[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-oldfloor-general-collection":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":325},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":320,"matched_pages":321,"match_count":322,"two_pages":323,"show_text":324},5150,"General Collection","oldfloor-general-collection","\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ffd\u002F64678a6959b6990291d5e5265a2184.pdf","Oldfloor",1961,"oldfloor","12.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317],{"image":7,"text":15,"number":16},"www.oldflooritaly.com\n09727 OldFloor-Cop.indd   1\n03 gen 15   08.00\n145\n145\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.2.png","www.oldflooritaly.com\n09727 OldFloor-Cop.indd   1\n03 gen 15   08.00\nwww.oldflooritaly.com\n09727 OldFloor-Cop.indd   1\n03 gen 15   08.00\n146147\n146147\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.3.png","www.oldflooritaly.com\n09727 OldFloor-Cop.indd   1\n03 gen 15   08.00\n09724 OldFloor-Int.indd   1\n02 gen 15   11.08\n148 1\n148 1\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.4.png","09724 OldFloor-Int.indd   2\n02 gen 15   11.08\nGli alberi, come gli esseri umani, \nsono dotati di carattere, \nportamento, peculiarità e storia.\nStagione dopo stagione, anno dopo\nanno, il tempo incide su di essi lo\nscorrere della vita... Solo se ci poniamo\ndi fronte a loro con spirito di profonda\ncomprensione, cercando di vederli\nal di là della loro staticità, come\nprotagonisti di un ecosistema quanto \nmai dinamico, è possibile cogliere\nal meglio l’unicità del prodotto “legno” \nche sono in grado di donarci.\nTrees are just like human beings,\nendowed with their very own:\npersonality, behaviour, characteristics \nand story. \nSeason after season, year after year, life \ngoes by and affects them in many ways. \nOnly if we look deeply trying to under-\nstand them and looking beyond the static \nconditions we always see, we will appreci-\nate what they really are, protagonists of a \ndynamic ecosystem, and the uniqueness of \nthe “wood” product they give us.\n09727 OldFloor-Int.indd   3\n09 gen 15   14.37\n2 3\n2 3\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.5.png","Indice\nContents\n42\n78\n92\n40\n100\n108\n120\n10\n12\n16\n20\nUna firma\nprestigiosa\nA prestigious\ncompany\nIl legno: un bene \nprezioso\nWood: a precious \nheritage\nIl legno: una scelta \nnaturale\nWood: a natural \nchoice\nLe mani dell'uomo\nThe hands of man\n36\n38\n39\nQualità a tre strati \nThree layered quality\nFiniture\nFinishes\nDimensioni e pose\nDimensions\nand installation\nIl Rovere\ndella Slavonia\nSlavonia Oak\nThimos\n700 | Bricole\nAltre essenze\nOther essences \n30\n31\n32\n33\n34\n35\nPrelevigato\nPre sanded\nSpazzolato\nBrushed\nLevigato Borgogna\nBorgogna smoothed\nPiallato effetto \nusato\nWorn effect\nplaning\nPiallato sbozzato\nHewed planing\nSegato\nSawn\nChi siamo\nWho we are\n10\n28\nLavorazioni\nCrafting\n36\nInformazioni\ntecniche\nTechnical\ninformation\nTavole e doghe\nBoards and staves\nSpina\nHerringbone\nQuadri\nSquare panels\n09727 OldFloor-Int.indd   4\n08 gen 15   09.09\nAlbert Einstein\n“Ogni cosa che puoi immaginare,\nla natura l'ha già creata”.\n“Everything you can imagine,\nnature has already created”.\n09724 OldFloor-Int.indd   5\n02 gen 15   11.08\n4 5\n4 5\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.6.png","Indice finiture\nIndex of finishes\nSpazzolato | B0 |\nBrushed\nRovere | Oak\nTavole e doghe | Boards and staves\nSegato | R00 |\nSawn\nPiallato effetto usato | N |\nWorn effect planing\nPiallato sbozzato | Q2 |\nHewed planing \n44\n45|46\n48|50\n49\nSpazzolato | V1 |\nBrushed\nSpazzolato | R00 |\nBrushed\n52|55\n53\nSpazzolato | DB |\nBrushed\nSpazzolato | CFG |\nBrushed\n56|58\n42|57\nSpazzolato | MT |\nBrushed\nPiallato effetto usato | V3 |\nWorn effect planing\nSpazzolato | GAO |\nBrushed\nSpazzolato | BT |\nBrushed\n68\n69|70\n72|74\n76\nSpazzolato | G3 |\nBrushed\nPiallato effetto usato | Q2 |\nWorn effect planing\n60\n61|63\nSpazzolato | T1 |\nBrushed\nSpazzolato | G1 |\nBrushed\n64\n65|66\n09724 OldFloor-Int.indd   6\n02 gen 15   11.14\nRovere | Oak\nSpina | Herringbone\nSpazzolato | LM |\nBrushed\nSpazzolato | R00 |\nBrushed\nSpazzolato | BY |\nBrushed\nPiallato effetto usato | G3 |\nWorn effect planing\n78\n80|84\n81|82\n87\nSpazzolato | GRA |\nBrushed\nLevigato Borgogna | Q2 |\nBorgogna smoothed\n88\n89|90\nSpazzolato | OSN |\nBrushed\n98\nPiallato effetto usato | V2 |\nWorn effect planing\n94\nLevigato Borgogna | Q2 |\nBorgogna smoothed\nSpazzolato | TD |\nBrushed\nSpazzolato | ST |\nBrushed\nSpazzolato | BY |\nBrushed\n98\n98\n96|98\n98\nRovere | Oak\nQuadri | Square panels\nSpazzolato | GA97 |\nBrushed\nSpazzolato | ONR |\nBrushed\n96\n98\nSpazzolato | GRA |\nBrushed\nSpazzolato | LM |\nBrushed\n98\n98\nSpazzolato | BR |\nBrushed\n98\nSpazzolato | GAO |\nBrushed\n96|98\n09727 OldFloor-Int.indd   7\n09 gen 15   14.06\n6 7\n6 7\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.7.png","Thimos\n700 | Bricole\nSpazzolato | 02 |\nBrushed\n102\n102\n102\n103|104\nSpazzolato | 05 |\nBrushed\n103\n103|106\nSpazzolato profondo | ONR |\nDeep brushed\nSpazzolato profondo | OSN |\nDeep brushed\n110|113|118\n114|115|118\nSpazzolato profondo | OSR |\nDeep brushed\nSpazzolato profondo | GA97 |\nDeep brushed\n116|117|118\n118\nIndice finiture\nIndex of finishes\nPiallato effetto usato | 01 |\nWorn effect planing\nPiallato effetto usato | 03 |\nWorn effect planing\nPiallato effetto usato | 04 |\nWorn effect planing\nPiallato effetto usato | 05 |\nWorn effect planing\n09727 OldFloor-Int.indd   8\n09 gen 15   14.07\nAltre essenze | Other essences\nTavole e doghe | Boards and staves\nSpazzolato | N |\nBrushed\nSpazzolato | N |\nBrushed\nPrelevigato | N |\nPre sanded\nSpazzolato | GSO |\nBrushed\nPrelevigato | N |\nPre sanded\nSpazzolato | N |\nBrushed\n123\n131\n138\n124|125\n132\n140\nSpazzolato | GAO |\nBrushed\nPrelevigato | N97 |\nPre sanded\nSpazzolato | N |\nBrushed\nPiallato effetto usato | N |\nWorn effect planing\n124|126\n135\n128\n136\nCastagno Europeo\nEuropean Chestnut\nDoussiè Africa\nAfrican Doussiè\nIroko Africa\nAfrican Iroko\nOlmo Europeo\nEuropean Elm\nTeak\nWengè Africa\nAfrican Wengè\nOlmo Europeo\nEuropean Elm\nNoce Europeo\nEuropean Walnut\nOlmo Europeo\nEuropean Elm\nNoce Europeo\nEuropean Walnut\n09724 OldFloor-Int.indd   9\n02 gen 15   11.13\n8 9\n8 9\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.8.png","Oldfloor è un brand riconosciuto a livello interna-\nzionale, che ha consolidato il suo prestigio in virtù \ndi un'indiscussa qualità nella produzione di pavi-\nmenti in legno d'alta