[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-nube-collection-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":365},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":360,"matched_pages":361,"match_count":362,"two_pages":363,"show_text":364},18396,"Collection 2023","nube-collection-2023","\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F7a\u002F392fe757d71566b68edcec44e3d300-28939dbdeb.pdf","Nube",1354,"nube","6.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357],{"image":7,"text":15,"number":16},"Collezione \u002F collection\n2023\nCantù, Italia\ndal 1958.\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.2.png","2\n1\nAzienda\u002Fcompany ............................................. 2\nCollezione\u002Fcollection ...................................... 7\nProdotti\u002Fproducts ............................................... 142\nDesigner ...................................................................... 166\nSezione\u002Fsection\nPagina\u002Fpage\nINDICE\u002FSUMMARY\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.3.png","2\n3\nAZIENDA\u002FCOMPANY\nCantù, Italia dal 1958.\nCantù, Italy since 1958.\nStoria\nNube nasce nel 1958, nella laboriosa Brianza. Conta-\nre gli anni, per un’azienda che fin da subito ha pun-\ntato la sua attività sul saper fare, è punto di orgoglio. \nE per la seconda, e oggi anche terza generazione \ndella famiglia Nicoli, è un tacito patto con il tempo, \nda portare avanti preservando i pregi di un’espe-\nrienza collaudata. \nI fratelli Simona e Corrado, subentrati a inizio 2000 \nal padre Antonio, fondatore di Nube, hanno incro-\nciato con il design una storia industriale e manu-\nfatturiera ormai accreditata. Nel 2020, l’ingresso in \nazienda del nipote Stefano, segna un ulteriore pas-\nso nell’evoluzione del brand. Rafforzando lo stretto \nlegame con il territorio, sinonimo della qualità del \nMade in Italy, si sono spostati in avanti i traguardi \ngià raggiunti da Nube che, dagli Anni 70, all’insegna \ndi un’innata organizzazione e abilità imprenditoria-\nle, ha espanso progressivamente i suoi confini ver-\nso i mercati USA, Europa ed Estremo Oriente. \nTutte mete conquistate nei diversi decenni con le \ncollezioni di imbottiti, risultato divenuto distintivo di \nuna produzione accurata nell’esecuzione e attenta \na interpretare le estetiche in anticipo, grazie anche \nalle collaborazioni con Carlo Colombo, Marco Corti, \nFerdinando Buzzi e altri che hanno lasciato il segno.  \nUn archivio prezioso che oggi, nell’incontro con \nl’architetto Fabio Fantolino in veste di Art Director, \nsi apre al contemporaneo e si rinnova valorizzando \nil passato con il dinamismo che richiede il presen-\nte. Innovare con la ricerca e l’inventiva nel tracciare \ntrend inediti, significa aggiungere il nuovo alla tra-\ndizione di un’azienda di famiglia, sempre pronta a \ncogliere le sfide del tempo. \nHistory\nNube was founded in 1958, in hard-working Brianza. \nCounting the years is a source of pride for a company \nthat has focused on know-how right from its origins. \nAnd for the second (and today also the third) gener-\nation of the Nicoli family, there’s a tacit approach to \nthe passing of time: to progress while preserving the \nmerits of tried-and-tested experience. \nSiblings Simona and Corrado, who took over from \ntheir father Antonio in 2000, the founder of Nube, \nhave instilled with design what had already become \na respected industrial manufacturing story. In 2020, \nthe grandson Stefano entered the company, the sign \nof a further step in the evolution of the brand. Re-\ninforcing the company’s close ties with the territo-\nry, synonymous with Made in Italy quality, they have \nmoved further forward the milestones which Nube \nhad already achieved since the 1970s, marked by an \ninnate organisational and entrepreneurial capacity, \nprogressively expanding towards the USA, Europe \nand Far East markets. \nAll the goals achieved over the decades with uphol-\nstered furniture collections are the sign of a produc-\ntion which is precise in the manufacturing process and \nattentive in interpreting tastes in advance, thanks also \nto collaborations with Carlo Colombo, Marco Corti, \nFerdinando Buzzi and others who have left their mark.\nIt’s a precious heritage which today, with the contri-\nbution of the architect, Fabio Fantolino, in his capacity \nas Art Director, opens up to the contemporary and is \nrenewed by enhancing the past with the dynamism \nthat the present requires. Innovating with research \nand inventiveness in tracking new trends means \nadding new developments to the tradition of a family \ncompany, always ready to take up the challenges of \nthe moment.\n1958\n1967\n1985\n1989\n1988\n2020\n2022\nAntonio Nicoli fonda l’azienda \na Cantù lavorando come terzista \nper le strutture metalliche\nAntonio Nicoli founds the company \nin Cantù working as a subcontractor \nfor metal structures\nSi dà il via \nalla produzione di imbottiti\nProduction of upholstery \nis started\nEntra in azienda il figlio Corrado\nSon Corrado joins the company\nEntra in azienda Simona, \nfiglia di Antonio e sorella di Corrado\nSimona, Antonio’s daughter \nand Corrado’s sister, joins the company\nL’azienda abbraccia un linguaggio \nformale moderno, abbandonando \nl’estetica tradizionale che l’aveva \ncontraddistinta fino ad allora\nThe company embraces \na modern formal language, \nabandoning the traditional aesthetics\nEntra in azienda Stefano, nipote \ndi Antonio Nicoli, marcando il passaggio \ndell’azienda alla terza generazione\nStefano, Antonio Nicoli’s grandson, \njoins the company, marking the company’s \ntransition to the third generation\nL’architetto Fabio Fantolino \ndiventa art director dell’azienda\nArchitect Fabio Fantolino \nbecomes art director of the company\nValori\nLa passione in casa Nube si tramanda insieme al patri-\nmonio aziendale fatto di un’unicità destinata a entrare \nnelle case di tutti e si sostiene con una costante atten-\nzione al benessere e al raggiungimento della perfezio-\nne. Questi aspetti sono parte intrinseca del lavoro con \ncui tutto viene eseguito e si ritrovano nel prodotto finale \ncon l’idea che, l’arredo, deve trasmettere nell’ambiente \ne nel contesto la bontà della sua genesi per poter esse-\nre davvero in naturale sintonia con chi lo sceglie. \nImbottiti, letti, tavoli, tavolini, sedie