[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-morosopoli":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1178},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1173,"matched_pages":1174,"match_count":1175,"two_pages":1176,"show_text":1177},18331,"Morosopoli","morosopoli","\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F34\u002F183ab2100ae9ba6cadc22d1c637d11-28928b1520.pdf","Moroso",1342,"moroso","61.2 MB",[14,17,21,25,29,33,36,40,44,48,52,56,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,198,202,206,210,214,218,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,368,371,375,379,383,387,391,394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,532,536,539,543,546,550,554,558,561,564,568,572,576,580,584,588,592,596,600,604,608,611,615,619,623,627,631,634,638,641,645,648,652,656,660,664,668,672,676,680,684,688,692,696,700,703,707,711,715,719,723,727,731,735,739,742,746,750,754,758,761,765,768,772,776,780,784,788,792,796,800,804,808,812,816,820,824,828,832,836,840,844,847,851,855,859,862,866,870,874,878,882,886,890,894,898,902,906,910,914,918,922,926,930,934,938,941,945,949,953,957,961,965,969,973,977,981,985,989,993,997,1001,1005,1009,1012,1016,1020,1024,1028,1032,1036,1040,1044,1048,1052,1056,1059,1063,1067,1071,1074,1078,1082,1086,1090,1094,1098,1102,1106,1110,1114,1118,1122,1126,1130,1134,1138,1142,1146,1150,1154,1158,1162,1166,1170],{"image":7,"text":15,"number":16},"MOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M P R E VIS TI\nP ROBABI LI TÀ\nP\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.3.png","Morosopoli\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.4.png","The game becomes a metaphor for the world, a way of living.\nMorosopoly is the subtle reworking (transcription) of the design vision, \nin all its complexity, which takes shape and comes to life in the project.\nThe game, the concept, which if taken as something illustrative, \nis an invitation to let yourself go and be led on a journey to discover \nsome truly beautiful places;\nif taken as something more informative, it aims to inspire comparison \nand exchange; to share the intentions and purpose that each project\ncommunicates.\nMorosopoly is the story of the affinity between design and architecture \nin imagining landscapes, the relationships that exist between space, \ntime and people; the intrinsic ability of every single product to undergo \na continuous metamorphosis to adapt to a multitude of spaces \nwhich differ in function, size and environment. It is also the story \nof how Moroso is always able to actively participate in architectural projects,\nto understand their purpose   and help define these relationships \nof space and function.\nPage after page, project after project, Moroso products are assimilated \ninto different contexts and settings, they give up the role of protagonist \nin favour of aesthetic harmony, to become one with  the identity of the space.\nThe projects are all made to measure, where every detail, every choice, \nis the result of an exchange of ideas and dialogue between the architect \nand Moroso.\nMoroso offers creativity in assisting designers and architects, \ngiving and sharing the knowledge and experience which it has accumulated\nin its 60 years in the furniture-design sector and stand outs \nin the market because of its ability to combine design, aesthetic sensibility,\nproduction quality and proven expertise in textiles.\n2\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.5.png","Un gioco come metafora del mondo, come forma dell’abitare.\nMorosopoli è la sottile trasposizione (trascrizione) di una visione\nprogettuale, di una complicità che si manifesta e realizza nel Progetto.\nUn gioco, un concetto che, se inteso come rappresentazione, \nè un invito a lasciarsi coinvolgere e guidare in un percorso \nalla scoperta di luoghi semplicemente bellissimi;\nse inteso come approccio formativo, è volto al confronto, \nalla condivisione dei valori che ogni singolo progetto esprime.\nMorosopoli è la narrazione dell’affinità tra il design e l’architettura\nnell’immaginare innanzitutto paesaggi, geografie di relazioni tra lo spazio, \nil tempo e le persone; della qualità intrinseca a ogni singolo prodotto \ndi operare continue metamorfosi adattandosi trasversalmente a luoghi\ndiversi per funzione, dimensione ed ambiente. È la narrazione, \ninfine, della capacità di Moroso di intervenire in continuità alla struttura \ndel progetto architettonico, di comprenderne i valori e contribuire \na definirne le forme di relazione.\nPagina dopo pagina, progetto dopo progetto, i prodotti Moroso,\nassorbiti e assimilati nei diversi contesti, dissolvono il proprio protagonismo\nin favore di una sintonia plastica e visuale, fondendosi con l’identità \ndei diversi ambienti. Progetti sempre su misura, dove ogni scelta, \nogni dettaglio, rappresentano sempre la conclusione di un confronto\nprogettuale e dialettico tra l’azienda e l’architetto.\nUn’attitudine creativa che Moroso offre a supporto \ndel lavoro del progettista, per condividere e trasferire la conoscenza \ne l’esperienza sviluppata in più di 60 anni di presenza nel settore\ndell’arredo-design, e sottolineare la sua unicità nel mercato, \ncostituita dalla compresenza di cultura progettuale, sensibilità estetica,\nqualità produttiva e da una radicata competenza tessile.\n3\n",5,{"image":34,"text":19,"number":35},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.6.png",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.7.png","hospitality\nHOTEL, RESTAURANT, CAFE, PRIVATE, RESIDENCE\nBerlin pg. 12\nDas Stue Hotel\nWarsaw pg. 18\nTrio Apartamety\nPostal pg. 20\nHotel Muchele\nCˇeladná pg. 24\nHotel Miura\nHamburg pg. 26\n25h hamburg \u002F number one\nMilano pg. 28\nThe Hug Hotel\nStockholm pg. 30\nThe Nordic Light Hotel\nZurich pg. 34\n25h hotel Zurich\nStockholm pg. 40\nClarion Arlanda Hotel\nSan Candido pg. 46\nHotel Leitlhof\nMilano pg. 48\nUNA Hotel Mediterraneo\nRadolfzell am Bodensee pg. 50\nHotel Bora Hot Spa Resort\nBudapest pg. 52\nLanchid 19 Design Hotel\nDuesseldorf pg. 54\nMotel One Hauptbahnhof\nMilano pg. 56\nHotel Crowne Plaza \nMilano pg. 62\nAS Hotel Limbiate\nFrankfurt am Main pg. 66\nWalon & Rosetti \nMonte Carlo pg. 68\noneapple\nTorino pg. 70\nOne apple\nGorizia pg. 72\nQuBik  \nConversano pg. 74\nMasseria Santa Chiara \nLjubljana pg. 76\nVander Urbani Resort\nAthens\npg. 78\nThe loft project\nJaraguà do Sul pg. 82\nprivate residence\nNew York pg. 84\nprivate residence\nLiubljana pg. 90\nVilla Katarina\n5\nHOTEL, RESTAURANT, CAFE, PRIVATE, RESIDENCE\nUNIVERSITY, LIBRARY, THEATER, MUSEUM\nSHOP, SHOPPING MALL \nOFFICE, BANK, CONFERENCE CENTER\nAIRPORT TERMINAL, RAILWAY STATION, CRUISE SHIP, LUXURY YACHT\nEXHIBITION\nReferences\npg. 10-93\npg. 96-133\npg. 136-149\npg. 152-215\npg. 218-235\npg. 238-265\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.8.png","educational\nUNIVERSITY, LIBRARY, THEATER, MUSEUM\nMelbourne pg. 96\nACU Australian Catholic University Raheen Library\nTilburg pg. 102\nTheaters Tilburg\nMaranello pg. 104\nMabic Maranello biblioteca cultura\nEindhoven pg. 109\nTU Eindhoven \nMont du Marsan pg. 112\nPole culturel du Marsan\nAmsterdam pg. 114\nAmsterdam University College\nWageningen pg. 116\nWageningen University\nRiffa pg. 118\nRiffa Fort\nBirmingham pg. 120\nLibrary of Birmingham\nMilano pg. 124\nHangar Bicocca Foundation\nAtlanta pg. 128\nIMG College Office\nScandicci pg. 130\nBiblioteca di Scandicci\nBoston pg. 132\nMassArt\nshop\nSTORE, SHOPPING MALL\nMilano pg. 136\nBoutique Santoni\nMilano pg. 140\nShowroom Missoni  \nEurope pg. 142\nKiko\nBerlin pg. 144\nViktor Leske  International  \npg. 156\nBillionaire\nPescara pg. 148\nCentro commerciale Pescara Nord\nNovate Milanese pg. 149\nMetropoli\n6\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.9.png","corporate\nOFFICE, BANK, CONFERENCE CENTER\nBargino pg. 152\nCantine Antinori\nDiemen pg. 162\nPuur Paviljoen\nRimini pg. 166\nPalacongressi\nJeddah pg. 168\nAl Mukmal Tower\nHong Kong pg. 170\nPoggenpohl Office\nJeddah pg. 172\nOAB Oman Arab Bank\nMilano pg. 180\nMicrosoft\nMuscat pg. 190\nPDO Petrolium Development Oman\nAbu Dhabi pg. 198\nEtihad Towers \nDubai pg. 202\nLaw firm Rolex tower\nArnheim pg. 220\nEiffel Consultancy\nHouten pg. 204\nE-office\nMaastricht pg. 209\nRabobank Maastricht e.o.\nBalneario Camburiù pg. 212\nStudio Lupa Arquitetos\ntravel\nAIRPORT TERMINAL, RAILWAY STATION, \nCRUISE SHIP, LUXURY YACHT\nBudapest pg. 218\nBUD Airport Skycourt Budapest\nWien pg. 222\nVIA Vienna International Airport\nAmsterdam  pg. 224\nSchiphol G7 gate\nRoma pg. 226\nFreccia Club Roma Tributina\npg. 228\nRoyal Princess \npg. 232\nJoyMe Yacht\npg. 234\nPrivate yacht\nMoroso\nEXHIBITION\nUdine pg. 252\nMoroso60° Metamorphosis\nUdine pg. 243\nLo sguardo laterale\nLyon pg. 260\nMoroso backstage\nVenezia pg. 262\nLa Biennale di Venezia\n7\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.10.png","8\nA new tour\naround Moroso\nand the beauty \nof design.\nA tour around\nthe very varied\nplaces \nof our amazing,\ntenacious\nagents\nwho battle against\nthe blowing winds\nand the doings \nof the competition\nto carry the\nrare gems of\nour production\nto those who\nknow their worth\nand  know \nour passion \nand care\nfor the present, the past\nand the future…\nMOROSOPOLI\nNuovo tour\ntra la bellezza \ndel design Moroso,\nun giro fatto \nnei luoghi\npiù vari \ndai nostri straordinari \ne tosti \nagenti, \nsfidando la forza \ndei venti e \ngli accidenti \ndei concorrenti,\nper portare\nle perle più rare \ndella nostra \nproduzione, \nda chi sa apprezzare \nil loro valore \ne il buon sapere \ndella nostra \npassione, cura, \npassata, presente \ne futura...\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.11.png","9\naround the beauty of design\n",11,{"image":57,"text":19,"number":58},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.12.png",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.13.png","MOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M P R E V I S T I\nP R OB A BI L I T À\nP\nhospitality\nH   TEL\nRESTAURANT\nCAFE\nPRIVATE\nRESIDENCE\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.14.png","12\nPhoto credit: Alessandro Paderni\nArchitecture: Emil Schaud. Interiors: Patricia Urquiola. \nDas Stue Hotel\nBerlin, Germany\nStruzzi, giraffe, gorilla...\nvisto attraverso le panoramiche finestre\ndel ex reale ambasciata danese del 1930, \nsono l’elemento centrale \ndi questo lussuoso albergo\nOstriches, giraffes, and gorillas… \nviewed from the picture windows \nof the ex Royal Danish Embassy building, \ndated 1930, are the central \ntheme of this luxury hotel.\nP. Urquiola \nBohemian, Redondo, Klara,  Silver lake\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.15.png","13\n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.16.png","14\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.17.png","15\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.18.png","16\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.19.png","17\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.20.png","18\nTrio Apartamenty \nWarsaw, Poland\nArchitecture: Jems architekci\nP. Urquiola\nBloomy, Phoenix\nBest residential \ndevelopment 2010.\nTop Builder 2011.\nTrio: luxury, elegance \nand exclusivity. \nThe art of magic \nis at the soul of this \nextraordinary work \nof triangular architecture.  \nTrio: lusso eleganza ed élite. \nLa magia dell’arte \nè la crème de la crème \ndi questa straordinaria \narchitettura triangolare.\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.21.png","19\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.22.png","Hotel Muchele \nPostal, Bolzano\nP. Urquiola\nBohemian, Rift, Bloomy, Klara\nK. Martina\nTwist again \nR. Saini\nCapitello\n20\nPhoto credit: Groeger Edi\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.23.png","21\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.24.png","22\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.25.png","23\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.26.png","Hotel Miura\nCˇ eladná,\nCzech Republic\nArchitecture: Labor13\nT. Kita\nSaruyama Island\n24\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.27.png","25\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.28.png","26\n25h hamburg\nnumber one\nHamburg, Germany\nArchitecture: Studio Dreimeta \nInteriors: Sibylle von Heyden\nP. Urquiola\nFjord\nRetro-chic \nwith playful elements \nin spaces \nwith 1960s and 70s vibe.\nRétro-chic \ncon elementi giocosi su spazi \ne stilistica \ndegli anni ’60 e ’70.\nPhoto credit: Stephan Lemke. © 25hours Hotel\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.29.png","27\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.30.png","28\nThe Hub Hotel \nMilano\nP. Urquiola\nLowseat, Bloomy\nR. Arad\nVictoria and Albert collection\nA. Quinze\nDeer\nK. Grcic\nOsorom\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.31.png","29\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.32.png","Diesel\nOverdyed side\nDiesel\nCloudscape, Chubby chic, Nebula nine, Overdyed\n30\nDesign using seasonal light:\nnatural or artificial...\nDesign di luce stagionale: \nnaturale o artificiale...\nThe Nordic \nLight Hotel \nStockholm, Sweden\nInteriors: Lars Pihl \nN. Doshi & J. Levien\nPaper planes\nP. Urquiola\nGentry, Fergana\nPhoto credit: Alexander Lagergren\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.33.png","31\n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.34.png","32\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.35.png","33\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.36.png","25h hotel Zurich\nZurich, Switzerland\nInteriors: A. Haberli\nA. Häberli\nTake Off, Take a line for a walk, Take Two-line \n34\nPhoto credit: Stephan Lemke, © 25hours Hotels\n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.37.png","35\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.38.png","36\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.39.png","37\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.40.png","38\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.41.png","39\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.42.png","T. Boontje\nShadowy\nBirsel & Seck\nBayekou, Toogou\n40\nClarion Arlanda Hotel \nStockholm, Sweden\nArchitecture\u002FInteriors: Anders Björkén\nPhoto credit: Alexander Lagergren\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.43.png","41\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.44.png","42\n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.45.png","43\nP. Urquiola\nSpring \nR. Saini\nCapitello\n",45,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.46.png","44\nN. Doshi & J. Levien\nMy Beautiful Backside\nP. Urquiola\nFergana\n",46,{"image":196,"text":19,"number":197},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.47.png",47,{"image":199,"text":200,"number":201},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.48.png","P. Urquiola\nPhoenix\nM. Iosa Ghini\nBig Mama\n46\nHotel Leitlhof\nSan Candido (BZ)\nItaly\nStudio arch. Wilfried Kofler\n",48,{"image":203,"text":204,"number":205},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.49.png","47\n",49,{"image":207,"text":208,"number":209},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.50.png","M. Newson\nTV-chair\nP. Urquiola\nBloomy, Fjord\nD. Gomez\nVillage\nK. Martina\nBuba\nT. Boontje\nRain\n48\nUNA Hotel \nMediterraneo\nMilano, Italy\nInteriors: UNA Hotels creativeLAB\nPhoto credit: Alberto Ferrero\n",50,{"image":211,"text":212,"number":213},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.51.png","49\n",51,{"image":215,"text":216,"number":217},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.52.png","50\nP. Urquiola\nFjord\nA. Citterio\nBerlin\nHotel Bora \nHot Spa Resort\nRadolfzell am Bodensee, \nGermany\nArchitecture:\nFranchi & Dannenberg \nArchitecture & Design\nInteriors: Biquadra\nPhoto credit: Hanse Knödle\n",52,{"image":219,"text":19,"number":220},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.53.png",53,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.54.png","52\nLanchid 19 \nDesign Hotel\nBudapest, Ungary\nP. Urquiola\nBloomy\nV. Robinson\nOblio\nR. Arad\nRipple chair\n",54,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.55.png","53\n",55,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.56.png","54\nMotel One \nHauptbahnhof\nDuesseldorf,\nGermany\nP. Urquiola\nFjord\n",56,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.57.png","55\n",57,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.58.png","56\nHotel Crowne Plaza\nMilano, Italia\nInteriors: Elisabetta Motta\nP. Urquiola\nKlara\nSilver Lake\nFergana\n",58,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.59.png","57\n",59,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.60.png","P. Urquiola\nFjord, Bloomy, Phoenix\nR. Arad\nVictoria & Albert collection\n58\nAS Hotel Limbiate \nFiera Limbiate, Milano\nItaly\nInteriors: Studio De Paoli\n",60,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.61.png","59\n",61,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.62.png","60\n",62,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.63.png","61\n",63,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.64.png","62\n62\n25h Bikini Berlin \nGermany\n",64,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.65.png","63\n63\n",65,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.66.png","64\n...leggere\nscaricare file, \nscrivere, \ngiocare, \nchattare, \nguardano film\nrilassarsi, parlare, \npensare, \nmeditare...