio da \nuno sguardo nuovo verso la sua natura più pro-\nfonda, quella che è in grado di rivelarci usi, carat-\nteristiche, potenzialità e tecniche originali. \nCosì i metalli diventano tessuti dai colori can-\ngianti, il legno è fiorito in boiserie ispirate all’arte \ndella tarsia, marmi antichi e desueti sono tornati \na incantare per le raffinate venature, la bellezza \ndella lava si è manifestata in superfici materiche \ndi grande potenza, la luminosità della ceramica e \nla brillantezza del vetro animano di colore e luce \nogni superficie domestica.\nAlla base di questo modo di procedere è l’idea \nche ogni materiale debba e possa esprimersi per \nquello che è.\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.82.png","162\n163\nSCIARA side table, lava stone and glass top PV166  |  JALI rug in Twiggy, custom colour\nCOVE side table in Rope M RM83, Luce top LVS526\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.83.png","165\n164\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.84.png","166\n167\nCOVE sofa in Brio BT341725, cushions in Brio BT341725, BT340712, NOSHI cushion in plissé fabric NH009 \n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.85.png","169\n168\nAEGONOS Venice tiles flooring\nOMBRA parasols in Thuia TH3416, steel structure ME021  |  COVE sofas in Brio BT341725, cushions in Brio BT341725, BT340712;\nNOSHI cushions in plissé fabric NH009  |  AMI armchairs woven with Chain Outdoor CPE423791B, CPE298942B, \ncushions in Brio BT293742, BT294240, Ornué steel base ME482  |  SEGNI side tables, ceramics top PLM126, steel base ME451\nCALATINI ceramics side tables CE693  |  ZOE rug in Rope cord T2506 \n",85,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.86.png","170\n171\nDetail of PELAGOS Luce tiles and paste flooring\n",86,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.87.png","172\n173\nADAGIO suspended seat woven with Rope cord T2625, cushion in Brio BT260726, bearing steel structure ME002\nPELAGOS  Luce tiles and paste flooring\n",87,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.88.png","175\n174\n",88,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.89.png","176\n177\nFRAZIONI lava stone flooring   |  SCIARA side tables, lava stone and glass top PV194\nSABI sofa woven with Rope cord T133, cushions in Wara WA062 and Luz LT008  |  PLUMP pad in Chain Outdoor CPE463788A, CPE363719B, CPE533724A, CPE8893\n",89,{"image":369,"text":370,"number":371},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.90.png","178\n179\nRESORT shading structure in Tamil TM04, aluminium frame ME021  |  SABI sofa woven with Rope cord T133, cushions in Wara WA062 and Luz LT008, LT037,\nPLUMP pad in Chain Outdoor CPE463788A, CPE363719B, CPE533724A, CPE8893  |  BAIA armchairs in Kimia KMB3302, cushions in Wara WA062, steel base ME021\nSUNSET side tables, top in wood LE002, steel base ME002  |  SCIARA side tables, lava stone and glass top PV194, steel base ME451\nLANTERNA lanterns in Kimia KA36, steel structure ME002  |  TAIKI hanging lamps in Rope cord T0328  |   JALI rug in Twiggy TYJA36\n",90,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.91.png","181\n180\nORBITRY swiveling armchair woven with Rope cord T7659, seat cushion in Brio BT767659, cushions in Brio BT767659, BT282813, BT230554, BT767623\nOTTO pouf in Rope cord T1815  |  GIRO side table, Luce top LVS655, steel base ME021\n",91,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.92.png","182\nA space is not just the sum of its objects. In the \nhuman environment, just as in its natural coun-\nterpart, it is context that gives meaning to the \nsingle parts, enhancing and emphasizing their \nqualities, aesthetics, and functions. It is this har-\nmonic container, architecture as an idea of space, \nits generative principle, that demands our atten-\ntion. That is why we develop not only objects but \nalso the content of those objects: a selection of ar-\nchitectural elements that establish organic bonds \nwith what surrounds them.