e poltrone non sono \nsolo oggetti, ma interagiscono con le vite di ognuno e \nsono vicini alle persone con la loro fisicità. Seducono, si \nadattano e creano un personale immaginario abitativo. \nValues\nPassion in Nube is passed on through the generations \ntogether with the business heritage consisting in a \nuniqueness conceived to enter the homes of everyone, \nand is sustained by constant attention to wellbeing and \nthe achievement of perfection. These aspects are an \nintrinsic part of the work with which everything is car-\nried out and are found in the final product, with the idea \nthat furniture should transmit in its surroundings and \ncontext the merits of its origins in order to be truly in \nnatural harmony with those who choose it. \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.4.png","4\n5\nKnow-how\nInterpretare la contemporaneità significa cogliere le \nsfumature dei differenti stili di vita. In Nube il dialo-\ngo tra forme, materiali, superfici e colori è sempre \norientato verso un’idea di bellezza che guarda a \nun’armonia progettuale dove alle proporzioni curate \nsi unisce il comfort. I valori storici del brand, insieme \nall’eleganza e la cultura del design, si esprimono nel \ndisegno di tratti equilibrati, in arredi in cui il dettaglio \ndiventa la peculiarità, l’elemento che ne definisce la \npersonalità. Nuovi materiali e finiture danno ancor \npiù valore a lavorazioni uniche, basate sull’eccel-\nlenza della tradizione manifatturiera brianzola, per \nsottolineare il legame con un’artigianalità supporta-\nta da modalità produttive innovative. Dove la ricer-\nca dell’espressione più contemporanea contiene i \nsemi di visioni future.\nKnow-how\nInterpreting contemporaneity means understand-\ning the nuances of different lifestyles. In Nube, the \ndialogue between forms, materials, surfaces and \ncolours is always oriented towards an idea of beau-\nty that aims for design harmony in which precise \nproportions are combined with comfort. The histor-\nic values of the brand, together with the elegance \nand culture of design, are expressed in the creation \nof balanced lines, in furniture in which detail be-\ncomes the distinguishing feature, the element that \ndefines its personality. New materials and finishes \ngive added value to unique workmanship, based on \nthe excellence of the Brianza manufacturing tradi-\ntion, underlining the ties with a craftsmanship sup-\nported by innovative production methods. Where \nthe search for a more contemporary expression \ncontains the seeds of future visions.\nNube porta nel nome l’attesa \nverso una dimensione onirica \ne avvolgente, da scoprire ogni volta \ncon un nuovo pezzo della collezione\nThe name Nube embodies \na dreamlike and captivating quality, \nto be rediscovered every time \nwith a new collection piece\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.5.png","6\n7\n2023\nCollezione\u002F\ncollection\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.6.png","8\n9\nPROLOGO \u002F PROLOGUE\nIl tempo è indefinito. \nUn osservatore esplora lo spazio. \nApparentemente un interno domestico. \nNulla è nascosto e tutto appare. \nMa è da scoprire. \nOggetti scultura punteggiano \ngli ambienti e danno il ritmo. \nLe sequenze, come un copione teatrale, \nfotografano scene di vita contemporanea, \nanimate dagli arredi che la vita interpretano. \nThe time is indefinite. \nAn observer explores different rooms. \nApparently, it’s the interior of a home. \nNothing is hidden and everything is visible, \nbut has to be discovered. \nSculptured objects punctuate the rooms \nand set the pace. \nThe sequences capture scenes \nof contemporary life, animated \nby furniture that interprets it. \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.7.png","10\n11\nProtagonisti \u002F protagonists\nBold\nDivano \u002F sofa\ndesign Fabio Fantolino\n2022\nTurn\nTavolino \u002F coffee table \ndesign Carlo Colombo\n2006\nComparsa \u002F extra\nRise\nTavolino \u002F coffee table\ndesign Marco Corti\n2008\nATTO\nI\nSi apre il sipario. Nel contrasto armonico \ndel bicolore, tra ombre e luce, pieni e vuoti \nriverbera un morbido senso di attesa\nThe curtain is raised. There’s a light sense \nof expectation in the harmonic two-colour \ncontrast, between dark and light, \nfull and empty spaces\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.8.png","12\n13\nBold\ndivano\u002Fsofa\n→ p. 144\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.9.png","14\n15\nBold\nDivano \u002F sofa\n→ p. 144\nTurn\nTavolino \u002F coffee table \n→ p. 157\nRise\nTavolino \u002F coffee table \n→ p. 156\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.10.png","16\n17\nProtagonisti \u002F protagonists\nCarol\nSedia \u002F chair\ndesign Fabio Fantolino\n2022\nOttavio\nTavolo \u002F table\ndesign Fabio Fantolino\n2022\nLa stanza è incorniciata da colonne. \nSe ne scorge una porzione. Superfici \nsilenziose riflettono lo spazio e scene \ndi vita future intorno al tavolo\nThe room is framed by columns. \nA portion of it can be seen. \nSilent surfaces reflect the room \nand scenes of future life \naround the table\nATTO\nII\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.11.png","18\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.12.png","20\n21\nCarol\nSedia \u002F chair\n→ p. 161\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.13.png","22\n23\nCarol\nSedia \u002F chair\n→ p. 161\nOttavio\nTavolo \u002F table\n→ p. 159\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.14.png","24\n25\nProtagonista \u002F protagonist\nGlove\nPoltrona \u002F armchair \ndesigner Carlo Colombo\n2002\nComparsa \u002F extra\nDisk\nTavolino \u002F coffee table\ndesign Fabio Fantolino\n2022\nIII\nATTO\nCi si può accoccolare, \nrichiamati dall’invito delle poltrone. \nPiroettano su loro stesse. \nOrientano, su quinte trasversali, i toni \ndi un dialogo inaspettato\nYou can snuggle up, \nattracted by the invitation of the armchairs. \nThey perform pirouettes. \nThey orient, against oblique partition walls, \nthe tones of an unexpected dialogue\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.15.png","26\n27\nGlove\nPoltrona \u002F armchair\n→ p. 151\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.16.png","28\n29\nGlove\nPoltrona \u002F armchair \n→ p. 151\nDisk\nTavolino \u002F coffee table\n→ p. 155\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.17.png","30\n31\nProtagonisti \u002F protagonists\nJoe\nDivano \u002F sofa \ndesigner Carlo Colombo\n2013\n \nDisk\nTavolino \u002F coffee table\ndesign Fabio Fantolino\n2022\nIV\nATTO\nComparsa \u002F extra\nFency \nPoltrona \u002F armchair\ndesigner Marco Corti\n2009\nUn’intimità da immaginare. \nUn tavolino, con la semplice e pura \nbellezza del materiale, interpreta \nil tempo. Intorno gira tutto il resto\nAn intimacy to be imagined. \nA table interprets time with the simple \nand pure beauty of material. \nEverything else revolves around it\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.18.png","32\n33\nJoe\nDivano \u002F sofa\n→ p. 146\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.19.png","34\n35\nJoe\nDivano \u002F sofa \n→ p. 146\nDisk\nTavolino \u002F coffee table\n→ p. 156\nFency \nPoltrona \u002F armchair\n→ p. 150\nUpholstered furniture, beds, \ntables, chairs and armchairs \nare not only objects, \nbut interact with the lives \nof everyone and are close \nto people with their physical \npresence. They seduce, \nadapt and create a personal \nimaginary living space.\nImbottiti, letti, tavoli, tavolini, \nsedie e poltrone non sono \nsolo oggetti, ma interagiscono \ncon le vite di ognuno e sono \nvicini alle persone con la loro \nfisicità. Seducono, si adattano \ne creano un personale \nimmaginario abitativo.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.20.png","36\n37\nV\nATTO\nProtagonisti \u002F protagonists\nAvenue\nDivano \u002F sofa\ndesigner Marco Corti\n2008\n \nSunday\nPoltrona \u002F armchair\ndesigner Fabio Fantolino\n2022\nComparse \u002F extras\nTurn\nTavolino \u002F coffee table \ndesigner Carlo Colombo\n2006\nRise\nTavolino \u002F coffee table\ndesigner Marco Corti\n2008\nEntra la luce. \nRiecheggiano voci lontane. \nNelle forme e negli intrecci, la tradizione \nincontra il contemporaneo. \nÈ piacevole fermarsi un po’ \nLight enters. \nThere’s the echo of distant voices. \nIn the shapes and weaves, tradition \nmeets the contemporary. \nIt’s pleasant to stop for a while\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.21.png","38\n39\nSunday\nPoltrona \u002F armchair\n→ p. 153\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.22.png","40\n41\nAvenue \nDivano \u002F sofa\n→ p. 144\nSunday\nPoltrona \u002F armchair\n→ p. 153\nTurn\nTavolino \u002F coffee table\n→ p. 157\nRise\nTavolino \u002F coffee table\n→ p. 156\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.23.png","42\n43\nVI\nATTO\nProtagonisti \u002F protagonists\nSophie\nDivano \u002F sofa\ndesigner Mario Ferrarini\n2007\n \nRaffles\nTavolino \u002F coffee table\ndesigner Marco Corti\n2008\nComparsa \u002F extra\nOttavio\nTavolo \u002F table\ndesign Fabio Fantolino\n2022\nOltre la soglia. \nBordi, cerchi, frammenti si compongono \nnella rotondità e nell’insieme. \nPouf e divano non dettano leggi, \nsuggeriscono posture mai uguali\nBeyond the threshold. \nBorders, circles and fragments \nare composed in the roundness \nand in the whole. Poufs and sofas \ndon’t set rules, they suggest \never-different postures\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.24.png","44\n45\nSophie\nDivano \u002F sofa\n→ p. 148\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.25.png","46\n47\nRaffles\nTavolino \u002F coffee table\n→ p. 156\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.26.png","48\n49\nSophie\nDivano \u002F sofa\n→ p. 148 \nRaffles\nTavolino \u002F coffee table\n→ p. 156\nOttavio\nTavolino \u002F coffee table\n→ p. 155\nShapes\nof Living\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.27.png","50\n51\nVII\nATTO\nProtagonisti \u002F protagonists\nBlock \nMadia \u002F cabinet\ndesign Fabio Fantolino\n2022\n \nOttavio \nTavolo \u002F table\ndesign Fabio Fantolino\n2022\nComparsa \u002F extra\nFency\nSedia \u002F chair\ndesigner Marco Corti\n2010\nPercezioni nostalgiche. \nIntorno al tavolo, qui, la vita a due. \nStudiate geometrie interpretano \ni bisogni di ciò che è fatto per durare \nNostalgic perceptions. \nAround the table, here, a life together. \nSophisticated geometries \ninterpret the needs \nof what has been made to last\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.28.png","52\n53\nOttavio \nTavolo \u002F table\n→ p. 159\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.29.png","54\n55\nBlock \nMadia \u002F cabinet\n→ p. 158 \nOttavio \nTavolo \u002F table\n→ p. 159\nFency\nSedia \u002F chair\n→ p. 161\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.30.png","56\n57\nVIII\nATTO\nProtagonisti \u002F protagonists\nGemini \nDivano \u002F sofa\ndesigner Mario Ferrarini\n2010\n \nFency \nPoltrona \u002F armchair\nDesigner Marco Corti\n2010\nIn pausa. Desiderio e realtà \nsfumano nelle prospettive sfalsate. \nLa luce trattiene la scena. \nSi coglie un nuovo rapporto \ntra architettura e arredo \nIn pause. Desire and reality fade \ninto staggered perspectives. \nLight holds the scene. \nA new relationship between \narchitecture and furniture \nis perceived\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.31.png","58\n59\nFency \nPoltrona \u002F armchair\n→ p. 150\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.32.png","60\n61\nGemini \nDivano \u002F sofa\n→ p. 145\nFency\nPoltrona \u002F armchair\n→ p. 150\nOttavio\nTavolino \u002F coffee table\n→ p. 155\nRise\nTavolino \u002F coffee table\n→ p. 156\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.33.png","62\n63\nProtagonisti \u002F protagonists\nRaffles\nTavolino \u002F coffee table\ndesigner Marco Corti\n2008\n \nSunset\nDivano \u002F sofa\ndesigner Fabio Fantolino\n2022\nComparse \u002F extras\nRest\nPoltrona \u002F armchair\ndesign Carlo Colombo\n2008\nOttavio\nTavolo \u002F table\ndesign Fabio Fantolino\n2022\nIX\nATTO\nSi gioca. \nL’atmosfera è aperta all’agio conviviale. \nIl salotto borghese celebra la gioia \ndello stare insieme. \nÈ il presente fluido e inaspettato\nIt’s playtime. \nThe atmosphere is open to convivial ease. \nThe middle-class living room celebrates \nthe joy of being together. \nIt’s a fluid and unexpected present\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.34.png","64\n65\nSunset\nDivano \u002F sofa\n→ p. 148\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.35.png","66\n67\nSunset\nDivano \u002F sofa\n→ p. 148\nRest\nPoltrona \u002F