gamma. \n \nUn'esperienza pluriennale, fatta di passione \nper il legno e per la sua lavorazione, che si tradu-\nce in un' ampia collezione di essenze e finiture, in \ngrado di rispondere alle più svariate esigenze sti-\nlistiche e progettuali. L'ineccepibile cura del det-\ntaglio, l'instancabile ricerca di nuove estetiche, l'i-\nnestimabile patrimonio di sapienza manifatturiera \nsono i valori che contraddistinguono Oldfloor e \nsono simboleggiati dal marchio con cui, orgoglio-\nsamente, vengono firmati i prodotti. \n \nLa foglia di quercia è l'immagine che rappre-\nsenta visivamente l'azienda, mentre una moderna \nreinterpretazione del Bodoni, carattere classico e \ntipicamente italiano, restituisce un segno in linea \ncon la vocazione di una realtà dalle radici solida-\nmente ancorate alla tradizione italiana ma aperta \nalle sfide e alle \"oscillazioni del gusto\" della con-\ntemporaneità. \n OldFloor is an internationally renowned brand, that \nhas consolidated its prestige by its undisputed qual-\nity of production of prestige hardwood  floors.\n \nMany years of experience, born of passion for \nwood and its working, is translated into a wide \ncollection of essences and finishes, capable of meet-\ning the most varied stylistic & design requirements. \nThe exemplary attention to detail; the tireless search \nfor new aesthetics; and the inestimable heritage of \nmanufacturing know how, are the values that set \nOldfloor apart and are symbolized by the marque \nwith which proudly brands its products.\n \nThe oak leaf is the image that visually represents \nthe company, while a modern reinterpretation of \nBodoni, a classical and typical Italian font, returns a \nbrand in line with the vocation of a reality, with roots \nsolidly anchored to the Italian tradition, but open to \nthe challenges and contemporary \"changes in taste\". \nUna firma prestigiosa\nA Prestigious Company\nRobusta, maestosa e solida, la quercia è il re degli alberi,\nsimbolo di forza, audacia e longevità.\nRobust, majestic, and solid, oak is the king of trees, symbol\nof strength, audacity & longevity.\n10\n09724 OldFloor-Int.indd   10\n02 gen 15   11.13\n09724 OldFloor-Int.indd   11\n02 gen 15   11.13\n1011\n1011\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.9.png","Oldfloor lavora una materia prima molto prezio-\nsa, che rappresenta una risorsa per il benessere \ncollettivo e la salvaguardia dei delicati equilibri \necologici del pianeta. Una responsabilità etica e \nsociale che si traduce in una filosofia imprendito-\nriale fondata sul rispetto dei più rigorosi standard \ndi ecosostenibilità. Secondo Greenpeace, Oldfloor \nsi colloca al sesto posto nella classifica italiana dei \nproduttori più attenti all'impatto ambientale e al \nproblema della riforestazione. Una certificazione \nfondata sulla raccolta di dati che le 30 più impor-\ntanti imprese del settore hanno comunicato e sulla \nverifica della provenienza delle essenze arboree, \nispirata ai criteri FSC e PEFC. \n \nIl risultato dimostra che le lavorazioni Oldfloor \nsono tra le più sostenibili del settore;  le foreste ven-\ngono gestite coniugando le esigenze produttive con \nquelle di rigenerazione, garantendo la salvaguardia \ndei polmoni verdi del pianeta. Oldfloor si affida a \nCatas nella verifica della presenza di materiali no-\ncivi all'interno del ciclo produttivo e nell'emissione \ndi sostanze organiche nell'atmosfera. Ogni giorno \nnello stabilimento vengono eseguiti controlli per \nrilevare eventuali rischi. La ricerca di nuove solu-\nzioni estetiche e funzionali non deve mai andare a \ndiscapito della salute dei clienti e dei lavoratori, che \nvengono tutelati da un processo produttivo esen-\nte da emissioni di sostanze volatili nocive. Questi \nottimi risultati tuttavia non rappresentano per \nOldfloor un punto d'arrivo, ma lo stimolo a miglio-\nrare il proprio impegno sociale e ambientale.\nOld Floor works a precious raw material, that rep-\nresents a resource for the collective good and a safe-\nguard of the delicate ecological balance of the planet. \nAn ethical and social responsibility that translates \ninto an entrepreneurial philosophy founded on the \nmost rigorous standards of ecological sustainability. \nAccording to Greenpeace, Oldfloor is 6th in the Ital-\nian classification of products most aware of environ-\nmental impact and of the problems of reforestation. \nA certification based on the gathering of data sup-\nplied by the 30 most important companies in the sec-\ntor, and on the verification of the origin of the trees, \ninspired by the FSC and PEFC criteria.\n \nThe certification demonstrates that Oldfloor’s \nprocesses are among the most sustainable in the \nsector: the forests are managed combining manu-\nfacturing requirements with those of regeneration, \nguaranteeing the safeguarding of the planet’s lungs. \nOldfloor trusts Catas in the verification of the ab-\nsence of noxious materials within the productive cy-\ncle and the emissions of organic substances into the \natmosphere.  Daily checks are carried out in the fac-\ntory to monitor any risks. Research of new aesthetic \nsolutions and practices will never be to the detriment \nof the health of clients and employees, who are pro-\ntected by a productive process absent from the emis-\nsion of noxious substances. These excellent results \ndo not represent for Oldfloor a point of arrival, but \nthe stimulus to better its social and environmental \ndedication.\nIl legno: un bene prezioso\nWood: a precious heritage\nLe foreste devono essere gestite in funzione delle future\ngenerazioni, in base non solo a principi ambientali,\nma anche di responsabilità sociale.\nThe forests must be managed for future generations, not only \nfor environmental principles, but also for social responsibility.\n09727 OldFloor-Int.indd   12\n09 gen 15   14.08\n09724 OldFloor-Int.indd   13\n02 gen 15   11.09\n1213\n1213\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.10.png","“Quando si abbatte una quercia, la sua\ncaduta echeggia in tutta la foresta, ma cento\nghiande possono essere seminate in silenzio\nda un venticello che nessuno nota”. \n“When the oak is felled the whole forest echoes\nwith its fall, but a hundred acorns are sown\nin silence by an unnoticed breeze”. \nThomas Carlyle\n09724 OldFloor-Int.indd   14\n02 gen 15   11.09\n15\n09724 OldFloor-Int.indd   15\n02 gen 15   11.09\n1415\n1415\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.11.png","Il legno è un rivestimento ideale per l'interior de-\nsign, in quanto risponde ad alcune fra le più impor-\ntanti esigenze psicologiche e fisiologiche dell'uo-\nmo. Le sue tonalità, che sfumano delicatamente, \ncon naturalezza, sono appaganti per la vista, men-\ntre la sua calda matericità invita al contatto e il suo \ninconfondibile profumo è sempre gradevole all'ol-\nfatto. Un materiale che coniuga queste proprietà \ncon eccellenti prestazioni tecniche. Le sue caratte-\nristiche organiche lo rendono la scelta idonea per \ntutte le situazioni di climatizzazione ambientale, \nmentre  un elevato livello di isolamento acustico \ncontribuisce a creare atmosfere intime e ovattate. \nMateriale vivo e traspirante, il legno assorbe l'umi-\ndità in eccesso, rilasciandola solo quando l'ambien-\nte lo richiede. Ma solo una scrupolosa lavorazione \nconsente di preservare ed esaltare al meglio tutte \nqueste peculiarità.