[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-occhio-cases-book-commercial-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":264},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":259,"matched_pages":260,"match_count":261,"two_pages":262,"show_text":263},18403,"Cases Book Commercial 2022 ","occhio-cases-book-commercial-2022","\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd2\u002Fb488d9d5499079fee3a6c4a701ed47-28941696ee.pdf","Occhio",1617,"occhio","19.8 MB",[14,17,21,25,29,33,37,41,45,49,53,56,60,64,68,72,75,79,83,87,91,95,99,102,106,110,114,118,122,126,130,134,137,141,145,149,153,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256],{"image":7,"text":15,"number":16},"a new culture of light\nCase Book | Commercial Projects\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.2.png"," a new \n culture \nof light\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.3.png","Everything changes.\nThe only things that last are  \nthe things that evolve.  \nThis new thinking needs space.  \nAnd light that inspires.\nLight and space for new thinking\n5\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.4.png","Dear readers,\nArtificial light is a remarkable cultural achievement: From campfires,  \nto gas lamps, to coiled filament, up to the LED – an evolutionary and,  \nat times, truly revolutionary development.\nWho would have thought even a few short years ago that we would  \nbe able to control light intuitively with an app or gestures? That we  \nwould be able to change the color of light at any time or freely direct  \nit upward or downward? That luminaires and spotlights would be able  \nto take on entirely new forms? That energy consumption could ever  \nbe so low in relation to the luminous intensity? Or that LED light would  \napproach the quality of sunlight?\nCreating a new culture of light – that’s the grand idea that drives us at \nOcchio. Firstly, it comes down to the successful interplay between space, \narchitecture and perception. But more than that it’s about putting the \nfocus on people, helping them become the lighting designers of their \npersonal space and ultimately enhancing their quality of life.\nOur comprehensive, highly innovative product portfolio is constantly  \ngrowing and adding solutions for private and public projects – with it,  \nwe are putting the unique potential of Occhio in your hands.\nA picture is worth a thousand words. Through the selected projects  \nin this Case Book, we invite you to experience the power of the new  \nculture of light from Occhio in various areas of life.\nBe inspired!\nAxel Meise\nFounder, designer and CEO\nForeword\nAxel Meise\n6\n7\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.5.png","One concept,  \nindividual solutions –  \nrooms for  \nbright people\nGabrielenlofts Munich\n10 – 39\nThe lighthouse\nDesign Offices Munich\n78 – 87\nInnovative architecture,  \nbiodynamic light –  \na visionary project\nBORA Niederndorf\n40 – 53\nA spectacular  \ndisplay of virtuoso  \nlighting moods\nAlter Hof Munich\n54 – 67\nNordic clarity  \nand hospitality\nHotel Misan Norderney\n68 – 77\nwe create \na new culture of light\nAbout Occhio\n98 – 119\nNew luster  \nin golden Prague\nVltava riverside, Prague\n96 – 97\nIntelligent light control  \nfor a smart office\nNovalink Frauenfeld\n88 – 95\nTable of contents\nTable of contents\n8\n9\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.6.png","One concept,  \nindividual solutions –  \nrooms for  \nbright people\nGabrielenlofts Munich ( DE )\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.7.png","» Light does not simply  \ncome down to a choice  \nbetween bright and dark.«\nUwe Binnberg \ndevelops projects – from the selection  \nof a location to the idea, design and  \nmanagement of all participating trades.\nAn interview with Uwe Binnberg,  \nproject developer of the Gabrielenlofts\nMr. Binnberg, at what point do you start thinking about light when \nyou design a room?\nUwe Binnberg That starts quite early in the process. My rooms and wor-\nking spaces have to be functional as well as being welcoming spaces. \nThis is why we have to take care of all of the technical requirements while \na building is still just a shell. Different light systems can be used, depen-\nding on the wishes of tenants and customers. Finding individual solutions \nis frequently critical, particularly when you are talking about light.\nWhy? \nUwe Binnberg As we know, people experience light in different ways: \nwhat may be too bright to one person, will be too dark to another. It’s the \nsame with light color: warm light for the evening, cooler light for the day, \nthat goes without saying. But how we experience this differs from person \nto person, too. This is why it makes sense to have individual lighting at \neach workstation to complement the general lighting used in a room.  \nAs I said earlier: people should feel at home in the rooms I design for them.\nWhat do you expect from luminaires?\nUwe Binnberg When it comes to luminaires, I’m just as straightforward as \nI am demanding: their design and function have to meet my requirements. \nI love the many different features that Occhio offers. Light is more than \njust a choice between bright and dark – by changing the light color to be \ncooler or warmer, always oriented toward natural light. \nOne of my wishes for future projects would be for luminaires that automa-\ntically change their light color as the day progresses. After all, people get \ncaught up in what they are doing at work and forget to adjust the light. \nBut I have also heard that Occhio already has a few of such solutions that \nhave made this dream come true. I’ll talk to Axel Meise about it the next \ntime I see him … (laughs)\n» People should feel  \nat home in the rooms  \nI design for them.«\nUwe Binnberg \nCEO – Office Uwe Binnberg\nGabrielenlofts Munich \nThe man behind the concept\n13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.8.png","",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.9.png","An interview with Bernd Sacher,  \ndevelops building solutions in the Gabrielenlofts  \nwith Sacher Ingenieure \nWhat does light mean to you, Mr. Sacher? \nBernd Sacher Light is a fundamental part of our lives – particularly our \nwork lives. The light we have in an office affects how we feel, just like the \nacoustics and room temperature.\nHow would you describe the essence of lighting design?