armchair\n→ p. 151\nRaffles\nTavolino \u002F coffee table\n→ p. 156\nOttavio\nTavolo \u002F table\n→ p. 159\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.36.png","68\n69\nX\nATTO\nProtagonisti \u002F protagonists\nBlock \nComodino \u002F bedside table \ndesign Fabio Fantolino\n2022\n \nTender\nLetto \u002F bed\ndesign Fabio Fantolino\n2022\nComparsa \u002F extra\nGlove\npoltrona \u002F armchair\ndesign Carlo Colombo\n2002\nDalla notte all’alba. \nIl sipario si apre sulle ore dei sogni. \nLetto, comodino, poltrona. \nNiente di più per lasciarsi avvolgere \nin una soffice quotidianità\nFrom night to dawn. \nThe curtain is raised \non the hours of dreams. \nBed, bedside table, armchair. \nNothing more is needed to let yourself \nbe caressed in a soft everyday life\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.37.png","70\n71\nTender\nLetto \u002F bed\n→ p. 163\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.38.png","72\n73\nTender\nLetto \u002F bed\n→ p. 163\nBlock\nComodino \u002F bedside table\n→ p. 164\nGlove\nPoltrona \u002F armchair\n→ p. 151\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.39.png","74\n75\nXI\nATTO\nProtagonisti \u002F protagonists\nRaffles\nTavolino \u002F coffee table\nDesigner Marco Corti\n2008\n \nRest\nPoltrona \u002F armchair\ndesigner Carlo Colombo\n2008\nComparsa \u002F extra\nPacific Coast\nDivano \u002F sofa \ndesigner Carlo Colombo\n2001\nIl tempo nuovo, quello del risveglio. \nDel comfort visivo, delle relazioni informali, \ndi un ritrovato naturale relax \nA new time, that of awakening. \nWith visual comfort, informal relationships, \na new-found natural relaxation\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.40.png","76\n77\nRest\nPoltrona \u002F armchair\n→ p. 151\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.41.png","78\n79\nRaffles\nTavolino \u002F coffee table\n→ p. 156\nRest\nPoltrona \u002F armchair\n→ p. 151\nPacific Coast\nDivano \u002F sofa \n→ p. 147\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.42.png","80\n81\nXII\nATTO\nCome da un mondo virtuale, immersivo. \nMa la presenza umana è più che reale \ne le emozioni vengono sprigionate \nda accostamenti cromatici, \ntattili e materici\nAs if of a virtual, immersive world. \nBut human presence is more than real \nand emotions are triggered by colour, \ntexture and material combinations\nRise\nTavolino \u002F coffee table\ndesign Marco Corti\n2008 \nLandò\nDivano \u002F sofa\ndesign Ferdinando Buzzi\n1990\nOttavio \nTavolino \u002F coffee table\ndesign Fabio Fantolino\n2022\nComparsa \u002F extra\nLandina\nPanca \u002F bench\ndesign Fabio Fantolino\n2022\nProtagonisti \u002F protagonists\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.43.png","82\n83\nRise\nTavolino \u002F coffee table\n→ p. 156\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.44.png","84\n85\nLandò\nDivano \u002F sofa\n→ p. 146\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.45.png","86\n87\nOttavio \nTavolino \u002F coffee table\n→ p. 155\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.46.png","88\n89\nLandò\nDivano \u002F sofa \n→ p. 146\nLandina\nPanca \u002F bench\n→ p. 154\nOttavio\nTavolino \u002F coffee table \n→ p. 155\nRise\nTavolino \u002F coffee table\n→ p. 156\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.47.png","90\n91\nXIII\nATTO\nProtagonista \u002F protagonist\nTender\nDivano \u002F sofa\nDesigner Carlo Colombo\n2006\nComparsa \u002F extra\nDisk\nTavolino \u002F coffee table\ndesign Fabio Fantolino\n2022\nLuoghi astratti. \nInteragisce, il divano, \nfra ciò che è familiare e l’inusuale. \nE lì, composte o rilassate, \npubbliche o private, le ore scorrono\nAbstract places. \nThe sofa interacts with what is familiar \nand what is unusual. And it’s here, \ncomposed or relaxed, public or private, \nwhere the hours pass by\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.48.png","92\n93\nTender\nDivano \u002F sofa\n→ p. 149\nDisk\nTavolino \u002F coffee table\n→ p. 155\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.49.png","94\n95\nProtagonisti \u002F protagonists\nDolmen \nDivano\u002Fsofa \ndesigner Fabio Fantolino\n2018\n \nTurn\nTavolino \u002F coffee table\ndesigner Carlo Colombo\n2006\nComparse \u002F extras\nGlove\nPoltrona \u002F armchair\ndesign Carlo Colombo\n2002\nDisk\nTavolino\u002FCoffee table\ndesigner Fabio Fantolino\n2022\nXIV\nATTO\nScene in divenire. Il divano adegua \nla sua forma per definire l’ambiente. \nImpeccabile, attende di animarsi \ncon i gesti della vita reale \nScenes in the making. The sofa adapts \nits shape to define the environment. \nImpeccable, waiting to come to life \nwith the gestures of real life\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.50.png","96\n97\nDolmen\nDivano \u002F sofa \n→ p. 145\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.51.png","98\n99\nTurn\nTavolino \u002F coffee table \n→ p. 157\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.52.png","100\n101\nDolmen\nDivano \u002F sofa \n→ p. 145\nTurn\nTavolino \u002F coffee table \n→ p. 157\nDisk\nTavolino \u002F coffee table \n→ p. 155\nGlove\nPoltrona \u002F armchair \n→ p. 151\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.53.png","102\n103\nXV\nATTO\nProtagonista \u002F protagonist\nBold\nDivano e poltrona \u002F Sofa and armchair\ndesigner Fabio Fantolino\n2022\nComparsa \u002F extra\nTurn\nTavolino \u002F coffee table\ndesigner Carlo Colombo\n2006\nSi abbassano le luci. La scena è notturna. \nIl dialogo scorre su divani ovattati, \ncompatti e accoglienti. \nCatturano lo spirito di un tempo passato\nThe lights are lowered. The scene is night. \nConversation flows on padded, \ncompact and welcoming sofas. \nThey capture the spirit of a bygone age\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.54.png","104\n105\nBold\nDivano  \u002F sofa\n→ p. 144\nPoltrona \u002F armchair\n→ p. 150\nTurn\nTavolino \u002F coffee table\n→ p. 157\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.55.png","106\n107\nProtagonisti \u002F protagonists\nLito Round\nTavolo \u002F table \ndesigner Fabio Fantolino\n2022\nStream\nSedia \u002F chair \ndesigner Marco Corti\n2010\nXVI\nATTO\nSospensione. Dalla quotidianità. \nDai ritmi incalzanti. \nIl piacere di ritrovarsi \nnelle forme che creano i luoghi. \nQuesto è abitare\nSuspension. From everyday life. \nFrom incessant rhythms. \nThe