[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-moooi-collection-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":475},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":470,"matched_pages":471,"match_count":472,"two_pages":473,"show_text":474},19649,"Collection 2019","moooi-collection-2019","\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F77\u002F68779f44bd00bbb6a0c212902143bb-28aa5181bf.pdf","Moooi",171,"moooi","299.5 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428,432,436,440,444,448,452,456,460,464,468],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.3.png","M o o o i  p r e s e n t s\nA LIFE  \nEXTRAORDINARY\nE\nver since we first started Moooi in 2001 we launched all \nour novelties during Salone del Mobile in Milan. One big \nbang every year. But at Moooi we believe in the beauty of \nsurprise. Therefore, we surprised our customers with a brand new \nintroduction in December. The big global launch of our new light \nfixture “The Party” was a kick off of More Moooi Moments. From \nnow on, we will launch our novelties all year round, celebrating \nthe launches however and whenever we think is best. This new \nstrategy provides the wonderful opportunity to create momentum \nand a stage for all our new products and their designers.\nAt Moooi we do not tell designers what to do, we ask what \nwe can do for them. We want to help make designers dreams come \ntrue and provide them the best possible platform.\nProtecting their work is part of our responsibility as a \nbrand. That is why we introduced “The Button”. An elegant fea-\nture with hidden technology, that allows for everyone to easily \nverify the authenticity of a design.\nThis year we started to explore a new design language, \ninspired by Extinct Animals. Celebrating the richness of nature, \nwe imagined new surfaces. Playing with texture, color and shape \nwe created our very own Extinct Animals fabric collection, mak-\ning the world of extinct animals available on all our upholstered \nfurniture. We designed Extinct Animal inspired rugs for Moooi \nCarpets and launched an Extinct Animals Moooi Wallcovering \ncollection with Arte. In the new year you may expect exciting \nnew developments in this magical realm! \nMoooi presents creative luxury for a well curated life. \nInnovative, provocative and poetic at the same time. A life \nextraordinary!\nM A R C E L  WA N D E R S\nArt Director\nR O B I N  B E V E R S\nCEO\nF O R E W O R D\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.4.png","C O N T E N T S\nC O N T E N T S\nExtinct \nAnimals\nExplore the \nExtinct Animals \nthat come to life in \na broad variety of \nfabrics, rugs and \nwall-coverings.\n24  \n Kranen\u002FGille\n60  \n Atelier \n \n Van Lieshout\n100   Rick Tegelaar\n126   Maarten Baas\n164   Luca Nichetto\n22  \nThe Party\n28  \nPlant Chandelier\n44  \nIconic Eyes\n52  \nObon Tables\n58  \nLiberty Lounger\n122 \nThe Golden Chair\n130 \nSomething Like This Sofa\n139 \nNR2\n140  \nPet Lights\n158  \nChalice\n168  \nMega Chandelier\n14  \nRaimond\n18  \nContainer Table\n50  \nMonster\n54  \nProp Light\n68  \nHeracleum\n82  \nPerch Light\n90  \nZio Dining Chair  \n \n& Dining Table\n97  \nZio Lounge Chair\n98  \nMeshmatics Chandelier\n112  \nCoppélia Chandelier\n115  \nNon Random\n116  \nLove\n119  \nDear Ingo\n142  \nNut Lounge Chair\n144  \nPaper Series\n154  \nBart\n156  \nRandom Light\nDesign \nDreams\nThe  \nButton\nThis charming \nbutton is \nyour personal \nsafe-keeper \nof investing \nin authentic \ndesign.\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.5.png","I n t r o d u c i n g\nEXTINCT ANIMALS\nS\nince the dawn of human civilisation, curiosity and a great \nsense of adventure have tempted explorers to undertake \nrisky adventures in search of the unknown. New worlds \nwere waiting to be discovered by those who persevered and sur-\nvived the dangers along the way. The life of an explorer was \ntinged with fear and excitement, hard work and physical discom-\nfort. After months or sometimes years of tainted travels, we can \nonly imagine the rush of adrenaline going through a sailor who \nspotted new land, or an explorer who looked into the eyes of an \nunknown animal. We can merely try to picture it … \nSome adventurers set out with a purpose: they would seek \na golden treasure to change their destiny, the fountain of youth \nto live forever. They chased their dream with youthful dedica-\ntion, possessed by a great desire for adventure, seeking a life \nof excitement. What they actually discovered were much greater \ntreasures for humanity: fish that could fly, amazing-looking \nbirds that sang like angels and underwater creatures glowing \nin the dark! If safely returned to what they called civilization, \nthey reported of remarkable new worlds and the rich beauty of \nexotic, diverse and extraordinary animals. Birds with plumage \nthe colour of the rainbow, cute smiling creatures hanging high \nup in florid trees, breath-taking animals of all dimensions began \nto populate new myths and stories. Even though most of these \nanimals were never seen again, the variety and diversity of na-\nture exceeded imagination and puzzled even the most sceptical.\nThe Extinct Animals are an endless source of inspiration, \nso in the new year you may expect exciting new developments \nin this magical realm! Ever expanding creative luxury for a well \ncurated life!\n6\n7\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.6.png","Left page: NEW BEARDED LEOPARD WALLCOVERING BY MOOOI for Moooi Wallcovering in Blackened Gold. This page: NEW BEARDED LEOPARD RUG \nBY MOOOI for Moooi Carpets in high pile, CHESS TABLE BY FRONT, COCKTAIL CHAIR BY MARCEL WANDERS upholstered in Bearded Leopard Jacquard with \nCinnamon stained oak legs, CONSTRUCTION LAMP BY JOOST VAN BLEISWIJK in Black (small, medium and large shown), EGG VASE BY MARCEL WANDERS \n(medium and large shown).\nBEARDED LEOPARD\nCryptic and mysterious, the first Bearded Leopard spotted by Europeans \ndisappeared so rapidly into a tree as to leave the explorers wondering what they \nhad seen. With pale yellow to deep gold fur, and a dark constellation of rosebuds \nadorning it, it easily climbed onto thick tree branches hanging mostly upside \ndown! It is also said that at night its fur turned black, camouflaging its presence, \nthe last warning being two resplendent eyes…\n9\n8\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.7.png","This page: NEW BEARDED \nLEOPARD RUG BY MOOOI for \nMoooi Carpets in high pile. Right page: \nCONSTRUCTION LAMP BY JOOST \nVAN BLEISWIJK in Black (medium \nshown), CONTAINER STOOL NEW \nANTIQUES BY MARCEL WANDERS \nin Black, WOOOD BY MARCEL \nWANDERS in Black stained oak.\nTowering above the rest, the \narchitectural Construction Lamp \nrecalls an era of industry & \ninnovation.\nBEARDED LEOPARD RUG\nThe cryptic and mysterious nature of the \nBearded Leopard is incorporated within this \npattern. The warm colouring at the heart of \nthe carpet is overtaken by splashes of colour \nas black as the darkest night. The rug’s form, \nbursting with energy, is a reminder of the \nfeline beauty of this godly creature. \n11\n10\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.8.png","NEW ARISTO QUAGGA \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Snow, COCKTAIL \nCHAIR BY MARCEL WANDERS \nupholstered in Bearded Leopard Jacquard \nwith Cinnamon stained oak legs, SMOKE \nCHANDELIER BY MAARTEN BAAS.\nBEARDED LEOPARD JACQUARD\nRich yellows and deep golden tones adorn \nthe coat of the Bearded Leopard. Although \nthere was only little known about the \nlifestyle of the enigmatic extinct animal, its \nlooks and physical skills were truly godly. \nThe perfect muse for creating a luxurious \njacquard.\n13\n12\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.9.png","THE RAIMOND LAMP is a mathematical \nmarvel of perfectly measured stainless steel \ntriangles. Its creator, Raimond Puts, has been \nbusy developing the concept of this extraor-\ndinary lamp for great part of his life. It all \nstarted with the discovery of the geometric \nshape of a football that brought him to \nconsider round shapes formed by triangles. \nHundreds of stainless steel strips intersect \ncreating triangles that converge into a \nperfectly round globe. The poetry of a sphere \ncomposed of straight lines. His love for the \nabsolute and fundamental sciences inspired \nquestions that tickled him for years, until the \nRaimond lamp as we know it was finalized \nand became part of the Moooi collection in \n2009. Authentic and extremely complex at \nthe same time. The Raimond lamp: a perfect \nsphere of mathematical ingredients punctu-\nated by tiny LED lights. Looking at the lamp \nfeels like staring into the soft glow of a starry \nnight. Into the essence.\nRaimond\nBY  R A I M O N D  P U T S\nR E A L I S AT I O N  BY  OX - I D\nDIAGONAL GRADIENT DARK \nBROADLOOM BY KIT MILES \nfor Moooi Carpets, RAIMOND & \nRAIMOND TENSEGRITY BY \nRAIMOND PUTS realisation by Ox-\nID (R43, R61, R89 & R127 shown).\n14\n15\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.10.png","RAIMOND TENSEGRITY BY \nRAIMOND PUTS realisation by Ox-ID \n(R61 & R89 shown).\nThe giant LED sphere of the \nRaimond Tensegrity appears to \nhover above its solid oak wood stand \nwith ethereal grace.\n16\n17\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.11.png","Container Table\nBY  M A R C E L  WA N D E R S\nCARBON CHAIR BY BERTJAN POT \n& MARCEL WANDERS with cap and \npad, CONTAINER TABLE BODHI \nBY MARCEL WANDERS in Natural Oil \nstained oak with Linoak Pewter table \ntop, RANDOM LIGHT BY BERTJAN \nPOT in Black (medium shown).\nTHE CONTAINER TABLE features a hollow \ntapered plastic base, which can be filled with \nsand to provide stability for the screw-on \ntop. It's light when you transport it and heavy \nand stable when you use it. A later version \nof the table, called Container Table New \nAntiques, features a curved ornamental base. \nThe Container Table Bodhi has the tapered \npolyurethane base, but is wrapped with \nvertical solid oak slats. The table features a \nlinoak top, which consists of linoleum and an \noak trim around the edge. The table's more \nnatural look expands the range of settings the \ntable can be used in. Container Table Bodhi \nis the latest addition to the collection, which \nis available in a variety of different colours, \nsizes and shapes.\n18\n19\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.12.png","CONTAINER TABLE & STOOL BY \nMARCEL WANDERS in Black with wooden \ntable top in Grey Blue (RAL 5008).\nCONTAINER NEW ANTIQUES\n7156\n7143\n7132\n10632\nStool\nBarstool \nHigh\nBarstool \nLow\nCONTAINER\n7156\n7143\n7130\n10630\nSTOOL\nCONTAINER BODHI\n7156\n7143\n7130\n10630\nThe container concept is that sand or \npebbles can be added to the foot to give it \nstrength and stability.\n20\n21\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.13.png","The Party is inspired by a clan of strong, captivating personalities. Their casted ceramic faces bring to \nlight our fascination with secrets, family dynamics and intrigue. If seen together, as a splendid party, \nthey brighten up the stage with their cool playfulness. The characters that join The Party each have \nan intriguing story that connects them: the want-to-be aristocrat, the black sheep, the opportunist, the \npatriot and the evil mastermind.\nGlenn\nThe Mayor\nTed\nBert\nThe Party\nBY  K R A N E N \u002F G I L L E\n22\n23\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.14.png","INTERVIEW BY TRACEY INGRAM\nWhat brought you both to design?\njohannes gille: Because my father was an \nartist, I was surrounded by culture. Even \nthough I knew quite quickly that I didn’t \nwant to follow in his footsteps, I was \nconstantly drawing and making stuff. \nWhen I encountered Design Academy \nEindhoven [DAE], I thought that the \ninstitution’s applied-arts approach would \nsuit me well. I ended up studying Man & \nLiving. Gijs Bakker was head of the \nmaster’s programme back then. It was a \nvery motivating environment. \njos kranen: I started the same degree two \nyears after Johannes. My career path \nwasn’t immediately obvious. I come from \na family of house painters and was \nalways interested in design – particularly \ninteriors. I initially decided to join the \nfamily profession, but didn’t find it \nfulfilling enough. Stumbling upon DAE \nopened up a whole new world of interior \nproducts, which make a space’s whole \ngreater that the sum of its parts. \nWhen did you decide to join forces?\njk: While studying we were encouraged to \ngive feedback to our peers. Johannes and \nI understood each other’s work. We \ngraduated in 2004 and both left the \nNetherlands to travel abroad. After \nmeeting up at a party a few years later, \nwe decided to design something together \nfor Salone del Mobile 2007. \njg: I’d spent some time in Tyrol in \nconnection with my DAE graduation \nproject. I had an old Tyrolean chair at \nhome, and Jos was equally fascinated by \nit. We decided to update this archetypal \nfolk art piece for the modern age. The \nRight page: Cabinet fi lled with \ninspiration and prototypes in \nKranen\u002FGille's design studio.\nD E S I G N  D R E A M S\nOver the years we \ncame to love the \nidea of making \nproducts that are \nmore accessible to \na larger audience.\nKranen\u002FGille\n24\n25\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.15.png","result was the Von Trapp Dining Room. \nWhat was the response in Milan?\njk: Priveekollektie gallery saw the chairs \nand wanted a whole series. The catch was \nthat they needed them within a few \nmonths for an exhibition. That experi-\nence was the real test for us as a duo: can \nwe work together creatively when a client \nis involved? Luckily it was a huge success \nand we managed to make seven chair \nvariations. From then on Kranen\u002FGille \nfelt like an official company. \njg: The chairs’ backrests were laser-cut \nfrom layers of aluminium, allowing us to \nmake theatrical ornamentation. First we \ncreated a kitschy Austrian autumnal \nview, but we also explored our combined \npassions: New York Art Deco, Victorian \nEngland, the Ruhrgebiet, Industrial \nRevolution. \njk: We used the chairs to make a sample \nchart of our fascinations as a duo.\nSo your initial work was largely \nfor galleries, not brands?\njk: Yes, but we were more interested in \nmaking our work accessible to a larger \npublic, which meant producing in greater \nnumbers.\njg: We began to rediscover our love for \nindustrial design – it was written on our \ndiplomas, after all. It’s fun to make a \nproduct so intelligently that it’s suitable \nfor mass manufacture. A brand like \nMoooi takes that challenge extremely far. \nThey make results like no other, but they \ndare to do it with edgy artistic work. \njk: And they put the designer at the \ncentre. You’re involved in every stage of \ndevelopment. \nYour fi rst product for Moooi is \nthe Plant Chandelier. How did \nthe product come about?\njk: It’s part of a larger Plant series, which \nis based on industry imitating nature. \nAfter successfully showing our seven \nchairs at Priveekollektie, we wondered \nwhat to do next. We retreated to Tuscany, \nlocking ourselves in a house to draw and \ndrink wine. Eventually we came back to \nthe concept of translating circuit boards \ninto objects – something I’d explored \nduring my graduation project at DAE. We \nthought we could expand on the idea. \nThe first ‘sprout’ was a small table, but \nwe saw the potential for lamps and other \nfurniture pieces, too. The table was about \nform; adding electricity to the series \ncame second. First we made a large lamp \nwith a cord. When we started developing \nD E S I G N  D R E A M S\nWe were more \ninterested in making \nour work accessible to \na larger public, which \nmeant producing in \ngreater numbers.