\nWe started with the outdoor sector, imagining \nhuman architecture in the greenery of nature,  \ndesigned to harmonize with open spaces. Struc- \ntures inspired by the original, age-old living spa-\nces: cabins, tents, pavilions.\nFrom there, we entered into the heart of the \nhome, bringing the same idea of harmony to bear \nand designing mobile structures, nomadic back-\ndrops capable of designing a freer idea of space. \nProjects conceived in homage to a more open and \ninformal way of thinking about environments, in \norder to put those who inhabit them at their ease.\nUno spazio non è solo una somma di oggetti.  \nNell’ambiente umano, come in quello naturale,  \nè il contesto a dare senso alle singole parti, esal- \ntandone qualità, estetica e funzione. È a questo  \ncontenitore armonico, all’architettura come idea \ndi spazio, suo principio generatore, che va la no- \nstra attenzione. Per questo, insieme agli oggetti  \nsviluppiamo ciò che li contiene: una scelta di  \nelementi architettonici che stabiliscono nessi  \norganici con quanto li circonda. \nAbbiamo cominciato con l’outdoor, immagi-\nnando architetture umane nel verde studiate per \narmonizzarsi con la natura. Strutture ispirate alle \nabitazioni originarie: capanni, tende, padiglioni. \nDa qui, siamo entrati nel cuore della casa, \nportandovi la medesima idea di armonia e pro-\ngettando strutture mobili, quinte nomadi capaci \ndi disegnare un’idea di spazio più libera. Progetti \npensati in omaggio a un modo di intendere am-\nbienti più aperti, informali, per mettere a proprio \nagio chi li abita. \n",92,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.93.png","184\n184\n",93,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.94.png","187\n186\n",94,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.95.png","188\nMOGAMBO parasols woven with Samo cord SAR225, steel structure ME002  |  RAMS sun beds in aluminium LML354, seat pads and cushions in Brio BT201234, \nNOSHI plaid in plissé fabric NH007  |  STRAP steel side table LML358  |  PORTOFINO lounge chairs in Tamil TM39, wooden structure LE248, seat pads in Brio BT8885-202\nSCIARA side tables, lava stone and glass top PV193  |  LANTERNA lanterns in Kimia KMB3332, aluminium structure ME002  |  BAGS bag in Rope cord T9186\n",95,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.96.png","Previous page: detail of PORTOFINO side table, wooden structure LE248, white aluminium top\nThis page: NESSO side table, Luce top LVS653  |  JALI rug in Twiggy TYJA125\n190\n",96,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.97.png","192\nPrevious page: FRAZIONI lava stone flooring  |  FARNIENTE hammock in Trame TAM627, cushions in Brio BT645928, BT232390, bearing steel structure LML364; PLUMP pads \nin Chain Outdoor, top CPE6268, bottom CPE0529, CPE2803, CPE3505. This page: FARNIENTE hammock in Trame TAM629, cushions in Brio BT050535, bearing steel structure \nME002; PLUMP pad in Chain Outdoor CPE3505, CPE2813, CPE503128B\n",97,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.98.png","194\n195\nFRAZIONI lava stone flooring  \nALA shading sail in Tamil TM47, steel structure LML364  |  FRAME sofa in Rope TRD642, cushions in Brio BT282823; PLUMP pad in Chain Outdoor CPE0529, CPE2803, CPE3505\nNESSO side table, Luce top LVS653, aluminium structure ME021  |  GIRO side tables, Luce top LVS653, steel base