pleasure of finding yourself \nin shapes that create places. \nThis is home living\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.56.png","108\n109\nStream\nSedia \u002F chair \n→ p. 162\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.57.png","110\n111\nLito Round\nTavolo \u002F table \n→ p. 160\nStream\nSedia \u002F chair \n→ p. 162\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.58.png","112\n113\nXVII\nATTO\nProtagonisti \u002F protagonists\nPost\nMadia \u002F cabinet\ndesigner Fabio Fantolino\n2022\nSailor\nPoltrona \u002F armchair \ndesigner Fabio Fantolino\n2022\nComparse \u002F extras\nRise\nTavolino \u002F small table\ndesigner Marco Corti\n2008\nSquash\nPouf\ndesigner Fabio Fantolino\n2022\nLibere connessioni. \nTra le cose, gli ambienti, lo spazio. \nGli elementi si confrontano \nin un paesaggio domestico composito\nFree connections. \nBetween things, environments, space. \nThe elements dialogue in a composed \ndomestic landscape\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.59.png","114\n115\nSailor \nPoltrona \u002F armchair\n→ p. 152\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.60.png","116\n117\nSailor\nPoltrona \u002F armchair \n→ p. 152\nPost \nMadia \u002F cabinet\n→ p. 158\nSquash\nPouf\n→ p. 154\nRise\nTavolino \u002F coffee table\n→ p. 156\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.61.png","118\n119\nXVIII\nATTO\nProtagonista \u002F protagonist\nSailor\nDivano \u002F sofa \ndesigner Fabio Fantolino\n2022\nComparse \u002F extras\nDisk\nTavolino \u002F coffee table \ndesigner Fabio Fantolino\n2022\n \nSquash\nPouf\ndesigner Fabio Fantolino\n2022\nL’ozio quotidiano. Per godersi \nlo spettacolo. Linee nette si scaldano \ncon proporzioni misurate e lasciano \nspazio alle dinamiche personali\nDaily idleness. To enjoy the show. \nClean lines warm up with measured \nproportions and leave space \nfor personal dynamics\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.62.png","120\n121\nSailor\nDivano \u002F sofa \n→ p. 147\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.63.png","122\n123\nSailor\nDivano \u002F sofa \n→ p. 147\nSquash \nPouf \n→ p. 154\nDisk\nTavolino \u002F coffee table \n→ p. 155\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.64.png","124\n125\nProtagonisti \u002F protagonists\nPost\nMadia \u002F cabinet\ndesigner Fabio Fantolino\n2022\nLito \nTavolo \u002F \n    table\ndesigner Fabio Fantolino\n2022\nComparsa \u002F extra\nCarol\nSedia \u002F chair\ndesigner Fabio Fantolino\n2022\nXIX\nATTO\nA pranzo. A cena. \nO per una partita a scacchi. \nIl tavolo è protagonista, \nspalleggiato dalla madia. Il confronto \nè vivo, l’occhio indovina \ne ruba momenti ancora da vivere\nAt lunch. At dinner. \nOr for a game of chess. \nThe table is a protagonist, \nflanked by the cabinet. The dialogue \nis alive; the eye senses and steals \nmoments still to be lived\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.65.png","126\n127\nLito \nTavolo \u002F table\n→ p. 159\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.66.png","128\n129\nLito \nTavolo \u002F table\n→ p. 159\nCarol\nSedia\u002Fchair\n→ p. 161\nPost \nMadia \u002F cabinet\n→ p. 158\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.67.png","130\n131\nXX\nATTO\nProtagonisti \u002F protagonists\nSir\nPoltrona \u002F armchair\ndesigner Carlo Colombo\n2007\n \n \nTurn\nTavolino \u002F coffee table\ndesigner Carlo Colombo\n2006\nUn monologo. \nLo sguardo, tagliato da una quinta \nobliqua, coglie l’architettura \nche si completa con forme, materiali \ne colore degli arredi\nA monologue. \nThe view, cut by an oblique \npartition wall, captures the architecture \nwhich is completed with the shapes, \nmaterials and colours of the furniture\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.68.png","132\n133\nSir\npoltrona \u002F armchair\n→ p. 152\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.69.png","134\n135\nTurn\nTavolino \u002F coffee table\n→ p. 157\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.70.png","136\n137\nSir\npoltrona \u002F armchair\n→ p. 152\nTurn\nTavolino \u002F coffee table\n→ p. 157\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.71.png","138\n139\nXXI\nATTO\nProtagonista \u002F protagonist\nYard\nLetto \u002F bed\ndesign Fabio Fantolino\n2022\nComparse \u002F extras\nSquash\nPouf\ndesign Fabio Fantolino\n2022\nDisk\nTavolino \u002F coffee table\ndesign Fabio Fantolino\n2022\nCala la sera. Ogni cosa rallenta. \nOltre a buon letto non occorre altro \nper movimentare un sogno. \nE il riposo serve, a ritrovare \ni desideri perduti\nNight falls. Everything slows down. \nBesides a good bed, nothing else \nis needed to enter a dream. \nAnd sleep is necessary, to rediscover \nlost desires\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.72.png","140\n141\nYard\nLetto \u002F bed\n→ p. 163\nDisk\nTavolino \u002F coffee table\n→ p. 155\nSquash\nPouf\n→ p. 154\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.73.png","142\n143\n2023\nProdotti\u002F\nproducts\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.74.png","144\n145\nL’apparente rigidità della struttura, rivestita e \nimbottita, è stemperata dalla morbidezza dei cuscini \nrifiniti con profili evidenti. L’insieme restituisce un \ndisegno equilibrato di linee ortogonali e accenti \nestetici sofisticati. \nThe apparent rigidity of the upholstered and \npadded structure is mitigated by the softness of the \ncushions finished with evident profiles. The overall \nlook is a balanced design of orthogonal lines and \nsophisticated aesthetic details. \nOvattato, compatto e accogliente, il divano \nBold con le sue linee morbide e formose, \ninserisce negli ambienti un caratterizzante \nlinguaggio evergreen dell’interior design. \nPadded, compact and inviting, the Bold sofa, \nwith its soft and shapely lines, inserts into \nits surroundings a characterizing evergreen \nlanguage of interior design. \nL’aspetto architetturale definisce il suo stile \nessenziale. Il divano Dolmen seduce per gradi \ne conduce nel relax attraverso gli angoli arrotondati \ndegli elementi che lo compongono. \nAn architectural approach defines its essential \nstyle. The Dolmen sofa seduces step by step and \nstimulates relaxation through the rounded corners \nof the elements of which it is composed. \nUn segno unico disegna schienale \ne bracciolo in fusione