\n...read,\ndownload,\nwrite,\nplay,\ntext,\nwatch a film,\nrelax, chat,\nthink,\nmeditate...\nCollage\n",66,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.67.png","65\n",67,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.68.png","66\nInteriors: Studio Morgen\nDiesel\nBar stud stool\nWalon & Rosetti\nFrankfurt am Main,\nGermany\nPhoto credit: di Ralph Hillert\n",68,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.69.png","67\n",69,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.70.png","P. Urquiola\nSpring\nE. Franzolini\nTia Maria \nDiesel\nRock, Overdyed\n68\noneapple \nMonte Carlo\nProject: Fulvio Fantolino. \nInteriors: Operart srl, Torino. \nPhoto credit: Shooting lab, Torino.\n",70,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.71.png","69\n",71,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.72.png","70\nNichetto-Gardone\nAround the roses\nP. Urquiola\nRift, Fjord, Bloomy\noneapple\nTorino, Italy\nArchitecture: Fulvio Fantolino \nInteriors: Operart srl\nPhoto credit: Ralph Hillert\n",72,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.73.png","71\n",73,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.74.png","72\nQuBiK\nGorizia, Italy\nR. Lovegrove\nSupernatural\nArchitecture: \nDimitri Waltritsch\nPhoto credit:  Marco Covi\n",74,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.75.png","73\n",75,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.76.png","R. Arad\nBig Easy, Ripple chair\nD. Gomez\nVillage\n74\nMasseria \nSanta Chiara \nConversano, Bari\nItaly\nArchitecture: Kubico srl\nInteriors: Enrico Surdo\n",76,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.77.png","75\n",77,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.78.png","76\nVander Urbani \nResort \nLjubljana, Slovenia\nArchitecture: Sadar + Vuga architects. \nP. Urquiola\nSmock, Bohemian, Bloomy, Lowland\nPhoto credit: Miran Kambic\n",78,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.79.png","77\n",79,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.80.png","T. Boontje\nShadowy\n78\nThe loft project\nAthens, Greece\nArchitecture: EseStudio\nPhoto credit: Iwanna Roufopoulou\nP. Urquiola\nSmock\n",80,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.81.png","79\n",81,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.82.png","80\n",82,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.83.png","81\nDiesel\nNebula Nine sofa\nP. Urquiola \nAntibodi\n",83,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.84.png","82\nprivate residence\nJaraguà do Sul, Brasil\nArchitecture \u002F Photo credit: \nStudio Lupa Arquitetos\nLuciana Blagits + Paulo Rosentosck\nP. Urquiola\nSmock\n",84,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.85.png","83\n",85,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.86.png","84\nR. Arad Misfits, Soft Little Heavy, No Waste\nD. Doshi & J. Levien Impossible wood\nP. Urquiola Antibodi, Lowland\nP. Bestenheider Nanook\nPhoto credit: Ikon\nprivate residence\nNew York, USA\nInteriors: Rami Riad\n",86,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.87.png","85\n",87,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.88.png","86\n",88,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.89.png","87\n",89,{"image":366,"text":19,"number":367},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.90.png",90,{"image":369,"text":19,"number":370},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.91.png",91,{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.92.png","Villa Katarina \nLiubljana, Slovenia\nArchitecture\u002Finteriors:\nMultiplan Arhitekti, \nAleš Žnidaršić, Katja Žlajpah\nFor Use\u002FNumen\nTransform\n90\nPhoto credit: Miran Kambič e Peter Giodani  \n",92,{"image":376,"text":377,"number":378},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.93.png","91\n",93,{"image":380,"text":381,"number":382},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.94.png","92\n",94,{"image":384,"text":385,"number":386},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.95.png","93\n",95,{"image":388,"text":389,"number":390},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.96.png","educational\nMOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M PR E V I ST I\nPROBABI LIT À\nP\nUNIVERSITY\nLIBRARY\nTHEATER\nMUSEUM\n",96,{"image":392,"text":19,"number":393},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.97.png",97,{"image":395,"text":396,"number":397},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.98.png","96\n",98,{"image":399,"text":400,"number":401},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.99.png","97\n",99,{"image":403,"text":404,"number":405},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.100.png","98\n",100,{"image":407,"text":408,"number":409},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.101.png","Dall’ispirazione cartacea \nalla materialità degli spazi.\nMaterial spaces \nfrom paper inspiration. \nA. Häberli\nTake a line for a walk \nP. Urquiola\nKlara, Shanghai Tip\n99\nACU\nAustralian Catholic \nUniversity\nRaheen Library\nMelbourne, Australia\nArchtecture\u002FPhoto credit: Woods Bagot\nDoshi & Levien\nPaper planes\nNendo\nKub\n",101,{"image":411,"text":412,"number":413},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.102.png","100\n",102,{"image":415,"text":416,"number":417},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.103.png","101\n",103,{"image":419,"text":420,"number":421},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.104.png","102\n",104,{"image":423,"text":424,"number":425},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.105.png","P. Urquiola\nFjord\nR. Arad\nVictoria and Albert\n103\nTheaters Tilburg\nTilburg,\nThe Netherlands\nArchitecture: Laura van der Net, Jeroen Hermans \nInteriors: Aarts & Co \nPhoto credit: Tommy de Lange, © Aarts & Co\n",105,{"image":427,"text":428,"number":429},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.106.png","104\n",106,{"image":431,"text":432,"number":433},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.107.png","105\nMabic\nMaranello \nbiblioteca cultura\nModena, Italy\nArchitecture: \nArata Isozaki and Andrea Maffei\nR. Lovegrove\nSupernatural\nT. Boontje\nO-nest\n",107,{"image":435,"text":436,"number":437},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.108.png","106\n",108,{"image":439,"text":440,"number":441},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.109.png","107\n",109,{"image":443,"text":444,"number":445},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.110.png","108\n",110,{"image":447,"text":448,"number":449},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.111.png","For Use\nTransform\nT. Kita\nSaruyama Island\nA. Häberli\nTake a line \nfor a walk \n109\nArchitecture:\nEctor Hoogstad Architecten Rotterdam. \nInterior: Hetty Mommersteeg. \nTU Eindhoven \nThe Netherlands\nPhoto credit: Jan Dijkshoorn, Studio Burogram.\n",111,{"image":451,"text":452,"number":453},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.112.png","110\n",112,{"image":455,"text":456,"number":457},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.113.png","111\n",113,{"image":459,"text":19,"number":460},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.114.png",114,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.115.png","Mont du Marsan, France\nArchitecture: Cardete & Huete Architecte\n113\nPole culturel \ndu Marsan\nPhoto credit: JC Meauxsoone\nR. Arad\nVictoria and Albert collection\nR. Dordoni\nWaiting\n",115,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.116.png","114\n",116,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.117.png","R. Arad\nVictoria and Albert\n115\nAmsterdam \nUniversity College\nThe Netherlands\nArchitecture: Mecanoo Architecten. \nPhoto credit: Christian Richters e Mecanoo\n",117,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.118.png","116\n",118,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.119.png","T. Dixon\nSerpentine\n117\nWageningen University is the only Dutch university \nto focus specifically on the theme \nof ‘healthy food and living environment’ \nthrough working closely with governments \nand the business community. \nWageningen University è l'unica università \nin Olanda che si concentra specificamente \nsul tema 'cibo sano e ambiente di vita'. \nLo fa lavorando a stretto contatto \ncon i governi e la comunità imprenditoriale.\nWageningen \nUniversity\nThe Netherlands\nInteriors: \nEijs Ontwerpt \u002F Workshop of Wonders\nPhoto credit: Kasia Gatkowska,© Workshop of Wonders\n",119,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.120.png","118\n",120,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.121.png","119\n",121,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.122.png","120\n",122,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.123.png","R. Lovegrove\nSupernatural\n121\nArchitecture: PAD – Plan Architecture Design\nRiffa Fort\nRiffa, Bahrain\nPhoto credit: Marco Boria\n",123,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.124.png","122\n",124,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.125.png","123\nLibrary \nof Birmingham \nEngland\nArchitecture: Mecanoo Architecten\nA. Häberli\nTake a line \nfor a walk \nUn memoriale a Shakespeare, \nun nido d’aquila in cima \nal “palazzo del popolo”.\nUn omaggio \nalla tradizione locale, \nla filigrana.\nA memorial to Shakespeare\nlike an eagle’s nest \nperched atop a civic building.\nThe metal filigree \na tribute to local artisan \nheritage. \nPhoto credit: John Lewis Marshall\n",125,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.126.png","124\n",126,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.127.png","125\nR. Lovegrove\nSupernatural\nG. Guillaumier\nFreeflow\nVon Robinson\nOblio\nThe Hangar \nBicocca\nFoundation\nMilano, Italy\nArchitecture: April Architects\nI principi fondatori sono: \nl’innovazione, \nla valorizzazione \ndei talenti, \nil dialogo \ntra le discipline.\nThe founding principles are:\ninnovation, showcasing \ntalent and encouraging \ninterdisciplinary dialogue. \nPhoto credit: Alessandro Paderni\n",127,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.128.png","126\n",128,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.129.png","127\n",129,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.130.png","128\n",130,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.131.png","129\n129\nIMG College Office\nAtlanta, USA\nInteriors: \nPerkins + Will \nN. Doshi & J. Levien\nPaper planes\nPhoto credit: Nigel Marson Photography\n",131,{"image":530,"text":19,"number":531},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.132.png",132,{"image":533,"text":534,"number":535},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.133.png","131\nBiblioteca \ndi Scandicci\nScandicci (FI)\nItaly\nArchitecture: Baracchi e Lecconi\nE. Franzolini\nn. 16 Square custom\nn. 3 \nSquare custom\nn. 109 Stell \nA. Quinze\nn. 2 \nDeer\nT. Dixon\nn. 1 \nSerpentine \nR. Dordoni\nn. 2 \nWaiting\nM. Iosa Ghini\nn. 1 \nPlana\n",133,{"image":537,"text":19,"number":538},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.134.png",134,{"image":540,"text":541,"number":542},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.135.png","133\nMassArt\nBoston, USA\nArchitecture\u002FInteriors: ADD Inc\nG. Guillaumier\nFreeFlow\nIspirato da albero \ndella vita di Gustav Klimt, \nla torre è già un punto \ndi riferimento \nnello skyline della città.\nInspired \nby Gustav Klimt’s \ntree of life, \nthe tower is a landmark \non the city’s skyline. \nPhoto credit: Chuck Choi, Peter Vanderwarker, Lucy Chen\n",135,{"image":544,"text":19,"number":545},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.136.png",136,{"image":547,"text":548,"number":549},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.137.png","MOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M PR E V I ST I\nPROBAB I L I T À\nP\nshop\nST   RE\nSH   PPING MALL\n",137,{"image":551,"text":552,"number":553},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.138.png","136\nP. Urquiola\nSilver lake\nP. Urquiola\nSilver lake\nBohemian\nM. A. Torpe\nMark\nBoutique Santoni\nMilano, Italy\nArchitecture\u002FInteriors:\nPatricia Urquiola\nPhoto credit: Andrea Martiradonna\n",138,{"image":555,"text":556,"number":557},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.139.png","137\n",139,{"image":559,"text":19,"number":560},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.140.png",140,{"image":562,"text":19,"number":563},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.141.png",141,{"image":565,"text":566,"number":567},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.142.png","140\nMissoni \nMilano, Italy\nStudio arch. Patricia Urquiola\nP. Urquiola\nBloomy, Antibodi\n",142,{"image":569,"text":570,"number":571},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.143.png","141\n",143,{"image":573,"text":574,"number":575},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.144.png","P. Urquiola\nRift\n142\nKiko\nStore in Europe\nInteriors: Valeria Lombardo\nPhoto credit: Daniele Iodice\n",144,{"image":577,"text":578,"number":579},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.145.png","143\n",145,{"image":581,"text":582,"number":583},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.146.png","Architectura: Karhard Architektur + design\nPhoto credit: Stefan Wolf Lucks\n144\nViktor Leske \nInternational\nBerlin, Germany\nDiesel\nBar stud stool\n",146,{"image":585,"text":586,"number":587},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.147.png","145\n",147,{"image":589,"text":590,"number":591},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.148.png","P. Urquiola\nBloomy, Field\n146\nBillionaire\nItaly\nmiliardo\n1 000 000 000 \ngiga\n1000 milioni\n109\nbillion\n",148,{"image":593,"text":594,"number":595},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.149.png","147\n",149,{"image":597,"text":598,"number":599},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.150.png","148\nCentro commerciale \nPescara Nord \nPescara, Italy\nArchitecture: BM Engineering\nR. Dordoni\nWaiting\n",150,{"image":601,"text":602,"number":603},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.151.png","149\nMetropoli\nNovate Milanese, Milano \nItaly\nG. Guillomier\nFreeflow\nP. Urquiola\nFjord\nR. Lovegrove\nSupernatural\n",151,{"image":605,"text":606,"number":607},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.152.png","MOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M PR E V I ST I\nPROBAB I L I T À\nP\ncorporate\n   FFICE\n BANK\n C    NFERENCE\n CENTER\n",152,{"image":609,"text":19,"number":610},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.153.png",153,{"image":612,"text":613,"number":614},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.154.png","152\n",154,{"image":616,"text":617,"number":618},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.155.png","Cantine Antinori\nBargino, Firenze\nItaly\nT. Kita\nSaruyama Island\nP. Urquiola\nBohemian, Fjord\nR. Arad\nMisfits\nFor Use\nYY Chair\nT. Yoshioka\nMoon\n153\nArchitecture: Archea and Hydea. Photo credit: Pietro Savorelli\nThe tour, which takes about \nan hour, is a ‘journey’ \ninto the history of the Antinori family,\nTuscan wine producers \nsince 1385.