[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-magis-proust-by-alessandro-mendini":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":58},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":53,"matched_pages":54,"match_count":55,"two_pages":56,"show_text":57},12733,"Magis Proust by Alessandro Mendini","magis-proust-by-alessandro-mendini","\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F66\u002F672972e09b86e33444edca92e06914-27080e01f9.pdf","Magis",1300,"magis","11.8 MB",[14,17,21,25,29,33,36,40,43,47,50],{"image":7,"text":15,"number":16},"Magis Proust by Alessandro Mendini\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.2.png","Profile:\nAlessandro Mendini is an architect, \ndesigner and artist, born in Milan in 1931 \nand died in 2019. \nHe graduated in Architecture in 1959, \nand his first place of employment was \nStudio Nizzoli Associati. In 1970 he \nabandoned architectural design to focus \non journalism, specializing, naturally, in \narchitecture and design. He was editor \nof Casabella from 1970 to 1976, and \nthe following year he founded Modo, \nwhich he led until 1979. That same year, \nGiò Ponti made him editor of Domus, \nand he held this position until 1985. 25 \nyears later, in March 2010, he resumed \nhis editorship of the magazine for a short \nperiod. \nIn the seventies, Mendini participated \nin many of the radical design experienc-\nes arising at the time. In 1973 he was \none of the founding members of Global \nTools, a group that was part of the an-\nti-design movement, strongly opposed \nto tradition. In 1979 he joined Studio \nAlchimia, which aimed to create objects \nwith references to popular culture and \nkitsch, outside the bounds of industrial \nproduction, and of their own functionality. \nTogether with his brother Francesco, \nin 1989 he opened Atelier Mendini in \nMilan, creating objects, furniture, spaces, \npaintings, installations and architecture. \nHe works with international companies \nincluding Magis, Alessi, Philips, Cartier, \nBisazza, Swatch, Hermès and Venini, \nand is a consultant for various industri-\nal companies, as far away as eastern \nAsia, helping them solve their image and \ndesign difficulties. \nHe lectured in design at the Hoch-\nschule für Angewandte Kunst in Vienna, \nand was made honorary professor at the \nAcademic Council of Guangzhou Acad-\nemy of Fine Arts in China. He has or-\nganized many exhibitions and seminars \nin Italy and further afield, and his works \nare to be found in numerous museums \nacross the globe. \nWith Atelier Mendini, he worked in \nvarious countries, designing such edi-\nfices as the Alessi factories in a Omeg-\nna, the new olympic swimming pool in \nTrieste, a tower in Hiroshima, Japan, the \nmuseum in Groningen, Netherlands, and \nmany other buildings in Europe and the \nUnited States. In Korea, Atelier Mend-\nini designed the premises of the Milan \nTriennale in Incheon, and also developed \nvarious architectural, interior and design \nworks in Seoul. \nIn 2014 he was awarded his third \nCompasso d’Oro for his lifetime achieve-\nments, the European Prize for Architec-\nture 2014 in Chicago, and an honorary \ndegree from the Academy of Fine Arts in \nWroclaw, Poland. \nAlessandro\nMendini\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.3.png","",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.4.png","Design and\nEngineering\nThe Magis Proust is made from rotational-moulded polyethylene. \nThe armchair is available in orange, red, blue, white, black and two variations of \nthe original dotted multicolour pattern, is weatherproof and, as such, is suitable for \noutdoor use.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.5.png","“ This gem of \ntechnology and \nproduction brings \nnew energy in\nits colours and \natmospheres, \nmaking it a truly \ntimeless object ” \n",5,{"image":34,"text":23,"number":35},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.6.png",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.7.png","Information\nProduct\n“I think many people will already know my “Proust armchair”. It is a romantic, \nbaroque chair, on which an endless number of multi-coloured dots are hand-paint-\ned using the pointillism technique. These dots cover the whole armchair, both the \nfabric and the wooden decorations.\nIt’ s a re-design work. It is, in fact, a combination of a mock-antique armchair with \na detail from a painting of a garden by French artist Signac. From 1978 onwards, \nthe “Proust armchair” was produced in many versions, using different colours, ma-\nterials and dimensions, and was even made of ceramics and bronze. It travelled all \naround the world and was hosted in many museums.\nBut now some truly revolutionary news, as a paradox comes true: the “Proust \narmchair” has now been transformed into an industrial rotational-moulded piece. \nLadies and gentlemen, we bring you “ Magis Proust ”. This gem of technology and \nproduction brings new energy in its colours and atmospheres, making it a truly \ntimeless object.” \n                                                                                                Alessandro Mendini\n",7,{"image":41,"text":23,"number":42},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.8.png",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002F91\u002F2d1baca15083c08f7c7b5aa79530ba-27082cad67.9.png","67\n39\n105\n90\n104\n60\nPRODUCT CARE\nWe recommend using a soft rag, either dry or wet. When needed, use \nph-balanced soap diluted in water. Do not use abrasive sponges as \nthey may leave scratches. Avoid using acidic products, solvents and \nproducts containing ammonia. Periodic maintenance and cleaning al-\nlows the products to keep their original look and lengthens the duration \nof their performance.\nWARNING\nDo not use different cleaning products from the ones mentioned above. \nDo not use the product in an improper way. Do not place hot objects \non it, stand on it or use the product as a ladder. 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