\n \nOldfloor cura tutto il processo di trasformazio-\nne del legno fino al minimo dettaglio, coniugando \nantiche tecniche manuali con le più moderne tec-\nnologie. Dalla selezione accurata dei tronchi di \nrovere, tagliati solo nella stagione più opportuna, \nalla listellatura e all'essiccazione, per arrivare alla \nfinitura realizzata manualmente da esperti artigia-\nni, tutto viene controllato per garantire al cliente \nun manufatto con elevate prestazioni tecniche e \nricercati effetti estetici. Il risultato di questo lungo \nprocesso è un prodotto di qualità, che restituisce \nal pavimento in legno tutta la nobiltà e il prestigio \ndella sua tradizione. \nWood is a surface ideal for interior design, as it \nmeets some of the most important psychological and \nphysiological needs of man. Its tone, softening gently, \nnaturally, is pleasing to the eye, while its warmth is \ninviting to the touch, and its unmistakable aroma is \nalways pleasant to the sense of smell. It is a material \nthat combines these properties with excellent techni-\ncal performance. Its organic characteristics make it \nthe suitable choice for all air conditioned locations, \nwhile a high level of acoustic insulation helps to \ncreate an intimate and soft ambience. A living and \nbreathable material, wood absorbs excess moisture, \nreleasing it only when the environment requires. But \nonly a scrupulous process preserves and enhances all \nthese characteristics.\n \nThroughout the process of transforming wood, \nOldfloor takes care of the smallest detail, combining \nancient manual techniques with the latest technology. \nFrom the careful selection of the oak logs, cut only \nduring the most appropriate season, to the planks \nand then the drying, to achieving the handmade \nfinish by skilled craftsmen, everything is checked \nto ensure the customer a product of high technical \nperformance and sophisticated aesthetic effects. The \nresult of this long process is a quality product, which \nrestores to the wooden floor all of the nobility and \nprestige of its tradition.\nIl legno: una scelta naturale\nWood: a natural choice\nOgni albero ha la sua stagione per essere tagliato così come\nogni legno ha la sua stagione per essere trasformato in tavola.\nEach tree has its season to be cut, so each piece of timber has\nits season to be transformed into a floorboard.\n16\n09724 OldFloor-Int.indd   16\n02 gen 15   11.10\n09727 OldFloor-Int.indd   17\n02 gen 15   11.27\n1617\n1617\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.12.png","09727 OldFloor-Int.indd   18\n02 gen 15   11.28\n19\n09727 OldFloor-Int.indd   19\n02 gen 15   11.28\n1819\n1819\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.13.png","Le mani dell'uomo \nThe hands of man\nUn pavimento unico come le storie che racconta.\nUnique flooring like the story it recounts.\nOgni pavimento in legno firmato Oldfloor custo-\ndisce e racconta molte storie. La storia di impo-\nnenti piante di Rovere, selezionate con cura nelle \nrigogliose foreste della Slavonia, e la storia di mani \nesperte che tagliano, piallano, rifiniscono ogni \nsingolo pezzo del parquet. La storia degli abili ar-\ntigiani che lo oliano, lo cerano, lo verniciano ma-\nnualmente, esaltando così la naturalità del legno \ne aumentando notevolmente la sua resistenza nel \ntempo, ma anche la storia di maestri intarsiatori \nche compongono eleganti motivi ornamentali, veri \ncapolavori d’arte applicata. \n \nOgni venatura, ogni fiamma, ogni tonalità \ndell’essenza è il risultato, unico e inimitabile, della \nstratificazione e dell’intreccio di queste storie, di \nun lungo processo di trasformazione che coniuga \nmanualità e tecnologia, lasciando spazio anche a \npiccole irregolarità e imperfezioni le quali, sapien-\ntemente controllate, diventano elemento di pregio \ne distintività all'interno di un panorama appiattito \nsu una anonima standardizzazione industriale.  \n \nUn materiale naturale, vivo e caldo, trasforma-\nto dalla perizia dell'uomo in un'esclusiva soluzione \ndecorativa per l'interior design, nel solco di una tra \nle più affascinanti tradizioni della cultura artigia-\nnale italiana.\nEach wooden floor branded Oldfloor preserves and \nrecounts many stories. The history of towering oaks, \ncarefully selected in the lush forests of Slavonia, and \nthe history of expert hands that cut, plane, and fin-\nish each piece of flooring. The story of the skilled \nartisans who oil, wax, and varnish manually, thus \nenhancing the natural look of wood and greatly in-\ncrease its durability, but also the history of master \ncraftsmen who fashion elegant ornaments: true \nmasterpieces of applied art.\n \nEvery vein, every flame, every shade is the result, \nunique and inimitable, of the layering and interweav-\ning of these stories, a long process of transformation \nthat combines craftsmanship and technology. This \nincludes allowing room for irregularities and imper-\nfections which, expertly controlled, become valued \nand distinctive elements within the anonymity of \ntwo dimensional  industrial standardization.\n \nA natural material, alive and warm, transformed \nby the skill of man into a unique, decorative solution \nfor interior design, in the wake of one of the most fas-\ncinating traditions of Italian craftsmanship.\n20\n09727 OldFloor-Int.indd   20\n02 gen 15   11.28\n09727 OldFloor-Int.indd   21\n02 gen 15   11.29\n2021\n2021\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.14.png","09727 OldFloor-Int.indd   22\n02 gen 15   11.29\n23\n09727 OldFloor-Int.indd   23\n02 gen 15   11.30\n2223\n2223\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.15.png","Louis Nizer\n“Un uomo che lavora con le sue mani\nè un operaio; un uomo che lavora con\nle sue mani e il suo cervello è un artigiano;\nma un uomo che lavora con le sue mani,\nil suo cervello e il suo cuore è un artista.”