\nLa visita, di circa un ora, \nè un 'viaggio' nella storia \ndella famiglia Antinori, \nche fin dal 1385 \nproduce vino in Toscana.\n",155,{"image":620,"text":621,"number":622},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.156.png","154\n",156,{"image":624,"text":625,"number":626},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.157.png","155\n",157,{"image":628,"text":629,"number":630},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.158.png","156\n",158,{"image":632,"text":19,"number":633},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.159.png",159,{"image":635,"text":636,"number":637},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.160.png","158\n",160,{"image":639,"text":19,"number":640},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.161.png",161,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.162.png","160\n",162,{"image":646,"text":19,"number":647},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.163.png",163,{"image":649,"text":650,"number":651},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.164.png","162\nUna fortezza parte dello Stelling di Amsterdam, \npatrimonio UNESCO, che ora è architettura contemporanea \nper un centro culturale.\nA fort, part of Stelling van Amsterdam, \nUNESCO heritage site, now a cultural centre with contemporary\narchitecture.  \n",164,{"image":653,"text":654,"number":655},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.165.png","P. Urquiola\nCocoon\nRift\nT. Yoshioka\nMoon chair\nR. Lovegrove\nSupernatural\n163\nPuur Paviljoen \nDiemen,\nThe Netherlands\nArchitecture: Emma. Photo credit: John Lewis Marshall\n",165,{"image":657,"text":658,"number":659},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.166.png","164\n",166,{"image":661,"text":662,"number":663},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.167.png","165\n",167,{"image":665,"text":666,"number":667},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.168.png","166\n",168,{"image":669,"text":670,"number":671},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.169.png","P. Urquiola\nFjord, Phoenix\nF. Laviani\nGinevra\nPalacongressi \nRimini, Italy\nArchitecture: GMP, Hamburg \nand Eduard Mijic, Rimini\n167\n",169,{"image":673,"text":674,"number":675},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.170.png","168\n",170,{"image":677,"text":678,"number":679},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.171.png","169\nAl Mukmal Tower\nJeddah, \nKingdom of Saudi Arabia\nE. Franzolini\nJules\nNichetto-Gardone\nAround the Roses\nArchitecture: Studio HAK Co.\nInteriors: Daniel Albizu e Mahmoud A. Nour\nJU\nJU\nJU\nPhoto credit: Mahmoud A. Nour\n",171,{"image":681,"text":682,"number":683},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.172.png","170\n",172,{"image":685,"text":686,"number":687},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.173.png","171\nPoggenpohl Office\nHong Kong, China\nP. Urquiola\nLowseat\n",173,{"image":689,"text":690,"number":691},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.174.png","172\n",174,{"image":693,"text":694,"number":695},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.175.png","173\nOAB\nOman Arab Bank\nMuscat, Oman \nArchitecture: D&A Interior architects\nP. Urquiola\nShanghai Tip\nLowseat \nR. Arad\nVictoria and Albert \nE. van Vliet\nJoy\nPhoto credit: Marco Boria\n",175,{"image":697,"text":698,"number":699},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.176.png","E. Franzolini\nSteel\nS2\n",176,{"image":701,"text":19,"number":702},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.177.png",177,{"image":704,"text":705,"number":706},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.178.png","176\n",178,{"image":708,"text":709,"number":710},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.179.png","177\nP. Urquiola\nSilver lake\nNichetto-Gardone\nAround the roses\nA. Citterio\nRich\n",179,{"image":712,"text":713,"number":714},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.180.png","178\nP. Urquiola\nSpringfield   \nR.Arad\nDo-lo-rez   \nP. Urquiola\nFjord, Malmö, Highlands\n",180,{"image":716,"text":717,"number":718},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.181.png","179\n",181,{"image":720,"text":721,"number":722},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.182.png","180\n",182,{"image":724,"text":725,"number":726},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.183.png","181\nMicrosoft \nMilano, Italy\nArchitecture: Studio Revalue,\nCristiana Cutrona\nP. Urquiola\nLowseat \n",183,{"image":728,"text":729,"number":730},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.184.png","182\n",184,{"image":732,"text":733,"number":734},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.185.png","183\nR. Arad\nSize ten\n",185,{"image":736,"text":737,"number":738},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.186.png","184\nP. Urquiola\nLowland, Lowseat \n",186,{"image":740,"text":19,"number":741},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.187.png",187,{"image":743,"text":744,"number":745},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.188.png","186\n",188,{"image":747,"text":748,"number":749},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.189.png","187\nK. Martina\nHelix \nP. Urquiola\nBoemian, Bloomy \n",189,{"image":751,"text":752,"number":753},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.190.png","188\nP. Urquiola\nPhoenix, Bloomy\nR. Lovegrove\nSupernatural\n",190,{"image":755,"text":756,"number":757},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.191.png","189\n",191,{"image":759,"text":19,"number":760},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.192.png",192,{"image":762,"text":763,"number":764},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.193.png","Doshi&Levien\nPaper planes\n191\nM. Iosa Ghini\nNewtone\nP. Urquiola\nHighlands\nPDO \nPetroleum \nDevelopment \nOman \nMuscat, Oman\nArchitecture: D&A Interior architects\nPhoto credit: Marco Boria\nPhotos courtesy Petroleum Development Oman\n",193,{"image":766,"text":19,"number":767},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.194.png",194,{"image":769,"text":770,"number":771},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.195.png","Photos courtesy Petroleum Development Oman\n",195,{"image":773,"text":774,"number":775},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.196.png","194\nPhotos courtesy Petroleum Development Oman\n",196,{"image":777,"text":778,"number":779},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.197.png","195\nP. Urquiola\nFergana\nDiesel\nBar Stud Stool\nR. Lovegrove\nSupernatural\n",197,{"image":781,"text":782,"number":783},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.198.png","196\nPhotos courtesy Petroleum Development Oman\n",198,{"image":785,"text":786,"number":787},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.199.png","197\n",199,{"image":789,"text":790,"number":791},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.200.png","198\n",200,{"image":793,"text":794,"number":795},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.201.png","199\nA. Häberli\nTake a line \nfor a walk \nPhoto credit: Verdekiwi Photography\nEtihad Towers  \nAbu Dhabi,\nUnited Arab Emirates\nArchitecture: Dbi Brisbane \n",201,{"image":797,"text":798,"number":799},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.202.png","200\n",202,{"image":801,"text":802,"number":803},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.203.png","201\n",203,{"image":805,"text":806,"number":807},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.204.png","202\n",204,{"image":809,"text":810,"number":811},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.205.png","203\nP. Urquiola\nFjord\nBloomy\nSpringfield\nE. Franzolini\nStainless\nA. Häberli\nTake a line \nfor a walk \nSA\nLaw firm \nRolex tower\nDubai, \nUnited Arab Emirates\nInteriors: \nDelfina Cortese, Danijel Pocanic\nWoods Bagot, Dubai\n",205,{"image":813,"text":814,"number":815},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.206.png","204\n",206,{"image":817,"text":818,"number":819},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.207.png","205\nHouten, The Netherlands\nInteriors: Quub Interior Concepts\nA. Häberli\nTake a line \nfor a walk \ne-office specializzata \nnella condivisione della conoscenza \ne di collaborazione\nHeadquarters \nof “the human software company”\nE-office Houten\nPhoto credit: Gerrit Schreurs e Jansje Klazinga\n",207,{"image":821,"text":822,"number":823},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.208.png","206\n",208,{"image":825,"text":826,"number":827},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.209.png","207\n",209,{"image":829,"text":830,"number":831},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.210.png","208\n",210,{"image":833,"text":834,"number":835},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.211.png","209\nT. Kita\nSaruyama\nA. Häberli\nTake a line \nfor a walk \nRabobank \nMaastricht e.o. \nMaastricht,\nThe Netherlands\nArchitecture: Laura van der Net and Jeroen Hermans\nInteriors: Laura van der Net\nTommy de Lange, © Aarts & Co\n",211,{"image":837,"text":838,"number":839},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.212.png","210\n",212,{"image":841,"text":842,"number":843},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.213.png","211\n",213,{"image":845,"text":19,"number":846},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.214.png",214,{"image":848,"text":849,"number":850},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.215.png","213\nArchitecture \u002F Photo credit: \nStudio Lupa Arquitetos\nLuciana Blagits + Paulo Rosentosck\nBalneario Camburiù, \nBrasil\nStudio Lupa \nArquitetos\n",215,{"image":852,"text":853,"number":854},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.216.png","214\nP. Urquiola\nRedondo, Smock, Rift, Fergana\nP. Bestheinder\nNanook\nJ. Wagner\nYo-yo\n",216,{"image":856,"text":857,"number":858},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.217.png","215\n",217,{"image":860,"text":19,"number":861},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.218.png",218,{"image":863,"text":864,"number":865},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.219.png","MOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M PR E V I ST I\nPROBAB I L I T À\nP\ntravel\nAIRPORT TERMINAL \nRAILWAY STATION\nCRUISE SHIP \nLUXURY YACHT\n",219,{"image":867,"text":868,"number":869},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.220.png","218\nBUD\nAirport Skycourt\nBudapest, Hungary\nArchitecture: Közti Zrt – Tima Stúdió\nÈ l’areoporto del 21° secolo.\nIn Europa è il maggiore modello \ndi business comune non aeronautico.\nThe 21st century airport. \nIn Europe it is the very model \nof a non-aviation business model.\nR. Dordoni\nWaiting\n",220,{"image":871,"text":872,"number":873},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.221.png","219\n",221,{"image":875,"text":876,"number":877},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.222.png","220\n",222,{"image":879,"text":880,"number":881},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.223.png","221\n",223,{"image":883,"text":884,"number":885},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.224.png","VIA\nVienna International Airport\nArea SKY Lounges\nAustria\nArchitecture Sky lounge s area: Ohnmacht Flamm. \nPhoto credit: Werner Huthmacher Photography\nArchitecture: Itten-Brechbühl, Moser Architekten,\nBaumschlager-Eberle, Neumann und Partner\n222\nA. Häberli\nTake a line for a walk \nPhoto credit: Henning Koepke\n",224,{"image":887,"text":888,"number":889},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.225.png","223\nTrasparente, traslucido e luminoso,\nè il motto degli architetti \nche hanno pensato ad un aeroporto città,\nespressione di mobilità.\nTransparent, translucent and luminous:\nthe motto of the architects who thought up \nan airport city, an expression of mobility.\nInvenzione \nin grado\ndi costruire \nsoluzioni \ndi viaggio \nper utenti finali.\nInvenzione \nin grado\ndi costruire \nsoluzioni \ndi viaggio \nper utenti finali.