\nBernd Sacher I think good light has two jobs. First, it has to illuminate the \nroom. Second, it has to set the stage for the people in the room. Basically, \nit needs to enable them to do what they do in the best-possible way.  \nThey must be able to do their jobs without feeling tired or being blinded  \nor distracted.\nHow is that achieved? \nBernd Sacher I think very carefully about the lighting level I want before \nevery meeting and presentation. The decision depends on whether it will \nbe a presentation, online meeting or a personal discussion. We spend \nmost of our daily lives in offices. For this reason, I would generally like to \nhave light play a bigger role in planning than it has thus far. I think that we \nplanners should add more atmospheric accents to employee worksta-\ntions, break rooms, conference rooms and reception areas to create a \npleasant lighting mood. \n» I think about the  \nright lighting before  \nevery presentation.«\nBernd Sacher \nis the Managing Director of Sacher  \nIngenieure, a renowned engineering \nand expert office for fire protection\nand structural planning.\n» Good light should serve  \nthe people using a room – \nand enable them to  \ndo what they do in the  \nbest-possible way.«\nGabrielenlofts Munich \nSacher Ingenieure\nBernd Sacher \nManaging Director – Sacher Ingenieure \n17\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.10.png","A warm reception.\nThat wonderful feeling of being welcome. Is this feeling created by the material  \nused in the furniture or by the soft light? Ultimately, it all comes down to how all  \nthe elements work together harmoniously.\nGabrielenlofts Munich \nSacher Ingenieure\n19\n",10,{"image":54,"text":43,"number":55},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.11.png",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.12.png","Facts\nand figures\nGabrielenlofts Munich \nSacher Ingenieure\n22\n23\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.13.png","1\n3\n4\n5\n6\n7\n8\n9\n10\n12\n11\nThe raw rows of concrete that run across the exposed ceiling lend an industrial feel to the  \nGabrielenlofts while the paneled walls serve as vertical façades that reflect the light.\nThe Più alto 3d spotlights can be oriented freely. With their configurable lens optics they  \nprovide a soft, pleasant background light. Thanks to VOLT technology,\nthe adapter disappears completely into the track.\nMito volo 140\nPiù alto 3d track\nProject Sacher Ingenieure + Sachverständige Location Munich ( DE  ) \nYear of completion 2018 Space 1,400 square meters Owner Gabrielenstraße 9 GmbH \nProject development \u002Fconcept Uwe Binnberg \nInterior design Uwe Binnberg Lighting design Lumen3, Occhio\nMito sospeso 60\nLight control system\nGround floor\nGround floor\n1 Reception area\nMito sospeso 60\nMito sospeso 40\nSento verticale\nPiù alto 3d track\nlui piano\n \n2 Executive office\nMito sospeso 40\nMito volo 140\nSento terra \n \n3 Workstations\nMito volo 140\nPiù alto 3d track\n \n4 – 9 Conference rooms\nMito sospeso 60\nSento terra\nPiù alto 3d track\nlui alto\n \n10 Kitchen\nPiù alto 3d track\n \n11 – 12 Staircases\nMito sospeso 60\nlui piano\nFloor plan, Scale 1: 400\nWatch our film about the project at \nwww.occhio.com \u002F gabrielenlofts\n2\nGabrielenlofts Munich \nSacher Ingenieure\n24\n25\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.14.png","The building has been successfully brought back to life, but some \nchallenging conditions have arisen for the lighting designers. What to \ndo? Occhio joined forces with the lighting designers of Lumen3 and \ncame up with the perfect solutions.\nThe goal of the remodeling project of Gabrielenlofts in Munich was clear: \nto convert the worn-out factory building into state-of-the-art offices to \nwhich Occhio would add new splendor with its luminaires. But the job \nproved to be quite a challenge.\nDuring their deconstruction work, crews exposed a ribbed ceiling in the \nbuilding and created some very difficult lighting conditions in the process. \nAll luminaires also had to hang at the same height to create uniform  \nlight. Occhio came up with the perfect light solutions based on specifica-\ntions for workplace lighting set by DIN, the national standards body for  \nGermany, and an expertise by Lumen3.\nThe job of creating the ideal luminaires for this unusual setting required \nOcchio to pay very careful attention to the details. One of these details \nwas the observance of the prescribed unified glare rating (UGR). The pro-\nperties of the room itself play a key role in this rating as well. In office \nrooms, this rating should not exceed UGR 19 in order to facilitate glare-\nfree work at workstations equipped with computer monitors.\nThe Mito linear luminaire series turned out to be the light of choice for this \ntricky job. Mito volo, the suspended luminaire in this series, is completely \nglare-free, can provide both direct and indirect lighting and offers optimal \ncolor rendering. The luminaire can be integrated into the pre-existing  \nbuilding lighting control system and can be synchronously managed to \nprovide the best uniform light for workstations.\nThe room concept was then fine-tuned in cooperation with Lumen3, a step \nin which special profiles were even produced for the ribbed ceiling. Occhio \nspecialists came up with a way to hang the luminaires using external bolts \nthat’s unique to this project. It was an exciting process for everyone invol-\nved: a unique product settled, step by step, into its new surroundings. \nThe results speak for themselves – the calm of the design, the elegance \nand the simplicity of the luminaires that contrast so sharply with the  \nrawness exuded by the ceiling. \nA tricky problem.  \nA tailored  \nlighting solution.\nLight is considered at a very early stage in the office of Sacher Ingenieure.  \nThe project team devises the ideal concept step by step – for room and light.\nA tailored lighting solution \nSacher Ingenieure\nA tailored lighting solution \nSacher Ingenieure\n26\n27\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.15.png","» Our rooms are an expression  \nof our culture, our identity.«\nMr. Martin, what does the word »room«  \nmean to you as a designer?\nPeter Martin You can certainly say something quickly, but it would take \nlonger to build. For this reason, I consider every room to be a con- \nstructed, materialized and long-term message. I think that the way that \nwe want to work in the future depends primarily on the room in which we \nwork. This room must be designed in such a way that, in terms of its at-\nmosphere and quality, the processes that take place there have already \nbeen considered or, better still, anticipated!