\n“A man who works with his hands is a laborer; \na man who works with his hands and his brain\nis a craftsman; but a man who works with\nhis hands, his brain and his heart is an artist”.\n09727 OldFloor-Int.indd   24\n02 gen 15   11.30\n25\n09727 OldFloor-Int.indd   25\n02 gen 15   11.27\n2425\n2425\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.16.png","09727 OldFloor-Int.indd   26\n02 gen 15   11.28\n27\n09727 OldFloor-Int.indd   27\n02 gen 15   11.28\n2627\n2627\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.17.png","Lavorazioni\nCrafting\n1. \nPrelevigato\n \nPre sanded\n2. \nSpazzolato\n \nBrushed\n3. \nLevigato\n \nBorgogna\n \nBorgogna\n \nsmoothed\n4. \nPiallato\n \neffetto usato\n \nWorn effect\n \nplaning\n5. \nPiallato sbozzato\n \nHewed planing\n6. \nSegato\n \nSawn\n09727 OldFloor-Int.indd   28\n02 gen 15   11.29\n29\n09727 OldFloor-Int.indd   29\n02 gen 15   11.29\n2829\n2829\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.18.png","1. Prelevigato\n Pre sanded\nLevigatura della superficie ottenuta \nmediante appositi macchinari che\nla rendono liscia al tatto.\nSmoothing the surface obtained\nby means of special machines, making \nit soft to the touch.\n09727 OldFloor-Int.indd   30\n02 gen 15   11.30\n2. Spazzolato\n \nBrushed\nSpeciali spazzole asportano dalla \nfibratura del legno la parte morbida \nfacendo risaltare le venature.\nSpecial brushes wear away soft parts \nfrom the surface of the wood bringing \nout the grain.\n31\n09727 OldFloor-Int.indd   31\n02 gen 15   11.31\n3031\n3031\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.19.png","3. Levigato Borgogna\n \nBorgogna smoothed\nSu una base spazzolata o prelevigata, \npiccole porzioni della superficie del \nlegno vengono scavate manualmente.\nOn brushed or presanded surfaces,\nsmall portions of the wood are\nhollowed out manually.\n09727 OldFloor-Int.indd   32\n02 gen 15   11.31\n4. Piallato effetto usato\n \nWorn effect planing\nCon la pialla a mano tradizionale\nvengono realizzati degli avvallamenti\nnel senso della lunghezza su tutta\nla superficie del parquet.\nWith a traditional hand plane, the\ndepressions are made along the entire \nlength of the surface of the parquet.\n33\n09727 OldFloor-Int.indd   33\n02 gen 15   11.28\n3233\n3233\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.20.png","5. Piallato sbozzato\n \nHewed planing\nLo sbozzato presenta tutte le \ncaratteristiche del piallato effetto usato\ncon l'aggiunta di una piallatura che\nconferisce alle tavole una bombatura.\nThe plank shows all the characteristics\nof the worn planed effect but with the\naddition of planing that gives the boards \na camber.\n09727 OldFloor-Int.indd   34\n02 gen 15   11.29\n6. Segato\n Sawn\nLa superficie viene incisa manual-\nmente con la sega a nastro lasciando \nsolchi perpendicolari alla venatura.\nThe surface is engraved manually \nwith a bandsaw leaving furrows\nperpendicular to the grain.\n35\n09727 OldFloor-Int.indd   35\n02 gen 15   11.30\n3435\n3435\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.21.png","Il tavolato Oldfloor si distingue per la sua partico-\nlare composizione a tre strati. Lo strato superiore, \ndallo spessore di 4 o 5 mm, è un monoplancia nobi-\nle, disponibile in una vasta gamma di specie legno-\nse: rovere, noce evaporato europeo, pero, castagno, \nciliegio europeo, acacia evaporata, acero europeo, \nolmo europeo, teak asia, wengè, doussiè, iroko. \n \nLo strato centrale in Abete e quello inferiore in \nrovere o specie equivalente conferiscono al prodot-\nto un bilanciamento perfetto, assicurando così un \neccellente livello di stabilità che non lascia spazio a \npossibilità di deformazione. \n \nL’adesivo vinilico privo di formaldeide con cui \nvengono incollati i tre strati, oltre a garantire un'e-\nlevata stabilità del prodotto, assicura l'assenza di \nemissioni nocive, coerentemente con la politica di \nresponsabilità ecologica di  Oldfloor, che si impe-\ngna a utilizzare unicamente materie prime natura-\nli, compatibili con le più rigorose normative di so-\nstenibilità ambientale. Infine l'elegante bisellatura \ncon la quale vengono rifiniti i quattro lati esalta le \ngenerose proporzioni dei listoni e impedisce che \neventuali imperfezioni del piano d’appoggio possa-\nno ripercuotersi sulla perfetta planarità superficia-\nle del pavimento. \nThe Oldfloor floorboard is distinguished by its \nunique three layers. The top layer, 4mm or 5mm \nthick, is a hardwood solid plank, available in a wide \nrange of woods: oak, European steamed walnut, Eu-\nropean pear, chestnut, European cherry, steamed \nacacia, European maple, European elm, Asian teak, \nwenge, doussiè, and iroko.\n \nThe middle layer in solid fir, and the third in solid \noak or equivalent wood, give the product a perfect \nbalance, ensuring an excellent level of stability that \nleaves no possibility for deformation.\n \nThe formaldehyde-free vinyl adhesive which \nbinds the three layers, as well as ensuring high \nstability, allows no harmful emissions, in line with \nOldfloor’s policy of ecological responsibility, that \nundertakes to use only natural raw materials, com-\npatible with the most stringent regulations of envi-\nronmental sustainability. Finally, the elegant bevel \nwith which the four sides are finished, enhances the \ngenerous proportions of the planks and prevents any \nimperfections of the sub floor from affecting the per-\nfectly flat surface of the finished floor.\nQualità a tre strati \nThree layered quality\nLa struttura a tre strati conferisce al prodotto un perfetto\nbilanciamento, che assicura al pavimento una stabilità totale.\nThe three layered structure gives the product a perfect balance, \nensuring the flooring has perfect planarity.\n09727 OldFloor-Int.indd   36\n02 gen 15   11.30\nSpessore | Thickness 15mm\nSpessore | Thickness 20mm\nA | 5 mm\nA | 5 mm\nB | 5 mm\nB | 10 mm\nC | 5 mm\nC | 5 mm\nA | Strato superiore nobile\nB | Strato centrale in abete\nC | Strato inferiore nobile\nA | Top ‘noble’ hardwood layer \nB | Middle layer in fir \nC | Lower hardwood layer \nSPRING \nSUMMER\nAUTUMN\nWINTER\nListoni con classica fibratura fiammata e rigata, priva di nodi e dal colore uniforme.\nPlanks with classic flamed and lined grain, free of knots and uniform in colour.\nListoni con classica fibratura fiammata e rigata, presenza di nodi sani, non passanti \nopportunamente stuccati, di dimensione medio\u002Fpiccola, leggere variazioni di tono.\nPlanks with classic flamed and lined grain, presence of knots not through, properly filled, \nsize medium \u002F small, slight variations in tone.\nScelta che prevede metà della prima scelta e metà della seconda scelta.