\n",225,{"image":891,"text":892,"number":893},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.226.png","R. Arad\nThree skin\nA. Häberli\nTake a line for a walk \nP. Urquiola\nFjord\n224\nAmsterdam Airport Schiphol\nPrivium lounge - Schiphol G7 gate\nInteriors: Studio Linse Amsterdam\nAmsterdam, The Netherlands\n",226,{"image":895,"text":896,"number":897},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.227.png","225\n",227,{"image":899,"text":900,"number":901},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.228.png","226\nFreccia Club Roma Tiburtina \n",228,{"image":903,"text":904,"number":905},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.229.png","227\nR. Arad\nVictoria and Albert\n",229,{"image":907,"text":908,"number":909},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.230.png","228\nMoroso on board in\nBy courtesy of Fincantieri S.p.A - All right reserved\nCosta \nCrociere\nCosta Classica \nCosta Tropicale \nCosta Deliziosa \nCosta Romantica\nCosta Europa\nCosta Allegra\nCosta Deliziosa\nCosta Luminosa\nCunard\nQueen Victoria \nQueen Mary \nQueen Elizabeth \nHolland \nAmerica Line\nZaandam \nVolendam\nVeendam\nP&O \nCruises\nVentura \nAzura \nPrincess \nCruises\nCrown Princess\nRegal Princess \nSun Princess \nDawn Princess \nPacific Princess\nGrand Princess \nSea Princess \nOcean Princess \nGolden Princess \nStar Princess \nTahitian Princess \nSky Princess \nDiamond Princess \nIsland Princess \nSapphire Princess \nCaribbean Princess \nCoral Princess \nCrown Princess \nEmerald Princess \nPacific Princess \nRuby Princess \nRoyal Princess \nSeabourn \nCruise Line\nSeabourn Spirit\nSilja Line\nSilja Europa\n",230,{"image":911,"text":912,"number":913},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.231.png","229\n",231,{"image":915,"text":916,"number":917},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.232.png","230\n",232,{"image":919,"text":920,"number":921},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.233.png","231\n",233,{"image":923,"text":924,"number":925},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.234.png","232\nJoyMe Yacht \nArchitect: Marijana Radovic, \nstudio Standby Milano\nP. Urquiola\nBohemian\nField\nSmock\nPhoenix\n",234,{"image":927,"text":928,"number":929},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.235.png","233\n",235,{"image":931,"text":932,"number":933},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.236.png","234\nDiesel\nDiesel\nA. Citterio\nRich\nPrivate yacht \nProject: Hot lab Milano\n",236,{"image":935,"text":936,"number":937},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.237.png","235\n",237,{"image":939,"text":19,"number":940},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.238.png",238,{"image":942,"text":943,"number":944},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.239.png","MOROSOPOLI\nGO\nC A V A L I C C O\nC A V A L I C C O\nI M PR E V I ST I\nPROBAB I L I T À\nP\nMoroso\nEXHIBITI   N\n",239,{"image":946,"text":947,"number":948},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.240.png","238\n",240,{"image":950,"text":951,"number":952},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.241.png","239\nMoroso 60°\nMetamorphosis\nMuseo d’arte moderna \ne contemporanea\nUdine, Italy\n",241,{"image":954,"text":955,"number":956},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.242.png","240\n",242,{"image":958,"text":959,"number":960},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.243.png","241\n",243,{"image":962,"text":963,"number":964},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.244.png","242\n",244,{"image":966,"text":967,"number":968},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.245.png","243\nLo sguardo laterale\nMusèe des Tissus \net des Art décoratifs \nLyon, France\nMoroso 60°\n",245,{"image":970,"text":971,"number":972},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.246.png","244\n",246,{"image":974,"text":975,"number":976},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.247.png","245\n",247,{"image":978,"text":979,"number":980},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.248.png","246\n",248,{"image":982,"text":983,"number":984},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.249.png","247\n",249,{"image":986,"text":987,"number":988},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.250.png","248\n",250,{"image":990,"text":991,"number":992},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.251.png","249\n",251,{"image":994,"text":995,"number":996},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.252.png","250\n",252,{"image":998,"text":999,"number":1000},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.253.png","251\n",253,{"image":1002,"text":1003,"number":1004},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.254.png","252\n",254,{"image":1006,"text":1007,"number":1008},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.255.png","253\n",255,{"image":1010,"text":19,"number":1011},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.256.png",256,{"image":1013,"text":1014,"number":1015},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.257.png","255\n",257,{"image":1017,"text":1018,"number":1019},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.258.png","256\n",258,{"image":1021,"text":1022,"number":1023},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.259.png","257\n",259,{"image":1025,"text":1026,"number":1027},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.260.png","258\n",260,{"image":1029,"text":1030,"number":1031},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.261.png","259\n",261,{"image":1033,"text":1034,"number":1035},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.262.png","260\n",262,{"image":1037,"text":1038,"number":1039},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.263.png","261\nMoroso 60°\nMoroso backstage\nHangar Bicocca\nMilano, Italy\n",263,{"image":1041,"text":1042,"number":1043},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.264.png","262\n",264,{"image":1045,"text":1046,"number":1047},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.265.png","263\nLa Biennale\ndi Venezia\nFestival del cinema \n2013  \nVenezia, Italy\nPhoto credits: Futura Tittaferrante\nScenography artwork: Giulio Calderini\n",265,{"image":1049,"text":1050,"number":1051},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.266.png","264\n",266,{"image":1053,"text":1054,"number":1055},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.267.png","265\n",267,{"image":1057,"text":19,"number":1058},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.268.png",268,{"image":1060,"text":1061,"number":1062},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.269.png","Design service  \n",269,{"image":1064,"text":1065,"number":1066},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.270.png","Moroso Design service\nMoroso has been active in the sofa and seating manufacturing sector\nsince 1952, combining their vocation for interior design projects \nwith the world of Italian and international design.\nMoroso is a guiding presence for the international Retail \nand Contract market, using the many years of commitment, \nskill and care of the master artisans who, working side by side \nwith the most important and influential designers, \nare able to transform ideas and concepts into products and projects \nwhich satisfy the design and customization demands of the sector. \nWe are able to offer furnishing solutions with a unique identity and style,\nthanks to the distinctive character of the Moroso Creative Team’s talent \nfor imagining, anticipating and interpreting the conceptual space \nof the project, venturing beyond the confines of industrial design \ninto the neighbouring spheres of art and architecture. \nMoroso offers this exclusive service to its customer-partners, sector\nprofessionals and everyone who believes that design is above all a question \nof interaction and relationships.\n268\n",270,{"image":1068,"text":1069,"number":1070},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.271.png","Dal 1952 Moroso opera nel settore produttivo degli imbottiti \ne delle sedute per l’arredo intrecciando la propria vocazione progettuale\ncon quella del design italiano e internazionale.\nUna presenza tangibile e autorevole, costruita giorno dopo giorno\nsull’impegno, la bravura e l’attenzione che i maestri artigiani, \ncoinvolti nel dialogo diretto con i designers più interessanti e influenti, \nhanno saputo tradurre in prodotti e progetti destinati a soddisfare \nle differenti esigenze di customizzazione e progettazione del mercato\nRetail e del Contract internazionale.\nSoluzioni di arredo uniche per identità e valore estetico. \nUna qualità distintiva (e differenziante) fondata sulla capacità \ndel Moroso Creative Team di immaginare, anticipare e interpretare \nlo spazio concettuale del Progetto, allargando i confini del design industriale\nverso gli ambiti limitrofi dell’arte e dell’architettura.\nUn servizio esclusivo che Moroso propone ai propri clienti-partner, \nai professionisti e a quanti credono che il design sia innanzitutto \nprogetto di relazioni.\n269\n",271,{"image":1072,"text":19,"number":1073},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.272.png",272,{"image":1075,"text":1076,"number":1077},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.273.png","271\nIndex\n",273,{"image":1079,"text":1080,"number":1081},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.274.png","SW0 050 Sunny\nFH0 106\nRF0 050 Rift\nRF0 338\nFH0 050 Fjord\nPatricia Urquiola\nFJ0 106\nRA0 050 Rain\nTB0 136 + TB0 131 Doll chair \nTord Boontje\nTB0 132 Witch chair \nTR0464 Tropicalia\nRC00FT Ripple\nT30 050 Thre Skin\nWavy WV0 068\nIW0 OFV\nIW0 OFU Impossible wood\nN. Doshi e J. Levien\nTW0 050 Tv chair \nMarc Newson\nSU0050\nSU0 156\nSU0061 Supernatural\nRoss Lovegrove\nYC0 050 YY-chair\nFor Use\u002FNumen\nLE0 OFT Leaf\nCarlo Colombo\nTI0 OFL\nTI0 0FB\nTI0 OFS Tia Maria\nEnrico Franzolini\n",274,{"image":1083,"text":1084,"number":1085},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.275.png","274\nBM0 001\nBM0 061\nSLC 208 + SLB 017\nSLB 091 Silver lake\nKL0 491\nKL0 478\nKL0 001 Klara\nKL0 490\nFJ0 0V6\nFJ0 03K\nVO0 295 Volant\nRD0 001 Redondo\nBloomy BM0 050 \nBH0001\nBH0 061 Bohemian\nAB0 256\nAB0 456 Antibodi\nTR0458\nTR0462\nFJ0 001\nPatricia Urquiola\nSmock SM0 0VT \nRF0 001\nRF0 061\nTK0 079  Take a line for a walk\nAlfredo Häberli\nTKO 0V7\nTK0 0V6\nTK0 389\nSC0 001 Skate\nFJ0 03G\n",275,{"image":1087,"text":1088,"number":1089},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.276.png","VA0 061\nVA0 042 Little Albert\nVA0 001 Victoria and Albert \nNN0 042 O-Nest\nTord Boontje\nSB0 061 \nSoft big heavy \nPP0 374\nTZ0 001 Big easy\nSushi collection\nS30 061 Ju-ju fauteuil\nEdward van Vliet\nS30 001 Karmakoma \nCH1 001 Chandigarh\nPP0 365 Paper planes\nN. Doshi & J. Levien\nPC0 001 Panna chair\nBQ0 050 Bouquet\nZB0 001 Zabuton\nNendo\nZB0 061\nSpring Collection\nSK0 061 Soft heart \nRon Arad\nSZ0 061 \nSize ten \nSF0 050 \nSoft little heavy \nMM0 061 Memory\nMU0 042\nMU0 161\nMU0 361\nCO0 001 Coat\nSebastian Herkner\nLos Muebles Amorosos\nHT0 061 Hotel 21 \nJavier Mariscal\nAE0 001 Alessandra            AE0 050\nHT0 001 Lobby\nMU0 042\nTokujin Yoshioka\nGL0 0V6 + GL0 0V7 Gluon\nMarc Newson\n275\nCM0 061 C-chair\nFor Use\u002FNumen\nBS0 0TU\nBS0 001 Boston\nRO0 061 Rodolfo\n",276,{"image":1091,"text":1092,"number":1093},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.277.png","AB0 257 Antibodi\nTR0 470 Tropicalia\n276\nHE0 061 Helix\nKarmelina Martina\nBT0 001 Binta\nPhilippe Bestenheider\nTD0 050 Tennis chair\nTomek Rygalik\nCR0 001 Car rapide \nA. Birsel & B. Seck\nNP0 050 Nopolou\nTU0 050 Toogou\nPatricia Urquiola\nBA0 036 Bayekou\nM’Afrique collection,  SW0 001 - 017\nTord Boontje\nSW0 066 Shadowy\nTord Boontje\nBH0036 Bohemian\nPatricia Urquiola\nTI0 OFD Tia Maria\nEnrico Franzolini\nIB0 001 Ibiscus\nIR0 050 Iris \nDominique Petot\n",277,{"image":1095,"text":1096,"number":1097},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.278.png","277\n277\nDinamic collection PK0 06N Plana \nMassimo Iosa Ghini\nFJ0 111-112 Fjord \nFJ0077 + FJ0017 Fjord\nPatricia Urquiola\nKub KU0 328 + KU0 327 KU0 325 + KU0 326\nNendo\nCP0 017 Capitello\nRajiv Saini\nLL0077 Lowland\nPatricia Urquiola\nSushi collection, Donut\nS30 0M7\nEdward van Vliet\nS30 0TU\nS30 0P5 Joy\nOB0 148 Oblio\nVon Robinson\nST0 020 Shitake\nMarcel Wanders\nM’Afrique collection,  \nTV0017 Touti\nPatricia Urquiola\nRE0 06N Reii\nRF0 112 Rift\nPatricia Urquiola\nGU0 07N Guizzo Dinamic Collection\nMassimo Iosa Ghini\nRL0 07N Rich\nAntonio Citterio\nAT0112 Around the roses\nM. Gardone & L.Nichetto\nS20 07N Steel\nEnrico Franzolini\nDW0 077 Dew\nDW0 017\nOS0 057 Osorom\nKonstantin Grcic\nTS0 017, TS0 077 Twist again\nGA0 177 Gaal \nA. Birsel & B. Seck\nBV0 06N Buba \nKarmelina Martina\nS70 017 Steel \nEnrico Franzolini\nS40076                      \nS40214\n",278,{"image":1099,"text":1100,"number":1101},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.279.png","Jules et Jim, \nJU0 06F Jules\nEnrico Franzolini\nJU0 0N5 Jules\nRI0 06S\nRL0 050 Rich\nAntonio Citterio\nRL0 03Z\nRL0 061\nNS0 061 Novecento\nBE0 065 Berlin\nBE0 06R\nNT0 05X Newtone\nBI0 0N1 Big Mama\nBI0 015 Papy\nMassimo Iosa Ghini\nMS0 061\nMS0 050\nJU0 040 Jules\nJM0 001 Jim\nMS0 001 Miss\nS70 0DB\nS70 0DA\nS20 001\nS70 0DE\nS70 0DF\nS20 0S3\nS20 050 Steel\nS700DD\nS20 0SW\n",279,{"image":1103,"text":1104,"number":1105},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.280.png","S20 003 \nS70 0DG Steel\nNT0 05E NewTone\nJules et Jim, JU0 0O2 Jules\nEnrico Franzolini\nJM0 003 Jim\nRI0 06T Rich\nAntonio Citterio\nNS0 078 Novecento\nMS0 003 Miss\nBI0 0N3 Big Mama\nMassimo Iosa Ghini\nOR0 003 Orazio\nMoroso Design Center\nAD0 003 Adriano\nAG0 003 America\n",280,{"image":1107,"text":1108,"number":1109},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.281.png","280\nCE0 0D3 Closer\nTord Boontje\nSH0 003 Shanghai Tip \nSLB 087 Silver lake \nRD0 003 Redondo\nBH0 018 Bohemian\nGEO 599 Gentry\nBM0 018 Bloomy\nFE0 506+506 Fergana\nVA0 048 Victoria and Albert Collecton \nSM0 261 Smock\nVolant VO0 296\nLowland LL0 CA1\nSS0 002 Double Soft big easy\nRon Arad  \nFL0 018 Field\nS11 336 + S11 330 + S11333 Spring\nMA1 003 M.a.s.s.a.s.\nPatricia Urquiola\nHL0 003 Highlands\n",281,{"image":1111,"text":1112,"number":1113},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.282.png","281\n281\nLos Muebles Amorosos, S10 027 Saula Marina \nJavier Mariscal\nPE0 003 Paper cloud \nTokujin Yoshioka\nMJ0002 Miss Sarajevo \nKarmelina Martina\nBS0 078 Boston\nZB0 003 Zabuton \nNendo\nSushi Collection, S30 0M1 Karmakoma sofa\nEdward van Vliet\nS12 003 Soft Wood Sofa \nDU0 930 Doodle\nFront\nMD0 0T8 My beautiful backside\nCH1 003 Chandigarh\nN. Doshi & J. Levien\nSC0 078 Skate\nAlfredo Häberli \nMA0 001 Madame Dakar \nA. Birsel & B. Seck\nMN0 179 Meridiènne\nDominique Petot\nPD0 003 Print\nMarcel Wanders \nRO0 018 Rodolfo\nEnrico Franzolini \nBL1 003 Blur\nMark A. Thorpe\nDinamic collection, EN0 003 Ellittico \nMassimo Iosa Ghini\nT40 001 Transform\nFor Use\n",282,{"image":1115,"text":1116,"number":1117},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.283.png","282\nDO0 104 + 102 Do-lo-rez \nRon Arad\nMF0272 + 273 + 270 + 275 + 274 Misfits\nSY0 04N Saruyama\nS40 018  Saruyama Island \nToshiyuki Kita \nS40 078 \nS40 001\nTR0 128 Tropicalia Day bed\nTR0 060 Cocoon  \nPatricia Urquiola\nPR0 145 Principessa\nN. Doshi & J. Levien\nCH0 123 Charpoy\nS40076                      \nS40214\n",283,{"image":1119,"text":1120,"number":1121},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.284.png","282\nLS0 04Q + LS0 001 + LS0 001 + LS0 036 Lowseat\nFH0 119 Fjord\nPatricia Urquiola\nWA0 0S9 Waiting\nRodolfo Dordoni\nDE0 212 + 211 + 210 Deer\nArne Quinze\nSR0 04H + 04I Serpentine\nTom Dixon\nWM0 481 + 484 + 480 + 483\nFreeflow\nGordon Guillaumier\nWM0 487\nRF0 349 Rift\nPatricia Urquiola \nSR0 04T + 04H + 04I\nTom Dixon\n",284,{"image":1123,"text":1124,"number":1125},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.285.png","284\nDL1 001\nDL1 T27 Piston table\nDL1 090 Mr. Softy\nDL0 F37 Rock chair\nDL0 F35 \nDL0 F30 Stud\nDL0 Total Flightcase\nDLO F04 Overdyed\nDLO F03 Overdyed\nDL0 F21 Xraydio\nDL0 F20 Xraydio\nDLO F05 Cloud Atlas sofa\nDLO F16 Chubby Chic\nDLO 024 \nDL2 F39 Gimme Shelter\nDiesel creative time\nDL2 H40\nDL2 F39 Gimme Shelter\nDL2 H05 Longwave\nDL2 F27 Adriano\nDL2 F27 Pylon + Shortwave\nDL2 H68\nDL2 H68\nDLO F05 Cloudscape chair\nDLO F01 Overdyed\nDLO F02 \n",285,{"image":1127,"text":1128,"number":1129},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.286.png","285\nHL0 177 Highlands\nPatricia Urquiola\nLL0 177 Lowland\n6T0 310 + 313 Sardinian Rugs\nPatricia Urquiola\n1L0  Wavelenght\n01G 298 Carpet Reloaded \nGolran\n1L0 D0042 Lumina\nI+I\n",286,{"image":1131,"text":1132,"number":1133},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.287.png","286\nVA0 Victoria and Albert \nRon Arad\nMK0 016 Mark table\nMarc A. Thorpe\nAT0238      AT0237Around the