\nHow do you anticipate a room that  \nhas not even been built yet?\nPeter Martin (laughs) Great question! I try to assume different perspecti-\nves and anticipate all dimensions in the design. One thing is clear: you \ncan certainly anticipate many things, but you cannot do all of them justice. \nAt the end of the day, every room is always just an approximation of your \nideal place. This is the compromise that you ultimately have to make. But \nI am happy to make it.\nWhat sort of fundamental principles  \nare you applying right now?\nPeter Martin We want to lend our identity to the room, but we do not \nwant to overwhelm the identity of the room, and certainly not to destroy it. \nWe try to identify the essentials, analyze them and then consider how we \ncan optimally support them.\nWhat will the design-related requirements for  \nworking atmosphere be in the future?\nPeter Martin The old office world is too clean and strict. Today, people \nwant to be able to concentrate on their work, but the organization itself \nshould resemble a small family. You want to be able to withdraw and work \nby yourself, but still be part of a community. I personally am happy when \npeople feel at home. This is usually the basic requirement for good work. \nWe want to create a new welcoming environment in the corporate world. \nIt should be more free, open and inviting – this is the goal we are setting \nin the world.\nWhat role does light play as you  \nimplement your vision? \nPeter Martin Having the right light at the right moment is absolutely  \nessential. A couple will light a candle when they want to spend a romantic \nevening together. This makes it obvious: this will not be a business  \nmeeting. By contrast, we need to be able to see things clearly at work. \nThis is why we need clear and bright light. Light must be able to react \ndifferently to various formats and situations.\nDo you think there is such  \na thing as perfect light? \nPeter Martin The perfect light reflects the cycle of nature – it is stimulating \nin the morning, brilliant at midday and soothing, warm and soft in the \nevening. A sunset is a very special moment that you only really get in  \nnature. The light becomes warmer and finer. It casts a different shadow. \nThe natural softness fosters the moment in which day turns into evening –  \nthe moment of warmth and comfort. You can see what I mean if you  \nlook at our rooms on these pages: we have created an environment  \nin which people who trust one another can escape and have candid \nconversations.\nAn interview with Peter Martin,\nadvises the clients of his agency Martin et Karczinski  \nin the Gabrielenlofts\nPeter Martin\nis brand strategist, designer and CEO  \nof Martin et Karczinski. The agency has  \noffices in Munich and Zurich, and advises \nsuch clients as Lufthansa and Occhio  \nas a branding lead.\n» Feeling at home is usually  \nthe basic requirement for  \ngood work. We want to create  \na new welcoming environment  \nin the corporate world.«\nGabrielenlofts Munich \nMartin et Karczinski\nPeter Martin \nCEO – Martin et Karczinski\n29\n",15,{"image":73,"text":43,"number":74},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.16.png",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.17.png","Conference rooms are also living spaces – after all, employees spend much of their time  \nin offices. This conference room in the Gabrielenlofts is certainly a place for good discussions. \nClarity and reduced design complement the warmth and feel of forms and materials.  \nWho’s up for another round of brainstorming?\nGabrielenlofts Munich \nMartin et Karczinski\n33\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.18.png","The calm before the idea.\nThe personal offices of Peter Martin, the CEO of Martin et Karczinski.\nIn what sort of atmosphere can you think most clearly? When you can relax and let go.  \nWhen you are at one with your surroundings, a place that inspires you by treating  \nthe senses. And when the light envelops you.\nGabrielenlofts Munich \nMartin et Karczinski\nGabrielenlofts Munich \nMartin et Karczinski\n34\n35\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.19.png","Facts\nand figures\nGabrielenlofts Munich \nMartin et Karczinski\n36\n37\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.20.png","» Having the right light, \nfor the right moment is \nabsolutely essential.«\nPeter Martin\nSecond floor\n1 Reception area – office\nio tavolo\nlui basso\n2 Hallway\nlui basso\n3 Kitchen\nSento terra\n4 – 8 Conference rooms\nMito volo 100\nio tavolo\n9 Outdoor area\nSito palo\nSito basso\n10 Reception area – academy\nMito sospeso 60\nlui alto\n11– 14 Conference rooms\nSento terra\nlui alto\n15 Kitchen\nio pico\nlui volto\nio tavolo\nlui piano pure\nFloor plan, Scale 1:350\nFifth floor\n1 Reception area – \nexecutive office\nlui piano pure\n2 – 5 Restrooms\nlui piano pure\n6 Kitchen\nlui piano pure\n7 Meet & dine area\nlui piano pure\n8 Lounge area\nMito largo\nlui piano pure\n9 Executive office\nMito raggio\nlui piano pure\n10 Outdoor area\nSito palo\nProject Martin et Karczinski Location Munich ( DE  ) Year of completion 2018 Space 2,500 square meters \nOwner Gabrielenstraße 9 GmbH Project development \u002Fconcept Uwe Binnberg \nInterior design seven elohim architektur + design Lighting design seven elohim, Occhio\nFifth floor\nSecond floor\n1\n1\n2\n3\n4\n5\n6\n7\n8\n9\n10\n9\n2\n3\n5\n6\n7\n8\n4\n10\n11\n12\n13\n14\n15\nLight control system\nOcchio air\nWatch our film about the project at \nwww.occhio.com \u002F gabrielenlofts\nMito volo 100\nGabrielenlofts Munich \nMartin et Karczinski\n38\n39\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.21.png","Innovative architecture,  \nbiodynamic light –  \na visionary project\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.22.png","» Only by being open and \ncurious, by challenging the  \nway things are being done,  \ncan you make real progress.«\n» Thinking outside the \nbox is in our DNA.«\nAn interview with Willi Bruckbauer\nBORA has grown swiftly since being established in 2007: the company that \nwent into business with a workforce of one now has more than 350 employees, \nhas earned many innovation awards and is a main sponsor in bicycle racing. \nAn all-around success story. But things did not start out that way.