\nTop: PLANT CHANDELIER BY \nKRANEN\u002FGILLE for Moooi. Right page: \nJos Kranen & Johannes Gille at work in \ntheir studio based in an old school in \n's-Hertogenbosch, The Netherlands.\na chandelier, we thought cords would \ndisrupt the aesthetic. That’s when we \nrealized the product is made from steel \nand can conduct energy without the need \nfor external wires. It was a logical choice \nthat evolved along with the concept.\njk: Like a branch, the entire series grew \norganically over the years. It’s highly \ninfluenced by the linear patterns of Karl \nBlossfeldt’s plant photography – his \nanalytic view of nature. By making a \ncircuit board three-dimensional, we try \nto get closer to the plant it once was. \nWhen did Moooi come \ninto the picture?\njg: We were invited by Het Noordbrabants \nMuseum to show an overview of our \nwork for our tenth anniversary in 2017. \nOur centrepiece involved a table with a \ngold-plated chandelier suspended above. \nThe response was great, so we decided to \npitch the lamp to Moooi. \nThat product led to a second range \nfor Moooi, the Party Collection…\njk: The Party Collection derived from a \nproject we did with Cor Unum. We were \nasked to make an ornament for part of \nthe city of Den Bosch’s redevelopment – \ngifts for the area’s new inhabitants.\n \njg: On older buildings, particularly in \nGermany, you often see a head chiselled \ninto the corner of each house to ward off \nbad spirits. We thought about creating \nlamps for every door, whose forms are \ninspired by the area’s notable past \ninhabitants. In the end we designed \nmasks of those former inhabitants – the \npeople who created that area. \njg: We presented the concept in Milan. \nMarcel saw the project and wanted to \nwork with it, but it was an art piece and \nhe wanted a product. We let go of the \nbackstory and came up with different \ncharacters, a process that became \nintriguing and mystical. It took on a kind \nof Agatha Christie feeling. In the end we \ndeveloped a set of eight heads, and users \ncan make up their own stories. ■\nD E S I G N  D R E A M S\n26\n27\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.16.png","The philosophy behind the Plant Chandelier is the imitation of nature’s architectural structures, \nwhile indulging in the poetry of their beauty. Unrestricted by cables or wires, the chandelier is free to \nelegantly flow towards the ceiling. Its silhouette follows the anatomy of sun-kissed tree branches, with \na golden glow, which converge into frosted domes of light.\nPlant Chandelier\nBY  K R A N E N \u002F G I L L E\nCONTAINER TABLE BODHI \nOVAL BY MARCEL WANDERS in \nNatural Oil stained oak finish with \nwooden table top in Natural Oil \nstained oak finish, NEW FLYING \nCORAL FISH RUG BY MOOOI \nfor Moooi Carpets in high pile, \nNEW FLYING CORAL FISH \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Silver\u002F\nGrey, NUT DINING CHAIR BY \nMARCEL WANDERS upholstered in \nFlying Coral Fish Scaled leather with \nWhite Wash stained oak legs and shell, \nNEW PLANT CHANDELIER BY \nKRANEN\u002FGILLE.\n28\n29\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.17.png","NEW BEARDED LEOPARD \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Blackened Gold, \nCONTAINER TABLE BY MARCEL \nWANDERS in Light Grey with Linoak \nPewter table top with White Wash \nstained oak rim, NUT DINING \nCHAIR BY MARCEL WANDERS \nupholstered in Flying Coral Fish Scaled \nleather with White Wash stained oak \nlegs and shell.\n31\nFLYING CORAL FISH SCALED LEATHER\nResembling a light and airy dragonfly when \nin flight, the ethereal Flying Coral Fish was \ncovered in beautiful pale blue-grey scales. \nOnly sorcery could explain a fish with wings, \ngliding as high as six meters above the sea.\n30\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.18.png","This page: NEW FLYING CORAL \nFISH RUG BY MOOOI for \nMoooi Carpets in high pile. Right \npage: CANAL CHAIR BY LUCA \nNICHETTO uphosltered in Ton Sur Ton \nRed with chromed steel swivel base.\nCanal Chair\nBY  L U C A  N I C H E T TO\nFLYING CORAL FISH RUG\nThe graceful airy glide of the ethereal \nFlying Coral Fish is, alongside the beauty \nof the dense underwater world, captured in \na harmonious square rug. The blue-grey, \nblack speckles and coloured circles create \na magical world with a contrasting nature: \nliquid and airy, rounded and sharp.\n33\n32\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.19.png","NR2 BY BERTJAN POT in White \n(medium shown), POWER NAP BY \nMARCEL WANDERS upholstered in \nThe Menagerie Of Extinct Animals \nVelvet, NEW THE MENAGERIE \nOF EXTINCT ANIMALS \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Raven.\nA classy and stylish promotor of comfortable lounging for it encourages \n the possibility, however unexpected, of enjoying a quick nap to freshen up.  \nLess space-consuming than a sofa bed and more versatile than a regular sofa, \nPower Nap by Marcel Wanders can be lifted and reclined, becoming the \nperfect solution for all occasions.\nPower \nNap\n34\n35\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.20.png","A classic sofa, elegant and comfortable, \ndressed in stylish dark brown eco-leather with \nembroidered accents, that has been shifted into a \nvertical posture that  plays with our mind-set \nand expectations.\nCharleston Sofa\nBY  M A R C E L  WA N D E R S\nTHE MENAGERIE OF EXTINCT ANIMALS VELVET\nA deep and rich velvet fabric decorated \nwith the entire Extinct Animals family, \nsurrounded by their natural and exotic flora. \nThe Menagerie of Extinct Animals celebrates \nnature’s diversity, stimulating to stretch the \nlimits of imagination.\n37\n36\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.21.png","CARBON BARSTOOL BY BERTJAN POT & MARCEL WANDERS with pads (high shown), CONTAINER TABLE NEW ANTIQUES BY MARCEL WANDERS \nin White with wooden table top in Traffic White (RAL 9016), NEST CHAIR & NEST SOFA BY MARCEL WANDERS upholstered in Oray Cream with Black frame, \nNR2 BY BERTJAN POT in White (medium shown), PERCH LIGHT FLOOR & PERCH LIGHT TREE BY UMUT YAMAC, YOUR OWN DESIGN RUGS BY \nMEGAN GREHL for Moooi Carpets.\nInterior design by Megan Grehl.\n39\n38\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.22.png","Left page: NEW DODO PAVONE WALLCOVERING BY MOOOI for Moooi Wallcovering in Egg Shell. Right page: NEW DODO PAVONE RUG BY MOOOI for \nMoooi Carpets in high pile, NEW DODO PAVONE WALLCOVERING BY MOOOI for Moooi Wallcovering in Egg Shell, NEW ICONIC EYES 161 BY BERNHARD \nDESSECKER, LOVE SOFA BY MARCEL WANDERS upholstered in Dodo Pavone Jacquard with White Wash stained oak legs, NEW OBON TABLES BY SIMONE \nBONANNI (medium and large shown).\nDODO PAVONE\nThe Dodo Pavone amiable, friendly in appearance. Their natural outfit was a soft \nplumage of silvery feathers, with different nuances of grey, blue, beige and white, \ndecorated with a cute pompom at the tail. Their colourful, rounded beaks were \ngreatly admired by the first settlers, who were known to collect Dodo Pavone’s \neggs as vases for their prized tulips.\n41\n40\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.23.png","This page: NEW DODO PAVONE \nRUG BY MOOOI for Moooi Carpets \nin high pile. Right page: DELFT BLUE \nNO. 06 BY MARCEL WANDERS.\nThe Delft Blue vases are \nproduced and decorated at 'Royal \nDelft', a Dutch company dating back \nto 1653 and the original producer of the \nbeautiful Delft Blue ceramics.\nDODO PAVONE RUG\nThe Dodo Pavone rug’s pattern is a \nharmonious blend of silvery, beige, pink \n& white plumes and feathers with different \ntextures. This soft nest of silky feathers, so \nlike the animals’ amiable and gentle nature, \ninvites you to dive into this carpet. \n43\n42\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.24.png","Iconic Eyes\nBY  B E R N H A R D  D E S S E C K E R\nNEW DODO PAVONE \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Egg \nShell, ICONIC EYES 161 BY \nBERNHARD DESSECKER.\nTHE ICONIC EYES was inspired by iconic \nautomotive headlights. They have been \nmodified to design a grand pendant light \nwith a classy, powerful impact for the \nfoyer of the Bavarian National Museum in \nGermany. From the beginning the intention, \ngoal and idea was to create a modern chan-\ndelier with a classic touch but much better \nlighting! Showing a high value, representa-\ntive, grand and breathtaking, yet modern in \nall aspects: technique, form, construction. \ndesign-engineering, controllability and pro-\nduction. The light’s oval design is modern \nwith a classic touch. It generates a precious \nambient glow, enhanced by bright rings of \nlight, and is produced in two sizes. Glorious \nin appearance, it consists of numerous \nlenses and a constellation of LED lights.\n44\n45\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.25.png","‘Light can be \nsensual, it can \nbe comforting, \nit can even be \ndangerous. It goes \nbeyond science \nor nature, or even \nart—it is as potent \nas life itself.’\nI N G O  M A U R E R\nIconic Eyes 86\nBY  B E R N H A R D  D E S S E C K E R\n46\n47\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.26.png","NEW DODO PAVONE \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Egg Shell, \nMONSTER CHAIR BY MARCEL \nWANDERS upholstered in limited \nedition embroidered Dodo  \nPavone fabric.\nDODO PAVONE JACQUARD\nInspired by the soft plumage, this cosy \njacquard resembles the soft and gentle \ncharacteristics of the friendly and sociable \nDodo Pavone. Dream away to the extinct \nanimal’s natural paradisiac habitat in the \nsoftness of this creamy chenille fabric.\n49\n48\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.27.png","Monster Chair\nBY  M A R C E L  WA N D E R S\nOne day I will die,  \nI foresee a dra-\nmatic ending with \nsome fireworks, \nsome pain and lots \nof wild music. But \nafter that… it will \nbe silent… silent \nfor a long time… \nI will be sitting on a little stool at \nthe head of a large table, ready for \nan eternal dinner. Seven dark leather \nchairs with ferocious faces surround \nthe table. Eight sets of silver cutlery \nand white porcelain plates lay amongst \ncopious amounts white tulips on a \nfresh white tablecloth with white rib-\nbons. There will be sparkling crystal \nglasses ready to be filled with endless \namounts of superb wine. Candles will \nbe burning as Callas and Puccini sit in \nthe corner singing heavenly tunes and \nI will wait for my guests. I will await \nmy seven muses. I will await the seven \nmost important women in my life to \ndine eternally in their gathered pres-\nence. All the beauty I discovered and \nhoped to have in my life will suddenly \nbe there for me eternally.\nMy muses are the true collection \nof my life. I collect them as if they \nare butterflies. Throughout my life, \nmy net flies gracefully through the \nair as I want to catch them without \nhurting them. I want to treat them with \nkindness, caution, and respect. I will \nnever pin a butterfly down to keep her \nfrom flying. Therefore, I know I am \nnot able to keep them only for myself. \nHowever important this collection is \nto me, I know that with my inevitable \ndeath I will lose not only my life but \nalso my collection of muses.\nAt that table, after my death, I \nwill wait patiently until my muses fly \nback to me, to my table for this eternal \ntreat. I will look forward with excite-\nment and hope that they might choose \nto be with me again. I will hope that \nI was able to have given them enough \nrespect, love, laughs and sparkling \neyes. I will hope that with time they \ncan forgive my stupidity, disloyalty \nand little lies. I will hope that I fed \nthem enough flowers and sunshine, \npoetry and fantasies for them to desire \na seat at my festive table. I will enjoy \nthe eternal pleasure of being reunited \nwith my muses. \nEach muse will find a black \nleather embroidered chair that is just \nfor her: Her solitaire, soft and com-\nfortable, follows the rules of a future \ncontemporary style while conflicting \nwith the rationales of history. Showing \nthe frozen face of a monster, a dragon, \nseemingly harmless. Only when all \nseven muses are seated will the party \nbegin. There will never be an end to \nthis orgy of sensibility and passion. \nWe will laugh, we will tease, we will \nplay and we will cry. We will feel \nconnected on the deepest level of our \nsouls. Wine will not give us headaches, \nsweets will not make us fat, the cheese \nwill scent like perfume, for always, \nforever…\nThe greater the excitement of \nbeing reunited with my collection of \nmuses the crueller and more painful \nthe moment if not all my seven muses \nwill arrive at my table. One of them \ncould decide to stay away, not to join, \none of them could turn her back to me.\nIn this unfortunate event, this \ndark occasion, this moment of eternal \nsorrow, I will understand why I deserve \nmy muses’ disloyalty. The frozen \nmonster in the free leather chair will \ncome alive. It will step onto the table \nand reveal its fierce claws. It will spit \nfire while its black leather skin will \nturn crimson like fire. From the chest \nof the monster will spring long sharp \nneedles. With one swift move, he will \npierce all my loyal muses. I will stay \nalone at my table, the wine will bloat \nmy skull, sweets will make me obese, \nthe stench of the cheese will want me \ncut off my nose, for always, forever…\n50\n51\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.28.png","Obon Table\nBY  S I M O N E  B O N A N N I\nTHE OBON TABLES are a collection of three \ntables inspired by an ancient, earthy, irregu-\nlar material: terracotta. With its origins lost \nin the mists of time, terracotta is at the base \nof millenary archaeological finds all over \nthe world. These precious discoveries are \nevidence of our timeless creativity and desire \nto leave a sign, admire and ritualize. The \ntables’ design is the result of a patient pro-\ncess of combining shapes and volumes. Their \ngraphical purity blends into the structure of \nceramics creating a unique mix of new and \nantique. Enjoy a pure touch of earthiness in a \nsophisticated world.\n52\n53\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.29.png","The versatile Prop Light can be hung from the ceiling, put on the floor, or on the wall. It can be hung \nvertically, horizontally or angled. You can choose from linear models and round ones. The bubbly Prop \nLight by Bertjan Pot will add a heart-warming feeling to any interior.\nProp Light\nBY  B E RT J A N  P OT\nLeft page: PROP LIGHT ROUND \nSINGLE BY BERTJAN POT (2700K \nshown). This page: CONTAINER \nTABLE & STOOL BY MARCEL \nWANDERS in Black with HPL \ntable top in Black, PROP LIGHT \nROUND FLOOR BY BERTJAN \nPOT (2700K shown).\n54\n55\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.30.png","AMAMI SOFA & POUFS BY LORENZA BOZZOLI upholstered in Lario Dark Grey, COMMON COMRADES BY NERI & HU (Emperor shown), PROP LIGHT \nFLOOR & ROUND SINGLE BY BERTJAN POT, SMOKE ARMCHAIR BY MAARTEN BAAS, YOUR OWN DESIGN RUG BY MEGAN GREHL for Moooi Carpets.\nThe Amami Sofa exudes elegance and \nluxury with its heart-warming velvet and \nfringed detailing.\nInterior design by Megan Grehl.\n57\n56\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.31.png","The first Liberty Lounger was handmade in a single day, and with no room for mistakes, no sketches \nand no measuring equipment. But purely based on the senses of the artist and the physical interaction \nwith the object. Atelier Van Lieshout’s Liberty Lounger is the result of intuition showing that a good \nproduct needs no adjustments.\nLiberty\nLounger\n58\n59\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.32.png","INTERVIEW BY TRACEY INGRAM\nYou’re an artist who’s happened \nto design a few products for \nMoooi. Did you always want \nto enter the art fi eld?