\nChoice that contains half of the first choice and half of the second choice.\nLa scelta che più rispecchia il carattere del legno nella sua naturalezza. Fibratura \nfiammata e rigata, anche irregolare per natura, nodi medio grandi, spaccature, cuore \naperto tutto opportunamente stuccato, stonalizzato per natura.\nThe choice that best reflects the character of the wood in its natural state. Flamed and \nlined grain, including natural  irregularities, medium-large knots, cracks, open heartwood \nproperly filled, natural shade variation.\nScelta | Choice\n37\n09727 OldFloor-Int.indd   37\n08 gen 15   09.13\n3637\n3637\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.22.png","N \n \n \n00 \n \nB0 \n \nM1 \n \nM2 \n \nQ2 \n \nV1 \n \nV2 \n \nV3 \n \nT1 \n \nBC \nB1 \n \nBT \n \nBT1 \n \nBY\nBR \nCL \n \nCFG\n \nDB\nLM  \nG1 \nG3 \nGRA  \nGA97  \nMT \n \nR00  \nST \nTD\nFiniture\nFinishes\nTutte le finiture Oldfloor, siano ad olio o a vernice, sono pensate per esaltare al massimo\nle caratteristiche del legno e sono ottenute mediante più passaggi. La costante ricerca di materiali,\nche rispettino sia l'ambiente sia la persona, è messa al servizio dell'innovazione.\nAll Oldfloor finishes, whether oiled or varnished, are designed to bring out the best characteristics\nof wood and are obtained through multiple processes. The constant search for materials, respecting\nboth the environment and people, informs innovation.\nON\nOSN\nONR\nOSR\nGAO\nOlmo | Elm\nOltre all’oliato e verniciato naturale ci sono anche:\nAs well as the natural oil or varnish there are also:\nGA97\nGS97\nGAO\nGSO\nNaturale (disponibile con diverse opacità)\nNatural (available with different opacity)\nSbiancato | Whitened\nNatura Chiaro | Light Nature\nMielato Chiaro | Light Honey\nMielato Scuro | Dark Honey\nQuercia Scuro | Dark Oak\nMielato Antico | Old Honey\nAntico Veneziano | Old Venetian\nCamargue\nTabacco | Tobacco\nBianco Carrara | Carrara White\nNatura Antico | Old Nature\nBianco Totale | Total White\nBianco Coprente | Covering White\nBrandy\nBrina | Frost\nCiliegio | Cherry\nCaffè Decapato Grigio\nPickled Coffee Grey\nDecapato Bianco | Pickled White\nLattemiele | Honey Milk\nPantelleria\nFumo di Londra | London Smoke\nGrigio Antico | Antique Grey\nGrigio Asgaard | Asgaard Grey\nMetrò\nProvenza | Provence\nSteppa\nTundra\nOltre alle finiture attualmente presenti nella\nnostra gamma, possiamo realizzare anche finiture\npersonalizzate secondo le esigenze del cliente.\nIn addition to the finishes currently in our range, \nwe can also realize bespoke finishes according to \ncustomer requirements.\nOliato Naturale | Natural Oiled\nOliato Stracciato Noce\nHand Wiped Nut Oiled\nOliato Nero | Black Oiled\nOliato Stracciato Nero\nHand Wiped Black Oiled\nOliato Grigio Asgaard\nAsgaard Grey Oiled\n \nGrigio Asgaard | Asgaard Grey\nGesso | Gypsum\nOliato Grigio Asgaard\nAsgaard Grey Oiled\nOliato Gesso | Gypsum Oiled\n09727 OldFloor-Int.indd   38\n09 gen 15   15.46\nDimensioni e pose\nDimensions and installation\nSpina Italiana\nHerringbone\n90x540mm\nSpina Ungherese\nChevron\n90x540mm\nSpina Ungherese\nChevron\n120x540mm\nSpina Ungherese\nChevron\n90\u002F120x540mm\nQuadro\nSquare panels\n600x600mm\n1000x1000mm\nTavole e doghe\nBoards and staves\nSpessore 15mm | Thickness 15mm \nSpessore 20mm | Spessore 20mm \nMaxidoga | Maxistave\n120mm\nDoga | Stave \n90mm\nTavola | Board\n150\u002F180mm\nTavola | Board\n150\u002F180mm\nMaxitavola | Maxiboard\n200\u002F220mm\nMaxitavola | Maxiboard\n200\u002F220mm\nLarghezze | Widths\nPlancia | Plank\n240\u002F260mm\n700 > 3000mm\nLunghezza | Length\nMaxiplancia | Maxiplank\n280\u002F300mm\n39\n09727 OldFloor-Int.indd   39\n09 gen 15   14.08\n3839\n3839\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.23.png","Il Rovere della Slavonia\nSlavonia Oak\nQuercus robur\nDalle rigogliose foreste di un territorio tra\nla Slovenia e la Serbia, una varietà  di legname \ndalla fibra chiara e dalla tessitura fine, che \nrappresenta la scelta d'elezione  per realizzare \npavimenti in legno di alto profilo.\nFrom the lush forests in a region between \nSlovenia and Serbia, a variety of wood of clear \nand fine texture, which is the ideal choice for \nproducing premium wood floors.\n09727 OldFloor-Int.indd   40\n02 gen 15   11.31\n41\n09727 OldFloor-Int.indd   41\n02 gen 15   11.27\n4041\n4041\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.24.png","Tavole e doghe\nBoards and staves\n | CFG |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Caffè Decapato Grigio\nFinishing  \nPickled Coffee Grey Varnished\n09727 OldFloor-Int.indd   42\n02 gen 15   11.27\nTavole e doghe\nBoards and staves\n43\n09727 OldFloor-Int.indd   43\n02 gen 15   11.28\n4243\n4243\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.25.png"," | B0 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Natura Chiaro\nFinishing  \nLight Nature Varnished\n09727 OldFloor-Int.indd   44\n02 gen 15   11.29\n | R00 |\nLavorazione Segato\nCrafting  \nSawn\nFinitura  \nVerniciato Provenza\nFinishing  \nProvenza Varnished\n45\n09727 OldFloor-Int.indd   45\n02 gen 15   11.29\n4445\n4445\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.26.png"," | R00 |\nLavorazione Segato\nCrafting  \nSawn\nFinitura  \nVerniciato Provenza\nFinishing  \nProvenza Varnished\n09727 OldFloor-Int.indd   46\n02 gen 15   11.30\n47\n09727 OldFloor-Int.indd   47\n02 gen 15   11.30\n4647\n4647\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.27.png"," | N |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Naturale\nFinishing  \nNatural Varnished\n09727 OldFloor-Int.indd   48\n02 gen 15   11.31\n | Q2 |\nLavorazione Piallato sbozzato\nCrafting  \nHewed planing\nFinitura  \nVerniciato Quercia Scuro\nFinishing  \nDark Oak Varnished\n49\n09727 OldFloor-Int.indd   49\n02 gen 15   11.31\n4849\n4849\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.28.png"," | N |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Naturale\nFinishing  \nNatural Varnished\n09727 OldFloor-Int.indd   50\n02 gen 15   11.31\n51\n09727 OldFloor-Int.indd   51\n02 gen 15   11.31\n5051\n5051\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.29.png"," | V1 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Mielato Antico Opaco\nFinishing  \nOld Honey Matt Varnished\n09727 OldFloor-Int.indd   52\n02 gen 15   11.33\n | R00 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Provenza\nFinishing  \nProvenza Varnished\n53\n09727 OldFloor-Int.indd   53\n02 gen 15   11.34\n5253\n5253\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.30.png","54\n09727 OldFloor-Int.indd   54\n02 gen 15   11.35\n | V1 