\nWilli Bruckbauer That’s right. When I started out, I was laughed at by more than \njust the kitchen industry. I also couldn’t find a partner with the financial resources \nI needed. Market research wasn’t very encouraging either. But I stuck with it.  \nI didn’t apply the lessons you find in business textbooks. I came up with unusual \nideas, including ones for marketing. And we became a powerful brand. I was \nconvinced – and remain convinced – of one thing: only by being open and curious, \nby challenging the way things are being done, can you make real progress and \nachieve success. Thinking outside the box – this is built into our DNA at BORA. \nAnd I think that Occhio is that way, too. Axel Meise is also passionate about his \nideas, philosophy and products – and Occhio also ventures off the beaten path.  \nI like that. It describes BORA, too, and connects us.\nMr. Bruckbauer, how important is it to have the  \nright atmosphere when you cook?\nWilli Bruckbauer Very important! Light naturally plays a role in creating the right \natmosphere. You also want to spend time in the kitchen with friends and have  \nfun together. You want to have a warm, welcoming light for such occasions.  \nYou need bright light in the right place when you are preparing food and cooking. \nIn terms of design and thinking, it should match our kitchen designs, as the look \nplays as much of a role as function. As a master carpenter, I developed a prefe-\nrence for high-quality materials and linear, simple and elegant design – qualities \nthat I also see at Occhio. I should also point out that our BORA systems offer \nspace and, thus, freedom for individual lighting design ideas. Unlike conventional \ncooker hoods, our concept does not interrupt your field of vision because our \nsystem is integrated directly into the cooktop. And Occhio is the perfect match \nfor the design of our products as well.\nIs this why you installed Occhio luminaires  \nin your company headquarters?\nWilli Bruckbauer Definitely. I want my employees to have first-class light for every \nworking situation they face. We also place a high priority on active relaxation  \nand healthy diets. We have exercise and relaxation rooms that have the same kind \nof mountain air you would find at an elevation of 2,000 meters. These are places \nwhere employees can go and recharge their batteries. I really want them to feel  \nat home while at work and to remain active and healthy. The right light helps  \nme do so.\nWilli Bruckbauer\nis the founder of and the creative force  \nbehind BORA, a company that produces \ngroundbreaking integrated cooktop ex- \ntractor systems. Melding technology and  \naesthetics on the very highest level – this  \nis the philosophy of the master carpenter.\nBORA Niederndorf\nWilli Bruckbauer \nCEO – BORA\n43\n",22,{"image":100,"text":43,"number":101},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.23.png",23,{"image":103,"text":104,"number":105},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.24.png","A stage for the art of cooking.\nBORA Niederndorf\nBORA Niederndorf\nThe mix of concrete, steel and rustic wood,  \ncombined with magnificent surfaces, is unusual – \nthese are the type of deliberate contrasts that \nBORA loves. The show kitchen is perfectly  \naccentuated by the interplay of Mito sospeso  \nand lui spotlights. A lively, yet confident and  \ncalm lighting design.\n46\n47\n",24,{"image":107,"text":108,"number":109},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.25.png","Facts\nand figures\nRecharging the batteries.\nA spa at work? You bet! BORA employees can retreat into this inviting relaxation room to \nchill out when stress becomes too much. The biodynamic light control of the Mito sospeso \nvia DALI is based on daylight: The color temperature continuously adjusts itself over the \ncourse of the day and always produces the right lighting conditions.\nBORA Niederndorf\n48\n49\n",25,{"image":111,"text":112,"number":113},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.26.png","» We also place a high priority on \nactive relaxation and healthy diets.  \nI really want our employees to feel \nat home while at work.« \nWilli Bruckbauer\nMito sospeso 40\nlui alto track\nSecond floor \n1 Show kitchen & \ntraining center\nMito sospeso 60\nMito sospeso 40\nThird floor\n1 Show kitchen\nMito sospeso 40 \nlui alto track\n2 Cafeteria – serving\nMito sospeso 40\nlui alto track\n3 Cafeteria – seating area\nMito sospeso 60\nMito sospeso 40\nlui alto track\nFloor plan, scale 1:200\n1\n2\n3\nProject BORA Location Niederndorf ( AT ) Year of completion 2018  \nSpace 4,500 square meters  Owner BORA Architecture Guggenbichler + Wagenstaller \nInterior design BORA Lighting design Licht im Werkhaus \n1\nThird floor\nSecond floor\nLight control system\nMito sospeso 60\nBORA Niederndorf\n50\n51\n",26,{"image":115,"text":116,"number":117},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.27.png","DA\nDA\nMito DALI box\nCentrally controlled luminaires\nIn addition to brightness, the color temperature of the Mito luminaires is also regulated \nvia DALI at BORA.. The system biodynamically adjusts itself to the passing of \nthe day – from warm lighting tones with 2700 Kelvin to cooler light with 4000 Kelvin.\nHow Mito \nsospeso learned \na new language.\n2700 K\n4000 K\ncolor tune\nThanks to the Mito DALI Box, luminaires of the Mito  \nseries can be optionally integrated into existing DALI \nsystems and controlled with it centrally. The ceiling,  \nsuspended and wall luminaires of all Occhio luminaire \nseries are also available in DALI-compatible versions.\n \nState-of-the-art building engineering frequently uses control systems to \ntransmit data. In turn, the light control is generally handled by the widely \nused DALI bus.\nIn this project, the customer, BORA, was looking for a human-centric \nlighting concept. The Electronics Department at Occhio devised a tech- \nnical solution that can translate the commands of the DALI bus to the \nOcchio format.\nThanks to the new special configuration of the luminaires, they are now \nable to understand the incoming commands. As a result, it became  \npossible to control the Mito sospeso by using the DALI bus standard for \nthe first time – and to adjust the brightness, color temperature and the \nrelationship between direct and indirect light.