Roses\nM. Gardone & L. Nichetto\nBB0 234 + BB0 220 Bob bon\nTord Boontje\nYO0 0HS Yo-yo\nJakob Wagner\nSD0 0A5 Steel\nEnrico Franzolini\nUK0 0S1-UK0 0S2 Ukiyo\nTomita Kazuhiko\nNA006H Nanook\nPhilippe Bestheinder\nSD0 0A3\nBY0 T32 Byobu\nNendo\nCL0T60 + CL0T61 + CL0T62 Cloud\nBY0T30 + BY0T31\nKL0 657 + KL0 654 Klara\nPatricia Urquiola\nSH0445\nBM0 0HV Bloomy\nRO1T20 + RO1T14 Roger\nMonica Armani\nCH1 T09 Chandigarh \nN. Doshi & J. Levien\nPH00HG + PH00HZ Phoenix \nFLO SLOCH Field\nFB0T40 + FB0T38 + FB0T39 Fishbone\nSH0242 + SH0243 Shanghai Tip  \nFE0 546 + FE0 549 Fergana\n",287,{"image":1135,"text":1136,"number":1137},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.288.png","287\n287\nVA0 03W  Victoria and Albert \nRon Arad\nVI0163 + VI0164 Village\nDidier Gomez\nFJ0 06P Fjord\nPatricia Urquiola\nSU00S1 Supernatural\nRoss Lovegrove\nAT0 265 Around the Roses\nM. Gardone & L. Nichetto\nAT0266\nTB0016  Oval table\nRA0 016 Rain\nTord Boontje\nFJ0 0SA Fjord\nPatricia Urquiola\nCU0016 Countach\nC. Weisshaar & Reed Kram\nNW0 016 No-waste\nRon Arad\nTN0 323 Tred\nMonica Armani\nRO1T20 + RO1T14 Roger\nMonica Armani\n",288,{"image":1139,"text":1140,"number":1141},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.289.png","hospitality\nHOTEL, RESTAURANT, CAFE,\nPRIVATE, RESIDENCE\nALGERIA Sheraton Club Despins, Algiers \u002F 2003; AUSTRA-\nLIA Sydney Harbour Casino, \u002F 2002; AUSTRIA Josefi-\nnenhof Thermen Park Hotel, Warmbad, Villach \u002F 2004;\nBAHRAIN Hotel Palace, Manama \u002F 2007; Regency InterContinental\n\u002F 2002; Cafè Italia, Manama \u002F 2010; BELGIUM Golf Club,\nOostende \u002F 2002; Léopold Tennis Club, Bruxelles \u002F 2002;\nParnasse Gardens Hotel, Bruxelles \u002F 2002; BULGARIA JJ\nBar, Sofia \u002F 2012; CROAZIA Villa Flores, Povlja, Isola Brač\n\u002F 2011 000; Plaza Bar, Zagreb \u002F2010; Americas Cup, \u002F 2007;\nCZECH REPUBLIC Mladé Buky, Grund Resort, golf club \u002F\n2010; CHINA Hotel Peninsula, Hong Kong \u002F 2002; 3meal\nRestaurant, Pangu 7 Star Hotel, Beijing \u002F 2008; CYPRUS Four\nSeasons Hotel, Limassol \u002F 2008; Hotel Mermaid, AYIA\nNAPA \u002F 2007; Hotel Eden, Maistra group, Rovinj \u002F 2006; Room\n27 Caffee - Bar, Nicosia \u002F 2009; DENMARK SAS Hotel, \u002F 2002;\nEGYPT Allegria Club House, Il Cairo \u002F 2010; FINLAND Gro-\ntesk Bar, Helsinki \u002F 2008; FRANCE Bar One apple, Monte\nCarlo \u002F 2013 000; Domaine de Verchant, Montpellier \u002F\n2007; Hotel Frantour, Nice \u002F 2002; Hotel Mercure Prado \u002F\nMarseille \u002F 2004;Le Pavillon Bastille, Paris \u002F 2002; L'Escurial,\nMarseille \u002F 2004; Antidote Café, Montpellier \u002F 2002; Aut Aut,\nSalerno, Italy \u002F 2009; IRELAND Alexander Hotel, Dublin \u002F\n2002; GERMANY Das Stue Hotel, Berlino \u002F 2012 12; 25h\nhamburg \u002F number one, Hamburg \u002F 2003 26; 25h hotel Zuri-\nch \u002F 2012 34; Duesseldorf, Motel One Hauptbahnhof \u002F 2013\n54; Frankfurt am Main, Walon & Rosetti \u002F 2013  66; Hotel\nBora Hot Spa Resort, Radolfzell am Bodensee \u002F 2013 50\nAmador suite, Frankfurt \u002F 2009; Art & business Hotel,\nNürnberg \u002F 2010; Art 'otel, Berlin \u002F 2004; Carlton Grand Hotel,\nKaiserslautern \u002F 2002; DOM Hotel, Koeln \u002F 2005; Dorint Kon-\ngress Hotel, Koeln \u002F 2002; Dorint Kongress Hotel, Berlin \u002F\n2002; Hotel Atlantic, Hamburg \u002F 2002; Hotel Kempinsky, Ber-\nlin \u002F 2002; Hotel Metropol, Berlin \u002F 2002; Hotel Schloß\nBlücher, Göhren \u002F 2002; Innside Hotel Munich Parkstadt Schwa-\nbing, München \u002F 2005; Intercontinental Hotel, Koeln \u002F\n2004; Mövenpick Airport Hotel Stuttgart, Stuttgart \u002F 2007;\nPenta Hotel, Lübeck \u002F 2002; Seidler Hotel Pelikan, Hanno-\nver \u002F 2002; Seidler Hotel Residenz, Rügen \u002F 2002; Sport Scheck\nHotel, Muenchen \u002F 2004; Taschenberg Palais, Dresden \u002F 2002;\nBar Hotel Mövenpick, Berlin \u002F 2004; Bad Waldsee \u002F 2010;\nGREAT BRITAIN Hempel Hotel, London \u002F 2003; Hotel The\nHemple, London, \u002F 2003; One Aldwych Hotel, London \u002F 2004;\nGREAT BRITAIN UK Supreme Court, London \u002F 2009; GREE-\nCE The Loft Project, Athens, 2012 78; Club Hotel Lautraki,\nLautraki \u002F 2003; HUNGARY Marriot Hotel, Budapest \u002F\n2010; INDIA Galaxy Hotel Shopping SPA, Gurgaon, New Delhi\n\u002F 2007; Hotel Le Mèridien, New Delhi \u002F 2005; India Terroir\nWinebar, New Delhi, Gurgaon \u002F2007; ISRAELE Crown\nPlaza City Center, Tel Aviv \u002F 2009; INDONESIA Club Med\n2, Polinesia \u002F 2002; ITALY Hotel Leitlhof, San Candido \u002F 2013\n46; UNA Hotel Mediterraneo, Milano \u002F 2013 48; The Hub\nHotel, Milano \u002F 28; Hotel Crowne Plaza, Milano \u002F 2000 56;\noneapple, Torino \u002F 2000 70; Gorizia, QuBik  \u002F 2000 72; Con-\nversano, Masseria Santa Chiara \u002F 2000 74; Borgo di Fiuz-\nzi Hotel & spa, Praia a Mare, Cosenza\u002F 2011;  Castello Ceco-\nni, Vito D’adio \u002F 2012; Four Season Hotel, Milano \u002F 2012,\nGran Hotel Nagari Boutique & spa, Vigo, Spagna \u002F 2010; Holi-\nday Inn Milano Nord Zara, Milano \u002F 2010; Hotel I Point, Bolo-\ngna \u002F 2007;  Hotel Palazzo Fortunato, Sant’Agata di Mili-\ntello, Mestre \u002F 2011; Kitzcorner Tirol, 2011; Hotel Leoane\ndi Messapia, Cavallino, Lecce;  Ora Hotel City Bresso,\nBresso, Milano \u002F 2010; Tizzy's NY Milano \u002F 2011; GruopM,\nAssago \u002F 2012; UNA Hotels & Resorts, Firenze, UNA Hotel\nTocq e all'UNA Hotel Napoli \u002F 2012; T HOTEL, Cagliari \u002F 2006;\nHotel Nhow, Milano \u002F 2009; DuoMo Hotel, Rimini \u002F 2006;\nUrban Hotel, Trieste \u002F 2007; BHR Hotel, Treviso \u002F 2008; Biba\nShow Dinner C\u002FO Masseria D’Anela, Castellaneta (TA) \u002F 2006;\nBJC, Bergamo \u002F 2007; Black Hotel, Roma \u002F 2005; Byblos\nArt Hotel Villa Amistà, Verona \u002F 2005; Casa De Astis, Rivo\ndi Puglia \u002F 2003; Casa Fracchiolla, Bari, 2003; Class Hotel\nFiera; Piacenza \u002F 2003;  Dal Moro Assisi Gallery Hotel,\nAssisi (PG), Italy \u002F 2004; Eurocongressi (Cavajon), Verona\n\u002F 2003; Firenze Hotel Cristina, Limone del Garda \u002F 2002; Grand\nHotel, Verona \u002F 2002; Discoteca Ayers Rock, Lamezia\nTerme \u002F 2006; Holiday Inn Express, Milano \u002F 2006; Holiday\nInn Hotel, Cosenza, 2004; Hotel Admiral Palace, Chianciano\nTerme, 2007; Hotel Antares, Milano \u002F 2002; Hotel Aqua, Abano\nTerme (PD) \u002F 2009, Hotel Astoria Italy, Udine \u002F 2002; Hotel\nBad Moos, Val Pusteria, 2002; Hotel Bellevue, Sorrento \u002F\n2002; Hotel Castello di Carimate, Carimate (CO) \u002F 2009; Hotel\n288\nCentrale, Cosenza \u002F 2004; Hotel Cipriani, Venice \u002F 2002; Hotel\nClocchiatti, Udine, 2007; Hotel Costa del Salento, Lido\nMarini (LE) \u002F 6.09.06; Hotel Courtyard Marriot, Venezia\nTessera Aeroporto \u002F 2006; Hotel Crystal Palace, Ivrea -\nBanchette, Torino \u002F 2009; Hotel dei Cavalieri, Milano \u002F\n2002; Hotel Excelsior, Catania \u002F 2002; Hotel Farnese, Parma\n\u002F 2002; Hotel Hilton, Roma Aeroporto \u002F 2002; Hotel Klass,\nCastelfidardo (AN) \u002F 2007; Hotel Laurin, Bolzano \u002F 2002; Hotel\nLaurint Salò, Brescia \u002F 2002; Hotel Oasi di Kufra, Sabaudia\n(LT) \u002F 2010; Hotel Paraggi, Portofino \u002F 2002; Hotel Prome-\nteo, Siracusa \u002F 2009; Hotel Ramada, Reggio Emilia \u002F 2004;\nHotel Rende, Cosenza \u002F 2009; Hotel Resort Tanca, Carde-\ndu Ogliastra \u002F 2006; Hotel Savoy Gardone, Brescia \u002F 2002;\nHotel Village, Aosta \u002F 2009; Hotel Watt, Milano \u002F 2007;\nHotel Z3, Roma \u002F 2010; Hub Hotel - Concerto Hotels, Mila-\nno \u002F 2010; Laguna Palace Hotel, Venezia \u002F 2003; Locanda\ndi Palazzo Cicala, Genova \u002F 2002; Monte Alba Motel, Alba\n(CN) \u002F 2007; Novotel, Bologna \u002F 2002; Novotel, Torino \u002F 2007;\nPalace Hotel, Bari \u002F 2002; PARC HOTEL PARADISO, Limo-\nne sul Garda \u002F 06; Point Hotel - Suite 53, Piove di Sacco, Pado-\nva \u002F 2008, Postumia Hotel Design, Oderzo (TV) \u002F 2006;\nQuinto Assio Hotel, Rieti \u002F 2003; Romantic Metropolitan Hotel,\nVenice \u002F 2002; Savoy Palace Hotel, Brescia \u002F 2002; Sorrento\nPalace, Sorrento \u002F 2002; Sporting Hotel Villa Maria, Fran-\ncavilla \u002F 2006; StarHotels - Michelangelo, Firenze \u002F 2004;\nTenuta Polvere delle Rose, Bari \u002F 2003;  T -Hotels Lamezia\nTerme, Lamezia Terme \u002F 2009; T-Hotel Trezzano sul Navi-\nglio, Trezzano sul Naviglio \u002F 2009;  Verona Hotel Metropol,\nVenice \u002F 2002; Villaggio Gattarella, Vieste \u002F 2004; Villaggio\nValentino, Taranto \u002F 2002; Villa privata, Scopello - Castel-\nlamare del Golfo (TR) \u002F 2007; Windsor Hotel, Milano \u002F 2003;\nLa Biennale di Venezia, sede di Ca' Giustinian  La caffette-\nria \u002F 2009; Bar Grifo, Arzignano (VI) \u002F 2010; Bar Plaza,\nLignano (UD) \u002F 2003; Enoteca Manfrè, Alcamo (TP) \u002F 2007;\nFactory, Treviso \u002F 2003; MOMART Restaurant Cafè - Roma,\nRoma \u002F 2005; Oro Colato, Paese - Treviso \u002F 2003; Restau-\nrant Quick Food, Livorno \u002F 2009; Victory Bar, Lodi \u002F 2007;\nVictory Restaurant, Sanremo \u002F 2004; Vigilius Mountain\nResort, Lana Sudtirol (BZ) \u002F 2004; JAPAN Osaka City Dome\n\u002F 2002; Otani Tower Hotel, Japan \u002F 2002; Urawa Royal\nPines Hotel, Tokyo \u002F 2002; Ferrarini Restaurant, Tokyo \u002F 2007;\nLATVIA Casa a Riga, Riga \u002F 2008; THE NEDERLANDS The\nNordic Light Hotel, Stockholm \u002F 30; Clarion Arlanda Hotel,\nStockholm \u002F 2000 40; Golfclub De laage Vuursche, Den Dol-\nder \u002F 2002; Pieter Eijfhuis Centrum, Eindhoven \u002F 2006;\nThe Blakes Hotel, Amsterdam \u002F 2002; Restaurant 11 on Ste-\ndelijk Museum cs, Amsterdam \u002F 2004; Smoking club Hi\u002FLo,\nUtrecht \u002F 2012; NORWAY Radisson Garden Hotel \u002F 2004;\nMEXICO Mosquito Beach, Playa del Carmen \u002F 2010; MONTE\nCARLO, oneapple \u002F 2000 68; PUERTO RICO W Hotel, Isla\nde Vieques \u002F 2010; PORTUGAL Hotel Dias Barbosa Funchal,\nMadeira \u002F 2002; POLAND Trio Apartmets, Warsaw \u002F 2012\n18; QATAR La Cigale Hotel, Doha \u002F 2009; Kempinski Resi-\ndence and suites tower, Doha \u002F 2010; TUNISIA Le Must -\nBar a' salade et salon de the Hammamet \u002F 2009; REPUB-\nBLICA CECA Hotel Miura, Cˇeladná \u002F 2011 24; ROMANIA Cler-\nmont Hotel, Covasna \u002F 2008; RUSSIA Hotel Mirage, KAZAN\n\u002F 2004; Mega Center Italy, Moscow \u002F 2005;  SINGAPORE\nSingapore, Forlino italian restaurant \u002F 2009; SLOVENJA Van-\nder Urbani Resort, Ljubljana \u002F 2012 76; SWEDEN Nordic Sea\nHotel, Nordic Choice Hotels Group, Stockholm \u002F 2012 000;\nStockholm, Yasuragi Hasseludden \u002F 2004; Hotel Selma, Sunne\n\u002F 2005; Radisson Garden Hotel \u002F 2002; SAS Hotel \u002F 2002;\nSWITZERLAND Zurich \u002F 2012; 25h hotel Zurich 000;  SPAIN\nHotel The Mirror, Barcelona \u002F 2010 000; Casino' di Luga-\nno, Lugano \u002F 2003; Hotel Chesa, Mulin Pontresina \u002F 2002;\nHotel des Alpes, Luzern \u002F 2002; Hotel Allegro, Bern \u002F 2002;\nHotel Montana, Luzern \u002F 2002; Hotel Saratz, Pontresina \u002F 2002;\nHotel Seedamm, Pfäffikon \u002F 2002; Wilerbad Hotel am Sar-\nnersee \u002F 2002; Alden Restaurant, Zurigo \u002F 2004; Bar Greu-\nlich, Zurigo \u002F 2004; Bar Hotel Crowne Plaza, Genève \u002F\n2004; Kongress Kultur Zentrum - Restaurant, Lucerna \u002F 2005;\nPur Bar-Restaurant, Losanna \u002F 2004; Restaurant privè\nHaute, Zürich \u002F 2004; Grand Hotel Domine, Bilbao \u002F 2003;\nHotel Mandarin Oriental Barcelona \u002F 2009; Silken Puerta Ame-\nrica Madrid \u002F 2006; Hotel Barcelò Torre Arias, Madrid \u002F 2006;\nHotel Claris, Barcelona \u002F 2002; Hotel Rey Juan Carlos Pri-\nmero, Barcelona \u002F 2002; U.A.E. Yas Marina Hotel, Abu\nDhabi; Hotel Burj Al Arab, Dubai \u002F 2004; Forte Grand Hotel,\nAbu Dhabi, 2002; Forte Grand Jumeira Beach, Dubai, \u002F 2002;\nGarde Royal, Abu Dhabi, 2002; Golf Club, Dubai, 2002; Golf\nCourse, Abu Dhabi, 2002; Hilton Beach Club, Dubai \u002F 2002;\nSt George Hotel, Dubai \u002F 2002; Yas Marina Hotel, Abu Dhabi;\nUNGARY Lanchid 19 Design Hotel, Budapest \u002F 2000 52;\nUSA private residence, New York \u002F 2000 84CALIFORNIA Andaz\nWest Hollywood Hotel, Hollywood - Los Angeles \u002F 2010; Colony\nHotel, Miami \u002F 2002 Bourbon Steak, Miami \u002F 2007; Restau-\nrant Marea, New York \u002F 2009; Zorzi Restaurant, New York\nCity \u002F 2008.\neducational\nUNIVERSITY, LIBRARY, \nTHEATER, MUSEUM\nAUSTRALIA ACU Australian Catholic University Raheen\nLibrary, Melbourne \u002F 2012 96, City Recital Hall, Sydney \u002F 2004;\nCanberra National Museum of Australia \u002F 2007; BAH-\nREIN, Riffa Fort, Riffa 2000\u002F 118, BRASIL private residen-\nce, Jaraguà do Sul, \u002F 2000 82; Manama, Bin Matar House\u002F\n2010; DENMARK Aller Media Building, Copenhagen \u002F\n2010 ; FRANCE Pole culturel du Marsan, Mont du Marsan\n\u002F 2007 112; Mèdiathèque André Malraux, Béziers; ENSAM\nBibliothèque de École National Supèrieur d’Architecture\nde Montpellier, Montpellier; Grand Palais, Paris; Palais de\nTokyo\u002FSite de création contemporaine, Paris; Théâtre d'An-\ngers \u002F 2002; ENGLAND Library of Birmingham, Birmingham\n\u002F 2013 120; ITALY Mabic, Biblioteca Maranello, Modena \u002F\n2011 104; Biblioteca di Scandicci \u002F Firenze, 2008 130; Han-\ngar Bicocca Foundation, Milano \u002F 2000 124; Museo del vetro,\nAltare, Savona; Centro Espositivo d’Arte Moderna e Contemporanea\n- ex Pescheria Centrale di Trieste; Castello di Udine, Salo-\nne del Parlamento Udine; Teatro Giovanni da Udine, Udine\n\u002F 1997; Ca' Giustinian, Venezia; Auditorium Parco della\nMusica, Red Reastaurant Roma; Università del caffè, Trie-\nste \u002F 2004; SPAIN Università del Paìs Vasco San Sebastian;\nTenerife, Magma Arts Center, Palacio de Congreso \u002F 2010;\nTHE NETHERLANDS Amsterdam University College \u002F 2012\n114, Theaters Tilburg, Tilburg \u002F 2012 102; TU Eindhoven,\nWageningen \u002F 2012 112; Park theather, Eindhoven  \u002F 2011;\nGroninger Museum, Groningen \u002F 2011; Stedelijk Museum,\nAmsterdam \u002F 2006; QATAR Qatar Foundation, Carnegie\nMellon University \u002F 2009 - Texas A&M University \u002F 2009; USA\nMassArt, Boston 2013 \u002F 132; IMG College Office, Atlanta \u002F2013\n128; NEW YORK, MoMA “Ron Arad. No discipline” New York\n\u002F 2009; TEXAS Dallas AT&T Performing arts center Dee and\nCharles Wyly Theatre \u002F 2009.\nhealthcare\nWELLNESS, HOSPITALS\nAUSTRIA Graz, Physikalisches ambulatorium \u002F BKK Kind-\nberg; BELGIUM Brussel Hospital César De Paepe; GREAT\nBRITAIN, Circle Health Bath, London \u002F 2010; ITALY Terme\ndi Chianciano Spa \u002F 2007; Modena, Cream, Centro di Medi-\ncina Rigenerativa di Modena \u002F 2008; Abano Ritz Hotel,\nAbano Terme \u002F 2008; Hidron Centro Benessere, Campi\nBisenzio, Firenze \u002F 2006; Klab Marignolle, Firenze \u002F 2006;\nTerme di Monticelli, Parma \u002F 2002; Terme e Hotel Continental,\nSirmione \u002F 2002; Palestra Virgin Active, Bologna, Genova \u002F\n2004; Salute e cultura, Treviso \u002F 2007; Mirabilis Centro benes-\nsere, Verona \u002F 2005; NORWAY Drammensbadet, Drammen\n\u002F 2008 USA GEORGIA, Children’s Healthcare of Atlanta;\nTHE NEDERLANDS Astellas pharmacy, Leiderdorp \u002F 2012.