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Mielato Antico Opaco\nFinishing  \nOld Honey Matt Varnished\n09727 OldFloor-Int.indd   55\n02 gen 15   11.35\n5455\n5455\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.31.png"," | DB |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Decapato Bianco\nFinishing  \nPickled White Varnished\n09727 OldFloor-Int.indd   56\n02 gen 15   11.38\n | CFG |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Caffè Decapato Grigio\nFinishing  \nPickled Coffee Grey Varnished\n57\n09727 OldFloor-Int.indd   57\n02 gen 15   11.45\n5657\n5657\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.32.png"," | DB |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Decapato Bianco\nFinishing  \nPickled White Varnished\n09727 OldFloor-Int.indd   58\n02 gen 15   11.46\n59\n09727 OldFloor-Int.indd   59\n02 gen 15   11.47\n5859\n5859\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.33.png"," | G3 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Fumo di Londra\nFinishing  \nLondon Smoke Varnished\n09727 OldFloor-Int.indd   60\n02 gen 15   11.47\n | Q2 |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Quercia Scuro\nFinishing  \nDark Oak Varnished\n61\n09727 OldFloor-Int.indd   61\n02 gen 15   11.48\n6061\n6061\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.34.png","62\n09727 OldFloor-Int.indd   62\n02 gen 15   11.48\n | Q2 |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Quercia Scuro\nFinishing  \nDark Oak Varnished\n09727 OldFloor-Int.indd   63\n02 gen 15   11.48\n6263\n6263\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.35.png"," | T1 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Tabacco\nFinishing  \nTobacco Varnished\n09727 OldFloor-Int.indd   64\n02 gen 15   11.49\n | G1 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Pantelleria\nFinishing  \nPantelleria Varnished\n65\n09727 OldFloor-Int.indd   65\n02 gen 15   16.17\n6465\n6465\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.36.png"," | G1 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Pantelleria\nFinishing  \nPantelleria Varnished\n09727 OldFloor-Int.indd   66\n02 gen 15   16.17\n67\n09727 OldFloor-Int.indd   67\n02 gen 15   16.17\n6667\n6667\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.37.png"," | MT |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Metrò\nFinishing  \nMetrò Varnished\n09727 OldFloor-Int.indd   68\n02 gen 15   16.18\n | V3 |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Camargue\nFinishing  \nCamargue Varnished\n69\n09727 OldFloor-Int.indd   69\n02 gen 15   16.19\n6869\n6869\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.38.png"," | V3 |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Camargue\nFinishing  \nCamargue Varnished\n09727 OldFloor-Int.indd   70\n02 gen 15   16.20\n71\n09727 OldFloor-Int.indd   71\n02 gen 15   16.20\n7071\n7071\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.39.png"," | GAO |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nOliato Grigio Asgaard\nFinishing  \nAsgaard Grey Oiled\n09727 OldFloor-Int.indd   72\n02 gen 15   16.20\n73\n09727 OldFloor-Int.indd   73\n02 gen 15   16.15\n7273\n7273\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.40.png"," | GAO |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nOliato Grigio Asgaard\nFinishing  \nAsgaard Grey Oiled\n09727 OldFloor-Int.indd   74\n02 gen 15   16.15\n75\n09727 OldFloor-Int.indd   75\n02 gen 15   16.15\n7475\n7475\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.41.png","76\n09727 OldFloor-Int.indd   76\n08 gen 15   11.18\n | BT |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Bianco Totale\nFinishing  \nTotal White Varnished\n09727 OldFloor-Int.indd   77\n08 gen 15   11.19\n7677\n7677\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.42.png","Spina\nHerringbone \n | LM |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Lattemiele\nFinishing  \nHoney Milk Varnished\n09727 OldFloor-Int.indd   78\n02 gen 15   16.16\nSpina\nHerringbone \n79\n09727 OldFloor-Int.indd   79\n02 gen 15   16.16\n7879\n7879\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.43.png"," | R00 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Provenza\nFinishing  \nProvenza Varnished\n09727 OldFloor-Int.indd   80\n02 gen 15   16.16\n81\n | BY |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Brandy\nFinishing  \nBrandy Varnished\n09727 OldFloor-Int.indd   81\n02 gen 15   11.44\n8081\n8081\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.44.png"," | BY |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Brandy\nFinishing  \nBrandy Varnished\n09727 OldFloor-Int.indd   82\n02 gen 15   11.44\n83\n09727 OldFloor-Int.indd   83\n02 gen 15   11.45\n8283\n8283\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.45.png","84\n09727 OldFloor-Int.indd   84\n02 gen 15   11.45\n | R00 |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Provenza\nFinishing  \nProvenza Varnished\n09727 OldFloor-Int.indd   85\n02 gen 15   11.46\n8485\n8485\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.46.png","86\n09727 OldFloor-Int.indd   86\n02 gen 15   11.46\n | G3 |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Fumo di Londra\nFinishing  \nLondon Smoke Varnished\n09727 OldFloor-Int.indd   87\n02 gen 15   11.46\n8687\n8687\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.47.png"," | GRA |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Grigio Antico\nFinishing  \nAntique Grey Varnished\n88\n09727 OldFloor-Int.indd   88\n02 gen 15   11.47\n | Q2 |\nLavorazione Levigato Borgogna\nCrafting  \nBorgogna smoothed\nFinitura  \nVerniciato Quercia Scuro\nFinishing  \nDark Oak Varnished\n09727 OldFloor-Int.indd   89\n02 gen 15   11.40\n8889\n8889\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.48.png"," | Q2 |\nLavorazione Levigato Borgogna\nCrafting  \nBorgogna smoothed\nFinitura  \nVerniciato Quercia Scuro\nFinishing  \nDark Oak Varnished\n09727 OldFloor-Int.indd   90\n02 gen 15   11.40\n91\n09727 OldFloor-Int.indd   91\n02 gen 15   11.41\n9091\n9091\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.49.png","La sapienza artigianale di Oldfloor si esprime ai \nsuoi massimi livelli nella realizzazione dei pavi-\nmenti a mosaico, veri e propri capolavori d'arte ap-\nplicata che richiedono la competenza di intarsiato-\nri altamente specializzati.\n \nI disegni dei quadri sono il risultato del perfet-\nto incastro di singole tessere che, opportunamente \ncomposte, donano al pavimento in legno un fasci-\nno di antica tradizione.\n \nMolteplici e sostanzialmente infinite possibili \nsoluzioni… La massima espressione della perso-\nnalizzazione.