\nMito sospeso learned a new language – and BORA’s request for a human-\ncentric lighting system became a reality. \nDALI light control \nBORA\n52\n",27,{"image":119,"text":120,"number":121},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.28.png","A spectacular \ndisplay of virtuoso \nlighting moods \n \nAlter Hof Munich ( DE )\n",28,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.29.png","» The dynamic daylight  \nflits through the room like  \na fairy. But we succeeded  \nin capturing it.«\nAn interview with Helen Neumann\nMs. Neumann, as the Head of Lighting Design of Occhio,  \nyou helped design and carry out the remodeling project at the Alter Hof \nfrom the start. What made this project so special? \nHelen Neumann The sublime, sophisticated architecture is brought to life by an \nextremely large number of façade openings. In the open office area, sloped glass \npanels provide amazing views of Munich as well. You can see the Cathedral \nChurch of Our Lady and can observe the towers from amazing perspectives.  \nThe architecture is defined by these many beautiful glass areas. For the lighting \ndesign, this requires you to harmonize the daylight that is pouring in from  \neverywhere with artificial light. The lively, high rooms have few reflective areas  \nthat you can use to direct the light back into the room. Daylight is dynamic, and \nin the Alter Hof it flits through the room like a fairy. Creating focused work  \nlight here proved to be an exciting challenge for us lighting designers. But we  \nsucceeded in capturing the fairy and creating a type of magical symbiosis  \nbetween the architecture and lighting.\nWhat approach did you take?\nHelen Neumann We took an exciting journey together with the interior designers \nand the owners. We all moved forward with great care. And we had to abandon \nthe standard in the process, such as with the mountings for our Mito sospeso \nsuspended luminaires in the conference rooms. In this case, we turned to the \nglass slopes and mounted the luminaires with a specially made metal clip in such \na way that they can still hang straight on the sloped areas. They look as though \nthey’re floating in the room. If, in the end, it looks as though someone simply \ntossed the luminaires into place, then the idea has worked perfectly – the light-\nness of appearance. It does not spoil the effect of the architecture in any way. \nRather, it appears light and transparent thanks to the glass façades.\nWe each perceive light differently. What light-control options  \ndid you create in the Alter Hof? \nHelen Neumann You can control the light with DALI or our Occhio air app.  \nDALI sets the general lighting in accordance to a certain time cycle, on which the \nOcchio spotlights operate. We programmed a range of light scenarios after  \nhaving detailed discussions in which employees here in the Alter Hof talked  \nabout their wishes and needs. Every workstation is of course equipped with  \nits own individual light solution. We used our Mito terra 3d floor luminaire here.  \nIt is disconnected from the DALI system and can be operated individually with \nOcchio air or gesture control. The Mito sospeso luminaires in the conference \nrooms are also controlled with Occhio air.\n» We have created a  \nmagical symbiosis between  \narchitecture and lighting.«\nHelen Neumann \nis the Head of Lighting Design at Occhio. \nShe or her team can be consulted as early \nas the planning phase of new buildings \nwhen necessary.\nHelen Neumann \nHead of Lighting Design – Occhio\nAlter Hof Munich\n57\n",29,{"image":127,"text":128,"number":129},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.30.png","High. Light.\nThe Alter Hof was an unusually challenging project to design. From the second  \nvisitors enter the reception area, they are dazzled by the towering, open rooms – the \ngracefully floating Mito sospeso cloud enhances the airy and inviting nature of  \nthe site. The canopies of the luminaires are mounted on grids with a specially made  \nsubstructure and bring harmony to the disorder caused by the shifting daylight.\nAlter Hof Munich\n58\n",30,{"image":131,"text":132,"number":133},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.31.png","Best perceptions, best prospects: The desks  \nin this office of the Alter Hof are illuminated by  \nMito terra 3d, which can be individually set and  \nare ideal for focused work. The huge windows  \nprovide magnificent views of downtown Munich, \n including of the Cathedral Church of Our Lady.\nAlter Hof Munich\nAlter Hof Munich\n60\n61\n",31,{"image":135,"text":43,"number":136},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.32.png",32,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.33.png","Facts\nand figures\nAlter Hof Munich\n64\n65\n",33,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.34.png","A lounge area in the gallery on the top floor of the Alter Hof is an inviting  \nplace to take a break. The height-adjustable suspended luminaires Sento sospeso\ncreate the soothing light mood needed for such times.\nProject Alter Hof Location Munich ( DE ) Year of completion 2019 Space 1,800 square meters\nOwner Bayerische Hausbau GmbH Architecture Peter Kulka Architektur \nInterior design CSMM Lighting design Occhio\nFourth floor\n1 Reception area\nMito sospeso 60\nMito sospeso 40\nMito raggio\nio piano\n \n2 – 10 Conference rooms\nMito sospeso 60\nSento verticale\nPiù piano\nlui piano\n \n11 Executive office\nMito terra 3d\n \n12–19 Individual offices\nMito terra 3d\nlui piano\n \n20 Workstations\nMito largo\nMito terra 3d\nSento verticale\n \n21 – 22 Restrooms\nlui piano\n \n23 Staircase\nMito soffitto 60\nMito soffitto 40\nMito soffitto 20\nFifth floor\n1 Lounge area\nSento sospeso\nio piano\nlui alto\n \n2 – 3 Conference rooms\nMito sospeso 60\nMito soffitto 40\nlui piano\nFloor plan, scale 1: 450\n2\n1\n1\n2\n3\n4\n5\n6\n7\n8\n9\n10\n11\n20\n21\n22\n23\n12\n13\n14\n15\n16\n17\n18\n19\n3\nFourth floor\nFifth floor\nLighting control system\nOcchio air\nMito sospeso 60\nMito terra 3d\nSento sospeso\nio piano\nAlter Hof Munich\n66\n67\n",34,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.35.png","Nordic clarity \nand hospitality\nHotel Misan Norderney ( DE )\n",35,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.36.png","Outside, the storm is raging.