con la seduta per \nadattarsi ai movimenti liberi del corpo. \nA unique element designs the backrest \nand armrest which are amalgamated \nwith the seat in order to adapt \nto the free movements of the body. \nDivani \u002F sofas\nDolmen\nAvenue\nGemini\nDesigner Fabio Fantolino\n2018\nDesigner Marco Corti\n2008\nDesigner Mario Ferrarini\n2010\nBold\nDesigner Fabio Fantolino\n2022\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.75.png","146\n147\nJoe\nPacific Coast\nLandò\nSailor\nDesigner Carlo Colombo\n2013\nDesigner Carlo Colombo\n2001\nDesigner Ferdinando Buzzi\n1990\nDesigner Fabio Fantolino\n2022\nLa scocca rivestita, leggermente inclinata \nnei laterali, scompone l’ortogonalità del divano \nintroducendo un nuovo classico. \nThe upholstered body, slightly inclined at the \nsides, breaks down the orthogonality of the sofa, \nintroducing a new classic model. \nSenza tempo, il divano a cinghie intercetta \nla continuità fra outdoor e indoor che pervade \ngli interior contemporanei. \nThe timeless strap sofa picks up on the continuity \nbetween outdoor and indoor which is currently \npervading contemporary interiors. \nSolido, ma inaspettatamente flessibile \nnelle funzioni, Pacific Coast nasce dal senso \ndi avventura evocato nel nome. \nSolid, but unexpectedly flexible in its functions, \nPacific Coast is inspired by the sense \nof adventure evoked in its name. \nCon la sua profondità e la struttura in essenza \ndi legno, pensato per disposizioni angolari, \nSailor è il divano protagonista dell’ambiente. \nWith its depth and wooden structure, \ndesigned for corner positions, Sailor \nis the feature sofa of any environment. \nDivani \u002F sofas\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.76.png","148\n149\nTender\nDesigner Carlo Colombo\n2006\nSophie\nSunset\nDesigner Mario Ferrarini\n2007\nDesigner Fabio Fantolino \n2022\nNon si scompone, il divano Sophie. Alle sollecitazioni \nresta ordinato. Ideale per i ritmi odierni, si fa notare \ncon le sue linee addolcite dall’imbottitura \nche sembra scolpita per dare agio alle posture.\nThe Sophie sofa stays intact and in order, however \ntreated physically. It’s ideal for modern day-to-day \nlife. It stands out for its lines softened by the padding \nwhich seems to be sculpted to support any posture. \nL’estetica basata su proporzioni generose, \nquasi ostentatamente macro, rende invisibili \nad arte gli intenti di un divano che si esprime \nnell’idea della perfetta comodità nella casa \ncontemporanea, sempre più fluida e dinamica. \nThe look, based on generous, almost ostentatiously \n“macro” proportions, skilfully hides the intentions of a \nsofa that expresses the idea of perfect comfort in the \never more fluid and dynamic contemporary home. \nUn’isola in cui perdersi in solitudine o ritrovarsi \nin compagnia, i divani incrociano lo spirito del tempo \ne Tender offre l’approdo ideale.\nAn island where you can lose yourself in solitude \nor enjoy company, sofas embody the spirit \nof the time and Tender offers an ideal haven.\nDivani \u002F sofas\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.77.png","150\n151\nPoltrone \u002F armchairs\nGlove\nBold\nRest\nDesigner Carlo Colombo\n2002\nDesigner Fabio Fantolino\n2022\nDesigner Carlo Colombo\n2008\nFency\nDesigner Marco Corti\n2009\nL’anima da salotto Seventies del divano Bold \nsi declina con perfezione costruttiva \nnella poltrona da accostare nella stessa \nnuance di colori, texture e materiali. \nThe Seventies living room feel of the Bold sofa \nis further expressed perfectly in the armchair \nto be placed alongside it in the same \ncolour shades, textures and materials. \nLa poltroncina Fency interpreta in chiave \ncontemporanea l’idea della classica \npoltrona da lettura. \nThe small Fency armchair interprets \nthe classic reading armchair model \nwith a contemporary feel. \nUn arredo dalla forte personalità e dal sapore \nretrò, versatile e accogliente, che sa esprimere \nun comfort autentico, oltre a caratteristiche \ndi fascino, intimità e morbidezza. \nFurniture with a strong personality \nand a retro flavour that is able to express genuine \ncomfort, besides characteristics of charm, \nintimacy and softness.\nEclettica ed elegante, grazie al suo disegno \nergonomico che sposa comodità e funzionalità, \nla poltrona imbottita Rest accompagna momenti \ndi quiete e relax. \nEclectic and elegant, thanks also to its ergonomic \ndesign that combines comfort and functionality, \nthe Rest padded armchair offers moments \nof calm and relaxation. \n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.78.png","152\n153\nSunday\nSailor\nDesigner Fabio Fantolino\n2022\nDesigner Fabio Fantolino\nAnno 2022\nSir\nDesigner Carlo Colombo\n2007\nNiente più di quattro cuscini mobili \ncompongono la poltrona Sailor, quasi \nun archetipo di una nuova modernità. \nComposed of nothing more than four mobile \ncushions, the Sailor armchair is almost \nan archetype of a new modernity. \nLa poltroncina Sir ha un’allure elegante \nche si esprime in un volume compatto \ne in una silhouette dai tratti avvolgenti. \nThe Sir armchair has an elegant allure \nexpressed in a compact volume and \na silhouette with captivating nuances.\nQuando il dettaglio diventa il tratto distintivo, \nla personalità si definisce e prende forma. \nÈ il caso della poltrona Sunday, con i suoi braccioli \ndefiniti con l’intreccio di corda naturale. \nPersonality is created and firmly established \nwhen the details become the distinguishing feature. \nThis is the case of the Sunday armchair, with its armrests \ncharacterized by the interweaving of natural rope. \nPoltrone \u002F armchairs\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.79.png","154\n155\nPouf e panche \u002F poufs and benches\nLandina\nDesigner Fabio Fantolino\n2022\nSquash\nDesigner Fabio Fantolino\n2022\nUn arredo versatile che, fungendo \nsia da seduta sia come piano d’appoggio, \nsi adatta a diversi contesti dell’abitare. \nA versatile piece of furniture that, \nserving as either a seat or support surface, \nis suitable for various home contexts. \nIl pouf Squash, accostato a un divano \no a una poltrona, arricchisce lo stile di un interno \nadattandosi a qualsiasi contesto d’arredo. \nMultifaceted and with rounded lines, the Squash \npouf, matched with a sofa or with an armchair, \nenhances the style of an interior, \nadapting to any furnishing context. \nTavolini \u002F coffee tables\nOttavio\nDisk\nDesigner Fabio Fantolino\n2022\nDesigner Fabio Fantolino\n2022\nSemplicemente Disk, perché è il piano circolare \na caratterizzare il tavolino. \nSimply Disk, because it is the circular top \nthat characterises the small table.