\njoep van lieshout: I grew up in a small \nvillage in the south of the Netherlands, \nand was always busy making things – and \ndestroying them. I was interested in – and \ngood at – both science and art. I guess I \nwas driven by discovery, trying to \nunderstand the unknown. Until the age of \n15 I was flip-flopping between advancing \nin a technical or an artistic direction. I \nhad a science teacher who was also an \namateur painter, so I asked him for \nadvice: should I become a physicist or an \nartist? He said that if I chose the former, \nI’d have to be really masterful to become \ncreative. If I became the latter, I could be \ncreative and free, regardless of my skill \nlevel. Yes, I thought, I want to be an \nartist.\nWho were your artistic \nheroes at that time?\nI went to art school in 1980 – an age of \nminimal art and Arte Povera, both of \nwhich interested me. I liked minimalists \nsuch as Carl Andre, Donald Judd and \nWalter De Maria, but also conceptual \nartists – Joseph Beuys, for instance – and \nthe work of German expressionists. \nHow did your early tendencies \nto construct and demolish \ntranslate into your art?\njvl: I always liked making things myself \n– I still do. I’m mostly in the studio in my \ndirty clothes, surrounded by a big cloud \nof dust, creating sculptures or objects. In \nboth art and design, I think it’s necessary \nto remain very close to the production \nprocess. If you design something from a \nchair in front of a computer screen – you \ndon’t suffer, don’t get sweaty and dirty \n– you won’t get the same result. \nYour art eventually translated into \nproducts. What’s the story behind \nyour fi rst mass-manufactured \npiece, the Shaker chair? \njvl: In 1999 the Walker Art Center in \nMinneapolis asked me to create a mobile \nart truck. They wanted a medium to \nbring exhibitions and works to schools \nand neighbourhoods. On one hand I was \nhappy because it was a request from a \nrenowned institution, but on the other I \nthought: I’m not an architect or a \ndesigner; why would I do this? In the end I \nagreed to make it under one condition: \nthere would be a permanent docking \npoint in the park that hooks up to the \ntruck when it returns. The whole project \nwas called The Good, The Bad and The \nUgly. The Good was concentrated in the \ntruck; The Bad and The Ugly were in a \nblack house. At that time the Unabomber \nwas the most wanted, dangerous person \nin the world. I dedicated the black house \nto him because, in a way, I liked him. The \nAtelier Van Lieshout\nD E S I G N  D R E A M S\nIn both art and \ndesign, I think it’s \nnecessary to remain \nvery close to the \nproduction process.\nD E S I G N  D R E A M S\nguy may have been crazy, but he simply \nwanted to go back to nature. He was \nagainst technology, globalization, \nairlines and universities. Imagining how \nhe would live, I made a farm shed with \ntwo add-ons: a laboratory for bomb \nbuilding and an attic for deviant pleas-\nures. The morning before the project’s \nlaunch, I realized the Unabomber had \nnowhere to sit. With the leftover scraps \nof wood, I constructed a chair and a \ntable. Hans Lensvelt, one of Moooi’s \nearly partners, saw the chair and wanted \nto produce it. We did, and it was a huge \nsuccess. \nYou don’t tend to begin projects \nin a more conventional way, by \nsketching or writing down a concept?\njvl: With Slave City – one of my sinister \nutopian\u002Fdystopian projects – I actually \nstarted with a huge Excel spreadsheet. \nThe work was basically a contemporary \nhyper-efficient concentration camp. It \nAbove: The fi rst prototype of \nthe LIBERTY LOUNGER \nBY ATELIER VAN LIESHOUT. \nBelow: STATISTOCRAT \nSUSPENDED BY ATELIER \nVAN LIESHOUT for Moooi.\n60\n61\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.33.png","was about maximizing profits while \nbeing sustainable. Everything is recycled \n– even the slaves themselves, which are \nharvested for organs, consumed or \ncomposted. I used the spreadsheet to \ncalculate exactly what percentage of the \nslaves would be suitable, what the life \ncycle would be – everything I could think \nof. Then I started to build a system and \nmodels. \nSlave City led to your second product \nfor Moooi, the Statistocrat lamp.\njvl: The spreadsheet produced statistics \nand graphs. When I started sketching, I \nnoticed the graphs’ aesthetic quality, with \ncylinders of differing size. From there I \nsculpted forms and, finally, also lamps. I \nfind statistics very interesting. They \nserve a practical goal, helping decision \nmakers to be democratic in their choices. \nBut they can also become limiting. It’s a \nsystem that everyone has to adapt to, \nespecially nowadays when big data and \nAI are starting to take over our lives and \ndecide what we see, buy and eat – and \nhow we communicate. There’s an \nominous aspect. As hinted by their name, \nthe lamps really do represent statistics. \nYour Liberty Lounger, also a \nMoooi product, was borne from \nanother recent project…\njvl: I typically work for around four years \non a particular scheme that comprises \nnumerous art pieces, objects and \ninstallations. Between 2010-2015 it was \nNew Tribal Labyrinth, a futuristic sci-fi \nworld in which I imagined people uniting \nin tribes to dedicate their lives to \nindustrial production. During the Arts \nand Crafts Movement, people tried to \nsave the world from industry. I, however, \nwanted to save industry from arts and \ncrafts. Since industrial production has \ntypically occurred in countries where it’s \ncheapest, Western Europe and America \nare full of technocrats, consumers and \nlifestyle victims. I decided that our \nsociety needs an industrial revival. \nOne installation, a sawmill, relies on \na treadmill operated by 16 people. \nTogether, the group can cut planks and \nbeams from tree trunks to construct \nbuildings, factories and furniture. I \ndesigned a lot of furniture that could be \nmade in this way. I didn’t want sleek \ndesigns. I would sketch something and \nstart working straight away, without a \ntape measure. Each piece had to be \nfinished in a single day; if not, I knew it \nwould never be good. I made 40-odd \nvariations, and one was the Liberty \nLounger. Once it was complete, I grabbed \na spray can to paint it light blue. The \ncan’s colour label read ‘Liberty’. When \nMoooi eventually took the lounger into \nproduction, American walnut was chosen \nas the final material. ■\nD E S I G N  D R E A M S\nWhen I started sketching, I \nnoticed the graphs’ aesthetic \nquality, with cylinders of \ndiffering size. From there I \nsculpted forms and, finally, \nalso lamps.\nPhoto by Dezeen\n62\n63\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.34.png","‘Each piece had \nto be finished in a \nsingle day; if not, \nI knew it would \nnever be good. \nI made 40- odd \nvariations and one \nof them was the \nLiberty Lounger.’\nJ O E P  VA N  L I E S H O U T\n65\n64\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.35.png","Left page: NEW BLOOMING SEADRAGON RUG BY MOOOI for Moooi Carpets in high pile. This page: NEW BLOOMING SEADRAGON RUG BY MOOOI for \nMoooi Carpets in high pile, BLOOMING SEADRAGON WALLCOVERING BY MOOOI for Moooi Wallcovering in Anthracite and Copper, HERACLEUM ENDLESS BY \nBERTJAN POT powered through Electrosandwich© by Marcel Wanders in Copper, LIBERTY LOUNGER BY ATELIER VAN LIESHOUT with sheepskin.\nThe Heracleum Endless consists of a \nperpetual blossom of new branches that \nmultiplies by the meter.\nBLOOMING SEADRAGON\nThe Blooming Seadragon carpet pays \nan homage to the spectacular pattern of \ngrey-blue droplets & organic-looking \ncompositions of the Blooming Seadragon’s \nskin. Set on a dark background, the ancient, \nalmost alien-looking structure is decorated \nwith fluctuating splashes of colour.\n67\n66\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.36.png","Heracleum\nBY  B E RT J A N  P OT\nP O W E R E D  T H R O U G H  E L E C T R O S A N D W I C H ©\nBY  M A R C E L  WA N D E R S\nHERACLEUM BY BERTJAN POT \npowered by Electrosandwich© by \nMarcel Wanders in Nickel (small \nshown), NUT DINING CHAIR BY \nMARCEL WANDERS upholstered in \nOray Sand with Cinnamon stained oak \nlegs and shell.\nTHE HERACLEUM is a decorative LED lamp \ninspired by the Heracleum plant. The white \nleaves\u002Flenses ramify from copper or nickel \ncoated branches, creating a lamp with a very \ntechnical structure, yet natural look. By \nusing the innovative Electrosandwich© tech-\nnology, Heracleum is very thin and delicate, \na design not possible with normal wires.\nDuring the development of the design it just \nseemed too much soldering was required. \nThen Marcel Wanders had the ‘luminous’ \nidea to use his Electrosandwich© technology \nto make the design possible. The structure \nwas coated with a plastic layer for isolation \nand on top of that a conductive layer to \nsupply the LEDs with power.Using this tech-\nnique it was possible to create a structure \nmore slender than hoped for when Bertjan \nPot started the project.The technique and \ndesign are perfect for each other. Heracleum \nis included in the collection of the Stedelijk \nMuseum Amsterdam.\n68\n69\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.37.png","Photo: Masks by Bertjan Pot (not part of the Moooi collection).\nHERACLEUM BY BERTJAN POT \npowered by Electrosandwich© by Marcel \nWanders in Nickel (small shown).\n70\n71\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.38.png","Left page: NEW DWARF RHINO WALLCOVERING BY MOOOI for Moooi Wallcovering in Charcoal. This page: BASSOTTI SIDE TABLE BY MARCEL WANDERS \nin Grey Pietra marble with high Chrome legs and White Carrara marble with low Chrome legs, NEW DWARF RHINO RUG BY MOOOI for Moooi Carpets in high pile, \nNEW DWARF RHINO WALLCOVERING BY MOOOI for Moooi Wallcovering in Charcoal, PERCH LIGHT TREE BY UMUT YAMAC, NEW ZLIQ SOFA BY \nMARCEL WANDERS upholstered in Dwarf Rhino Buffed leather.\nDWARF RHINO\nThe smallest of the rhinoceros family, the Dwarf Rhino weighed only a few \nhundred kilos that, compared to the 2.3 tons of some of its relatives, made it a real \ndwarf of the species. The unique structure of the ancient skin and the typical grey-\nbrown folds that section its body were truly martial-looking, bearing the unique \nappearance of a suit of armour. Males ‘polished’ their outfit especially well during \nmating season, before a decisive battle, by rubbing it on rough terrain, then \nbathing it and letting it dry in the sun.\n73\n72\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.39.png","Left page: NEW DWARF RHINO \nRUG BY MOOOI for Moooi Carpets \nin high pile. This page: VALENTINE \nTABLE LAMP BY MARCEL \nWANDERS in Gold.\nDWARF RHINO RUG\nThe Dwarf Rhino carpet brings a touch \nof mighty elegance to any space, with its \nmartial-looking pattern of blue-grey scales, \nresembling a suit of arms. The animal’s skin \nserved as the perfect muse for this square \nrug, resembling a mighty warrior.\n75\n74\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.40.png","This page: THE GOLDEN CHAIR \nBY NIKA ZUPANC upholstered in Matt \nGold Skai leather. Right page: NEW \nDWARF RHINO WALLCOVERING \nBY MOOOI for Moooi Wallcovering \nin Sage, THE GOLDEN CHAIR BY \nNIKA ZUPANC upholstered in Matt \nGold Skai leather with Gold frame.\n77\n76\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.41.png","CONTAINER TABLE BODHI BY MARCEL WANDERS in Natural Oil stained oak finish with wooden table top in Natural Oil stained oak finish, DELFT BLUE PLATE \nRUG BY MARCEL WANDERS for Moooi Carpets, ELEMENTS 002 BY JAIME HAYON in Gold Yellow, O. BY MARCEL WANDERS in Light Grey, PROP LIGHT ROUND \nSINGLE BY BERTJAN POT, THE GOLDEN CHAIR BY NIKA ZUPANC upholstered in Golden Skai Glossy leather with Gold frame.\nInterior design by Concrete.\n79\n78\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.42.png","NEW DWARF RHINO RUG BY MOOOI for Moooi Carpets in high pile, NEW DWARF RHINO WALLCOVERING BY MOOOI for Moooi Wallcovering in Charcoal, \nPERCH LIGHT WALL RECESSED BY UMUT YAMAC (small and large shown), ZLIQ SOFA BY MARCEL WANDERS upholstered in Dwarf Rhino Buffed leather.\nDWARF RHINO BUFFED LEATHER\nThe velvety feel and dusty blue-grey hues \nof the buffed Dwarf Rhino leather derives \nfrom the exact moment after the male Dwarf \nRhinos ‘polished’ their outfit, during mating \nseason, by rubbing it against rough terrain.\n81\n80\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.43.png","Perch Light\nBY  U M U T  YA M A C\nPERCH LIGHT WALL \nBY UMUT YAMAC.\nTHE PERCH LIGHT is a balancing sculptural \nlight made of folded paper and brass. The \nlamp takes the form of an abstract bird which \nappears to be delicately balanced on its \nmetal perch. The bird is illuminated through \ncontact with the perch and lets the bird \nbalance and swing without any cables whilst \nmaintaining luminance. What is more poetic \nand elegantly captivating than a bird perched \non a branch, flirting, singing and celebrating \nlife? We all recognize this image and steal \na moment from our precious time to admire \nthis triumph of nature and beauty. Inspired by \nsuch natural glory and forever fascinated by \nthe combination of balance and movement, \nUmut Yamac has created six lamps which \ncaptivate the viewer through motion, poetry \nand grace: the Perch Light.\n82\n83\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.44.png","CHARLES CHAIR BY MARCEL \nWANDERS upholstered in Kvadrat \nHarald 3 942, NEW DWARF RHINO \nRUG BY MOOOI for Moooi Carpets \nin high pile, NEW FLYING CORAL \nFISH WALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Silver Grey.\n‘Design is a tool \nthat allows us to \nreach out and \ninspire, to touch \nothers and help \nmake lives magic \nand wonderful’\nM A R C E L  WA N D E R S\n85\n84\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.45.png","Left page: NEW UMBRELLA SQUID \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Gold. \nThis page: BRAVE NEW WORLD \nLAMP XL BY FRESHWEST, DELFT \nBLUE BY MARCEL WANDERS \n(No. 06 & 11 shown), DIAGONAL \nGRADIENT RUG BY KIT MILES for \nMoooi Carpets in Dark, RANDOM \nLIGHT BY BERTJAN POT in White \n(medium shown), SOMETHING LIKE \nTHIS SOFA BY MAARTEN BAAS \nupholstered in Solis Paper, TURBO \nTABLE BY MAARTEN BAAS (low \nshown), NEW UMBRELLA SQUID \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Gold\nUMBRELLA SQUID\nThe most incredible characteristic of the Umbrella Squid was its ability to disappear, \nlike magic. Its skin was covered in bioluminescent ‘jewels’ that changed colour to \nmatch its surroundings. To swim faster, it opened into an open umbrella shape, \nrevealing a soft, velvety red centre.\n87\n86\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.46.png","The vases are reinterpreting and \nrevitalizing Delft Blue and old Dutch \ncraft using new ideas for shapes and \ndecoration. \nThis page: NEW UMBRELLA SQUID \nRUG BY MOOOI for Moooi Carpets \nin high pile. Right page: DELFT BLUE \nNO. 08 BY MARCEL WANDERS. \nUMBRELLA SQUID RUG\nThe bioluminescent jewel pattern of deep \nblues and velvety, ruby red sparkles in the \nUmbrella Squid carpet, pays the perfect \ntribute to this ancient creature. In a perfectly \nround shape, resembling an open umbrella, \nlight and shadows gracefully fluctuate in a \nmagical underwater world.\n89\n88\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.47.png","In most households the table is the central piece of the dining room, the heart around which families \ngather, entertain and relax. Many special memories revolve around its steady presence. With their \ngraceful look and refined details, the Zio Dining Chair and Zio Dining Table evoke vintage design \nwith a low-slung profile and slender solid oak frame.