\nThe mild and soft natural tones and materials at Hotel Misan meld the color  \nnuances of Norderney’s sandy beaches with the architecture in the  \nspacious lobby, bar area and restaurant. Minimalistic design and islands of  \nlight over the tables and the bar create an intimate and cozy evening mood –  \nparticularly when the wind is whipping the North Sea in fall and winter.\nHotel Misan Norderney\nHotel Misan Norderney\n71\n",36,{"image":154,"text":43,"number":155},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.37.png",37,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.38.png","Facts\nand figures\n75\n",38,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.39.png","The sea eternally beckons – in rooms with views of the sea, the interior should not  \ncompete with the view itself. The lighting joins in the fascinating interplay of golden  \nlight in front of the window in a very pleasant way. The luminaire design and the  \nquality of light harmoniously interlink all zones of the room.\nSento lettura 125\nlui volto\nProject Hotel Misan Location Norderney ( DE ) Year of completion 2020  \nSpace 1,200 square meters  Owner CWD Miramar Architecture Schulze Gronover Architekten \nInterior design kas-innenarchitektur Lighting design Occhio \nPlan floor, scale 1: 250\nGround floor\n1 Reception area \nMito soffitto\nPiù piano\n2 Restaurant & bar\nMito sospeso 60\nMito sospeso 40\nPiù piano\n3 Corridor\nPiù alto\nSento verticale\n4 – 6 Suites\nSento sospeso\nSento verticale\nSento lettura 125\nlui volto\n7 Double room\nSento sospeso\nSento verticale\nSento lettura 125\nlui volto\nThird floor\n1 Corridor\nPiù alto\n2 – 5 Suites\nSento sospeso\nSento verticale\nSento lettura 125\nlui volto\nGround floor\nThird floor\n5\n2\n3\n4\n1\n6\n7\n5\n3\n1\n2\n4\nLighting control system\nOcchio air\nPhase cut\nMito sospeso 60\nHotel Misan Norderney\n76\n77\n",39,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.40.png","The lighthouse\nDesign Offices Munich ( DE )\n",40,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.41.png","That’s the sense you get the moment you set foot in the open, modern working world of \na new generation found in the Bavaria Towers in Munich. In the highest of the four towers, \nDesign Offices offer seven floors and 9,000 square meters of high quality work space – \nand luminaires from Occhio take the quality of lighting to a whole new level.\nThat feeling of \nbeing welcome.\nDesign Offices Munich\nDesign Offices Munich\n80\n81\n",41,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.42.png","Versatility has never looked so good: The Design Offices in Munich combine  \nthe highest levels of variability with the very best quality of design and light.  \nUsing an intelligent track system that harmonizes with the trapezoid-shaped  \nfloor plan of the building, it was possible to realize ambitious yet flexible  \nlighting solutions for all areas – and all within a tight budget.\nIn addition to the acoustic effect of the Mito soffitto acoustic (left), its suspended  \npanels offer an additional reflective surface for light and open up entirely new  \npossibilities for ceiling design.\nDesign Offices Munich\nDesign Offices Munich\n82\n83\n",42,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.43.png","Favorite spot.\nFacts\nand figures\nThe right atmosphere for everyone: Thanks to »color tune« the color of the light can be  \nadapted dynamically to the rhythm of daylight – and can be controlled across all floors  \nusing Occhio air. Users come into play as designers, able to use gesture control or Occhio air \nto make individual adjustments to the overall atmosphere and personalize the situation. \nDesign Offices Munich\n84\n85\n",43,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.44.png","Masstab 1:400\n4\n6\n7\n8\n1\n2\n3\n9\n10\n11\n12\n13\n14\n24\n26\n25\n16\n17\n18\n19\n20\n21\n22\n23\n15\n3\n1\n4\n5\nCome. Together.\nProject Design Offices Munich Location Munich ( DE ) Year of completion 2020 \nSpace 9,000 square meters Owner Bayern Projekt GmbH Architecture Nieto Sobejano Arquitectos \nInterior design Design Offices Lighting design Occhio \nMito soffitto 60 acoustic\nPiù R alto 3d track\nFloor plan, scale 1: 400\nSecond floor\n1 Reception area\nMito sospeso 60\nPiù R alto 3d\nPiù R alto 3d track\n2 Event area\nMito sospeso 60\nMito sospeso 40\nMito raggio\nPiù R alto 3d track\n3 – 5 \nOpen office space\nMito sospeso 60\nMito sospeso 40\nMito raggio\nPiù R alto 3d\nPiù R alto 3d track\n6  – 11 \nFlexible office space\nMito sospeso 60\nMito sospeso 40\nMito soffitto 60 acoustic\nMito soffitto 40 acoustic\nMito volo 140 track\nMito volo 100 track\nPiù R alto 3d track\n12 – 14 \nClosed office space\nMito sospeso 40\nMito volo 140 track\nPiù R alto 3d track\nSixth floor\n1 Lounge area\nPiù R alto 3d track \n2 –  6 \nOpen office space\nMito volo 140 track\nPiù R alto 3d track\n7– 25 \nClosed office space\nMito volo 140 track\nPiù R alto 3d track\n26 Corridor\nPiù R alto 3d\nSecond floor\nSixth floor\nMito volo 140 track\nLighting control system\nOcchio air\nMito sospeso illuminate this event area of the Design Offices. The suspended luminaires  \nare set at different heights and arranged loosely to radiate a particular sense of lightness.  \nThis creates the right lighting mood for any occasion.\n5\n10\n11\n12\n13\n14\n2\n6\n8\n9\n7\nDesign Offices Munich\n86\n87\n",44,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.45.png","Intelligent light control \nfor a smart office\nNovalink Frauenfeld ( CH )\n",45,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.46.png","Novalink Frauenfeld\n» I’m like a kind of technology  \nscout, constantly on the  \nlookout for new developments  \nand ideas.«\nAnton Biersack\nis the Chief Technology Officer at Occhio.  \nThe graduate engineer is head of the \nElectronics, LED Technology, Optics and  \nLight Control Departments within the company.\n» With the order from  \nNovalink we were able  \nto really demonstrate  \nour ability to innovate.«\nMr. Biersack, you are the Chief Technology Officer at Occhio,  \nhow would you explain to a non-specialist what it is you do?\nAnton Biersack Firstly we develop the electronics in the luminaires and \nthe software for everything to do with light control. These are all the  \nfeatures with which light can be controlled. Warm or cool, bright or dark, \nupward or downward. We also cooperate closely with our manufacturers \nto ensure that everything runs optimally, from the idea up to the reali- \nzation. And my job also involves being constantly on the lookout for new \ndevelopments and ideas, like a kind of technology scout.