\nIl piano è un quadrato perfetto interrotto \nnegli angoli dall’incastro delle quattro gambe. \nL’estetica intrappola un vago sentore di Oriente.\n \nThe top is a perfect square interrupted \nin the corners by the interlocking of the four legs. \nSolid and compact, it embodies a vague \nhint of the Orient.\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.80.png","156\n157\nRaffles\nDesigner Marco Corti \n2008\nRise\nDesigner Marco Corti \n2008\nEterei, sorretti da esili gambette affusolate in metallo \nlucido in nuance con il top, i tavolini Raflles \nsi prestano a essere accostati a coppia o più. \nEthereal, supported by slender tapered legs \nin shiny metal well nuanced with the top, \nthe Raffles small tables are suitable \nfor being grouped in twos or more. \nIl tavolino Rise ha una struttura leggera e funzionale, \ntracciata per accogliere la seduta del divano e \ndivenire un complemento prezioso per la zona relax. \nThe Rise small table has a light and functional \nstructure, designed to blend in with the seat \nof the sofa and become a precious part \nof the relaxation area. \nTurn\nDesigner Carlo Colombo\n2006\nAlto, basso o accoppiati insieme: le tre versioni \ndel tavolino Turn, sanno come valorizzare lo spazio \ne la funzionalità.\nHigh, low or combined, the three versions \nof the Turn small table manage to enhance space \nand functionality. \nTavolini \u002F coffee tables\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.81.png","158\n159\nTavoli \u002F tables\nOttavio\nLito\nDesigner Fabio Fantolino\n2022\nDesigner Fabio Fantolino\n2022\nPer fare un tavolo ci vuole il legno, \nrecitava una vecchia canzone. Ma in confronto \nalla creatività del design è giusto la base \nper nuove invenzioni tipologiche.\nYou need wood to make a table, so said an old song. \nBut with regards to design creativity, it’s also the \nright base for new typological inventions.\nA catturare l’attenzione è la base. Composta \ncon un effetto scultoreo, quasi arcaico, trasmette \nal tavolo la solennità di ciò che dura nel tempo. \nE si adatta a sottolineare la personalità di una zona \nstudio, come di un living. \nThe base captures the attention. Composed \nwith a sculptural, almost archaic effect, it transmits \nto the table the solemnity of things that last over \ntime. It is perfect for underlining the personality \nof a study, as well as a living room.\nMadie e contenitori \u002F \ncabinets and containers\nBlock\nDesigner Fabio Fantolino\n2022\nPost\nDesigner Fabio Fantolino\n2022\nIspirazione Anni 70 e un design lineare per la madia \nBlock, disponibile in diverse dimensioni, altezze \ne finiture, dal laccato lucido in tinte calde ispirate \nalla natura fino al legno naturale in diverse essenze. \n1970s inspiration and a linear design for the Block \ncabinet, available in different dimensions, heights \nand finishes, from glossy lacquer in warm colours \ninspired by nature to different natural woods. \nCon i vani aperti e i capienti cassetti  \na madia Post offre svariate possibilità \ncompositive per assumere diverse \nconfigurazioni e dimensioni. \nWith open compartments and capacious drawers, \nthe Post cabinet offers various composition \npossibilities, taking on different configurations \nand dimensions. \n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.82.png","160\n161\nLito Round\nDesigner Fabio Fantolino\n2022\nNasce con il piano circolare e con un carattere \nconviviale. Il diametro, a scelta di 140 o 160 centimetri, \nsi fa accogliente e comodo per i commensali \ncosì come per una riunione informale. \nDesigned with a circular top and a convivial \ncharacter. The diameter, either 140 or 160 \ncentimetres, is convenient and comfortable \nfor diners as well as for an informal meeting.\nSedie \u002F chairs\nCarol\nDesigner Fabio Fantolino\n2022\nFency\nDesigner Marco Corti\n2010\nUna suggestione che si muove tra passato \ne contemporaneità, tra rimandi alla classicità \ne inclinazioni moderniste. \nA look suspended between past and present, \nbetween references to classic taste \nand modern inclinations. \nEvoca piacevoli scenari di conversazione, \nma non passa inosservata anche in ambienti \npiù intimi e appartati. \nIt evokes a pleasant conversational atmosphere \nbut does not go unnoticed also in more intimate \nand secluded contexts. \nTavoli \u002F tables\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.83.png","162\n163\nStream\nDesigner Marco Corti\n2010\nLa libertà espressiva gioca tra citazioni \ne sperimentazione, passando attraverso \ndiverse forme, epoche e culture. \nExpressive freedom interplays with references \nand experimentation, passing through different \nforms, epochs and cultures. \nLetti \u002F beds\nYard\nDesigner Fabio Fantolino\n2022\nTender\nDesigner Fabio Fantolino\n2022\nIl letto matrimoniale Yard è dotato di una testiera \ncurvilinea che, abbracciando e avvolgendo il corpo \ndel letto, ne diventa la vera protagonista. \nThe Yard double bed has a curved headboard \nwhich, embracing and enveloping the body \nof the bed, becomes its key feature. \nSpaziando dalla zona living alla zona notte, \nin continuità estetica, Tender prende la forma \n di un letto con giroletto e testiera imbottiti. \nMoving from the living area to the sleeping area \nin aesthetic continuity, Tender takes the form \nof a bed with a padded frame and headboard. \nSedie \u002F chairs\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.84.png","164\n165\nComodini \u002F bedside tables\nBlock\nDesigner Fabio Fantolino\n2022\nPost\nDesigner Fabio Fantolino\n2022\nIl comodino Block, con le sue piccole maniglie \nmetalliche e il suo andamento flottante, mutua il \nnome dall’omonima madia della collezione Nube. \nThe Block bedside table, with its small metal handles \nand its floating style, takes its name from Nube’s \nBlock cabinet. \nUn equilibrio compositivo raffinato e delicato. \nIl comodino Post è un arredo ricercato che sa trovare \nil suo spazio in ambienti domestici contemporanei, \ncome in quelli dal gusto più classico. \nA refined and delicate compositional balance. \nThe Post bedside table is a sophisticated \npiece of furniture that can fit into contemporary \nhome environments as well as in those \nwith a more classic taste.