\nZio Dining Chair\nBY  M A R C E L  WA N D E R S\nLeft page: ZIO DINING CHAIR BY \nMARCEL WANDERS upholstered in \nManga Brown with White Wash stained \noak finish, ZIO DINING TABLE BY \nMARCEL WANDERS in Cinnamon\u002F\nWhite Wash composition. This page: \nZIO DINING CHAIR BY MARCEL \nWANDERS upholstered in Liscio Perla \nwith Natural Oil stained oak finish. \n90\n91\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.48.png","PERCH LIGHT BRANCH BY UMUT \nYAMAC, ZIO DINING CHAIR BY \nMARCEL WANDERS upholstered in \nLiscio Perla with White Wash stained \noak finish, ZIO DINING TABLE BY \nMARCEL WANDERS in White Wash \nstained oak finish.\nThe cheerful companions in the Perch Light family are made of \nsynthetic paper, folded in an origami style, and will sway back and forth \nwhen nudged or faced with a light breeze.\n93\n92\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.49.png","CANVAS SOFA BY MARCEL WANDERS upholstered in Vesper Nickel with Heritage Pillows, DEAR INGO BY RON GILAD in Black, MALMAISON RUG BY MAISON \nCHRISTIAN LACROIX for Moooi Carpets in Aquamarine, PAPER FLOOR LAMP BY STUDIO JOB in White, UMBRELLA SQUID WALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Gold, ZIO COFFEE TABLE BY MARCEL WANDERS in Cinnamon stained oak finish, ZIO LOUNGE CHAIR & FOOTSTOOL BY MARCEL \nWANDERS upholstered in Oray Ochre with Cinnamon stained oak finish.\n95\n94\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.50.png","This page: UMBRELLA SQUID \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Gold, PET \nLIGHTS BY MARCEL WANDERS \n(Uhuh & Noot Noot shown), ZIO \nBUFFET BY MARCEL WANDERS in \nCinnamon stained oak finish. Right page: \nZIO LOUNGE CHAIR BY MARCEL \nWANDERS upholstered in Oray Rust \nwith Cinnamon stained oak finish.\nLean back, close your eyes, relax your arms on the smooth armrests and grant yourself the time to \ndrift away to a place of your imagination, beyond your surroundings, into the street, beyond the starry \nnight. Living your fantasies is easy while cosily sitting in the solid softness of Zio Lounge Chair!\nZio Lounge Chair\nBY  M A R C E L  WA N D E R S\nThe solid oak Zio buffet by Marcel \nWanders conveys a classy appearance with a \ntouch of playfullness.\n97\n96\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.51.png","Whoever sets eyes on the Meshmatics Chandelier will never guess what hides behind its \nsophisticated exterior. The clever wire mesh structure of the Meshmatics Chandelier reflects \nand diffuses the light of the integrated LED with poetic grace, contributing to keep the light \nsource cool by absorbing some of its heat.\nMeshmatics  \nChandelier\nBY  R I C K  T E G E L A A R\nNEW BEARDED LEOPARD \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Blackened Gold, \nCONTAINER TABLE BODHI BY \nMARCEL WANDERS in Black stained \noak finish with Linoak Nero table top, \nMESHMATICS CHANDELIER \nBY RICK TEGELAAR, NEW THE \nGOLDEN CHAIR BLACK BY NIKA \nZUPANC upholstered in Matt Black \nSkai leather with Black frame.\n98\n99\n99\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.52.png","INTERVIEW BY TRACEY INGRAM\nHow did you start out as a designer?\nrick tegelaar: Much of my youth was \nspent in our garage, dismantling broken \nappliances and machines. I was always \nworking with my hands, and became \ninterested in engineering and technology. \nAfter starting in one of the top classes at \nhigh school, I eventually trickled down \nthe ranks, just barely getting my \ndiploma. In the Netherlands that \nsituation forces graduates into a more \npractical education path, so I studied \nengineering. I really enjoyed harnessing \nmy technical skills and working with \nmetal – I still do. It’s no coincidence that \nFiligree and Meshmatics – two of my \nproducts manufactured by Moooi – incor-\nporate a lot of metal. \nAfter studying engineering for a \nyear I decided to move on. The discipline \nis all about making a goal, setting \ncalculations, and then achieving that \ngoal. I wanted to explore a bit more, to \nhave some flexibility, and ended up in the \nproduct design department of ArtEZ in \nArnhem. In 2011 I graduated with the \nMeshmatics technique. \nYou developed the \ntechnique yourself?\nrt: When you want to graduate you’re \nprompted to discover yourself – to find \nout what you’re good at and then apply \nthat to a design context. I’m skilled with \nmachines and materials, and wanted to \nfind a way of working with those \nelements to really add value to the design \nindustry. I began by looking into simple \nmaterials, one of which was wire mesh. If \nI could find a way to form it in a con-\nD E S I G N  D R E A M S\nRick Tegelaar\nRight page: CONTAINER TABLE \nBODHI BY MARCEL WANDERS in \nNatural Oil stained oak fi nish with \nwooden table top in Natural Oil stained \noak fi nish, LOVE DINING CHAIR \nBY MARCEL WANDERS upholstered \nin Summit Melange Slate with White \nWash stained oak legs, MESHMATICS \nCHANDELIER BY RICK TEGELAAR\nRick \nTegelaar’s work \nis characterized \nby the use of \nvery uncommon \nmaterials, finding \nnew beautifully \nshaped forms with \nan innovative \napproach.\n100\n101\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.53.png","trolled way, I thought, a new aesthetic \nmight arise without actually altering the \nmaterial itself. The goal was to deepen \nthe existing material spectrum, not to \nfind new ones. \nCan you describe your technique?\nrt: I start with galvanized steel chicken \nwire. My technique involves forming the \nmesh into cylinders, which are then \nsecured over a mould. By pulling on one \nside, the material simultaneously \nstretches and suctions itself to the mould \nand ‘sets’. It’s a bit like taking a sock off \nyour foot. If you pull at one end, the sock \ngrabs your foot. This means I can control \nthe shape extremely well. Through the \nprocess of stretching, tension is trapped \nin the material, reinforcing it. \nMoooi translated my artisanal \nprocess into an industrial one. Where I \nstopped, they took over. Now I get to see \nall the machines I dreamed of in action, \nwith clever features and moulds I \ncouldn’t possibly afford. It’s a nice step \nin the process: to see your products \ngrow up.\nHow did you come into \ncontact with Moooi?\nrt: It was a couple of years ago, and only \nby chance. I met one of Moooi’s manufac-\nturers – the company making the \nRaimond lamp. I was visiting as part of a \ngroup of people working with LEDs. One \nday I decided to bring in a prototype of \nmy Filigree floor lamp to make the \nconversation more concrete. The owner \nof the company saw potential and wanted \nto carry it through to manufacture. \nDevelopment began but we ran into some \nissues, so he suggested showing it to \nMoooi.\nJust before Filigree was launched in \nMilan [2016], I was exhibiting the lamp \nalong with the Meshmatics chandelier at \na fair in Dubai. The next booth over just \nhappened to belong to Marcel Wanders. I \nhadn’t met him yet, but had been \ndeveloping a product together with his \ncompany for almost three years, so I \nplucked up the courage to introduce \nmyself. He then asked who had designed \nthe Meshmatics chandelier – and why I \nhadn’t shown it to him. I guess I was just \nin the right place at the right time. \nWere you actively looking for a \nbrand to take on your products?\nrt: I invested everything I had in \ngraduating, leaving me completely broke \nafterwards. People approached me \nduring my show, asking if I could make a \nlamp for their homes. It was such a huge \ncompliment – and saying yes was a way \nto buy groceries. It was nice to immedi-\nately get to work and make a living, but \nthings quickly got out of hand. More \norders came in, and I began selling to \nstores and architects. The idea of trying \nto collaborate with a brand came up after \nabout a year. If you have your own studio \nthat also manufactures its own products, \nyou might design for a tiny percentage of \nyour time. I got a bit sick of that. I was \nonly producing, going to fairs, dealing \nTop: Rick at work in his studio in \nArnhem, The Netherlands.\nD E S I G N  D R E A M S\nwith customers. And I knew other people \nwere much better at doing those things. \nI’m a designer; I want to design as much \nas possible. \nHow did it feel to see Filigree \nlaunched at a big show in Milan?\nrt: I’d just graduated, so it was a very \nimportant – and surreal – career moment. \nMy wife and I had seen the Moooi \npresentation the previous year and now \nhere I was, with my own product on \nshow. I worked really hard for it, and it \nwas almost emotional. Once a product is \nfinished and presented, you also have to \nlet it go in a way. But the week after the \n2016 Salone del Mobile, work started \nwith Moooi on Meshmatics and I was \nback in Milan the following April. Six \nyears of blood, sweat and tears went into \nMeshmatics – it was my baby. I was so \nproud to see it in Moooi’s collection. \nAfter two years in a row at Moooi’s \nMilan show, what’s next?\nrt: It’s all still so new to me, but I like to \nbe challenged. It won’t work if a brand \nsimply asks me to ‘make a product’ for \nthem; I need a question, a vision, a clear \ncontext. There’s definitely a strong \nconnection with Moooi and I’d like to \nkeep that going. And I always enjoy \ncollaborating with producers, such as the \nmanufacturer that introduced Filigree to \nMoooi. I recently worked with a company \nmaking technical textiles. I find it really \ninteresting to take a material and – with-\nout changing too much – seeing what \nother possibilities can arise through \ndesign. ■\nTop and bottom: Inspiration, research \nand prototype of the Filigree by Rick \nTegelaar for Moooi.\nD E S I G N  D R E A M S\nI find it really \ninteresting to take \na material and – \nwithout changing \ntoo much – seeing \nwhat other \npossibilities can \narise through \ndesign.\n102\n103\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.54.png","FILIGREE FLOOR LAMP BY RICK \nTEGELAAR.\nFiligree Floor Lamp\nBY  R I C K  T E G E L A A R\n104\n105\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.55.png","Left page: NEW ARISTO QUAGGA RUG BY MOOOI for Moooi Carpets in high pile. This page: NEW ARISTO QUAGGA RUG BY MOOOI for Moooi Carpets in high \npile, NEW ARISTO QUAGGA WALLCOVERING BY MOOOI for Moooi Wallcovering in Walnut, JACKSON CHAIR BY MARCEL WANDERS upholstered in limited \nedition Aristo Quagga laser-cutted leather, VALENTINE FLAT BY MARCEL WANDERS in Chrome.\nARISTO QUAGGA RUG\nCut in a hexagon shape, like a precious \nstone, the Aristo Quagga rug bears a pattern \nfound in the mane of one of the regal cousins \nof the zebra. Moulded into a kaleidscopic \npattern, the rugs sports hues of brown, grey, \nwhite and black. \n107\n106\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.56.png","JACKSON CHAIR BY MARCEL \nWANDERS upholstered in Signature \nleather with embroidered backrest.\nThe Jackson’s signature design \nwith premium leather and embroidered \ndetailing transforms this chair into a \nmodern-day throne.\n109\n108\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.57.png","BLOW AWAY VASE BY FRONT, \nPROP LIGHT DOUBLE HORIZONTAL \nBY BERTJAN POT (colour temperature \n2000K shown), ZIO DINING CHAIR \nBY MARCEL WANDERS upholstered \nin Manga Brown with Cinnamon\u002FWhite \nWash stained oak composition finish, \nZIO DINING TABLE BY MARCEL \nWANDERS in Cinnamon\u002FWhite Wash \nstained oak composition finish.\n110\n111\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.58.png","Coppélia  \nChandelier\nBY  A R I H I R O  M I YA K E\nNEW ARMOURED BOAR \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering, NEW \nARMOURED BOAR RUG BY \nMOOOI for Moooi Carpets in high \npile, COPPÉLIA CHANDELIER BY \nARIHIRO MIYAKE in Chrome (small \nshown), LOVE DINING CHAIR BY \nMARCEL WANDERS upholstered in \nArmoured Boar Crackle leather with \nBlack stained oak legs, WOOOD BY \nMARCEL WANDERS in Black stained \noak finish. \nTHE COPPÉLIA CHANDELIER comes to life \nin a whirl of flowing motion and sparkling \nlight. With a graceful sense of wonder, a \nbeautiful mechanical doll appears in the \nfamous ballet Coppélia. In the performance \nthe ballerina traces, with sinuous movements, \na delicate after-image in the air, which \ninspires the fluid motion in the design of \nArihiro Miyake’s Coppélia Chandelier. The \ngraceful dance, staged by the three-dimen-\nsionally crossed wire structure, leads the \nspectator to dozens of glowing LED lights, \nwhich define the contour and the magical \nglow of Miyake’s new interpretation of a \nclassic chandelier. \n112\n113\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.59.png","Non Random \nBY  B E RT J A N  P OT\nPhoto: Masks by Bertjan Pot (not part of the Moooi collection).\n114\n115\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.60.png","NEW ARMOURED BOAR \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering, LOVE SOFA \nBY MARCEL WANDERS upholstered \nin Dodo Pavone Jacquard with \nWhite Wash stained oak legs, NON \nRANDOM BY BERTJAN POT in Black \n(large shown).\n Whether you are flirting with your beloved or with a box of chocolate, enjoy \nthe sweetness of Love! The cosy, soft and rounded shapes of the Love Sofa \nare available in several textile options, including the new tailor made \nsignature textile ‘Dodo Pavone Jacquard’, made of a soft, luxurious jacquard \nthat looks like the cutest white, fluffy Dodo.\nLove \nSofa\n116\n117\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.61.png","Left page: NEW ARMOURED BOAR WALLCOVERING BY MOOOI for Moooi Wallcovering. This page: NEW ARMOURED BOAR RUG BY MOOOI for Moooi \nCarpets in high pile, NEW ARMOURED BOAR WALLCOVERING BY MOOOI for Moooi Wallcovering, DEAR INGO BY RON GILAD in Black, NEW THE \nGOLDEN CHAIR BY NIKA ZUPANC upholstered in Matt Black Skai leather with Black frame, upholstered in Glossy Gold Skai leather with Gold frame and upholstered in \nArmoured Boar Hairy leather with Gold frame.\nARMOURED BOAR\nThe first time an Armoured Boar was spotted by the human eye, the man didn’t \nknow whether to hug it or run! Cute as a button with its dainty legs and snout, \nteardrop eyes and goofy ears, yet shielded by a tough armoured coat… Studies from \nthe past suggest that its coat was a protection developed over time as a weapon \nagainst animals of pray. Males with the shiniest outfits, were known to be favored \nby the females. On the other hand, ‘boys’ developed a liking for ‘girls’ with \nparticularly fine trotters, resembling miniature stilettos…\n119\n118\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.62.png","This page: NEW ARMOURED BOAR \nRUG BY MOOOI for Moooi Carpets in \nhigh pile. Right page: NUT LOUNGE \nCHAIR & FOOTSTOOL BY MARCEL \nWANDERS upholstered in Oray Cream \nwith White Wash stained oak legs and \nshell, RANDOM LIGHT BY BERTJAN \nPOT in White (medium shown).\nThe Random Light transmits \na feeling of simplicity, softness and \nlightness. A touch of magic in \ncontemporary style.\nARMOURED BOAR RUG\nThe Armoured Boar carpet absorbs the \nanimal’s nature without compromise. Just \nlike the powerful outfit of an Armoured \nBoar, it gives an untamed first impression. \nLooking closer, though, you’ll see its soft \nside: dark floral motifs enclosed by a \nprecious, silvery glow. \n121\n120\n121\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.63.png","The Golden \nChair\nBY  N I K A  Z U PA N C\nCONTAINER TABLE BODHI BY \nMARCEL WANDERS in Grey stained \noak finish with Linoak Mauve table top, \nDEAR INGO BY RON GILAD in Black, \nTHE GOLDEN CHAIR BY NIKA \nZUPANC upholstered in Matt Gold \nSkai leather, Glossy Gold Skai leather \nand Kvadrat Harald, THE GOLDEN \nCHAIR BLACK BY NIKA ZUPANC \nupholstered in Matt Black Skai Leather \nand Solis Paper.