\nshop\nSTORE, SHOPPING MALL\nEUROPE Kiko \u002F 2000 142; Billionaire \u002F 2000 156; BELGIUM\nLiège, Médiacité \u002F 2009; Shopping Center Louvain La\nNeuve, Louvain La Neuve \u002F 2005; CZECH REPUBLIC Shop-\nping centre Černý most, Prague \u002F2013 000; DENMARK Bison\n- Shop\u002F 2005; Sand Shop, Copenhagen\u002F 2004; FRANCE Bou-\ntique Marie-Hélène de Taillac, Parigi \u002F 2004; Boutiques\nPomellato, Parigi \u002F 2004; Showroom Patrizia Pepe, Parigi \u002F\n2004; ITALY Centro commerciale Metropoli, Novate Mila-\nnese, Mialno \u002F 2012 000; Centro Commerciale Pescara \u002F 2010\n148; Boutique Santoni, Milano, 2013 136; Showroom Mis-\nsoni, Milano \u002F 2013 140; Metropoli, Novate Milanese \u002F\n2000 149; Calzaturificio FABI spa Showroom donna; Ate-\nlier Gianvito Rossi, Milano \u002F 2008; Trend Group Headquar-\n",289,{"image":1143,"text":1144,"number":1145},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.290.png","289\nters, Villa alle Scalette, Vicenza; Arteni Abbigliamento,\nTavagnacco (UD) \u002F 2008; Aspesi, Milan \u002F 2009;  Boutiques\nPomellato, Roma \u002F 2008; Boutiques Pomellato, Milano \u002F 2005;\nCalzature ed abbigliamento Manno, Alcamo (TP) \u002F 2007; Cal-\nzaturificio Fabi, Monte San Giusto \u002F 2006, Calzaturificio Marco,\nPrato \u002F 2004; Calzaturificio Strategia srl, Civitanova Marche\n(MC) \u002F 2006; Concessionaria BMW, Firenze \u002F 2004; Mani &\nPiedi Spa, Milano \u002F 2005; Negozio calzature, San Benedetto\ndel Tronto (AP) \u002F 2007; Palazzo Fendi, Roma \u002F 2006; GREAT\nBRITAIN Camper store, London \u002F 2009; Boutiques Pomel-\nlato,  London \u002F 2008; Capital Radio, London \u002F 2004; Mexx,\nLondon \u002F 2005; GERMANY Hairdresser Salon Viktor Leske\nInternational, Berlin \u002F 2013; Viktor Leske  International;\nBacino Shop, Kehl, Germany, 2004; Lacoste Frankfürt,\nFrankfürt \u002F 2004; JAPAN Showroom A-Poc, Tokyo \u002F 2006;\nKUWAIT Showroom Vivre, Kuwait City \u002F 2008; SAUDI\nARABIA Lo Spazio, Jeddah \u002F 2007; SPAIN Aspesi, Madrid\n\u002F 2009; Boutiques Pomellato, Barcellona \u002F 2004; Protos, Peña-\nfiel - Valladolid \u002F 2009; RUSSIA Moscow, Pomellato, GUM,\nGlavnyi Universalnyi Magazin; U.A.E. Nissan Showroom,  -\nMusaffah industrial area, Abu Dhabi \u002F 2009; Nissan Show-\nroom, Abu Dhabi \u002F 2004; Showroom Fabi, Dubai \u002F 3006; Show-\nroom Le Reve \u002F 2005; USA CALIFORNIA Boutiques Pomel-\nlato, Miami \u002F 2009; Car Corporate, Miami \u002F 2003; NEW YORK\nSicis Showroom, SoHo\u002FNew York \u002F 2006\ncorporate\nOFFICE, BANK, \nCONFERENCE CENTER\nBRASIL Balneario Camburiù Studio Lupa Arquitetos \u002F 2013\n212; ARABIA SAUDITA Jeddah, Al Mukmal Tower \u002F 2000\n168; AUSTRIA Donau Bank, Vienna \u002F 2002; AUSTRALIA Syd-\nney Convention Centre \u002F 2002; TDF, Chifley Tower, Sydney\n\u002F 2002; AUSTRIA MusikSchule Meidling, Vienna \u002F 2004; Phy-\nsikalisches Ambulatorium, Kindberg \u002F 2004; Zentrum fuer\nMedizinische Grundlagenforschung, Graz \u002F 2004; BAH-\nRAIN, Manama, MGA+C Office \u002F 2010; BELGIUM Genera-\nle Bank, Bruxelles \u002F 2002; A.B.B., Louvain \u002F 2002; CGER, Bruxel-\nles \u002F 2002; European Parlament, Bruxelles \u002F 2002; Heilig-\nHartziekenhuis, Lier \u002F 2002; Provinciehuis Vlaams Brabant\n- Leuven plaatsten, Leuven \u002F 2003; Showroom Sergio\nRossi, Bruxelles \u002F 2002; CHINA Hong Kong Poggenpohl\nOffice \u002F 2000 170; CZECH REPUBLIC Czech National Bank,\nPraha \u002F 2004; Komercni Bank \u002F 2002; DENMARK Bang &\nOlufsen A\u002FS, \u002F 2002; Nykredit A\u002FS \u002F 2002; FRANCE Banque\nIndo-Suez, Paris \u002F 2002;  Budapest Aeb Bank, Paris \u002F 2002;\nKulkereskedelmi Bank, Paris \u002F 2002; Mutuel du Mans,\nVichy \u002F 2002; OTP Bank, Paris \u002F 2002; Postbank, Paris, 2002;\nCrédit Agricole \u002F 2002; Crédit Mutuel, Vichy \u002F 2002; FRAN-\nCE AGF, Paris \u002F 2002; Andersen Consulting, Paris \u002F 2002;\nArchives départementales de Marseille, Marseille \u002F 2007;\nArchives Municipales, Marseille \u002F 2002; Assemblée Natio-\nnale, Paris \u002F 2002; AT & T, Paris \u002F 2002; Carbone, Paris \u002F 2002;\nCegetel, Paris \u002F 2002; Centre Congrès, Vichy \u002F 2002; CFD,\nParis \u002F 2002; Barilla, Paris \u002F 2002; Bibliothèque de Mont-\npellier et de la Rochelle \u002F 2002; Christian Dior, Paris \u002F\n2002; Ciba Geigy, Paris \u002F 2002; CNIT Compagnie Généra-\nle des Eaux, Paris \u002F 2002; Compaq, Paris \u002F 2002; Conseil d'Eu-\nrope, Strasbourg \u002F 2002; Coopers & Lybrand, Paris \u002F 2002;\nCzech Embassy, Paris \u002F 2002; Défense, Paris \u002F 2002; Ecole\nCentrale, Lyon \u002F 2002; EDF, Paris, France \u002F 2002; Emi-Pathé,\nParis \u002F 2002; Etam, Paris \u002F 2002; Eun Grupo, San Sebastian,\nSpain \u002F 2310; Eurodisney, Paris \u002F 2002; Eye Center, Paris\n\u002F 2002; FNAC, Paris \u002F 2002; France 2, Paris \u002F 2002; Gene-\nrali, Paris, \u002F 2002; Groupe Pinault, Paris \u002F 2002; Guerlain,\nParis \u002F 2002; Hospital, Massy \u002F 2002, Hungar Television, Paris\n\u002F 2002; IBM, Paris \u002F 2002; Magasins ETAM, Vichy \u002F 2002;\nMairie de Toulon et de Nantes \u002F 2002; Ogilvy, Paris \u002F 20.02,\nOmega, Zürich, Switzerland \u002F 2002; Renault, Paris \u002F 2002;\nStade de rugby Yves du Manoir, Montpellier \u002F 2007; Syba-\nse, Paris \u002F 2002; TFI, Paris \u002F 2002; Thierry Mugler, Paris \u002F\n2002; Université, Toulouse \u002F 2002;  Walt Disney Company,\nParis, 2002 \u002F Wind, Italy \u002F2002; GERMANY Bremer Land-\nsbank \u002F 2002; Deutsche Bank, Bonn \u002F 2002; Dresdner\nBank \u002F 2002; Santander Consumer Bank, Moenchenglabach\n\u002F 2007; Daimler-Benz, Stuttgart, 2002; Neue Messe, Mün-\nchen \u002F 2004; Nokia, Berlino \u002F 2002; Stätische Bibliothek, Kar-\nstadt Duisburg, Flensburg, Rosenheim \u002F 2002; Paris, Fran-\nce \u002F 2002, Telecom, Bonn \u002F 2002; Universal, Berlin \u002F 2003;\nKiefernorthopedische Praxis, Bad Saulgau \u002F 2004; GREAT\nBRITAIN BBC, television center, Dress Room, London \u002F\n2007; Apple Computers Showrooms, London \u002F 2002; Cable\n& Wireless, London \u002F 2002; European Agency, London \u002F 2002;\nMcGraw-Hill, Canary Wharf, London \u002F 28.05.04; Medical Pro-\nduct, London \u002F 2002; New Mercury House, London \u002F 2002;\nP&O Reception Area, London \u002F 2004; Procter & Gamble, Lon-\ndon \u002F 2002; Rolls Royce Lexus Showrooms, London \u002F 2002;\nCircle Health, Bath, London \u002F 2010; Maastricht Rabobank\nMaastricht e.o. \u002F 2009 209GERMANYFitnessstudio für Frauen\n“Rückgrad Freiburg”, Freiburg \u002F 2011; Stilwerk Hamburg,\nHamburg \u002F 2011; ITALY Rimini Palacongressi \u002F 2000 166;\nCantine Antinori, Bargino Firenze 152; Milano Microsoft \u002F 2011\n180; Sede IBM, Roma ; NGI Busto Arsizio, Busto Arsizio, Vare-\nse, 2012; Palacongressi Rimini \u002F 2011; Hypo Alpe-Adria Bank,\nUdine \u002F 2006; Banca del Monte Credito Italyno, Milan \u002F\n2002, Banca di Laiatico, Prato \u002F 2004; Banca d'Italy, Milan\n\u002F 2002; Banca Fideuram, Milan \u002F 2002; Cassa di Risparmio\n(various branches), Milan \u002F 2002; Unicredit Banca Mobilia-\nre \u002F 2002; Diesel Headquarters, Breganze \u002F 2010; Palazzo\nCosta, Genova, \u002F 2010; Stadio Olimpico, sala stampa, Roma\n\u002F2007; Palacrociere, stazione marittima, Savona \u002F 2003; Mac\n9, Zurich insurance company, italian headquarter, Milan \u002F\n2009; Ambasciata dei Paesi Bassi a Roma, Roma \u002F 2007;\nCa' Giustinian, Venezia \u002F 2009; Camera di Commercio,\nUdine \u002F 2009; Casa privata, Mantova \u002F 2009; Casa privata,\nMantova \u002F 2009; COIN Department stores \u002F 2002; Confin-\ndustria Udine, Udine \u002F 2009; Gattinoni Travel Network,\nPavia, Voghera \u002F 2007; Fondazione Cassa di Risparmio di\nTortona \u002F 2000; Index Europea Spa, Stezzano (Bergamo) \u002F\n2007; Infostrada \u002F 2002;  Light and colors, Alcamo (TP) \u002F 2007;\nLloyd Adriatico \u002F 2002; Mandarina Duck, \u002F 2002; Mirabilis\nCentro Benessere, Verona \u002F 2005; Panasonic \u002F 2002; R.A.I.\nItalyn Television, \u002F 2002; Ras Assicurazioni, Milan \u002F 2002;\nRT Riviera Trasporti, Imperia \u002F 2008; Ass.ne Industriali Por-\ndenone, Pordenone \u002F 2004; Showroom Dolce & Gabbana,\nMilan \u002F 2002; Telecom Italia \u002F 2002; Università di Salerno,\nSalerno \u002F 2002; Villa alle Scalette, Vicenza \u002F 2005; Cliniche\ne Ospedali, Centro Diagnostico Biocontrol, Cosenza \u002F 2004;\nCentro medicina rigenerativa, Modena \u002F 2008; JAPAN\nTokyo Fire Agency, Tokyo \u002F 2002; MALTA Tal-Milqi Farmhou-\nse, Burramad \u002F 2013; OMAN Muscat OAB Oman Arab Bank\n\u002F2000 172, Muscat PDO Petrolium Development Oman \u002F 2000\n190 SERBIA Telenor, Belgrado \u002F 10.03.08; SINGAPORE Rolex,\nSingapore \u002F 2002; SPAIN Eun grupo, San Sebastian \u002F 2010;\nMandarina Duck (various shops) \u002F 2002; Morgan Stanley Dean\nWitter \u002F 2002; Palacio de Congresos, Barcelona \u002F 2002; Sede\nSocial de Sanitas \u002F 2002; SWITZERLAND Pädagogische Hoch-\nschule in Goldauis, Kanton SCHWYZ \u002F 2006; P.T.T. Gene-\nraldirektion, Zürich \u002F 2002; Université, Genève \u002F 2002; THE\nNEDERLAND E-office, Houten \u002F 2007; Roland Insurances,\nNL headquarter, Amsterdam \u002F 2011; Amsterdam University\nCollege, Amsterdam \u002F 2012; Puur Paviljoen Diemen (A’dam),\nDiemen \u002F 2012 162; Eiffel Consultancy, Arnheim \u002F 2010 220,\nHouten, E-office \u002F 2007 204; Achmea Bank, Amsterdam \u002F\n2002; Commerzbank, Amsterdam \u002F 2002; Aegon, Den\nHaag \u002F 2010; Alcatel Lucent, Rijswijk  \u002F 2011; Astellas\npharmacy, Leiderdorp  \u002F 2012Corio Vastgoed, Utrecht  \u002F 2010;\nRabo Bank, Bergschenhoek \u002F 2006; Anderson Consulting,\nAmsterdam \u002F 2002; Belastingdienst, Utrecht \u002F 2002; Bela-\nstingdienst Automatiseringscentrum; Apeldoorn \u002F 2002;\nCitco\u002FW.T.C. Nederland B.V. \u002F 2002; Crematorium Wester-\nveld, Driehuis \u002F 2002; CTAC Powerhouse, Den Bosch \u002F\n2011; Deloitte Den Haag \u002F Amsterdam \u002F Alkmaar \u002F Rotter-\ndam \u002F Amstelveen \u002F 2009 \u002F2010 \u002F 2011; DUO2, Groningen\n\u002F 2010;  D-Offices, Amsterdam \u002F 2002; FrieslandCampina,\nAmersfoort  \u002F 2010; Gemeente, Geldorp  \u002F 2013; Heineken,\nAmsterdam \u002F 2002; K.P.N., Staalbanklers, Den Haag \u002F\n2002; ING Bank all over \u002F 2008;Guerilla, Amsterdam \u002F\n2010; Nike, Hilvesum \u002F 2010; Kromhout Kazerne, Utrech \u002F\n2009; Ministerie van JUBI, Den Haag \u002F 2012; Perskombi-\nnatie, Amsterdam \u002F 2002; Reclassering, Amsterdam \u002F 2002;\nRegus Teleport Towers, Amsterdam \u002F 2005; Shell Trai-\nning Center \u002F 2002; United Business Center, Den Haag \u002F 2005;\nWilhelmina Children Hospital, Utrecht \u002F 2004; Unilever, Rot-\nterdam \u002F 2013; UPC, Amsterdam \u002F 2010-11; SPAIN Cen-\ntros de Inversion Citibank \u002F 2002; Instituto de Credito y Ammi-\nnistracion \u002F 2002; THAILANDIA Thai Farmers Bank, Bangkok\n\u002F 2002; U.A.E. Dubai Chamber Phase of Commerce, Dubai\n\u002F 2009; Yas Marina Island-Formula One, Abu Dhabi \u002F 2009;\nOfficers Club, Abu Dhabi \u002F 2002; ZonesCorp: Business\nCentre of the Administration building, Mussafah - Abu\nDhabi \u002F 2008; Moorfields Eye Hospital, Dubai \u002F 2007;\nUNGHERIA Philip Morris Head Office, Budapest \u002F 2008; USA\nCALIFORNIA 20th Century Fox, Los Angeles \u002F 2002; CALIFOR-\nNIA Sony Music, Los Angeles \u002F 2002; GEORGIA Apple Com-\nputers Offices \u002F 2002; Coca Cola Headquarters, Atlanta \u002F 2002;\nGeorgia Pacific \u002F 2002; Medical College of Georgia \u002F 2002;\nDatek Headquarters, Jersey City, NJ \u002F 2003; Fox Studios \u002F\n2002; ILLINOIS Kirkland + Ellis LLP global headquarters, Chi-\ncago \u002F 2006; NEW YORK LiquidNet Headquarter New York\n\u002F 2009; COLUMBIA, McCann Eriksson \u002F 2002; Monsanto Cor-\nporation \u002F 2002; Peachtree Centre \u002F 2002; PENNSYLVANIA\nCarnegie Mellon University, Pittsburgh \u002F 2009; QVC's Head-\nquarters \u002F 2004; UAE Abu Dhabi Etihad Towers  \u002F 2000 198;\nDubai Law firm Rolex tower \u002F 2012 202\ntravel\nAIRPORT TERMINAL, \nRAILWAY STATION, \nCRUISE SHIP, LUXURY YACHT\nALGERIA Houari Boumedienne International Airport, Algiers\n\u002F 2010; AUSTRALIA Singapore Airlines, United Airlines\nLondon, Sydney \u002F 2002; Australia British Airways \u002F 2002;\nAUSTRIA VIA Wien Airport, Vienna \u002F 2002-2012 222;\nCHINA Hong Kong International Airport, Hong Kong \u002F 2004;\nCROAZIA Zagreb Airport, Croatia \u002F 2002; FRANCE Tolosa,\nToulouse-Blagnac Airport\u002F 2003; Aéroport d'Orly, Paris \u002F 2002;\nLyon and Mérignac Airport \u002F 2003; SLOVENIA Ljubijana Air-\nport, Ljubijana \u002F 2002; GERMANY Lufthansa airterminal,\nHamburg \u002F 2004; SINGAPORE Malaysian Airlines, Singa-\npore \u002F 2002; ITALY Aeroporto Ancona Falconara - Bar, Anco-\nna \u002F 2005; Rome Airport Business Center, Rome \u002F 2002; Sta-\nzione Marittima di Savona, Savona \u002F 2004; St.Louis Airport,\nMauritius, Mauritius \u002F 2002; VIP Lounge - Aereporto FVG\n- Friuli Venezia Giulia, Gorizia \u002F 2003, Vip Lounges - Aere-\nporto Fiumicino, Rome \u002F 2002; Vip Lounges - Malpensa and\nLinate Airport, Milan \u002F 2002; Vip Lounges SAVE - Marco polo\nAirport, Venezia \u002F 2003; JAPAN Qantas Airlines, Tokyo \u002F 2002;\nTHE NETHERLANDS Schiphol Airport Amsterdam, Pri-\nvium Lounge Airport Amsterdam Schiphol G7 gate, Amster-\ndam \u002F 2010 224; KLM \u002F Schiphol \u002F 2002; SWITZERLAND\nSwisslounge Airport, Zuerich \u002F 2005; USA New York,\nNew York, JetBlue Terminal, JFK Airport \u002F 2009; Colora-\ndo Denver International Airport, Main Terminal, Denver \u002F\n2004; U.A.E Emirates Airlines - Dubai, Dubai \u002F 2002 FRAN-\nCE Charles-de-Gaulle (R91) (porte-avions); Val de Loire, Brit-\ntany Ferries, \u002F 2002; ITALY Freccia Club Roma Tributina,\nRoma \u002F 2012  226; SuperJet International spa, Tessera, Vene-\nzia, 2008; Azura; Biscuit ‘95, Pesaro-Urbino; Royal Prin-\ncess  \u002F 2000 228; JoyMe Yacht \u002F 2000 232; Private yacht\n\u002F 2000 234; Costa Allegra; Costa Classica \u002F 2002; Costa Cro-\nciere \u002F 2002; Costa Deliziosa \u002F 2010; Costa Europa; Costa\nFavolosa; Costa Luminosa; Costa Romantica; Costa Tropicale\n\u002F 2002; Crown Princess \u002F 2006; Grand Princess \u002F 2002; Queen\nElizabeth; Queen Mary 2; Queen Victoria \u002F 2007; Sea Prin-\ncess; Silja Europa; Ventura Barca Ferri, Bari \u002F 2001; Sun Prin-\ncess \u002F 2002; THE NETHERLANDS Holland Amercian Line\n\u002F 2002; USA P&O Princess Cruises \u002F 2002; UNGARY BUD\nAirport Skycourt, Budapest, 2011 218.\nMoroso\nEXHIBITION\nFRANCIA Lyon, Moroso backstage \u002F 2000 260\nCannes; ENGHLAND London, Barbican Artgallery \u002F Ron Arad\nRestless; FLORIDA Miami, Art Basel Miami Beach; Festi-\nval del cinema di Cannes; ITALY Udine Moroso60° Meta-\nmorphosis \u002F 2012 243, Lo sguardo laterale, Udine \u002F 2000\n260; La Biennale di Venezia, Venezia \u002F 2000 262 Faen-\nza, festival arte Contemporanea; Udine, Far East Film\nFestival; Udine, Vicino Lontano, Premio Terzani; Venezia,\nLa Biennale di Venezia, Mostra Internazionale d’arte cine-\nmatografica\u002Farchitettura, Venezia; JAPAN Tokyo, Tokujin\nYoshioka; SPAIN Bilbao, Guggenheim Museum Illy and Moro-\nso; SWISS Basilea \u002F 2011, Blu Juwels, Art Basel 000;\nTHE NETHERLANDS Rotterdam, Grrr Jamming Squeak; USA\nLos Angeles, Scream by Michael and Janet Jackson; Los\nAngeles, Hollywood, The Fisher King; Hollywood, The Tru-\nman Show; New York, MoMA “Ron Arad. No discipline” \n",290,{"image":1147,"text":1148,"number":1149},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.291.png","Il nome di RON ARAD è sino-\nnimo di costante sperimenta-\nzione. Oltre all’attività di studio,\nconcentrata essen zialmente su\npezzi in edizione limitata, Ron\nArad firma il design per molte\nsocietà di livello internazionale.