\nQuadri\nSquare panels\nDi seguito una selezione di alcuni dei quadri in produzione:\nBelow is a selection of some of the patterns  in production:\nBrossure\nDiamond\nRoom\nCross\nTangram\nArrow\nVersailles\nTutti i quadri sono disponibili in formato 600x600mm e 1000x1000mm.\nSi realizzano inoltre disegni personalizzati secondo le esigenze del cliente.\nAll pattern are available in 600x600mm and 1000x1000mm format.\nWe realize also bespoke designs according to customer requirements.\nSquare\nThe craftsmanship of Oldfloor is expressed at its \nhighest level in the realization of paneled parquet \nfloors, real masterpieces of applied art that require \nthe expertise of inlay specialists.\n \nThe designs of the square pattern are the result \nof the perfect interlocking of individual blocks that, \nproperly assembled, give the wood floor a charm of \nancient tradition.\n \nMultiple and essentially infinite possible solu-\ntions... The highest expression of customization.\n92\n09727 OldFloor-Int.indd   92\n09 gen 15   14.09\n09727 OldFloor-Int.indd   93\n02 gen 15   11.42\n9293\n9293\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.50.png","94\n09727 OldFloor-Int.indd   94\n02 gen 15   11.42\n | V2 |\nLavorazione Piallato effetto usato\nCrafting  \nWorn effect planing\nFinitura  \nVerniciato Antico Veneziano\nFinishing  \nOld Venetian Varnished\n09727 OldFloor-Int.indd   95\n02 gen 15   11.42\n9495\n9495\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.51.png","09727 OldFloor-Int.indd   96\n02 gen 15   11.43\n97\n09727 OldFloor-Int.indd   97\n02 gen 15   11.32\n9697\n9697\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.52.png","09727 OldFloor-Int.indd   98\n02 gen 15   11.32\n99\n99\n09727 OldFloor-Int.indd   99\n02 gen 15   11.32\n9899\n9899\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.53.png","Thimos è il risultato di una tecnica estremamen-\nte raffinata, che richiede la perfetta manualità di \nmaestranze specializzate. L'effetto di invecchia-\nmento, che conferisce alle doghe un inimitabile \naspetto materico e vissuto, si ottiene grazie all'ap-\nplicazione di un reattivo naturale, già utilizzato \nnell'800. L'azione della mano di fondo interagisce \ncon i tannini contenuti nel legno, provocandone \nl'ossidazione.\n \nLa tinteggiatura delle doghe viene eseguita ap-\nplicando tinte a base minerale e\u002Fo vegetale, queste \nultime a base di estratti di cartamo, ricino, cocco, \ncanapa e girasole. Il trattamento è completato da \nuna mano a finire, a base di propoli e cere natura-\nli, che assicura alle doghe protezione e facilità di \nmanutenzione. Le numerose applicazioni a pen-\nnello, tampone e vello sono precedute da un accu-\nrato lavaggio e sono intervallate da una meticolosa \ncarteggiatura delle tavole. I vari passaggi, eseguiti \ndalle mani esperte di abili artigiani, conferiscono a \nThimos un effetto cromatico morbido e materico, \ndall'aspetto naturale.  \nThimos is the result of an extremely sophisticated \ntechnique, which requires the perfect skill of spe-\ncialized artisans. The aging effect, which gives the \nboards a unique material and worn look, is obtained \nby applying a natural reactive, already in use in the \n1800s. The action of the primer interacts with the \ntannins in the wood, causing oxidation.\n \nThe painting of the slats is performed by apply-\ning mineral-based and\u002For vegetable dyes, the latter \nbased on extracts of safflower, castor, coconut, hemp \nand sunflower. The treatment is completed with a \ntop coat of propolis and natural waxes, which en-\nsures protection and ease of maintenance. The many \napplications by brush, sponge and fleece are preced-\ned by thorough washing and are interspersed with a \nmeticulous sanding of the boards. The various steps, \nperformed by skilled craftsmen, give Thimos a soft, \nchromatic effect and a natural look.\nThimos\nUna trasformazione eco-compatibile che scaturisce\nda sostanze organiche provenienti dalla nuda terra.\nAn eco-friendly  transformation that originates\nfrom organic substances from the bare ground.\n09727 OldFloor-Int.indd   100\n02 gen 15   11.32\nQuesta lavorazione, completamente eco-compati-\nbile, scaturisce dall'azione di sostanze organiche \nche contribuiscono a limitare la contrazione e la di-\nlatazione del legno, proteggerlo dall'umidità e dagli \nsbalzi termici, evitare macchie e abrasioni, mante-\nnere inalterata la traspirabilità della materia oltre \na eliminare l'accumulo di cariche elettrostatiche. \n \nThimos è la risposta ecologica alla clientela più \nconsapevole, che esige un prodotto naturale e atos-\nsico senza rinunciare a finiture ricercate. \nThis process, completely eco-friendly, derives from \nthe action of organic substances that help to limit the \ncontraction and dilation of the wood. This protects \nit from moisture and temperature changes, to avoid \nstains and abrasions, maintaining the breathability \nof the material as well as eliminating the accumula-\ntion of electrostatic charges.\n \nThimos is the ecological response to a knowledge-\nable clientele, which demands a natural and non-tox-\nic product without sacrificing sophisticated finishes.\n101\n09727 OldFloor-Int.indd   101\n02 gen 15   11.32\n100101\n100101\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.54.png","Patina 01\nLavorazione Piallato\n \neffetto usato\nCrafting   \nWorn effect   \n \nplaning\nPatina 02\nLavorazione Spazzolato\nCrafting   \nBrushed\nPatina 03\nLavorazione Piallato\n \neffetto usato\nCrafting   \nWorn effect   \n \nplaning\n102\n09727 OldFloor-Int.indd   102\n09 gen 15   14.10\nPatina 04\nLavorazione Piallato\n \neffetto usato\nCrafting   \nWorn effect\n \nplaning\nPatina 05\nLavorazione Piallato\n \neffetto usato\nCrafting   \nWorn effect\n \nplaning pl\nPatina 05\nLavorazione Spazzolato\nCrafting  \nBrushed\n09727 OldFloor-Int.indd   103\n02 gen 15   11.35\n102103\n102103\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.55.png","104\n09727 OldFloor-Int.indd   104\n02 gen 15   11.35\nPatina 04\nLavorazione Piallato effetto usato\nCrafting   \nWorn effect planing\n09727 OldFloor-Int.indd   105\n02 gen 15   11.43\n104105\n104105\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.56.png","Patina 05\nLavorazione Spazzolato\nCrafting  \nBrushed\n09727 OldFloor-Int.indd   106\n02 gen 15   11.43\n107\n09727 OldFloor-Int.indd   107\n02 gen 15   11.44\n106107\n106107\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.57.png","’700\nLe Bricole di Venezia sono gli imponenti pali di ro-\nvere e castagno che, affiorando suggestivamente \ndal mare, contribuiscono a caratterizzare la tipi-\ncità architettonica e il paesaggio della città lagu-\nnare. Utilizzati da molti secoli per la fondazione \ndegli edifici, per la costruzione di banchinamenti e \nfrangiflutti oltre che come punto di ormeggio, oggi \ndiventano la preziosa materia prima dalla quale \nOldfloor ricava un'esclusiva collezione di parquet.  \n \nLe erosioni create dal passare del tempo, dal \nsale e dalle maree conferiscono alle Bricole un \nfascino inestimabile, ma rendono necessario un \nintervento di grande meticolosità e virtuosismo \nartigianale. Il complesso processo di lavorazione \ninizia con una lunga essiccazione, resa necessaria \ndalla secolare permanenza in acqua. Inizialmente \nil legno viene stoccato in depositi esterni, dove  ri-\nmane a contatto con l'aria e gli agenti atmosferici, \nper essere poi trasferito in celle isolate nelle quali il \ntavolame viene sottoposto a ripetuti processi di es-\nsiccazione controllata. Successivamente le tavole \nvengono trattate singolarmente attraverso una la-\nvorazione artigianale che, preservando ed esaltan-\ndo le piccole imperfezioni superficiali, restituisce \nun semilavorato dall'estetica unica e inimitabile. \n \nOgni tavola viene infine ripristinata con l'ap-\nplicazione di stucchi o resine, che tramutano in \nelemento distintivo quello che generalmente viene \nconsiderato un difetto.\nThe Venetian Bricole are the towering piles of oak \nand chestnut, suggestively surfacing from the sea, \nthat help to characterize the typical architecture \nand landscape of the lagoon city. Used for centu-\nries for the foundations of buildings, the construc-\ntion of breakwaters, wharfs and quays, they now \nbecome the valuable raw material from which \nOldfloor obtains an exclusive collection of wooden \nfloors. Erosion created by the passage of time, the \nsalt and tides, gives the Bricole a priceless charm, \nbut require an intervention of great virtuosity and \nmeticulous craftsmanship. The complex machin-\ning process begins with a long drying, made neces-\nsary by centuries submerged in water. Initially, the \nwood is stored in out-door deposits, where it stays \nin contact with the air and atmospheric conditions, \nand is then transferred to sealed storage where the \ntimber is subjected to a repeated and controlled dry-\ning process. Subsequently, the planks are treated \nindividually through a craftsmanship that preserve \nand enhance the small surface imperfections, giving \na unique and inimitable material.\n \nEach board is then restored with the application \nof fillers or resins, which transform what are gener-\nally considered as defects into distinctive features. \nBricole di Venezia\nVenetian Bricole \nUn pavimento in legno che porta nelle case un  prezioso\nframmento delle suggestive atmosfere di Venezia.\nA wooden floor that brings to the home a valuable fragment\nof the evocative atmosphere of Venice.\n108\n09727 OldFloor-Int.indd   108\n02 gen 15   11.44\n09727 OldFloor-Int.indd   109\n02 gen 15   11.44\n108109\n108109\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.58.png"," | ONR |\nLavorazione Spazzolato profondo\nCrafting  \nDeep brushed\nFinitura  \nOliato Nero\nFinishing  \nBlack oiled\nBen Hokri\n“Dove c'è perfezione non\nci sono storie da raccontare”.\n“Where there is perfection\nthere are no stories to tell”. \n09727 OldFloor-Int.indd   110\n09 gen 15   14.11\n111\n09727 OldFloor-Int.indd   111\n09 gen 15   14.16\n110111\n110111\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.59.png","112\n09727 OldFloor-Int.indd   112\n02 gen 15   11.46\n | ONR |\nLavorazione Spazzolato profondo\nCrafting  \nDeep brushed\nFinitura  \nOliato Nero\nFinishing  \nBlack Oiled\n09727 OldFloor-Int.indd   113\n09 gen 15   14.03\n112113\n112113\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.60.png"," | OSN |\nLavorazione Spazzolato profondo\nCrafting  \nDeep brushed\nFinitura  \nOliato Stracciato Noce\nFinishing  \nHand Wiped Nut Oiled\n09727 OldFloor-Int.indd   114\n02 gen 15   11.40\n115\n09727 OldFloor-Int.indd   115\n02 gen 15   11.41\n114115\n114115\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.61.png","116\n09727 OldFloor-Int.indd   116\n02 gen 15   11.42\n | OSR |\nLavorazione Spazzolato profondo\nCrafting  \nDeep brushed\nFinitura  \nOliato Stracciato Nero\nFinishing  \nHand wiped Black Oiled\n09727 OldFloor-Int.indd   117\n02 gen 15   11.42\n116117\n116117\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.62.png"," | OSN |\n09727 OldFloor-Int.indd   118\n02 gen 15   11.43\n | OSR |\n | GA97 |\n | ONR |\n119\n09727 OldFloor-Int.indd   119\n02 gen 15   11.44\n118119\n118119\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.63.png","Una scelta ecologica a basso impatto ambientale \nche privilegia la selezione di latifoglie europee \noriginarie di territori in prossimità del sito\ndi produzione e dei legni esotici più diffusi.\nAn ecological choice of low environmental impact \nfavouring the selection of European hardwood \noriginating close to the production plant, and the \nmost popular exotic woods.\nAltre essenze\nOther essences\n09727 OldFloor-Int.indd   120\n02 gen 15   11.44\n121\n09727 OldFloor-Int.indd   121\n02 gen 15   16.18\n120121\n120121\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.64.png","122\n09727 OldFloor-Int.indd   122\n02 gen 15   16.18\nCastagno Europeo\nEuropean Chestnut\nCastanea sativa\n | N |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \n Verniciato Naturale Opaco\nFinishing  \n Natural Matt Varnished\n09727 OldFloor-Int.indd   123\n02 gen 15   16.19\n122123\n122123\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.65.png","Olmo Europeo\nEuropean Elm\nUlmus laevis, Ulmus minor\n| GAO |\n| GSO |\n09727 OldFloor-Int.indd   124\n02 gen 15   16.20\n | GSO |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \n Oliato Gesso\nFinishing  \n Gypsum Oiled\n125\n09727 OldFloor-Int.indd   125\n02 gen 15   16.20\n124125\n124125\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.66.png","Olmo Europeo\nEuropean Elm\nUlmus laevis, Ulmus minor\n09727 OldFloor-Int.indd   126\n02 gen 15   16.21\n | GAO |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \n Oliato Grigio Agaard\nFinishing  \n Grey Asgaard Oiled\n127\n09727 OldFloor-Int.indd   127\n02 gen 15   16.21\n126127\n126127\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F45\u002Ffdc6d59b324e9c9630410a633f2070.67.png","Olmo Europeo\nEuropean Elm\nUlmus laevis, Ulmus minor\n09727 OldFloor-Int.indd   128\n02 gen 15   16.21\n | N |\nLavorazione Spazzolato\nCrafting  \nBrushed\nFinitura  \nVerniciato Naturale\nFinishing  \nNatural Varnished\n129\n09727 OldFloor-Int.indd   129\n02 gen 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