\nTHE GOLDEN CHAIR by Nika Zupanc is now \navailable with a black frame. Its elegant new \nblack frame and the existing golden one can \nboth be dressed in a selection of fabrics to \nmatch different interiors. Under a mysterious \nmagic spell, a retro-looking school chair is \ndipped in enchanted golden nectar, which \nwashes away its austerity and crows it with a \nshiny aureole. Isn’t this a typical school-time \nwish, while looking out of the window and \nhoping for a fairytale to begin? Nika Zupanc \nwaves her magic wand and fills that dreamy \nsilence with a loud, daring and essential \ndesign. A ‘golden’ opportunity to make our \nchildhood dream come true! \n122\n123\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.64.png","The Golden Chair\nBY  N I K A  Z U PA N C\nARMOURED BOAR HAIRY LEATHER\nCute as a button with its dainty legs and \nsnout, teardrop eyes and goofy ears, yet \nshielded by a tough armoured coat. The \npowerful outfit of the Armoured Boar was \ncomplemented by a soft and hairy hide on  \nits tummy. Revealing the animal’s true \namiable nature.\n125\n124\n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.65.png","INTERVIEW BY TRACEY INGRAM\nWhen did you realize that \ndesign was your vocation?\nmaarten baas: As a young boy I didn’t \nknow that the job of a designer existed. \nAll I knew was that I wanted to be \ncreative in one way or another. It was \nonly at age 15, when an older friend of \nmine began to study architecture, that I \ndiscovered design was a profession. I \nliked the idea of self-expression within \nset parameters, and I still approach \ndesign in that way. I don’t consider \nmyself to be an industrial designer. \nPerhaps I’m more of an artist born in a \ndesigner’s body.\nWhat were your fi rst \ncreative expressions?\nmb: All kinds of things. My parents gave \nme a lot of freedom. I had my own \nbedroom and would play around in it, \ncustomizing everything from furniture to \nguitars to bicycles. At one point I slept in \na hammock, which demanded a different \nkind of bedside table: something I could \neasily reach when reclining yet tuck away \nwhen I wanted to swing. In a way, my \ncircumstances forced me to start \ndesigning. \nYou eventually made things \nof  cial by studying at Design \nAcademy Eindhoven…\nYes, but after three months there I almost \nquit. I was at the point of discussing with \nthe administrative department the \npossibility of getting a refund. Then my \nfather told me that he thought I was in \nthe right space. He didn’t push me, but \nsubtly suggested that I stay. From that \nmoment on I decided to go for it, even \nthough that early uncertainty continued \nthroughout the years. My gut feeling was \nthat I had something to say but I didn’t \nknow how to express it. I failed many \nD E S I G N  D R E A M S\nMaarten Baas\nMy gut feeling \nwas that I had \nsomething to say \nbut I didn’t know \nhow to express it. I \nfailed many times. \nSMOKE CHAIR & SMOKE \nCHANDELIER BY MAARTEN BAAS.\n126\n127\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.66.png","times. Eventually I came up with the idea \nof making the Smoke furniture \ncollection. \nHow did Smoke come into being?\nmb: I needed to choose a theme for my \ngraduation work and wanted to challenge \nthe definition of beauty. I questioned \nwhy we need to preserve products, as if \ntime doesn’t exist, when nature itself is in \nconstant flux. We typically try to not \ndamage our furniture, but I did the \nopposite: I burned it. The pieces took on \na new kind of beauty and made people \nlook at them in another way. \nYou tried other ways of altering \nthe furniture: soaking it in \nwater, throwing it of  a clif …\nmb: I experimented a lot within the theme \nof preservation and natural evolution. In \nretrospect, some of the results resemble \nthe Clay Furniture I developed a number \nof years later. Clay was also a balance \nbetween rigidity and natural expression. \nSmoke ended up taking on a life \nof its own. How did that happen?\nmb: Straight after I graduated it was \nlaunched by Moooi and shown in Moss, \nthe most prominent gallery in New York \nCity. I knew my circumstances were \nextraordinary but I didn’t know any \ndifferent either. It wasn’t always easy. I \nwas trying to build up my own studio \nwhile all kinds of assignments rolled in, \nbut I enjoyed the momentum. \nThere were four years between \nSmoke and Clay. After the success \nof Smoke, did you feel pressured to \ncome up with an amazing new idea?\nmb: There were two kinds of pressure. \nGreater than the stress of outsiders \nlooking at me, wondering if I was a \none-hit wonder, was the pressure I put on \nmyself. I wanted to move on and make \nsomething new. It was exciting to come \nup with a new collection, and my \nintuition told me to make something \nfragile. I felt vulnerable, especially \nworking with clay. My choices were to go \nthrough with it or risk bankruptcy. \nThankfully, it was a success.\nNow you’ve developed your \nfi rst of  cial industrial product: \nSomething Like This.\nmb: A lot of my work has a naive \naesthetic, which I like, but Something \nLike This is ‘Maarten Baas grows up’. It’s \na modular sofa system that looks like a \nsketch. If you want something to be \nmodular it’s better to work with straight \nlines and fixed sizes, so it was an extra \nchallenge to make Something Like This \nsuitable for industrial production. That’s \nwhere Moooi came in. I was so happy to \nsee that they have an online tool for \nclients to modify it and choose fabrics. \nThat makes it even crazier – that what \nwas once a little hand-drawn sketch now \nhas an extremely well developed system \nbehind it. A recurring theme in my work \nis to make products that look as simple \nas possible, like there’s no effort behind \nthem. \nYour Turbo tables also resemble \ncartoon-like sketches. What’s \nthe idea behind those?\nmb: At a certain moment in Milan there \nseemed to be more concept cars than \nactual cars. I felt like I was the only man \nin the world who hadn’t been called up by \nBMW or Lexus to design one. If they \ndon’t come to me, I thought, I’ll make my \nown. And I’ll make it into a coffee table. \nWhenever I create something I think: \nwhat would I design for myself? A car as \na table – I’d like that. \nIt’s been 16 years since Smoke \nentered the Moooi catalogue and \nit’s still a bestseller. But you didn’t \ndecide to try and become a famous \nfurniture designer – you were just \ntrying to fi nd your own route…\nmb: I still am. I’m working from one day \nto the next. I walked a certain path but \nI’ve never followed a fixed strategy or a \ngoal. I want to keep working like that \n– with the freedom to move, without \nbeing dependant on what others want \nfrom me. ■\nD E S I G N  D R E A M S\nI walked a certain \npath but I’ve never \nfollowed a fixed \nstrategy or a goal. \nI want to keep \nworking like that \n– with the freedom \nto move, without \nbeing dependant \non what others \nwant from me.\n128\n129\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.67.png","Some\nLike\nthing\nThis\n130\n131\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.68.png","S O M E T H I N G  L I K E  T H I S  S O FA  BY  M A A RT E N  B A A S\nThis comfy sofa with its sketch-like looks comes in an easy yet clever configuration, a slightly \nadjustable scenery that everyone can build. Its unique panorama gently blends into any kind of space, \nadding a touch of fluidity, playfulness and joy to your own interior landscape.\nSLT Sofa Triple Seater\nSLT Sofa Triple Seater with Chaise Longue\nSLT Sofa with Short Armrest and Ottoman\nA life extraordinaire \nIs it so light it fills the air \nOr is it so bright to dare to stare.\nI take note of the things we touch \nFor these things can feel so much \nColours and texture within my eyes \nHow they do dance and harmonise.\nLike a painting on the wall \nI want this art to surround us all \nLike a song that stirs the soul \nLets cut loose and loose control.\nLike a scent that fills our head \nDeep and dense... we are fed.\nA life extraordinaire \nIt really is quite so rare \nTo live in a world of no compare. \n \nA  P O E M  BY  C H R I S T I E  W R I G H T\n132\n133\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.69.png","NEW BLUSHING SLOTH \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Gold, CLOUD \nSOFA BY MARCEL WANDERS \nupholstered in Blushing Sloth Woolly \nMohair with pillows in Blushing Sloth \nMelange Mohair.\nHave you ever wished that you could fall into the softness of a white cloud \nthat looks like cotton candy? After a brief reality check this daydream is \nforgotten, until you catch a glimpse of the Cloud sofa by Marcel Wanders, a \ncomposition of rounded shapes and soft cushions. The sofa is available in a \nwide range of colours and carries the comforting sensation of falling into a \nfluffy cloud on a bright sunny day.\nCloud \nSofa\n135\n134\n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.70.png","Left page: NEW BLUSHING SLOTH \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Moss. This \npage: NEW BLUSHING SLOTH \nWALLCOVERING BY MOOOI for \nMoooi Wallcovering in Sepia, NEW \nPET LIGHTS BY MARCEL WANDERS \n(Uhuh, Noot Noot and Purr shown), \nZIO BUFFET BY MARCEL WANDERS \nin White Wash stained oak.\nBLUSHING SLOTH\nAsleep most of the time, the Blushing Sloth hardly caused a leaf to stir. They \nonly came down once a week for a toilet break, moving so slow that it was \nimpossible to even see them move. They lived their lives so still and quiet that \nalgae found a way of growing on the outer layers of their fur, giving them a \nbreath-taking green glow.\n137\n136\n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.71.png","This page: NEW BLUSHING \nSLOTH RUG BY MOOOI for \nMoooi Carpets in high pile. Right \npage: EGG VASE BY MARCEL \nWANDERS (small, medium and large \nshown), NR2 BY BERTJAN POT in \nWhite (medium shown).\nA harmonious, bright lighthearted bubble of \nglossy light which elegantly hangs from the ceiling \nand radiates a warm atmosphere all around.\nBLUSHING SLOTH RUG\nA pale green glow, resembling the algae on \nthe Blushing Sloth’s fur, stands out among \nshrubs of white fur, rough dark valleys and \nmysterious shadows. Earthy and multi-\ntextured, this carpet is a rectangular example \nof a world within a world. \n139\n138\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.72.png","Noot Noot, Purr & Uhuh (penguin, rabbit & owl) are a series of table lamps by Marcel Wanders with \ntheir very own personalities and characteristics. Their frosted glass bodies, decorated with touches of \ngold, emit a sunny, heart-warming light glow. Choose your favourite characters amongst a penguin, a \nrabbit and an owl.\nPet Lights\nBY  M A R C E L  WA N D E R S\n140\n141\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.73.png","Nut Lounge Chair\nBY  M A R C E L  WA N D E R S\nThe precious flavour of its design and the rich pattern of its textiles distinguish the Nut Lounge \nChair from the mass. Sitting in the warm embrace of the Nut Lounge Chair by Marcel Wanders \nwill make you feel protected and as precious as the most beautiful pearl in the sea.\nBLUSHING SLOTH MELANGE MOHAIR\nCurled up in the highest branches of a tree, \nthe sweet and kind-hearted Blushing Sloths \nonly came down once a week. Inspired by the \nBlushing Sloth’s coat, Moooi created a fabric \nhonouring the Blushing Sloth’s curls.\n142\n143\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.74.png","Paper Series\nBY  S T U D I O  J O B\nFAROOO BY MARCEL WANDERS in \nWhite (large shown), MESHMATICS \nCHANDELIER BY RICK TEGELAAR, \nMONSTER CHAIR BY MARCEL \nWANDERS upholstered in Divina \nMelange 180, PAPER CABINET \nBY STUDIO JOB in White, PAPER \nTABLE BY STUDIO JOB in White, \nPAPER WALL LAMP BY STUDIO \nJOB in White, SMOKE DINING \nARMCHAIR BY MAARTEN BAAS, \nYOUR OWN DESIGN RUG BY \nMEGAN GREHL for Moooi Carpets.\nTHE PAPER SERIES by Studio Job has always \nexpressed the pure essence of a candid sheet \nof paper. Paper Patchwork is a playful patch-\nwork of sparkling colours combined with the \npurity of natural wood, like in old fashioned \ncars or in the patchwork quilts carefully \nsewed by our favourite aunt. Paper RAL is a \npreselected colour of one of our RAL colours. \nSo enjoy mixing and matching them in any \nkind of interior! Paper, cardboard and papi-\ner-mâché are familiar to all of us. They bring \nback memories of kindergarten and our first \nexperiences of making things. Inspired by \nclassic icons, but manufactured like modern \nday furniture, this furniture collection by \nStudio Job is an ode to classical style and to \nthe paper material. Inspired by classic icons \nbut manufactured like modern day furniture, \nthis furniture collection is an ode to classical \nstyle and to the material.\nInterior design by Megan Grehl.\n144\n145\n145\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.75.png","Paper Patchwork is a playful patchwork of \nsparkling colours combined with the purity of natural \nwood, like in old fashioned cars or in the patchwork \nquilts carefully sewed by our favorite aunt.\nAMAMI POUFS BY LORENZA \nBOZZOLI upholstered in Lario Dark \nGrey (small, medium and large shown), \nPAPER CUPBOARD BY STUDIO \nJOB in Patchwork\n147\n146\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.76.png","Left page: SET UP SHADES 7 \nBY MARCEL WANDERS, SHIFT \nDINING CHAIR BY JONAS \nFORSMAN in Bright Red, This page: \nSHIFT DINING CHAIR BY JONAS \nFORSMAN in Warm Ochre, SHIFT \nLOUNGE CHAIR BY JONAS \nFORSMAN in Blue\u002FGrey.\nShift Chair\nBY  J O N A S  F O R S M A N\n148\n149\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.77.png","NEW CALLIGRAPHY BIRD \nRUG BY MOOOI for Moooi Carpets \nin high pile, SOMETHING LIKE \nTHIS SOFA BY MAARTEN BAAS \nupholstered in Calligraphy Bird Jacquard.\nThe Something Like This Sofa is a celebration \nof the designers love for sketchy drawings translated \ninto a soft, unusually modelled sofa.\n150\n151\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.78.png","This page: NEW CALLIGRAPHY \nBIRD RUG BY MOOOI for \nMoooi Carpets in high pile. Right \npage: DELFT BLUE NO. 02 BY \nMARCEL WANDERS\nDelft Blue vases are produced and \ndecorated at 'Royal Delft', a Dutch \ncompany dating back to 1653 and the \noriginal producer of the beautiful Delft \nBlue ceramics.\nCALLIGRAPHY BIRD RUG\nCalligraphy Birds were often seen posing and \ndancing to attract a partner. The male would \nmove in a rhythmic dance, the blue hues of \nhis ornate collar feathers shining in the sun. \nThe female would fan her white tail feathers \nthat ended in what resembled graceful \ncalligraphy swirls.\n153\n152\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.79.png","Left page: BART SWIVEL BY MOOOI \nWORKS upholstered in Cervino Cognac \nleather. This page: BART SOFA BY \nMOOOI WORKS in Summit Melange\u002F\nTwill Melange Slate, PERCH LIGHT \nFLOOR & PERCH LIGHT TABLE \nBY UMUT YAMAC.\nBart adds a soft, comforting touch to any space with its unique design of rounded \ncorners and luxurious combinations of fabrics. The Bart collection of sofas, \narmchairs, daybeds and canapés is originally inspired by the rounded shapes and \nsumptuous glory of 18th century Rococo.\nBart\n154\n155\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.80.png","Photo: Masks by Bertjan Pot (not part of the Moooi collection).\nRandom Light\nBY  B E RT J A N  P OT\n156\n157\n156\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.81.png","Chalice\nBY  E D WA R D  VA N  V L I E T\nCHALICE 48 BY EDWARD \nVAN VLIET in Metallic\u002FGrey.\nTHE CHALICE comes from Edward van \nVliet's admiration of the fine beauty and \ninfinite potential of glass. He reflects on \nits intrinsic qualities and designs a lamp \nto capture its essential grace. Blossoms \nof tulip-like flowers define the lamp and \ndisclose their crystalline chalices. Glass is \nthe protagonist, the quintessential messenger \nof light. Thanks to the dimmable LED lamps \nhidden behind the chalices, light is diffused \nin a natural way and projected by the cop-\nper-plated signature flower at the heart of \nthe blossoms. This geometric motif becomes \na characteristic pattern that multiplies itself \nalong the edge of each chalice. To complete \nthe picture, playful floral reflections dance \naround the room evoking a touch of spring \nindoors.