\nGli sono stati commissionati\ninoltre vari progetti architettonici\nper strutture alberghiere. Re-\ncente è la costruzione del mu-\nseo del design di Tel Aviv. Le\nsue opere sono esposte nelle\npiù prestigiose collezioni del il\nmondo. \nRon Arad’s constant experi-\nmentation with materials and\nhis radical reconception of the\nform and structure of furniture\nhas put him at the forefront of\ncontemporary design. Alongside\nhis limited edition studio work,\nRon Arad designs for many lea-\nding international companies.\nHis current architectural com-\nmissions include hotel projects.\nArad is the winner of numerous\ndesign awards and his work ap-\npears in many public collections\nworldwide. \nMONICA ARMANI, nata a\nTrento nel 1964, architetto e de-\nsigner, lavora e vive tra Trento e\nMilano. Il suo design è il risul-\ntato di un lavoro di ricerca, e\nperfezionamento dell’idea per\ndefinire degli oggetti elegante-\nmente misurati. Negli ultimi anni\nha affiancato all’attività di desi-\ngner la progettazione di spazi\nretail, lavorando in particolare\nsull’uso della luce.\nArchitect and designer, Monica\nArmani was born in Trento\nin1964  and divides her time\nbetween Trento and Milan. Her\ndesigns are a result of the ex-\nploration and perfecting of con-\ncepts to create objects which\nare stylishly restrained.  In re-\ncent years she has also begun\ndesigning retail spaces, with\nparticular attention to the use\nof lighting.\nTORD BOONTJE, nato a En-\nschede, in Olanda, ha studiato\ndesign industriale presso la De-\nsign Academy di Eindhoven. Ha\nconseguito il Master presso il\nRoyal College of Art di Londra.\nDal 2006, ha vissuto e lavorato\na Bourg-Argental, in Francia,\ndove ha fondato Studio Tord\nBoontje. Per le sue opere ha ri-\ncevuto vari premi e riconosci-\nmenti internazionali. \nTord Boontje was born in En-\nschede. The Netherlands, stu-\ndied industrial design \nat the Design Academy in\nEindhoven and has a Masters\nfrom the Royal College of Art,\nLondon.  Since 2006, he has li-\nved  and worked in Bourg-Ar-\ngental, France, where he foun-\nded Studio Tord Boontje. His\nwork has received numerous in-\nternational design awards.\nPHILIPPE BESTENHEIDER na-\nsce a Sion, in Svizzera, nel\n1971.  Nel 1998 si laurea in ar-\nchitettura al Politecnico di Zu-\nrigo e collabora con studi in\nSvizzera e negli Stati Uniti. Nel\n2000 consegue il master in In-\ndustrial design alla Domus Aca-\ndemy di Milano. Nel 2007 apre\nil proprio studio e lavora tra la\nSvizzera e Milano. \nPhilippe Bestenheider was born\nin Sion, Switzerland, in 1971.\nIn 1998 he graduated with a de-\ngree in architecture from Zürich\nPolytechnic and has worked for\nSwiss and American design stu-\ndios. In 2000, he completed his\nMasters in Industrial Design at\nthe Domus Academy of Milan. In\n2007,  he opened his own stu-\ndio and splits his work between\nSwitzerland and Milan.\nBIESEL+SECK Ayse Birsel e\nBibi Seck dal 2002 hanno\naperto a New York il proprio stu-\ndio, specializzandosi in product\ndesign offrendo innovazione nei\nmercato globale.\nAyse Birsel and Bibi Seck in\n2002 opened his own studio in\nNew York, specializing in pro-\nduct design and offering inno-\nvation in the global market.\nANTONIO CITTERIO nasce a\nMeda nel 1950. Si laurea in ar-\nchitettura al Politecnico di Mi-\nlano e apre lo studio nel 1972\noccupandosi prevalentemente\ndi disegno industriale. Dal 1981\ninizia l’attività di progettazione\narchitettonica e di interni. At-\ntualmente collabora con aziende\nitaliane e straniere. Ha ricevuto\nvari premi e riconoscimenti in-\nternazionali, e le sue opere sono\npresenti nelle collezioni perma-\nnenti di design dei più impor-\ntanti musei.\nAntonio Citterio was born in\nMeda, Italy, in 1950. He has a\ndegree in architecture from Mi-\nlan Polytechnic and opened his\nstudio in 1972, focusing on in-\ndustrial design. Since 1981, he\nhas also incorporated architec-\nture and interior design into his\npractice. He has worked for Ita-\nlian and international compa-\nnies,  won numerous national\nand international awards and\nhis products feature in the de-\nsign collections of major mu-\nseums.\nTOM DIXON inizia la carriera di\ndesigner negli anni ’80 dedi-\ncandosi a una sorta di riciclag-\ngio creativo del metallo. Dal\n1997 Tom ricopre l’incarico di\ndirettore creativo per Habitat.\nNel 2000 è stato insignito del-\nl’Order of the British Empire per\ni servizi resi al design britan-\nnico. Da quando ha aperto il suo\nstudio nel 2002, oltre a firmare\nprodotti per grandi marchi, pro-\ngetta anche arredi di interni.\nTom Dixon began his career as\na designer in the early 1980s,\nworking in recycled metal. In\n1997 Tom joined the UK furni-\nture retailer, Habitat, where he\nis now Creative Director. He was\nawarded the OBE for services to\nBritish Design in 2000. \nSince the inception of his own\nstudio\u002Fcompany, Tom Dixon, in\n2002, Dixon has designed pro-\nducts for a series of clients. In\naddition to his product designs,\nDixon also pursues work in in-\nteriors.  \nRODOLFO DORDONI, nasce nel\n1954 a Milano, dove si laurea in\narchitettura. Con lo studio di\nprogettazione Dordoni Architetti,\nsviluppa progetti per spazi resi-\ndenziali, industriali e commer-\nciali, negozi e showrooms, ho-\ntels, ristoranti, yachts nonché\nallestimenti e stand fieristici.\nRodolfo Dordoni was born in Mi-\nlan in 1954, and has a degree in\nArchitecture. His design firm,\nDordoni Architetti, develops\nprojects for residential, indu-\nstrial and commercial spaces,\nstores and showrooms, restau-\nrants, hotels, yachts, as well as\nexhibition stands. \n290\nGO\n",291,{"image":1151,"text":1152,"number":1153},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.292.png","NIPA DOSHI nasce nel 1971 a\nBombay da una famiglia Guja-\nrati. Nel 1997 è a Londra, dove \nsi laurea al Royal College of Art.\nQui incontra Jonathan Levien,\nnato in Scozia. La sinergia fra\nNipa e Johnatan funziona da su-\nbito: infatti nel 2000 creano un\nloro studio e si sposano.  Nipa,\nfortemente radicata nella cul-\ntura indiana, e Jonathan, avviato\nalla progettazione del design in-\ndustriale, celebrano assieme un\nibrido culturale che sintetizza\ntecnologia, narrazione, design\nindustriale e artigianale.\nBorn into a Gujarati family in\nMumbai in 1971, Nipa Doshi\ngraduated from the London\nRoyal College of Art in 1997,\nwhere she met Jonathan Levien\nfrom Scotland. There was an in-\nstant connection between the\ncouple and in 2000 they married\nand set up their own design stu-\ndio. Nipa, strongly rooted in In-\ndian culture, and Jonathan, an\nestablished industrial designer,\ntogether celebrate the hybrid\nand the coming together of cul-\ntures, technology, storytelling,\nindustrial design and fine craft-\nsmanshi\nCome FOR USE, il gruppo nasce\nnel 1998 dalla collaborazione di\nSven Jonke, Christoph Katzler e\nNikola Radeljkovic tutti desi-\ngners industriali. Nel 1999,\ncome Numen, lavorano a tutti i\nprogetti al di fuori della sfera\ndel design industriale. Dal 2008\nvolgono lo sguardo verso una\nprogettazione rivolta  ad opere\npiù ibride e sperimentali.\nFor Use As the group was foun-\nded in 1998 from the collabora-\ntion Sven Jonke, Christoph\nKatzler and Nikola Radeljkovic\nall industrial designers. In 1999,\nas Numen work in all projects\noutside the sphere of industrial\ndesign. Since 2008, look out di-\nrected toward the design to\nmore hybrid and experimental\nworks.\nFRONT\nLe tre designer svedesi Sofia\nLagerkvist, Charlotte von der\nLancken, Anna Lindgren lavo-\nrano insieme con il nome di\nFront sin dal periodo degli studi\n(MA in Industrial Design Univer-\nsity College of Arts, Crafts and\nDesign, Stoccolma, Svezia). Nu-\nmerosi i premi e riconoscimenti.\nThe Swedish designers, Sofia\nLagerkvist, Charlotte von der\nLancken, and Anna Lindgren\nhave worked together under the\nname Front since they studied\ntogether (for an MA in Industrial\nDesign, University College of\nArts, Crafts and Design,\nStockholm, Sweden). They have\nwon a number of awards and\nprizes.\nENRICO FRANZOLINI. Archi-\ntetto, oltre allo specifico impe-\ngno professionale, opera nei\ncampi del disegno industriale e\ninterior design. Ha ricevuto pre-\nstigiosi riconoscimenti, come la\nmenzione d’onore al Compasso\nd’Oro 1999. Per il suo lavoro ar-\ntistico nel 1972 è stato invitato\nalla 36a Biennale di Venezia. \nArchitect, who also works in the\nfields of industrial and interior\ndesign. He has won prestigious\nawards, including an honoura-\nble mention at the 1999 Com-\npasso d’Oro. He was invited to\nthe 36th Biennale di Venezia in\n1972 for his art.\nDando vita allo studio Azimut\nMASSIMO GARDONE ha con-\ntribuito alla comunicazione nel\ncampo del design con marchi\nprestigiosi. Negli anni realizza\nclip musicali, si fa emozionare\ndalla ricerca sul croma, scopre\nil mondo polaroid, scruta le\nnuove potenzialità del digitale e\nsi ‘permette’ soste, riprese e in-\ncursioni in diversi mondi.\nSince setting up the Azimut stu-\ndio, Massimo Gardone has\nworked on the design of marke-\nting and advertising  projects\nfor leading brands. Over the\nyears, he has produced music\nvideos, been excited by colour\nresearch, discovered the world \nof Polaroid, explored the poten-\ntial of digital media and allows\nhimself to visit and explore dif-\nferent worlds.\nKONSTANTIN GRCIC nasce a\nMonaco di Baviera nel 1965.\nInizia il suo percorso formativo\nin Inghilterra al Parnham Col-\nlege come costruttore di mobili,\nproseguendo poi gli studi di de-\nsign al Royal College of Art di\nLondra. Nel 1991 fonda a Mo-\nnaco il proprio studio e crea pro-\ndotti per arredamento e illumi-\nnazione per primarie aziende\neuropee di design. Con la lam-\npada Mayday ha vinto il Com-\npasso d’Oro nel 2001.\nKonstantin Grcic was born in\nMunich, Germany in 1965. After\ntraining as a cabinet maker at\nParnham College in England, he\nstudied Design at the Royal Col-\nlege of Art in London. Since set-\nting up his own design practice\nin Munich in 1991, he has de-\nveloped furniture, products, and\nlighting for some  leading Euro-\npean design companies. Grcic’s\nMayday-lamp won the Com-\npasso d´Oro in 2001.\nGORDON GUILLAUMIER nasce\na Malta nel 1966. Nel 1989 si\ntrasferisce in Italia per gli studi\ndi industrial design e design\nmanagement. Nel 2002 fonda\nil suo studio a Milano. Gordon\nrealizza progetti per primarie\naziende nell’ambito dell’arreda-\nmento, dell’illuminazione e del-\nl’oggettistica. \nGordon Guillaumier was born in\nMalta in 1966. In 1989 he mo-\nved to Italy\nto study Industrial Design and\nDesign Management. In 2002\nhe opened his own design stu-\ndio in Milan. Gordon creates\nprojects for leading companies\nin the fields of furniture,\nlighting and household objects.\nALFREDO HÄBERLI Nato a\nBuenos Aires, dopo il trasferi-\nmento in Svizzera, Alfredo Hä-\nberli si laurea alla Scuola di De-\nsign di Zurigo nel 1991. \nNel 1993 apre un proprio studio\ne inizia le collaborazioni con\nmarchi prestigiosi. \nLe sue opere, presentate in va-\nrie mostre, gli hanno valso nu-\nmerosi premi e riconoscimenti\ninternazionali.\nAlfredo Häberli was born in\n1964 in Buenos Aires, Argen-\ntina. He moved to Switzerland in\n1977, and graduated from the\nZurich School \nof Design in 1991. In 1993, he\nset up his own studio and has\nsubsequently worked for lea-\nding design companies. Häber-\nli's work and designs have been\nshown in numerous exhibitions,\nand he has received several\nawards for his design work. \nSEBASTIAN HERKNER nasce in\nGermania, a Bad Mergentheim\ne si dipolma all’Accademia di\nArte e Design di Offenbach am\nMain, dove attualmente è assi-\nstente presso il Dipartimento di\nIndustrial Design. Nel 2006 apre\nil proprio studio. Ha ottenuto di-\nversi riconoscimenti nel campo\ndel design.\nSebastian Herkner was born in\nBad Mergentheim, Germany,\nand graduated from the Aca-\ndemy of Art and Design in Of-\nfenbach am Main, where he is\ncurrently a lecturer in the Fa-\nculty of Industrial Design. In\n2006 he opened his own studio.\nHis designs have won a number\nof awards.\nTOMITA KAZUHIKO è nato a\nNagasaki nel 1965. Diplomato\nalla Royal Academy of Arts a\nLondra nel 1992, si specializza\nin Industrial Design alla Chiba\nUniversity. Nel 1993 fonda a Mi-\nlano lo studio '2.5-dimensional\ndesign', oggi Tomitadesign. \nI suoi maestri sono Vico Magi-\nstretti e Yoshio Akioka. Dal 2011\nvive di nuovo in Giappone.\nTomita Kazuhiko born in Naga-\nsaki in 1965. Awarded MA RCA\nin London in 1992 after BA in-\ndustrial design of Chiba Univer-\nsity in 1989. 2.5-dimensional\ndesign' studio established in\n1993 becomes recently Tomita-\ndesign Milano. \nHis masters are Vico Magistretti\nand Yoshio Akioka. Since 2011\nhe lives again in Japan.\n291\n",292,{"image":1155,"text":1156,"number":1157},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.293.png","TOSHIYUKI KITA è un interior e\nproduct designer di fama inter-\nnazionale. Molto attento all’arti-\ngianato artistico giapponese,\nrealizza prodotti per aziende ita-\nliane ed europee. \nToshiyuki Kita is an internatio-\nnally-renowned designer of pro-\nducts and interiors. He creates\nproducts for Italian and European\ncompanies while remaining true\nto traditional Japanese  art and\ncraftsmanship. \nMASSIMO IOSA GHINI, nato nel\n1959, studia architettura a Fi-\nrenze e al Politecnico di Milano.\nDal 1985 partecipa alle avan-\nguardie del design italiano con il\ngruppo Bolidismo di cui è fonda-\ntore. Iosa Ghini disegna mobili,\ncollezioni, oggetti per importanti\naziende italiane ed estere. I suoi\nlavori si trovano in vari musei e\ncollezioni private internazionali.\nMassimo Iosa Ghini was born in\n1959 and studied architecture in\nFlorence and Milan. \nSince 1985, he has been part of\nthe avant-garde movement in\nItalian design, \nand founded the Bolidism group.\nIosa Ghini designs furniture, col-\nlections and objects, \nfor leading Italian and foreign\nfirms. His works can be found in\nvarious international museums\nand private collections. \nROSS LOVEGROVE nasce \nRoss Lovegrove, nato nel 1958,\nstudia industrial design al Poli-\ntecnico di Manchester e al Royal\nCollege of Art di Londra. Gli\nesordi della carriera lo vedono\nin Frogdesign. Dopo aver lavo-\nrato in diversi paesi d’Europa,\nLovegrove è ora rientrato in In-\nghilterra. Dal 1986, anno di fon-\ndazione del suo studio privato,\ncollabora con alcuni dei più pre-\nstigiosi marchi del design inter-\nnazionale.\nBorn in 1958, Lovegrove studied\nindustrial design at Manchester\nPolytechnic and at the Royal Col-\nlege of Art in London. He began\nhis career at Frogdesign. Love-\ngrove went on to work throu-\nghout Europe, then later returned\nto England. Since founding his\nown design practice in 1986, he\nhas collaborated with some of\nthe world's most outstanding de-\nsign manufacturers.\nJAVIER MARISCAL nasce a Va-\nlencia nel 1950. Il suo linguaggio\ndi artista visivo personale e com-\nplesso, abbraccia l’illustrazione,\ni comics, la pittura e la scultura,\nil design di arredi e l’interior de-\nsign, spaziado dal graphic de-\nsign all’architettura del paesag-\ngio. \nJavier Mariscal was born in Va-\nlencia in 1950. His need of ex-\npressing himself coming through\nseveral different disciplines. Fur-\nniture design, painting, sculp-\nture, interior design, graphic de-\nsign, landscape design, are all\nelements of his professional ac-\ntivity. Javier Mariscal expresses\nhimself through a very personal\nlanguage which is theoretically\ncomplex but practically simple.