ME021  |  BERRY poufs woven with Rope cord T2885, T2859, \nT2823, custom made  |  JALI rug in Twiggy TYJA125\n",98,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.99.png","197\n196\n",99,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.100.png","198\n199\nFRAZIONI lava stone flooring  \nKABÁ sofas in Brio BT592819, steel structure LML364  |  SCIARA side tables, lava stone and glass top PV062, PV163\nLANTERNA lanterns in Kimia KMB3359, aluminium structure LML343\n",100,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.101.png","200\n",101,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.102.png","Artworks\nTommy\nproduction: Ken Russell, Robert Stigwood\ndirection: Ken Russell\nscreenplay: The Who, Ken Russell, Pete Townshend\nphotography: Ronnie Taylor, Dick Bush, Robin Lehman\n© 1975 The Robert Stigwood Organisation Limited\ncourtesy Screenbound Pictures Ltd\nGive a Girl a Break\nproduction: Jack Cummings\ndirection: Stanley Donen\nscreenplay: Vera Caspary, Frances Goodrich, Albert Hackett\nphotography: William C. Mellor\n© 1953 Metro-Goldwyn-Mayer\nRGA Ronald Grant Archive\nDancers on the beach, Flemish seaside resort St Idesbald\ngirls attend Margaret Morris annual summer dance school\nphoto, 1931\nNationaal Archief, Collection Spaarnestad, Het Leven\nIntreccio\nArmando Marrocco, mixed media, 1967\ncourtesy Lattuada Studio\nHail, Caesar!\nproduction: Tim Bevan, Joel and Ethan Coen, Eric Fellner\ndirection and screenplay: Joel and Ethan Coen\nphotography: Roger Deakins\nWorking Title Films, Mike Ross Productions, Dentsu Inc., \nFuji Television Network Inc.\n© 2016 Universal Studios - all rights reserved\nDas Triadisches Ballett\nOskar Schlemmer, 1922\nreconstruction by Margarete Hastings, 1970\n© Bavaria Media GmbH\nTommy\nproduction: Ken Russell, Robert Stigwood\ndirection: Ken Russell\nscreenplay: The Who, Ken Russell, Pete Townshend\nphotography: Ronnie Taylor, Dick Bush, Robin Lehman\n© 1975 The Robert Stigwood Organisation Limited\ncourtesy Screenbound Pictures Ltd\nIo non sono qui\nEnza Procopio, photo, 2018\nThe Gang’s All Here\nproduction: William Goetz, William LeBaron\ndirection: Busby Berkeley\nscreenplay: Walter Bullock\nphotography: Edward Cronjager\n© 1943 Twentieth Century Fox - all rights reserved\nFacce\nBruno Munari, fine art digital prints \nfrom Alla Faccia\n© Bruno Munari, all right reserved to Maurizio Corraini srl\ni\nPaul Tate dePoo III, original scenic project, 2018\nplay written by Jeff Talbott\nPioneer Theatre, University of Utah Campus\nDaphnis et Chloé\nchoreography by Benjamin Millepied\nscenography by Daniel Buren\nOpéra national de Paris, Opéra Bastille, 2014\n© Laurent Paillier\nThe Man Who Fell to Earth\nproduction: Michael Deeley, Barry Spikings\ndirection: Nicolas Roeg\nscreenplay: Paul Mayersberg\nphotography: Anthony B. Richmond\n© 1976 Studiocanal Films Ltd.\nDas Triadisches Ballett\nOskar Schlemmer, 1922\nreconstruction by Margarete Hastings, 1970\n© Bavaria Media GmbH\nDistortion of an analogue pulse\nIl ritorno di Ulisse in Patria\ndirection, set design and lights by Robert Wilson\nLa Scala, Milan, 2011\n© Lucie Jansch\nLa gazza ladra\nEmanuele Luzzati, original artwork, 1964\ncourtesy and © Lele Luzzati Foundation, Genova\nJourney to the Center of the Earth\nproduction: Charles Brackett\ndirection: Henry Levin\nscreenplay: Walter Reisch, Charles Brackett\nphotography: Leo Tover\n© 1959 Twentieth Century Fox - all rights reserved\nPulcinella\nEmanuele Luzzati, original artwork, 1973\ncourtesy and © Lele Luzzati Foundation, Genova\n4-5\n20\n40-41\n56\n58-59\n68\n78-79\n82-83\n86-87\n97-98\n100-101\n108\n120-121\n132-133\n148-149\n164-165\n174-175\n186-187\n196-197\n",102,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.103.png","Bestetti