\n158\n159\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.82.png","NEW CALLIGRAPHY BIRD \nWALLCOVERING BY MOOOI \nfor Moooi Wallcovering in Blossom, \nNEW CHALICE 24 BY EDWARD \nVAN VLIET in Chrome\u002FCopper, \nLOVE SOFA BY MARCEL \nWANDERS upholstered in Vesper \nBronze (High Back shown).\n161\n160\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.83.png","CANAL CHAIR BY LUCA NICHETTO upholstered in Ton Sur Ton Red with solid oak swivel base, CHESS TABLE BY FRONT, CONTAINER TABLE BY MARCEL \nWANDERS in Black with Linoak Pewter table top, ELEMENTS 002 BY JAIME HAYON in Iron Grey, FILIGREE FLOOR LAMP BY RICK TEGELAAR, MESHMATICS \nCHANDELIER BY RICK TEGELAAR, POWER NAP BY MARCEL WANDERS upholstered in Kvadrat Harald 552, REMNANT 1 RUG BY NERI & HU for Moooi Carpets,  \nT LAMP BY MARCEL WANDERS and ZIO COFFEE TABLE BY MARCEL WANDERS in Black stained oak.\nInterior design by Megan Grehl.\n162\n163\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.84.png","INTERVIEW BY TRACEY INGRAM\nWhat was your upbringing like?\nluca nichetto: I grew up in Murano, a \nsmall island close to Venice that’s famous \nfor its glass making. Like 99 per cent of \nthe area’s residents, my family was \ninvolved in the glass industry – my \nmother was a decorator and my grandfa-\nther, a glass blower. Seeing a drawing \nbecome an object was normal to me – it \nhappened every day. I had a talent for \ndrawing and decided to study at the \nVenice Institute of Art. During the \nschool’s summer holidays, a classmate \nand I would go door to door in Murano, \ntrying to sell our drawings. At that point\n I didn’t want to be a designer – I didn’t \neven realize it was a job title – I just \nwanted to make some money and \nhave fun.\nWas there family pressure to go \ninto the Murano glass business?\nln: My parents never pushed me into \nanything. I tried working with glass, tried \nto experience the material, but if you \nreally want to be part of the industry you \nhave to dive into it from a very young \nage. You don’t go off to study; you \nimmediately start working. My parents \nvalued my education. I tried to find my \nown space within the creative industry. \nThat was drawing.\nHow did your ‘summer job’ of selling \ndrawings turn into a design career?\nln: Eventually I knocked on the door of \nSalviati glassmakers, a very important \nbrand at that time. The creative director \nback then was Simon Moore, a British \nman who also taught at the Royal College \nRight page: CANAL CHAIR BY \nLUCA NICHETTO upholstered in \nGalea Turquoise and Ton Sur Ton \nRed with chromed steel swivel \nbase, CLUSTERLAMP BY JOEL \nDEGERMARK, CONTAINER \nTABLE BODHI BY MARCEL \nWANDERS in Natural Oil stained oak \nfi nish with Linoak Pewter table top, \nCOPPÉLIA CHANDELIER BY \nARIHIRO MIYAKE in Chrome (small \nshown), PROP LIGHT BY BERTJAN \nPOT (Double Horizontal & Double \nVertical shown).\nD E S I G N  D R E A M S\nLuca Nichetto\nStockholm-based \nItalian designer \nLuca Nichetto, about \nmaking designers \ndreams come true.\n164\n165\n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.85.png","of Art. When he saw my sketches, he \nbought the entire folder. But then he said \nsomething curious: ‘I can see talent in \nwhat you’re doing, but I’ll never produce \nsomething from these drawings.’ He then \nasked if I wanted to visit the Salviati \nfactory and learn about the briefing \nprocess. Thanks to that experience I met \na lot of art and design heroes: Ross \nLovegrove, Tom Dixon, Anish Kapoor, \nIngo Maurer. I saw how people with \ndifferent personalities express their ideas \nin different ways, through drawings, \nrenderings, talking or small models.\nAfter two years of frequent factory \nvisits, Simon finally gave me a proper \nbrief. I designed a collection of vases \ncalled Millebolle, which became a \nbestseller and are still in production \ntoday. I also completed an internship \nwith Foscarini, which was then based in \nMurano. During that period the lighting \ncompany was moving away from \nworking solely with glass. In 2001 I \ndesigned my first lamp for the brand, \nmade from aluminium. Slowly my name \nbecame known in the Italian design \nindustry and I was approached by other \nbrands to develop products, including \nfurniture.\nWhen did Moooi come \ninto the picture?\nln: I met Marcel many times during \nMilan Design Week, and I know a \nnumber of people who work in his \nstudio. Around three years ago I \ndesigned a large lamp for Foscarini, \ncalled Plass. Marcel really appreciated \nthat product and wanted me to create \nsomething for Moooi. I began to wonder \nwhat I could design for such a strong \nbrand with strong pieces.\nYou ended up creating the Canal \nChair. What triggered the design?\nln: Two years ago I was working in \nVenice. During the summertime, a lot of \npeople sit outside drinking wine in the \nstreets close to the canals – or even in a \nboat on the canal itself. When I saw two \nguys sitting in a boat, I was drawn to \ntheir vessel’s different colours and \nstripes. I thought it would make a nice \nstarting point for a chair.\nIn other cities, young people might \nbuy their ‘first bike’ or ‘first car’. \nVenetians, however, buy their ‘first boat’. \nI always say \nits better to \nthink beyond \nthe traditional \nworking realm. \nDiscover other \nsituations in which \ndesign isnt as \ncommon.\nD E S I G N  D R E A M S\nIt’s typical to customize your vessel with \ncolours, drawings and your name. \nHistoric boats display the family’s \nstemma, or coat of arms. Knowing that \nMoooi works with hospitality and in the \nresidential and contract markets, I liked \nthe idea of a product that tells a story yet \noffers opportunities for customization.\nYou’re the creative director of \nChinese brand ZaoZuo. What’s \nhappening in China, design-wise?\nln: China is experiencing a period of \ntransition. After many years of supplying \nthe world with cheap products, the \ncountry is trying to show that ‘Made in \nChina’ can be synonymous with quality. \nIn my opinion, the most interesting \nchanges there are social – and are similar \nto what was happening 50 to 60 years \nago in Europe. The new middle class is \ngrowing. Several of the prominent Italian \nfurniture brands began by making design \naccessible to the middle class but now \nconcentrate mainly on the luxury market. \nWhen I met ZaoZuo’s founder, who \ngraduated from Stanford University \nbefore returning to China to build the \nbrand, she mentioned that her goal was \nto work for the middle class. It’s become \nincreasingly difficult to touch that \nmarket in Europe – that’s why I accepted \nthe role of creative director at ZaoZuo. \nThe impact of my work can be greater in \na country such as China.\nDo you have more products \nin the pipeline for Moooi?\nln: Well after the Canal Chair, maybe I \nshould think along the lines of a Titanic \nSofa… No but seriously, nothing yet. I \ncan imagine working on some lighting \ntogether. Let’s see what I can come up \nwith.\nWhat advice would you give to \nyoung designers looking to get their \nfi rst product realized by a brand?\nln: I always say it’s better to think beyond \nthe traditional working realm. Discover \nother situations in which design isn’t as \ncommon. Change your mindset and try \nto push a small company to become more \ndesign-oriented. Together, you can build \na strong collaboration. If everyone’s \ncompeting to work for the same compa-\nnies, it’s very hard to break through. ■\nD E S I G N  D R E A M S\n166\n167\n",85,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.86.png","M E G A  C H A N D E L I E R  BY  M O O O I  W O R K S\nA custom made lighting composition created with a unique selection of lamps from the Moooi \ncollection, an explosion of beauty and creativity in the classic form of a chandelier. It is so \nmuch all at once: a stunning composition, a staged piece of art, a brilliant installation, a skilful \nassembly of diverse styles and complementary designs. Given a grand stage, a Mega Chandelier \nis the perfect protagonist to draw all eyes to its aura. In a bang, it generates a grand spectacle of \nbeauty and splendour!\nCHALICE 24 BY EDWARD \nVAN VLIET in Chrome\u002FCopper, \nCHARLESTON SOFA BY MARCEL \nWANDERS, CHESS TABLE BY \nFRONT, MEGA CHANDELIER \nBY MOOOI WORKS, SMOKE \nARMCHAIR BY MAARTEN BAAS\n168\n169\n",86,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.87.png","M O O O I  H OT E L  C O S M E T I C S\nVersatile beauty products for luxury hotels, that successfully concentrated the \nessence of “feeling at home” into a fragrance.\nB Y  L U X U RY  H OT E L  C O S M E T I C S\nT H E  E X T I N C T  A N I M A L S  C O L L E C T I O N\nA wallcovering collection with the highest level of tactile qualities \nand innovative designs, inspired by the Extinct Animals. \nB Y  A RT E\n171\n170\n",87,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.88.png","T H E  E X T I N C T  A N I M A L S  C O L L E C T I O N\nMoooiCarpets’ revolutionary high-definition print technique brings the \nExtinct Animals back to life in an extraordinary carpet collection. \nB Y  M O O O I  C A R P E T S\nT H E  T H I R D  E Y E  C O L L E C T I O N\nA enlightened line of sunglasses drawing connection between the graphic \nsymbol “O” & the human eye, infused with the shared vision of creative luxury \nand high-end experimentation.\nB Y  G E N T L E  M O N S T E R\nPhoto by Rahi Rezvani for Gentle Monster.\n172\n173\n",88,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.89.png","Floor Lamps\n175\nT H E  B U T TO N  BY  M O O O I\nBorn in the secret labs of Moooi, we’ve created “The Button”. This charming button is your personal \nsafe-keeper of investing in authentic design. “The Button” is a hi-tech superhero that accompanies \nMoooi products. It may be small, but don’t let its size fool you as it contains top secret information, \ngiving your design its very own authentic digital identity. Activate your smartphone’s NFC ability and \ntap “The Button” to identify your design.\nM O O O I . C O M \u002F T H E B U T TO N\nBRAVE NEW WORLD LAMP\nFreshwest\nMaterials: solid oak\nColours: natural\nBRAVE NEW WORLD LAMP XL\nFreshwest\np. 87\nMaterials: solid oak\nColours: natural\nCONSTRUCTION LAMP M\nJoost van Bleiswijk\np. 9, 11\nMaterials: aluminum, brass, wood\nColours: black, white\u002Foak\nCONSTRUCTION LAMP L\nJoost van Bleiswijk\np. 9\nMaterials: aluminum, brass, wood\nColours: black, white\u002Foak\nDANDELION FLOOR LAMP\nRichard Hutten\nMaterials: aluminum\nColours: white\nP R O D U C T  I N D E X\n174\n",89,{"image":369,"text":370,"number":371},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.90.png","176\n177\nDOUBLE SHADE\nMarcel Wanders\nMaterials: PVC\u002Fviscose, steel\nColours: black, white\nFAROOO S\nMarcel Wanders\nMaterials: fibreglass, steel, wood, PVC\u002Fviscose\nColours: black, white\nFAROOO M\nMarcel Wanders\nMaterials: fibreglass, PVC\u002Fviscose, steel, wood\nColours: black, white\nFAROOO L\nMarcel Wanders\np. 145\nMaterials: fibreglass, PVC\u002Fviscose, steel, wood\nColours: black, white\nFILIGREE FLOOR LAMP\nRick Tegelaar\np. 104, 105, 162\nMaterials: aluminum, brass, PP, steel\nColours: stainless steel\nHORSE LAMP\nFront\nMaterials: polyester, PVC\u002Fviscose\nColours: black\nP R O D U C T  I N D E X\nPAPER FLOOR LAMP\nStudio Job\np. 95\nMaterials: cardboard, paper, wood\nColours: pastel blue (RAL 5042), \npatchwork #07, white\nPERCH LIGHT FLOOR\nUmut Yamac\np. 38, 155\nMaterials: aluminum, PP, steel\nColours: brushed brass\nPROP LIGHT FLOOR\nBertjan Pot\np. 56\nMaterials: HIPS, glass, PMMA\nColours: white\nPROP LIGHT ROUND FLOOR\nBertjan Pot\np. 55\nMaterials: HIPS, glass, PMMA\nColours: white\nRAIMOND TENSEGRITY R61\nRaimond Puts\np. 15, 16\nrealisation by Ox-ID\nMaterials: leather, PMMA, steel, wood\nColours: stainless steel\nRAIMOND TENSEGRITY R89\nRaimond Puts\np. 15, 16\nrealisation by Ox-ID\nMaterials: leather, PMMA, steel, wood\nColours: stainless steel\nP R O D U C T  I N D E X\n",90,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.91.png","48cm | 18.9”\n48cm | 18.9”\nSuspension Lamps\n178\n179\nRANDOM LIGHT LED FLOOR LAMP S\nBertjan Pot\nMaterials: aluminum, fibreglass, glass, steel\nColours: black, white\nRANDOM LIGHT LED FLOOR LAMP M\nBertjan Pot\nMaterials: aluminum, fibreglass, glass, steel\nColours: black, white\nSET UP SHADES 5\nMarcel Wanders\nMaterials: PVC\u002Fviscose, steel\nColours: white\nSET UP SHADES 6\nMarcel Wanders\nMaterials: PVC\u002Fviscose, steel\nColours: white\nSET UP SHADES 7\nMarcel Wanders\np. 148\nMaterials: PVC\u002Fviscose, steel\nColours: white\nSTATISTOCRAT FLOOR LAMP\nAtelier Van Lieshout\np. 63\nMaterials: aluminum\nColours: 23 RAL colours\nP R O D U C T  I N D E X\nT LAMP\nMarcel Wanders\np. 163\nMaterials: aluminum, marble, steel\nColours: grey\nTRIX\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: white\nBELL LAMP S\nMarcel Wanders\nMaterials: ceramics, glass\nColours: smoke, transparent, white\nBELL LAMP\nMarcel Wanders\nMaterials: ceramics, glass\nColours: smoke, transparent, white\nCHALICE 24\nEdward van Vliet\np. 161\nMaterials: bakelite, glass, steel\nColours: chrome\u002Fcopper, metallic grey\u002Fsilver\nP R O D U C T  I N D E X\n",91,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.92.png","61cm | 24”\n61cm | 24”\n19cm | 7.5”\n14cm | 5.5”\n48 cm | 18.9”\n67 cm | 26.4”\n90 cm | 35.4”\n64 cm | 25.2”\n180\n181\nCHALICE 48\nEdward van Vliet\np. 159, 160\nMaterials: bakelite, glass, steel\nColours: chrome\u002Fcopper, metallic grey\u002Fsilver\nCLUSTERLAMP\nJoel Degermark\np. 165\nMaterials: PBT\nColours: white\nCONSTRUCTION LAMP SUSPENDED M\nJoost van Bleiswijk\nMaterials: aluminum, brass, wood\nColours: black, white oak\nCONSTRUCTION LAMP SUSPENDED L\nJoost van Bleiswijk\nMaterials: aluminum, brass, wood\nColours: black, white oak\nCOPPÉLIA CHANDELIER\nArihiro Miyake\np. 172\nMaterials: steel, PC\nColours: black, stainless steel\nCOPPÉLIA CHANDELIER S\nArihiro Miyake\np. 113, 165\nMaterials: steel, PC\nColours: black, stainless steel\nP R O D U C T  I N D E X\nDANDELION\nRichard Hutten\nMaterials: aluminum\nColours: white\nDEAR INGO\nRon Gilad\np. 95, 119, 123\nMaterials: steel\nColours: black, white\nEMPEROR S\nNeri & Hu\nMaterials: aluminum, bamboo, glass, steel, zamac\nColours: black, red\nEMPEROR M\nNeri & Hu\nMaterials: aluminum, bamboo, glass, steel, zamac\nColours: black, red\nEMPEROR L\nNeri & Hu\nMaterials: aluminum, bamboo, glass, steel, zamac\nColours: black, red\nHANG\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nP R O D U C T  I N D E X\n",92,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.93.png","88cm | 34.6” \n60cm | 23.6” \n119cm | 46.9” \n77cm | 30.3” \n182\n183\nHERACLEUM\nBertjan Pot\np. 30\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nHERACLEUM S\nBertjan Pot\np. 69, 71\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nHERACLEUM ENDLESS\nBertjan Pot\np. 67\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nHERACLEUM THE SMALL BIG O\nBertjan Pot\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nICONIC EYES 86\nBernhard Dessecker\np. 46\nMaterials: ABS, PC, steel\nColours: black\nHERACLEUM THE BIG O\nBertjan Pot\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nP R O D U C T  I N D E X\nICONIC EYES 161\nBernhard Dessecker\np. 41, 45\nMaterials: ABS, PC, steel\nColours: black\nJUUYO CHERRY BLOSSOM\nLorenza Bozzoli\nMaterials: ceramics\nColours: white\nJUUYO KOI CARP TATTOO\nLorenza Bozzoli\nMaterials: ceramics\nColours: white\nLIGHT SHADE SHADE 47\nJurgen Bey\nMaterials: glass, polyester, steel\nColours: semi-transparent\nLIGHT SHADE SHADE 70\nJurgen Bey\nMaterials: glass, polyester, steel\nColours: semi-transparent\nLIGHT SHADE SHADE 95\nJurgen Bey\nMaterials: glass, polyester, steel\nColours: semi-transparent\nP R O D U C T  I N D E X\n",93,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.94.png","90cm | 35.4” \n90cm | 35.4” \n184\n185\nLOLITA\nNika Zupanc\nMaterials: ABS, PU\nColours: london rosé, pink, white\nLONG LIGHT\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nOVAL LIGHT\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nMEGA CHANDELIER\nMoooi Works\np. 168, 169\nA custom-made lighting composition \nmade of a unique selection of lamps \nfrom the Moooi collection.