\nLike with the order for Swiss company Novalink? \nAnton Biersack Exactly. For this order we illuminated the office rooms in a \nmodern, round building in a completely new way. The customer develops \nalarm and security systems and was therefore very tech-savvy and had \nprecise ideas: The entire lighting system was to be controlled automatically \nusing motion sensors in the ceiling, walls and luminaires. The goal was to \ncreate a uniform lighting atmosphere that still enabled a certain amount of \nflexibility at the workstation.\nInterview with Anton Biersack\nWould you say it was an order in which you pushed  \nthe limits of what was technically possible? \nAnton Biersack (laughs) The order certainly spurred on our ambition,  \nbut we were able to really demonstrate our ability to innovate. We soon \nrealized that we wouldn’t be able to implement the customer’s wishes \nwith our standard luminaires from the Mito linear series at the time. As a \nresult, we developed a new software and modified the control functions \nand sensors in the luminaires – of course, without changing the design. \nOnly with a combination of motion sensors in the room and in the lumi-\nnaires were we able to ensure the desired result: a control system based \non daylight that changed the color temperature depending on the time  \nof day and weather, and automatically turned the luminaires on or off  \ndepending on whether or not there was anyone there. It is controlled  \nby our Bluetooth-based light control system Occhio air which is also  \navailable as an app.\nIn future, you plan to pool together control options specially  \nfor the project area with Occhio air plus.\nWhat exactly can lighting designers, developers and  \narchitects expect from this? \nAnton Biersack We offer professionals entirely new possibilities when  \nit comes to light control: As of now, luminaires can be controlled  \nsimultaneously, for example – using our light control system Occhio air, \nwithout the need for a cable. It is also possible to automate the control of \nluminaires using sensors, as we did for Novalink. DALI gateways enable \nthe option to integrate all luminaires directly into the building services. \nAnd for those who wish to use the Occhio air network »remotely« and not \njust within range of their phone, we have created new solutions for this, \ntoo. I look forward to seeing what kind of projects will be realized with \nOcchio air plus in the near future. And I am very excited about the new \npossibilities we are providing for architects and designers, enabling them \nto control the light in their projects in a state-of-the-art way.\nAnton Biersack  \nChief Technology Officer – Occhio\n91\n",46,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.47.png","1\n5\n4\n2\n3\n1a\n2a\n2b\n2d\n3a\n3b\n2c\n1b\n1c\n5a\n5b\n5c\n5d\nLearn more about our control options \nfor the project area at   \nwww.occhio.com \u002F occhioairplus\nOcchio air plus offers professionals new possibilities for controlling light in their  \nprojects: at Novalink, sensors allow for the automated control of luminaires.\nThe color temperature and intensity changes automatically over the course of the day  \ndepending on the time of day and ambient brightness. The luminaires are turned  \non and off using motion detection sensors. Sensors and luminaires communicate  \nwith each other via Occhio air.\n1 Motion sensors \ninteracting with luminaires 1a –1c Mito terra\n2 – 5 Motion sensors\ncontrol luminaires 2a – 5d as above\nNovalink Frauenfeld\nOcchio air plus –  \nexternal sensor\n92\n",47,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.48.png","Novalink Frauenfeld\nConcentrated.\nIn Novalink’s smart office, biodynamic lighting design is coupled with motion sensors.  \nFor Occhio, this meant a technological challenge first during the design phase,  \nwhich was solved together with the customer. The Mito terra floor luminaires change  \ntheir color temperature depending on the time of day and weather. At most, 4000 K,  \na » normal white «, prevails in the office, which offers maximum concentration to  \nthe employees.\nRelaxed.\nThe same office, except in this case the luminaires emit a color temperature of  \n2700 K,  a »warm white «. Here we see a much more relaxing atmosphere.  \nThe inviting light is perfectly suited to starting the new day in the office feeling  \ngood, or rounding off the day’s work in the late afternoon.\nNovalink Frauenfeld\n94\n95\n",48,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.49.png","New luster in  \ngolden Prague\nAnyone walking along the banks of the Vltava in Prague today will soon be \ndrawn to a lively surroundings of cafes, clubs, studios and workshops. \nWhere once 20 ancient ice storage vaults were closed, the heart of the \ncity beats today. Architect Petr Janda masterminded this spectacular \nrevitalization.\n» We wanted to create a contrast between the original, completely closed \nvaults and the newly acquired, fully open state,« explains Janda. The \ncross section of the vault cladding was added to a circular shape with  \nan elliptical pivot window, altering the overall perception. The work with \nlight became part of the day and night strategy.\n» We were looking for a method that kept the design as natural as possib-\nle. We decided on the Sento luminaires from Occhio because they add  \nto the visuality of the entrance portal in a natural way and evoke the  \nimpression of a fractal relationship between the heads of the luminaires \nand the window. The strengths of Sento are its uncompromising design, \nthe modularity of individual adaptations and the adjustability of the  \nlight intensity.«\nPlace of inspiration\nPlace of inspiration\n",49,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.50.png","a new culture of light\na new culture of light\n",50,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.51.png","Quality of design\nDesign and function go hand in hand at Occhio – a symbiosis that  \ntransforms quality into an experience! Premium materials and\nmeticulous workmanship with lots of attention to detail lend a perfect \naesthetic that’s also sustainable. Thanks to Occhio’s holistic concept,  \nrooms or even entire buildings can be uniformly designed – all with  \nthe highest levels of design quality.