Associati  Ala, Farniente, Ombra\nFrancesco Bettoni  Giunco\nGabriele e Oscar Buratti  Gon\nVictor Carrasco  Orbitry, Rams, Strap\nClaesson Koivisto Rune  Ivy, Lanterna \nClaesson Koivisto Rune, \nBestetti Associati  Orlando\nBruno Fattorini, Robin Rizzini  Resort\nMarella Ferrera  Bloom, Cocci, Couture\nDonna Costanza, Filicudi, Moon, Salina, Sciara\nMarco Merendi  Calatini\nElia Nedkov  Kabà\nLina Obregón  Telar\nCRS Paola Lenti  Accordi, Agadir, Air, Bags,\nBerry, Bisso, Bistrò, Deep, Echo, Ellissi, Frazioni,  \nGeometrica, Graffito, Grisella, Incontri, Jali,  \nMandala, Maori, Marostica, Mogambo, Navajo,  \nNoshi, Origami, Otto, Papiercollé, Parallelo,  \nPlump, Samo, Segni, Sika, Taiki, Tessera,  \nTweed, Zoe\nFrancesco Rota  Adagio, Adele, Agio, All-Time,\nAmi, Atollo Next, Baia, Build, Cove, Edel, Elsie,\nEuclide, Flip, Float, Frame, Giro, Harvey, Iole,\nKanji, Lever, Loto, Move, Nesso, Oasi, Reel, Sabi, \nShito, Silent, Smile, Sunset, Taol, Tapio, Walt\nVincent Van Duysen  Portofino, Toku\nDesigners\nJoint projects \nPaola Lenti e De Castelli  Glow, Lumina, \nNubila, Ramino \nPaola Lenti e Galleria Elena  Aegonos \nPaola Lenti e Listone Giordano  Ebanys, \nPerigal\nPaola Lenti e Nicolò Morales  Bambou,  \nPelagos, Setteottavi; table tops in Luce; \nCalatini colours and decoration \nPaola Lenti e Nerosicilia  Origami\nPaola Lenti e Vicky Syriopoulou \ntexture and colour study of the wall \npaintings\n",103,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002F96\u002F017b60574b3af3936fcbbcc3eccee3-2896241a34.104.png","Accordi  114\nAdagio  166, 172, 173\nAdele  17, 18, 38, 74\nAegonos  168\nAgadir  124, 127, 152\nAgio  32, 34\nAir  26\nAla  194\nAll-Time  102\nAmi  54, 57, 143, 166, 168\nAtollo Next  46\nBags  188\nBaia  178\nBambou  53, 54\nBerry  194\nBisso  32\nBistrò  143, 200\nBloom  46, 50, 52\nBuild  46, 48, 82\nCalatini  12, 16, 26, 146, 168\nCocci  74, 77\nCouture  118\nCove  163, 167, 168\nDeep  22\nDonna Costanza  110\nEbanys  14, 66\nEcho  116\nEdel  46, 74\nEllissi  32, 34\nElsie  94\nEuclide  12, 15, 22, 94, 97, 98\nFarniente  192, 193, 194\nFilicudi  124, 127, 128\nFlip  56\nFloat  124, 129\nFrame  66, 194\nFrazioni  177, 192, 194, 198\nGeometrica  46, 48\nGiro  12, 16, 26, 181, 194\nGiunco  146, 150, 151\nGlow  30, 32\nGon  54, 57\nGraffito  115\nGrisella  64, 65\nHarvey  92, 99, 102\nIncontri  146\nIole  152, 157, 159\nIvy  102\nJali  113, 144, 146, 162, 178, \n191, 194\nKabà  198\nKanji  94\nLanterna  178, 188, 194, 198\nLever  92, 99, 102\nLoto  94, 96\nLumina  66, 70\nMandala  82, 85, 92\nMaori  12, 16\nMarostica  143\nMogambo  184, 188\nMoon  74, 76\nMove  74\nNavajo  111\nNesso  32, 37, 38, 46, 51, 74, 77, \n152, 157, 158, 191, 194\nNoshi  134, 167, 168, 188\nNubila  102\nOasi  146\nOmbra  166, 168\nOrbitry  64, 181\nOrigami  112\nOrigami flooring  134\nProducts\nOrlando  134\nOtto  74, 181\nPapiercollé  11, 12, 15, 22\nParallelo  116\nPelagos  170, 172\nPlump  176, 178, 192, 193, 194\nPortofino  80, 82, 184, 188, 190\nRamino  17, 18\nRams  188 \nReel  66 \nResort  146, 178\nSabi  124, 130, 176, 178\nSalina  152, 154, 156, 157\nSamo  74, 77\nSciara  6, 24, 32, 34, 46, 52, 142, \n143, 144, 146, 152, 154, 155, 162, \n177, 178, 188, 198\nSegni  166, 169\nSetteottavi  26\nShito  22, 25, 26\nSika  66, 140, 144, 146, 152, \n157, 179\nSilent  66\nSmile  69\nStrap  188\nSunset  178\nTaiki  178\nTaol  18\nTapio  21, 22, 25, 46, 56, 92\nTelar  124, 126, 127\nTessera  84\nToku  134, 136, 137\nTweed  46, 92, 99, 102\nWalt  10, 12, 16, 22, 26, 66\nZoe  36, 38, 64, 66, 69, 116, 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