\nMESHMATICS CHANDELIER\nRick Tegelaar\np. 98, 99, 101, 145, 163\nMaterials: brass, steel\nColours: brushed brass\u002Fstainless steel\nNON RANDOM 48\nBertjan Pot\np. 115\nMaterials: aluminum, fibreglass\nColours: black, white\nP R O D U C T  I N D E X\nNON RANDOM 71\nBertjan Pot\np. 117\nMaterials: aluminum, fibreglass\nColours: black, white\nNR2\nBertjan Pot\np. 35, 38, 139\nMaterials: fibreglass, polyester\nColours: black, white\nPAPER CHANDELIER L\nStudio Job\nMaterials: cardboard, paper, wood\nColours: Grass Green (RAL 6010), white\nPAPER CHANDELIER XL\nStudio Job\nMaterials: cardboard, paper, wood\nColours: white\nPERCH LIGHT BRANCH\nUmut Yamac\np. 92\nMaterials: aluminum, PP, steel\nColours: brushed brass\nPERCH LIGHT TREE\nUmut Yamac\np. 39, 73\nMaterials: aluminum, PP, steel\nColours: brushed brass\nP R O D U C T  I N D E X\n",94,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.95.png","80cm | 31.5” \n90cm | 35.4” \n186\n187\nPLANT CHANDELIER\nKranen\u002FGille\np. 26, 28, 29\nMaterials: glass, steel\nColours: brushed brass\nPROP LIGHT SINGLE\nBertjan Pot\nMaterials: HIPS, glass, PMMA\nColours: white\nPROP LIGHT DOUBLE\nBertjan Pot\nMaterials: HIPS, glass, PMMA\nColours: white\nPROP LIGHT DOUBLE HORIZONTAL\nBertjan Pot\np. 110, 165\nMaterials: HIPS, glass, PMMA\nColours: white\nPROP LIGHT DOUBLE VERTICAL\nBertjan Pot\np. 165\nMaterials: HIPS, glass, PMMA\nColours: white\nPROP LIGHT ROUND SINGLE\nBertjan Pot\np. 54, 56, 78\nMaterials: HIPS, glass, PMMA\nColours: white\nP R O D U C T  I N D E X\nPROP LIGHT ROUND DOUBLE\nBertjan Pot\nMaterials: HIPS, glass, PMMA\nColours: white\nPROP LIGHT ROUND \nDOUBLE VERTICAL\nBertjan Pot\nMaterials: HIPS, glass, PMMA\nColours: white\nRAIMOND DOME\nRaimond Puts\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRAIMOND R43\nRaimond Puts\np. 15\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRAIMOND R61\nRaimond Puts\np. 15\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRAIMOND R89\nRaimond Puts\np. 15\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nP R O D U C T  I N D E X\n",95,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.96.png","188\n189\nRAIMOND R127\nRaimond Puts\np. 15\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRAIMOND R163\nRaimond Puts\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRAIMOND R199\nRaimond Puts\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRAIMOND ZAFU\nRaimond Puts\nrealisation by Ox-ID\nMaterials: PMMA, steel\nColours: stainless steel\nRANDOM LIGHT S\nBertjan Pot\np. 156\nMaterials: aluminum, fibreglass, glass\nColours: black, white\nRANDOM LIGHT M\nBertjan Pot\np. 19, 87, 121, 156\nMaterials: aluminum, fibreglass, glass\nColours: black, white\nP R O D U C T  I N D E X\nRANDOM LIGHT L\nBertjan Pot\np. 87\nMaterials: aluminum, fibreglass, glass\nColours: black, white\nROUND BOON\nPiet Boon\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nSQUARE BOON\nPiet Boon\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nROUND LIGHT\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nSQUARE LIGHT\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: black, white\nSMOKE CHANDELIER\nMaarten Baas\np. 13, 127\nMaterials: epoxy, wood\nColours: black\nP R O D U C T  I N D E X\n",96,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.97.png","22cm | 8.7”\n25cm | 9.8”\n61,5cm | 24.2”\n18cm | 7.1”\n20cm | 7.9”\n33cm | 13”\nTable Lamps\n190\n191\nSPACE-FRAME\nMarcel Wanders\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nSPACE-FRAME S\nMarcel Wanders\npowered through Electrosandwich© \nby Marcel Wanders\nMaterials: PC, steel\nColours: copper, nickel\nSTATISTOCRAT\nAtelier Van Lieshout\np. 61\nMaterials: aluminum\nColours: 23 RAL colours\nTUBE\nMarcel Wanders\nMaterials: steel, PVC\u002Fviscose\nColours: white\nVALENTINE\nMarcel Wanders\nMaterials: glass, steel\nColours: polished chrome, polished gold, black\nBABY VALENTINE\nMarcel Wanders\nMaterials: glass, steel\nColours: polished chrome, polished gold, black\nP R O D U C T  I N D E X\nVALENTINE FLAT\nMarcel Wanders\np. 107\nMaterials: glass, steel\nColours: polished chrome, polished gold, black\nLOLITA TABLE LAMP\nNika Zupanc\np. 170\nMaterials: ABS, PU\nColours: london rose, pink, white\nPAPER TABLE LAMP\nStudio Job\nMaterials: cardboard, paper, wood\nColours: patchwork #08\u002F09\u002F10, white\nPERCH LIGHT TABLE\nUmut Yamac\np. 155\nMaterials: aluminum, PP, steel\nColours: brushed brass\nPET LIGHTS NOOT NOOT\nMarcel Wanders\np. 96, 137, 140\nMaterials: ceramics, glass\nColours: polished gold\nP R O D U C T  I N D E X\n",97,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.98.png","21cm | 8.3”\n21cm | 8.3”\n27cm | 10.6”\n23cm | 9.1”\n24cm | 9.5”\n21cm | 8.3”\n16cm | 6.3”\n22cm | 8.7”\n9cm | 3.5”\n16cm | 6.3”\n22cm | 8.7”\n9cm | 3.5”\nWall Lamps\n192\n193\nPET LIGHTS PURR\nMarcel Wanders\np. 137, 140\nMaterials: ceramics, glass\nColours: polished gold\nPET LIGHTS UHUH\nMarcel Wanders\np. 96, 137, 140\nMaterials: ceramics, glass\nColours: polished gold\nRABBIT LAMP\nFront\nMaterials: PVC\u002Fviscose, polyester\nColours: black\nVALENTINE TABLE LAMP\nMarcel Wanders\np. 75\nMaterials: glass, steel\nColours: polished chrome, polished gold, black\nPAPER WALL LAMP\nStudio Job\np. 145\nMaterials: cardboard, paper, wood\nColours: Oyster White (RAL 1013), \nPale Green (RAL 6021), white\nP R O D U C T  I N D E X\nPERCH LIGHT WALL\nUmut Yamac\nMaterials: aluminum, PP, steel\nColours: brushed brass\nPERCH LIGHT WALL S\nUmut Yamac\np. 83\nMaterials: aluminum, PP, steel\nColours: brushed brass\nPERCH LIGHT WALL RECESSED S\nUmut Yamac\np. 81\nMaterials: aluminum, PP, steel\nColours: brushed brass\nTHE PARTY BERT\nKranen\u002FGille\np. 22\nMaterials: ceramics, steel\nColours: light grey\nTHE PARTY COCO\nKranen\u002FGille\np. 23\nMaterials: ceramics, steel\nColours: light grey\nPERCH LIGHT WALL RECESSED\nUmut Yamac\np. 81\nMaterials: aluminum, PP, steel\nColours: brushed brass\nP R O D U C T  I N D E X\n",98,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.99.png","16cm | 6.3”\n22cm | 8.7”\n9cm | 3.5”\n16cm | 6.3”\n22cm | 8.7”\n9cm | 3.5”\n16cm | 6.3”\n22cm | 8.7”\n9cm | 3.5”\n85cm | 33,5”\n61cm | 24”\n66cm | 26”\nBar Stools\nChairs\n194\n195\nTHE PARTY GLENN\nKranen\u002FGille\np. 22\nMaterials: ceramics, steel\nColours: light grey\nTHE PARTY TED\nKranen\u002FGille\np. 22\nMaterials: ceramics, steel\nColours: light grey\nTHE PARTY THE MAYOR\nKranen\u002FGille\np. 22\nMaterials: ceramics, steel\nColours: light grey\nCARBON BARSTOOL HIGH\nBertjan Pot & Marcel Wanders\np. 38\nMaterials: carbon fibre, epoxy\nColours: black carbon\nCARBON BARSTOOL LOW\nBertjan Pot & Marcel Wanders\nMaterials: carbon fibre, epoxy\nColours: black carbon\nP R O D U C T  I N D E X\nCONTAINER BARSTOOL \nNEW ANTIQUES LOW\nMarcel Wanders\np. 21\nMaterials: PE\nColours: black, concrete, light \ngrey, terracotta, white\nMONSTER BARSTOOL LOW\nMarcel Wanders\nMaterials: HR foam, steel, upholstery\nColours: black faux, 25 Kvadrat \nDivina Melange colours\nCONTAINER BARSTOOL \nNEW ANTIQUES HIGH\nMarcel Wanders\np. 21\nMaterials: PE\nColours: black, concrete, light \ngrey, terracotta, white\nMONSTER BARSTOOL HIGH\nMarcel Wanders\nMaterials: HR foam, steel, upholstery\nColours: black faux, 25 Kvadrat \nDivina Melange colours\nCANAL CHAIR FOUR LEGGED STEEL\nLuca Nichetto\nMaterials: PUR, steel, upholstery\nFrame colour: chrome\nP R O D U C T  I N D E X\n",99,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.100.png","85cm | 33,5”\n61cm | 24”\n66cm | 26”\n85cm | 33,5”\n61cm | 24”\n66cm | 26”\n85cm | 33,5”\n61cm | 24”\n66cm | 26”\n39cm | 15.4”\n44cm | 17.3”\n2,5cm | 1”\n41cm | 16.1”\n14cm | 5.5”\n2,5cm | 1”\nPAD\nCAP\n196\n197\nCANAL CHAIR SWIVEL OAK\nLuca Nichetto\np. 163, 167\nMaterials: oak, PUR, steel, upholstery\nFrame colour: natural oak\nCANAL CHAIR SWIVEL OAK\nLuca Nichetto\nMaterials: oak, PUR, steel, upholstery\nFrame colour: natural mahogany\nCANAL CHAIR SWIVEL STEEL\nLuca Nichetto\np. 33, 165\nMaterials: PUR, steel, upholstery\nFrame colour: chrome\nCARBON CHAIR\nBertjan Pot & Marcel Wanders\np. 19\nMaterials: carbon fibre, epoxy\nColours: black carbon\nCARBON CHAIR CAP & PAD\nBertjan Pot & Marcel Wanders\np. 19\nMaterials: faux leather\nColours: black\nEXTENSION CHAIR\nSjoerd Vroonland\nMaterials: solid beech\nColours: black\nP R O D U C T  I N D E X\nEXTENSION CHAIR CARD HOLDER\nSjoerd Vroonland\nMaterials: solid beech\nColours: black\nEXTENSION CHAIR COAT STAND\nSjoerd Vroonland\nMaterials: solid beech\nColours: black\nEXTENSION CHAIR HANDBAG CARRIER\nSjoerd Vroonland\nMaterials: solid beech\nColours: black\nLOVE DINING CHAIR\nMarcel Wanders\np. 101, 113\nMaterials: HR foam, solid oak, upholstery\nFrame colours: black, cinnamon, grey, \nnatural, wenge, white wash\nUpholstery: see page 223 \nMONSTER CHAIR WITH ARMS\nMarcel Wanders\np. 49, 51\nMaterials: HR foam, steel, upholstery\nColours: black faux, 25 Kvadrat \nDivina Melange colours\nMONSTER CHAIR\nMarcel Wanders\np. 145\nMaterials: HR foam, steel, upholstery\nColours: black faux, 25 Kvadrat \nDivina Melange colours\nP R O D U C T  I N D E X\n",100,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.101.png","Lounge Chairs\n198\n199\nNUT DINING CHAIR\nMarcel Wanders\np. 29, 30, 69, 170\nMaterials: plywood, solid oak, upholstery\nFrame colours: black, cinnamon, grey, \nnatural, wenge, white wash\nUpholstery: see page 223 \nSHIFT DINING CHAIR\nJonas Forsman\np. 148, 149\nMaterials: HR foam, polyester, steel, upholstery\nColours: blue grey, bright red, warm ochre\nSMOKE DINING ARMCHAIR\nMaarten Baas\np. 145\nMaterials: epoxy, HR foam, leather, wood\nColours: black\nSMOKE DINING CHAIR\nMaarten Baas\np. 129\nMaterials: epoxy, HR foam, leather, wood\nColours: black\nTHE GOLDEN CHAIR\nNika Zupanc\np. 77, 78, 99, 119, 123, 125\nMaterials: steel, upholstery\nFrame colours: black, gold\nUpholstery: see page 223 \nV.I.P. CHAIR\nMarcel Wanders\nMaterials: HR foam, steel, upholstery\nColours: 25 Kvadrat Divina Melange colours\nP R O D U C T  I N D E X\nZIO DINING CHAIR\nMarcel Wanders\np. 90, 91, 110\nMaterials: solid oak, upholstery\nFrame colours: black, cinnamon, cinnamon\u002F\nwhite wash, grey, natural, wenge, white wash\nUpholstery: see page 223 \nBART ARMCHAIR\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223 \nBART CANAPE ARMCHAIR\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223 \nBART SWIVEL\nMoooi Works\np. 154\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nBOTTONI SINGLE SEATER\nMarcel Wanders\nMaterials: HR foam, plywood, steel, upholstery\nUpholstery: see page 223 \nP R O D U C T  I N D E X\n",101,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.102.png","98cm | 38.6”\n87cm | 34.3”\n186cm | 73.2”\n164cm | 64.6”\n164cm | 64.6”\n42cm | 16.5”\n42cm | 16.5”\n164cm | 64.6”\n164cm | 64.6”\n39cm | 15.4”\n42cm | 16.5”\n200\n201\nBOUTIQUE SINGLE SEATER\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223  \nCHARLES CHAIR\nMarcel Wanders\np. 84\nMaterials: HR foam, steel, upholstery\nFrame colours: chrome\nUpholstery: see page 223 \nCHARLESTON SOFA\nMarcel Wanders\np. 37\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: black faux\nCOCKTAIL CHAIR\nMarcel Wanders\np. 9, 13\nMaterials: HR foam, solid oak, steel, upholstery\nLegs: cinnamon, white wash\nUpholstery: see page 223 \nJACKSON CHAIR\nMarcel Wanders\np. 107, 108, 109\nMaterials: HR foam, steel, upholstery\nUpholstery: see page 223 \nJACKSON FOOTSTOOL\nMarcel Wanders\nMaterials: HR foam, steel, upholstery\nUpholstery: see page 223 \nP R O D U C T  I N D E X\nLIBERTY LOUNGER\nAtelier Van Lieshout\np. 58, 67\nMaterials: solid walnut\nColours: natural\nNEST CHAIR\nMarcel Wanders\np. 39\nMaterials: HR foam, KTL, steel, upholstery\nColours: black, silver, white\nUpholstery: see page 223 \nNUT LOUNGE CHAIR\nMarcel Wanders\np. 121, 142, 143\nMaterials: plywood, solid oak\nColours: black, cinnamon, grey, \nnatural, wenge, white wash\nUpholstery: see page 223 \nNUT FOOTSTOOL\nMarcel Wanders\np. 121\nMaterials: plywood, solid oak\nColours: black, cinnamon, grey, \nnatural, wenge, white wash\nUpholstery: see page 223 \nO. INDOOR\nMarcel Wanders\np. 79\nMaterials: HR foam, PE, upholstery\nColours: concrete, light grey, terracotta\nO. OUTDOOR\nMarcel Wanders\nMaterials: PE\nColours: concrete, light grey, terracotta\nP R O D U C T  I N D E X\n",102,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.103.png","Sofas\n202\n203\nSHIFT LOUNGE CHAIR\nJonas Forsman\np. 149\nMaterials: HR foam, polyester, steel, upholstery\nColours: blue grey, bright red, warm ochre\nSMOKE ARMCHAIR\nMaarten Baas\np. 56, 127\nMaterials: epoxy, HR foam, leather, wood\nColours: black\nZIO LOUNGE CHAIR\nMarcel Wanders\np. 95, 97\nMaterials: solid oak\nFrame colours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash, upholstery\nUpholstery: see page 223 \nZIO FOOTSTOOL\nMarcel Wanders\np. 95\nMaterials: solid oak\nFrame colours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash, upholstery\nUpholstery: see page 223 \nAMAMI SOFA\nLorenza Bozzoli\np. 57\nMaterials: wood, HR foam, upholstery\nColours: blue, dark grey, light grey\nUpholstery: see page 223 \nP R O D U C T  I N D E X\nBART SOFA\nMoooi Works\np. 155\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223 \nBART CANAPÉ\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223   \nBART SOFA XL\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223 \nBART DAYBED\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223   \nBOTTONI DOUBLE SEATER\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223  \nBOTTONI TRIPLE SEATER\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nP R O D U C T  I N D E X\n",103,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.104.png","40cm | 15.7”\n61cm | 24”\n204\n205\nBOTTONI SHELF\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nBOUTIQUE DOUBLE SEATER\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nBOUTIQUE BOTERO\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nBOUTIQUE HORIZONS\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nBOUTIQUE LEATHER\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nBOUTIQUE FOOTSTOOL\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223  \nP R O D U C T  I N D E X\nCANVAS SOFA 230\nMarcel Wanders\np. 95\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223   \nCANVAS SOFA 260\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nCANVAS FOOTSTOOL\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nCLOUD SOFA\nMarcel Wanders\np. 135\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nCLOUD FOOTSTOOL\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nLOVE SOFA\nMarcel Wanders\np. 41, 117\nMaterials: HR foam, steel, wood, upholstery\nColours: cinnamon, white wash\nUpholstery: see page 223 \nP R O D U C T  I N D E X\n",104,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.105.png","CHAISE LONGUE MODULE LEFT\nCHAISE LONGUE MODULE RIGHT\nSINGLE SEAT MODULE\nDOUBLE SEAT MODULE\nSIDEREST LEFT\nSIDEREST RIGHT\nFOOTSTOOL\nLONG ARMREST\nSHORT ARMREST\nPILLOW SHORT\nPILLOW LONG\n206\n207\nLOVE SOFA HIGH BACK\nMarcel Wanders\np. 161\nMaterials: HR foam, steel, wood, upholstery\nColours: cinnamon, white wash\nUpholstery: see page 223 \nNEST SOFA\nMarcel Wanders\np. 39\nMaterials: HR foam, KTL, steel, upholstery\nColours: black, silver, white\nUpholstery: see page 223 \nPOWER NAP\nMarcel Wanders\np. 35, 36, 162\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nZLIQ DOUBLE SEATER\nMarcel Wanders\np. 73, 81\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nZLIQ TRIPLE SEATER\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nZLIQ ISLAND\nMarcel Wanders\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nP R O D U C T  I N D E X\nSOMETHING LIKE THIS SOFA\nMaarten Baas\np. 87, 130, 132, 150\nMaterials: HR foam, steel, wood, upholstery\nUpholstery: see page 223 \nP R O D U C T  I N D E X\n",105,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.106.png","65cm | 25.6”\n42cm | 16.5”\n65cm | 25.6”\n95cm | 37.4”\n42cm | 16.5”\n80cm | 31.5”\nPoufs\nStools\nCoffee & Side Tables\n208\n209\nAMAMI POUF 30\nLorenza Bozzoli\np. 56, 147\nMaterials: wood, HR foam, upholstery\nColours: blue, dark grey, light grey\nUpholstery: see page 223 \nAMAMI POUF 50\nLorenza Bozzoli\np. 56, 146\nMaterials: wood, HR foam, upholstery\nColours: blue, dark grey, light grey\nUpholstery: see page 223 \nAMAMI POUF 80\nLorenza Bozzoli\np. 56, 146\nMaterials: wood, HR foam, upholstery\nColours: blue, dark grey, light grey\nUpholstery: see page 223 \nBART POUF\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223 \nBART POUF XL\nMoooi Works\nMaterials: HR foam, wood, upholstery\nUpholstery: see page 223 \nP R O D U C T  I N D E X\nCONTAINER STOOL\nMarcel Wanders\np. 20, 21, 55\nMaterials: PE\nColours: black, concrete, light \ngrey, terracotta, white\nCONTAINER STOOL NEW ANTIQUES\nMarcel Wanders\np. 11, 21\nMaterials: PE\nColours: black, concrete, light \ngrey, terracotta, white\nBASSOTTI COFFEE TABLE 40\u002F72\nMarcel Wanders\nMaterials: chromed aluminum, marble\nColours: grey pietra, white carrara\nBASSOTTI COFFEE TABLE 40\u002F108\nMarcel Wanders\np. 73\nMaterials: chromed aluminum, marble\nColours: grey pietra, white carrara\nP R O D U C T  I N D E X\n",106,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.107.png","47cm | 18.5”\n37cm | 14.6”\n46cm | 18.1”\n210\n211\nBASSOTTI COFFEE TABLE 72\u002F108\nMarcel Wanders\nMaterials: chromed aluminum, marble\nColours: grey pietra, white carrara\nBASSOTTI COFFEE TABLE 72\nMarcel Wanders\np. 73\nMaterials: chromed aluminum, marble\nColours: grey pietra, white carrara\nCHESS TABLE\nFront\np. 9, 162\nMaterials: wood, steel\nColours: black\u002Fwhite\nCOMMON COMRADES EMPEROR\nNeri & Hu\np. 56\nMaterials: solid birch\nColours: red\nCOMMON COMRADES FARMER\nNeri & Hu\nMaterials: solid birch\nColours: red\nCOMMON COMRADES MERCHANT\nNeri & Hu\nMaterials: solid birch\nColours: red\nP R O D U C T  I N D E X\nCOMMON COMRADES SCHOLAR\nNeri & Hu\nMaterials: solid birch\nColours: red\nCOMMON COMRADES SEAMSTRESS\nNeri & Hu\nMaterials: solid birch\nColours: red\nCOMMON COMRADES TAILOR\nNeri & Hu\nMaterials: solid birch\nColours: red\nCROCHET TABLE 30\u002F30\nMarcel Wanders\nMaterials: cotton, epoxy\nColours: white\nCROCHET TABLE 30\u002F60\nMarcel Wanders\nMaterials: cotton, epoxy\nColours: white\nOBON TABLE S\nSimone Bonanni\np. 53\nMaterials: ceramics\nColours: terracotta (glazed upper surface)\nP R O D U C T  I N D E X\n",107,{"image":441,"text":442,"number":443},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.108.png","61cm | 24”\n28cm | 11”\n61cm | 24”\n92cm | 36.2”\n28cm | 11”\n44cm | 17.3”\n35cm | 13.8”\n61cm | 24”\n61cm | 24”\n131cm | 51.6”\n47cm | 18.5”\n40cm | 15.8”\n43cm | 16.9”\n43cm | 16.9”\n87cm | 34.3”\nDesks & Secretaries\n212\n213\nOBON TABLE M\nSimone Bonanni\np. 41, 53\nMaterials: ceramics\nColours: terracotta (glazed upper surface)\nOBON TABLE L\nSimone Bonanni\np. 41, 53\nMaterials: ceramics\nColours: terracotta (glazed upper surface)\nPIG TABLE\nFront\nMaterials: ABS, polyester\nColours: black\nTURBO TABLE LOW\nMaarten Baas\np. 87\nMaterials: bronze, wood\nColours: natural oak\nTURBO TABLE HIGH\nMaarten Baas\np. 128\nMaterials: bronze, wood\nColours: natural oak\nURBANHIKE\nMarcel Wanders\nMaterials: aluminum, steel, wood\nColours: chrome, wallnut\nP R O D U C T  I N D E X\nWOODY\nMarcel Wanders\nMaterials: solid oak\nColours: black, natural\nZIO COFFEE TABLE 60\u002F145\nMarcel Wanders\np. 95, 162\nMaterials: solid oak\nColours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash\nZIO COFFEE TABLE 110\nMarcel Wanders\nMaterials: solid oak\nColours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash\nPAPER DESK 140\nStudio Job\nMaterials: cardboard, paper, wood\nColours: patchwork #13, white\nPAPER DESK 180\nStudio Job\nMaterials: cardboard, paper, wood\nColours: patchwork #13, white\nP R O D U C T  I N D E X\n",108,{"image":445,"text":446,"number":447},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.109.png","71cm | 28”\n71cm | 28”\n71cm | 28”\n106cm | 41.7”\nDining Tables\n214\n215\nWOOOD\nMarcel Wanders\np. 11, 113\nMaterials: solid beech, oak veneer\nColours: black\nCONTAINER COVER BODHI\nMarcel Wanders\np. 19, 21, 29, 78, 99, 101, 123, 165\nMaterials: leather, solid oak\nColours: black, cinnamon, grey, \nnatural, wenge, white wash\nCONTAINER FOOT\nMarcel Wanders\np. 20, 21, 30, 55, 163\nMaterials: PE\nColours: black, concrete, light \ngrey, terracotta, white\nCONTAINER FOOT NEW ANTIQUES\nMarcel Wanders\np. 21, 38\nMaterials: PE\nColours: black, concrete, light \ngrey, terracotta, white\nCONTAINER TABLE TOP HPL\nMarcel Wanders\np. 21, 55\nMaterials: HPL\nColours: black, light grey, white\n10030 & 10032\nØ70, 70 x 70, 80 x 80\n7030 & 7132\nØ70, 70 x 70, 80 x 80\nØ90, 90x90\n2 X 7030 & 7132\n180 x 80\n7043 & 7143\nØ120, 120 x 120, Ø140\n7056 & 7156\nØ160, 160 x 160, Ø180\nP R O D U C T  I N D E X\nCONTAINER TABLE TOP LINOAK\nMarcel Wanders\np. 19, 21, 29, 30, 99, 123, 163, 165\nMaterials: MDF, linoleum, solid oak\nColours: mauve, nero, pewter\nCONTAINER TABLE TOP WOOD\nMarcel Wanders\np. 20, 21, 38, 78, 101\nMaterials: MDF, oak veneer\nColours: 23 RAL colours, black, cinnamon, \ngrey, natural, wenge, white wash\nPAPER TABLE\nStudio Job\np. 145\nMaterials: cardboard, paper, wood\nColours: Silk Grey (RAL 7044), \npatchwork #12, white\nZIO DINING TABLE 90\u002F190\nMarcel Wanders\np. 110\nMaterials: solid oak\nColours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash\nZIO DINING TABLE 100\u002F250\nMarcel Wanders\np. 92\nMaterials: solid oak\nColours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash\n10030 & 10032\nØ70, 70 x 70, 80 x 80\n7030 & 7132\nØ70, 70 x 70, 80 x 80\nØ90, 90x90\n2 X 7030 & 7132\n180 x 80\n7043 & 7143\nØ120, 120 x 120, Ø140\n2 X 7043 & 7143\n260 x 150 (oval)\n7056 & 7156\nØ160, 160 x 160, \nØ180, 210 x 135 (oval)\n10030 & 10032\nØ70, 70 x 70, 80 x 80\n7030 & 7132\nØ70, 70 x 70, 80 x 80\nØ90, 90x90\n2 X 7030 & 7132\n180 x 80\n7043 & 7143\nØ120, 120 x 120, Ø140\n2 X 7043 & 7143\n260 x 150 (oval)\n7056 & 7156\nØ160, 160 x 160, \nØ180, 210 x 135 (oval)\nZIO DINING TABLE 100\u002F310\nMarcel Wanders\np. 90\nMaterials: solid oak\nColours: black, cinnamon, cinnamon\u002Fwhite \nwash, grey, natural, wenge, white wash\nP R O D U C T  I N D E X\n",109,{"image":449,"text":450,"number":451},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.110.png","Storage\nAccessories\n216\n217\nALTDEUTSCHE CABINET\nStudio Job\nMaterials: solid pine\nColours: white\u002Fhand painted\nALTDEUTSCHE CHEST\nStudio Job\nMaterials: solid pine\nColours: white\u002Fhand painted\nOBLIQUE S\nMarcel Wanders\nMaterials: solid oak\nColours: 23 RAL colours, black, cinnamon, \ngrey, natural, wenge, white wash\nOBLIQUE L\nMarcel Wanders\nMaterials: solid oak\nColours: 23 RAL colours, black, cinnamon, \ngrey, natural, wenge, white wash\nPAPER BUFFET\nStudio Job\np. 145\nMaterials: cardboard, paper, wood\nColours: Grey Blue (RAL 5008), \npatchwork #02, white\nP R O D U C T  I N D E X\nPAPER CABINET\nStudio Job\nMaterials: cardboard, paper, wood\nColours: Silk Grey (RAL 7044), \npatchwork #03, white\nPAPER CUPBOARD\nStudio Job\np. 146\nMaterials: cardboard, paper, wood\nColours: Pale Green (RAL 6021), \npatchwork #04, white\nZIO BUFFET\nMarcel Wanders\np. 96, 137\nMaterials: solid oak\nColours: black, cinnamon, grey, \nnatural, wenge, white wash\nALTDEUTSCHE CLOCK\nStudio Job\nMaterials: solid pine\nColours: white\u002Fhand painted\nBIG BOLD\nRoderick Vos\nMaterials: steel\nColours: black, silk\nP R O D U C T  I N D E X\n",110,{"image":453,"text":454,"number":455},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.111.png","218\n219\nLITTLE BOLD\nRoderick Vos\nMaterials: steel\nColours: black, silk\nMENORAH BOLD\nRoderick Vos\nMaterials: steel\nColours: black, silk\nBLOW AWAY VASE\nFront\np. 110\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 01\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 02\nMarcel Wanders\np. 153\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 03\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nP R O D U C T  I N D E X\nDELFT BLUE NO. 04\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 05\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 06\nMarcel Wanders\np. 43, 87\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 07\nMarcel Wanders\np. 165\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 08\nMarcel Wanders\np. 89\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 09\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nP R O D U C T  I N D E X\n",111,{"image":457,"text":458,"number":459},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.112.png","220\n221\nDELFT BLUE NO. 10\nMarcel Wanders\np. 153\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 11\nMarcel Wanders\np. 87\nMaterials: porcelain\nColours: white\u002Fblue\nDELFT BLUE NO. 12\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nEGG VASE S\nMarcel Wanders\np. 139\nMaterials: porcelain\nColours: white\nEGG VASE M\nMarcel Wanders\np. 9, 139\nMaterials: porcelain\nColours: white\nEGG VASE L\nMarcel Wanders\np. 9, 139\nMaterials: porcelain\nColours: white\nP R O D U C T  I N D E X\nELEMENTS 001\nJaime Hayon\nMaterials: wood\nColours: ruby red\nELEMENTS 002\nJaime Hayon\np. 79, 162\nMaterials: fibreglass\nColours: gold yellow, iron grey, silk grey\nELEMENTS 005\nJaime Hayon\nMaterials: EPP, fabric\nColours: Kvadrat Divina Melange 581\nELEMENTS 006\nJaime Hayon\nMaterials: EPP, fabric, wood\nColours: grey, Kvadrat Divina Melange 771\nELEMENTS 007\nJaime Hayon\nMaterials: fibreglass, glass\nColours: grey blue, oyster white, silk grey\nHERITAGE PILLOWS\nMarcel Wanders\np. 95\nMaterials: cotton, polyamide\nColours: black\u002Fwhite\nP R O D U C T  I N D E X\n",112,{"image":461,"text":462,"number":463},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.113.png","222\nOIL PILLOWS\nMarcel Wanders\nMaterials: cotton, polyamide, viscose\nColours: red\u002Fwhite\nTHE KILLING OF THE PIGGY BANK\nMarcel Wanders\nMaterials: porcelain\nColours: white\u002Fblue\nP R O D U C T  I N D E X\nFA B R I C  M AT R I X\nBART\nBOTTONI\nBOUTIQUE\nCANVAS\nCHARLES\nCLOUD\nCOCKTAIL\nTHE GOLDEN CHAIR\nJACKSON\nLOVE DINING\nLOVE SOFA\nNEST\nNUT\nPOWER NAP\nSLT\nZIO\nZLIQ\nRECTANGULAR \nPILLOW\nROUND PILLOW\nCATEGORY\nCOLLECTION FABRICS\n1\nCOF (Customer Own Fabric)\n●\n● \n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nMACCHEDIL GREZZO\n○\n○\n●\n○\n●\n●\n●\n●\n○\n○\n●\n●\n○\n○\n●\n●\n●\nMACCHEDIL SOTTILE\n○\n○\n●\n○\n●\n●\n●\n●\n○\n○\n●\n●\n○\n○\n●\n●\n●\nII\nABBRACCI\n●\n● \n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\n●\n●\n●\n●\n●\nALFRESCO\n●\nMANGA\n●\n●\n●\nORAY RAY\n○\n○\n●\n○\n●\n●\n●\n●\n○\n●\n●\n○\n●\n●\n●\nORAY RONAN\n○\n○\n●\n○\n●\n●\n●\n●\n○\n●\n●\n○\n●\n●\n●\nSOLIS\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nHERITAGE (Cinnamon)\n●\nFLOWER BITS \u002F ONE MINUTE\n●\nIII\nBOUCLÉ\n○\n○\n○\n○\n●\n●\n●\n○\n●\n●\n●\n●\n○\n○\n○\n○\n○\n●\n●\nJACQUARD ANDAZ\n●\n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\n●\n●\n●\n●\nJACQUARD FRESCO\n●\n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\n●\n●\n●\n●\nJACQUARD OLD BLACK\u002FBLUE\n●\n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\n●\n●\n●\n●\nJUSTO\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nLISCIO\n●\n●\n○\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nREMIX 2\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nSOFTLINEN\n●\n●\n●\nVESPER\n●\n●\n●\n●\n●\n●\n●\n○\n●\n○\n●\n●\n●\n●\n●\n●\n●\n●\nIV\nCANVAS 2\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nDIVINA 3\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nDIVINA MELANGE 2\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nDIVINA MD\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nHARALD 3\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nFIORD\n●\n●\n●\n●\n●\n●\n●\n○\n●\n○\n●\n●\n●\n●\n●\n●\n●\n●\nTONICA 2\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nTWILL\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nTWILL MELANGE\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nTRICKLE\n●\n○\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nSTEELCUT 2\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nSTEELCUT TRIO 3\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nSUMMIT UNI\n●\n○\n●\n○\n○\n●\n○\n●\n●\n●\n●\n●\nSUMMIT MELANGE\n●\n○\n●\n○\n○\n●\n○\n●\n●\n●\n●\n●\nVELOUR\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\nOIL (Cinnamon)\n●\nPLUSH**\n●\n●\n●\n●\nTARTANIC (Cinnamon)\n●\nV\nHALLINGDAL 65\n●\n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA BEARDED LEOPARD JACQUARD\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA BLUSHING SLOTH WOOLLY MOHAIR\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA BLUSHING SLOTH MELANGE MOHAIR\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA CALLIGRAPHY BIRD JACQUARD\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA DODO PAVONE JACQUARD\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA SILENT BISON VELVET\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA THE MENAGERIE OF EXTINCT ANIMALS\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n○\n●\n●\n●\n●\nCATEGORY\nCOLLECTION LEATHER\nLI\nARREDO\n●\n●\n●\n●\n●\n●\n●\nCOL\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nLIII\nCERVINO\n●\n●\n●\n●\n●\n●\n●\nEA FLYING CORAL FISH\n●\n●\n●\n●\n●\n●\n●\nEA DWARF RHINO BUFFED\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA DWARF RHINO CRACKLE\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA ARMOURED BOAR CRACKLE\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\n●\nEA ARMOURED BOAR HAIRY\n●\n●\n●\n●\n●\n●\n●\n●\n● OPTION \n○ OPTION\n223\n",113,{"image":465,"text":466,"number":467},"\u002Fmedia\u002Fimages\u002Fa3\u002Fb8ac6a08510c3818c7bbe4aaad2cf8-28aa51f73a.114.png","C O N TA C T\nCopyright ©2019 Moooi B.V. All rights reserved for all text, layout and images.\nNo text, layout or pictures may be used or reproduced for commercial purposes by third parties, including dealers, retailers, \ninternet shops and other, without the prior written approval by Moooi B.V. The use of text, layout and images or its reproduction \nof such in press publications – both written and digital – is permitted, under the condition that Moooi is credited.\nM O O O I  \nH E A D Q U A RT E R S\nP.O. Box 5703\n4801 EC Breda\nMinervum 7003\n4817 ZL Breda\nThe Netherlands\nT +31 (0)76 578 44 44\nF +31 (0)76 571 06 21\ninfo@moooi.com\nsales@moooi.com \n(for sales information)\nwww.moooi.com\nS O C I A L\ninstagram.com\u002Fmoooi\nfacebook.com\u002Fmoooi\npinterest.com\u002Fmoooi\ntwitter.com\u002Fmoooi\nM O O O I  A M S T E R D A M\nWesterstraat 187\n1015 MA Amsterdam\nThe Netherlands\nT +31 (0)20 528 77 60\namsterdam@moooi.com\nM O O O I  L O N D O N\n23 Great Titchfield Street\nLondon, W1W 7PA\nT +44 2089 625691\nlondon@moooi.com\nM O O O I  N E W  YO R K\n36 East 31st Street\nNew York, NY 10016\nT +1 646 396 0455\nny@moooi.com\nM O O O I  S TO C K H O L M\nNorr Mälarstrand 26\nStockholm, Sweden\nT +46 733 3272 00\nstockholm@moooi.com\nM O O O I  TO K YO\nThree F 6-11-1 Minami Aoyama\nMinato-ku, Tokyo\nT +81 33 400 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