\nKARMELINA MARTINA, nata a\nSarajevo, nel 2001 si diploma a\nFirenze in Industrial design. Dal\n2006 segue l'ufficio sviluppo\nprodotto, della Moroso. Ha pro-\ngettato inoltre gioielli, lampade e\nabitazioni private. Oggi Karme-\nlina vive e lavora a Udine.\nBorn in Sarajevo, she completed\nher degree in Industrial Design in\nFlorence in 2001 and has been\nhead of Moroso’s Product Deve-\nlopment Department since 2006.\nShe also designs jewellery, ligh-\nting and private homes. Karme-\nlina lives and works in Udine.\nNENDO Oki Sato nasce a Toronto\n1977. Nel 2000 si diploma in ar-\nchitettura a Tokyo dove fonda il\ngruppo Nendo.  Nel 2005 apre\nl’ufficio di Milano. A Tokyo è in-\nsegnante alla Showa Women's\nUniversity, al Kuwasawa Design\nSchool e alla Waseda University.\nLe sue opere sono presenti nelle\ncollezioni permanenti dei più im-\nportanti musei di arte moderna e\ndesign.\nOki Sato was born in Toronto\n1977. He graduated in Tokyo in\n2000 with a degree\nin architecture and formed the\nNendo group. He opened an of-\nfice in Milan in 2005.\nHe lectures in Tokyo at Showa\nWomen's University, the Kuwa-\nsawa  Design School and Waseda\nUniversity. His works are inclu-\nded in the permanent collections\nof the most important modern\nart and design museums in the\nworld\nMARC NEWSON, è un designer\ndi origine australiana innovativo\ne straordinariamente versatile.\nLe sue creazioni spaziano dagli\noggetti di uso domestico, all’ar-\nredamento, dai ristoranti agli\norologi da polso e fino agli interni\ndi aeromobili. Le sue opere sono\npresenti nelle collezioni perma-\nnenti di design dei più importanti\nmusei. \nMarc Newson is an Australian-\nborn designer innovative and ex-\ntraordinarily versatile. His crea-\ntions range from household\nobjects, furniture, restaurants\nand watches to aviation interiors.\nHis works are in the permanent\ndesign collections of major mu-\nseums.\nLUCA NICHETTO nasce nel 1976\na Venezia, dove si laurea in Di-\nsegno Industriale allo IUAV. Dal\n1999 comincia l’attività profes-\nsionale. Nel 2006 fonda il suo\nstudio, creando la società Ni-\nchetto & Partners, design con-\nsultant mirato all’industrial de-\nsign. Ha tenuto workshop in sedi\nuniversitarie Italiane ed estere\ned ha partecipato a mostre in\nEuropa, Stati Uniti e Giappone.\nLuca Nichetto was born in Venice\nin 1976 where he studied Indu-\nstrial Design at IUAV. In 2006,\nhe founded the Nichetto & Part-\nners design consultancy firm. He\nhas taught various workshops\nand seminars on design at nu-\nmerous universities in Italy and\nabroad, and his products have\nbeen featured at exhibitions in\nEurope, the United States and\nJapan. \nDOMINIQUE PÉTOT. Diplomato\nin architettura a Strasburgo nel\n1986, a Parigi ha seguito corsi di\ndesign industriale presso Ensci,\nLes Ateliers. Esperto in strategie\ndi marketing, è attivo nel campo\ndell'interior design.\nHe graduated in architecture in\nStrasbourg in 1986, in Paris, he\ntook courses in industrial design\nat ENSCI, Les Ateliers. Expert in\nmarketing strategies is active in\nthe field of interior design.\nARNE QUINZE è fondatore e art\ndirector di Quinze & Milan. È un\nanticonformista che ha saputo\nconvogliare la sua diversità in\nenergia creativa. A Quinze piace\ndare forma alla propria vita nel\nsuo personale universo fanta-\nstico. Ne scaturisce un ricco por-\ntafoglio di arredi e ambienti di\ngrande vitalità.\nArne Quinze is the founder and\nart director of Quinze & Milan. He\nhas successfully transformed his\nnon-conformism into creative\nenergy. Quinze loves to give\nshape to his life in his own, per-\nsonal fantasy universe. The re-\nsult is a growing portfolio of exu-\nberant furniture and spaces.\n292\n",293,{"image":1159,"text":1160,"number":1161},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.294.png","TOMEK RYGALIK è nato a Lodz,\nin Polonia, nel 1976. Ha studiato\nArchitettura presso il Politecnico\ndi Lodz e Industrial Design al\nPratt Institute di New York. Dopo\nun master presso il Royal Col-\nlege of Art ha aperto uno studio di\ndesign a Londra e a Lodz e fa\nparte dello staff dell’RCA in qua-\nlità di ricercatore. Insegna all'Ac-\ncademia di Belle Arti di Varsavia.\nTomek Rygalik ha ricevuto premi\ne riconoscimenti internazionali, e\nle sue opere sono presenti nelle\ncollezioni permanenti di design\ndei più importanti musei.\nTomek Rygalik was born in Lodz,\nPoland in 1976. He studied Ar-\nchitecture at the Technical Uni-\nversity of Lodz, and than Indu-\nstrial Design at the Pratt Institute\nin New York. After graduating\nfrom the Royal College of Art, To-\nmek Rygalik established his own\ndesign practice in both London\nand Lodz and joined the RCA staff\nas a Research Associate. He also\nteaches at the Academy of Fine\nArts in Warsaw. Tomek Rygalik\nhas won national and internatio-\nnal awards, his products are in\nthe design collections of major\nmuseums.\nARC ANDREAS THORPE ha ini-\nziato la sua carriera come diret-\ntore del design per DSA Asso-\nciates, a Washington, DC. Ha\nconseguito il Bachelors Degree\nin Industrial and Graphic Design\nall'Università del Maryland. Nel\n2005 ha fondato a New York\nThird Eye Studios (3E), una coo-\nperativa che si occupa di archi-\ntettura e design.\nMarc Andreas Thorpe began his\ncareer as director of design at\nDSA Associates, Washington,\nDC. He has a Bachelors Degree\nin Industrial and Graphic Design\nfrom the University of Maryland.\nIn 2005 he founded. Third Eye\nStudios (3E) in New York, a coo-\nperative working in architecture\nand design.\nYOSHIOKA TOKUJIN nato in\nGiappone nel 1967 Tokujin ha\nstudiato a lungo con Shiro Kura-\nmata e Issey Miyake. Nel 2000\napre a Tokyo il proprio studio.\nLe sue opere hanno ricevuto nu-\nmerosi riconoscimenti e sono\npresenti nelle collezioni perma-\nnenti dei più prestigiosi musei di\ntutto il mondo.\nBorn in 1967 in Japan, Tokujin\nstudied extensively with Shiro\nKuramata and Issey Miyake. He\nopened his own studio  in Tokyo\nin 2000. His works have won nu-\nmerous awards and are in the\npermanent collections of the\nworld’s most prestigious mu-\nseums.\nMARIA PATRICIA CRISTINA\nBLANCA HIDALGO URKIOLA\nè nata a Oviedo, in Spagna, sotto\nil segno del Toro. Dopo gli studi\nalla Facultad de Arquitectura di\nMadrid, nel 1989 si laurea al Po-\nlitecnico di Milano, dove è assi-\nstente di Achille Castiglioni e Eu-\ngenio Bettinelli fino al 1996. Nel\n1998, sempre sotto il segno del\nToro, inizia la collaborazione con\nMoroso. Nel 2001 apre il proprio\nstudio a Milano.\nMaria Patricia Cristina Blanca Hi-\ndalgo Urkiola was born in\nOviedo, in Spain, under the sign\nof Taurus. After studying at the\nFacultad de Arquitectura of Ma-\ndrid, she graduated from the Po-\nlitecnico of Milan in 1989, where\nshe became teaching assistant\nto Achille Castiglioni and Eugenio\nBettinelli until 1996. In 1998,\nonce again under the sign of\nTaurus, she began working with\nMoroso. In 2001 she opened her\nown studio in Milan.\nEDWARD VAN VLIET ha iniziato\nla sua carriera disegnando tes-\nsuti, passando poi all'interior de-\nsign e arrivando a progettare ho-\ntel di lusso. I suoi lavori, che\nsiano di grafica, light o interior\ndesign, sono caratterizzati da\nuna fusione fra tradizione arti-\ngiana e industria, fra materiali\nhigh tech e naturali. Un design\neclettico, originale, decorativo in\ncui miscela elementi di varie cul-\nture e volutamente sfugge da\ntutto ciò che è statement. \nEdward Van Vliet began his ca-\nreer as a fabric designer before\nmoving into interior design and,\nultimately, luxury hotel design.\nHis work – be it graphic art, li-\nghting or interior design – always\ncombines traditional design with\nindustrial processes in a mixture\nof high-tech and natural mate-\nrials. An eclectic, original deco-\nrative design style in which he\nmixes elements from different\ncultures and deliberately avoids\nmaking statements. \nJAKOB WAGNER, di origine da-\nnese, si è diplomato in Svizzera\npresso l'Art Center College of De-\nsign. Si è occupato del design di\nvari prodotti industriali. Per le\nsue opere ha ricevuto vari premi\ne riconoscimenti internazionali.\nAttualmente è docente presso\nl'Università del Design di Co-\npenhagen.\nDanish designer Jakob Wagner\ngraduated from Art Center Col-\nlege of Design in Switzerland.\nHis design projects range from\nsports equipment to furniture. He\nhas received numerous interna-\ntional design awards in recogni-\ntion of his work. He teaches at\nthe University of Design, Co-\npenhagen.\nMARCEL WANDERS nasce a\nBoxtel, in Olanda, nel 1963. Di-\nplomatosi al Liceo Artistico di\nArnheim, negli anni ’90 è uno dei\nfondatori di Droog, un collettivo di\ndesigner olandesi. Attualmente\nWanders svolge la propria attività\ndi industrial product designer\nnello studio di Amsterdam. Ha ri-\ncevuto vari premi e riconosci-\nmenti internazionali, e le sue\nopere sono presenti nelle colle-\nzioni permanenti di design dei\npiù importanti musei.\nMarcel Wanders was born in\nBoxte, the Netherlands, in 1963.\nIn the 1990s he was among the\nfounders of the design collective\nDroog. Today, Wanders is an in-\ndependent industrial product de-\nsigner, based in Amsterdam. He\nhas won numerous national and\ninternational awards, his pro-\nducts are in the design collec-\ntions of major museums.\nCLEMENS WEISSHAAR \n& REED KRAM \nClemens Weisshaar, nato nel\n1977 a Monaco, frequenta il St.\nMartins College e il Royal College\nof Art di Londra. Nel 2000 apre il\nproprio studio. Reed Kram nato\nnel 1971 a Columbus in Ohio,\nfrequenta la Duke University e il\nMIT. Assieme, nel 2002 fondano\nlo studio Kram\u002FWeisshaar, piat-\ntaforma multidisciplinare con\nsedi a Monaco e Stoccolma. Al-\ncune loro opere sono esposte al\nDie Neue Sammlung di Monaco\ne al Centre Pompidou di Parigi. \nClemens Weisshaar was born in\n1977 in Munich. He studied at\nSt.Martins College and the Royal\nCollege of Art in London, and\nfounded his own studio in 2000.\nReed Kram was born in Colum-\nbus, Ohio in 1971. He studied at\nDuke University and MIT. In\n2002, together they founded the\nmultidisciplinary design studio\nKram\u002FWeisshaar. Based in Mu-\nnich and Stockholm, the firm de-\nsigns spaces and products. Their\nwork is part of design collections\nat Die Neue Sammlung, Munich,\nand Centre Pompidou, Paris.\n293\n",294,{"image":1163,"text":1164,"number":1165},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.295.png","Art direction\nPatrizia Moroso\nGraphic design\nFerruccio Montanari \nImpaginazione \u002F Layout \nJessica Etro    \nEditorial coordination \nNatasˇa Srebro\nLaura Rossi\nColor separation\nLucegroup.it\nStampato su carte \u002F Printed on papers\nArcoprint 1EW 110 g\u002Fm2 (interno\u002Finside)\nSirio 350 g\u002Fm2 (copertina\u002Fcover) \nStampato in Italia \u002F Printed in Italy by \nGrafiche Manzanesi\nNota:\nSono stati fatti tutti gli sforzi \nragionevoli nella ricerca dei fotografi \ne\u002Fo proprietari dei copyright \nrelativi alle immagini utilizzate \nin questo libro. Siamo disponibili \na corrispondere equi e ragionevoli \ncompensi per gli utilizzi \ndelle immagini non concordati.\nPlease note: \nWe have made all reasonable \nefforts to reach photographers \nand \u002For copyright owners \nof images used in this book. \nWe are prepared \nto pay fair and reasonable fees \nfor any usage made without\ncompensation or agreement.\nhttp:\u002F\u002Fwww.\nronarad.co.uk\u002F\nRon Arad \nmonica-armani.com\u002F\nMonica Armani\ntordboontje.com\u002F\nTord Boontje \nphilippebestenheider.com\u002F\nPhilippe Bestenheider \nbirselplusseck.com\u002F\nBirsel + Seck\nantoniocitterioandpartners.it\u002F \nAntonio Citterio \ntomdixon.net\u002F\nTom Dixon \nrodolfodordoni.it\u002F\nRodolfo Dordoni \ndoshilevien.com\u002F\nNipa Doshi & Jonathan Levien\nfor-use.com\u002F\nFor Use\nfrontdesign.se\u002F\nFront\nenricofranzolini.it\u002F\nEnrico Franzolini \nmassimogardone.it\u002F\nMassimo Gardone\nkonstantin-grcic.com\u002F\nKonstantin Grcic \ngordon-guillaumier.com\u002F\nGordon Guillaumier\nalfredo-haeberli.com\u002F\nAlfredo Häberli \nsebastianherkner.com\u002F\nSebastian Herkner\ntomitadesign.com\u002F\nTomita Kazuhiko \ntoshiyukikita.com\u002F\nToshiyuki Kita\nkramweisshaar.com\u002F\nReed Kram \niosaghini.it\u002F\nMassimo Iosa Ghini \nrosslovegrove.com\u002F\nRoss Lovegrove \nmariscal.com\u002F\nJavier Mariscal \nmoroso.it\u002F\nKarmelina Martina\nnendo.jp\u002Fen\u002F\nNendo\nmarc-newson.com\u002F\nMarc Newson \nlucanichetto.com\u002F\nLuca Nichetto \ngraphailes.free.fr\u002Fpetotnet\u002F\nDominique Pétot\narnequinze.com\u002F\nArne Quinze \nstudiorygalik.com\u002F\nTomek Rygalik\nmarcthorpedesign.com\u002F\nMark Andreas Thorpe\ntokujin.com\u002F\nTokujin Yoshioka\npatriciaurquiola.com\u002F\nPatricia Urquiola \nsevv.com\u002F\nEdward van Vliet\nwww.marcelwanders.com\u002F\nMarcel Wanders \nkramweisshaar.com\u002F\nClemens Weisshaar \nPer ulteriori informazioni, Vi invitiamo a visitare il nostro sito web. \nPotete scoprire notizie ed eventi, e vedere cosa succede \ndietro le quinte della nostra azienda. \nFor futher information, we invite you to visit our website. \nou can discover news and events, and see what goes \non behind the scenes in our company. \nSeguici anche su: \nFollow us on: \nmoroso.it\nMoroso is a registered trade mark.\nQuality system accreditation according to \nUNI EN ISO 9001 Vision 2000\nEcoquality UNI EN ISO 14001:99\n",295,{"image":1167,"text":1168,"number":1169},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.296.png","MOROSO spa  \nand showroom in \nUdine\nvia Nazionale, 60 \n33010 Cavalicco Udine\u002FItaly \nT +39 0432 577 111\nF +39 0432 570 761\ninfo@moroso.it \nwww.moroso.it\nshowroom in \nMilano \nVia Pontaccio 8\u002F10 \n20121 Milano\u002FItaly\nT +39 02 7201 6336\nF +39 02 7200 6684\nwww.moroso.it\nMOROSO USA\nand showroom in \nNew York\nGreene Street 146\nNew York, \nNy 10012\nT +1 800 7056 863\nF +1 212 334 7223\ninfo@morosousa.com\nwww.morosousa.com\nMoroso Ltd\nand showroom in \nLondon\n7-15 Rosebery Avenue\nLondon EC1R-4SP\nT +44 (0)20 3328 3560\nF +44 (0)20 7278 2944\ninfo@moroso.co.uk\nwww.moroso.co.uk\nshowroom in \nCologne\nDesign Post (Interieurmarken Köln)\nDeutz-Mülheimer-Straße 22A\nD-50679 Köln\nT +49 221 690 650\nF +49 221 690 65 100\ninfo@designpostkoeln.de\nwww.designpostkoeln.de\nshowroom in \nAmsterdam \nCruquiusweg, 109 R\n1019 AG Amsterdam\nThe Netherlands\nT +31 (0)20 694 64 00\nF +31 (0)20 463 53 45\namsterdam@moroso.it\nwww.moroso.it\nworldwide\n",296,{"image":1171,"text":1172,"number":1173},"\u002Fmedia\u002Fimages\u002F1b\u002F9265bbc25575450dd7cb059a36bac8-2892959c32.297.png","THE RULES\nThe \nbeauty \nof \ndesign\nI  \nIl bello del buono è l’amicizia\nII  \nIl bello del bello è l’utile\nIII  \nIl bello della puntualità è la precisione\nIV  \nPars pro toto il bello è che Cavalicco è il mondo\nV  \nIl bello del giusto è capire per chi\nVI  \nIl bello del sapere è il fare\nVII  Il bello del buono è il ben fatto\nVIII  Il buono del trovare è il saper creare\nIX  \nIl bello del mondo è il mondo\nX  \nIl buono del buono è il vero\nI  \nBeauty lies in friendship\nII\nBeauty lies in functionality\nIII\nBeauty lies in puctuality and precision\nIV\nBeauty lies in Cavalicco being the world\nV \nBeauty lies in understanding your audience\nVI\nBeauty lies in transforming knowledge into doing\nVII\nBeauty lies in the well-made\nVIII Beauty lies in the talent for creation \nIX  \nThe beauty of the world is the world\nX  \nBeauty lies in genuinity\nLE 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