\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.85.png","166\n167\nDesigner\nFabio Fantolino\nFabio Fantolino è un architetto designer. \nFonda uno studio nel 2001 a Torino e un secondo \na Milano nel 2014. I progetti spaziano dall’architettura \nall’interior design, dal residenziale al terziario, \napprodando al product design in qualità di designer \no art director. È dalla forte e riconosciuta cultura sul \ndisegno su misura che nasce la voglia di disegnare non \nsolo soluzioni custom per i propri progetti, ma oggetti \nche siano in grado di arrivare potenzialmente a tutti. \nTutti i progetti sono caratterizzati da una forte identità, \nfrutto della sensibilità creativa e della vasta cultura \ne conoscenza del design internazionale.\nFabio Fantolino is a designer architect. \nHe set up one office in 2001 in Turin and a second one \nin Milan in 2014. The projects range from architecture \nto interior design and from the residential to the \nservices sector, venturing into product design in the \nlast few years as designer or art director, embarking \non a number of partnerships with major companies. \nThe desire to design not only custom solutions for \nhis own projects, but also objects that are able to \npotentially reach everyone, stems from the deep \nrooted and renowned culture of tailor-made design. \nAll the projects have a strong identity, resulting \nfrom his creative sensitivity and vast culture \nand knowledge of international design.\nMario Ferrarini\nMario Ferrarini nasce a Como, Italia, nel 1978. \nDopo aver conseguito la laurea in Disegno Industriale \npresso il Politecnico di Milano, collabora con autorevoli \nstudi internazionali di progettazione spaziando dalla \nscala del prodotto all’architettura d’interni. \nNel 2007 apre il proprio studio realizzando numerosi \nprodotti con partner di respiro internazionale.\nMario Ferrarini was born in Como, Italy, in 1978.\nGraduated in Industrial Design at the Polytechnic \nof Milan he began practicing as a consultant for \na number of renowned design studios until founding \nhis eponymous studio in 2007, working alongside \ninternational companies on different projects.\nCarlo Colombo\nNel panorama internazionale è tra i più importanti \narchitetti e designer italiani. La sua carriera, sin dagli \nesordi, si caratterizza per le collaborazioni con i più \nnoti marchi del design Made in Italy.  Oltre ai prodotti \ndi design, viene coinvolto nello sviluppo di strategie \naziendali e marketing di prodotto, elabora progetti \ngrafici, è curatore di mostre e direttore artistico \ndei marchi che lo vedono protagonista. L’attività \nprogettuale, inizialmente concentrata sul design e la \nprogettazione di interni, si estende progressivamente \nanche al settore dell’architettura, in Italia e nel mondo. \nCarlo è un professionista che crea progetti dall’alto \nvalore artistico, riconosciuto dagli innumerevoli \npremi che hanno costellato la sua carriera.\nOn the international scene, he is  considered to be \none of the most important Italian architects and \ndesigners. Since the beginning he has collected \na lot of collaborations with the most important \n“made in Italy” design. Beyond designing products \nand furniture, Colombo also takes care of strategy \nand marketing for the companies. He also curates \nexhibitions, works as a consultant and art director for \nthe brands he collaborates with. His work was initially \nfocused in design and interior, but extended also into \nconstruction, in Italy and abroad. Carlo Colombo is \na professional who creates projects characterized \nby a high artistic value, and this is proved by the \nseveral awards which have marked his career.\nFerdinando Buzzi\nNato nel 1931 , laureatosi in architettura al Politecnico \ndi Milano, Nando Buzzi, aveva sempre diviso la sua \nattività fra insegnamento e libera professione: insegnò \nper diverso tempo nelle scuole serali medesi e la sua \nattività di designer ha sempre trovato una proficua \nspinta nella collaborazione con le più importanti ditte \ndella città di Meda (dalla Brunati, Gruppo Industriale \nBusnelli, Minotti, Giorgetti e Comfort). \nNel 1981 il prestigioso magazine “Vogue Casa” \ngli dedicò una copertina.\nBorn in 1931 and graduated in architecture from the \nPolitecnico, Nando Buzzi divided his activities between \nteaching and practising his profession: he taught for \nsome time in evening schools in the city of Meda, \nand collaboration with Meda’s most important firms \n(including Brunati, Gruppo Industriale Busnelli, Minotti, \nGiorgetti and Comfort) played an important part in \nhis work as a designer. The prestigious “Vogue Casa” \nmagazine dedicated a cover to him in 1981.\nMarco Corti\nKemistry of Style è stata fondata nel 2001 a Milano \nda Marco Corti, un architetto rispettato con un \nbackground in product design e interior design. \nMarco Corti nasce a Milano nel 1960. Si laurea al \nPolitecnico di Milano in Architettura nel 1987. \nLa caratteristica distintiva dell’approccio di Marco Corti \nè quella di produrre soluzioni progettuali basate su \nun’attenta analisi di stili e tendenze. Marco Corti \nha aperto nel 2007 una nuova sede in Svizzera.\nKemistry of Style was founded in 2001 in Milano \nby Marco Corti,  architect with a background in product \ndesign and interior design. Marco Corti was born in \nMilano in 1960. He Graduated at Politecnico of Milano \nin Architecture 1987. The defining feature of Marco \nCorti approach is targeted towards producing design \nsolutions based on an intelligent analysis of styles \nand trends. Marco Corti established new headquarter \nin 2007 in Switzerland.\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F0c\u002Fb6e98dc7a845a8ace0fce1c88908d4-28939dbdf3.86.png","169\nNube Italia\nVia Don Luigi Meroni, 87 \n22060 Figino Serenza (CO) – Italia\ntel +39 031 780 295 \nfax +39 031 781 958\nwww.nubeitalia.com\nNube\nCollezione \u002F collection \n2023\nPhoto\nOmar Sartor\nStyling\nElisabetta Bongiorni\nTerzo Piano\nArt direction\nFabio Fantolino\nGraphic design\nStudiolabo\nTesti \u002F texts\nGiulia 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