\nphantom – the fascinating new surface\nAbout Occhio\n101\n",51,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.52.png","Color rendering \n The perceived quality of light is determined by the quality of rendering  \nof the visible spectrum of light. The measuring unit is the so-called color  \nrendering index ( CRI ). As a reference, natural sunlight has a CRI of 100.  \nOcchio » high color « and »perfect color« LEDs come very close to this  \nideal with a CRI of 95 or 97, producing the best possible color rendering. \nQuality of light\nWe use light to create living spaces, moods and atmospheres.\nPrecise, selectable optics provide unique design possibilities –  \nall with the highest quality of light: A color rendering index ( CRI )\nof 95 and above guarantees the best lighting conditions.\nAbout Occhio\n102\n",52,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.53.png","About Occhio\nup \u002F down fading\nsync\npresence sensor\nOcchio air\ndimming\nremote\ncolor tune\nexternal sensor\nSetting the stage \nusing light\nOcchio takes design possibilities with light to a whole new level:  \nWith Occhio air, light can easily be controlled, in individual rooms,  \nhouses or entire buildings. As individual luminaires or all at once.  \nOn site or remotely. Personally or automatically. Smart light control  \nreacts flexibly. Occhio luminaires are also optionally available  \nin DALI-compatible versions.\nLuminaire\nGroup\nScene\nOcchio air\nDALI\n105\n",53,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.54.png","Holistic lighting design\nWhether designing individual situations and rooms or illuminating entire \nbuildings: Holistic lighting solutions from Occhio offer unprecedented \npossibilities for lighting design – for all areas of life. The innovative system \narchitecture provides consistent quality of light and design and, thanks  \nto its well thought out connectivity, offers a unique ,joy of use‘.\n",54,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.55.png"," Office\n Shop\n Living\n Living\n Living\n Living\n Office\n Hospitality\n",55,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.56.png","Mito\nMito linear\nThe myth of light – Mito combines iconic \ndesign, fascinating quality of light and in-\nnovative possibilities to interact with light \ninto one, comprehensive system – creating  \nentirely new ways to experience light. \nFeatures\ncolor tune | up \u002F down fading | touchless con- \ntrol | Occhio air ( optional ) | height adjustment   \n( optional for suspended luminaires ) | CRI 95 | \nselectable optics\nThe new shape of light – puristic design, \nrevolutionary lighting technology and inno-\nvative control options: Mito linear opens up \nnew forms of lighting design.\nFeatures\ncolor tune | up \u002F down fading | touchless con- \ntrol | Occhio air ( optional ) | height adjustment   \n( optional for suspended luminaires ) | CRI 95 | \nselectable lens options\nX Series\nX Series\n",56,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.57.png","Più\nPiù R\nSento\nSento sospeso\nDesign meets innovation – Sento combines \ntimeless design, the highest level of vari-\nability and unique quality of light into one \nmodular, innovative system for holistic light-\ning design.\nFeatures\nlens optics | selectable lighting effects | \ncomprehensive system architecture | up \u002F\ndown fading | touchless control | Occhio \nair ( optional ) | CRI 97 | height adjustment  \n( optional for suspended luminaires )\nPerfect purism – as a system of surface-mount-\ned, recessed and track spotlights whose every \ndetail has carefully thought out, Più also offers \nthe perfect lighting solution for any situation \nthanks to a wide array of lens optics.  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Outside. With Sito, the high-\nest design standards and Occhio’s excep-\ntional quality of light are transferred to the \noutdoors – as a comprehensive system for \nholistic lighting design in outside areas. \nFeatures\nlens optics | selectable lighting effects | \ndust-tight and jet-proof | Occhio air (option-\nal) | CRI 97 | VOLT technology ( plug & play )\nlei\nSito\nE Series\nM Series\n",59,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.60.png","phantom*\nrose gold * ( Mito )\nmatt black\nbronze*\nmatt gold\nmatt white\n rose gold* ( Sento, Più, io, lui, lei )\n glossy white ( Sento, Più, io, lei )\nSurfaces\nmatt chrome ( Sento, Più, io, lui, lei )\nshiny chrome ( Sento, Più, io, lui, lei )\nmatt silver ( Mito )\nlive your style\nFor details about surfaces and configurations, please see www.occhio.com\n*PVD surfaces that are manufactured in a complex metalization process\n",60,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.61.png","Occhio+\nOcchio+\nFind out more about Occhio+ \nwww.occhio.com \u002F occhioplus \nThe plus for pros: \nmake use of the full potential  \nof holistic lighting design!\nOcchio+ expands Occhio’s product portfolio for the project area: \nOcchio pro offers versions with maximized luminous intensity and free \nconnection options for building controls – all the while optimizing costs.\nOcchio pure spotlights and luminaire versions can be integrated into the\nbuilding via mounting boards – to meet the highest aesthetic demands.\nOcchio acoustic combines Occhio’s characteristic quality of light and \ndesign with acoustically effective elements to create a new synthesis with \nthe building and interior design.\nOcchio air plus adds cutting-edge features for private and public projects \nto the innovative Occhio air Bluetooth control system.\n+\n+\n+\n+\nOcchio+\n",61,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F5d\u002Fe2f6541feb53b0710d123587d64903-28941b2ab3.62.png","www.occhio.com\nEditor\nOcchio GmbH\nWiener Platz 7\n81667 Munich\nTel + 49 89 44 77 86 30\nFax + 49 89 44 77 86 39\ninfo@occhio.com\nRepresented by: \nManaging Director Axel Meise  \nand Dr. Benno Zerlin  \nRegister entry:\nCounty Court Munich, HRB 133172   \nVAT identification number: GER 813 013 462\n \nProduct design\nAxel Meise\nCo-designer: Christoph Kügler \nConcept \u002F Design \u002F Post-Production\nMartin et Karczinski  \nwww.martinetkarczinski.de \n \nEditorial team\nLooping Group\nwww.looping.group \nRenderings\nChris Faber\nSunday digital, www.sunday.digital\nPhotos\nMierswa & Kluska, www.mierswa-kluska.de\nRobert Sprang, www.rsfotografie.de\nChristoph Philadelphia,  \nwww.christoph-philadelphia.com \nRegina Recht, www.reginarecht.com\nBoysPlayNice Photography & Concept,  \nwww.boysplaynice.com\nOliver Jaist, 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